“
Here's why I will be a good person. Because I listen. I cannot talk, so I listen very well. I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like being a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words "soccer" and "neighbor" in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein (The Art of Racing in the Rain)
“
I agreed. By this time the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood. The only problem now was a gigantic neon sign outside the window, blocking our view of the mountains -- millions of colored balls running around a very complicated track, strange symbols & filigree, giving off a loud hum....
"Look outside," I said.
"Why?"
"There's a big ... machine in the sky, ... some kind of electric snake ... coming straight at us."
"Shoot it," said my attorney.
"Not yet," I said. "I want to study its habits.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
“
Your name is a -- bird in my hand
a piece of -- ice on the tongue
one single movement of the lips.
Your name is: five signs,
a ball caught in flight, a
silver bell in the mouth
a stone, cast in a quiet pool
makes the splash of your name, and
the sound is in the clatter of
night hooves, loud as a thunderclap
or it speaks straight into my forehead,
shrill as the click of a cocked gun.
Your name -- how impossible, it
is a kiss in the eyes on
motionless eyelashes, chill and sweet.
Your name is a kiss of snow
a gulp of icy spring water, blue
as a dove. About your name is: sleep.
”
”
Marina Tsvetaeva
“
I tried hard to forget, but there remained inside me a vague knot of air.
And as time went by, the knot began to take on a clear and simple
form, a form that I am able to put into words, like this:
Death exists, not as the opposite but as a part of life.
It's a cliché translated into words, but at the time I felt it not as words
but as that knot of air inside me. Death exists - in a paperweight, in
four red and white balls on a pool table - and we go on living and
breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
Somedays you're the cue ball, somedays you are the eight ball
”
”
Pablo
“
I feel guilty looking at those "People of Walmart" photos you see on the Internet. It's not cool to make fun of pitiful people. You really think anyone who wasn't batshit crazy would walk out of the house in a camouflage mankini and a Confederate flag ball cap to go buy some new furnace filters? No, he's cray-cray.
”
”
Celia Rivenbark (You Don't Sweat Much for a Fat Girl: Observations on Life from the Shallow End of the Pool)
“
One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds.
Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day.
Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
”
”
Diane Ackerman (I Praise My Destroyer: Poems)
“
I want you," he said quietly. "I want you, in every way. I want to take you on dates and play with a fucking beach ball in a pool with you, but I'm a wreck, January
”
”
Emily Henry (Beach Read)
“
Jupiter's fly-by had been carried out with impeccable precision. Like a ball on a cosmic pool table, Discovery had bounced off the moving gravitational field of Jupiter, and had gained momentum from the impact. Without using any fuel, she had increased her speed by several thousand miles an hour.
Yet there was no violation of the laws of mechanics; Nature always balances her books, and Jupiter had lost exactly as much momentum as Discovery had gained. The planet had been slowed down - but as its mass was a sextillion times greater than the ship's, the change in its orbit was far too small to be detectable. The time had not yet come when Man could leave his mark upon the Solar System.
”
”
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
“
Stretched and skewed
Tap of the 8-ball and the cue
Scratches fall through
They are the scars of you
”
”
Criss Jami (Salomé: In Every Inch In Every Mile)
“
Death exists, not as the opposite but as a part of life. ... Death exists – in a paperweight, in four red and white balls on a pool table – and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
But I love to drink. I can’t help it. I mean, I love it Bryson-love the taste, love that buzz you get when you’ve had a couple, love the smell and feel of the taverns. I miss dirty jokes and the click of pool balls in the background, and that kind of bluish, under lit glow of a bar at night.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
”
”
Gillian Flynn (Sharp Objects)
“
Dip into the whip and anal bead pool and bathe in it a little. Let’s give our readers wild sex on a silver paddled platter. Let’s dildo up and jump on the gag ball bandwagon.
”
”
Tillie Cole (Thoroughly Whipped)
“
When you lose, let that be a lesson to you.
When you win - you don't learn anything.
”
”
Allan P. Sand
“
I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball. To believe otherwise was to believe that a God to whom my mother had devoted her life had responded by striking down her husband and causing her so much pain. I couldn’t accept that.
”
”
Robert Dugoni (The Extraordinary Life of Sam Hell)
“
I hope your future includes me. I mean, someone has to continue to kick your butt in pool.”
Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.”
“Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again.
“Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.”
“Me, too.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Is six a.m. too early to watch The Bachelor and mock all the giggly, desperate women?"
"Go for it. Though I bet it'd work better as a drinking game," Laurel said. "One shot for the flirty arm touch. Chug if they strip and bum-rush the pool."
Anne hit play. "Like they'd get their hair wet."
Laurel stared at the screen, laughed at Anne's comments but felt another weird pang upset her insides. "Would you say this show makes something incredibly complex--you know, relationships--into something mind-numbingly vapid? Or does it make something actually rather simple into a big fucking circus?"
"Both. That's why I love it."
"I couldn't stand competing for a man like that," Laurel murmured. "I don't have the right...programming for it. Like to fight like that. Some people get an adrenaline rush and they're like foosh, give me somebody to beat down. I just, like curl up into a ball and want to hide."
"I'm somewhere in the middle," Anne said. "I'm like a ninja. I'll like, come out of my shadowy hiding space and beat you down, bitches. You won't even see me.
”
”
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
“
When Khubchand, his beloved, blind, bald, incontinent seventeen-year-old mongrel, decided to stage a miserable, long-drawn-out death, Estha nursed him through his final ordeal as though his own life somehow depended on it. In the last months of his life, Khubchand, who had the best of intentions but the most unreliable of bladders, would drag himself to the top-hinged dog-flap built into the bottom of the door that led out into the back garden, push his head through it and urinate unsteadily, bright yellowly, inside Then with bladder empty and conscience clear he would look up at Estha with opaque green eyes that stood in his grizzled skull like scummy pools and weave his way back to his damp cushion, leaving wet footprints on the floor. As Khubchand lay dying on his cushion, Estha could see the bedroom window reflected in his smooth, purple balls. And the sky beyond. And once a bird that flew across. To Estha - steeped in the smell of old roses, blooded on memories of a broken man - the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle. A bird in flight reflected in an old dog's balls. It made him smile out loud.
”
”
Arundhati Roy (The God of Small Things)
“
It's just one of those things, like some people don't sink when they go in the pool, some know how to throw a ball so it goes toward the person holding the mitt. I have no idea how people do those things; I'm good at schoolwork. That works out well because it frees up my time for my hobbies, like lying on the couch eating M&M's.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
By turning names into things we create false models of reality. By endowing nations, societies or cultures, with the qualities of internally homogeneous and externally distinctive bounded objects, we create a model of the world as a global pool hall in which the entities spin off each other line so many hard and round billiard balls
”
”
Eric R. Wolf
“
The life of a man is like a ball in the river, the Buddhist texts state - no matter what our will wants or desires, we are swept along by an invisible current that finally delivers us to the limitless expanse of the black sea. This image rather appeals to me. It suggests there are times when we float lightly along life's surface, bobbing from one languid, long pool to another. But then, when we least expect it, we turn a river bend and find ourselves plummeting over a thundering waterfall into the churning abyss below. This I have experienced. And more.
”
”
Richard C. Morais (Buddhaland Brooklyn)
“
Here's why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor's yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story , you, upon hearing the words 'soccer' and 'neighbor' in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn't he play for the Cosmos of New York? Did you grow up in New York? And you might reply that no, you grew up in Brazil on the streets of Tres Coracoes with Pele and I might say, I thought you were from Tennessee, and you might say, not originally, and then go on to outline your genealogy at length. So my initial conversational gambit - that I had a funny story about being chased by my neighbor's dog - would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal their stories.
”
”
Garth Stein
“
Dora knitted her brow. "You cannot have thought of Lady Cushing's ball," she said sceptically.
"I did not," Elias said. "I thought of you, Dora. But you are here, and so here I am." Those golden eyes held hers, and a flustered heat pooled against the surface of Dora's skin. "I did not come here only to dance. I came here only to dance with you. It is quite a different thing."
The dancing began, and it was a good thing that it did—Dora was suddenly certain that she could not manage to stay still beneath those eyes for even a moment longer.
”
”
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
“
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
”
”
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
“
The more time the Tiny Pregnant Woman spent in the pool, the more the pool became like a crystal ball, revealing things about her that she could not see on her own. It seemed the pool had something to teach her about her life's purpose, and she needed to keep swimming to realize it.
”
”
Emily Habeck (Shark Heart)
“
America usually felt like iPhones and pizza and swimming pools to Andrew. L.A. was America. New sneakers. Sunshine. Pot and blue balls. Phoenix was America. Sprinklers and blow jobs and riding shotgun. Vegas was America, all of it. But if there were monsters and magic anywhere in this country, they would be here in New Orleans. New Orleans was an ancient doppelgänger city that grew in some other America that never really existed.
”
”
Jade Chang (The Wangs vs. the World)
“
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.”
I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.”
Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.”
“Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again.
“Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.”
“Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?”
His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.”
I whispered the words as he brought his lips to mine. “Forever.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I promise to go slow for you.” The way he says it, low and teasing, sends my thoughts scattering like pool balls on a perfect break. I can’t think of a single reply.
”
”
Emily Henry (Funny Story)
“
My calves feel like pool balls and I’m huffing like an asthmatic Snuffleupagus.
”
”
Geralyn Corcillo (Miss Adventure)
“
Her continued devotion in the face of all that had happened amazed me, but at this point I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball.
”
”
Robert Dugoni (The Extraordinary Life of Sam Hell)
“
When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.
”
”
Jun'ichirō Tanizaki (In Praise of Shadows)
“
Ich selbst spiele nie Billard, [...],aber ich weiß, dass man den Ball hoch oder tief, rechts oder links nehmen kann; man kann den zweiten Ball voll treffen oder streifen; man kann stark oder schwach stoßen; die Fälsche stärker oder schwächer wählen; und sicher gibt es noch viele solcher Möglichkeiten. Ich kann mir nun jedes dieser Elemente beliebig abgestuft denken, so gibt es also nahezu unendlich viele Kombinationsmöglichkeiten. Wollte ich sie theoretisch ermitteln, so müßte ich außer den Gesetzen der Mathematik und der Mechanik starrer Körper auch die der Elastizitätslehre berücksichtigen; ich müßte die Koeffizienten des Materials kennen; den Temperatureinfluß; ich müßte die feinsten Maßmethoden für die Koordination und Abstufung meiner motorischen Impulse besitzen; meine Distanzschätzung müßte genau wie ein Nonius sein; mein kombinatorisches Vermögen schneller und sicherer als ein Rechenschieber; zu schweigen von der Fehlerrechnung, die Streungsbreite und dem Umstand, daß das zu erreichende Ziel der richtigen Koinzidenz der beiden Bälle selbst kein eindeutiges ist, sondern eine um einen Mittelwert gelagerte Gruppe von eben noch genügenden Tatbeständen darstellt.
”
”
Robert Musil (The Man Without Qualities)
“
Noah held his hand out. She accepted it - it was bone-cold, as always - and together they turned to face the huge room. Noah took a deep breath as if they were preparing to explore the jungle instead of stepping deeper into Monmouth Manufacturing.
It seemed bigger with just the two of them there. The cobwebbed ceiling soared, dust motes making mobiles overhead. They turned their heads sideways and read the titles of the books aloud. Blue peered at Henrietta through the telescope. Noah daringly reattached one of the broken miniature roofs on Gansey's scale town. They went through the fridge tucked in the bathroom. Blue selected a soda. Noah took a plastic spoon. He chewed on it as Blue fed Chainsaw a leftover hamburger. They closed Ronan's door - if Gansey still managed to inhabit the rest of the apartment, Ronan's presence was still decidedly pervasive in his room. Noah showed Blue his room. They jumped on his perfectly made bed and then they played a bad game of pool. Noah lounged on the new sofa while Blue persuaded the old record player to play an LP too clever to interest either of them. They opened all the drawers on the desk in the main room. One of Gansey's EpiPens bounced against the interior of the topmost drawer as Blue withdrew a fancy pen. She copied Gansey's blocky handwriting onto a Nino's receipt as Noah put on a preppy sweater he'd found balled under the desk. She ate a mint leaf and breathed on Noah's face.
Crouching, they crab-walked along the aerial printout Gansey had spread the length of the room. He'd jotted enigmatic notes to himself all along the margin of it. Some of them were coordinates. Some of them were explanations of topography. Some of them were Beatles lyrics.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
I was drowning in wedding crap and estrogen back at the house, so I called up Lawson to see if he wants to grab a couple beers and play a game of pool. I needed to get out and do something manly so I don’t feel like I’ve completely lost my damn balls.
”
”
Danielle Jamie (Mine Would Be You (Sweet Home Alabama #1))
“
It’s a cliché translated into words, but at the time I felt it not as words but as that knot of air inside me. Death exists – in a paperweight, in four red and white balls on a pool table – and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
There is something curiously therapeutic about bars when everything has silenced: when the laughter halts, the glasses no longer clank together, pool balls stop rolling; when the cigarettes are all packed, and the regulars have dwindled away to beat the sunrise.
”
”
Zac Young (God's in the Water)
“
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities.
”
”
Emily St. John Mandel (Station Eleven)
“
Death exists, not as the opposite but as a part of life. It’s a cliché translated into words, but at the time I felt it not as words but as that knot of air inside me. Death exists – in a paperweight, in four red and white balls on a pool table – and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
She walked around the edge of the table to position her next shot. As she pulled her cue back she was confident that she would only need one more shot after this. But as she started her forward motion, Ben leaned over.
"Look at this picture," he said softly. "A long stick, hard balls, you bent over the table..."
She missed.
”
”
Erin Nicholas (Just Right (Just Everyday Heroes: Day Shift, #1))
“
The alternative to soul-acceptance is soul-fatigue. There is a kind of fatigue that attacks the body. When we stay up too late and rise too early; when we try to fuel ourselves for the day with coffee and a donut in the morning and Red Bull in the afternoon; when we refuse to take the time to exercise and we eat foods that clog our brains and arteries; when we constantly try to guess which line at the grocery store will move faster and which car in which lane at the stoplight will move faster and which parking space is closest to the mall, our bodies grow weary. There is a kind of fatigue that attacks the mind. When we are bombarded by information all day at work . . . When multiple screens are always clamoring for our attention . . . When we carry around mental lists of errands not yet done and bills not yet paid and emails not yet replied to . . . When we try to push unpleasant emotions under the surface like holding beach balls under the water at a swimming pool . . . our minds grow weary. There is a kind of fatigue that attacks the will. We have so many decisions to make. When we are trying to decide what clothes will create the best possible impression, which foods will bring us the most pleasure, which tasks at work will bring us the most success, which entertainment options will make us the most happy, which people we dare to disappoint, which events we must attend, even what vacation destination will be most enjoyable, the need to make decisions overwhelms us. The sheer length of the menu at Cheesecake Factory oppresses us. Sometimes college students choose double majors, not because they want to study two fields, but simply because they cannot make the decision to say “no” to either one. Our wills grow weary with so many choices.
”
”
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
“
Look into my eyes, and you will see me there--all, all that is in my heart.' 'Oh, I know what I should see there!'...'What would you see? Tell me?' 'There is a little black ball in the middle of your eye; I should see myself in it no bigger than that,' and she marked off about an eighth of her little finger-nail. 'There is a pool in the wood, and I look down and see myself there. That is better. Just as large as I am--not small and black like a small, small fly.
”
”
William Henry Hudson
“
I plugged quarters into the pool table, and the balls dropped with a fine thunder. I racked them extra tight, my fingertips wedged in the plastic triangle so not one loosened a notch when I finally raised the rack. A second later, Daddy broke solid but easy. The balls whacked around in sharp angles. They slowed up, and finally stopped with nothing sunk. I went to powder my hands. The can lid left a pattern of dots on my palm like white braille till I rubbed it in.
”
”
Mary Karr (The Liars' Club)
“
At my Grand Gala Ball of Coming Out, everyone will be required to wear a white dress, or else tuxedo tails and nothing else. A kiddie pool of sweet tea will be the dance floor as we wrestle with our complex identities because we all, every one of us, are complex, slippery, and tasty. We'll dance to bad eighties music as we lick and suck the excesses of multiple oppressions off one another. We'll all come out for what we are, and see ourselves in one another's body glitter.
”
”
Scott Turner Schofield (Two Truths and a Lie)
“
You always have choices,” the teen placed her hands on her hips. “You just choose to disobey.”
I wanted to strangle her, yet I lifted an eyebrow to her claim. It would have been a mess anyway. “Oh? And how do you explain the matter at River Park?”
The question perked Jane to ask, “What incident at River Park?”
The teen’s face whitened, her eyes bulged like pool balls. “I thought we’d agreed to not mention it!”
“We did,” I said, casually. “But you should’ve known better than to trust a demon.
”
”
Millicent Ashby (The Glass Serpent (Demon-Gods War, #1))
“
There was a scream from inside.
Drawing his sword, Haung crept up to the door and slid inside, merging with the shadows. The source of the scream was illuminated by the conjured light-ball in the centre of the room. Haung took in the scene and felt all strength flee from muscles. His arms fell limp by his side and the tip of his sword struck the tiled floor with a bright clink. From the rafters, two small bodies hung, rope tight round their necks, blackened tongues swelling from their mouths and sightless eyes staring into the void. Below the bodies of the two children, a naked woman, bruised body and bloody face sat staring at him. Blood pooled from between her knees and it was clear to Haung what had happened to her, and to her young children. She screamed again and again. Her eyes were desperate and disbelieving. Her claw fingered hands tore at her cheeks again and again. Ragged lines of blood dripped down her face, tears of madness and grief. Haung stared at her, unable to move.
”
”
G.R. Matthews (The Stone Road (The Forbidden List, #1))
“
Who cheats?
Well, just about anyone, if the stakes are right. You might say to yourself, I don’t cheat, regardless of the stakes. And then you might remember the time you cheated on, say, a board game. Last week. Or the golf ball you nudged out of its bad lie. Or the time you really wanted a bagel in the office break room but couldn’t come up with the dollar you were supposed to drop in the coffee can. And then took the bagel anyway. And told yourself you’d pay double the next time. And didn’t.
For every clever person who goes to the trouble of creating an incentive scheme, there is an army of people, clever and otherwise, who will inevitably spend even more time trying to beat it. Cheating may or may not be human nature, but it is certainly a prominent feature in just about every human endeavor. Cheating is a primordial economic act: getting more for less. So it isn’t just the boldface names — inside-trading CEOs and pill-popping ballplayers and perkabusing politicians — who cheat. It is the waitress who pockets her tips instead of pooling them. It is the Wal-Mart payroll manager who goes into the computer and shaves his employees’ hours to make his own performance look better. It is the third grader who, worried about not making it to the fourth grade, copies test answers from the kid sitting next to him.
Some cheating leaves barely a shadow of evidence. In other cases, the evidence is massive. Consider what happened one spring evening at midnight in 1987: seven million American children suddenly disappeared. The worst kidnapping wave in history? Hardly. It was the night of April 15, and the Internal Revenue Service had just changed a rule. Instead of merely listing the name of each dependent child, tax filers were now required to provide a Social Security number. Suddenly, seven million children — children who had existed only as phantom exemptions on the previous year’s 1040 forms — vanished, representing about one in ten of all dependent children in the United States.
”
”
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
“
A bar like this anywhere else, there would be beer signs. You know, the old-school logos, the Clydesdales. And even the new beers, they make signs that consciously reflect the ones that came before. Because that’s the way it’s done. You brew a beer, you make a sign for it. It’s like a pool table in a bar, even though no one really knows how to play pool anymore. Our grandparents shot pool; we get drunk and whack at the balls with warped sticks. No one thinks about it, but it’s nostalgia. It’s a sense of the past, of the way things are done.
”
”
Marcus Sakey (Brilliance (Brilliance Saga, #1))
“
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
Here are three things I know for sure:
1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown.
2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train.
3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing.
Here's one more thing that I know for sure is true.
On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.
”
”
Holly Ringland (The Lost Flowers of Alice Hart)
“
Forget about green-felt pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium smokestacks, and chunky paperweights in police interrogation rooms.
Death exists, not as the opposite but as a part of life.
Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust.
I had understood death as something entirely separate from and independent of life. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there.
But death was a fact, a serious fact, no matter how you looked at it. Stuck inside this suffocating contradiction, I went on endlessly spinning in circles.
”
”
Haruki Murakami (Norwegian Wood)
“
Marriage is a paradox second only to life itself. That at the age of twenty or so, with little knowledge of each other and a dangerous overdose of self-confidence, two human beings should undertake to commit themselves for life – and that church and state should receive their vows with a straight face – all this is absurd indeed. And it is tolerable only if it is reveled in as such. A pox on all the neat little explanations as to why it is reasonable that two teenagers should be bound to each other until death. It is not reasonable. It happens to be true to life, but it remains absurd. Down with the books that moralize reasonably on the subject of why divorce is wrong. Divorce is not a wrong; it is a metaphysical impossibility. It is an attempt to do something about life rather than with it - to work out the square root of –I rather than to use it.
Up with the absurdity of marriage then. Let the peasant rejoice. He is a very odd ball on a very odd pool table, and his marriage is one of the few things left to him that will roll properly in this game. And up with the marriage service. Let the peasant go back and read it while he rejoices - preferably in the old unbowdlerized version still used by the Church of England. It is full of death and cast iron. And it is one of the great remaining sanity markers. The world is going mad because it has too many reasonable options, and not enough interest or nerve to choose anything for good. In such a world, the marriage service is not reasonable, but it is sane; which is quite another matter. The lunatic lives in a world of reason, and he goes mad without making sense; it is precisely paradox that keeps the rest of us sane. To be born, to love a woman, to cry at music, to catch a cold, to die – these are not excursions on the narrow road of logic; they are blind launchings on a trackless sea. They are not bargains, they are commitments, and for ordinary people, marriage is the very keel of their commitment, the largest piece of ballast in their small and storm-tossed boat. Its unqualified hurling of two people into their deathbead is absurd, but so is the rest of that welter of unqualified hurlings we call life. You cannot contract out of being born, out of crying, out of loving, out of dying; you cannot contract out of marriage. It may be uncomfortable, it certainly is absurd; but it is not abnormal.
”
”
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
“
Being a mother was all-consuming. There were so many mistakes you could make, so many ways to lose a child. The whole world was a threat. In the years after Lockie’s birth she became addicted to those current-affair shows that interviewed parents who had made the one fatal mistake. They had let the blind cord dangle on the ground, they had left the pool gate unlocked, they had put the pot too close to the edge of the stove, they had just ducked into the shopping centre and left the child in the car. They had taken their eyes off the ball and that way lay tragedy and regret. Sarah watched to see what mistake had been made and each time had been able to congratulate herself on never making any of those mistakes. But then she had made a mistake—one worthy of a current-affairs show.She had looked away.
”
”
Nicole Trope (The Boy Under the Table)
“
Love was the greatest of enchantments; if Echidna and her children succeeded in killing Kypris, Thelxiepeia would no doubt, would doubtless … Become the goddess of love in a century or less, said the Outsider, standing not behind Silk as he had in the ball court, but before him—standing on the still water of the pool, tall and wise and kind, with a face that nearly came into focus. I would claim her in that case, long before the end. As I have so many others. As I am claiming Kypris even now because love always proceeds from me, real love, true love. First romance. The Outsider was the dancing man on a toy, and the water the polished toy-top on which he danced with Kypris, who was Hyacinth and Mother, too. First romance, sang the Outsider with the music box. First romance. It was why he was called the Outsider. He was outside—
”
”
Gene Wolfe (Caldé of the Long Sun (The Book of the Long Sun, #3))
“
Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen.
There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it.
And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk.
Jasmine.
This was her garden.
”
”
Liz Braswell (A Whole New World)
“
There was only one thing for me to do when I started my new life in the dorm: stop taking everything so seriously; establish a proper distance between myself and everything else. Forget about green-felt pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium smokestacks, and chunky paperweights in police interrogation rooms. It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life. Translated into words, it’s a cliché, but at the time I felt it not as words but as that knot of air inside me. Death exists—in a paperweight, in four red and white balls on a billiard table—and we go on living and breathing it into our lungs like fine dust.
”
”
Haruki Murakami (Norwegian Wood)
“
Like most laymen he thought of things in physical terms. As if the internet was a swimming pool, chock-full of floating tennis balls. The tennis balls representing individual web sites, naturally. Which is wrong, of course. Web sites are not physical things. The internet has no physical reality. It has no dimensions, and no boundaries. No up or down, no near or far. Although one might argue it has mass. Digital information is all ones and zeroes, which means memory cells are either charged or not charged. And charge is energy, so if one believes Einstein’s e=mc2, where e is energy, and m is mass, and c is the speed of light, then one must also believe that m equals e divided by c2, which is the same equation expressed differently, and which would imply that charge has detectable mass. The more songs and the more photos you put on your phone, the heavier it gets. Only by a trillion-billionth of the tiniest fraction of an ounce, but still.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
There were aspects he wanted to understand. Like most laymen he thought of things in physical terms. As if the internet was a swimming pool, chock-full of floating tennis balls. The tennis balls representing individual web sites, naturally. Which is wrong, of course. Web sites are not physical things. The internet has no physical reality. It has no dimensions, and no boundaries. No up or down, no near or far. Although one might argue it has mass. Digital information is all ones and zeroes, which means memory cells are either charged or not charged. And charge is energy, so if one believes Einstein’s e=mc2, where e is energy, and m is mass, and c is the speed of light, then one must also believe that m equals e divided by c2, which is the same equation expressed differently, and which would imply that charge has detectable mass. The more songs and the more photos you put on your phone, the heavier it gets. Only by a trillion-billionth of the tiniest fraction of an ounce, but still.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
Perhaps the most arresting of quantum improbabilities is the idea, arising from Wolfgang Pauli’s Exclusion Principle of 1925, that the subatomic particles in certain pairs, even when separated by the most considerable distances, can each instantly “know” what the other is doing. Particles have a quality known as spin and, according to quantum theory, the moment you determine the spin of one particle, its sister particle, no matter how distant away, will immediately begin spinning in the opposite direction and at the same rate. It is as if, in the words of the science writer Lawrence Joseph, you had two identical pool balls, one in Ohio and the other in Fiji, and the instant you sent one spinning the other would immediately spin in a contrary direction at precisely the same speed. Remarkably, the phenomenon was proved in 1997 when physicists at the University of Geneva sent photons seven miles in opposite directions and demonstrated that interfering with one provoked an instantaneous response in the other.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Perhaps the most arresting of quantum improbabilities is the idea, arising from Wolfgang Pauli’s Exclusion Principle of 1925, that certain pairs of subatomic particles, even when separated by the most considerable distances, can each instantly “know” what the other is doing. Particles have a quality known as spin and, according to quantum theory, the moment you determine the spin of one particle, its sister particle, no matter how distant away, will immediately begin spinning in the opposite direction and at the same rate. It is as if, in the words of the science writer Lawrence Joseph, you had two identical pool balls, one in Ohio and the other in Fiji, and that the instant you sent one spinning the other would immediately spin in a contrary direction at precisely the same speed. Remarkably, the phenomenon was proved in 1997 when physicists at the University of Geneva sent photons seven miles in opposite directions and demonstrated that interfering with one provoked an instantaneous response in the other. Things
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Yossarian went to bed early for safety and soon dreamed that he was fleeing almost headlong down an endless wooden staircase, making a loud, staccato clatter with his heels. Then he woke up a little and realized someone was shooting at him with a machine gun. A tortured, terrified sob rose in his throat. His first thought was that Milo was attacking the squadron again, and he rolled off his cot to the floor and lay underneath in a trembling, praying ball, his heart thumping like a drop forge, his body bathed in a cold sweat. There was no noise of planes. A drunken, happy laugh sounded from afar. 'Happy New Year, Happy New Year!' a triumphant familiar voice shouted hilariously from high above between the short, sharp bursts of machine gun fire, and Yossarian understood that some men had gone as a prank to one of the sandbagged machine-gun emplacements Milo had installed in the hills after his raid on the squadron and staffed with his own men.
Yossarian blazed with hatred and wrath when he saw he was the victim of an irresponsible joke that had destroyed his sleep and reduced him to a whimpering hulk. He wanted to kill, he wanted to murder. He was angrier than he had ever been before, angrier even than when he had slid his hands around McWatt's neck to strangle him. The gun opened fire again. Voices cried 'Happy New Year!' and gloating laughter rolled down from the hills through the darkness like a witch's glee. In moccasins and coveralls, Yossarian charged out of his tent for revenge with his .45, ramming a clip of cartridges up into the grip and slamming the bolt of the gun back to load it. He snapped off the safety catch and was ready to shoot. He heard Nately running after him to restrain him, calling his name. The machine gun opened fire once more from a black rise above the motor pool, and orange tracer bullets skimmed like low-gliding dashes over the tops of the shadowy tents, almost clipping the peaks. Roars of rough laughter rang out again between the short bursts. Yossarian felt resentment boil like acid inside him; they were endangering his life, the bastards!
”
”
Joseph Heller (Catch-22)
“
Look around you, piglet. What do you see? Same thing you see in the mirror—fat, weak, lazy slugs. The gene pool so diluted that you can barely recognize these pale blobs as human, all their juice watered down. We did this to ourselves, piglet. Back before you and me were born, all the politicians got scared about all the crime, and all the wars, so they pumped everybody full of antidepressants and soy and estrogen, trying to dull that fire, that natural fire that’s supposed to burn inside all of us. They gave all the men porn and video games, to soak up their conqueror instincts. Worked like a charm—crime went way down, rape went way down, pregnancy went way down. And the only price was they turned all the men into fat little toothless blobs and the girls into arrogant, squealing little piglets, like you. Puttin’ that fire out forever, that natural fire that comes from the balls. The fire that built this world. Well, I’m here to tell you, there are still some men left. So no, there’s not gonna be no negotiation. The lion don’t negotiate with the gazelle.” He
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
I like rainbows.
We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction…
Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge.
...
…We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall.
Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall.
Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall.
“It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots.
Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical.
Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light.
In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
”
”
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
“
The same thing happened with large civic clients. He and Calvert Vaux had built and refined Central Park from 1858 through 1876, but forever afterward Olmsted found himself defending the park against attempts to tinker with its grounds in ways he considered tantamount to vandalism. It wasn’t just Central Park, however. Every park seemed subject to such abuse. “Suppose,” he wrote to architect Henry Van Brunt, “that you had been commissioned to build a really grand opera house; that after the construction work had been nearly completed and your scheme of decoration fully designed you should be instructed that the building was to be used on Sundays as a Baptist Tabernacle, and that suitable place must be made for a huge organ, a pulpit and a dipping pool. Then at intervals afterwards, you should be advised that it must be so refitted and furnished that parts of it could be used for a court room, a jail, a concert hall, hotel, skating rink, for surgical cliniques, for a circus, dog show, drill room, ball room, railway station and shot tower?” That, he wrote, “is what is nearly always going on with public parks. Pardon me if I overwhelm you; it is a matter of chronic anger with me.
”
”
Erik Larson (The Devil in the White City)
“
natural personality, or maybe he was simply capable of greater perspective than everyone else. Maybe he wasn’t quite as addled by drugs and alcohol. For whatever reason, Michael stayed on the sidelines as the rest of the band fought like a pack of starving wolves who have come across a carcass in the wilderness. Previous tours, especially in the first couple of years, had always featured a fair amount of ball-busting and the occasional argument that was required simply to clear the air. For the most part, though, we had a blast on the road. It was a nonstop party punctuated by spectacularly energetic concerts. There had been a lightness to it all, a sense of being part of something special, and of wanting to enjoy every minute. But now the levity was gone. Even though they spent hardly any time together offstage, the boys were at each other’s throats constantly, either directly or through a conduit—usually me. Two more quick stories, both involving Al. We were all sitting outside by the hotel pool one day. A guy named Mike had been flown in for a couple days to take care of the boys’ grooming needs. Mike was a hairdresser or stylist or whatever you want to call him. Point is, he was really good at his job, an artistic
”
”
Noel E. Monk (Runnin' with the Devil: A Backstage Pass to the Wild Times, Loud Rock, and the Down and Dirty Truth Behind the Making of Van Halen)
“
Honest to God, I hadn’t meant to start a bar fight.
“So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?”
I shrugged. “My mother was a religious woman.”
“Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
“I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket.
“Just here to ask a question, that’s all. I don’t want trouble.”
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.”
I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.”
My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.”
He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder.
“Fine. What’s your question?”
“Know anybody by the name of Matthias Gruber?”
He didn’t even blink. “No.”
“Ah. I see. Sorry to have wasted your time.”
I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list.
“Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.”
I hung up and let out a slow breath. Only a couple things left to do.
I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance.
The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible.
I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.”
“Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster.
The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.”
I smiled back. “God bless you.”
She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
”
”
Kyoko M. (The Holy Dark (The Black Parade, #3))
“
A pool game mixes ritual with geometry. The slow spaciousness of the green felt mirrors some internal state you get to after a few beers. Back at school, I’d been trying to read the philosophy of art, which I was grotesquely unequipped to do but nonetheless stuck on. I loved the idea that looking at a painting or listening to a concerto could make you somehow “transcend” the day-in, day-out bullshit that grinds you down; how in one instant of pure attention you could draw something inside that made you forever larger. In those days the drug culture was pimping “expanded consciousness,” a lie that partly descended from the old postindustrial lie of progress: any change in how your head normally worked must count as an improvement. Maybe my faith in that lie slid me toward an altered state that day. Or maybe it was just the beer, which I rarely drank. In any case, walking around the pool table, I felt borne forward by some internal force or fire. My first shot sank a ball. Then I made the most unlikely bank shot in history to drop two balls at once after a wild V trajectory. Daddy whistled. The sky through the window had gone the exact blue of the chalk I was digging my cue stick in, a shade solid and luminous at once, like the sheer turquoise used for the Madonna’s robe in Renaissance paintings. Slides from art history class flashed through my head. For a second, I lent that color some credit, as if it meant something that made my mind more buoyant. But that was crazy.
”
”
Mary Karr (The Liars' Club)
“
Let’s take the threshold idea one step further. If intelligence matters only up to a point, then past that point, other things—things that have nothing to do with intelligence—must start to matter more. It’s like basketball again: once someone is tall enough, then we start to care about speed and court sense and agility and ball-handling skills and shooting touch. So, what might some of those other things be? Well, suppose that instead of measuring your IQ, I gave you a totally different kind of test. Write down as many different uses that you can think of for the following objects: a brick a blanket This is an example of what’s called a “divergence test” (as opposed to a test like the Raven’s, which asks you to sort through a list of possibilities and converge on the right answer). It requires you to use your imagination and take your mind in as many different directions as possible. With a divergence test, obviously there isn’t a single right answer. What the test giver is looking for are the number and the uniqueness of your responses. And what the test is measuring isn’t analytical intelligence but something profoundly different—something much closer to creativity. Divergence tests are every bit as challenging as convergence tests, and if you don’t believe that, I encourage you to pause and try the brick-and-blanket test right now. Here, for example, are answers to the “uses of objects” test collected by Liam Hudson from a student named Poole at a top British high school: (Brick). To use in smash-and-grab raids. To help hold a house together. To use in a game of Russian roulette if you want to keep fit at the same time (bricks at ten paces, turn and throw—no evasive action allowed). To hold the eiderdown on a bed tie a brick at each corner. As a breaker of empty Coca-Cola bottles. (Blanket). To use on a bed. As a cover for illicit sex in the woods. As a tent. To make smoke signals with. As a sail for a boat, cart or sled. As a substitute for a towel. As a target for shooting practice for short-sighted people. As a thing to catch people jumping out of burning skyscrapers.
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
Like any place in Reality, the Street is subject to development. Developers can
build their own small streets feeding off of the main one. They can build
buildings, parks, signs, as well as things that do not exist in Reality, such as
vast hovering overhead light shows, special neighborhoods where the rules of
three-dimensional spacetime are ignored, and free-combat zones where people can
go to hunt and kill each other.
The only difference is that since the Street does not really exist -- it's just
a computer-graphics protocol written down on a piece of paper somewhere -- none
of these things is being physically built. They are, rather, pieces of
software, made available to the public over the worldwide fiber-optics network.
When Hiro goes into the Metaverse and looks down the Street and sees buildings
and electric signs stretching off into the darkness, disappearing over the curve
of the globe, he is actually staring at the graphic representations -- the user
interfaces -- of a myriad different pieces of software that have been engineered
by major corporations. In order to place these things on the Street, they have
had to get approval from the Global Multimedia Protocol Group, have had to buy
frontage on the Street, get zoning approval, obtain permits, bribe inspectors,
the whole bit. The money these corporations pay to build things on the Street
all goes into a trust fund owned and operated by the GMPG, which pays for
developing and expanding the machinery that enables the Street to exist.
Hiro has a house in a neighborhood just off the busiest part of the Street. it
is a very old neighborhood by Street standards. About ten years ago, when the
Street protocol was first written, Hiro and some of his buddies pooled their
money and bought one of the first development licenses, created a little
neighborhood of hackers. At the time, it was just a little patchwork of light
amid a vast blackness. Back then, the Street was just a necklace of
streetlights around a black ball in space.
Since then, the neighborhood hasn't changed much, but the Street has. By
getting in on it early, Hiro's buddies got a head start on the whole business.
Some of them even got very rich off of it.
That's why Hiro has a nice big house in the Metaverse but has to share a 20-by-
30 in Reality. Real estate acumen does not always extend across universes.
”
”
Neal Stephenson (Snow Crash)
“
Glass"
In every bar there’s someone sitting alone and absolutely absorbed
by whatever he’s seeing in the glass in front of him,
a glass that looks ordinary, with something clear or dark
inside it, something partially drunk but never completely gone.
Everything’s there: all the plans that came to nothing,
the stupid love affairs, and the terrifying ones, the ones where actual happiness
opened like a hole beneath his feet and he fell in, then lay helpless
while the dirt rained down a little at a time to bury him.
And his friends are there, cracking open six-packs, raising the bottles,
the click of their meeting like the sound of a pool cue
nicking a ball, the wrong ball, that now edges, black and shining,
toward the waiting pocket. But it stops short, and at the bar the lone drinker
signals for another. Now the relatives are floating up
with their failures, with cancer, with plateloads of guilt
and a little laughter, too, and even beauty—some afternoon from childhood,
a lake, a ball game, a book of stories, a few flurries of snow
that thicken and gradually cover the earth until the whole
world’s gone white and quiet, until there’s hardly a world
at all, no traffic, no money or butchery or sex,
just a blessed peace that seems final but isn’t. And finally
the glass that contains and spills this stuff continually
while the drinker hunches before it, while the bartender gathers
up empties, gives back the drinker’s own face. Who knows what it looks like;
who cares whether or not it was young once, or ever lovely,
who gives a shit about some drunk rising to stagger toward
the bathroom, some man or woman or even lost
angel who recklessly threw it all over—heaven, the ether,
the celestial works—and said, Fuck it, I want to be human?
Who believes in angels, anyway? Who has time for anything
but their own pleasures and sorrows, for the few good people
they’ve managed to gather around them against the uncertainty,
against afternoons of sitting alone in some bar
with a name like the Embers or the Ninth Inning or the Wishing Well?
Forget that loser. Just tell me who’s buying, who’s paying;
Christ but I’m thirsty, and I want to tell you something,
come close I want to whisper it, to pour
the words burning into you, the same words for each one of you,
listen, it’s simple, I’m saying it now, while I’m still sober,
while I’m not about to weep bitterly into my own glass,
while you’re still here—don’t go yet, stay, stay,
give me your shoulder to lean against, steady me, don’t let me drop,
I’m so in love with you I can’t stand up.
Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
”
”
Kim Addonizio (Tell Me)
“
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too. Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go. Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him. Crunch! Crash! The truck dropped by six inches. Tommy stopped screaming. When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy. Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail. After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
”
”
Michael Robertson (Crash (Crash, #1))
“
I kept my leash on her magic intact as she slowly relaxed in my arms and released a juddering sob. She pressed her face to my chest and my heart leapt a little as she leaned into me like I was someone who could protect her.
Once she relaxed completely, the flood of magic stopped pouring from her and I pulled my own power back, releasing her hand.
Her hand shot out and caught my arm, her fingers gripping my bicep as I tried to pull away.
“Don’t leave me,” she begged and I cleared my throat as I looked down at her.
Her eyes were still closed and she was pretty much unconscious. I very much doubted she had any idea who was holding her. If she did she would likely be telling me to get the hell off of her. But she asked me not to leave and I found that I didn’t want to. Besides, she’d only had that nightmare because of what me and Max had done to her in that swimming pool. So maybe I owed her my help with this if that’s what she wanted.
“I won’t,” I replied as I shifted her against my chest and scooped her into my arms.
I stood and headed for the exit. The Orb was absolutely filled with ice and flowers and I guessed that the faculty wouldn’t be overly impressed when they had to come and clean it up tomorrow so I couldn’t just leave her here to get caught. Besides, she’d be easy prey for a Nymph in this state too and even with the extra security in place after the attack we couldn’t be sure one wouldn’t slip past the defences. I hadn’t spent the last few weeks trailing her around campus to protect her from them just to quit now and leave her vulnerable. If the Nymphs managed to get hold of a power like hers it could be disastrous. And that was the only reason I’d admit to for getting her out of here. The way my heart was beating as I held her close had nothing to do with it.
Her friends had been forced to retreat all the way to the door by the onslaught of magic but they moved forward as they saw she was alright.
“I can take her now,” the boy said firmly.
I eyed his scrawny arms and raised an eyebrow at him in disbelief. There was no way in hell he’d be able to carry her any distance.
“Not necessary,” I replied dismissively. “I’ll take her back to our House. You’re not even from Ignis anyway so why don’t you trot along home?”
I made a move to pass them but Sofia stepped into my way, squaring her shoulders as she prepared to argue with me. I vaguely knew her from around the House and seeing her with the Vegas but her power was practically irrelevant to me so I’d never paid her much attention. She was also barely over five foot tall which meant I was looking down on her by over a foot and a half but she still didn’t back down.
“Thank you for your help but Tory wouldn’t want you to be holding her like that,” she said firmly. “Diego and I will manage to-”
“I said I’m taking her back to the House,” I replied flatly. “Diego and you can try to stop me if you think you can.” I snorted dismissively and tried to sidestep her.
She shifted right back into my way and her skin began to glow a glittery pale pink as her Order tried to push its way from her skin with her anger. She had pretty big balls for a low powered Pegasus, I’d give her that.
“What is it you think I’m going to do to her?” I asked. “I’m not a goddamn monster.”
Sofia scowled at me like she didn't agree with that statement and I released a breath of frustration before pushing past her anyway.
(Darius)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
Happy. It sounds like fireworks, smells like roasted marshmallows, and feels like cannon-balling into a cold pool on a hot day, right?
”
”
Lisa Harper (Life: An Obsessively Grateful, Undone by Jesus, Genuinely Happy, and Not Faking it Through the Hard Stuff Kind of 100-Day Devotional)
“
Then he turned to Rosemary Barr. “Meanwhile we’ll put you somewhere safe,” he told her. “Your tutorials will start as soon as the soldier is buried.” The outer western suburbs were bedroom communities for people who worked in the city, so the traffic stayed bad all the way out. The houses were much grander than in the east. They were all two-story, all varied, all well maintained. They all had big lots and pools and ambitious evergreen landscaping. With the last of the sunset behind them they looked like pictures in a brochure. “Tight-ass middle class,” Reacher said. “What we all aspire to,” Yanni said. “They won’t want to talk,” Reacher said. “Not their style.” “They’ll talk,” Yanni said. “Everyone talks to me.” They drove past the Archer place slowly. There was a cast-metal sign on thin chains under the mailbox: Ted and Oline Archer. Beyond it, across a broad open lawn, the house looked closed-up and dark and silent. It was a big Tudor place. Dull brown beams, cream stucco. Three-car garage. Nobody home, Reacher thought. The neighbor they were looking for lived across the street and one lot to the north. Hers was a place about the same size as the Archers’ but done in an Italianate style. Stone accents, little crenellated towers, dark green sun awnings on the south-facing ground-floor windows. The evening light was fading away to darkness and lamps were coming on behind draped windows. The whole street looked warm and rested and quiet and very satisfied with itself. Reacher said, “They sleep safely in their beds because rough men stand ready in the night to visit violence on those who would do them harm.” “You know George Orwell?” Yanni asked. “I went to college,” Reacher said. “West Point is technically a college.” Yanni said, “The existing social order is a swindle and its cherished beliefs mostly delusions.” “It is not possible for any thinking person to live in such a society as our own without wanting to change it,” Reacher said. “I’m sure these are perfectly nice people,” Helen said. “But will they talk to us?” “They’ll talk,” Yanni said. “Everyone talks.” Helen pulled into a long limestone driveway and parked about twenty feet behind an imported SUV that had big chrome wheels. The front door of the house was made of ancient gray weathered oak with iron banding that had nail heads as big as golf balls. It felt like you could step through it straight into the Renaissance. “Property is theft,” Reacher said. “Proudhon,” Yanni said. “Property is desirable, is a positive good in the world.” “Abraham Lincoln,” Reacher said. “In his first State of the Union.” There was an iron knocker shaped like
”
”
Lee Child (One Shot (Jack Reacher, #9))
“
Her boobs reminded me of two balls that would probably keep her afloat if I pushed her into the sparkling pool behind her. A roguish grin curled my lips. Was I being a bitch? Yes. But she started it.
”
”
Charlene Namdhari (Intoxication (Serendipity, #1))
“
Only the Lonely” notwithstanding, the bar was remarkably silent – silent as the sound of un-struck billiard balls on the empty pool table. The buzzing of neon signs was less intrusive than the man's tinnitus. He was the only one left.
”
”
Whiskey Leavins (The Devil's Own Piss and Other Stories)
“
Brett favors jeans & t-shirts, and he's been known to tease his friends about dressing up. One time, Gilbert Brown, a big Packers defensive lineman, was getting on a plane to go to a game. Brett was already in his seat, and when Gilbert boarded the plane in a green suit with a green top hat, Brett's first thought was "pool table." As Gilbert walked by, Brett looked up and said, "Eight ball, corner pocket." When all the guys erupted in laughter, Gilbert grinned and said, "Man, I'll never wear this suit again.
”
”
Deanna Favre (Don't Bet against Me!: Beating the Odds Against Breast Cancer and in Life)
“
Then he planted his big hands on the side of the pool and, with an effortless push, thrust himself up and out of the water.
"Sweet mercy..." My knees went weak, and I gripped the rail to keep from falling over. Oh, Édith, I don't regret anything either.
His body was a Bernini sculpture come to life---Triton looking down on mere mortals. Water sluiced over rippling planes of muscles, trickled down dips and cut grooves, heading straight toward...
His dick. Even from far away, it was impressive. Long and thick with a wide head and plump balls. My lips parted, heat flushing my cheeks, and my nipples tightened.
”
”
Kristen Callihan (Make It Sweet)
“
the game’s fan base after the strike of 1994 that had cancelled the World Series—latched on to the home run as a marketing tool. Fans liked it, and if steroids helped fuel the home-run frenzy, so be it. The tacit sanctioning of steroids upset La Russa and other managers and coaches, and their unease wasn’t simply altruistic. Throughout the 1990s, several innovations had gradually shifted the game in the hitters’ favor: a lowered mound, added expansion teams (which enlarged and diluted the pool of pitching talent), new teacup-sized ballparks, a tighter strike zone. Add steroids to the list, because they gave strength to drive balls farther, and it was like “piling on,
”
”
Buzz Bissinger (Three Nights in August: Strategy, Heartbreak, and Joy Inside the Mind of a Manager)
“
Baby girl.” Oz slides my crispy bacon egg sandwich across the counter. “Let your daddies take care of you. You just focus on handling our balls in the pool.
”
”
Thea Masen (Knot Giving Up : Pack Hart Olympic Omegaverse Part 1 (OlympicVerse))
“
Even sedated, her body still responds to me, her arousal pooling between her thighs, allowing me to penetrate her with ease. I push my finger inside her wet walls, endlessly enjoying her warmth and snug cunt sucking me in further. I stroke myself with her soiled panties circled around the base of my dick, watching as her breathing changes. Her chest rises and falls faster as I add another digit, finger fucking her until my balls get tight and heavy and the need to cum overtakes me. “Fuck, baby. You’re so beautiful like this,” I rasp. “All helpless. Wholesome. Deliciously pure.
”
”
Jescie Hall (That Sik Luv)
“
Shelby, all men like to see your tight little holes stretch around their dicks. Rack you up like pool balls in a triangle with your feet up by your ears and make you scream while a big fat dick or two leave you boneless and gaping.
”
”
Emma Cole (The Redemption of Shelby Ann (Twisted Love #2))
“
Death exists, not as the opposite but as a part of life. Death exists - in a paperweight, in
four red and white balls on a pool table - and we go on living and
breathing it into our lungs like fine dust.
”
”
Haruki Murakami
“
Come swim with me,” he says, splashing water toward my legs. “I’m on duty,” I say, and I blow my whistle at one of the boys. He jerks a thumb over his shoulder toward the group and says, “They’re deaf, you know?” He laughs. “Your whistle is pretty ineffectual.” “Then let’s hope they can all swim.” “They’re confined to the shallow end.” He grins at me. I look at the boys. They’re watching Pete from where they’re still hitting the ball back and forth. “They like you,” I say. Of course they do. Everyone likes Pete. Even my dad likes him, though I’m not sure he likes the burgeoning relationship between us. “They like you more,” he says. “I told them I was going to come and put the moves on the pretty lifeguard.” A grin tugs at my lips. He thinks I’m pretty. “You did not.” “Oh, yes, I did.” He smiles, and my heart trips over. “Prepare to be moved, pretty lifeguard.” He hoists himself out of the pool, careful of his injured wrist as he goes up the ladder, and stalks toward me, water sluicing from his body. When he gets close to me, he stops and lays his crossed arms over my lap, and looks up at me. “You don’t mind me touching you, do you?” he asks. My heart’s beating so fast I can’t take a deep breath, but it’s not because I’m afraid of him. He makes me feel things I’ve never felt before. “Apparently, my inner goddess is a slut. Yeah, I read Fifty Orgasms.” He lays his forehead on his folded arms and laughs into the space, his shoulders shaking. I thump him on the top of his closely shaved head. He covers his head with his hand and looks up, scowling at me. “What was that for?” “You laughed at me.” He snorts. “You were talking about Fifty Orgasms. Of course I laughed.” I narrow my eyes at him. “Do you even know what book I’m talking about?” “Anastasia and what’s his name,” he says with a breezy wave. “I read it.” My mouth falls open. “The last one was the best.” He grins. “His surrender was kind of sweet.” “He didn’t surrender.” “What do you call it then?” He laughs. “He totally changed for her. And he loved every second of it.” I lay back heavily against the chair I’m in and glare at him. “You skipped around and just read the good parts, didn’t you?” He looks offended. “Just because I’m pretty doesn’t mean I’m not smart.
”
”
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
“
Reagan,” Dad barks. I blow out a quick breath and say very nicely, “Yes, Dad.” “Chase Gerald’s father just called.” He looks at where my hand is tangled with Pete’s, and if death rays that shoot from the eyes existed, then Pete would be a puddle of ashes on the ground. “Is that the guy from the drugstore?” Pete whispers. I nod, slicing my eyes toward Pete for a second. “What did he want?” I can already guess, and my heart sinks at the very thought of it. “He said Chase came home talking about you being at the drugstore with some thug.” He glares at Pete, and Pete stiffens, his hand tightening on mine. “Did you explain who Pete is?” I ask. I don’t want to leave anyone with a misconception about Pete. “I told him that he’s someone my daughter is crushing on, but that I wasn’t worried about it because she’s a smart girl with her head on straight.” His voice rises on the last words, and his glare at Pete grows even fiercer. “I’m not crushing,” I protest. But I so am. Dad faces me. “Then what would you call it?” I don’t know what to call it because I don’t know what it is. I shrug. Pete stiffens more when I do that than he has since Dad came through the gate. “Chase wanted to know if you might want to go to the party at the country club tomorrow.” “I already told him no,” I say. But I can already see the look on my dad’s face. That’s not going to work. “I told him you’d love to.” He opens the gate and stops, looking at me from over his shoulder. “He’s picking you up at six.” I growl under my breath. Mainly because there’s not much more I can do since Dad is gone. The gate slams shut behind him. I pull my hand from Pete’s. “Where are you going?” Pete asks. “To catch my dad so I can tell him I’m not going.” “Do you want to go?” he asks. He watches me closely, his blue eyes blinking slowly. “If I wanted to go, I wouldn’t have told him no.” I heave a sigh. He steps back from me and takes all the warmth I was basking in a minute ago with him. “I think you should go,” he says quietly. “Why?” I ask softly. Something is really, really wrong. He doesn’t usually distance himself like this. “Your dad wants you to go,” he says with a shrug. “You don’t want to piss him off.” He starts to walk down the length of the pool. He signs to the boys, and they all start to put away the balls and the floats and they line up by the door. “I’ll see you later,” he calls quietly. Then he leads the boys from the pool area back toward their cabins. What did I do wrong? I seriously have no idea.
”
”
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
“
Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—”
“Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—”
“No, I want to fucking know where my shellan is!” Wrath boomed.
John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report.
A couple of the Brothers muttered in the background as they shook their heads.
“In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.”
Wrong thing to say.
Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious.
And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room.
The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing.
Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off.
Talk about your couch-icopters.
The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth.
Wrath wasn’t finished.
The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV.
It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last.
The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV.
The Brothers just let Wrath go.
It wasn’t that they were afraid of getting hurt.
Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding.
They just weren’t stupid.
Wrath - Beth x Overnight = Psycho-hose Beast
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
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But then his tongue moved over me and started to lick the whipped cream over my sex, making my legs fall open, swiping the creamy coolness down and over my cleft, making a long, ragged moan escape me, dragging a rumbling sound from his chest that made another rush of wet pool as his mouth closed over my clit and sucked hard.
Then he devoured me, drove me up fast and unrelenting until the orgasm started to crest, seeming to start at the base of my spine and exploding outward until it took over whole body, making me cry out his name as he took possession of my clit and sucked it in pulses as the waves washed over me, dragging it out, intensifying everything.
As soon as the waves lessened, he released me and licked a line back upward, taking the whipped cream off my breasts then pressing up to balance over me, wicked look in his eyes.
"Tell me."
"Tell you what?" I asked, brain nothing but sparking misfirings right then.
He smiled at that, either delighted with his prowess or glad to torture me more. Or, more likely, both.
I grabbed the can of whipped cream as I moved to straddle him, watching as his eyes went knowing just a second before I started making a line down his stomach with the cream, then down the little happy trail, over his balls, and then up the underside of his cock until there was a large amount on the swollen head.
Then I tossed the can to the side and gave him a smile before ducking my head and starting my path down, deciding that while foreplay was always good, it was infinitely better with food involved as my tongue licked the cream off his balls then his shaft before closing my lips around the head and licking it off from there as well, making Brant let out a deep, primal groan that spurred me on, made me work him faster, deeper.
"Maddy..." he warned, but I didn't need a warning. I wanted to make him come. I wanted to give him the selfless orgasm he gave me.
"Fuck," he growled, his hand crushing into the back of my head as he came down my throat.
I worked him for a long moment before letting him slide away, looking up at him to find an intense weight in his gaze.
"From now on, we only ever eat dessert off of each other," he said a second later, his hand going under my chin and pulling me until I moved to straddle him, bringing my face close to his.
"I can get behind that plan," I agreed with a smile before he yanked me forward and our lips crashed together.
It wasn't a slow, sweet, post-orgasm kiss.
It was still wild, hungry, primal.
It said we weren't done.
"Come on," he said when he pulled away, a little out of breath. "Let's go take a shower. That was hot as fuck but we're both sticky now."
Thank God. I didn't want to complain, but every time I moved, my skin got stuck to his skin and it was weird and decidedly unsexy.
I went to move off him, but his arms went to slip around my lower back, holding me to him as he stood and started walking around the house. Then up the stairs.
I was generally not the kind of girl who got carried around. I was fit, sure, but I was tall and leggy and most guys wanted to carry around the short, lithe little women.
But since Brant was a huge wall of muscle, he didn't seem bothered by my height and less than dainty limbs.
He set me on my feet outside the shower and reached in to put the water on, water I knew would take a couple of minutes to warm up. But he stepped in regardless, cursing at the cold spray.
"Yeah, I think not," I said when he looked at me expectantly.
I should have known to step away. I really should have.
But I didn't and the next thing I knew, he was yanking me in with him, making me let out a string of incredibly unladylike curses before I felt the water get warmer against my back.
”
”
Jessica Gadziala
“
wall while swinging from the rope bridge. At the top of the wall was a zip line with handlebars you had to grab. After that point, it was difficult to see the rest of the course. There were walls among walls blocking the view. It looked like there were spinning pillars scattered throughout it. I saw other pools of water and mud that the runner would have to avoid or worse yet, swim across. At the end of the course, there was a flat open space with barriers scattered throughout. High above the open space was a gun that shot tennis balls the runner had to avoid. The course was a monster. “Beauty, ain’t she?” Mr. Cooper said proudly as he approached us. “Just got her imported from Norway. The pamphlet said it was something that the Vikings themselves trained with, but somehow I doubt that. It also says ninety nine percent of students who attempt it can’t make it past the first rope bridge.” “What’s it doing here?” Carlyle asked. “Will students be running it today?” Mr. Cooper shook his head. “Oh no, it’s not ready by any means, legally I mean, buuuuut…,” the gym teacher trailed off as he glanced over his shoulder. “I didn’t see nothin’.” “Race ya,” Brayden said as he smiled at me. “How can I possibly say no?” I asked as I started running toward the obstacle course at full speed. When I reached the rope bridge, I didn’t hesitate and started climbing. Grabbing the ropes, I balanced myself and walked as quickly as possible over the pool of water. I
”
”
Marcus Emerson (Pirate Invasion (Diary of a 6th Grade Ninja, #2))
“
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
”
”
Various (151+ Yo Momma Jokes)
“
But what do you care about Qorlec?” went on Dr. Zorgone. “I heard you escaped Alsa Sif V, and immediately upon your departure,” he frowned, “you set coordinates for Earth?” He laughed softly, nastily, and Quinn felt anger shiver through her to see the twinkling mockery in his eyes.
“What would your people think to know that, I wonder?” continued Dr. Zorgone, tilting his head. “The first place you ran to wasn’t Qorlec, wasn’t the ancient home of your ‘mighty’ ancestors, but the polluted shit-ball of ape people? The true home of the true empress is Earth.” His eyes danced over her, searching, hungry. “You speak Roknal and English fluently, but I bet you don’t know a damn lick of Aviye. The entirian princess isn’t even entirian --”
“What do you want?” Quinn said abruptly.
“What do I want?” repeated Dr. Zorgone, rolling his eyes to the starry sky. “Let’s see . . . What do I want? I always wanted an indoor pool.”
Quinn’s lips tightened.
”
”
Ash Gray (The Harvest (The Last Queen of Qorlec Book 2))
“
George could dig and pour the concrete basement for a house. He could saw the lumber and nail the frame. He could wire the rooms and fit the plumbing. He could hang the drywall. He could lay the floors and shingle the roof. He could build the brick steps. He could point the windows and paint the sashes. But he could not throw a ball or walk a mile; he hated exercise, and once he took early retirement at sixty he never had his heart rate up again if he could help it, and even then only if it were to whack through some heavy brush to get to a good trout pool. Lack of exercise might have been the reason that, when he had his first radiation treatment for the cancer in his groin, his legs swelled up like two dead seals on a beach and then turned as hard as lumber. Before he was bedridden, he walked as if he were an amputee from a war that predated modern prosthetics; he tottered as if two hardwood legs hinged with iron pins were buckled to his waist. When his wife touched his legs at night in bed, through his pajamas, she thought of oak or maple and had to make herself think of something else in order not to imagine going down to his workshop in the basement and getting sandpaper and stain and sanding his legs and staining them with a brush, as if they belonged to a piece of furniture. Once, she snorted out loud, trying to stifle a laugh, when she thought, My husband, the table. She felt so bad afterward that she wept.
”
”
Paul Harding (Tinkers)
“
REACHING GAMES To encourage your baby to reach and to expand her horizons, try holding attractive toys just out of her reach: above her head, in front of her, to the sides. See how close you have to get the toy before she makes her move. Remember, the object here is not to tease or torture the baby, it’s to have fun. You can add another layer of complexity by putting the out-of-reach object on a blanket or towel. Then slowly pull the blanket and show her how it gets closer. Will she try that herself? TOUCHING GAMES Try this: let your baby play with a small toy without letting her see it (you could do this in the dark or with her hands in a paper bag). Then put that toy together with several other toys she’s never played with. Many babies this age will pick up the familiar toy. Although this may sound fairly easy, it isn’t. You’re asking your baby to use two senses—touch and vision—at the same time, and to recognize by sight something she’s touched but not seen. If your baby isn’t ready for this one, don’t worry. Just try it again in a few weeks. It’s a concept that can take a while to develop. IF … THEN … GAMES There are thousands of things you can do to reinforce cause-and-effect thinking. Rattles, banging games, rolling a ball back and forth, and splashing in the pool are excellent. So is blowing up your cheeks and having the baby “pop” them with her hands. Baby gyms—especially the kind that make a lot of noise when smacked—are also good, but be sure to pack them up the moment your baby starts trying to use the gym to pull herself up; they’re meant to be used while sitting or lying down and aren’t sturdy enough to support much weight. OBJECT PERMANENCE GAMES When your baby is about six or seven months old, the all-important idea that objects can exist even when they’re out of sight finally starts sinking in. • Object permanence develops in stages. If you’re interested in seeing how, try this: Show your baby a toy. Then, while she’s watching, “hide” it under a pillow. If you ask her where the toy is, she’ll probably push the pillow out of the way and “find” it. But if you quickly move the toy to another hiding place when she’s not looking, she’ll continue to look for it in the first hiding place. • Peek-a-boo and other games that involve hiding and finding things are great for developing object permanence. Peek-a-boo in particular teaches your baby an excellent lesson: when you go away, you always come back. This doesn’t sound like much, but making this connection now lets her know she can count on you to be there when she needs you and will help her better cope with separation anxiety (see page 222).
”
”
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
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