Balcony Plants Quotes

Awkward situation. I think Ash is off to rock back and forth in a corner and seriously wonder how his life got to be this way. He's a sensitive plant." Jared nodded. "Might be better than stalking out to a balcony to wrap yourself in a cloak of bitterness and self-hatred like metaphorical Batman, though." "Or trying to make light of a situation with constant awkward jokes." Kami agreed. "Whatever. Emotional health is for losers.

Appreciate the plant that grows in your balcony only for you

It's difficult to know when love blooms; suddenly one day you wake up and it's in full flower. It works the same way when it wilts-one day it is just too late. Love has a great deal in common with balcony plants in that way. Sometimes not even baking soda makes a difference.

You're not a wallflower. But you have my permission to hide in corners, my sweet- so long as you take me with you. In fact, I'll insist on it. I warn you, I'm very badly behaved at such affairs- I'll probably debauch you in gazebos, on balconies, beneath staircases, and behind assorted potted plants. And if you complain, I'll simply remind you that you should have known better than to marry a conscienceless rake." Evie's throat arched slightly at the light stroke of his fingers. "I wouldn't complain." Sebastian smiled and nipped tenderly at the side of her neck. "Dutiful little wife," he whispered. "I'm going to be a terrible influence on you. Why don't you give me a kiss, and go upstairs for your bath? By the time you finish, I'll be there with you.

She thought, sometimes, that, after all, this was the happiest time of her life—the honeymoon, as people called it. To taste the full sweetness of it, it would have been necessary doubtless to fly to those lands with sonorous names where the days after marriage are full of laziness most suave. In post chaises behind blue silken curtains to ride slowly up steep road, listening to the song of the postilion re-echoed by the mountains, along with the bells of goats and the muffled sound of a waterfall; at sunset on the shores of gulfs to breathe in the perfume of lemon trees; then in the evening on the villa-terraces above, hand in hand to look at the stars, making plans for the future. It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her—the opportunity, the courage.

EAMES: Word is, you're not welcome in these parts. COBB: Yeah? EAMES: There's a price on your head from Cobol Engineering. Pretty big one, actually. COBB: You wouldn't sell me out. Eames looks at Cobb, offended. EAMES: 'Course I would. COBB: (smiles) Not when you hear what I'm selling. A ramshackle balcony overlooking a busy street. Eames pours. COBB: Inception. Eames' glass stops halfway to his mouth. COBB: Don't bother telling me it's impossible. EAMES: It's perfectly possible. Just bloody difficult. COBB: That's what I keep saying to Arthur. EAMES: Arthur? You're still working with that stick-in-the-mud? COBB: He's a good point man. EAMES: The best. But he has no imagination. If you're going to perform inception, you need imagination. COBB: You've done it before? EAMES: Yes and no. We tried it. Got the idea in place, but it didn't take. COBB: You didn't plant it deep enough? EAMES: It's not just about depth. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.

As I completed dinner preparation, Rosie set the table—not the conventional dining table in the living room, but a makeshift table on the balcony, created by taking a whiteboard from the kitchen wall and placing it on top of the two big plant pots, from which the dead plants had been removed. A white sheet from the linen cupboard had been added in the role of tablecloth. Silver cutlery—a housewarming gift from my parents that had never been used—and the decorative wineglasses were on the table. She was destroying my apartment!

In the dry places, men begin to dream. Where the rivers run sand, there is something in man that begins to flow. West of the 98TH Meridian - where it sometimes rain and it sometimes doesn’t – towns, like weeds, spring up when it rains, dry up when it stops. But in a dry climate, the husk of the plant remains. The stranger might find, as if preserved in amber, something of the green life that was once lived there, and the ghosts of men who have gone on to a better place. The withered towns are empty, but not uninhabited. Faces sometimes peer out from the broken windows, or whisper from the sagging balconies, as if this place – now that is dead – had come to life. As if empty it is forever occupied. Reproduced in THE BORSCHT BELT from The Works of Love by Wright Morris by permission of the University of Nebraska Press. Copyright 1949, 1951 by Wright Morris.

Spring has come with little prelude, like turning a rocky corner into a valley, and gardens and borders have blossomed suddenly lush with daffodils, irises, tulips. Even the derelict houses of Les Marauds are touched with color, but here the ordered gardens have run to rampant eccentricity; a flowering elder growing from the balcony of a house overlooking the water, a roof carpeted with dandelions, violets poking out of a crumbling facade. Once-cultivated plants have reverted to their wild state, small leggy geraniums thrusting between hemlock-umbels, self-seeded poppies scattered at random and bastardized from their original red to orange to palest mauve. A few days' sunshine is enough to coax them from sleep; after the rain they stretch and raise their heads toward the light. Pull out a handful of these supposed weeds, and there are sages and irises, pinks and lavenders, under the docks and ragwort.

There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.

And now gay-plumaged birds of all sorts began to warble in the trees, and with their varied and gladsome notes seemed to welcome and salute the fresh morn that was beginning to show the beauty of her countenance at the gates and balconies of the east, shaking from her locks a profusion of liquid pearls; in which dulcet moisture bathed, the plants, too, seemed to shed and shower down a pearly spray, the willows distilled sweet manna, the fountains laughed, the brooks babbled, the woods rejoiced, and the meadows arrayed themselves in all their glory at her coming.

But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it's almost the same room. One evening they may forget to draw their blinds down, and you'll see them; and the next, you yours, and they'll see you. Impossible to sit out on the balconies. Impossible to water the plants, or even speak. Imagine going out of the front-door, and they come out opposite at the same moment. And yet you tell me that plans are unnecessary, and you'd rather risk it." "I hope to risk things all my life.

By this time a thousand different kinds of brightly colored birds began to warble in the trees, and with their varied and joyous songs they seemed to welcome and greet the new dawn, who, through the doors and balconies of the Orient, was revealing the beauty of her face and shaking from her hair an infinite number of liquid pearls whose gentle liquor bathed the plants that seemed, in turn, to send forth buds and rain down tiny white seed pearls; the willows dripped their sweet-tasting manna, the fountains laughed, the streams murmured, the woods rejoiced, and the meadows flourished with her arrival.

You see in his Le pont de l’Europe a young man, well dressed in his grey overcoat and black top hat, maybe the artist, walking over the bridge along the generous pavement. He is two steps ahead of a young woman in a dress of sedate frills carrying a parasol. The sun is out. There is the glare of newly dressed stone. A dog passes by. A workman leans over the bridge. It is like the start of the world: a litany of perfect movements and shadows. Everyone, including the dog, knows what they are doing. Gustave Caillebotte, Le pont de l’Europe, 1876 The streets of Paris have a calmness to them: clean stone façades, rhythmic detailing of balconies, newly planted lime trees appear in his painting Jeune homme à sa fenêtre, shown in the second Impressionist exhibition in 1876. Here Caillebotte’s brother stands at the open window of their family apartment looking out onto the intersection of the rue de Monceau’s neighbouring streets. He stands with his hands in his pockets, well dressed and self-assured, with his life before him and a plush armchair behind him. Everything is possible.

visit Via Verde, a gorgeous affordable housing complex in the South Bronx, complete with a fitness center and a terraced roof planted with garden plots and trees. Or go see the Bent Tree Apartments in Austin, a 126-unit complex surrounded by mature oaks and even a swimming pool. Or check out the handsome duplexes scattered around Milwaukee or Pittsburgh or Washington, D.C., with tidy balconies and bright paint.[11]

And still there is not enough of anything. Parks and playgrounds have been dug up and planted with vegetables. Chard, peas, beans and marrow sprout from balconies all over Sarajevo and nettles and dandelions are plucked from the roadside to make salads and soups.

Coorie gardens have a common trait: there will be at least one place that encourages reflection and peacefulness. A coorie spot could be a garden grotto, blending into the scenery with trained climbers concealing its form or a basic summerhouse with space to sit. A balcony with a comfortable chair where you can turn your face to the sun and read a book is a perfect coorie space. Even a shared back court with a picnic bench can be dressed with lanterns and potted plants to conjure the feeling of coorie. Some intrepid souls might like to string a hammock out to evoke the ultimate sense of downtime.

How long have you known that I’m your mate?” Rhys stilled. The entire world stilled. He swallowed. “Feyre.” “How long have you known that I’m your mate?” “You … You ensnared the Suriel?” How he’d pieced it together, I didn’t give a shit. “I said you don’t get to ask questions.” I thought something like panic might have flashed over his features. He chewed again on the plant—as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Color was already blooming on his cheeks, perhaps from whatever healing was in my blood. “I suspected for a while,” Rhys said, swallowing once more. “I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain—right after we were freed, I felt it snap into place between us. I think when you were Made, it … it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.

At the Colony Club, Barbados, you could swim straight from your hotel room to the swimming pool, via a small stream off your balcony, lined with stunning waterfalls and plant life.

I feel perfect happiness simply lolling here on the balcony in the company of the shadow cast by the blossoms. my back toasting in the warm spring sunlight. To think would be to sink into error. Movement seems perilous. I would cease even to breathe if I could. I want to live like this for a whole fortnight, motionlessm like a plant rooted deep in the floor beneath me.

I can't lose you," he said, planting his hands on the balcony behind her, trapping her against him. "I almost did, do you know that? Because I couldn't fucking get my mind right to heal you. I have held men and women and children to me as they bled like you bled. I have had my face sprayed with their blood. I have had them beg for their life—a life I could not extend or heal or gift because I cannot fight their fate. But you—you did not beg for life. You were not even desperate for it. You were at peace." "Because I was thinking about you," she seethed, and Hades went cold. "I wasn't thinking about life or death or anything but how much I loved you, and I wanted to say it, but I couldn't..." His throat felt full and his mouth quivered. He drew her against him and buried his head in the crook of her neck, hiding his face as he shook and shed tears. He hated this feeling that racked his body, hated that he had not been able to remain composed for her, but this had been too much. Too great of a wound. He drew comfort from her, and when he was calm, he straightened, still holding her close.

You don't get to ask questions,' I said, and he looked up at me, exhaustion and pain lining his face, my blood shining on his lips. Part of me hated the words, for acting like this while he was wounded, but I didn't care. 'You only get to answer them. And nothing more.' Wariness flooded his eyes, but he nodded, biting off another mouthful of the weed and chewing. I stared down at him, the half-Illyrian warrior who was my soul-bonded partner. 'How long have you know that I'm your mate?' Rhys stilled. The entire world stilled. He swallowed. 'Feyre.' 'How long have you know that I'm your mate.' 'You... You ensnared the Suriel?' How he'd pieced it together, I didn't give a shit. 'I said you don't get to ask questions.' I thought something like panic might have flashed over his features. He chewed again on the plant- as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Colour was already blooming on his cheeks, perhaps from whatever healing was in my blood. 'I suspected for a while,' Rhys said, swallowing once more. 'I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain- right after we were freed, I felt it snap into place between us. I think when you were Made, it... it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.' He'd gone wide-eyed, had stumbled back as if shocked- terrified. And had vanished. That had been over half a year ago. My blood pounded in my ears. 'When were you going to tell me?' 'Feyre.' 'When were you going to tell me?' 'I don't know. I wanted to yesterday. Or whenever you'd noticed that it wasn't just a bargain between us. I hoped you might realise when I took you to bed, and-' 'Do the others know?' 'Amren and Mor do. Azriel and Cassian suspect.' My face burned. They knew- they- 'Why didn't you tell me?' 'You were in love with him; you were going to marry him. And then you... you were enduring everything and it didn't feel right to tell you.' 'I deserved to know.' 'The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me- a mess.' So the words I'd spat after the Court of Nightmares had haunted him. 'You promised- you promised no secrets, no games. You promised.' Something in my chest was caving in on itself. Some part of me I'd thought long gone. 'I know I did,' Rhys said, the glow returning to his face. 'You think I didn't want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn't drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait- or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don't have a lifetime of assassins and High Lords hunting you down for being with me?' 'I don't want to hear this. I don't want to hear you explain how you assumed that you knew best, that I couldn't handle it-' 'I didn't do that-' 'I don't want to hear you tell me that you decided I was to be kept in the dark while you friends knew, while you all decided what was right for me-' 'Feyre-' 'Take me back to the Illyrian camp. Now.' He was panting in great, rattling gulps. 'Please.' But I stormed to him and grabbed his hand. 'Take me back now.' And I saw the pain and sorrow in his eyes. Saw it and didn't care, not as that thing in my chest was twisting and breaking. Not as my heart- my heart- ached, so viciously that I realised it'd somehow been repaired in these past few months. Repaired by him. And now it hurt. Rhys saw all that and more on my face, and I saw nothing but agony in his as he rallied his strength, and, grunting in pain, winnowed us into the Illyrian camp.

When you learn to live in harmony with the earth, every space becomes a sacred space. Whether you live in a concrete jungle with a small balcony or on a sprawling nature preserve, the earth is there for you.

A personal bioplan can take a form as humble as a pot on the balcony of an urban high-rise. One beneficial plant, a mint for example, releases aerosols that open up your airways. That plant does the same thing for the birds and other small creatures, and for the people you love and keep close. The true goal of the global bioplan is for every person to create and protect the healthiest environment they can for themselves, their families, the birds, insects and wildlife. That personal bioplan then gets stitched to their neighbours’, expanding outward exponentially. If we each start with something as small as an acorn and nurture it into an oak, a master tree that we have grown and protect and are the steward of, if we have that kind of thinking on a mass scale, then the planet is no longer in jeopardy from our greed. We’ve become the guardians of it. It’s a dream of trying to get a better world for every living thing.