Balloon Girl Quotes

We've searched our database for all the quotes and captions related to Balloon Girl. Here they are! All 100 of them:

You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
If she were Scarlett, someone would have come to her rescue by now. Julian would have probably flown in on a hot-air balloon, and then sprouted wings to soar down and carry her away. Unfortunately Tella wasn't the sort of girl people saved - she was the one they left behind....But she was also the sort they underestimated.
Stephanie Garber (Legendary (Caraval, #2))
Because I am still learning to walk and talk, and it is a million times easier to be cynical and wield a sword, than it is to be open-hearted and stand there, holding a balloon and a birthday cake, with the infinite potential to look foolish.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time." "Yeah, bu-" "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
John Green (Paper Towns)
Please tell me you have to pee." "What? No. No, I do not. Don't even ask." "Oh, come on. I'd do it myself if I could, but I can't. I'm a girl." "I know. Life is unfair. I'm still not going to pee on Karou's ex-boyfriend for you." "What? I wasn't even going to ask you to." In her most reasonable tone, Zuzana explained, "I just want you to pee in a balloon so I can drop it on him." "Oh." Mik pretended to consider this for approximately one and a half second. "No.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
One hot afternoon during the era in which you’ve gotten yourself ridiculously tangled up with heroin, you will be riding the bus and thinking what a worthless piece of crap you are when a little girl will get on the bus holding the strings of two purple balloons. She’ll offer you one of the balloons, but you won’t take it because you believe you no longer have a right to such tiny beautiful things. You’re wrong. You do.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings of a bunch of balloons. Everything that made me who I was - my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self - disconnected from me in that second - snip, snip, snip - and floated up into space.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
People never mentioned in history books still made history.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
Sure. I would go. Balloon or bus or thumb out onthe highway
Nova Ren Suma (Imaginary Girls)
I came to get you. I knew you'd freak out." "But..." My head still feels like a helium balloon. "Why?" Nick looks blank. "Because you always freak out." I shake my head. My voice feels like I've swallowed it. "I mean, why do you care if I freak out?" There's a long silence. "Well," Wilbur finally bursts, "I can take a shot in the dark, if you want." "Seriously," Nick snaps, making his fingers into a gun shape. "I'm going to take a shot in the dark in a minute and it will make contact." Wilbur looks charmed. "Isn't he adorable?" he says fondly. "My duty as Fairy Godmother is complete, anyhoo, and I believe it's time to spread my magic dust elsewhere. So many pumpkins after all; so little time.
Holly Smale (Geek Girl (Geek Girl, #1))
We all received invitations, made by hand from construction paper, with balloons containing our names in Magic Marker. Our amazement at being formally invited to a house we had only visited in our bathroom fantasies was so great that we had to compare one another's invitations before we believed it. It was thrilling to know that the Lisbon girls knew our names, that their delicate vocal cords had pronounced their syllables, and that they meant something in their lives. They had had to labor over proper spellings and to check our addresses in the phone book or by the metal numbers nailed to the trees.
Jeffrey Eugenides (The Virgin Suicides)
Most of the things we think are selfish aren’t at all. We’re just so conditioned to think that wanting things is wrong.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
First of all, you can’t fill up a water balloon like that, dumbshit. Secondly, life is fucking long, especially if you’re stupid.
Justin Halpern (I Suck at Girls)
I read once, and I wished I could remember where, that Brave was a place. You could just go there if you wanted. There were dozens of Braves, everywhere, all over the world, where ordinary people stood up to tyranny and oppression.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
Crazy, crazy kids on a crazy night, a night for pink balloons all over the sky and a candyfruit tree at the end of the street, and he rocked his girl in his arms, sugartight, and he was king of the moon and the streamers and popcorn.
Jay Gilbert (The Skinner)
Three nights later, Lawrence sipped punch and watched the dancing couples flit by... They [the girls] all looked like balloons which had been squeezed in the middle and puffed out at the bottom. Thankfully, Pacarina's style was simpler. She could walk into a room without dusting both door posts, and her waist didn't look like shed was trying to fit a finger ring over it.
John J. Horn
It's all right," Meg assured the Medium earnestly. "Truly it is, Mrs. Medium, and we thank you very much." "Are you sure?" the Medium asked, brightening. "Of course! It really helped me ever so much because it made me mad, and when I'm mad I don't have room to be scared.
Madeleine L'Engle (Newbery Awards Library A Wrinkle in Time, The Twenty-One Balloons, Strawberry Girl, Thimble Summer, & Roller Skates)
The Holocaust happened not because of one person, but because of many people believing in an ideology promoted by a charismatic man at the right time and place, and millions of people colluding. History is not singular. Events do not happen in a vacuum.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
They continued to mount the winding staircase. A high wind, blowing through the loopholes, went rushing up the shaft, and filled the girl's skirts like a balloon, so that she was ashamed, until he took the hem of her dress and held it down for her. He did it perfectly simply, as he would have picked up her glove. She remembered this always.
D.H. Lawrence (Sons and Lovers)
I feel as though I should say something profound, or enact some rite, or trade something to make it official. I want to transfer some trinket which would allow me to say that she's my girl, some kind of currency that proves to people that she likes me back. Something that would permit me to think about her all the time without feeling guilty or helpless or hopelessly far away. I guess I'm just so excited, I want to cage this thing like a tiny red bird so if can't fly away, so it stays the same, so it's still there the next time. For keeps, like a coin in your pocket. Like a peach pit from Mad Jack Lionel's tree. Like scribbled words in a locked suitcase. A bright balloon to tie to your bedpost. And you want to hug it close, hold it, but not so tight it bursts.
Craig Silvey (Jasper Jones)
This is what happens: somebody—girl usually—got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. And maybe you never see the balloon again . . . Or maybe three or four years from now, or three or four days from now, the prevailing winds take the balloon back home . . . But listen, kid, that string gets cut all the time.
John Green (Paper Towns)
History is riddled with deaths. We’re all here because of ghosts.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
History and time are impossible knots. We’ll never understand every moment that makes the next moment more likely.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I’d expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between “Your Highness,” “Your Royal Highness,” “Your Serene Highness,” and even “Your Illustrious Highness.” After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn’t tell left from right. My attempt to lighten the atmosphere with a little joke—“Couldn’t we stop for a rest? I’m totally, serenely, illustriously exhausted”—went down like a lead balloon. “This is not funny,” said Giordano in nasal tones. “Stupid girl.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
She was on the other side of the fence. Simple borders and demarcations made such a difference in someone’s future, hopes, and dreams, and the promises they could make. How pointless the world could be.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
Romance isn't just about pink balloons and heart-shaped cards. It is something much deeper. He put a hand to his heart. Here, where it matters, men are more caring. Ask any young woman what kind of man she wants to marry and the answer will be prince or a millionaire. Ask the same questions of a hundred men, and very few will say that they want a princess or a rich girl. The want somebody beautiful and kind
Farahad Zama (The Wedding Wallah)
Overhead, the glass envelope of the Insomnia Balloon is malfunctioning. It blinks on and off at arrhythmic intervals, making the world go gray:black, gray:black. In the distance, a knot of twisted trees flashes like cerebral circuitry.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.
Brandon Scott Gorrell
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
star stays alive as a result of two opposing actions, the fusion at its core forcing it outwards and the gravitational pull keeping it together. She saw it as a balancing act, a tug of war from which a victor eventually emerges, once the fuel for the reactions runs out and the explosions weaken. When gravity gains the upper hand, the celestial body shrinks like a punctured balloon and becomes smaller and smaller. In this way, a star can vanish into nothing. Salander liked black holes. She felt an affinity to them.
David Lagercrantz (The Girl in the Spider's Web (Millennium, #4))
All the facts in history books couldn’t prepare someone for standing in a place where history was present tense.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
What could change if we started to measure society’s successes not in wars won but in moments in which we countered injustice?
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
You can’t change that because of your conscience. We can’t change the past, Aurora. We can only try to do better in the present and the future.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
You cannot erase a wrong. You can only make it right in the present and the future.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
What could change if we started to measure society’s successes not in wars won but in moments in which we countered injustice? When good did win out over evil.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
they were very scary times [1982], Midge Ure dancing with tears in his eyes. That German girl with the hairy arm pits singing about 99 red balloons.
Kate Harrison (The Self-Preservation Society)
it wasn’t the girls you saw at all, only a gathering of distended abdomens, overinflated balloons from which small wisps of girls were attached.
Ann Patchett (The Patron Saint of Liars)
I don’t need a date. Last time I went to a dance I didn’t have a date and I was totally fine. I just danced with a balloon.
Katy Birchall (The It-Girl (The It Girl, #1))
Your grandparents are English?" "Grandfather is,but Grandmere is French. And my other grandparents are American,of course." "Wow.You really are a mutt." St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent." "I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too." "I do?" He surprised. I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly." "Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum." "And how was it? I bet the girls don't tease you about your accent anymore." He laughs. "No,they don't.But I can't help my height.I'll always be short." "And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me." He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him." "How would you know?" "Well,for one thing,he looks like a Ken doll.And you're beautiful." I trip and fall down on the sidewalk. "Are you all right?" His eyes fill with worry. I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak. "You've seen the way men look at you,right?" he continues. "If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands. "That guy over there is checking you out right now." "Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?" "I expect he likes what he sees." I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?" St. Clair thinks I'm attractive. He called me beautiful. "Um,no," I say. "I hadn't noticed." "Well.Open your eyes." But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?" "You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail. This time I can't help it.All day long, I've thought about it.Him.Our secret. I wish St. Clair would spend the night again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What oppression like this did was inhibit personal, individual connections. Personal connections created a community, and community wasn’t the opposite of individualism. We were collectively a whole made of millions and millions of moving parts, each of us our own gear interlocking with another gear and turning the world a little farther in the right direction.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
So my father went away and my thin, pained mother got fat and happy—fairly fat and extremely happy—as if she were supposed to be that way all along: a deflated balloon taking in air.
Gillian Flynn (Gone Girl)
When would people learn that no leader of any state, free or Communist, gave a shit about us people? We were all out here, flotsam and jetsam, floundering. We only had each other. That’s all.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
And thank you, reader, for picking up this book. For following Ellie into this world. For feeling so deeply like Benno. For fighting alongside Kai. For believing in the goodness of people like Mitzi. Be brave. Be a sponge. And remember, you too are making history each day. Let’s make a history that lifts up all people, erases no one, and leaves behind nothing but hateful ideology.
Katherine Locke (The Girl with the Red Balloon (The Balloonmakers, #1))
He chuckled. “Most girls want jewelry. Instead you want a balloon. How did I get to lucky? Which color do you want?” “That one,” I pointed to a pale blue one. The gray haired man running the balloon cart seemed to find Caeden and me very amusing. “Mommy! Mommy!” A little kid behind me shrieked. “I want one! Boon! Boon!” “No,” she said, from the tone of her voice I could tell she was exhausted. “Boon! Boon!” the little girl cried as the mom picked her up and balanced her on her hip. I looked over at Caeden and saw him holding two balloons. He grinned. “What? I heard someone else wanted a balloon and I just can’t resist a damsel in distress.
Micalea Smeltzer
There is also a psychological phenomenon at work here that I believe is particularly male. A woman or girl--presuming one could be induced to take part in this sort of activity in the first place--having burned her hair and eyebrows would conclude that she had been lucky and reduce the amount of gas she put into the balloon next time. The man doesn't come to the same conclusion at all. He, singed and blackened, arrives at the point of view that he still has a margin of error to play with. After all, he isn't dead, and he's hardly likely to burn his eyebrows off again. They've already gone, history; he's moved on. There can be but one deduction--the dose needs to be increased.
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
What I can deduce from my own meager experience, porn, and Serena’s war stories is that guys like to be teased, squeezed, popped until they burst all over you, at which point they’re basically deflated hot air balloons taking up the entire bed.
Piper Lawson (Good Girl (Wicked, #1))
I feel as though I have a balloon filled with 4th of July sparklers that is ready to explode inside my chest I want to be a firework to live my life blindingly bright and sparkling and then to go out quickly to burn for a short time but very brightly
Emilie Autumn (The Asylum for Wayward Victorian Girls)
Hearts don’t snap like hard pretzels or burst like an overfilled balloon. No. A heart breaks in the heaving waves of a new reality. A tragic reality that has arrived uninvited. A heart breaks when you’re forced to face the possibility of a life you can’t bear to fathom.
Max Monroe (The Girl in the Painting)
The girl was walking along the quiet roads, totally wrapped in her thoughts and in the darkness softened by streetlights hanging up on the tops of electrical power poles. Those lights seemed colorful: yellowish, pinkish, greenish, bluish, reddish, purplish… reminding variegated shining air balloons.
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
with Bergotte, the embarrassment of the name, laden with its disconcerting preconceptions, was insignificant compared with the chagrin I felt at the prospect of tying this man with his goatee to the work I knew, as though to a balloon, and wondering whether it might still have the power to become airborne.
Marcel Proust (In the Shadow of Young Girls in Flower)
An older boy pointed. “Look,” he told his friend. “It’s Violet Beauregarde!” That was the bratty girl in Willy Wonka and the Chocolate Factory who turned blue and ballooned into a huge ball. I was puffy because they’d pumped me up with steroids to get me ready for surgery. I ran to Mom, who was sitting on the edge. I stuffed my face in her breasts. “What is it, Bee?” “They called me it,” I squeaked. “It?” Mom’s eyes were across from mine. “Violet Beauregarde,” I managed to say, then burst into fresh tears. The mean boys huddled nearby, looking over, hoping my mom wouldn’t rat them out to their moms. Mom called to them, “That’s really original, I wish I’d thought of that.” I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn’t fall, because Mom was in the world.
Maria Semple (Where'd You Go, Bernadette)
One hot afternoon during the era in which you've gotten yourself ridiculously tangled up with heroin, you will be riding the bus and thinking what a worthless piece of crap you are when a little girl will get on the bus holding the strings of two purple balloons. She'll offer you one of the balloons, but you won't take it because you believe you no longer have a right to such tiny beautiful things. You're wrong. You do.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
In the Volksgarten “I’d like to have a blue balloon! A blue balloon is what I’d like!” “Here’s a blue balloon for you, Rosamunde!” It was explained to her then that there was a gas inside that was lighter than the air in the atmosphere, as a consequence of which, etc. etc. “I’d like to let it go—,” she said, just like that. “Wouldn’t you rather give it to that poor little girl over there?” “No, I want to let it go—!” She lets the balloon go, keeps looking after it, till it disappears in the blue sky. “Aren’t you sorry now you didn’t give it to the poor little girl?” “Yes, I should’ve given it to the poor little girl.” “Here’s another blue balloon, give her this one!” “No, I want to let this one go too up into the blue sky!”— She does so. She is given a third blue balloon. She goes over to the poor little girl on her own, gives this one to her, saying: “You let it go!” “No,” says the poor little girl, peering enraptured at the balloon. In her room it flew up to the ceiling, stayed there for three days, got darker, shriveled up and fell down dead, a little black sack. Then the poor little girl thought to herself: “I should have let it go outside in the park, up into the blue sky, I’d’ve kept on looking after it, kept on looking—!” In the meantime, the rich little girl gets another ten balloons, and one time Uncle Karl even buys her all thirty balloons in one batch. Twenty of them she lets fly up into the sky and gives ten to poor children. From then on she had absolutely no more interest in balloons. “The stupid balloons—,” she said. Whereupon Aunt Ida observed that she was rather advanced for her age! The poor little girl dreamed: “I should have let it go up into the blue sky, I’d’ve kept on looking and looking—!
Peter Altenberg (Telegrams of the Soul)
We are Volunteers Fighting Disease, And we’re cheerful all day long. If someone said that we were sad, That person would be wrong. We visit people who are sick, And try to make them smile, Even if their noses bleed, Or if they cough up bile. Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon. We visit people who are ill, And try to make them laugh, Even when the doctor says He must saw them in half. We sing and sing all night and day, And then we sing some more. We sing to boys with broken bones And girls whose throats are sore. Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon. We sing to men with measles, And to women with the flu, And if you breathe in deadly germs, We’ll probably sing to you. Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
If there had been any one to take this lonely girl in hand and organize her education, Heaven only knows what might have been made of her; but there was no friendly finger to point a pathway in the intellectual forest, and Isabel rambled as her inclination led her, now setting up one idol, now superseding him by another; living as much alone as if she had resided in a balloon, for ever suspended in mid air, and never coming down in serious earnest to the common joys and sorrows of the vulgar life about her.
Mary Elizabeth Braddon (The Doctor's Wife)
- I'll throw the world at your feet, girl. He began to stroke my bare shoulder with his hand, following the movement of his fingers. - I'll show you places you never dreamed of. He leaned down and kissed the piece of skin he was stroking. "I want you to see the sunrise in Burma when we fly a balloon." His lips rolled down my neck. - Let you get drunk at night in Tokyo, watching the colorful lights of the city. I closed my eyes as Nacho's lips stroked my ear. - You'll love me on a board off the coast of Australia. I will show you the whole world.
Blanka Lipińska (Kolejne 365 dni (365 dni, #3))
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Whether you're a bride or a birthday boy, your options are much the same. Cake comes in chocolate, yellow, or white. Frosting comes in chocolate or vanilla buttercream, or you can opt for whipped cream. Fillings are either chocolate or vanilla custard, fresh bananas, or strawberries or raspberries in season. For birthday cakes, you can have either flowers or balloons in your choice of colors. For wedding cakes, you can add either fondant or marzipan covering, or either smooth or basket-weave buttercream, in white or ivory, with either pearl-like dots or ribbony swags made of frosting, and fondant faux flowers are extra.
Stacey Ballis (Wedding Girl)
But then you remember how hard it was, that moment between wakefulness and sleep. How the moment of settling down was almost physically painful, your mind pulling away from your body like a balloon being sucked into the atmosphere. He settles that. He tells you that your day was rich enough and now it is time to wind down. He helps you sleep. People need sleep. You’ve learned a new rule and it’s simple: don’t put yourself in situations you’d like to run away from. But when you run, run back to yourself, like that bunny in Runaway Bunny runs to its mother, but you are the mother, and you’ll see that later and be very, very proud.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
The idea came from one time when I was waiting for one of the girls at the airport and I saw this huge, happy, noisy crowd carrying balloons and placards and video cameras and regular cameras and flowers and wrapped gifts, and then the plane landed and a woman walked in with a tiny little button of a baby, Korean I think or Chinese, and the crowd started cheering and this couple stepped forward and the wife held out her arms and the woman gave her the baby and … I’ve always felt sort of cheated that we haven’t had any adoptions in our family. Adoption is more sudden than pregnancy, don’t you think? It’s more dramatic. So I said, ‘Why don’t we welcome our babies like that?
Anne Tyler (Back When We Were Grownups)
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
You used to own the night and put it to good use, during that sweet spot after your father could no longer tell you when to go to sleep and before you shared an apartment with someone else. Is togetherness killing your productivity? When's the last time you stayed up until 4:00 a.m. testing the boundaries of your consciousness and Googling serial killers? But then you remember how hard it was, that moment between wakefulness and sleep. How the moment of settling down was almost physically painful, your mind pulling away from your body like a balloon being sucked into the atmosphere. He settles that. He tells you that your day was rich enough and now it is time to wind down. He helps you sleep. People need sleep.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You know, there are things that can be done easily and simply and there are things that are very difficult. When it comes to the important stuff, I always seem to take the most difficult path, for some reason. You can buy the most amazing ring and get down on one knee or write a message in the sky or go up in a hot air balloon, but all of those options are for people who do everything on time, and that’s not me. I made my choice a long time ago... But how can I tell this girl that I want to live a full and happy life and that that’s only possible with her when she’s not available? Somebody beat me to it, but it’s so much more than that. How can I tell her that I’ll never hurt her, never cause her pain? That I’ll dedicate my life to protecting her from all the bad, from every possible harm and danger? That I want to have lots of babies, but only if she is their mother? That I can’t imagine my life without her? How can I tell her all this if she has already given herself to someone else?
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space. I was not left drifting. A new string held me where I was. Not one string, but a million. Not strings, but steel cables. A million steel cables all tying me to one thing—to the very center of the universe. I could see that now—how the universe swirled around this one point. I’d never seen the symmetry of the universe before, but now it was plain.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
During this pep rally, the cheerleaders would call two members of each class, one boy, one girl, to come down and take part in some embarrassing game--a relay race, or water balloon toss, or singing competition--all in the name of school spirit. Invariably, I was the seventh-grade boy called down. I suspected that this is because the head cheerleader was Rob Cantrell's girlfriend. No misery I feel as an adult can match what I felt as I carefully stepped my way between the kids down the bleachers to the floor. The high school kids called my name, again and again, in falsetto, "Ves! Vessy!" and made kissing noises. Then I tried to run like a boy in the relay race, or sing whatever stupid song I was forced to sing in a voice quiet and masculine. [...] The next year the torture continued, but in a different way. It was less creative, a simple "Fag," as I passed the boys in the hall. What could they do? I didn't give them material anymore. I had swallowed my voice, and my walk was utterly nondescript.
Todd Pozycki
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
Saturday is birthday cake day. During the week, the panadería is all strong coffee and pan dulce. But on weekends, it's sprinkle cookies and pink cake. By ten or eleven this morning, we'll get the first rush of mothers picking up yellow boxes in between buying balloons and paper streamers. In the back kitchen, my father hums along with the radio as he shapes the pastry rounds of ojos de buey, the centers giving off the smell of orange and coconut. It may be so early the birds haven't even started up yet, but with enough of my mother's coffee and Mariachi Los Camperos, my father is as awake as if it were afternoon. While he fills the bakery cases, my mother does the delicate work of hollowing out the piñata cakes, and when her back is turned, I rake my fingers through the sprinkle canisters. During open hours, most of my work is filling bakery boxes and ringing up customers (when it's busy) or washing dishes and windexing the glass cases (when it's not). But on birthday cake days, we're busy enough that I get to slide sheet cakes from the oven and cover them in pink frosting and tiny round nonpareils, like they're giant circus-animal cookies. I get to press hundreds-and-thousands into the galletas de grajea, the round, rainbow-sprinkle-covered cookies that were my favorite when I was five. My mother finishes hollowing two cake halves, fills them with candy- green, yellow, and pink this time- and puts them back together. Her piñatas are half our Saturday cake orders, both birthday girls and grandfathers delighting at the moment of seeing M&M's or gummy worms spill out. She covers them with sugar-paste ruffles or coconut to look like the tiny paper flags on a piñata, or frosting and a million rainbow sprinkles.
Anna-Marie McLemore (Hungry Hearts: 13 Tales of Food & Love)
The year 1789 does not yet affirm the divinity of man, but the divinity of the people, to the degree in which the will of the people coincides with the will of nature and of reason. If the general will is freely expressed, it can only be the universal expression of reason. If the people are free, they are infallible. Once the King is dead, and the chains of the old despotism thrown off, the people are going to express what, at all times and in all places, is, has been, and will be the truth. They are the oracle that must be consulted to know what the eternal order of the world demands. Vox populi, vox naturae. Eternal principles govern our conduct: Truth, Justice, finally Reason. There we have the new God. The Supreme Being, whom cohorts of young girls come to adore at the Feast of Reason, is only the ancient god disembodied, peremptorily deprived of any connection with the earth, and launched like a balloon into a heaven empty of all transcendent principles. Deprived of all his representatives, of any intercessor, the god of the lawyers and philosophers only has the value of a demonstration. He is not very strong, in fact, and we can see why Rousseau, who preached tolerance, thought that atheists should be condemned to death. To ensure the adoration of a theorem for any length of time, faith is not enough; a police force is needed as well. But that will only come later. In 1793 the new faith is still intact, and it will suffice, to take Saint-Just's word, to govern according to the dictates of reason. The art of ruling, according to him, has produced only monsters because, before his time, no one wished to govern according to nature. The period of monsters has come to an end with the termination of the period of violence. "The human heart advances from nature to violence, from violence to morality." Morality is, therefore, only nature finally restored after centuries of alienation. Man only has to be given law "in accord with nature and with his heart," and he will cease to be unhappy and corrupt. Universal suffrage, the foundation of the new laws, must inevitably lead to a universal morality. "Our aim is to create an order of things which establishes a universal tendency toward good.
Albert Camus (The Rebel)
I took the stairs two at a time, excited to have company today. When I opened the door I gasped and stood there in shock a moment before saying, “Patti, it’s awesome!” She had decorated with my school colors. Royal blue and gold streamers crisscrossed the ceiling, and balloons were everywhere. I heard her and the twins come up behind me, Patti giggling and Marna oohing. I was about to hug Patti, when a movement on the other side of the room caught my eye through the dangling balloon ribbons. I cursed my stupid body whose first reaction was to scream. Midshriek, I realized it was my dad, but my startled system couldn’t stop its initial reaction. A chain reaction started as Patti, then both the twins screamed, too. Dad parted the balloons and slunk forward, chuckling. We all shut up and caught our breaths. “Do you give all your guests such a warm welcome?” Patti’s hand was on her heart. “Geez, John! A little warning next time?” “I bet you’re wishing you’d never given me that key,” Dad said to Patti with his most charming, frightening grin. He stared at her long enough to make her face redden and her aura sputter. She rolled her eyes and went past him to the kitchen. “We’re about to grill,” she said without looking up from the food prep. “You’re welcome to stay.” Her aura was a strange blend of yellow and light gray annoyance. “Can’t stay long. Just wanted to see my little girl on her graduation day.” Dad nodded a greeting at the twins and they slunk back against the two barstools at the counter. My heart rate was still rapid when he came forward and embraced me. “Thanks for coming,” I whispered into his black T-shirt. I breathed in his clean, zesty scent and didn’t want to let him go. “I came to give you a gift.” I looked up at him with expectancy. “But not yet,” he said. I made a face. Patti came toward the door with a platter of chicken in her hands, a bottle of BBQ sauce and grilling utensils under her arm, and a pack of matches between her teeth. Dad and I both moved to take something from her at the same time. He held up a hand toward me and said, “I got it.” He took the platter and she removed the matches from her mouth. “I can do it,” she insisted. He grinned as I opened the door for them. “Yeah,” he said over his shoulder. “I know you can.” And together they left for the commons area to be domesticated. Weird.
Wendy Higgins (Sweet Peril (Sweet, #2))
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
Overhead, the glass envelope of the Insomnia Balloon is malfunctioning. It blinks on and off at arrhythmic intervals, making the world go gray:b lack, gray: black. In the distance, a knot of twisted trees flashes like cerebral circuitry.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
She said, a little unkindly, 'We do not have time for your emotions or any heroics. I can only save one life today. I chose you. You have all your stories, and you're young still. Benno, you and I, we'll change the world. But you must trust me. Take this and do not let go...
Katherine Locke
When we arrived at the Lodz ghetto, I was sixteen years old and Ruth was five. My mother was forty-six, my father forty-eight. When I left the Lodz ghetto, I was seventeen years old and Ruth was five. My mother was forty-six, my father forty-eight. When I die, I will be an old man...But even then I will always know that my sister is five. She will always be five.
Katherine Locke
The very next morning It was Valentine’s Day! They grabbed all their cards and went on their way. The classroom was decked out in red, pink, and white, with balloons and streamers, so festive and bright. Someone dropped by with a giant bouquet addressed to the teacher, who blushed right away. The card was signed “From a secret admirer,” but everyone knew it was Mr. O’Meyer! They played pin the heart and won goofy toys, and girls ran away from kissy-face boys. The art teacher came and painted kids’ faces. She put hearts on cheeks and sillier places! At last it was time to deliver the cards. Look! One for Lisa, Jim, and Bernard. They opened them up, read them and smiled, and laughed at the cards that were totally wild. Then they ate goodies, sweet cherries, and grapes, and drank punch with ice cubes in little heart shapes. And just when they thought the party was done, a knock on the door came at quarter past one. When what to their wondering eyes should appear, but the principal himself dressed in full Cupid gear! His arrows--how golden! His bow--curved and tight! The wig that he wore was a comical sight. He spoke not a word and was gone in a minute, leaving a present behind. Now what could be in it? They read Cupid’s note as he leapt down the hall: “Happy Valentine’s Day-- to one and to all!
Natasha Wing (The Night Before Valentine's Day (Reading Railroad Books))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
There’s no urgency about anything in my life. I can do whatever I want, whenever I want. But instead of enjoying this freedom, I feel untethered, like a balloon floating up and away, unsure if I’ll finally come down to rest somewhere good, or if I’ll fly too close to the sun and explode with a bang. After
Shalini Boland (The Girl from the Sea)
One time, I spent six months back in time. I fell in love with a boy who had no obligation to love a world that only gave him gray skies and loneliness.
Katherine Locke
We created Brave wherever we were brave.
Katherine Locke
In the most unlikely moments, I would catch glimpses of the person I used to be: the child who shrieked with delight as her dress swirled about her like a balloon, the girl who used to see the glass as half full, the young woman who used to laugh at the absurdity of life. All of those previous versions of myself had existed, yet I couldn’t have imagined what the future versions would be like.
Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
Each family was required to have two things in order to be chosen. They had to have: a) one boy and one girl between the ages of three and eight; and b) they had to have definite creative interests, such as interests in painting, writing, the sciences, music, architecture, medicine. These two requirements would not only assure future generations of Krakatoa citizens; but also he assumed that people with creative interests are not liable to be too bored on a small desolate island; and people with inventive interests can more easily cope with unusual situations and form a stronger foundation for a cultured heredity.
William Pène du Bois (The Twenty-One Balloons)
Well, this is underwhelming,” said Sophia, looking around. “Where’s the confetti cannon?” “And the balloon drop?” added Erin. We all looked up at the ceiling. “Oh, there’s my pencil.” Sophia pointed to half a NO. 2 lodged in a ceiling tile. “Confetti and a balloon drop are messy. The mayor’s obviously bringing the keys to the city,” said Lucy. “Guys, I think this is it,” said Leila, gesturing around us with a frown. “So much for my chocolate fountain.” I didn’t respond. All their ideas were a little far-fetched. Clearly, Mrs. Clark was taking us on a shopping spree. My friends and I sat and watched other students file in. Each one glanced around, too, with disappointed expressions. When Mrs. Clark finally appeared, she turned off the lights and pressed a button to lower the projector screen at the front of the room. “Sweet! Movie time in coding club,” Bradley said.
Jo Whittemore (Lights, Music, Code! (Girls Who Code, #3))
Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.
Robert Pinsky
When the Afang growled, the bushes shook and the oak leaves trembled on the branches, as if a strong wind was blowing. But after its dinner, when it had swallowed down a man, or two calves, or four sheep, or a fat heifer, or three goats, its body swelled up like a balloon. Then it usually rolled over, lay along the ground, or in the soft mud, and felt very stupid and sleepy, for a long while. All around its lair, lay wagon loads of bones of the creatures, girls, women, men, boys, cows, and occasionally a donkey, which it had devoured.
William Elliot Griffis (Welsh Fairy Tales)
Balloon asked you to introduce yourselves,” she added helpfully. “I know you’ve never heard a balloon talking, but it’s only polite to answer his question.
Camelia Lică (The Little Girl and the Balloon)
But then you remember how hard it was, that moment between wakefulness and sleep. How the moment of settling down was almost physically painful, your mind pulling away from your body like a balloon being sucked into the atmosphere. He settles that. He tells you that your day was rich enough and now it is time to wind down. He helps you sleep. People need sleep. You've learned a new rule and it's simple: don't put yourself in situations you'd like to run away from. But when you run, run back to yourself, like that bunny in 'Runaway Bunny' runs to its mother, but you are the mother, and you'll see that later and be very, very proud.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Dex's mother knew she should be afraid for her daughter. This, she'd been told, was the tragedy of being a girl. To live in fear–it was the fate of any parent, maybe, but the special provenance of a mother to a daughter, one woman raising another, knowing too well what could happen. This was what lurked inside the luckiest delivery rooms, the ones whose balloons screamed It's a girl!: pink cigars and flowered onesies and fear.
Robin Wasserman
polished, gleaming in the sun. Ali rolled her eyes and was about to say something when a couple kids in swimsuits appeared. They were running between the cars, chasing each other with bright water guns and heavy balloons. A little girl, no more than three or four, followed screaming, “Wait up! Mom said you have to play with me. Stop going so fast!” “Umm, okay. I know I said
Adele Huxley (Playing with Power - Book 2)
In the long run, people of every age and in every walk of life seem to regret not having done things much more than they regret things they did.” And of course, that is the folklore of the deathbed: No one dies wishing they’d spent more time at the office, but they do regret not having been up in a balloon, not seeing the Pyramids, not having pursued the girl. Gilbert argues that the reason we regret inaction more is that it’s easy for us to rationalize taking action, if only because we can say we learned something from the experience. We prefer to think of ourselves as courageous, if foolish, rather than cowardly and also foolish.
Anonymous
J: You will not believe what Mom is doing. M: Ballroom dancing lessons? Hot-air balloon classes?
Kelly Bingham (Formerly Shark Girl (Shark Girl, #2))
There were few things in life Julie Crews enjoyed more than bachelorette parties. They were, by design, one of those rare events where women weren’t just permitted but encouraged to throw off their inhibitions. No matter the amount of booze or the quantity of strippers, the drugs or the homoerotic shenanigans, the shrieking, the woo-girling, the balloon penises, the everything, it was all waved away as girls being girls, a bacchanal of the stupid, like oblations for a twenty-first-century neon Dionysus.
Cassandra Khaw (The Dead Take the A Train (Carrion City, #1))
A Communist soldier told my family that a big truck would come for the men in the morning. The trucks had been picking up men and boys from their village for months. Those who had gone on the trucks had not returned. The soldiers said that they were sent to reeducation camps, but the family knew better. All over the mountain villages, people could smell the strong stench of rotten flesh coming from the jungle. Women and girls followed the smell in search of the men they loved. Sometimes the bodies were in a pile. Other times the bodies would be in different spots. Close to my father’s village, Grandma and my uncles had found the body of a young boy inches away from his father. He had left finger tracks on the ground where he had been pulled away from his father. He was sliced at the throat. The father had been shot. Most of the time, the bodies were remnants, half eaten by wild animals. What remained was bloated and blue, flesh ballooning from stained, torn clothes. The Hmong of Phou Bia mountain knew that the coming of the trucks meant death. My father’s family knew that they had to leave their village before the soldiers arrived with their guns on the big trucks.
Kao Kalia Yang (The Song Poet: A Memoir of My Father)
Other skaters came to our dorm room to suck balloons inflated from his nitrous tank or sit on the floor clipping their toenails while a skate VHS with a Dinosaur Jr. soundtrack juddered away. Tim was kind to everyone and unimpressed by the university. He never washed his bedsheets. I took to Scotch-taping a sheet of Bounce to an electric fan to deodorize the room. We listened to the Pharcyde and mix tapes from Beat Non Stop, the DJ shop on Melrose Avenue. When Tim went home for the weekend or stayed out late with a girl, I lay in the dark and played Barbra Streisand’s cover of ‘Somewhere,’ in which astral synthesizers evoke outer space. Alone in the dark, I felt comforted, embarrassed and duplicitous.
Jeremy Atherton Lin (Gay Bar: Why We Went Out)
swear I didn’t know Jay was the guy from junior high. If I had, I’d never have brought him here.” He turned to his car. “Let me take him home. Then I’ll come back, and we can talk about us. I’m not like Jason. Give me a chance, Violet, please.” My lower lip trembled. I felt like a deflated balloon. Overstretched. Worn out. A part of me knew that what Wes said was true. He wasn’t like Jason. But how could I look at him and not see the face of my tormenter? And how could I ever stop wondering if I was just another notch on his belt? I shook my head. Jason’s bullying had shattered my spirit, but being hurt by Wesley would destroy me. Better to guard my heart against that than let my walls down. “I don’t think it’s a good idea for us to date. Maybe you’re not like Jason, but you go through girls so quickly, and I couldn’t cope with having my heart broken.” Wes’s expression hardened. “Fine, if that’s what you want. But I can’t say that your decision doesn’t hurt. Yes, I have a past. But you’re the one who’s refusing to give us a chance at a future.” He turned away and stalked over to his car, never once looking back. As I watched him drive away, I told myself I’d done the right thing. Then why did it feel like I’d lost something precious?
Ginger Li (XOXO, Violet (East Beach High #2))
Not even on the guy I watched once while I rounded up carts, outside in the parking lot, trying to stuff his huge armload of pink birthday balloons into his hatchback, damning them to goddamn hell as they kept bobbing back out in his face, finally pulling a coping blade out of his pocket and stabbing every balloon but one. He slammed the hatch and drove off with it, home to some sad, one-balloon birthday girl, and I confess to spending some juice on her. Rehab possibly in her future.
Barbara Kingsolver (Demon Copperhead)
When we’re young, everything is new and exciting, and everything seems to matter so much. Therefore, we give tons of fucks. We give a fuck about everything and everyone—about what people are saying about us, about whether that cute boy/girl called us back or not, about whether our socks match or not, or what color our birthday balloon is.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)