Bali Calling Quotes

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Five devils are approaching. Five black hearts are wanting. It is five who cry a dark and lonely song, calling for their queen. Lion, shark, dragon, wolf and...shadow.
E.P. Bali (Her Feral Beasts (Her Vicious Beasts, #1))
When does relaxing turn into living? How can you call it relaxing when that is all you are doing?
S.A. Tawks (Mule)
Now, Raquel, you’ve told us that your beast leans a little more toward anima sometimes?” Raquel shrugs. “Yeah.” “So you don’t mind us calling you anima?” Raquel nods. “D-doesn’t matter which one.” “Good to know,” Theresa says, looking meaningfully around at us to make sure we got that.
E.P. Bali (Her Feral Beasts (Her Vicious Beasts, #1))
The real life of the East is agony to watch and horror to share. One of the three greatest joys in life is swimming naked in clean tropical sea. We need a root of personal experience from which to grow our understanding. Each new experience plants another root; the smallest root will serve. The lethargy of compounded discomfort and boredom is the trademark of the genuine horror journey. That state of grace which can rightly be called happiness, when body and mind rejoice together. This occurs, as a divine surprise, in travel; this is why I will never finish traveling. Loving is a habit like another and requires something nearby for daily practice. I loved the cat, the cat appeared to love me. As for me, the name Surinam was enough. I had to see a place with a name like that. Stinking with rancid coconut butter, the local Elizabeth Arden skin cream. You define your own horror journey, according to your taste. My definition of what makes a journey wholly or partially horrible is boredom. Add discomfort, fatigue, strain in large amounts to get the purest-quality horror, but the kernel is boredom. Bali- a museum island, boringly exquisite, filled with poor beautiful people being stared at by rich beautiful people. No sight is better calculated to turn anyone off travel than the departure lounge of a big airport.
Martha Gellhorn (Travels With Myself and Another)
What a joy this book is! I love recipe books, but it’s short-lived; I enjoy the pictures for several minutes, read a few pages, and then my eyes glaze over. They are basically books to be used in the kitchen for one recipe at a time. This book, however, is in a different class altogether and designed to be read in its entirety. It’s in its own sui generis category; it has recipes at the end of most of the twenty-one chapters, but it’s a book to be read from cover to cover, yet it could easily be read chapter by chapter, in any order, as they are all self-contained. Every bite-sized chapter is a flowing narrative from a well-stocked brain encompassing Balinese culture, geography and history, while not losing its main focus: food. As you would expect from a scholar with a PhD in history from Columbia University, the subject matter has been meticulously researched, not from books and articles and other people’s work, but from actually being on the ground and in the markets and in the kitchens of Balinese families, where the Balinese themselves learn their culinary skills, hands on, passed down orally, manually and practically from generation to generation. Vivienne Kruger has lived in Bali long enough to get it right. That’s no mean feat, as the subject has not been fully studied before. Yes, there are so-called Balinese recipe books, most, if I’m not mistaken, written by foreigners, and heavily adapted. The dishes have not, until now, been systematically placed in their proper cultural context, which is extremely important for the Balinese, nor has there been any examination of the numerous varieties of each type of recipe, nor have they been given their true Balinese names. This groundbreaking book is a pleasure to read, not just for its fascinating content, which I learnt a lot from, but for the exuberance, enthusiasm and originality of the language. There’s not a dull sentence in the book. You just can’t wait to read the next phrase. There are eye-opening and jaw-dropping passages for the general reader as Kruger describes delicacies from the village of Tengkudak in Tabanan district — grasshoppers, dragonflies, eels and live baby bees — and explains how they are caught and cooked. She does not shy away from controversial subjects, such as eating dog and turtle. Parts of it are not for the faint-hearted, but other parts make you want to go out and join the participants, such as the Nusa Lembongan fishermen, who sail their outriggers at 5.30 a.m. The author quotes Miguel Covarrubias, the great Mexican observer of the 1930s, who wrote “The Island of Bali.” It has inspired all writers since, including myself and my co-author, Ni Wayan Murni, in our book “Secrets of Bali, Fresh Light on the Morning of the World.” There is, however, no bibliography, which I found strange at first. I can only imagine it’s a reflection of how original the subject matter is; there simply are no other sources. Throughout the book Kruger mentions Balinese and Indonesian words and sometimes discusses their derivations. It’s a Herculean task. I was intrigued to read that “satay” comes from the Tamil word for flesh ( sathai ) and that South Indians brought satay to Southeast Asia before Indonesia developed its own tradition. The book is full of interesting tidbits like this. The book contains 47 recipes in all, 11 of which came from Murni’s own restaurant, Murni’s Warung, in Ubud. Mr Dolphin of Warung Dolphin in Lovina also contributed a number of recipes. Kruger adds an introduction to each recipe, with a detailed and usually very personal commentary. I think my favorite, though, is from a village priest (pemangku), I Made Arnila of the Ganesha (Siwa) Temple in Lovina. water. I am sure most will enjoy this book enormously; I certainly did.” Review published in The Jakarta Globe, April 17, 2014. Jonathan Copeland is an author and photographer based in Bali. thejakartaglobe/features/spiritual-journey-culinary-world-bali
Vivienne Kruger
I figured this guy was a fair dinkum Australian. The type of guy that worked the land all day, cracked open a beer or two at night and called girls 'sheilas'.
S.A. Tawks (Mule)
Do you want me to call the internet police for you?
S.A. Tawks (Mule)
conquered heaven when the time was bad for the devas, who waited to reattack until the time became propitious for them. When the time was propitious for the devas, Bali advised his asuras to desist until time turned again in their favor. Though little solid evidence exists for any of these speculative interpretations of the story of Bali and Vamana, we can gain through them some of the mythic savor of the deva-asura struggle, a contest that is as eternal as the seasonal shifting of the stars in the sky. Above all this celestial competition reside the Seven Rishis, and above them sits the Pole Star, who is known as Dhruva (The Firm, Fixed One). Chapter 22 of the Brahmanda Purana explains how, presided over by Dhruva and inspired by the celestial air known as the Pravaha Vayu, the sun takes up water and the moon showers it down in a torrential current which flows through celestial conduits called nadis. The sun provides heat to the world, and the moon provides coolness. It is no coincidence that this macrocosmic cycle is replicated within the human body, where the “sun” and “moon” are also nadis, ethereal vessels (much like the
Robert E. Svoboda (The Greatness of Saturn: A Therapeutic Myth)
Safety standards in Bali weren’t quite the same as those in the western world, something I’m usually quite excited about.
Tony James Slater (Kamikaze Kangaroos!: A trip around Oz in a van called Rusty)
You study Yoga in India, Liss?” he asks. “Yes, Ketut.” “You can do Yoga,” he says, “but Yoga too hard.” Here, he contorts himself in a cramped lotus position and squinches up his face in a comical and constipated-looking effort. Then he breaks free and laughs, asking, “Why they always look so serious in Yoga? You make serious face like this, you scare away good energy. To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. All finish for today. See you later, alligator. Come back tomorrow. I am very happy to see you, Liss. Let your conscience be your guide. If you have Western friends come to visit Bali, bring them to me for palm-reading. I am very empty in my bank since the bomb.
Elizabeth Gilbert (Eat, Pray, Love)
Bali is to Australians what Ibiza is to twelve blokes from Blackpool on a stag do – one long, rowdy, epically-cheap piss-up.
Tony James Slater (Kamikaze Kangaroos!: A trip around Oz in a van called Rusty)
Foreword Reviews Magazine. Foreword Reviews. Summer 2014 issue. "By way of introduction to Vivienne Kruger’s Balinese Food, bear in mind that eight degrees south of the equator, this modest-sized lava rich, emerald green island rests among the 17,508 remote, culturally distinct constellation of Indonesian islands. It is home to three million mortals who believe they are protected by an unfathomable number of Bali-Hindu goddesses and gods that inhabit the island’s sacred mountain peaks. The Balinese are unlike almost any other island people in that they are suspicious, even distrustful of the sea, believing mischievous spirits and negative powers dwell there—the underworld, as it were. Yes, they eat seafood, they just mostly let other Indonesians do the fetching. Fittingly, Kruger’s masterful use of language; dogged, on the ground conversations with thousands of Balinese cooks and farmers; and disarming humanity leads to a culinary-minded compendium unlike almost any other. Bali, you got the scribe you deserved. What made Kruger’s work even more impressive is the fact that almost nothing about Balinese food history has been written down over the years. She writes: “Like so many other traditions in Bali, cooking techniques and eating habits are passed down verbally by elders to their children and grandchildren who help in the kitchen. However, Indonesia has an old orally transmitted food culture because the pleasure of storytelling is entwined with the pleasure and effort of cooking and eating.” Balinese Food is framed around twenty-one chapters, including the all-important Sacred Ceremonial Cuisine, Traditional Village Foods, the Cult of Rice, Balinese Pig, Balinese Duck, and specialized cooking techniques like saté, banana leaf wrappers, and the use of bumbu, a sacred, powerful dry spice paste mixture. In the chapter Seafood in Bali, she lists a popular, fragrant accompaniment called Sambal Matah—chopped shallots, red chilies, coconut oil, and kaffir lime juice—that is always served raw and fresh, in this case, alongside a simple recipe for grilled tuna. An outstanding achievement in the realm of island cooking and Indonesian history, Balinese Food showcases the Balinese people in the most flattering of ways.
Foreword Reviews Magazine
Even the infamous 2002 Bali bombing mastermind, Imam Samudra from the al-Qaeda-linked terrorist group Jamaah Islamiyah, funded his attack in which more than 200 people were murdered with the $150,000 he obtained by hacking into Western bank accounts and credit lines. Samudra was technologically savvy and while in prison wrote an autobiographical manifesto containing a chapter titled “Hacking, Why Not?” In the book, Samudra shared his hacking and “carding” techniques with his disciples, encouraging them “to take the holy war into cyberspace by attacking U.S. computers, with the particular aim of committing credit card fraud, called ‘carding,’ ” to fund operations.
Marc Goodman (Future Crimes)
With frost and salt, his scent is vast. As if the entire Pacific Ocean is at his calling.
E.P. Bali (Her Feral Beasts (Her Vicious Beasts, #1))
So that night, or that morning, actually, when we ended up in my bed, he was very gentle with me and I couldn’t bring myself to stop him, if he wanted to lick me all over and kiss me softly, let him, but soon I noticed that he wasn’t getting hard, and I took him in my hand and stroked him for a while, but nothing happened, and then I asked him, whispering in his ear, whether something was bothering him, and he said no, he was fine, and we kept touching each other for a while longer, but it was clear that he wasn’t going to get it up, and then I said this is no good, stop trying, that’s enough, if you’re not in the mood, you’re not in the mood, and he lit a cigarette (he smoked a kind called Bali, such a funny name) and then he started to talk about the last movie he’d seen, and then he got up and paced around the room naked, smoking and looking at my things, and then he sat on the floor, beside the bed, and started to look through my pictures, some of Jimmy Cetina’s artistic shots that I don’t know why I’d kept, because I’m stupid, probably, and I asked him whether they turned him on, and he said no but that they were all right, that I looked all right, you’re very beautiful, Simone, he said, and it was then, I don’t know why, that it occurred to me to tell him to get in bed, to get on top of me and slap me on the cheeks or the ass a little, and he looked at me and said I can’t do that, Simone, and then he corrected himself and said: that’s another thing I can’t do, Simone, but I said come on, be brave, get in bed, and he got in, and I turned over and raised my buttocks and said: just take it slowly, pretend it’s a game, and he gave me the first blow and I buried my face in the pillow, I haven’t read Rigaut, I said, or Max Jacob, or boring Banville, Baudelaire, Catulle Mendès, or Corbiere, required reading, but I have read the Marquis de Sade. Oh really? he said. Yes, I said, stroking his dick. He had started slapping me on the ass as if he meant it. What have you read by the Marquis de Sade? Philosophy in the Boudoir, I said. And Justine? Naturally, I said. And Juliette? Of course. By then I was wet and moaning and Arturo’s dick was as stiff as a rod, so I turned around, spread my legs and told him to put it in, but no more, not to move until I told him to. It was delicious to feel him inside of me. Hit me, I said. On the face, on the cheeks. Put your fingers in my mouth. He hit me. Harder! I said. He hit me harder. Now start to move, I said. For a few seconds the only sounds in the room were my moans and the blows. Then he started to moan too.
Roberto Bolaño (The Savage Detectives)
Remember your twenty-four-hour rule,” she said in a level-headed way that I knew hid her own nervousness. Whenever I got some phone call or email that felt like someone had just dropped a steaming problem in my lap and made me feel exposed, before I reacted or tried to find a solution, I gave the situation twenty-four hours to percolate. Better yet, I tried to find a distraction. Somehow, solutions always presented themselves as my unconscious mind worked the problem. We turned off
Ben Feder (Take Off Your Shoes: One Man's Journey from the Boardroom to Bali and Back)
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