“
We love men because they can never fake orgasms, even if they wanted to.
Because they write poems, songs, and books in our honor.
Because they never understand us, but they never give up.
Because they can see beauty in women when women have long ceased to see any beauty in themselves.
Because they come from little boys.
Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.
Because they are incredible lovers and never rest until we’re happy.
Because they elevate sports to religion.
Because they’re never afraid of the dark.
Because they don’t care how they look or if they age.
Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.
Because they never wear or dream of wearing high heels.
Because they’re always ready for sex.
Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.
Because they’re afraid to go bald.
Because you always know what they think and they always mean what they say.
Because they love machines, tools, and implements with the same ferocity women love jewelry.
Because they go to great lengths to hide, unsuccessfully, that they are frail and human.
Because they either speak too much or not at all to that end.
Because they always finish the food on their plate.
Because they are brave in front of insects and mice.
Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.
Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.
Because for them there’s no such thing as too much adrenaline.
Because when all is said and done, they can’t live without us, no matter how hard they try.
Because they’re truly as simple as they claim to be.
Because they love extremes and when they go to extremes, we’re there to catch them.
Because they are tender they when they cry, and how seldom they do it.
Because what they lack in talk, they tend to make up for in action.
Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.
Because they really love their moms, and they remind us of our dads.
Because they never care what their horoscope, their mother-in-law, nor the neighbors say.
Because they don’t lie about their age, their weight, or their clothing size.
Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to.
Because when we say “I love you” they ask for an explanation.
”
”
Paulo Coelho
“
I have a thing for evil bald bad guys. The Kurgan is too sexy.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
If a man walk in the woods for love of them half of each day, he is in danger of being regarded as a loafer; but if he spends his whole day as a speculator, shearing off those woods and making earth bald before her time, he is esteemed an industrious and enterprising citizen.
”
”
Henry David Thoreau (Life Without Principle)
“
Oh, I remember how beautiful you were. You didn't have any hair. You were such a bald little booger, I thought I was going to have to save up to buy you a toupee.
”
”
Sherrilyn Kenyon
“
It was in Central Park near the lake and I watched a weeping willow turn into a giant rooster and fly off. No tree remained. It glided beautifully into the sky, a big blue barnyard. My mind went with it, something all you bald head generals and wheelchair senators could never imagine.
”
”
Jim Carroll (The Basketball Diaries)
“
Look. Isn't he beautiful?"
Drew's expression softened. "Ah, Nellie. He's bald, pink, and has no teeth. What's so beautiful about that?"
Nellie's laugh tinkled out like musical chimes while she covered the babe back up.
”
”
Deeanne Gist (A Bride Most Begrudging)
“
The Scholars
"Bald heads forgetful of their sins,
Old, learned, respectable bald heads
Edit and annotate the lines
That young men, tossing on their beds,
Rhymed out in love’s despair
To flatter beauty’s ignorant ear.
They’ll cough in the ink to the world’s end;
Wear out the carpet with their shoes
Earning respect; have no strange friend;
If they have sinned nobody knows.
Lord, what would they say
Should their Catullus walk that way?
”
”
W.B. Yeats (The Wild Swans At Coole)
“
Even baldness becomes a beauty of a hairless head through the heart of acceptance
”
”
Munia Khan
“
They had a term, too, for that thing I did where something would bother me and I would immediately project forward to an unpleasant future (e.g., Balding → Unemployment → Flophouse). The Buddhists called this prapañca (pronounced pra-PUN-cha), which roughly translates to “proliferation,” or “the imperialistic tendency of mind.” That captured it beautifully, I thought: something happens, I worry, and that concern instantaneously colonizes my future.
”
”
Dan Harris (10% Happier)
“
This kind of thing is so awkward and horrible, and from your end, you know it must… Okay, I’m just going to come out and tell you: I’m asking you out. That’s what I’m doing. Please don’t answer yet, because I know you might have a “No” queued up in your head already, but will you please let me say a few things?
I know that being a woman in New York must be hard, because it’s basically disappointing that you try to be nice to men as human beings, and then they respond by just torpedoing to your vagina. And I want you to know that I’m aware that you’re young and beautiful - and I’m not… either of those things. And part of me knows that as soon as my lips stop moving, you’re going to say no. But please think of the fact that it’s low risk what I’m asking.
You just come out with me for a drink, and even if you got up in the middle of the one drink, I wouldn’t hold it against you. Just make a judgement based on nothing horrible would happen if you came out with me. I think you’re so attractive. I’m attracted to you because you’re nice, and you’re a decent person, and those are probably the reasons you want people to be attracted to you, right? Also, you’re horribly cute. I mean, you’re cute as hell.
And I grow on people - women. Some times go by, and you get past the bald head and that I sweat a lot and I’m lumpy… I’ve run out of things to say. Can you just tell me now? Did this work?
”
”
Louis C.K.
“
I squeezed her hand and said nothing. I knew little about Keats or his poetry, but I thought it possible that in his hopeless situation he would not have wanted to write precisely because he loved her so much. Lately I'd had the idea that Clarissa's interest in these hypothetical letters had something to do with our own situation, and with her conviction that love that did not find its expression in a letter was not perfect. In the months after we'd met, and before we'd bought the apartment, she had written me some beauties, passionately abstract in the ways our love was different from and superior to any that had ever existed. Perhaps that's the essence of a love letter, to celebrate the unique. I had tried to match her, but all that sincerity would permit me were the facts, and they seemed miraculous enough to me: a beautiful woman loved and wanted to be loved by a large, clumsy, balding fellow who could hardly believe his luck.
”
”
Ian McEwan (Enduring Love)
“
People change, you know. They grow, they shrink, they bald, they get zits, they wrinkle. But each person is attractive in their own way, and they’re attractive to someone else.
No matter how much you change out here”—she motions to, well, all of me—“I’ll always find you attractive because of the person you are in here.
”
”
Cassie Mae (The Real Thing)
“
It is not growing like a tree
In bulk, doth make Man better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
A lily of a day
Is fairer far in May
Although it fall and die that night;
It was the plant and flower of Light.
In small proportions we just beauties see;
And in short measures life may perfect be (Ben Jonson)
”
”
Aidan Chambers (Postcards from No Man's Land)
“
In a sexual double standard as to who receives consumer protection, it seems that if what you do is done to women in the name of beauty, you may do what you like. It is illegal to claim that something grows hair, or makes you taller, or restores virility, if it does not. It is difficult to imagine that the baldness remedy Minoxidil would be on the market if it had killed nine French and at least eleven American men. In contrast, the long-term effects of Retin-A are still unknown--Dr. Stuart Yusps of the National Cancer Institute refers to its prescription as "a human experiment"--and the Food and Drug Administration has not approved it yet dermatologists are prescribing it to women at a revenue of over $150 million a year.
”
”
Naomi Wolf (The Beauty Myth)
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
Down, wanton, down! Have you no shame
That at the whisper of Love's name,
Or Beauty's, presto! up you raise
Your angry head and stand at gaze?
Poor bombard-captain, sworn to reach
The ravelin and effect a breach--
Indifferent what you storm or why,
So be that in the breach you die!
Love may be blind, but Love at least
Knows what is man and what mere beast;
Or Beauty wayward, but requires
More delicacy from her squires.
Tell me, my witless, whose one boast
Could be your staunchness at the post,
When were you made a man of parts
To think fine and profess the arts?
Will many-gifted Beauty come
Bowing to your bald rule of thumb,
Or Love swear loyalty to your crown?
Be gone, have done! Down, wanton, down!
”
”
Robert Graves
“
I was always cutting my Barbie and Pollyanna dolls' hair. I lined them all up and put a cloth around their necks, like they were at the beauty parlor. Barbie was a real heartbreaker, but then all of a sudden, Barbie was freakin' bald. That was a shocker.
”
”
Cyndi Lauper (Cyndi Lauper: A Memoir)
“
When the bald associate had mentioned a sleeping beauty, he was referring to a fairy tale that you have probably heard one thousand times. Like all fairy tales, the story of Sleeping Beauty begins with 'Once upon a time,' and continues with a foolish young princess who makes a witch very angry, and then takes a nap until her boyfriend wakes her up with a kiss and insists on getting married, at which point the story ends with the phrase 'happily ever after.' The story is usually illustrated with fancy drawings of the napping princess, who always looks very glamorous and elegant, with her hair neatly combed and a long silk gown keeping her comfortable as she snores away for years and years.
”
”
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
“
...if a person could discard 99% of their life and experience only the best 1%, would they think life a grand and beautiful thing?
”
”
Peter Tieryas (Bald New World)
“
This is the shame of the woman whose hand hides her smile because her teeth are so bad, not the grand self-hate that leads some to razors or pills or swan dives off beautiful bridges however tragic that is. This is the shame of seeing yourself, of being ashamed of where you live and what your father’s paycheck lets you eat and wear. This is the shame of the fat and the bald, the unbearable blush of acne, the shame of having no lunch money and pretending you’re not hungry. This is the shame of concealed sickness—diseases too expensive to afford that offer only their cold one-way ticket out. This is the shame of being ashamed, the self-disgust of the cheap wine drunk, the lassitude that makes junk accumulate, the shame that tells you there is another way to live but you are too dumb to find it. This is the real shame, the damned shame, the crying shame, the shame that’s criminal, the shame of knowing words like glory are not in your vocabulary though they litter the Bibles you’re still paying for. This is the shame of not knowing how to read and pretending you do. This is the shame that makes you afraid to leave your house, the shame of food stamps at the supermarket when the clerk shows impatience as you fumble with the change. This is the shame of dirty underwear, the shame of pretending your father works in an office as God intended all men to do. This is the shame of asking friends to let you off in front of the one nice house in the neighborhood and waiting in the shadows until they drive away before walking to the gloom of your house. This is the shame at the end of the mania for owning things, the shame of no heat in winter, the shame of eating cat food, the unholy shame of dreaming of a new house and car and the shame of knowing how cheap such dreams are. © Vern Rutsala
”
”
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
“
In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century.
For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.
”
”
Rick Bass
“
I saw [Chennai]. It had the usual Indian elements like autos, packed public buses, hassled traffic cops and tiny shops that sold groceries, fruits, utensils, clothes or novelty items. However, it did feel different. First, the sign in every shop was in Tamil. The Tamil font resembles those optical illusion puzzles that give you a headache if you stare at them long enough. Tamil women, all of them, wear flkowers in their hair. Tamil men don't believe in pants and wear lungis even in shopping districts. The city is filled with film posters. The heroes' pictures make you feel even your uncles can be movie stars. The heroes are fat, balding, have thick moustaches and the heroine next to them is a ravishing beauty.
”
”
Chetan Bhagat (2 States: The Story of My Marriage)
“
You think I didn’t hate their pity, their forced kindness? And knowing that no matter what I did, how virtuous I was, or hardworking, I would never be beautiful. Not like her, the one who merely had to sit there to be adored. You wonder why I stabbed the blue eyes of my dolls with pins and pulled their hair out until they were bald? Life isn’t fair. Why should I be?
”
”
Margaret Atwood (Good Bones)
“
The truth is I was addicted to being beautiful, and that’s not something you just walk away from. Being addicted to all that attention, I had to quit cold turkey. I could shave my head, but hair grows back. Even bald, I might still look too good. Bald, I might get even more attention. There was the option of getting fat or drinking out of control to ruin my looks, but I wanted to be ugly, and I wanted my health. Wrinkles and aging looked too far off. There had to be some way to get ugly in a flash. I had to deal with my looks in a fast, permanent way or I’d always be tempted to go back.
”
”
Chuck Palahniuk (Invisible Monsters)
“
Somehow I had reached an age when being in love with a beautiful woman was beyond my reach because I was now bald and my face was full of wrinkles, yet the cats loved me the way girls used to love me when I was young.
”
”
Bohumil Hrabal (All My Cats)
“
But then a miracle happened. A new kid came to school. The new kid couldn’t talk. She had no teeth. She was almost bald. She was beautiful. Her name was Mavis Jewls. She was only four days old. She really was a new kid.
”
”
Louis Sachar (Wayside School Gets a Little Stranger (Wayside School, #3))
“
Peace is a butterfly
Flying flower to flower
With a song in her heart
But a great love for the beauty
With a great purpose and duty.
Peace is a new father
Searching for a job
With courage and vigor
With a smile and rigor
But with a great need for money.
Peace is bald eagle
Flying and flying over the trees
In search for a spot
Under the blue sky
To build her nest to care.
Peace is a blue sky
With gentle and kind breeze
Filled with love and joy
Which we can dwell and share.
”
”
Debasish Mridha
“
I waited for her to open her eyes. They were amazing, big and dark grayish-blue. They were the first thing I noticed when I met her. She had come to our apartment to interview with my perents, and I was embarrassed because she was beautiful and I was skinny and bald and looked like shit.
”
”
Tracey Garvis Graves
“
After the hardy baldness of the Norfolk landscape, which Julia appreciated had its own raw beauty, the Cote d'Azur offered spectacular, colorful intricacy. It was rather like comparing a rough diamond to an exquisitely fashioned and polished sapphire, yet they both had their own unique charms.
”
”
Lucinda Riley (The Orchid House)
“
The Latin Church, which I constantly find myself admiring, despite its occasional astounding imbecilities, has always kept clearly before it the fact that religion is not a syllogism, but a poem. It is accused by Protestant dervishes of withholding the Bible from the people. To some extent this is true; to some extent the church is wise; again to the same extent it is prosperous.
...
Rome indeed has not only preserved the original poetry of Christianity; it has also made capital additions to that poetry -- for example, the poetry of the saints, of Mary, and of the liturgy itself. A solemn high mass is a thousand times as impressive, to a man with any genuine religious sense in him, as the most powerful sermon ever roared under the big top by Presbyterian auctioneer of God. In the face of such overwhelming beauty it is not necessary to belabor the faithful with logic; they are better convinced by letting them alone.
Preaching is not an essential part of the Latin ceremonial. It was very little employed in the early church, and I am convinced that good effects would flow from abandoning it today, or, at all events, reducing it to a few sentences, more or less formal. In the United States the Latin brethren have been seduced by the example of the Protestants, who commonly transform an act of worship into a puerile intellectual exercise; instead of approaching God in fear and wonder these Protestants settle back in their pews, cross their legs, and listen to an ignoramus try to prove that he is a better theologian than the Pope.
This folly the Romans now slide into. Their clergy begin to grow argumentative, doctrinaire, ridiculous. It is a pity. A bishop in his robes, playing his part in the solemn ceremonial of the mass, is a dignified spectacle; the same bishop, bawling against Darwin half an hour later, is seen to be simply an elderly Irishman with a bald head, the son of a respectable police sergeant in South Bend, Ind. Let the reverend fathers go back to Bach. If they keep on spoiling poetry and spouting ideas, the day will come when some extra-bombastic deacon will astound humanity and insult God by proposing to translate the liturgy into American, that all the faithful may be convinced by it.
”
”
H.L. Mencken
“
Don't be tragic. You are a beautiful girl, and the point of beauty is to make people die for you. At the very least, tell me what qualities he has that make him husband material.
He is as handsome as the most perfect statue--
Which will fade with time and soon he will be bald, grumpy and fatter than me. Handsome is not enough.
”
”
Soman Chainani (Beasts and Beauty)
“
Many people pretend to be in thought, proving thought to be a beautiful thing.
But the bald man doesn’t need a comb, the tiger doesn’t need weapons, the fool doesn’t need thought. The person with no needs is practically a sage, but the sage also needs to count the rivers across the iron bridge to pass the time. This is the difference between the sage and the fool.
”
”
Xi Chuan (Notes on the Mosquito: Selected Poems)
“
Even though I was bedridden, bald, occasionally incontinent, and living with my parents, the very fact of having a boyfriend gave me a sense of normalcy, of still being young, wanted, even beautiful. But some part of me knew the situation wasn’t sustainable. The land of the sick was no place for anyone to live 24/7; I would never have wished it upon my worst enemy.
”
”
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
“
His wife had also studied art in her hometown, and she could paint, but depending on such work for her livelihood was just not possible. As far as appearances went, she was definitely a real beauty. When she was young, she looked a little like Gong Li, but now that she was middle-aged, she had put on weight and gradually taken on more of a bell-shaped look, resembling Li Siqin. But no matter what, a wife always looks better than her balding, broadbellied husband.
”
”
Chew Kok Chang (Other Cities, Other Lives)
“
In the middle-aged softening, you can’t really tell who was a beauty in their twenties from someone who was plain; nor can you believe that the bald guy who now looks like a potato was once a hot stud. And vice versa. He can’t believe you ever had long hair and a body someone would want to see in a bikini. In this syndrome, it’s common to go to parties and run into old friends whom you haven’t seen for a while and who don’t recognize you. Happily, you’ll find yourself able to return the favor all too often.
”
”
Candace Bushnell (Is There Still Sex in the City?)
“
Her. Her. Her. Future breezes implore
me to stay.
But I'm no future. I'm no past.
Only ever contemporary of this path.
I'll sacrifice everything
for all her seasons give from losing.
She, I sigh
from The Mountain top.
By her now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest times,
a warning upon the back of every life
that would by harming Hailey's play, ever wayward
around this vegetative rush of orbit & twine,
awaken among these cascading cliffs of bellicose ice
me.
And my Vengeance.
At once.
The Justice of my awful loss
set free upon this crowded land. An old terror
violent for the glee of
ends.
But to those who would tend her, harrowed
by such Beauty & Fleeting Presence to do more,
my cool cries will kiss their gentle foreheads
and my tears will kiss their tender cheeks,
and then if the Love of their Kindness, which only
Kindness ever finds, spills my ear, for a while I might
slip down and play amidst her canopies of gold.
Solitude. Hailey's bare feet.
And all her patience now assumes.
Garland of Spring's Sacred Bloom.
By you, ever sixteen, this World's preserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so dangerously resumes.
I'll destroy no World
so long it keeps turning with flurry & gush,
petals & stems bending and lush,
and allways our hushes returning anew.
Everyone betrays the Dream
but who cares for it? O Hailey no,
I could never walk away from you.
-
Haloes! Haleskarth!
Contraband!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Bald Eagles soar
over me: —Reveille Rebel!
I jump free this weel.
On fire. Blaze a breeze.
I'll devastate the World.
\\
Samsara! Samarra!
Grand!
I can walk away
from anything.
Everyone loves
the Dream but I kill it.
Atlas Mountain Cedars gush
over me: —Up Boogaloo!
I leap free this spring.
On fire. How my hair curls.
I'll destroy the World.
-
Him. Him. Him. Future winds imploring
me to stay.
But I'm no tomorrow. I'm no yesterday.
Only ever contemporary of this way.
I will sacrifice everything
for all his seasons miss of soaring.
He, I sigh
from The Mountain top.
By him now. My only role. And for that freedom,
spread my polar chill, reaching even the warmest climes,
a warning upon the back of every life
that would by harming Sam's play, ever wayward
around this animal streak of orbit & wind,
awaken among these cataracts of belligerent ice
me.
And my Justice.
At once.
The Vengeance of my awful loss set
free upon this crowded land. An old terror
violent for the delirium of
ends.
But to those who would protect him, frightened
by such Beauty & Savage Presence to do more,
my cool cries will kiss their tender foreheads
and my tears will kiss their gentle cheeks,
and then if the Kindness of their Love, which only
Loving ever binds, spills my ear, for a while I might
slip down and play among his foals so green.
My barrenness. Sam's solitude.
And all his patience now presumes.
Luster of Spring's Sacred Brood.
By you, ever sixteen, this World's reserved.
By you, this World has everything left to lose.
And I, your sentry of ice, shall allways protect
what your Joy so terrifyingly elects.
I'll destroy no World
so long it keeps turning with scurry & blush,
fledgling & charms beading with dews,
and allways our rush returning renewed.
Everyone betrays the Dream
but who cares for it? O Sam no,
I could never walk away from you.
”
”
Mark Z. Danielewski (Only Revolutions)
“
An irregular birthmark stood out on the crest of her hip, like a splash of wine on snow.
He touched a finger to it, and she stirred.
“Don’t look at that,” she mumbled, rubbing sleep from her eyes. “I know it’s horrid.”
“Horrid?” Despite the pained expression on her face, he had to laugh. “Sweetheart, I can honestly say that there is nothing about you that’s horrid in the least.”
“My painting master would not agree.”
The bitter taste of envy filled his mouth. “Do you know, that Frenchman of yours had better hope I never meet with him.
“Oh, no,” she said quickly. “Not Gervais. Never Gervais. My painting master was an old, balding prig called Mr. Turklethwaite.”
Gray’s bafflement must have been obvious.
She went on, “There was never any Gervais. I mean, you know that I’d never taken a man to my bed, but you must understand…I’ve never allowed another man into my heart, either.” She kissed his brow, then his lips. “I love you, only you.”
God. How brave she was. Tossing those words about as though they were feathers. Could she possibly suspect how they landed in his chest like cannonballs, detonating deep in his heart?
Struggling for equanimity, he asked casually, “So when did this other painting master have occasion to see your birthmark?”
She laughed. “He didn’t. But I painted something like it once, on a portrait of Venus. I told him I thought it lent her an air of reality. Oh, how he scolded me. A lady who paints, he said-“ She gave Gray a teasing look. “He would not apply the term “artist” to a female, you see.”
“I see.”
“A lady who paints, he said, should approach the art as she would any other genteel accomplishment. Her purpose is to please; her goal is to create an example of refinement. A true lady would not paint an imperfection, he said, any more than she would strike a false note in a sonata. Beauty is not real, and reality is not beautiful.”
Gray shook his head. “Remarkable. I believe I despise your real painting master even more than I hated the fictional one. I wouldn’t have thought it possible.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Here's my question: What age are you when you're in Heaven? I mean, if it's Heaven, you should be at your beauty-queen best, and I doubt that all the people who die of old age are wandering around toothless and bald. It opens up a whole additional realm of questions, too. If you hang yourself, do you walk around all gross and blue, with your tongue spitting out of your mouth? If you are killed in a war, do you spend eternity minus the leg that got blown up by a mine?
I figure that maybe you get a choice. You fill out the application form that asks you if you want a star view or a cloud view, if you like chicken or fish or manna for dinner, what age you'd like to be seen as by everyone else. Like me, for example, I might pick seventeen, in the hopes I grow boobs by then, and even if I'm a pruny centegenarian by the time I die, in Heaven, I'd be young and pretty.
Once at a dinner party I heard my father say that even though he was old old old, in his heart he was twenty-one. So maybe there is a place in your life you ear out like a rut, or even better, like the soft spot on the couch. And no matter what else happens to you, you come back to that.
The problem, I suppose, is that everyone's different. What happens in Heaven when all these people are trying to find each other after so many years spent apart? Say that you die and start looking around for your husband, who died five years ago. what if you're picturing him at seventy, but he hit his groove at sixteen and is wandering around suave as can be?
Or what if you're Kate, and you die at sixteen, but in Heaven you choose to look thirty-five, an age you never got to be here on Earth. How would anyone ever be able to find you?
”
”
Jodi Picoult (My Sister’s Keeper)
“
The invariable mark of wisdom is to see the miraculous in the common. What is a day? What is a year? What is summer? What is woman? What is a child? What is sleep? To our blindness, these things seem unaffecting. We make fables to hide the baldness of the fact and conform it, as we say, to the higher law of the mind. But when the fact is seen under the light of an idea, the gaudy fable fades and shrivels. We behold the real higher law. To the wise, therefore, a fact is true poetry, and the most beautiful of fables. These wonders are brought to our own door. You also are a man. Man and woman, and their social life, poverty, labor, sleep, fear, fortune, are known to you. Learn that none of these things is superficial, but that each phenomenon has its roots in the faculties and affections of the mind. Whilst the abstract question occupies your intellect, nature brings it in the concrete to be solved by your hands.
”
”
Ralph Waldo Emerson (Emerson: The Ultimate Collection)
“
the vows before the Superior elected. Shortly before nine o’clock he went to see Father Ignatius to say goodbye. He found him out of bed and just finished dressing. Ignatius put his arm round the younger man’s shoulders and limped with him to the door. “Rodriguez left a quarter of an hour ago”, he said. It was a very beautiful morning. “Who is going to do all those letters now?” Francis blurted out. Ignatius smiled—without answering. And suddenly Francis knew that he would never see this man again, this incredible man whom he loved more than he had loved anybody else on earth; he knew that there was between them a very special love, beyond all the ties with the other companions, born of the air and soil and blood of their country, born out of the very hardships of the battle Ignatius had waged to win him over during all those long years in Paris. And he knew that the gateway to heaven could look like a man and be a man, a small, frail, bald man, who was for Christ on earth what Saint Michael was for God in heaven. “Go”, said Ignatius. “Go and set all afire.
”
”
Louis de Wohl (Set All Afire: A Novel of St. Francis Xavier)
“
Du fragst, wann ich meinen nächsten Abstecher in die zivilisierte Welt machen werde. Nun, ich glaube nicht, dass dies sehr bald sein wird. Ich bin der Wildnis noch lange nicht überdrüssig, genieße vielmehr ihre Schönheit und das Wanderleben, das ich führe, mit jedem neuen Tag mehr. Ich sitze tausendmal lieber im Sattel als in der Trambahn, und auf ein Dach über dem Kopf verzichte ich gern, wenn ich nur unter einem besternten Himmel sitzen darf; der einsame, unwegsame Trail, der mich an einen unbekannten Ort führt, reizt mich mehr als jeder asphaltierte Highway, und auch bin ich lieber vom tiefen Frieden der Wildnis umgeben als von der Unzufriedenheit, die in den Städten herrscht. Kannst du es mir verübeln, wenn ich bleibe, wo ich m ich heimisch fühle, wo ich eins bin mit der Welt um mich herum? Es ist wahr, mir fehlt zuweilen der gute Freund, das geistreiche Gespräch. Doch es gibt kaum jemanden, mit dem ich mich über die Erlebnisse, die mir soviel bedeuten, austauschen könnte. Ich habe daher längst gelernt, darauf verzichten. Es reicht mir vollkommen, von Schönheit umgeben zu sein…
Auch wenn du’s mir nur flüchtig geschildert hast, weiß ich, dass ich den Trott und die Eintönigkeit des Lebens, das du zu führen gezwungen bist, nicht einen Tag aushalten könnte. Ich kann mir nicht vorstellen, meinem Wanderleben jemals abzuschwören. Ich bin zu tief in die Geheimnisse des Lebens vorgedrungen und würde so ziemlich alles einer Rückkehr ins Leben der Mittelmäßigkeit vorziehen.
”
”
Everett Ruess (Everett Ruess: A Vagabond for Beauty & Wilderness Journals)
“
Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36
”
”
Vincent Bevins (The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World)
“
Philip had cultivated a certain disdain for idealism. He had always had a passion for life, and the idealism he had come across seemed to him for the most part a cowardly shrinking from it. The idealist withdrew himself, because he could not suffer the jostling of the human crowd; he had not the strength to fight and so called the battle vulgar; he was vain, and since his fellows would not take him at his own estimate, consoled himself with despising his fellows. For Philip his type was Hayward, fair, languid, too fat now and rather bald, still cherishing the remains of his good looks and still delicately proposing to do exquisite things in the uncertain future; and at the back of this were whiskey and vulgar amours of the street. It was in reaction from what Hayward represented that Philip clamoured for life as it stood; sordidness, vice, deformity, did not offend him; he declared that he wanted man in his nakedness; and he rubbed his hands when an instance came before him of meanness, cruelty, selfishness, or lust: that was the real thing. In Paris he had learned that there was neither ugliness nor beauty, but only truth: the search after beauty was sentimental. Had he not painted an advertisement of chocolat Menier in a landscape in order to escape from the tyranny of prettiness? But here he seemed to divine something new. He had been coming to it, all hesitating, for some time, but only now was conscious of the fact; he felt himself on the brink of a discovery. He felt vaguely that here was something better than the realism which he had adored; but certainly it was not the bloodless idealism which stepped aside from
life in weakness; it was too strong; it was virile; it accepted life in all its vivacity, ugliness and beauty, squalor and heroism; it was realism still; but it was realism carried to some higher pitch, in which facts were transformed by the more vivid light in which they were seen. He seemed to see things more profoundly through the grave eyes of those dead noblemen of Castile; and the gestures of the saints, which at first had seemed wild and distorted, appeared to have some mysterious significance. But he could not tell what that significance was. It was like a message which it was very important for him to receive, but it was given him in an unknown tongue, and he could not understand. He was always seeking for a meaning in life, and here it seemed to him that a meaning was offered; but it was obscure and vague. He was profoundly troubled. He saw what looked like the truth as by flashes of lightning on a dark, stormy night you might see a mountain range. He seemed to see that a man need not leave his life to chance, but that his will was powerful; he seemed to see that self-control might be as passionate and as active as the surrender to passion; he seemed to see that the inward life might be as manifold, as varied, as rich with experience, as the life of one who conquered realms and explored unknown lands.
”
”
W. Somerset Maugham (Of Human Bondage)
“
He sent messages to all fifteen of my former suitors, asking if they were still interested in marrying me-“
“Oh, my God,” Alex breathed.
“-and, if they were, he volunteered to send me to them for a few days, properly chaperoned by Lucinda,” Elizabeth recited in that same strangled tone, “so that we could both discover if we still suit.”
“Oh, my God,” Alex said again, with more force.
“Twelve of them declined,” she continued, and she watched Alex wince in embarrassed sympathy. “But three of them agreed, and now I am to be sent off to visit them. Since Lucinda can’t return from Devon until I go to visit the third-suitor, who’s in Scotland,” she said, almost choking on the word as she applied it to Ian Thornton, “I shall have to pass Berta off as my aunt to the first two.”
“Berta!” Bentner burst out in disgust. “Your aunt? The silly widgeon’s afraid of her shadow.”
Threatened by another uncontrollable surge of mirth, Elizabeth looked at both her friends. “Berta is the least of my problems However, do continue invoking God’s name, for it’s going to take a miracle to survive this.”
“Who are the suitors?” Alex asked, her alarm increased by Elizabeth’s odd smile as she replied, “I don’t recall two of them. It’s quite remarkable, isn’t it,” she continued with dazed mirth, “that two grown men could have met a young girl at her debut and hared off to her brother to ask for her hand, and she can’t remember anything about them, except one of their names.”
“No,” Alex said cautiously, “it isn’t remarkable. You were, are, very beautiful, and that is the way it’s done. A young girl makes her debut at seventeen, and gentlemen look her over, often in the most cursory fashion, and decide if they want her. Then they apply for her hand. I can’t think it is reasonable or just to betroth a young girl to someone with whom she’s scarcely acquainted and then expect her to develop a lasting affection for him after she is wed, but the ton does regard it as the civilized way to manage marriages.”
“It’s actually quite the opposite-it’s rather barbaric, when you reflect on it,” Elizabeth stated, willing to be diverted from her personal calamity by a discussion of almost anything else.
“Elizabeth, who are the suitors? Perhaps I know of them and can help you remember.”
Elizabeth sighed. “The first is Sir Francis Belhaven-“
“You’re joking!” Alex exploded, drawing an alarmed glance from Bentner. When Elizabeth merely lifted her delicate brows and waited for information, Alex continued angrily, “Why, he’s-he’s a dreadful old roué. There’s no polite way to describe him. He’s stout and balding, and his debauchery is a joke among the ton because he’s so flagrant and foolish. He’s an unparalleled pinchpenny to boot-a nipsqueeze!”
“At least we have that last in common,” Elizabeth tried to tease, but her glance was on Bentner, who in his agitation was deflowering an entire healthy bush. “Benter,” she said gently, touched by how much he obviously cared for her plight, “you can tell the dead blooms from the live ones by their color.”
“Who’s the second suitor?” Alex persisted in growing alarm.
“Lord John Marchman.” When Alex looked blank, Elizabeth added, “The Earl of Canford.”
Comprehension dawned, and Alex nodded slowly. “I’m not acquainted with him, but I have heard of him.”
“Well, don’t keep me in suspense,” Elizabeth said, choking back a laugh, because everything seemed more absurd, more unreal by the moment.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Marcus Graham didn’t need a college degree for his career of choice, nor did he need one to know he’d just royally screwed up. He'd done his homework—no one could say he hadn’t—and still, karma was biting him in the ass. An hour ago he thought the gods were smiling down on his beautiful bald head. Who’d have guessed just how wrong he was?
”
”
Gina Salamon (How To Train Your Angel Or Not...)
“
There definitely isn’t a girl like this Embers chick anywhere in Ohio, he playfully thought to himself. It didn't take long before his phone was exploding with text replies, but the grin on his face disappeared as he began to read them. The consensus (to put it in a much more polite way than a group of college football players normally would) was to ask him: ”Are you coming out of the closet, dude?” Taken aback by the bombardment of texts questioning his sexuality, rather than the expected congratulatory replies and requests for more, Zane scrolled through the pictures on his phone, and then his camera –shocked to find these were not the pictures of a stunning raven-haired beauty that he'd taken, but instead image after image of hairy, balding, middle-aged men, wearing Speedos. Confusion turned to horror as he went through dozens, and then hundreds of pictures on his phone. From work, from parties, from Spring Break in Panama City Beach, in every picture, without exception, all girls had been replaced by an assortment of increasingly repulsive men, some with their arms draped across Zane Holt’s broad, well-muscled shoulders, just as the women he’d been partying with had been. Across the pool, the hint of a wicked smile crossed the lips of Calista Embers.
”
”
Alison Claire (Hell's Belles (Hell's Belles Trilogy Book 1))
“
The villains had seen better days. Cruella, with her wild black-and-white hair, wore a ratty, nearly bald black-and-white dog-fur coat, which sported a bejeweled stuffed toy Dalmatian head next to her neck. She stroked it lovingly as if it were alive. Jafar, with his trademark mustache and goatee, was rocking a potbelly, a comb-over, and puffy Sansabelt pants. Evil Queen, a former beauty, pulled at her cosmetically altered face and stared into a mirror. Mal, Evie, Jay, and Carlos feared their parents nonetheless.
”
”
Walt Disney Company (Descendants Junior Novel)
“
When I was on a trip to Iceland about ten years ago, I remember standing on the harbourfront in Reykjavik, and looking at the blue fjord north of the city. Across the choppy blue waves was a glacier, maybe twelve or twenty miles away - a big, dirty white tongue of ice crashing down from the bald black mountains with infinite slowness. Intrigued, I asked some hungover local about the glacier, its name and whereabouts. He told me the name of the glacier. The he told me the name of the sea-channel: Faxafloi. But then he addded that the glacier wasn't twenty miles away, it was two hundred miles away. The air in Iceland, he explained, is so clear and unpolluted, things look nearer than they are.
I turned and looked again at the glacier, framed by the imperial blue waters of the fjord. I felt a bloodrush in my heart. The scenary was so breathtaking, and so majestic - I was moved and gratified - and yet I was obscurely troubled at the same time. The sense of unexpected distance was dizzying and confusing as well as exhillarating.
This may seem far-fetched as an analogy, but it's the best I can do. The feeling I had by that fjord is, somehow, the same weak and head-spinning feeling I get when I look at a truly beautiful woman.
”
”
Sean Thomas - Millions of Women are Waiting to Meet You
“
The relationship of a man with his lover should be something natural, just like the male orgasm.The truth is that if man has the full attention of the quality time he has ando f the quality woman in front of him, even if she is black, Japanese or white, fat or thin, with short or long hair, or even bald, blonde, brunette or redhead; an orgasm will always as transparente as the color of the most beautiful walls of love.
”
”
Alan Maiccon
“
Peace is a butterfly
Flying flower to flower
With a song in her heart
And a great love for the beauty
Great purpose and duty.
Peace is a new father
Searching for a job
With courage and vigor
With a smile and rigor
But with a great need for money.
Peace is a bald eagle
Soaring high o’er the trees
In search of a spot
Beneath the blue sky
To build her nest to care.
Peace is a wide-open sky
With a gentle, kind breeze
Filled with love and joy
Which we can inhabit and share.
”
”
Debasish Mridha
“
So who will I get today?’ asked one eagerly,
‘The most beautiful of them all,’ chuckled the eunuch.
‘What is she called?’
‘Phulwati, Mrignaini, Meethi, Champa...’
Hira began reciting the poetic list of names. Little did the boys know that the whores down below were bald, toothless hags, some marked with pox, others filled with pus. The warm blanket of darkness made them all beautiful.
”
”
Ekta Kumar (Box of Lies: A Love Story, Without Love)
“
Young people see old people and believe that they were born that way. They don’t know that the shrunken, hunchbacked woman at Safeway who asks for their help to reach a can of peaches was once a raging beauty who could outrun any boy. That the bald, freckled head of an elderly gentleman was once full and thick with reflective hair that was indistinguishable from the heads of the thousands of other young men who marched alongside him to war or crowded onto commuter trains with him.
”
”
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
“
In the Germanic regions, dwarfs can appear in one of three ways: they can take the appearance of bald, bearded old men, or resemble extremely beautiful children, or else look like knights. The first type is quite rare in the Middle Ages, although it is the predominant type in later folk tales. It is attested in only three texts.30 The child dwarf is equally rare and only appears in the tale of King Ortnit.31 These first two types are incontestably the oldest and the least contaminated, but they were supplanted by that of the dwarf knight
”
”
Claude Lecouteux (The Hidden History of Elves and Dwarfs: Avatars of Invisible Realms)
“
Georgia gulped as the entire doorway suddenly filled with a man she didn't recognize. She'd been expecting Jesper MacMillian.
This was definitely not Jesper MacMillian.
This man had a rich black complexion. His head was bald- whether by nature or design, she couldn't be sure. Tiny studs flashed in his ears. He wore a beautiful black suit, painstakingly tailored to fit his massive shoulders. Dark tattoos curled just above his pressed white collar, and down below the edges of his cuffs.
His face was neither kind nor unkind. He studied her with vague disinterest, his eyes quiet and guarded beneath solid brows.
”
”
Laura Oliva (Season Of The Witch (Shades Below #1.5))
“
such as “comparing mind,” and “wanting mind.” They had a term, too, for that thing I did where something would bother me and I would immediately project forward to an unpleasant future (e.g., Balding → Unemployment → Flophouse). The Buddhists called this prapañca (pronounced pra-PUN-cha), which roughly translates to “proliferation,” or “the imperialistic tendency of mind.” That captured it beautifully, I thought: something happens, I worry, and that concern instantaneously colonizes my future. My favorite Buddhist catchphrase, however, was the one they used to describe the churning of the ego: “monkey mind.” I’ve always been a sucker for animal metaphors, and I thought this one was perfect. Our minds are like furry little gibbons: always agitated, never at rest.
”
”
Dan Harris (10% Happier)
“
In his left hand he was holding aloft the German flag; with his right he was shaking hands in smiling effusion with a bald-headed man whose face looked like a pot of lard that has boiled over and eventually congealed in white, flabby, unhealthy drifts and folds.
”
”
H.E. Bates (The Four Beauties)
“
A few minutes later, Preacher wandered in. He was holding the baby in the crook of his arm and she looked small enough to fit in the palm of his hand. Her little pink blanket was wrapped neatly around her, her bald head sticking out of the top, and he handled her as if she were attached to the inside of his forearm. “Joe!” he said, but he said it with quiet enthusiasm. “Great to see you, man.” Joe stood and reached for the baby. “My turn, buddy. Let’s see what you made here.” Preacher handed over the baby and Joe brought her into his arms. “God, she’s beautiful. I think you lucked out, Paige. I think she’s going to look like you.” “John’s been worried that she’ll be six-four and three hundred pounds. I tried to explain that would take a lot more testosterone than she’ll have.” “I want her to be sweet and beautiful like her mom,” Preacher said. “How much did she weigh?” “Eight-ten. Nice and big.” “She looks like a five-pounder in your husband’s arms,” Joe said. “You two do good work.” “My man, it was the hardest work I’ve ever done,” Preacher said. “Um, John,” Paige said. “I didn’t mean you didn’t work hard, baby, you know that. But I damn near worried myself into the ground. Mel almost had to give me something.” “Was it everything you thought it would be?” Joe asked. “It was way more than I thought it would be. I cried like a baby.” These two, Joe thought. He wondered if they had any idea how cute they were.
”
”
Robyn Carr (Second Chance Pass)
“
I saw that I had forgotten how beautiful the drive to Thunder Bay was; the towering sighing groves of fragrant Norway pines, the broad expanses of clean white sand, the sea gulls, always the endlessly wheeling sea gulls; an occasional bald eagle seeming bent on soaring straight up to heaven; the intermittent craggy and pine-clad granite or sandstone hills, sometimes rising gauntly to the dignity of small mountains, then again, sudden stretches of sand or more majestic Norway pines -- and always, of course, the vast glittering heaving lake, the world's largest inland sea, as treacherous and deceitful as a spurned woman, either caressing or raging at the shore, more often turbulent than not, but today on its best company manners, presenting the falsely placid aspect of a mill pond.
”
”
Robert Traver (Anatomy of a Murder)
“
Instead of perfume there will be a stench; and instead of a sash, a rope; and instead of well-set hair baldness; and instead of a rich robe, a binding of sackcloth; instead of beauty shame. Your men shall fall by the sword and your warriors in battle. And her gates shall lament and mourn; ravaged she shall sit upon the ground. Seven woman shall take hold of one man in that day saying, “We will eat our own bread and wear our own clothes; just let us be called by your name take away our disgrace.” (Isaiah 3:16-4:1 also see Yod Vashem)
”
”
J. Michael Morgan (Yeshua Cup: The Melchizedek Journals)
“
We forgive beauty such a lot, thought Agatha suddenly. If he was a little balding man with thick glasses, I might get a bit tetchy.
”
”
M.C. Beaton (A Spoonful of Poison (Agatha Raisin, #19))
“
Outside the tent, it was cold, still, clear, and breathtakingly beautiful. Bright white sun danced on the ripples of Yellowstone Lake and electrified the dew in the grass. A bald eagle cruised along the surface of the water, talons dropped, fishing. Far across the water was the smudge of an island in the lake. Boils of steam rose from vents and dissipated in the clear morning air. She smelled woodsmoke from the fire and heard subdued voices from the kitchen camp.
”
”
C.J. Box (Back Of Beyond (Highway Quartet #1))
“
He had lost her, had lost her one final time, not to the crowd, but to a man who appreciated her fully, baldly, boldly - a man who knew her blemishes and thought them beauty marks.
”
”
Josiah Bancroft (The Hod King (The Books of Babel, #3))
“
But he’s also seen his share of affluent teenage beauty queens turned to balding, pockmarked monsters. College kids holding up CVS pharmacies to get a fix. Their families devastated and confused. We’re not those kinds of people. But you don’t know that until you get your first taste of crystal meth. Or experience the euphoria of painkillers stolen from your mom’s medicine cabinet.
”
”
Alex Finlay (The Night Shift)
“
Bald eagles wheeled above the Sound, their commanding silhouettes outlined by blue sky. Belted kingfishers, with their fluffy topknots, often left their perches in the trees along the beach to flutter their blue-and-white plumage past my bunker. They eyed me through the unglazed window with fearless curiosity. River otters scooched along the beach below me sometimes, and once in a while I saw an orca breach, carving an arc between sea and sky. Their sleek black-and-white beauty was no less majestic than that of the eagles, and I cheered softly when I caught sight of them.
”
”
Louisa Morgan (The Witch's Kind)
“
Birds are masterpieces of nature. The fluid beauty in their colors and their physical form is living art. Their every subtle and conspicuous movement - the undulating traverse of the wren, the high step of the heron, the dance of the crane, and the contemplative blink of the owl — is poetry. Wheeling, pitching, pivoting, swooping and swerving are an aesthetic.
”
”
Jack Emerson Davis (The Bald Eagle: The Improbable Journey of America's Bird)
“
Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face.
When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling.
Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow.
"Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man.
“We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested.
“Join me as I induct him into the hallowed spirit of Imajinaereum.
”
”
Asher Sharol (Binds of Silver Magic (Blood Quintet #2))
“
Springtime brings the consolation of hope. It gives the assurance that death has lost its sting. There is beauty in this hope and this assurance. There is beauty in the woman whose chemo-induced baldness, unswaddled, shines like a pearl, in the man whose palsy makes him shimmy like a Spanish dancer. There is beauty in their defiance and their acceptance. There is beauty in their standing in the hope that death can't steal or destroy.
”
”
Mark Buchanan (Spiritual Rhythm: Being with Jesus Every Season of Your Soul)
“
Quinn looksat the ultrasound pictures, eyes glossing over. We’re headed home, and I steal a glance away from the road to see her beautiful face. Her eyes are brimming with tears.
“What’s wrong, babe?” I put my hand on her thigh.
“Nothing.” Tears roll down her cheeks.
“Why are you crying?”
“I was thinking about bald eagles.”
“Bald eagles?” I raise an eyebrow. “Bald eagles make youcry?”
“They used to be endangered. But they’re not anymore. They’re so majestic and beautiful and I’m just so happy they’re not endangered anymore.”
I don’t mean to laugh, but dammit, she’s so fucking adorable. “Remember how you said it wasn’t fair that I didn’t get to experience drunk-Quinn?”
“Yeah.”
“I am now.” I wink and squeeze her thigh.
She sniffles and laughs, wiping her eyes. “Yeah. I guess so.” Her eyes squeeze shut, and more tears streamout.
“Stop thinking about eagles, babe,” I try to say seriously but end up laughing. Quinn laughs too, shaking her head.
”
”
Emily Goodwin (End Game (Dawson Family, #2))
“
More like a vault -- you pull the handle out
and on the shelves: not a lot,
and what there is (a boiled potato
in a bag, a chicken carcass
under foil) looking dispirited,
drained, mugged. This is not
a place to go in hope or hunger.
But, just to the right of the middle
of the middle door shelf, on fire, a lit-from-within red,
heart red, sexual red, wet neon red,
shining red in their liquid, exotic,
aloof, slumming
in such company: a jar
of maraschino cherries. Three-quarters
full, fiery globes, like strippers
at a church social. Maraschino cherries, maraschino,
the only foreign word I knew. Not once
did I see these cherries employed: not
in a drink, nor on top
of a glob of ice cream,
or just pop one in your mouth. Not once.
The same jar there through an entire
childhood of dull dinners -- bald meat,
pocked peas and, see above,
boiled potatoes. Maybe
they came over from the old country,
family heirlooms, or were status symbols
bought with a piece of the first paycheck
from a sweatshop,
which beat the pig farm in Bohemia,
handed down from my grandparents
to my parents
to be someday mine,
then my child's?
They were beautiful
and, if I never ate one,
it was because I knew it might be missed
or because I knew it would not be replaced
and because you do not eat
that which rips your heart with joy.
”
”
Thomas Lux
“
Doral used to be swampland, but now Carnival Cruise Lines and one of the major Miami papers makes it their home. Everyone who knows Florida well enough calls it Doralzula because so many Venezuelans live there. Rich Venezuelans, the beneficiaries of the old “re-distribute the wealth” scam of socialism, which fails repeatedly and consistently — though this fact is rarely ever mentioned in the media — around the globe. Once they had theirs, of course, they were off to the land of plenty, leaving the masses to wallow in poverty, under corrupt iron rule, while they golfed and ate at fine restaurants and bought exotic cars and slept with beautiful women who could be bought with luxury. Perhaps there was love sometimes, too, but I was always skeptical of any woman under forty wearing designer clothes.
The far left loves countries like Cuba, and Venezuela, never taking note of the conditions, the poverty, or the people trying to get out and have a better life; most of whom will never make it to those golden shores of Florida. They are the first to cry over the oppressed, the victimized, the impoverished, as though they are their champion. Unless, of course, those unfortunate folks live in a country in line with their hard-left-leaning ideology, then they are willing to ignore their plight completely. There is no hypocrisy so bald as that of the liberal do-gooder. Talk to a real Venezuelan, or better yet, a Cuban refugee who’d made it to Miami, and ask them how it is there. After you do you will roll your eyes at the next liberal trying to convince you the time has come to embrace these countries.
”
”
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
“
And then a frail little girl peered through the doorway. She was thin (I could tell that, even though she was dressed in an oversized top and oversized jeans), and a bright red scarf covered her head. Across the front of her T-shirt were the words: "BALD IS BEAUTIFUL." She had to be Danielle Roberts.
”
”
Ann M. Martin (Jessi's Wish (The Baby-Sitters Club, #48))
“
Becca and Danielle looked at each other joyously. What a pair they made: Becca, dark-skinned, shorter and chunkier than Danielle, wearing a flashy pair of jams, her thick hair arranged in ponytails; and Danielle, still pale, with the shape of a bean pole, wearing droopy jeans and her even droopier "BALD IS BEAUTIFUL" T-shirt, a blue-and-green scarf not really hiding her almost bald head.
”
”
Ann M. Martin (Jessi's Wish (The Baby-Sitters Club, #48))
“
Losing your hair and the need to replenish it at all cost is overrated, being bald is a beautiful or manly thing embrace it
”
”
James D. Wilson
“
In boardrooms, bald is beautiful
”
”
Nipun Varma (Adventures of an Indian Techie)