“
Yes, we praise women over 40 for a multitude of reasons. Unfortunately, it's not reciprocal. For every stunning, smart, well-coiffed, hot woman over 40, there is a bald, paunchy relic in yellow pants making a fool of himself with some 22-year old waitress. Ladies, I apologize. For all those men who say, "Why buy the cow when you can get the milk for free?", here's an update for you. Nowadays 80% of women are against marriage. Why? Because women realize it's not worth buying an entire pig just to get a little sausage!
”
”
Andy Rooney
“
Flustered, she replied, "You're not my - my - grandmother, or something."
"You'd talk about this with your grandmother? I can't possibly imagine discussing my dating life with mine. She's a lovely woman, I suppose. If you like them bald and racist.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
I will believe that the battle of feminism is over, and that the female has reached a position of equality with the male, when I hear that a country has allowed itself to be turned upside-down and led to the brink of war by its passion for a totally bald woman writer.
”
”
Rebecca West (Black Lamb and Grey Falcon)
“
Until woman as she is can drive this plastic spectre out of her own and her man's imagination she will continue to apologize and disguise herself, while accepting her male's pot-belly, wattles, bad breath, farting, stubble, baldness and other ugliness without complaint.
”
”
Germaine Greer (The Female Eunuch)
“
Even baldness, when it is only baldness over the forehead (as in his case), is rather becoming than not in a man, for it heightens the head and adds to the intelligence of the face.
”
”
Wilkie Collins (The Woman in White)
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
She's an old, close-to-the-ground, jelly-belly woman with bald patches showing through her wispy grey hair. It doesn't seem like she's got a lot going for her, but she's still smiling. Been around the sunflowers too long, I'd say.
”
”
Bill Condon (A Straight Line to My Heart)
“
I was fucked and I knew it. I had stupidly wandered into some epic rape palace run by meth-addicted hobos and bald men with beards who recently escaped nearby jails and had taken over this place for their torture sessions with hapless young women they found exploring the coast. Even worse, I was going to be the hapless woman who decided to infiltrate their headquarters.
”
”
Karina Halle (Darkhouse (Experiment in Terror, #1))
“
This kind of thing is so awkward and horrible, and from your end, you know it must… Okay, I’m just going to come out and tell you: I’m asking you out. That’s what I’m doing. Please don’t answer yet, because I know you might have a “No” queued up in your head already, but will you please let me say a few things?
I know that being a woman in New York must be hard, because it’s basically disappointing that you try to be nice to men as human beings, and then they respond by just torpedoing to your vagina. And I want you to know that I’m aware that you’re young and beautiful - and I’m not… either of those things. And part of me knows that as soon as my lips stop moving, you’re going to say no. But please think of the fact that it’s low risk what I’m asking.
You just come out with me for a drink, and even if you got up in the middle of the one drink, I wouldn’t hold it against you. Just make a judgement based on nothing horrible would happen if you came out with me. I think you’re so attractive. I’m attracted to you because you’re nice, and you’re a decent person, and those are probably the reasons you want people to be attracted to you, right? Also, you’re horribly cute. I mean, you’re cute as hell.
And I grow on people - women. Some times go by, and you get past the bald head and that I sweat a lot and I’m lumpy… I’ve run out of things to say. Can you just tell me now? Did this work?
”
”
Louis C.K.
“
I squeezed her hand and said nothing. I knew little about Keats or his poetry, but I thought it possible that in his hopeless situation he would not have wanted to write precisely because he loved her so much. Lately I'd had the idea that Clarissa's interest in these hypothetical letters had something to do with our own situation, and with her conviction that love that did not find its expression in a letter was not perfect. In the months after we'd met, and before we'd bought the apartment, she had written me some beauties, passionately abstract in the ways our love was different from and superior to any that had ever existed. Perhaps that's the essence of a love letter, to celebrate the unique. I had tried to match her, but all that sincerity would permit me were the facts, and they seemed miraculous enough to me: a beautiful woman loved and wanted to be loved by a large, clumsy, balding fellow who could hardly believe his luck.
”
”
Ian McEwan (Enduring Love)
“
My Aunt Dahlia, who runs a woman's paper called Milady's Boudoir, had recently backed me into a corner and made me promise to write her a few words for her "Husbands and Brothers" page on "What the Well-Dressed Man is Wearing". I believe in encouraging aunts, when deserving; and, as there are many worse eggs than her knocking about the metrop, I had consented blithely. But I give you my honest word that if I had had the foggiest notion of what I was letting myself in for, not even a nephew's devotion would have kept me from giving her the raspberry. A deuce of a job it had been, taxing the physique to the utmost. I don't wonder now that all these author blokes have bald heads and faces like birds who have suffered.
”
”
P.G. Wodehouse
“
I appear to have no time for blondes--except for Bugs Bunny, dressed up as a woman, as he seduces the fool Fudd. That is a woman I could be, definitely: a cartoon man-rabbit dressed up as a girl, trying to have sex with a stuttering bald man. I could definitely do that.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
say that Finnegan Lane was something of a womanizer was like telling someone that it was a little steamy in the South in the summertime. Old, young, fat, thin, blonde, brunette, bald, toothless, face like a steel trap, Finn didn’t care as long as it was breathing, female, and had the breasts to prove it. He wasn’t even particular about how perky they were.
”
”
Jennifer Estep (Spider's Revenge (Elemental Assassin, #5))
“
This is the shame of the woman whose hand hides her smile because her teeth are so bad, not the grand self-hate that leads some to razors or pills or swan dives off beautiful bridges however tragic that is. This is the shame of seeing yourself, of being ashamed of where you live and what your father’s paycheck lets you eat and wear. This is the shame of the fat and the bald, the unbearable blush of acne, the shame of having no lunch money and pretending you’re not hungry. This is the shame of concealed sickness—diseases too expensive to afford that offer only their cold one-way ticket out. This is the shame of being ashamed, the self-disgust of the cheap wine drunk, the lassitude that makes junk accumulate, the shame that tells you there is another way to live but you are too dumb to find it. This is the real shame, the damned shame, the crying shame, the shame that’s criminal, the shame of knowing words like glory are not in your vocabulary though they litter the Bibles you’re still paying for. This is the shame of not knowing how to read and pretending you do. This is the shame that makes you afraid to leave your house, the shame of food stamps at the supermarket when the clerk shows impatience as you fumble with the change. This is the shame of dirty underwear, the shame of pretending your father works in an office as God intended all men to do. This is the shame of asking friends to let you off in front of the one nice house in the neighborhood and waiting in the shadows until they drive away before walking to the gloom of your house. This is the shame at the end of the mania for owning things, the shame of no heat in winter, the shame of eating cat food, the unholy shame of dreaming of a new house and car and the shame of knowing how cheap such dreams are. © Vern Rutsala
”
”
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
“
In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.
”
”
Lewis Nordan (Music of the Swamp (Front Porch Paperbacks))
“
WHAT I MEAN BY RUIN IS…
When there’s only condiments left in the fridge
and you join a free online dating service
so men will buy you dinner.
When you’ve shucked the night with the dull blade
of indecision and gulped down everything,
even the pearls.
When some old, left-handed love has left
your guitar strung backwards
and you can’t find any songs
for rain in its frets.
When you wake up next to the body
of your past and it looks ready
to wrinkle and bald.
When the last burn of summer is peeling
from your breasts and there’s nothing to husk
the pale, raw of new flesh.
When the woman who wears her hair
in the old way quits mumbling about Jesus
on the street corner and takes her salvation
pamphlets to a pauper’s grave.
When you’re too ugly to pray,
but pray
and the only voice
on the drunk subway wails
good grief.
”
”
Stevie Edwards
“
fortune is a woman whose hair falls over her face so she is hard to recognize and bald at the back so she is hard to grab once she has passed.
”
”
Bruno Maçães (Belt and Road: A Chinese World Order)
“
How long are you going to wait for this guy?”
I’m thrown by his sudden shift. “Ah . . . I don’t know.”
“Give me your keys.”
“What?”
“Give me your keys. I’m going to change your tire while we’re waiting.”
I fish in my purse and come up with a handful of keys. “You’re going to—”
“Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face.
I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though.
I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night.
He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face.
I can’t sit here and watch him do this.
He doesn’t look at me when I approach. “I told you to wait in the car.”
“So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?”
“When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.”
My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?”
His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.”
“You’re lucky I’m not kicking you while you’re down there.”
He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Somehow I had reached an age when being in love with a beautiful woman was beyond my reach because I was now bald and my face was full of wrinkles, yet the cats loved me the way girls used to love me when I was young.
”
”
Bohumil Hrabal (All My Cats)
“
Women do not simply have faces, as men do; they are identified with their faces. Men have a naturalistic relation to their faces. Certainly they care whether they are good-looking or not. They suffer over acne, protruding ears, tiny eyes; they hate getting bald. But there is a much wider latitude in what is esthetically acceptable in a man’s face than what is in a woman’s. A man’s face is defined as something he basically doesn’t need to tamper with; all he has to do is keep it clean. He can avail himself of the options for ornament supplied by nature: a beard, a mustache, longer or shorter hair. But he is not supposed to disguise himself. What he is “really” like is supposed to show. A man lives through his face; it records the progressive stages of his life. And since he doesn’t tamper with his face, it is not separate from but is completed by his body – which is judged attractive by the impression it gives of virility and energy. By contrast, a woman’s face is potentially separate from her body. She does not treat it naturalistically. A woman’s face is the canvas upon which she paints a revised, corrected portrait of herself. One of the rules of this creation is that the face not show what she doesn’t want it to show. Her face is an emblem, an icon, a flag. How she arranges her hair, the type of make-up she uses, the quality of her complexion – all these are signs, not of what she is “really” like, but of how she asks to be treated by others, especially men. They establish her status as an “object.
”
”
Susan Sontag
“
Ook, though very clever, was the worst fighter in the tribe. That is how he ended up with Grot-Grot as his woman. Grot-Grot had a bald patch on the top of her head, she was missing an eye and she smelled like a dead skunk. She did have a good sense of humour though.
”
”
Aussiescribbler (Queens of the Stone Age)
“
See that guy over there?" I nod toward a man in jean shorts and a Budweiser T-shirt. "Am I that obvious?"
St. Clair squints at him. "Obviously what? Balding? Overweight? Tasteless?"
"American."
He sighs melodramtically. "Honestly, Anna. You must get over this."
"I just don't want to offend anyone. I hear they offend easily."
"You're not offending anyone except me right now."
"What about her?" I point to a middle-aged woman in khaki shorts and a knit top with stars and stripes on it.She has a camera strapped to her belt and is arguing with a man in a bucket hat. Her husband,I suppose.
"Completely offensive."
"I mean,am I as obvious as her?"
"Considering she's wearing the American flag, I'd venture a no on that one." He bites his thumbnail. "Listen.I think I have a solution to your problem, but you'll have to wait for it. Just promise you'll stop asking me to compare you to fifty-year-old women,and I'll take care of everything."
"How? With what? A French passport?"
He snorts. "I didn't say I'd make you French." I open my mouth to protest, but he cuts me off. "Deal?"
"Deal," I say uncomfortably. I don't care for surprises. "But it better be good."
"Oh,it's good." And St. Clair looks so smug that I'm about to call him on it, when I realize I can't see our school anymore.
I don't believe it.He's completely distracted me.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
It really doesn’t work for you if it has no meaning?” “Biologically, anything would work. Pussy is pussy,” he stated baldly. “You drive your dick into it, close your eyes, you’ll get off. But sex isn’t about that. It shouldn’t be about that for anybody. It doesn’t have to be about emotion, but it has to be about something. If I don’t respect the woman attached to the pussy I’m fucking, can’t look in her eyes and be all about that with her, not just all about the moment I get off, it’s pointless. And there’s no point to doing something pointless.
”
”
Kristen Ashley (Deacon (Unfinished Hero, #4))
“
if a woman was ever driven so far as to pick up a weapon, she would be the most committed, the least likely to ever give up. Kill the women first. Lacoste still hated the advice. The simplicity of it. The baldness. But she also hated that the philosophy behind it was almost certainly true.
”
”
Louise Penny (Glass Houses (Chief Inspector Armand Gamache, #13))
“
The truck stopped in front of the hospital. Everyone seemed relieved that they would tend to the bald man’s injuries. But they did not. They were waiting. A woman who was also on the list was giving birth to a baby. As soon as the umbilical cord was cut, they would both be thrown into the truck.
”
”
Ruta Sepetys (Between Shades of Gray)
“
In the last week of April 2004, a handful of the Abu Ghraib photographs were broadcast on 60 minutes and published in The New Yorker, and within a couple of days they had been rebroadcast and republished pretty much everywhere on earth. Overnight, the human pyramid, the hooded man on the box, the young woman soldier with a prisoner on a leash, and the corpse packed in ice had become the defining images of the Iraq war...Never before had such primal dungeon scenes been so baldly captured on camera...But above all, it was the posing soldiers, mugging for their buddies' cameras while dominating the prisoners in trophy stances, that gave the photographs the sense of unruly and unmediated reality. The staging was part of the reality they documented. And the grins, the thumbs-up, the arms crossed over puffed-out chests—all this unseemly swagger and self-regard was the height of amateurism. These soldier-photographers stood, at once, inside and outside the events they recorded, watching themselves take part in the spectacle, and their decision not to conceal but to reveal what they were doing indicated that they were not just amateur photographers, but amateur torturers.
So the amateurism was not merely a formal dimension of the Abu Ghraib pictures. It was part of their content, part of what we saw in them, and it corresponded to an aspect of the Iraq War that troubled and baffled nearly everyone: the reckless and slapdash ineptitude with which it had been prosecuted. It was an amateur-run war, a murky and incoherent war. It was not clear why it was waged; too many reasons were given, none had held up, and the stories we invented to explain it to ourselves hardly seemed to matter, since once it was started the war had become its own engine—not a means to an end but an end in itself. What had been billed as a war of ideas and ideals had been exposed as a war of poses and posturing.
”
”
Philip Gourevitch (Standard Operating Procedure)
“
Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.
”
”
Thomas Bernhard (Woodcutters)
“
If he hadn't been looking at Phil and had been looking at Viola Kersey he would have been a surprised young man. There was a look of startled dismay on her face as she realized what she'd done. And she didn't like it. For one instant the appealing little woman looked for all the world like the household variety of virago who's sweet as all get out as long as guests are present and ready to snatch the family bald-headed as soon as the door is closed.
”
”
Leslie Ford (The Devil's Stronghold)
“
The situation was unraveling, and he didn’t like what he was seeing here. This was bullshit politics. He trusted his boss but the man seemed to be blind to the danger surrounding the woman in the next room—or uncaring. “What about protective custody?” “For the daughter of the most notorious spy in US history?” Frazer’s lips twisted angrily. “Because she broke into the Russian Ambassador’s residence and tried to conduct illegal surveillance? Do you see that request being approved?” “If we let her go she’s dead,” Matt stated baldly. He
”
”
Toni Anderson (Cold Light of Day (Cold Justice, #3))
“
There’s a man with her. He’s blonde, balding, harassed-looking, and probably what they call time-poor. Older. He looks at me over the steering wheel and gives a helpless, frustrated gesture, as though I should be able to identify and sympathize with his plight. Then, as the woman starts to open the car door, he stops her with a swift movement. And suddenly they’re struggling, locked into a graceless, desperate tussle. I picture the dull, bestial unhappiness of a couple shackled to each other by their mortgage and their children’s shareed DNA.
”
”
Liz Jensen (The Rapture)
“
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?”
“Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.”
“Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.”
Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?”
“A switcheroo . . . right. Remind me again how that works?” Jack asked.
“It’s because she’s got this big date tonight,” Kamin explained.
Jack cocked his head. “A date?”
Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.”
“I must’ve missed that one.”
“Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.”
“Ah . . . the Meet Cute,” Wilkins said with a grin.
Jack threw him a sharp look. “What did you just say?”
“You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.”
Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean.
Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.”
“She’s the maid of honor, see?” Kamin said.
Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language.
Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.”
“Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.”
Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?”
“Right, sorry. It was Slonsky’s suggestion.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
With that violent grudge against the world which had scorned her, sneered at her, cast her off, beginning with this indignity – the infliction of her unlovable body which people could not bear to see. Do her hair as she might, her forehead remained like an egg, bald, white. No clothes suited her. She might buy anything. And for a woman, of course, that meant never meeting the opposite sex. Never would she come first with any one. Sometimes lately it had seemed to her that, except for Elizabeth, her food was all that she lived for; her comforts; her dinner; her tea; her hot-water bottle at night.
”
”
Virginia Woolf (Mrs. Dalloway)
“
How nice it must be, she said, in the country, struggling, as Mr. Whittaker had told her, with that violent grudge against the world which had scorned her, sneered at her, cast her off, beginning with this indignity — the infliction of her unlovable body which people could not bear to see. Do her hair as she might, her forehead remained like an egg, bald, white. No clothes suited her. She might buy anything. And for a woman, of course, that meant never meeting the opposite sex. Never would she come first with anyone. Sometimes lately it had seemed to her that, except for Elizabeth, her food was all she lived for; her comforts; her dinner, her tea; her hot-water bottle at night.
”
”
Virginia Woolf (Mrs Dalloway)
“
The invariable mark of wisdom is to see the miraculous in the common. What is a day? What is a year? What is summer? What is woman? What is a child? What is sleep? To our blindness, these things seem unaffecting. We make fables to hide the baldness of the fact and conform it, as we say, to the higher law of the mind. But when the fact is seen under the light of an idea, the gaudy fable fades and shrivels. We behold the real higher law. To the wise, therefore, a fact is true poetry, and the most beautiful of fables. These wonders are brought to our own door. You also are a man. Man and woman, and their social life, poverty, labor, sleep, fear, fortune, are known to you. Learn that none of these things is superficial, but that each phenomenon has its roots in the faculties and affections of the mind. Whilst the abstract question occupies your intellect, nature brings it in the concrete to be solved by your hands.
”
”
Ralph Waldo Emerson (Emerson: The Ultimate Collection)
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Honest to God, I hadn’t meant to start a bar fight.
“So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?”
I shrugged. “My mother was a religious woman.”
“Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
“I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket.
“Just here to ask a question, that’s all. I don’t want trouble.”
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.”
I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.”
My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.”
He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder.
“Fine. What’s your question?”
“Know anybody by the name of Matthias Gruber?”
He didn’t even blink. “No.”
“Ah. I see. Sorry to have wasted your time.”
I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list.
“Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.”
I hung up and let out a slow breath. Only a couple things left to do.
I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance.
The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible.
I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.”
“Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster.
The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.”
I smiled back. “God bless you.”
She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
”
”
Kyoko M. (The Holy Dark (The Black Parade, #3))
“
I picked her up and carried her down the hall to the bathroom, just a pitiful skeleton with skin stretched over the top and a great red scar across her chest. She sank onto the plastic seat we had got from the hospital and closed her eyes as I washed her, leaning her poor bald head back exhaustedly against the back of the shower cubicle. "I'll just change the sheets," I said, "I won't be a minute - would you rather sit under the water, or shall I turn it off and wrap you up in a towel ?"
"Under the water," she whispered.
I had to strip the bed entirely, and two of the pillows were saturated. I replaced them with pillows from my bed, and while I was at it my duvet as well. Then I propped the poor woman up against the bathroom sink to dry and dress her, picked her up and carried her back to bed. Never have I been so grateful to be, after all, a strapping wench rather than a delicate wisp of a girl.
As I pulled the covers up under her chin she opened her eyes, looked at me sternly and said with nearly her old decision, "This is not the way I wish to be remembered, Josephine."
"I know," I whispered, the tears spilling unchecked down my cheeks. Nurses are supposed to be bright and matter-of-fact about these things: my bracing professional manner left a lot to be desired. "I'll get you some dinner."
"No," she said. "Just my pills, love."
Back in the kitchen I stood for a moment in a trance of indecision, wondering where the hell to start. It didn't really matter - when you're overcome with lethargy you just have to do something. And then the next thing, and then the next, and eventually, although you'd have sworn you were far too tired and depressed to accomplish anything, you're finished. I turned on the tap about the big concrete sink by the back door and began to scrub sheets and blankets.
”
”
Danielle Hawkins (Dinner at Rose's)
“
Dearly beloved: We have come together in the presence of God to witness and bless the joining together of this man and this woman in Holy Matrimony. The bond and covenant of marriage was established by God in creation, and our Lord Jesus Christ adorned this manner of life by his presence and first miracle at a wedding in Cana of Galilee. It signifies to us the mystery of the union between Christ and his Church, and Holy Scripture commends it to be honored among all people.
The union of husband and wife in heart, body, and mind is intended by God for their mutual joy; for the help and comfort given one another in prosperity and adversity; and, when it is God’s will, for the procreation of children and their nurture in the knowledge and love of the Lord. Therefore marriage is not to be entered into unadvisedly or lightly, but reverently, deliberately, and in accordance with the purposes for which it was instituted by God.
I glanced at Marlboro Man, who was listening intently, taking in every word. I held his bicep in my hand, squeezing it lightly and trying to listen to Father Johnson despite the distraction of Marlboro Man’s work-honed muscles. Everything else was a blur: iron candlesticks attached to the end of each pew…my mother’s olive green silk jacket with the mandarin collar…Mike’s tuxedo…Mike’s bald head…
Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live?
“I will.” I breathed in.
The scent of roses…the evening light coming through the stained-glass window.
Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live?
“I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good.
Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel.
Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind.
And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones.
Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm.
Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi.
I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
”
”
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
“
the first time a woman says to a man, “I love you,” what is he to think? Until just now, his relationship with her was great for him—lots of sex, laughter, and good times. Now he’s picturing commitment, marriage, in-laws, kids, boredom, loss of hobbies, mental torture, eternal monogamy, a potbelly, and baldness. To a woman, love signals monogamy, nesting, family, and kids—all the female priorities that can be scary to men.
”
”
Anonymous
“
Violet told Hector about the dreadful day at the beach when she and her siblings learned from Mr. Poe that their parents had been killed in the fire that had destroyed their home, and Klaus told Hector about the days they spent in Count Olaf’s care. Sunny—with some help from Klaus and Violet, who translated for her—told him about poor Uncle Monty, and about the terrible things that had happened to Aunt Josephine. Violet told Hector about working at Lucky Smells Lumbermill, and Klaus told him about enrolling at Prufrock Preparatory School, and Sunny related the dismal time they had living with Jerome and Esmé Squalor at 667 Dark Avenue. Violet told Hector all about Count Olaf’s various disguises, and about each and every one of his nefarious associates, including the hook-handed man, the two powder-faced women, the bald man with the long nose, and the one who looked like neither a man nor a woman,
”
”
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
“
A woman may have a son of fifty, bald, paunchy, with a roll of fat at the back of his neck and hands that sweat like putty; or a daughter, old, the arthritic legs and dripping nose blurting out failure, a grey bag of wasted muscles and gangling bones. Bone of your bones; curious flesh of your flesh. Not a hair, not a fingernail, not a particle of skin is the same as it was at the moment of birth, but still the aging body that was once a child is part of you. You may not understand a word it says, may be baffled or gratified or hostile; the physical substance of the child is still, though changed beyond recognition, your own.
”
”
Penelope Mortimer
“
Where’s Marks? You didn’t mention her.” “She is well, but . . .” Win paused, obviously searching for words. “She had a small mishap today, and she’s rather upset. Of course, any woman would be, considering the nature of the problem. Therefore, Leo, I insist that you not tease her. And if you do, Merripen has already said that he will give you such a drubbing—” “Oh, please. As if I’d care enough to notice some problem of Marks’s.” He paused. “What is it?” Win frowned. “I wouldn’t tell you, except that the problem is obvious and you’ll notice immediately. You see, Miss Marks dyes her hair, which I never knew before, but apparently—” “Dyes her hair?” Poppy repeated in surprise. “But why? She’s not old.” “I have no idea. She won’t explain why. But there are some unfortunate women who start to gray in their twenties, and perhaps she’s one of them.” “Poor thing,” Poppy said. “It must embarrass her. She’s certainly taken great pains to keep it secret.” “Yes, poor thing,” Leo said, sounding not at all sympathetic. In fact, his eyes fairly danced with glee. “Tell us what happened, Win.” “We think the London apothecary who mixed her usual solution must have gotten the proportions wrong. Because when she applied the dye this morning, the result was . . . well, distressing.” “Did it fall out?” Leo asked. “Is she bald?” “No, not at all. It’s just that her hair is . . . green.” To look at Leo’s face, one would think it was Christmas morning. “What shade of green?” “Leo, hush,” Win said urgently. “You are not to torment her. It’s been a very trying experience. We mixed a peroxide paste to take the green out, and I don’t know if it worked or not. Amelia was helping her to wash it a little while ago. And no matter what the result is, you are to say nothing.” “You’re telling me that tonight, Marks will be sitting at the supper table with hair that matches the asparagus, and I’m not supposed to remark on it?” He snorted. “I’m not that strong.” “Please, Leo,” Poppy murmured, touching his arm. “If it were one of your sisters, you wouldn’t mock.” “Do you think that little shrew would have any mercy on me, were the situations reversed?” He rolled his eyes as he saw their expressions. “Very well, I’ll try not to jeer. But I make no promises.” Leo sauntered toward the house in no apparent hurry. He didn’t deceive either of his sisters. “How long do you think it will take him to find her?” Poppy asked Win. “Two, perhaps three minutes,” Win replied, and they both sighed.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Miss Price is a delightful young lady and a fine painter.” Vincent regarded her with narrowed eyes. “Ah yes, I am well aware of your scheme to throw her in the path of Sir Thomas Lawrence.” Sally shook her head vigorously. “It is not like that, my lord. We do not want him seducing her. We wanted to place him in your path so you may tell us how he fares, since we aren’t allowed to see for ourselves.” “And so she may receive the guidance she desires for her portraits,” Maria chimed in. “She is very talented for one of such youth and inexperience and—” He held up a hand. “I know what your intentions are. And I am not overly worried about the painter toying with her heart. He has to be past fifty by now—” “Fifty-three,” they both interrupted. “And balding and gout-ridden if your wishes have come true. At any rate, I would not permit her to be alone with the man for a second, and neither will her chaperone.” Maria nodded. “That woman is a dragon if I’ve ever seen the like.” “So
”
”
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
“
OLD MAN: Make believe yourself, it's your turn. OLD WOMAN: It's your turn. OLD MAN: Your turn. OLD WOMAN: Your turn OLD MAN: Your turn. OLD WOMAN: Your turn.
”
”
Eugène Ionesco (The Bald Soprano: & Other Plays)
“
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?”
“What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.”
Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!”
Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four.
While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit.
“Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair.
“My mother says the poor little one must have no fear.”
Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him.
With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair.
“My mother says the poor little one must have no fear.”
Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him.
With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.”
Woman with Many Robes stroked Loretta’s hair and nodded, saying something more. She no sooner finished than Blackbird burst into giggles and rolled away from Loretta, planting a hand on her tummy. Whatever it was the woman had said, the child thought it hilarious.
“You must eat,” Hunter translated. “And drink. Soon you will feel better, eh? And she will trade with the Comanchero for you a big spoon. If I ever again strike fear into your heart, you can do your own thumping.”
Loretta concurred with Blackbird. She’d need much more than a spoon to do battle with Hunter.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When I was on a trip to Iceland about ten years ago, I remember standing on the harbourfront in Reykjavik, and looking at the blue fjord north of the city. Across the choppy blue waves was a glacier, maybe twelve or twenty miles away - a big, dirty white tongue of ice crashing down from the bald black mountains with infinite slowness. Intrigued, I asked some hungover local about the glacier, its name and whereabouts. He told me the name of the glacier. The he told me the name of the sea-channel: Faxafloi. But then he addded that the glacier wasn't twenty miles away, it was two hundred miles away. The air in Iceland, he explained, is so clear and unpolluted, things look nearer than they are.
I turned and looked again at the glacier, framed by the imperial blue waters of the fjord. I felt a bloodrush in my heart. The scenary was so breathtaking, and so majestic - I was moved and gratified - and yet I was obscurely troubled at the same time. The sense of unexpected distance was dizzying and confusing as well as exhillarating.
This may seem far-fetched as an analogy, but it's the best I can do. The feeling I had by that fjord is, somehow, the same weak and head-spinning feeling I get when I look at a truly beautiful woman.
”
”
Sean Thomas - Millions of Women are Waiting to Meet You
“
The relationship of a man with his lover should be something natural, just like the male orgasm.The truth is that if man has the full attention of the quality time he has ando f the quality woman in front of him, even if she is black, Japanese or white, fat or thin, with short or long hair, or even bald, blonde, brunette or redhead; an orgasm will always as transparente as the color of the most beautiful walls of love.
”
”
Alan Maiccon
“
The Rosetta Stone of Women’s Behavior
By Old, Fat, and Bald
BRIFFAULT’S LAW:
The female, not the male, determines all the conditions of the animal family. Where the female can derive no benefit from association with the male, no such association takes place.
There are a few corollaries I would add:
Past benefit provided by the male does not provide for continued or future association.
Any agreement where the male provides a current benefit in return for a promise of future association is null and void as soon as the male has provided the benefit (see corollary 1)
A promise of future benefit has limited influence on current/future association, with the influence inversely proportionate to the length of time until the benefit will be given and directly proportionate to the degree to which the female trusts the male (which is not bloody likely).
Deriving mutual benefits from a relationship is not a bad thing. Where Brokenman and the rest of us men lose the plot is when we expect past benefit provided to the woman to continue generating current or future association (see corollary 1). Loyalty, honor, gratitude, and duty are male values that we men project on women, but which very few, to no, women actually possess. We aren’t born with these values; they are drummed into us from the cradle on by society/culture, our families, and most definitely by the women in our lives (sorry, but that includes you too, Mom). Women get different indoctrination, so they have different values; mostly, for a woman, whatever is good for her and her (biological) children is what is best, full stop. So, do not expect that the woman in your life will be grateful, and sacrifice for you, when you can no longer provide for her and hers. And make no mistake, you have never been, and never will be, part of what is hers. What are hers will be first herself, then her (biological) children, then her parents, then her siblings, and then the rest of her blood relatives. The biological imperative has always been to extend her blood line. It stops there, and it always will.
”
”
Old, Fat, and Bald
“
An obviously married older couple trundled up to the booth beside us and began unloading a simple cargo tote. The woman—a mousy, gray-haired matron in boots, a pair of jeans, a checked shirt, and a vest—began directing the man. He was nearly bald and wore a utility jumpsuit. Her voice carried over the rising noise level as she bossed him around. “Not there, Virgil, I need that here.” Her smooth alto carried a whip-crack undertone that made me instantly feel sorry for him.
”
”
Nathan Lowell (Quarter Share (Golden Age of the Solar Clipper, #1))
“
A thread of light leaked
through the window, which was ajar, and he was able to make out the
wide bed in which his father had died and his mother had slept every
night since she was married. It was carved in black wood, with a
canopy of angels in relief and a few scraps of red brocade that were
frayed with age. His mother was propped up in a half-seated position.
She was a block of solid flesh, a monstrous pyramid of fat and rags that
came to a point in a tiny bald head with a pair of eyes that were sweet,
blue, innocent, and surprisingly alive. Arthritis had transformed her
into a monolithic being. She could no longer bend any of her joints or
turn her head. Her fingers were clawed like the feet of a fossil, and in
order to sit up in bed she had to be supported by a pillow at her back
held in place by a wooden beam that, in turn, was propped against the
wall. The passage of time could be read by the marks the beam had cut
into the plaster: a path of suffering, a trail of pain.
“Mama,” Esteban murmured, and his voice broke in his chest,
exploding into a contained sobbing that erased in a single stroke his
sad memories, the rancid smells, frozen mornings, and greasy soup of
his impoverished childhood, his invalid mother and absent father, and
the rage that had been gnawing at him ever since the day he first
learned how to think, so that he forgot everything except those rare,
luminous moments in which this unknown woman who now lay before
him in her bed had rocked him in her arms, felt his forehead for fever,
sung him lullabies, bent over to read the pages of a favorite book with
him, had wept with grief to see him leave for work so early in the
morning when he was still a boy, wept with joy when he returned at
night, had wept. Mother, for me.
”
”
Isabel Allende, La casa de los Espiritus
“
For those whose senses are properly attuned, the most insignificant events—a woman who delays, a dog who sniffs at a wall—result in something so ineffable … it's as if a hidden universe of accumulated coincidences and circumstances had ordained it—so that even in the presence of so slight a spectacle as that of two flies alighting on a bald head, one would have the impermeability of a crocodile not to experience a veritable paroxysm of admiration.
”
”
Oliverio Girondo
“
Young people see old people and believe that they were born that way. They don’t know that the shrunken, hunchbacked woman at Safeway who asks for their help to reach a can of peaches was once a raging beauty who could outrun any boy. That the bald, freckled head of an elderly gentleman was once full and thick with reflective hair that was indistinguishable from the heads of the thousands of other young men who marched alongside him to war or crowded onto commuter trains with him.
”
”
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
“
Motherfucking bald bitch. That ain’t no way to treat a lady.”
“You ain’t no fucking lady, you whore, you’re a dead woman walking.”
It goes silent then, and I look over at Andrew. “This is super awkward, ‘cause I’m not walking. Do you think he gets all his lines from bad action movies?
”
”
K.A. Knight (Den of Vipers)
“
She stood twice their size and was covered in a thin, short, white pelt. Her pale face was bald with an angular jawline, but her eyes-Etain looked away before she was caught staring. Slits. The woman’s brilliant green pupils were nothing but vertical slits in the light. Pale schlera surrounded those slits, creating a strange combination framed by heavy white lashes.
”
”
Jeanne G'Fellers (Surrogate (Surrogate, #1))
“
see a bald woman in a black pencil skirt and white blouse.
”
”
Ben H. Winters (The Last Policeman (Last Policeman, #1))
“
What?” Judd growled and I had to admit Tawny was right about him sounding like a dog when he did that.
Turning around, I noticed two of Cooper’s club guys standing behind us.
“What’s your deal, O’Keefe?” one guy asked while the other avoided Judd’s hateful gaze.
When no one responded, the big bald guy looked me up and down. “She’s tiny. How does fucking even work?”
Aaron shifted next to me, now looking as hostile as Judd. “Back off, Mac.”
“Just curious. I’ve never fucked a tiny chick.”
“You shouldn’t talk about a man’s girl that way especially when she’s carrying his kid,” Cooper warned, clearly wanting to jump in, but holding back so not to emasculate Aaron.
Farah said guys in the club were testing Cooper lately because they sensed weakness in his leadership. I couldn’t imagine anyone looking at Cooper without fearing his wrath. Even if they didn’t fear Cooper, they ought to fear his enforcers. After all, Judd was glaring at Mac like waiting for any reason to attack.
Sensing a back story to this pissing match, I knew Mac was about to say something nasty even before he opened his mouth.
“I hear chicks get big tits when they’re knocked up. Certainly can’t hurt with this one.”
Why Mac was starting shit didn’t matter. Aaron threw the punch and the bar immediately exploded into violence. Judd was waiting for a reason to attack while Cooper and Vaughn were always up for a fight.
Aaron hit Mac again as the bigger guy stumbled back. I thought of grabbing a chair and helping my man, but Tawny pulled me away.
Soon, we were hiding under a table where Farah crouched with wide eyes. “Aaron needs to stake his claim and protect his woman,” Tawny said, cuddled next to Farah. “If you help him, it’s like you’re cutting off his balls and tossing them in your purse. Immature or not, these guys need to be men or they get insecure. Can’t have that.
”
”
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
“
What's bald, has big clacking teeth, and wobbles? A zombie baby wearing the dentures of an elderly woman whose brains it just ate.
”
”
Various (Best Jokes 2014)
“
I hope I have not upset you,” Mrs. Wattlesbrook said with an innocent smile. “I pride myself on matching each client with her perfect gentleman. But one cannot anticipate a woman’s every fancy, and so our talent pool runs deep. You understand?”
“Very deep indeed.” Jane felt like a woman drowning, and she grasped for anything. And as it turned out, bald-faced lies are, temporarily anyway, impressively buoyant, so she said, “It will make the ending to my article all the more interesting.”
“Your…your article?” Mrs. Wattlesbrook peered over her spectacles as if at a bug she would like to squash.
“Mm-hm,” said Jane, lying extravagantly, outrageously, but also, she hoped, gracefully. “Surely you know I work for a magazine? The editor thought the story of my experience at Pembrook Park would be the perfect way to launch my move from graphic design to staff writer.”
She had no intention of becoming a staff writer, and in fact the artist bug was raging through her blood now more than ever, but she just had to give Mrs. Wattlesbrook a good jab before departure. She was smarting enough to crave the reprieve that comes from fighting back.
Mrs. Wattlesbrook twitched. That was satisfying.
“And I’m sure you realize that since I’m a member of the press,” Jane said, “the confidentiality agreement you made me sign doesn’t apply.”
Mrs. Wattlesbrook’s right eyebrow spasmed. Jane guessed that behind it ran her barrister’s phone number, which she would dial ASAP. Jane, of course, had been lying again. And wasn’t it fun!
Mrs. Wattlesbrook appeared to be trying to moisten her mouth and failing. “I did not know…I would have…”
“But you didn’t. The cell phone scandal, the dirty trick with Martin…You assumed that I was no one of influence. I guess I’m not. But my magazine has a circulation of over six hundred thousand. I wonder how many of those readers are in your preferred tax bracket? And I’m afraid my article won’t be glowing.”
Jane curtsied in her jeans and turned to leave.
“Oh, and, Mrs. Wattlesbrook?”
“Yes, Jane, my dear?” the proprietress responded with a shaky, fawning voice.
“What is Mr. Nobley’s first name?”
Mrs. Wattlesbrook stared at her, blinkless. “It’s J…Jonathon.”
Jane wagged her finger. “Nice try.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
I am a Jew who fornicated with an Aryan woman. I deserve to die. In front of the soldiers, a woman was on her knees, weeping, wearing only her underwear. One of the men was cutting off her long golden braids with a straight razor, leaving her almost bald.
”
”
Susan Elia MacNeal (His Majesty's Hope (Maggie Hope, #3))
“
Well, friends, learning about the “world” is not pretending you’re a hooker while a guy from the part of New Jersey that’s near Pennsylvania decides which Steely Dan record to put on at 4:00 A.M. The secrets of life aren’t being revealed when someone laughs at you for having studied creative writing. There is no enlightenment to be gained from letting your semiboyfriend’s bald friend touch your thigh too close to the place where it meets your crotch, but you let it happen because you think you might be in love.
”
”
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
“
I’m a pushover for blondes. And brunettes. And redheads. I’ve even fantasised about that bald woman in the first Star Trek movie. ‘I
”
”
Douglas Skelton (The Dead Don't Boogie (Dominic Queste, #1))
“
A long-faced, proud-shouldered woman with deep olive skin snorts at the demotion. Her gaze is peculiarly shrewd for a Blue. Bald, like the rest, with digital azure tattoos swirling not only along crown and temples, but over hands and neck. Sevro lopes back to me. “Sevro, stop pissing around.” “I like being big.” “I’m still bigger.” He tries flipping me the crux in his suit, but the mechanical fingers aren’t so agile. I
”
”
Pierce Brown (Golden Son (Red Rising Saga, #2))
“
I saw that I had forgotten how beautiful the drive to Thunder Bay was; the towering sighing groves of fragrant Norway pines, the broad expanses of clean white sand, the sea gulls, always the endlessly wheeling sea gulls; an occasional bald eagle seeming bent on soaring straight up to heaven; the intermittent craggy and pine-clad granite or sandstone hills, sometimes rising gauntly to the dignity of small mountains, then again, sudden stretches of sand or more majestic Norway pines -- and always, of course, the vast glittering heaving lake, the world's largest inland sea, as treacherous and deceitful as a spurned woman, either caressing or raging at the shore, more often turbulent than not, but today on its best company manners, presenting the falsely placid aspect of a mill pond.
”
”
Robert Traver (Anatomy of a Murder)
“
Little shit. You can jack off, Bones said. As long as you’re not thinking of a woman. “Awwww, thank you Bonesy. Maybe we can pick up the latest edition of Playdog magazine. I bet the bald pussycats really get the hummer going.” Bones
”
”
Lucian Bane (Reginald Bones 1 (Reginald Bones #1))
“
Instead of perfume there will be a stench; and instead of a sash, a rope; and instead of well-set hair baldness; and instead of a rich robe, a binding of sackcloth; instead of beauty shame. Your men shall fall by the sword and your warriors in battle. And her gates shall lament and mourn; ravaged she shall sit upon the ground. Seven woman shall take hold of one man in that day saying, “We will eat our own bread and wear our own clothes; just let us be called by your name take away our disgrace.” (Isaiah 3:16-4:1 also see Yod Vashem)
”
”
J. Michael Morgan (Yeshua Cup: The Melchizedek Journals)
“
Well, no worries there. Pretty sure if she looks anything like you, there will be no need for rule number five.” His brow lifts, and I realize what I just said. “I mean, shit, I didn’t mean that. You’re actually, wow, you’re a good-looking guy, very attractive. The bald thing really accentuates your . . . uh, steely eyes, and the tan you’ve been able to procure while coaching a winter sport is really impressive. Not to mention your physique, just oof, what a bundle of muscles that are not wrinkly. Some people your age might look wrinkly, but not you. You’re firm. Firm in all the right places. So much firmness. Just look at those forearms and the sinew and firmness. Lots of firmness. And you know, just to throw it out there, not that you asked, but if I were a woman, then hell yeah, I would be talking to you about a date, or maybe a kiss or—” “Shut the fuck up.
”
”
Meghan Quinn (So This Is War (Vancouver Agitators, #5))
“
A WOMAN WITH A BIRD A bald eagle called out to another as magpies attacked their nest. Someone called it romantic. I believed her. The magpies, the ferryman, God, the poets, everything seemed romantic in Alaska, where people breathed out white birds. When I breathed, nothing came out. The eagles sat side by side and I wondered why they stayed long after the magpies had gone. At first, I thought the eagle was watching me. Then I realized the eagle was my life watching me. The distance between my life and myself had become too far. Because of my desire to find a way out of my life. When that happens, our breath comes out elsewhere. As if each day, I walked in a door but came out of another door. I wondered what country my breath came out in. When the male eagle finally flew off to a distant tree, the female didn’t follow. I felt something in my body attach and heard a clicking noise. I had been holding my breath for decades, while others painted my breasts, one white, one brown. In Alaska, my life was with me again, attached for now. I took photos of the birds to remind myself that the unsettled feeling wasn’t caused by me, and could be solved by traveling somewhere cold.
”
”
Ada Limon (You Are Here: Poetry in the Natural World)
“
Just holding the drink makes you feel better. Kit comes over with Edelle, who says she has to write a story for her writing workshop from the point of view of a man, what should she do? Imagine it’s a woman, Kit begins, but then change it so he keeps punching people! And thinking about sex, Chan says. And worrying his truck is small, you say. And obsessing about his mother, Edelle says. And buying speakers on Amazon, you say. And worrying he’s going bald, Kit says. And at the end he drives his truck into the sea? Yes! Classic end for a story. He drives into the sea. And then he punches it! You are laughing, you think to yourself maybe it’s going to be a good night after all, and then Elaine appears at your side. You’ll never guess who’s here! she says. jj!
”
”
Paul Murray (The Bee Sting)
“
What are all these guises, aspects, presentations? Only manifestations of what we all are at different times, according to how these needs are pulled out of us. I write in these bald words the deepest lessons of my life, the truest substance of what I have learned. I am not only a Chronicler of Zone Three, or only partially, for I also share in Al-Ith's condition of being ruler insofar as I can write of her, describe her. I am woman with her (though I am man) as I write of her femaleness - and Dabeeb's. I am Ben Ata when I summon him into my mind and try to make him real. I am...what I am at the moment I am that...
”
”
Doris Lessing (The Marriages Between Zones Three, Four, and Five (Canopus in Argos, #2))
“
It makes Celia furious that around ninety percent of the women on Italian TV are fabulous specimens with great legs, superb chests and hair as glossy as a mink's pelt, and that every prime-time programme, whether it be a games show or football analysis, seems to require the presence of an attractive young woman with no discernible function other than to be decorative. She shakes her head in disbelief at the shopping channels, with their delirious women screaming about the wonders of the latest buttock-firming apparatus, and bald blokes in shiny suits shouting ‘Buy my carpets! Buy my jewellery, for God's sake!' hour after hour after hour. She can't resolve the contradictions of a country where spontaneous generosity is as likely to be encountered as petty deviousness; where a predilection for emetically sentimental ballads accompanies a disconcertingly hard-headed approach to interpersonal relationships (friends summarily discarded, to be barely acknowledged when they pass on the streets); where veneration for tradition competes with an infatuation with the latest technology, however low the standard of manufacture (the toilet in Elisabetta's apartment wouldn't look out of place on the Acropolis, but it doesn't flush properly; her brother-in-law's Ferrari is as fragile as a newborn giraffe); where sophistication and the maintenance of ‘la bella figura’ are of primary importance, while the television programmes are the most infantile and demeaning in the world; where there's a church on every corner yet religion often seems a form of social decoration, albeit a form of decoration that's essential to life - 'It's like the wallpaper is holding the house up,’ Celia wrote from Rome. She'll never make sense of Italy, but that's the attraction, or a major part of it, which is something Charlie will never understand, she says. But he does understand it to an extent. He can understand how one might find it interesting for a while, for the duration of a holiday; he just doesn't understand how an English person - an English woman, especially - could live there.
”
”
Jonathan Buckley (Telescope)
“
The child’s terror at the unexpected and uncanny sight of a bald woman generates a number of transgressive associations of death and inanimateness (“corpse,” “mannequin”), as well as a figure of a threatening female promiscuity and sexual power (“a great harlot”).
”
”
Magdalena Zolkos (Reconciling Community and Subjective Life: Trauma Testimony as Political Theorizing in the Work of Jean Améry and Imre Kertész)
“
Very swampy in my mind. Very rotten and badly off. I am a woman. I am a woman with a woman's brain. I am a woman with a woman's sickness. I am a woman with the wraps off, bald as an adder, God help me and you.
”
”
Joanna Russ (The Female Man)
“
In the evenings the boat spun on its anchor and mist fell to its knees, raining directly into seawater. Trees grew on red buoys, bald eagles lifted out of dark trunks like white-steepled chapels, a raven ate a crab in the boat's crow's nest, and schools of herring, who sometimes migrate in rolled-up balls five or six inches thick, broad-jumped the incoming tide.
”
”
Gretel Ehrlich (A Match to the Heart: One Woman's Story of Being Struck By Lightning)
“
Loki and Gee are crashed in their beds along the wall, Mac is on his perch near the window, whistling Another One Bites The Dust, and Ava is sitting cross legged in bed, painting her toenails. None of that is what I sigh at. It’s the big bald bastard flat on his back watching my tv in my bed next to my woman. Axel.
“Do you even know where your home is, Ax?” I ask.
“Yup. With my sister. I think I’m going to sell my place and move in here. Then she can take care of me 24/7,” he smirks up at me.
“The fuck you are. We have enough animals living in this house. You’re not going to be one of them. Get out of my bed, asshole
”
”
Lola Wright (The Devil's Angels MC (The Devil's Angels MC #1))
“
The man whose name I forget, the money-man, was an eminently curious study,’ said Stephen. ‘Oh, him,’ said Jack, with an utter want of interest. ‘What do you expect, when a fellow sits thinking about money all day long? And they can never hold their wine, those sorts of people. Harte must be very much in his debt to have him in the house.’ ‘Oh, he was a dull ignorant superficial darting foolish prating creature in himself, to be sure, but I found him truly fascinating. The pure bourgeois in a state of social ferment. There was that typical costive, haemorrhoidal facies, the knock-knees, the drooping shoulders, the flat feet splayed out, the ill breath, the large staring eyes, the meek complacency; and, of course, you noticed that womanly insistence upon authority and beating once he was thoroughly drunk? I would wager that he is very nearly impotent: that would account for the woman’s restless garrulity, her desire for predominance, absurdly combined with those girlish ways, and her thinning hair – she will be bald in a year or so.’ ‘It might be just as well if everybody were impotent,’ said Jack sombrely. ‘It would save a world of trouble.
”
”
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
“
Springtime brings the consolation of hope. It gives the assurance that death has lost its sting. There is beauty in this hope and this assurance. There is beauty in the woman whose chemo-induced baldness, unswaddled, shines like a pearl, in the man whose palsy makes him shimmy like a Spanish dancer. There is beauty in their defiance and their acceptance. There is beauty in their standing in the hope that death can't steal or destroy.
”
”
Mark Buchanan (Spiritual Rhythm: Being with Jesus Every Season of Your Soul)
“
What surprised me most, though, was that the majority of my soldiers had no reservations about working for a woman. hey repeatedly told me that they couldn't care less if I'd been black, tall, fat, ugly, or bald.
All they wanted was good leadership.
”
”
Sandra Perron (Out Standing in the Field)
“
It had been a low-speed collision, Darryl turning in front of the Durango with what he thought was plenty of room, the woman hitting the brakes in time to slow down before smashing into the back wheel of Ray’s sedan. Darryl had told her he’d left his license at home, and the lady wasn’t buying his bald-faced bullshit—said she didn’t raise three boys to get lied to by some other mother’s son.
”
”
Steph Cha (Your House Will Pay)
“
Doral used to be swampland, but now Carnival Cruise Lines and one of the major Miami papers makes it their home. Everyone who knows Florida well enough calls it Doralzula because so many Venezuelans live there. Rich Venezuelans, the beneficiaries of the old “re-distribute the wealth” scam of socialism, which fails repeatedly and consistently — though this fact is rarely ever mentioned in the media — around the globe. Once they had theirs, of course, they were off to the land of plenty, leaving the masses to wallow in poverty, under corrupt iron rule, while they golfed and ate at fine restaurants and bought exotic cars and slept with beautiful women who could be bought with luxury. Perhaps there was love sometimes, too, but I was always skeptical of any woman under forty wearing designer clothes.
The far left loves countries like Cuba, and Venezuela, never taking note of the conditions, the poverty, or the people trying to get out and have a better life; most of whom will never make it to those golden shores of Florida. They are the first to cry over the oppressed, the victimized, the impoverished, as though they are their champion. Unless, of course, those unfortunate folks live in a country in line with their hard-left-leaning ideology, then they are willing to ignore their plight completely. There is no hypocrisy so bald as that of the liberal do-gooder. Talk to a real Venezuelan, or better yet, a Cuban refugee who’d made it to Miami, and ask them how it is there. After you do you will roll your eyes at the next liberal trying to convince you the time has come to embrace these countries.
”
”
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
“
He removed a chair blocking the way and entered a room filled with broken glass, rubbish, excrement, pages torn out of books, strewn bottles, and headless mice. A little girl with a bright-red bald scalp, just like the young man’s, only redder, lay on the bed. She stared at the young man, and the cat sat beside her on her pillow, also staring attentively at him, with big, round eyes.
”
”
Ludmilla Petrushevskaya (There Once Lived a Woman Who Tried to Kill Her Neighbour's Baby: Scary Fairy Tales)
“
It’s all very under control. I don’t really want to be discussing this with you, of all people!”
“‘Of all people’!” Gansey echoed. “What sort of all people am I?”
She had no idea, now. Flustered, she replied, “You’re not my — my — grandmother, or something.”
“You’d talk about this with your grandmother? I cannot possibly imagine discussing my dating life with mine. She’s a lovely woman, I suppose. If you like them bald and racist.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Chekhar’ was an untranslatable swearword in the local language. It meant something close to: ‘The son of a cheap, diseased woman who was raped by an old, bald jackal who has nothing left.’ Hadjar had been amazed to learn the sheer depth of the word.
”
”
Kirill Klevanski (Sea of Sand (Dragon Heart, #4))
“
womanly insistence upon authority and beating once he was thoroughly drunk? I would wager that he is very nearly impotent: that would account for the woman’s restless garrulity, her desire for predominance, absurdly combined with those girlish ways, and her thinning hair – she will be bald in a year or so.’ ‘It might be just as well if everybody were impotent,’ said Jack sombrely. ‘It would save a world of trouble.
”
”
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
“
Hair •Stop using chemical-laden personal care products and switch to all-natural versions. Throw out anything containing phthalates, parabens, and benzophenones. And if you are a woman, consider alternatives to hormonal birth control. •To avoid grays, ramp up your catalase production by taking antioxidants like ashwagandha, curcumin, saw palmetto, and vitamin E. •For baldness, try a DHT-blocking shampoo instead of prescription meds that have unwanted side effects. •Deal with your stress, already! Seriously. If the threat of the Four Killers wasn’t enough, maybe avoiding baldness will finally motivate you. This is not optional. •If you are balding prematurely, get your thyroid levels tested by a knowledgeable anti-aging doctor, and make sure to check your levels of T3/RT3. •To stimulate blood flow to the scalp, get a head massage or purchase an at-home massager.
”
”
Dave Asprey (Super Human: The Bulletproof Plan to Age Backward and Maybe Even Live Forever)
“
Make her qualify herself a few times before escalating to a first date. Doing this will imply to her that you are man who has options. One way to do this is to briefly mention a personality trait that you admire in others and then suggest that perhaps she has that personality trait. If she responds by confirming what you suggest, she is essentially validating herself to gain your approval. Only after she does this a few times should you consider asking her to meet you in person. Here is one way to make her qualify herself to you. “I’m a big fan of people who take care of their health and yet also enjoy the little things in life. You mention in your profile that you eat healthy. I think that’s great. Do you allow yourself to indulge in a little bit of ice cream or chocolate every now and then?” Pass the sneaky tests women will throw at you in their messages by straddling the line between alpha and beta. If women find some incongruence between your profile content, photographs, and messages, they will try to expose the cause of that discrepancy. For example, if your profile content and messages to a woman indicate that you are a man who is successful with women, but you are 5’8” tall, bald, and far from handsome, she will want to make sure that you really a high-value man. So, she might mention a recent bad date, a strange email message, or some other communication that she received from a low-value guy and ask you what your thoughts are on that issue. If you talk negatively about the low-value guy, she will convince herself that you could not possibly be a high-value man. After all, high-status men do not make fun of those who stand lower in the social hierarchy. If you empathize with the low-value guy by explaining his actions, she will think that you must be a low-value guy yourself. How else could you feel this guy’s pain? The best
”
”
Strategic Lothario (Become Unrejectable: Know what women want and how to attract them to avoid rejection)
“
When Oparna walked in, a silence grew. She made her way nervously through the outer rings. Grey balding heads turned, one after the other. There were two female secretaries somewhere on the fringes, but she felt as though she were the only woman in the room because she knew the men felt that way too.
”
”
Manu Joseph (Serious Men)
“
A person who refuses to give up will always succeed, eventually. Henry Ford failed and went broke five times before he succeeded. NBA superstar Michael Jordan was once cut from his high school basketball team. After his first audition, screen legend Fred Astaire received the following assessment from an MGM executive: “Can’t act. Slightly bald. Can dance a little.
”
”
Joyce Meyer (The Confident Woman Devotional: 365 Daily Inspirations)
“
cries stopped. Room 532 was the sixth one on the left, right across from the nurses’ station. As Hoss reached it, his breathing became heavy. He froze in the doorway, ashamed at his cowardice to enter. His mother, he saw, was as she had been the day before, resting peacefully in her bed. A heart-rate monitor was clipped to one finger. An oxygen tube was strapped under her nose. Overhead, the fluorescent lights captured what devastation cancer had done to her, a wasting disease that knew no mercy. She was a ghost of the woman she had once been. Emaciated. Bald from weeks of chemo. Her face, barely recognizable, had become a loose mask collapsed against the bone. A yellowish hue saturated her skin. The hollows of her eyes were in shadow. The hospital had called Hoss an hour earlier. The voice at the other end was soft, reluctant. An on-duty nurse. His mother had taken a turn for the worse. Family members were asked to be at her bedside. There wasn’t much time left. Listening to her, Hoss felt the words in the pit of his stomach. His eyes closed. A painful lump formed in his throat. He couldn’t speak. When he put down the phone, all he could think of with certain dread was this moment now. The final good-bye he’d have to face. Her bed was partitioned off from the others by a curtain. Looking around, Hoss was surprised at his father’s absence. At fifty-three, the man had become a withdrawn, brooding presence.
”
”
Alex MacLean (Grave Situation (Allan Stanton, #1))