Ball And Chain Quotes

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I blushed when he stepped behind me, encircling my waist with his arms. His lips brushed against my ear. “I believe the answer that will not get me in trouble with you is: the happiest day of my life. Or something along those lines. Definitely not the end of my carefree days or when I get a ball and chain. Hmmm, I’m just realizing that I’m going to have to buy you birthday and anniversary presents at the same time. What a pain.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Zane hurried to catch up. “Wait, Ty, you want to do that with her with us?" “She’s a year old. She won’t understand death and destruction for at least another year.” “If we ever decide to adopt, you’re a mute in any interviews.” “Understood.
Abigail Roux (Ball & Chain (Cut & Run, #8))
The chains that break you, are the chains that make you. And the chains that make you, are the chains you break.
Anthony Liccione
Somewhere in the center of my soul, a rusty chain began to unwind. It freed itself, link by link, from where it had rested, unobserved, waiting for him. My hands, which had been balled up and pressed against his chest, unfurled with it. The chain continued to drop, to an unfathomable depth where there was nothing but darkness and Matthew. At last it snapped to its full length, anchoring me to a vampire. Despite the manuscript, despite the fact that my hands contained enough voltage to run a microwave, and despite the photograph, as long as I was connected to him, I was safe.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
Society indeed conspires to keep you ball and chained.
Douglas Coupland (Life After God)
He waved at his attendants. "I dragged them like a ball and chain all the way across the palace and back." "If sterner measures are called for, we can find a larger ball and chain." The queen turned and disappeared into the partment. "Oh, dear," Eugenides muttered as he followed...The queen's sterner measures, dispensed by the Eddisian Ambassador, arrived before dawn.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Are you okay?" Kelly cried. "I shot dinner," Nick said. Kelly snorted. "Look, Hannibal, you can shoot back if they 're shooting at you, but it's still not okay to eat them afterward.
Abigail Roux (Ball & Chain (Cut & Run, #8))
You’ve taken a lot of hits in the last few days, Ty. Let me take this last one for you.” Ty stared at him, struck breathless, struck speechless. He snaked his arm around Zane’s neck and hugged him tight. He nodded, still unable to speak.
Abigail Roux (Ball & Chain (Cut & Run, #8))
So there existed fathers who dealt in the present, who didn't drag ancient history around like a ball and chain. So there were men who were not neck-deep and sinking in the quagmire of the past.
Zadie Smith (White Teeth)
Vimes felt his hand begin to move of its own accord-- And stopped. Red rage froze. There was The Beast, all around him. And that's all it was. A beast. Useful, but still a beast. You could hold it on a chain, and make it dance, and juggle balls. It didn't think. It was dumb. What you were, what you were, was not The Beast.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Zane sighed. “I was so hoping this would be a normal vacation.” Ty smacked him on the side of the head. “Don’t use bad words.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Some men call her cyanide For she'll cause and take your pain. To others she's the devil Or the quest for true love's bane, And, to those less lucky, She's called their ball and chain.
Phar West Nagle
I hate to burst your bubble, but you're really not as scary as you think you are. I don't find you scary at all, actually," I lied casually. He stopped, raising his eyebrows in blatant disbelief. Then he flashed a wide, wicked smile. "You really shouldn't have said that," he chuckled. He growled, a low sound in the back of his throat; his lips curled back over his perfect teeth. His body shifted suddenly, half-crouched, tensed lika a lion about to pounce. I backed away from him, glaring. "You wouldn't." I didn't see him leap me - it was much too fast. I only found myself suddenly airborne, and then we crashed onto the sofa, knocking it into the wall. All the while, his arms formed an iron cage of protection around me - I was barely jostled. But I still was gasping as I tried to right myself. He wasn't having that. He curled me into a ball against his chest, holding me more securely than iron chains. I glared at him in alarm, but he seemed well in control, his jaw relaxed as he grinned, his eyes bright only with humor. "You were saying?" he growled playfully. "That you are a very, very terrifying monster," I said, my sarcasm marred a bit my breathless voice. "Much better," he approved.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Kelly pulled out a pair of handcuffs and thrust them at Park. “Why the hell do you have those?” Ty asked. Kelly shrugged and grinned. “They’re Nick’s.” “Oh God, no,” Ty blurted covering his eyes. Nick laughed. He rolled over and pushed himself to his hands and knees, but he remained there, either unable or unwilling to stand. He glanced up at Ty and Zane. “He likes the uniform, too.” “No no no!” Ty cried.
Abigail Roux (Ball & Chain (Cut & Run, #8))
A standing prick hath no conscience. And if that standing prick is attached to Bruce Robertson then it hath less than no conscience. You can't afford a conscience in this life, that has become a luxury for the rich and a social ball and chain for the rest of us. Even if I wanted one, which I certainly do not, I wouldn't have the faintest idea as how to go about getting one.
Irvine Welsh (Filth)
„What the shit is this?“ Kelly asked. “Goddamn it!” Nick shouted. Something banged in the darkness as they all remained still to let their eyes adjust. “Unfuck your shit, Scotland!
Abigail Roux (Ball & Chain (Cut & Run, #8))
As a human being, you have no choice about the fact that you need a philosophy. Your only choice is whether you define your philosophy by a conscious, rational, disciplined process of thought and scrupulously logical deliberation - or let your subconscious accumulate a junk heap of unwarranted conclusions, false generalizations, undefined contradictions, undigested slogans, unidentified wishes, doubts and fears, thrown together by chance, but integrated by your subconscious into a kind of mongrel philosophy and fused into a single, solid weight: self-doubt, Like a ball and chain in the place where your mind's wings should have grown.
Ayn Rand
You let me think I was being stalked by a ghost, you fuck nuts!
Abigail Roux (Ball & Chain (Cut & Run, #8))
I love you, Nick,” Kelly whispered. “No matter what those words meant before, we know what they mean now. They’re ours now. Just ours.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Got anything we can cull the herd with?" Nick stared at Zane for a few seconds. "I never realized how disturbing your accent is until you use cow analogies." "Yeah okay, say 'car'.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Guilt and me, we’re conjoined. One. When it isn’t stabbing me, I drag it around like a ball and chain.
Kim Holden (The Other Side)
My mother says when I get older my dusty hair will settle and my blouse will learn to stay clean, but I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain…I have begun my own quiet war. Simple. Sure. I am the one who leaves the table like a man, without putting back the chair or picking up the plate.
SandraCisneros
You want to bang something too, sonny, you can borrow my shovel!
Abigail Roux (Ball & Chain (Cut & Run, #8))
Oh Jesus, Digger on a horse,” Kelly said. “He kept threatening to make his horse into stew.” “He named his horse Stu,” Nick added.
Abigail Roux (Ball & Chain (Cut & Run, #8))
This is the worst vacation ever,” Kelly said as he turned and followed Ty up the steps. “Yeah, we don’t use that word.
Abigail Roux (Ball & Chain (Cut & Run, #8))
The last thing the hockey ball symbolized was Time itself, the unstoppability of it, the way we're chained to our bodies, which are chained to Time.
Jeffrey Eugenides (Middlesex)
Speaking of troublemakers, where’s Nicholas? I’ve got a hug for him, too.” “He and Doc are in the next room,” Ty answered. “Doc? Which one was that?” “The one who lost his parents when he was young. I brought him home for Thanksgiving one time. You told him you wanted to wrap him up and bake him in a pie and he never came back.
Abigail Roux (Ball & Chain (Cut & Run, #8))
I mean that all the experiences I’ve ever heard of in life . . . I want to have them with you.
Abigail Roux (Ball & Chain (Cut & Run, #8))
I thought it was probably best if I didn't go snooping around Wade's room uninvited. These days I would probably find all sorts of whips and chains and ball gags. And then when I put those down and stopped playing with them, I would probably find something that made me really uncomfortable.
Laurel Ulen Curtis (A is for Alpha Male (A is for Alpha Male, #1))
The other bodyguard, Hardin, grinned, showing his crooked teeth. “Sidewinder. Like the snake.” The room was silent, waiting for his point. “You know what they used to call the Green Berets when we were active?” Ty tried hard not to roll his eyes. Behind him, Kelly answered wryly, “Snake Eaters.” Both security men chuckled. “Best watch out, Sidewinders. Don’t want to get eaten.” Nick barked a laugh. “I appreciate the offer, Hoss, but I got someone taking care of me already.” Hardin squared his shoulders, his face growing ruddy. “Don’t worry, you’ll find that someone special,” Kelly assured him, his voice sincere.
Abigail Roux (Ball & Chain (Cut & Run, #8))
I have decided not to grow up tamed like the others who lay their necks on the threshold waiting for the ball and chain.” -The House on Mango Street
Cisneros, Sandra
Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
The fear of loneliness has been like a ball and chain restraining ambition, as much of an obstacle to a full life as persecution, discrimination or poverty. Until the chain is broken, freedom, for many, will remain a nightmare.
Theodore Zeldin (An Intimate History of Humanity)
Once their breathing calmed and the ringing in Zane's ears faded,he heard the muffled sound of Nick and Kelly in their bedroom,catcalling and applauding.Ty must have heard it as well,because they both began to laugh at the same time. -Is wrong that I'm turned on by the idea of forcing your friends to listen to us having sex?-Zane asked with a frown. Ty laughed harder.-Just don't tell Nick that.He'll offer to critique your performance.Or worse,join us-
Abigail Roux (Ball & Chain (Cut & Run, #8))
Chester pointed his fork at Nick’s face. “When I was your age, sonny, they used to say redheads was relations of Satan.” Kelly choked on his breakfast, but Nick just gave Chester an enigmatic smile. “What do they say about you now?” Chester asked him. Nick gave an easy shrug. “They say we have no soul.
Abigail Roux (Ball & Chain (Cut & Run, #8))
McCoy looked at him with true regret and sighed heavily. “You’re management now, Garrett. There’s no going back. And you can’t have your . . . your boyfriend working under you.” Ty opened his mouth, and McCoy held up his hand. “If you make a joke, I’ll shoot you.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Told you to buy a Mac.
Abigail Roux (Ball & Chain (Cut & Run, #8))
He seemed unburdened now, more willing to simply grab onto life and go for a ride.
Abigail Roux (Ball & Chain (Cut & Run, #8))
That was love. And it wasn't a ball and chain...It was an anchor that had saved him amid a storm rising, kings falling, and a soul raging.
Ronie Kendig (Soul Raging (The Book of the Wars #3))
Ty plopped down in the seat next to Kelly and peered over at his friends. “What the hell happened to you two this morning?” Nick began to snicker and Kelly rolled his eyes as he took a sip of coffee. “I fell out of the bed.” “Fell?” Zane asked. “Or you were pushed?” “Legit fell. Rolled right out of that thing and took the covers with me. I dreamt I was being attacked by a giant squid and woke up thinking I was drowning.” “I woke up cold and very confused,” Nick added.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Hey,” Nick grunted. “Marriage is just a word for some people, but for others it’s a fucking sentence, okay?” Zane was holding his side. “Oh my God, marriage puns! Oh my God...” Nick was trying not to grin, but he finally couldn’t help himself. “Once we established I was the victim, then we had to find a girl with a ring on her finger to figure out which one I’d fucking married.” Ty leaned against Zane’s arm, laughing so hard he could no longer sit up straight. “The look on his face!” “He made a marriage pun,” Zane gasped.
Abigail Roux (Ball & Chain (Cut & Run, #8))
To move forward clinging to the past is like dragging a ball and chain. The prisoner is not the one who has committed a crime, but the one who clings to his crime and lives it over and over. We are all guilty of crime, the great crime of not living life to the full. But we are all potentially free. We can stop thinking of what we have failed to do and do whatever lies within our power. What these powers that are in us may be no one has truly dared to imagine. That they are infinite we will realize the day we admit to ourselves that imagination is everything. Imagination is the voice of daring. If there is anything God-like about God it is that. He dared to imagine everything.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
See, I've always been afraid of marriage because of, you know, ball and chain, I want my freedom, all that. But when I was thinking about that stupid girl I suddenly saw it was the opposite: that if you got married to someone you know you love, and you sort yourself out, it frees you up for other things.
Nick Hornby (High Fidelity)
If all boys could be made to know that with every breath of cigarette smoke they inhale imbecility and exhale manhood ... and that the cigarette is a maker of invalids, criminals and fools—not men—it ought to deter them some. The yellow finger stain is an emblem of deeper degradation and enslavement than the ball and chain.
Hudson Maxim
She thought she could have what she wanted; she thought she could see the world from above, as if it were a distant blue ball whose sorrows had nothing to do with her. She had wanted to be a bird, but now she knew, as she looked out the window to see Lewis following, that even birds are chained to earth by their needs and desires.
Alice Hoffman (The Rules of Magic (Practical Magic, #0.2))
I am standing still,” Kelly said. “What, does that thing not work when I’m talking? It gets distracted? It’s a metal detector with ADD?
Abigail Roux (Ball & Chain (Cut & Run, #8))
He grabbed Ty and dipped him backward, kissing him for all he was worth.
Abigail Roux (Ball & Chain (Cut & Run, #8))
The next moment I was chained to my chair again,--the fires were lit, the bells rang out, the litanies were sung;--my feet were scorched to a cinder,--my muscles cracked, my blood and marrow hissed, my flesh consumed like shrinking leather,--the bones of my legs hung two black withering and moveless sticks in the ascending blaze;--it ascended, caught my hair,--I was crowned with fire,--my head was a ball of molten metal, my eyes flashed and melted in their sockets;--I opened my mouth, it drank fire,--I closed it, the fire was within,...and we burned, and burned! I was a cinder body and soul in my dream.
Charles Robert Maturin
One advantage to being a despised species is that you have freedom, freedom to be any crazy thing you want. If you listen to a group of housewives talk, you'll hear a lot of nonsense, some of it really crazy. This comes, I think, from being alone so much, and pursuing your own odd train of thought without impediment, which some call discipline. The result is craziness, but also brilliance. Ordinary women come out with the damnedest truth. You ignore them at your own risk. And they are permitted to go on making wild statements without being put in one kind of jail or another (some of them, anyway) because everyone knows they're crazy and powerless too. If a woman is religious or earthy, passive or wildly assertive, loving or hating, she doesn't get much more flak than if she isn't: her choices lie between being castigated as a ball and chain or as a whore.
Marilyn French (The Women's Room)
Kelly glanced at the freezer as they headed for the steps. “Hey, maybe one of them will donate a liver to your dad.” Nick looked over his shoulder at Kelly, his eyes wide. “I’m just saying. Three perfectly good livers sitting in there,” Kelly said, completely deadpan. “Nobody’s using them. I’ll go get one for you.” Nick gaped at him. “How the hell did you ever pass your psych evals?” “I cheated off your papers.” Nick rolled his eyes and started up the stairs. “The Navy gives bubble tests. When in doubt, go with C.” “Kelly.” “Get it? Navy? The sea?” “Kels, shut up.” “Oh, come on! You love puns.” Nick laughed, unable to stop himself.
Abigail Roux (Ball & Chain (Cut & Run, #8))
Life isn’t fair. It doesn’t make sense. This unfairness is felt by everyone, from the Las Vegas tunnel dweller all the way to the executive in the high-rise. To some, these “unfair” experiences become a chastening ball and chain attached for the remainder of life.
($) (For the (soon) unemployed: You Against Them)
definitions belong to the definer, not the defined, & I no longer wished to have my life & death foretold by others. I had endured too much to be reduced to an idea. Onto that pyre I threw so many, many words - that entire untrue literature of the past which had shackled & subjugated my as surely as the spiked iron collars & leg locks & jagged basils & balls & chains & headshaving - that had so long denied me my free voice & the stories I needed to tell. I no longer wished to read lies as to who & why I was. I knew who I was
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
Grief is personal. It isn’t something you can share, like a box of chocolates. It is yours and yours alone. A spiked steel ball chained to your ankle. A coat of nails around your shoulders. A crown of thorns. No one else can feel your pain. They cannot walk in your shoes because your shoes are full of broken glass and every time you try and take a step forward it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You
C.J. Tudor (The Hiding Place)
I could chill the room with reasons why I would give forgiveness - to the people who had selfishly left me a wounded soul. I kept dragging 'round those memories, like a ball and chain behind me - wondering why my troubles followed me wherever I would go....." … lyric from the song, "No More Looking Over My Shoulder
Travis Tritt
Are you out now?” Zane asked. “Is it . . . is this it?” “Yeah, this is it,” Ty answered. “I’m out.” “Me
Abigail Roux (Ball & Chain (Cut & Run, #8))
Are you now or have you ever been involved . . . romantically?” Ty
Abigail Roux (Ball & Chain (Cut & Run, #8))
I want the strings. I want the ball and fucking chain. I want to be so tied to you that you can’t ever slip away from me again.
Heather M. Orgeron (Boomerangers)
The ball and chain of creativity has no key
Benny Bellamacina (Little Luigi: A Musical Adventure (Rhyming picture book))
You have got me walking up and down all day under those trees, saying to me over and over again, "Solitude, solitude." And You have turned around and thrown the world in my lap. You have told me, "Leave all things and follow me," and then You have tied half of New York to my foot like a ball and chain. You have got me kneeling behind that pillar with my mind making a noise like a bank. Is that contemplation?
Thomas Merton (The Seven Storey Mountain)
He could still feel Ty all over him: smarting bite marks, the whisker burn on his throat and shoulders, rug burn on his chest, elbows, and knees, sore spots from Ty’s fingers digging in, and best of all, Ty’s cum sliding down his leg. He felt absolutely mauled. Eyes
Abigail Roux (Ball & Chain (Cut & Run, #8))
I can hear the turning of the key I’ve been deceived by the clown inside of me I thought that he was righteous but he’s vain Oh, something’s a-telling me I wear the ball and chain My patron saint is a-fighting with a ghost He’s always off somewhere when I need him most
Bob Dylan
He glanced up, scanning the crowd for the only person he desperately needed to see. He was searching so hard that he almost skipped right over him, standing just a few yards away and gazing at Zane with a smile. Zane’s breath caught. “Ty.” “Hi,” Ty said with a bigger grin.
Abigail Roux (Ball & Chain (Cut & Run, #8))
For seven years he had lived bound to her, his every step subject to her scrutiny. She might as well have chained iron balls to his ankles. Suddenly his step was much lighter. He soared. He had entered Parmenides' magic field: he was enjoying the sweet lightness of being''.
Milan Kundera (The Unbearable Lightness of Being)
Everyone can't go where you're headed. This is often preached, but I don't think enough people understand the severity of this advice. Attempting to keep everyone with you, is the equivalent of walking with a ball and chain around your ankles. You will not get too far ahead.
Robin S. Baker
covering ten to twenty miles a day. The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
Biot, who assisted Laplace in revising it [The Mécanique Céleste] for the press, says that Laplace himself was frequently unable to recover the details in the chain of reasoning, and if satisfied that the conclusions were correct, he was content to insert the constantly recurring formula, 'Il est àisé avoir' [it is easy to see].
W.W. Rouse Ball (A Short Account of the History of Mathematics)
Right. I got this, Bethie. Don’t worry,” she tells me. “I’m going to tear his balls off. We can put them on a chain and hang them in the baby’s room as a mobile,” she growls.
Jordan Marie (Captured (Devil's Blaze MC, #1))
Ty chuckled and they shared a languid kiss. Ty was smirking when they parted. “Marry me, Zane,” he whispered. Zane
Abigail Roux (Ball & Chain (Cut & Run, #8))
Ty pushed at his head to turn him into another brutal kiss. “Louder,” he snarled. “Please!
Abigail Roux (Ball & Chain (Cut & Run, #8))
Chat is like the ball..... you throw it... then they... then you.... then they... until one of you... stops... and the chain reaction is over.
Deyth Banger
the thing which hung down when Mr. Gaunt tented his fingers over the chain looked like a tea-ball, or an oversized thimble.
Stephen King (Needful Things)
The silver tea-ball (if that was what it was) jounced at the bottom of the chain.
Stephen King (Needful Things)
There is an endless chain of cities, a circle without beginning or end, over which there breaks unrelentingly a shifting wave of laws. There is the city-jungle and the city where people live in the pillars of tall viaducts that crisscross each other in countless overpasses and underpasses, the city of sounds and nothing else, the city in the swamp, the city of smooth white balls rolling on concrete, the city comprising apartments spread across several continents, the city where sculptures fall endlessly from dark clouds and smash on the paving stones, the city where the moon’s path passes through the insides of apartments. All cities are mutually the center and periphery, beginning and end, capital and colony of each other.
Michal Ajvaz (The Other City (Czech Literature Series))
My neighbour turned to me again, and asked me what work it was that was taking me to Athens. For the second time I felt the conscious effort of his enquiry, as though he had trained himself in the recovery of objects that were falling from his grasp. I remembered the way, when each of my sons was a baby, they would deliberately drop things from their high chair in order to watch them fall to the floor, an activity as delightful to them as its consequences were appalling. They would stare down at the fallen thing – a half-eaten rusk, or a plastic ball – and become increasingly agitated by its failure to return. Eventually they would begin to cry, and usually found that the fallen object came back to them by that route. It always surprised me that their response to this chain of events was to repeat it: as soon as the object was in their hands they would drop it again, leaning over to watch it fall. Their delight never lessened, and nor did their distress. I always expected that at some point they would realise the distress was unnecessary and would choose to avoid it, but they never did. The memory of suffering had no effect whatever on what they elected to do: on the contrary, it compelled them to repeat it, for the suffering was the magic that caused the object to come back and allowed the delight in dropping it to become possible again. Had I refused to return it the very first time they dropped it, I suppose they would have learned something very different, though what that might have been I wasn’t sure.
Rachel Cusk (Outline)
Imagine the martyrdom of a pun which has become an integral portion of one's organism to be lugged through life like the convict's ball and chain. Do you suppose he vainly tries to escape it, or is he passive in its clutches or can it be possible that some memory of the joy still survives which irradiated his being, the first time he heard it from his lips in the springtime of his practice?
Alice James
Zane’s tongue flicked over the head of his cock, and Ty bit his lip against a moan. “Oh God. You’re either having sex or being shot at, aren’t you?” Deuce asked with dread. “Why do you answer the phone?” “Got
Abigail Roux (Ball & Chain (Cut & Run, #8))
A few minutes later, a very slim, very directed black-haired woman with olive skin and a classic profile swept into the room. Her hair was pulled back in a bun. She was the executive assistant version of the beautiful librarian cliché. Severe suit, abrupt manner, glasses perched on her nose and secured on a no-nonsense chain around her neck. But you knew when she took those specs off and let down her hair, the results would be dazzling.
Stephen J. Cannell (The Prostitutes' Ball (Shane Scully, #10))
Finally, Ty let go of Zane’s hair and slid both hands under Zane’s shoulders instead, jerking him against the floor as he kissed and bit along his chest. He sucked a nipple between his lips, flicking his tongue over it. The
Abigail Roux (Ball & Chain (Cut & Run, #8))
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Locke stared at the Black Bridge for a good long while, excercising that capacity for conniving that Chains had so forcefully repressed for many long months. He was far too young for much self-analysis, but the process of scheming gave him real pleasure, like a little ball of tingling warmth in the pit of his stomach. He had no name for what he was doing, but in the collision of his whirling thoughts a plan began to form, and the more he thought on it the more pleased he became with himself. It was a fine thing that his white hood concealed his face from most passersby, lest anyone should see an initiate of Perelandro staring fixedly at a gallows and grinning wildly.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
perspective of Beacon Street, with its double chain of lamps, was a foreshortened desert.  The club on the hill alone, from its semi-cylindrical front, projected a glow upon the dusky vagueness of the Common, and as I passed it I heard in the hot stillness the click of a pair of billiard-balls.  As “every one” was out of town perhaps the servants, in the extravagance of their leisure, were profaning the tables.  The heat was insufferable and I thought with
Henry James (The Patagonia)
The veselija has come down to them from a far-off time; and the meaning of it was that one might dwell within the cave and gaze upon shadows, provided only that once in his lifetime he could break his chains, and feel his wings, and behold the sun; provided that once in his lifetime he might testify to the fact that life, with all its cares and its terrors, is no such great thing after all, but merely a bubble upon the surface of a river, a thing that one may toss about and play with as a juggler tosses his golden balls, a thing that one may quaff, like a goblet of rare red wine. Thus having known himself for the master of things, a man could go back to his toil and live upon the memory all his days.
Upton Sinclair (The Jungle)
God has attached an enormous ball to this chain: the obligation of restoring the neighbor's reputation. Saint Augustine's words here are as true for backbiting as for money: "Non dimittitur peccatum nisi restituatur ablatum: No restoration, no pardon.
Fr. Belet
Grief is personal. It isn't something you can share like a box of chocolates. It's yours and yours alone, a spiked steel ball chained to your ankle, a coat of nails around your shoulders, a crown of thorns. No one else can feely your pain. They cannot walk in your shoes because your shoes are full with broken glass and every time you take a step forward, it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.
C.J. Tudor (The Hiding Place)
My mother says when I get older my dusty hair will settle and my blouse will learn to stay clean, but I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain. In the movies there is always one with red lips who is beautiful and cruel. She is the one who drives the men crazy and laughs them all the away. He power is her own. She will not give it away. I have begun my own quiet war. Simple. Sure. I am the one who leaves the table like a man, without putting back the chair or picking up the plate.
S. Cisneros
And though you are the one I hurt, it was God who was offended by me,” he said with downcast eyes. My heart was deeply moved and I felt great pity for him. “I wish for your redemption, John. Fear not Brother, for all is as it should be,” I said sincerely, clutching the stone in my hand, hopeful of its magic. “You shall hereby be released from the burdens you have carried like a ball and chain into Heaven,” I declared, weeping tears of regret. “You are forgiven, John. Now go forth and let us meet in the Kingdom of eternal grace,” I said expectantly. “I have paid a great price for my sins, Mariam. Please tell our daughter that her father loves and watches over
Krishna Rose (Woman in Red: Magdalene Speaks)
He climbed out of the car, feeling stiff and awkward with that hot heavy weight between his legs, that miserable unsatisfied ball of need. Better play it cool, though; if Jonathan knew how bad off he was, the teasing would last for hours. Sadists smelled desperation as surely as sharks scented blood in the water. And Jonathan was very much at the top of his particular food chain.
Rachel Haimowitz (Awakening (Power Play, #2))
Ty returned to the same punishing rhythm he’d started with, obviously not caring that Zane was trying to prolong it. Then he pulled back until the head of his cock was forcing the tight muscles of Zane’s ass to spread and spasm, and made Zane roll his body again, one leg up as Ty drove hard into him. Their eyes met, neither of them blinking or looking away as Ty thrust into him over and over. Ty
Abigail Roux (Ball & Chain (Cut & Run, #8))
Somewhere in the center of my soul, a rusty chain began to unwind. It freed itself, link by link, from where it had rested unobserved, waiting for him. My hands, which had been balled up and pressed against his chest, unfurled with it. The chain continued to drop, to an unfathomable depth where there was nothing but darkness and Matthew. At last it snapped to its full length, anchoring me to a vampire. Despite the manuscript, despite the fact that my hands contained enough voltage to run a microwave, and despite the photograph, as long as I was connected to him, I was safe.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
Kavanagh continued his walk in the direction of Mr. Churchill's residence. This, at least, was unchanged,⁠—quite unchanged. The same white front, the same brass knocker, the same old wooden gate, with its chain and ball, the same damask roses under the windows, the same sunshine without and within. The outer door and study door were both open, as usual in the warm weather, and at the table sat Mr. Churchill, writing. Over each ear was a black and inky stump of a pen, which, like the two ravens perched on Odin's shoulders, seemed to whisper to him all that passed in heaven and on earth. On this occasion, their revelations were of the earth. He was correcting school exercises.
Henry Wadsworth Longfellow (Kavanagh)
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
Jenny Offill (Dept. of Speculation)
chain kept moving, and Ball led the file down through Virginia into North Carolina at a steady pace. As the days wore on, the men, who were never out of the chains, grew dirtier and dirtier. Lice hopped from scalp to scalp at night. Black-and-red lines of scabs bordered the manacles. No matter: The Georgia-man would let the people clean themselves before they got to market. In the meantime, the men were the propellant for the coffle-chain, which was more than a tool, more than mere metal. It was a machine. Its iron links and bands forced the black people inside them to do exactly what entrepreneurial enslavers, and investors far distant from slavery’s frontier, needed them to do in order to turn a $300 Maryland or Virginia purchase into a $600 Georgia sale.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
The trial wasn’t the finest hour of American justice as the treatment of the prisoners seemed medieval in its barbarism. Almost all of the male prisoners were dragged into the courtroom with linen masks shielding their faces and chains and heavy iron balls strapped to their ankles. With clanking irons, they shuffled in and, once seated, their hoods were removed. The military commission took testimony for seven weeks and ultimately found all eight defendants guilty, with four of them (Mary Surratt, Lewis Powell, David Herold, and George Atzerodt) sentenced to hang while three others (including Michael O’Laughlen) were given life imprisonment and one a six-year term. Mary Surratt, who ran a boardinghouse where Booth colluded with other conspirators, went down in historical annals as the first woman ever executed by the federal government.
Ron Chernow (Grant)
what is known as a neutron moderator, which, in an RBMK reactor, is comprised of vertical graphite blocks surrounding the fuel channels. Each RBMK contains 1850 tons of graphite. This graphite slows - moderates - the speed of neutrons moving in the fuel, because slowed neutrons are far more likely collide with uranium235 nuclei and split. When playing golf, for example, if your ball is a few centimeters from the hole, you don’t hit it as hard as you possibly can, you give it a slow tap to the target. It’s the same principle with neutrons in a reactor. The more often the resulting atomic split occurs, the more the chain reaction sustains itself and the more energy is produced. In other words, the graphite moderator creates the right environment for a chain reaction. Think of it as oxygen in a conventional fire: even with all the fuel in the world, there will be no flame without oxygen.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
The next day, as they walked, a stranger rode up, matching the Georgia-man’s pace. “Niggers for sale?” He wanted to buy two women. The two men negotiated, argued, and insulted each other a little. The new man stared at the women and told them what he thought he’d do with them. The coffle kept moving. The white men rode along, bargaining. Maybe the deal could be sweetened, allowed the Georgia-man, if the South Carolinian paid to have the chains knocked off the men. One thousand dollars for the two, plus blacksmith fees. They stopped at a forge, and they kept arguing. The new man stated for everyone’s benefit that he had worked African men to death in iron collars. The blacksmith came out, and he asked what “the two gentlemen were making such a frolick about,” Ball later said. Frolicking: Down there, Ball realized, the Carolinians’ play, the time when they were most fully themselves, was evidently when they were arguing, negotiating, dealing, and intimidating the enslaved.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
So let me get this straight,” Ysabel asked. “You lost five prisoners, have no idea how or when, have no video footage due to some malfunction, and you can’t even make one chained up soul talk?” “When you put it that way, it sounds bad.” Ysabel stepped up to the warden and although she remained shorter than him by almost a foot, she seemed to grow somehow in presence. “What’s bad is if you let any more prisoners escape, the Devil won’t have to fire you because I’ll come down here myself, carve your body parts off one at a time and feed them to the hounds. Incompetence is unacceptable and I will not tolerate it.” “Yes, ma’am.” Remy laughed as Crax reeled back from her, a dazed look on his face. He was still chuckling as they exited the rusted gates. “What is so damned funny?” she asked through gritted teeth. “You. I mean, you couldn’t even hold your own against Pedro last night and yet you’re threatening the warden of Hell’s Prison. That takes balls.” He received no warning, just a flick of her hand and he went flying, his impromptu airborne status halted by a crag of rock. And not a smooth one. -Ysabel, Crax, & Remy
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
There’s this girl…this woman I can’t get out of my mind.” He spilled the story of his seduction of sweet, innocent Amanda McCormick for Rufus’s examination. When he finished talking, there was another silence. “You did that?” Rufus’s voice was as deep and gravelly as a quarry. “Fucked some poor virgin while posing as her fiancé?” “Yeah.” “You got some balls. How’d you know you’d be a close enough match to this Baxter?” “Brown hair, blue eyes, that’s all she seemed to know about him.” Spence couldn’t explain his need for the rush of tempting fate. “I took a chance. It was a gamble.” “Jesus, you’re a mean son of a bitch.” “I didn’t want to hurt her. I was just having fun.” He sounded like a spoiled child even to himself. “And now you want to go see this woman and try to make it right?” Rufus said. “Just how the hell did you think you were going to fix it? By showing up and wrecking her marriage, if you haven’t done that already?” It was Spence’s turn to pause. “Haven’t you done enough to this lady? Where’s your head, boy? Leave her alone.” “I can’t. I have to see her again.” He didn’t want to share his dreams of the little girl. He’d sound crazy. Rufus laughed harshly. “So you can try and get another piece of tail?” “No. It’s not like that.” “What? You think you’re in love. Son, you don’t know the first thing about it. If you did, you’d be putting this woman’s needs above your own.” He thought of the little girl telling him to go to Amanda. “Maybe what she needs is me.” Rufus made a scoffing noise. “A woman needs a man who’ll stand by her, be there through hard times and good. From what you’ve told me these past months, this is the longest you’ve stayed put in one place in your life and that’s only ‘cause they won’t let you out.” “I just want to do the right thing.” “Then do like I say. Leave her be. You think she’s going to be happy to see you again?” Spence pulled his blanket tighter around his shoulders and watched a gray cloud puff from his mouth. “You still there, boy?” “Where else?” “Don’t take it too hard. Everybody does things they’re sorry for. Sometimes there’s just no way to make it right.” He leaned back against the wall and reviewed the stupid chain of events that had landed him in jail. Maybe Rufus was right and there was no way he could ever apologize for what he’d done to Amanda. He should let the whole thing slide and leave the woman in peace.
Bonnie Dee (Perfecting Amanda)
Samson Agonistes" Blind among enemies, O worse then chains, Dungeon, or beggery, or decrepit age! Light the prime work of God to me is extinct, [ 70 ] And all her various objects of delight Annull'd, which might in part my grief have eas'd, Inferiour to the vilest now become Of man or worm; the vilest here excel me, They creep, yet see, I dark in light expos'd [ 75 ] To daily fraud, contempt, abuse and wrong, Within doors, or without, still as a fool, In power of others, never in my own; Scarce half I seem to live, dead more then half. O dark, dark, dark, amid the blaze of noon, [ 80 ] Irrecoverably dark, total Eclipse Without all hope of day! O first created Beam, and thou great Word, Let there be light, and light was over all; Why am I thus bereav'd thy prime decree? [ 85 ] The Sun to me is dark And silent as the Moon, When she deserts the night Hid in her vacant interlunar cave. Since light so necessary is to life, [ 90 ] And almost life itself, if it be true That light is in the Soul, She all in every part; why was the sight To such a tender ball as th' eye confin'd? So obvious and so easie to be quench't, [ 95 ] And not as feeling through all parts diffus'd, That she might look at will through every pore? Then had I not been thus exil'd from light; As in the land of darkness yet in light, To live a life half dead, a living death, [ 100 ] And buried; but O yet more miserable!
Milton
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)