Bags And Shoes Quotes

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And even this heart of mine has something artificial. The dancers have sewn it into a bag of pink satin, pink satin slightly faded, like their dancing shoes.
Edgar Degas
Prince Ronald said, Elizabeth, your hair is all dirty. You are wearing an ugly paper bag. You don't have any shoes on and you smell like a dragon's ear. Come back and rescue me when you're dressed like a real princess. Elizabeth said, Ronald, your hair is all nice. Your clothes are all pretty. You look like a nice guy, but guess what? You are a bum. They didn't get married after all.
Robert Munsch
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one—fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.
Lauren Oliver (Delirium (Delirium, #1))
The Simi gots some barbecue sauce in her bag. It kind of looks like blood if you squint at it the right way. And it don’t coagulate between your teeth like blood or give you them funky burps, not to mention it tastes a lot better too. Especially over that type A stuff. Bleh! I’d rather eat my shoes. But that O-flavored blood…yum! (She straightened and held one finger up in a gesture that strangely reminded him of Smokey the Bear.) And just remember, kids, three out of four demons all prefer barbecue sauce over hemoglobin. (Simi)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
He advances like a floating Dracula. The menace is ruined by the sporting-goods-store bag loudly crinkling against his leg. A shoebox is in it, judging from the shape. Imagine the wretched sales assistant who had to help Joshua choose shoes.I require shoes to ensure I can effectively run down the targets I am paid to assassinate in my spare time. I require the best value for my money. I am size eleven
Sally Thorne (The Hating Game)
And we will be ready, at the end of every day will be ready, will not say no to anything, will try to stay awake while everyone is sleeping, will not sleep, will make the shoes with the elves, will breathe deeply all the time, breathe in all the air full of glass and nails and blood, will breathe it and drink it, so rich, so when it comes we will not be angry, will be content, tired enough to go, gratefully, will shake hands with everyone, bye, bye, and then pack a bag, some snacks, and go to the volcano.
Dave Eggers
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
Samantha Irby (We Are Never Meeting in Real Life.)
I've determined the ideal job for me is one where I can write clever essays about my life and my employer will give me enough money not only to live a comfortable existence, but also to buy many, many new pairs of shoes.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.
Sylvia Plath (Ariel)
A beautiful person is not defined by a hair style, a pair of shoes, it’s not the logos on the T-shirt, the sport’s team on a hat, the designer’s name on a hand bag, or even how you smell. Instead, beauty lies in who you are when no one is watching, the person you are when there’s nothing to hide behind. No amount of concealer can cover up a cantankerous heart, but all the make-up in the world can’t add a single lumen to the brightness of a beautiful soul.
Justin Young
He doesn't need any money , all he needs is his rucksack with those little plastic bags of dried food and a good pair of shoes and off he goes and enjoys the privileges of a millionaire in surroundings like this.
Jack Kerouac (The Dharma Bums)
FINISTERRE The road in the end taking the path the sun had taken, into the western sea, and the moon rising behind you as you stood where ground turned to ocean: no way to your future now but the way your shadow could take, walking before you across water, going where shadows go, no way to make sense of a world that wouldn't let you pass except to call an end to the way you had come, to take out each frayed letter you brought and light their illumined corners, and to read them as they drifted through the western light; to empty your bags; to sort this and to leave that; to promise what you needed to promise all along, and to abandon the shoes that had brought you here right at the water's edge, not because you had given up but because now, you would find a different way to tread, and because, through it all, part of you could still walk on, no matter how, over the waves.
David Whyte
a fool forgetting all the ideals and joys I knew before, in my recent years of drinking and disappointment, what does he care if he hasn't got any money: he doesn't need any money, all he needs is his rucksack with those little plastic bags of dried food and a good pair of shoes and off he goes and enjoys the privileges of a millionaire in surroundings like this.
Jack Kerouac (The Dharma Bums)
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
It's us," Stephen said. "Oh, thank God," said a voice. Callum emerged from behind the Dumpster. Even with all that was going on, it was hard not to take notice of this: he wore only his underpants and his socks and shoes. ...I don't think I hid my staring very well either. "Go ahead and change," Stephen said, handing me the bag. "I'll go and get the car." "Please be quick," Callum added. "This is not as fun as it appears.
Maureen Johnson (The Name of the Star (Shades of London, #1))
...The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the woman who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a nightcap than in it, scrawled upon a wall with his finger dipped in muddy wine-lees—BLOOD.
Charles Dickens (A Tale of Two Cities)
Some people might get obsessed with figuring out how they wound up on the F train in drag, with no bag and only one shoe, but that’s simply not my style. What’s done is done. I’m sure I had my reasons.
Josh Kilmer-Purcell (I Am Not Myself These Days)
... and it was quite a sad thing, the way I watched you sleep like nothing could go wrong and I did not want to harm it, I did not want to blur it, but how could I not when everything I’ve ever known has slowly gone away and I know by now that that’s the way you let the new day in with new roads and views and chances to grow but it was quite a sad thing because I don’t want this to ever become ’then’ or ’was’ and it was quite an unfamiliar thing. The way I took off my shoes again, put down my bag and quietly went back to bed, slowly between the sheets of moments I don’t want to leave and it was quite a beautiful thing the way you had no idea but still must have known because you did not even open your eyes, but turned around and took my hand and you were still asleep, breathing in and out like nothing could go wrong, but still held my hand like you were glad I didn’t leave. ’Thank you for staying’ and it was quite a wonderful thing, the way I smiled and so did you, sound asleep, and that’s all I need to know for now. That’s all I want to know for now.
Charlotte Eriksson
But no matter what happens, the earth keeps turning. Monday always comes and eventually, sometimes excruciatingly slowly, that Monday is followed by a Friday. You take tests, hand in papers you wrote at two in the morning the day they were due, and your shoes get worn out, and the pollen in the air increases so that you go through an entire package of tissues during the SATs, and you wander through the crowds at parties looking for Natalie Banks because you came with her, and you watch her take off for the backyard with a senior who seems to be in the backyard with a different girl at every party, and you learn to play chess with your dad, and you eat too much ice cream, and your favorite television drama has its two-hour season finale, and then suddenly the school year ends and you pack your bags for Tennessee.
Dana Reinhardt (How to Build a House)
In his mind he made himself get down off the ledge and go outside to help Dina with her bags, then to see if there was anything his mother needed; he spoke to the maid in complete sentences, and remembered to clean the dust from his own shoes when he came back inside. Naked in the dark, with the memory of the Hand's reptilian eyes, he realized that the ritualized world he had dismissed as feminine was in fact civilization.
G. Willow Wilson (Alif the Unseen)
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friend’s wedding; Thursday; October; “She’s Like the Wind” in a dentist’s office; driver’s license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crétin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
Patricia Lockwood (No One Is Talking About This)
...for most of the ride through British Columbia we were treated to stunning scenery ranging from majestic peaks shrouded in mist to more barren vistas reminiscent of the Old West ... to churning rivers fed by waterfalls twisting down mountains like the woven tassels on the white summer Chanel bag I'd left back home. Do waterfalls ever feel unfashionable after Labor Day
Doreen Orion (Queen of the Road: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own)
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city might begin with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tires and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn’t go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought.
Lauren Oliver (Delirium (Delirium, #1))
I first heard Pearl Jam in the seventh grade, when this kid I didn’t know very well was brandishing a copy of Ten on cassette in our language arts class. I asked to borrow it and took it home and held a tape recorder up to the speaker in our living room for an hour to record it. (This, sweet babies, is my version of “in my day, we used to have to walk up a hill to get to school with plastic bags for shoes!” Please kill me.)
Samantha Irby (Wow, No Thank You.)
What I Found in My Desk A ripe peach with an ugly bruise, a pair of stinky tennis shoes, a day-old ham-and-cheese on rye, a swimsuit that I left to dry, a pencil that glows in the dark, some bubble gum found in the park, a paper bag with cookie crumbs, an old kazoo that barely hums, a spelling test I almost failed, a letter that I should have mailed, and one more thing, I must confess, a note from teacher: Clean This Mess!!!!
Bruce Lansky
Nick was waiting for him. Gabriel hesitated. He wished those text messages had come with some kind of sign, whether Nick was pissed or exasperated or just completely done with him. Hell, a freaking emoticon would have been helpful. His own room sat pitch-dark at the opposite end of the hallway. A black hole. Gabriel eased around the creaky spot in the floor and slid past his twin's room. Once in his own, he flung his duffel bag onto the ground and shut the door, closing the dark around himself. He sighed and kicked his shoes into the well of blackness under the bed. Maybe Nick hadn't heard him. Maybe he thought he was still out in the car. "You are so predictable." Gabriel swore and fumbled for the light switch. Nick was straddling his desk chair backward, his arms folded on the backrest. "What the hell is wrong with you?" Gabriel snapped. "Why are you sitting here in the dark?" His twin shrugged. Because I knew you'd walk right past my room.
Brigid Kemmerer (Spark (Elemental, #2))
At one point I was climbing off the bus and I bumped into a woman in a crisp black blazer and pointy, witchy shoes. She had a bulky cell phone pressed against her ear and a black bag with gold Prada lettering hooked around her wrist. I was a long ways off from worshiping at the Céline, Chloé, or Goyard thrones, but I certainly recognized Prada. “Sorry,” I said, and took a step away from her. She nodded at me briskly but never stopped speaking into her phone, “The samples need to be there by Friday.” As her heels snapped away on the pavement, I thought, There is no way that woman can ever get hurt. She had more important things to worry about than whether or not she would have to eat lunch alone. The samples had to arrive by Friday. And as I thought about all the other things that must make up her busy, important life, the cocktail parties and the sessions with the personal trainer and the shopping for crisp, Egyptian cotton sheets, there it started, my concrete and skyscraper wanderlust. I saw how there was a protection in success, and success was defined by threatening the minion on the other end of a cell phone, expensive pumps terrorizing the city, people stepping out of your way simply because you looked like you had more important places to be than they did. Somewhere along the way, a man got tangled up in this definition too. I just had to get to that, I decided, and no one could hurt me again.
Jessica Knoll (Luckiest Girl Alive)
... The group is a wonderful mix of people - a microcosm, I believe, of what's really out there. Listen, Lucy, you do my job for a while and here's what you learn. No one is normal. Everybody struggles with something. Marital problems, depression, codependency, maybe a looming fascination with shoes or leather bags that keeps her working overtime shifts to pay off her debt. Whatever. Stop thinking everyone else has it together. It's not true. Precious few people have life figured out. 'Normal' just isn't normal anymore.
Ann Wertz Garvin (The Dog Year)
A thin, polished woman walks in. She sticks out immediately in her expensive looking navy dress, shiny bag and shoes that probably cost more than I make in a month. My breath leaves me when I see that her arm is draped around a younger version of herself. That hair, it's pulled back way too tight now, but I'd run my hands through it a thousand times before. That face, now in layer of makeup that makes her look older than I remember, I'd held it in my calloused hands and kissed those lips goodbye over a year ago. She said she'd never see me again and I learned to accept that. She destroyed me, and I'd moved on. No. Not her. She's not from here anymore. I don't know who that person is anymore.
Jolene Perry (My Heart for Yours (Crawford, #1))
Here’s Doc Osborne, first Democratic governor. A lynch mob hung Big Nose George Parrott back in the 1870s. Doc got the body, skinned it, tanned the hide, made himself a medical bag and a pair a shoes. Wore the shoes to his inauguration. They don’t make Democrats like that anymore.
Annie Proulx (Close Range)
Classic Ballet, Keep away, keep building your creaky fairy castles, keep cloning clones and meaningless manners, hang on to your beanstalk ballerinas and their midget male shadows, run yourself out of business with your tons of froufrou and costly clattery toe shoes that ruin all chances for illusions of lightness, keep on crowding the minds of blind balletomanes who prefer dainty poses to the eloquent strength of momentum, who have forgotten or never known the manings of gesture, who would nod their noses to barefoot embargos ("so grab me" spelt backwards). Continue to repolish your stiff technique and to ignore a public that hungers for something other than a bag of tricks and the empty-headedness of surface patterns. Just keep it up, keep imitating yourself, and, , go grow your own dance makers. Come on, don't keep trying to filter modern ones through your so-safe extablishment. We're to be seen undiluted, undistorted, not absorbed by your hollow world like blood into a sponge. Yours truly, A Different Leaf on Our Family Tree
Paul Taylor (Private Domain: An Autobiography)
it occurs to me to wonder why it is that the House gives a greater variety of objects to the Other than to me, providing him with sleeping bags, shoes, plastic bowls, cheese sandwiches, notebooks, slices of Christmas cake etc., etc., whereas me it mostly gives fish. I think perhaps it is because the Other is not as skilled in taking care of himself as I am. He does not know how to fish. He never (as far as I know) gathers seaweed, dries it and stores it to make fires or a tasty snack; he does not cure fish skins and make leather out of them (which is useful for many things). If the House did not provide all these things for him, it is quite possible that he would die. Or else (which is more likely) I would have to devote a great deal of my time to caring for him.
Susanna Clarke (Piranesi)
This, I think, is what occurs when a woman sees a shoe or bag or hat that she feels she must have. She doesn’t think, Oh my god, I wish that were me. She thinks, Oh my god, that is so me. She doesn’t want it because she’s aspiring to be someone she’s not; she wants it because she already feels like that woman on the inside.
Isaac Mizrahi (I.M.: A Memoir)
They look at the shoes, the watch, and the bag. Then they decide where to seat you.
Suzanne Munshower (Younger)
Did you know that putting some dry tea bags in running shoes will absorb the musky scent while imparting some of the tea bag’s more pleasant aroma?
Robyn Peterman (My Midlife Crisis, My Rules (Good To The Last Death, #4))
I wonder what the years have gathered in the bags. I bet it's like looking through old trunks, old letters and photographs, an old shoe or two.
Rudolfo Anaya (Bless Me, Ultima)
Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me. But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.
Maggie O'Farrell (The Hand That First Held Mine)
Other objects found in shark stomachs include a suit of armor, a barrel of nails, a roll of tar paper, coal, raincoats, shoes, plastic bags, goats, sheep, lizards, snakes, chicken, reindeer, and monkeys.
Doug Stanton (In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors)
She ran to catch up but he set a pace he hoped would keep her from talking. Past the sodas, he picked up a squeaky toy from a pile and squeaked it, grinning at Troy. Troy wouldn’t dare bite him in the store. He hoped. Ella pointed to a bag of dog food. “Do you need any of this?” Trevor laughed. “Hell no, they eat steak. The last time I brought some of that home as a joke Troy went in my closet and shit in all my shoes. Never again.
Lisa Ladew (Shifter's Sacrifice (One True Mate, #1))
At any rate, though he never succeeded in laughing at her, as she had done (and continued to do) at him, he fulfilled at least half of what he had predicted he would do when they were married; he beat her. The trouble was, she fought back. And ably, too: for she would snatch up any weapon that was handy, a table lamp, the nail scissors, one of her sharp-heeled shoes, an open box of dusting powder, and once her rubber douche bag. With Amy thus accoutered, husband and wife were about evenly matched. This
Shelby Foote (Love in a Dry Season)
I had felt the strange happiness countless times. When a shovel met my hand, the damp of a hemp bag soaked my shoulder or rice weighed down my back, I entered a mindless oblivion, as if I had put on magic shoes and could jump out into the abyss, could even jump into death.
Zhang Xianliang (Half of Man Is Woman)
She had her shoes on now, and a diaper bag slung over one shoulder. In the opposite arm she cradled Andromeda, who was wearing both her Legolas Onesie and her Keebler booties. Which seemed wrong, you know—mixing two different kinds of elves like that. So now I knew Vicki was crazy.
Adam Rex (The True Meaning of Smekday)
...it turned out to be only our former chauffeur, Tsiganov, who had thought nothing of riding all the way from St. Petersburg, on buffers and freight cars, through the immense, frosty and savage expanse of revolutionary Russia, for the mere purpose of bringing us a very welcome sum of money sent us by good friends of ours. After a month's stay, Tsiganov declared the Crimean scenary bored him and departed---to go all the way back north, with a big bag over his shoulder, containing various articles which we would have gladly given him had we thought he coveted them (such as a tourser press, tennis shoes, a nigthshirt, an alarm clock, a flat iron, several other ridiculous things I have forgotten) and the absence of which only gradually came to light if not pointed out, with vindictive zeal, by an anemic servant girl whose pale charms he had also rifled.
Vladimir Nabokov
I want to live simple. I want orange and red leaves and high school football and small town life. I want to erase the days lived in the hollow and free my mind and body from the trickery of a fast life. I am throwing out the Gucci shoes and Prada bags and the heavy burden and the in crowd.
Jacqueline Cioffa (THE RED BENCH: A DESCENT AND ASCENT INTO MADNESS)
Killing animals is the most destructive thing you can do in the fashion industry", she told me. "The tanneries, the chemicals, the deforestation, the use of landmass and grain and water, the cruelty - it's a nonstarter. The minute yo are not killing an animal to make a shoe or a bag you are ahead of the game
Dana Thomas (Fashionopolis: The Price of Fast Fashion and the Future of Clothes)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
THE THING about Fielding was, the other shoe always dropped eventually. Because Fielding was like a database. Nothing you ever said or did, or that anyone else ever said or did in Fielding’s presence, was not noted, scrubbed over carefully, hung out to dry, starched, and redelivered in a clear plastic bag sooner or later.
Eli Easton (Blame It on the Mistletoe (Blame It on the Mistletoe, #1))
Sure, I like my designer collection of dresses, shoes, and bags, and I have expensive tastes—maybe not as expensive as Knight’s, but definitely more upmarket than Vaughn’s and Luna’s—but I don’t need it. Materialistic things don’t excite me. I like them because they’re there and available. Because they’re a calorie-free treat.
L.J. Shen (Pretty Reckless (All Saints High, #1))
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
Robert Walser (The Robber)
She is watching a man lying dead or asleep on a blanket nearby dressed in a crumpled tan suit with blood discolouring his sleeve, his hand clutching a plastic bag filled with bread rolls, alone black shoe on a foot. Another man she saw been carried into the emergency room was wearing just one sport shoe, so many shoes gone astray she thinks, so many shoes dislodged while their owners are carried by the arms and legs or dragged by the armpits into the backs of cars and vans and dragged again into emergency rooms without a gurney, the orphaned shoes kicked aside in the rush or left to die on the street or on footpaths like an unblinking eye awaiting the return of its owner
Paul Lynch (Prophet Song)
The television’s lethal rays pulsate through the living room, clogged with piles of shoes and clothes; and crammed against the sagging couch are the casual bodies of Duncan and Ralph, half in their sleeping bags, asleep (of course), but looking as if the television has murdered them. In the sickly TV light their faces look drained of blood.
John Irving (The World According to Garp)
As I sat there in the uncomfortable silence, the first visual that crept into my mind was that dreadful scene in The Silence of the Lambs when Hannibal Lecter exposes Jodie Foster’s character, FBI agent Clarice Starling: “You’re so-o-o ambitious, aren’t you? You know what you look like to me, with your good bag and your cheap shoes? You look like a rube. A well-scrubbed, hustling rube, with a little taste. Good nutrition’s given you some length of bone, but you’re not more than one generation from poor white trash, are you, Agent Starling? And that accent you’ve tried so desperately to shed—pure West Virginia. What does your father do? Is he a coal miner? Does he stink of the lamp?
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
She stood in our cramped little bathroom, a bag of cosmetics in hand. Putting on her makeup while asking if we should buy a couch meant she'd already made up her mind that we were going to IKEA today, and asking me if we ought to go was her way of saying "Get your shoes on." It's dizzying, all the versions of meanings available to the listener.
Ryan Knighton (Cockeyed: A Memoir)
There are times when we want to be aliens and strangers, to feel how the shape of our lives is not the only shape, to drift before a catalog of possible lives, staring at the glass arcades of shoes that are sensible and of shoes for taking a chance, buses leaving town and the gray steam railway depot where men and women hurry by with their bags.
Lewis Hyde "The Gift"
When I’m on tour, I get to meet hundreds of enthusiastic readers. There is truly nothing better for an author than having someone come up to them and say, “I loved your book.” For that, I’ll take off my shoes at airport x-rays and sit cramped in an airline seat for hours with nothing to eat but a tiny bag of peanuts. It’s totally worth it. Writing
D.J. MacHale (Storm (Sylo Chronicles, #2))
He thought back but Bianca, her foot heavy on the accelerator, thought away. From Rose, their mother, their entire past, books and papers and stories and sorrows: let it sink into the ocean. She had her wallet and her sleeping bag and her running shoes and her van; and she drove as if this were the point from which the rest of her life might begin.
Andrea Barrett (Servants of the Map: Stories)
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city might begin with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tires and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn’t go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought.
Lauren Oliver (Delirium (Delirium, #1))
They call to one another in their particular argot: pure Home Counties cut with Teen American. A lot of yips, heys, elongated vowels. They swing bags through the air. Hair is flicked, stroked, tossed. Trousers are worn tight but low; shoes unlaced. The females link arms with their chosen peers; the males perform mock violence upon those they recognize as their tribe.
Maggie O'Farrell (This Must Be the Place)
I leave entry for the first day of the tenth month in the year the albatross came to the south-western halls This morning I fetched the small cardboard box with the word AQUARIUM and the picture of an octopus on it. It is the box that originally contained the shoes Dr Ketterley gave me. When Dr Ketterley told me to hide Myself from 16, I took the ornaments out of my hair and placed them in the box. But now, wanting to look my best when I enter the New World, I spent two or three hours putting them back in, all the pretty things that I have found or made: seashells, coral beads, pearls, tiny pebbles and interesting fishbones. When Raphael arrived, she seemed rather astonished at my pleasant appearance. I took my messenger bag with all my Journals and my favourite pens and we walked towards the two Minotaurs in the South-Eastern Corner. The shadows between them shimmered slightly. The shadows suggested the shape of a corridor or alleyway with dim walls and, at the end of it, lights, flashes of moving colour that my eye could not interpret. I took one last look at the Eternal House. I shivered. Raphael took my hand. Then, together, we walked into the corridor.
Susanna Clarke (Piranesi)
Yeah, well, if you want to be my sugar daddy,” she said, “you’re going to have to get me clothes, books, my own personal TV—” “So you can break it just like the last one?” I asked incredulously. “If I wish to, yes. And I want it to have HBO, because that channel’s got all the good shows. And I want movies, and make-up, and shoes, and bags, and—” “Woman, you are giving me a headache,” I said. “My name is not ‘woman.
Laura Thalassa (Reaping Angels)
I spent an hour yesterday watching the ladies bathe. What a sight! What a hideous sight! The two sexes used to bathe together here. But now they are kept separate by means of signposts, preventive nets, and a uniformed inspector – nothing more depressingly grotesque can be imagined. However, yesterday, from the place where I was standing in the sun, with my spectacles on my nose, I could contemplate the bathing beauties at my leisure. The human race must indeed have become absolutely moronic to have lost its sense of elegance to this degree. Nothing is more pitiful than these bags in which women encase their bodies, and these oilcloth caps! What faces! What figures! And what feet! Red, scrawny, covered with corns and bunions, deformed by shoes, long as shuttles or wide as washerwomen’s paddles. And in the midst of everything, scrofulous brats screaming and crying. Further off, grandmas knitting and respectable old gentlemen with gold-rimmed spectacles reading newspapers, looking up from time to time between lines to savor the vastness of the horizon with an air of approval. The whole thing made me long all afternoon to escape from Europe and go live in the Sandwich Islands or the forests of Brazil. There, at least, the beaches are not polluted by such ugly feet, by such foul-looking specimens of humanity.
Gustave Flaubert (Selected Letters)
It was not the presents laid out on the bed, or the airing of, the constant fussing over, his suit. Not the slow, deliberate polishing of his good shoes, and wrapping them, for safety, in a paper bag. She was only a little wary of these things. Suspicious. But what she feared most were his silences. The times when she felt him prepare to speak, but ultimately falter. Turn away. The leagues, which his eyes revealed at times, of what he did not say.
Amanda Coplin (The Orchardist)
The planet was filling up with good-looking young worldlings built entirely of opposites, canceling themselves out and- speaking as a bloke- leaving nothing you'd honestly want to go for a drink with. This new species of guys paired city shoes with backwoods beards. They played in bands but they worked in offices. They hated the rich but they bought lottery tickets, they laughed at comedies about the shittiness of lives that were based quite pointedly on their own, and worst of all they were so endlessly bloody gossipy. Every single thing they did, from unboxing a phone through to sleeping with his athlese, they had this compulsion to stick it online and see what everyone else thought. Their lives were a howling vacuum that sucked in attention. He didn't see how Zoe could ever find love with this new breed of men with cyclonic souls that sucked like Dysons and never needed their bag changed in order to keep on and on sucking.
Chris Cleave (Gold)
We were always looking for the perfect man. Even those of us who were not signed up for the traditional, heteronormative experience were nevertheless fascinated with the anthropological, unicorn-like search for one. Married or single, we were either searching for him or trying to mold him from one we already had. This perfect specimen would consist of the following essential attributes: He shared his food and always ordered dessert. When we recommended a book, he bought it without needing a friend to second our suggestion first. He knew how to pack a diaper bag without being told. He was a Southern gentleman with a mother from the East Coast who fostered his quietly progressive sensibilities. He said “I love you” after 2.5 months. He didn’t get drunk. He knew how to do taxes. He never questioned our feminist ideals when we refused to squish bugs or change oil. He didn’t sit down to put on his shoes. He had enough money for retirement. He wished vehemently for male-hormonal birth control. He had a slight unease with the concept of women’s shaved vaginas, but not enough to take a stance one way or another. He thought Mindy Kaling was funny. He liked throw pillows. He didn’t care if we made more money than him. He liked women his own age. We were reasonable and irrational, cynical and naïve, but always, always on the hunt. Of course, this story isn’t about perfect men, but Ardie Valdez unfortunately didn’t know that yet when, the day after Desmond’s untimely death, Ardie’s phone lit up: a notification from her dating app.
Chandler Baker (Whisper Network)
A big white bag with a red star was passed over the console. “Thanks for coming in—my name’s Antoine, by the way. If you want to come back for shoes.” After shoving his former clothes inside, Xcor found himself bowing at the waist. “Your assistance has been much appreciated.” Antoine raised his palm like he was getting ready to do a clap on the shoulder again. But once more, he caught himself and smiled instead. “Knock her dead, my man.” “Oh, no.” Xcor shook his head. “That shan’t be necessary. This one I like.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Helicopter pilots were withdrawn from the war in Afghanistan and set to work flying constant sorties over Unit 4, dropping sandbags into the molten crater. At first, only three men filled the bags with sand - two Deputy Ministers and Major General Antoshkin of the Air Force. “We were soon in a sweat,” recalled Gennadi Shasharin, Deputy Minister of Power and Electrification. “We worked just the way we were: Meshkov and I in Moscow suits and street shoes, and the General in his dress uniform. All without respirators and dosimeters.”190
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Four hours later Liv wakes in a box room with an Arsenal duet cover and a head that thumps so hard she has to reach up a hand to check she isn't being assaulted. She blinks, stares blearily at the little Japanese cartoon creatures on the wall opposite and lets her mind slowly bring together the pieces of information from the previous night. Stolen bag...she closes her eyes. Oh, no. Strange bed...she has no keys. Oh, God she has no keys. And no money. She attempts to move, and pain slices through her head so that she almost yelps. And then she remembers the man. Pete? Paul? She sees herself walking through deserted streets in the early hours. And then she sees herself lurching forward to kiss him, his own polite retreat. "You are delicious..." "Oh, no," she says softly, then puts her hands over her eyes. "Oh, I didn't..." She sits up and moves to the side of the bed, noticing a small yellow plastic car near his right foot. Then, when she hears the sound of a door opening, the shower starting up next door, Liv grabs her shoes and her jacket and lets herself out of the flat into the cacophonous daylight.
Jojo Moyes (The Girl You Left Behind)
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?” “Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.” “Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.” Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?” “A switcheroo . . . right. Remind me again how that works?” Jack asked. “It’s because she’s got this big date tonight,” Kamin explained. Jack cocked his head. “A date?” Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.” “I must’ve missed that one.” “Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.” “Ah . . . the Meet Cute,” Wilkins said with a grin. Jack threw him a sharp look. “What did you just say?” “You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.” Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean. Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.” “She’s the maid of honor, see?” Kamin said. Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language. Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.” “Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.” Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?” “Right, sorry. It was Slonsky’s suggestion. 
Julie James (Something About You (FBI/US Attorney, #1))
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
Sarah Winman (Tin Man)
here’s your change and receipt. You want a bag for your old stuff?” “Yes, please. Thank you.” A big white bag with a red star was passed over the console. “Thanks for coming in—my name’s Antoine, by the way. If you want to come back for shoes.” After shoving his former clothes inside, Xcor found himself bowing at the waist. “Your assistance has been much appreciated.” Antoine raised his palm like he was getting ready to do a clap on the shoulder again. But once more, he caught himself and smiled instead. “Knock her dead, my man.” “Oh, no.” Xcor shook his head. “That shan’t be necessary. This one I like.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.
Hilary Duff (Elixir (Elixir, #1))
Why don’t they have backpacks?” Luca asks. “Because they’re deportados. They live in the United States, güey. Like forever. Like, for ten years maybe. Since they were babies, maybe. And then they’re on their way to work one morning, or coming home from school one day, or playing fútbol in the park, or shopping at the mall for some fresh new kicks, and then bam! They get deported with whatever they happen to be carrying when they’re picked up. So unless they happen to be carrying a backpack when la migra gets them, they usually come empty-handed. Sometimes the women have their purse with them or whatever. They don’t get to go home and pack a bag. But they usually have nice clothes, at least. Clean shoes.
Jeanine Cummins (American Dirt)
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.
Cambria Hebert (#Hater (Hashtag, #2))
Besides, you hate shopping.” “No, I don’t.” “It’s not like we’re only visiting one store. There’s going to be a lot of browsing around shoe stores and boutiques and going bag-hunting in the mall. You wouldn’t last five minutes in that jungle.” “Hey, I wear clothes, I’ve seen women’s clothes. I’m pretty sure I could cope in a mall.” “Trey, let me cast your mind back to the time when as a punishment for being a bastard I took you to Victoria’s Secret and tried on a load of lingerie for you, but then never bought any.” His pained expression made her smile. “You remember how you were sweating and huffing and puffing and asking how long before we could go home?” “That was because you’d just made me watch you model all kinds of kinky shit, got me hard as a rock, and then expected me to walk without being in agony.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
Then just when I thought I was going to really break down for a good cry, I remembered a large bag of pistachio nuts in the back of the pantry. I don't know what made me think of them. I had hidden them beneath several packages of dried pasta. Sam liked pistachio nuts. I bought them for a cake recipe I had seen in Gourmet. I stood up like a sleepwalker, my hands empty of sheets or shoes. I would take care of all this once the cake was in the oven. The recipe was from several months ago. I didn't remember which issue. I would find it. I would bake a cake. My father liked exotic things. On the rare occasions we went out to dinner together over the years, he always wanted us to go to some little Ethiopian restaurant down a back alley or he would say he had to have Mongolian food. He would like this cake. It was Iranian. There was a full tablespoon of cardamom sifted in with the flour, and I could imagine that it would make the cake taste nearly peppered, which would serve to balance out all the salt. I stood in the kitchen, reading the magazine while the sharp husks of the nuts bit into the pads of my fingers. I rolled the nut meat between my palms until the bright spring green of the pistachios shone in my hands, a fist full of emeralds. I would grind the nuts into powder without letting them turn to paste. I would butter the parchment paper and line the bottom of the pan. It was the steps, the clear and simple rules baking, that soothed me. My father would love this cake, and my mother would find this cake interesting, and Sam wouldn't be crazy about it but he'd be hungry and have a slice anyway. Maybe I could convince Camille it wasn't a cake at all. Maybe I could bring them all together, or at least that's what I dreamed about while I measured out the oil.
Jeanne Ray (Eat Cake)
Rosie’s heart swelled with pride. She had poured her heart, her soul, and her life savings into this venture. Rosie had spent hours painstakingly deliberating over every inch of the shop. Her past life as an interior designer meant she knew just how to make the shop into the welcoming time capsule that made her heart soar every time she stepped inside. There was a herringbone floor, finished with a walnut stain, which was complimented by the dark wallpaper adorning the walls, covered with floral blooms in muted pinks, blues, yellows, oranges, and whites. It was dramatic - the perfect backdrop to selling snippets of people’s lives. Velvet pink lampshades with tassels hanging from the ceiling flooded the shop with light. Rosie had displayed the vintage clothes, jewellery, shoes, bags, and accessories in several ways. From shelves made of driftwood, an up-cycled antique sideboard, and brass clothes rails.
Elizabeth Holland (The Cornish Vintage Dress Shop)
I owe so much to the Other’s generosity. Without him I would not sleep snug and warm in my sleeping bag in Winter. I would not have notebooks in which to record my thoughts. That being said, it occurs to me to wonder why it is that the House gives a greater variety of objects to the Other than to me, providing him with sleeping bags, shoes, plastic bowls, cheese sandwiches, notebooks, slices of Christmas cake etc., etc., whereas me it mostly gives fish. I think perhaps it is because the Other is not as skilled in taking care of himself as I am. He does not know how to fish. He never (as far as I know) gathers seaweed, dries it and stores it to make fires or a tasty snack; he does not cure fish skins and make leather out of them (which is useful for many things). If the House did not provide all these things for him, it is quite possible that he would die. Or else (which is more likely) I would have to devote a great deal of my time to caring for him.
Susanna Clarke (Piranesi)
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
Thomas Pynchon
Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.
Martine Bailey (An Appetite for Violets)
Some addictions are clear. The homeless woman with the fresh track marks over years of scars. The man who loses his home and car to gambling debts and now is hiding from dangerous creditors. Some addictions are softer, easier to engage in and still get up and function every day. Those of us who take out a bag of chips or tray of muffins after a tough day. Or go shoe shopping for our 8th pair of black sandals that we are never going to wear. There are addictions that excuse us from society altogether, those that keep us barely afloat within it, and those that become a barrier between us and the rest of the world. It’s only a matter of degree, in the end. How do we define when we cross over into addiction territory? As a relationally-trained therapist, my answer is a simple one. When our addiction becomes our primary relationship. Maybe not in our hearts and heads. But in our behaviors, definitely. When we don’t have control over our addictions, we are spending time, resources, and energy on the addiction instead of the people we love. And instead of, let’s face it…ourselves.
Faith G. Harper (Unfuck Your Brain: Using Science to Get Over Anxiety, Depression, Anger, Freak-outs, and Triggers)
The problem was that this sort of training took weeks, if not months—and we still had to go through the door in the meantime. We tried to do the exercises. We gave it our best shot. Or to be honest, we gave it our best shot for a while. But it was exhausting, for us and for Oliver. He was so finely attuned to the various stages Jude and I had for getting ready to leave that as soon as we tried to decouple one cue from his “they are leaving me” anxiety, picking up our keys, for example, Oliver would figure out another, such as making our lunches or putting on our work clothes. He may have been dysfunctional and disturbed, but he wasn’t stupid. Sometimes I stored my computer bag in our building’s shared hallway because even the sight of it would make Oliver start vigilantly watching for our departure, panting heavily and pacing. He also reacted to the sight of suitcases. And the putting on of shoes. And the opening of the coat closet. Possibly, if Jude and I had left for work naked, through a window, with no lunches, no keys, no bags, no shoes, and at odd hours, we could have avoided triggering Oliver’s anxiety.
Laurel Braitman (Animal Madness: How Anxious Dogs, Compulsive Parrots, and Elephants in Recovery Help Us Understand Ourselves)
The first day we rode our bikes to Chelsey and parked them. It was a terrible feeling. Most of those kids, at least all the older ones, had their own automobiles, many of them new convertibles, and they weren't black or dark blue like most cars, they were bright yellow, green, orange, and red. The guys sat in them outside of the school and the girls gathered around and went for rides. Everybody was nicely dressed, the guys and the girls, they had pullover sweaters, wrist watches and the latest in shoes. They seemed very adult and poised and superior. And there I was in my homemade shirt, my one ragged pair of pants, my rundown shoes, and I was covered with boils. The guys with the cars didn't worry about acne. They were very handsome, they were tall and clean with bright teeth and they didn't wash their hair with hand soap. They seemed to know something I didn't know. I was at the bottom again. Since all the guys had cars Baldy and I were ashamed of our bicycles. We left them home and walked to school and back, two-and-one-half miles each way. We carried brown bag lunches. But mot of the other students didn't even eat in the school cafeteria. They drove to malt shops with the girls, played the juke boxes and laughed. They were on their way to U.S.C.
Charles Bukowski (Ham on Rye)
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.
Ian McDonald (Brasyl)
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…
Jessica S. Olson (A Forgery of Roses)
Subject of Thought Number of Times Thought Occurred per Year (in descending order) L. 580.0 Family 400.0 Brushing tongue 150.0 Earplugs 100.0 Bill-paying 52.0 Panasonic three-wheeled vacuum cleaner, greatness of 45.0 Sunlight makes you cheerful 40.0 Traffic frustration 38.0 Penguin books, all 35.0 Job, should I quit? 34.0 Friends, don't have any 33.0 Marriage, a possibility? 32.0 Vending machines 31.0 Straws don't unsheath well 28.0 Shine on moving objects 25.0 McCartney more talented than Lennon? 23.0 Friends smarter, more capable than I am 19.0 Paper-towel dispensers 19.0 "What oft was thought, but ne'er" etc. 18.0 People are very dissimilar 16.0 Trees, beauty of 15.0 Sidewalks 15.0 Friends are unworthy of me 15.0 Indentical twins separated at birth, studies of traits 14.0 Intelligence, going fast 14.0 Wheelchair ramps, their insane danger 14.0 Urge to kill 13.0 Escalator invention 12.0 People are very similar 12.0 "Not in my backyard" 11.0 Straws float now 10.0 DJ, would I be happy as one? 9.0 "If you can't get out of it, get into it" 9.0 Pen, felt-tip 9.0 Gasoline, nice smell of 8.0 Pen, ballpoint 8.0 Stereo systems 8.0 Fear of getting mugged again 7.0 Staplers 7.0 "Roaches check in, but they don't check out" 6.0 Dinner roll, image of 6.0 Shoes 6.0 Bags 5.0 Butz, Earl 4.0 Sweeping, brooms 4.0 Whistling, yodel trick 4.0 "You can taste it with your eyes" 4.0 Dry-cleaning fluid, smell of 3.0 Zip-lock tops 2.0 Popcorn 1.0 Birds regurgitate food and feed young with it 0.5 Kant, Immanuel 0.5
Nicholson Baker (The Mezzanine)
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
what I knew that morning in March 1977 as we settled around the conference table. I wasn’t even sure how these guys reached us, or how they’d arranged this meeting. “Okay, fellas,” I said, “what’ve you got?” It was a beautiful day, I remember. The light outside the room was a buttery pale yellow, and the sky was blue for the first time in months, so I was distracted, a little spring feverish, as Rudy leaned his weight on the edge of the conference table and smiled. “Mr. Knight, we’ve come up with a way to inject . . . air . . . into a running shoe.” I frowned and dropped my pencil. “Why?” I said. “For greater cushioning,” he said. “For greater support. For the ride of a lifetime.” I stared. “You’re kidding me, right?” I’d heard a lot of silliness from a lot of different people in the shoe business, but this. Oh. Brother. Rudy handed me a pair of soles that looked as if they’d been teleported from the twenty-second century. Big, clunky, they were clear thick plastic and inside were—bubbles? I turned them over. “Bubbles?” I said. “Pressurized air bags,” he said. I set down the soles and gave Rudy a closer look, a full head-to-toe. Six-three, lanky, with unruly dark hair, bottle-bottom glasses, a lopsided grin, and a severe vitamin D deficiency, I thought. Not enough sunshine. Or else a long-lost member of the Addams Family. He saw me appraising him, saw my skepticism, and wasn’t the least fazed. He walked to the blackboard, picked up a piece of chalk, and began writing numbers, symbols, equations. He explained at some length why an air shoe would work, why it would never go flat, why it was the Next Big Thing. When he finished I stared at the blackboard. As a trained accountant I’d spent a good part of my life looking at blackboards, but this Rudy fella’s scribbles were something else. Indecipherable.
Phil Knight (Shoe Dog: A Memoir by the Creator of NIKE)
Suggestions to Develop Self-Help Skills Self-help skills improve along with sensory processing. The following suggestions may make your child’s life easier—and yours, too! DRESSING • Buy or make a “dressing board” with a variety of snaps, zippers, buttons and buttonholes, hooks and eyes, buckles and shoelaces. • Provide things that are not her own clothes for the child to zip, button, and fasten, such as sleeping bags, backpacks, handbags, coin purses, lunch boxes, doll clothes, suitcases, and cosmetic cases. • Provide alluring dress-up clothes with zippers, buttons, buckles, and snaps. Oversized clothes are easiest to put on and take off. • Eliminate unnecessary choices in your child’s bureau and closet. Clothes that are inappropriate for the season and that jam the drawers are sources of frustration. • Put large hooks inside closet doors at the child’s eye level so he can hang up his own coat and pajamas. (Attach loops to coats and pajamas on the outside so they won’t irritate the skin.) • Supply cellophane bags for the child to slip her feet into before pulling on boots. The cellophane prevents shoes from getting stuck and makes the job much easier. • Let your child choose what to wear. If she gets overheated easily, let her go outdoors wearing several loose layers rather than a coat. If he complains that new clothes are stiff or scratchy, let him wear soft, worn clothes, even if they’re unfashionable. • Comfort is what matters. • Set out tomorrow’s clothes the night before. Encourage the child to dress himself. Allow for extra time, and be available to help. If necessary, help him into clothes but let him do the finishing touch: Start the coat zipper but let him zip it up, or button all but one of his buttons. Keep a stool handy so the child can see herself in the bathroom mirror. On the sink, keep a kid-sized hairbrush and toothbrush within arm’s reach. Even if she resists brushing teeth and hair, be firm. Some things in life are nonnegotiable.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
I was relieved when I counted my shoes that there were less than 100 pairs. I lined them in three squadrons, ready for combat. The kamikazes in the vanguard were ready for the Oxfam shop. In the second chevron were the old favourites with heels worn down, their future in the balance. In the rear, with medal ribbons and fancy tooling, the Jimmy Choos and Manolo Blahniks went back in the velvet bags and boxes they had come in.
Chloe Thurlow (Trespass)
You'll stay, won't you?" Maddy asked Pilar. "Yes, if you want." "I think you should stay." Since Theo had grabbed the bags, she clomped off after him in her funky new shoes.
Nora Roberts (The Villa)
The Combat Perspex The historical past of the Perspex Sheet is entrancing. The story backtracks to 1843 when the primary acrylic harsh corrosive was made. Nonetheless, it wasn't until 1933 that the German physicist Otto Rohm patented and enlisted the model identify plexiglas. That is important on the grounds that what is usually considered Plexiglas has gotten to be such a household unit word, as an illustration Kleenex, that it might have been missed that Plexiglas was previously a patented name. From that time acrylic glass was utilized for submarine periscopes and firearm turrets for planes. Since that point acrylic glass has became a household merchandise. There's a extensive blended bag of employments for Perspex Sheets. A mix of home windows perspex sheet is produced out of them materials incorporating flying machine windows, police home windows, and race auto home windows. Utilizing Perspex sheets inside race autos will assist make them lighter - and speedier than utilizing glass. Advertising and store signs are incessantly produced out of colored and clear acrylic and really material materials are created out of acrylic sheets, as the thermoplastic may very well be folded. Furthermore, Perspex Sheet are utilized as specialists mediums and additionally use for surrounding. Perspex sheets can likewise be made into furnishings. Perspex Sheets have such a wide mixture of employments. Another one of many uses of Perspex is on sun beds and different places where UV rays are required. Perspex is also availed in UV grade which is mainly a type of Perspex that enables transmission of UV rays. It's mostly used in locations where UV rays are required to penetrate.In case you have an thought of how Perspex appears like, you might need a really arduous time trying to image someone sporting a garment constituted of it. That is where the coloured Perspex comes into play. It is not solely used to make clothes but in addition shoes and baggage. There are actually two sorts of plastics.Thermoset that's a plastic which is structured right into a perpetual form,plus thermoplastic that is versatile and may very well be reshaped. Poly methyl methacrylate is a thermoplastic that is clear. PMMA is blandly reputed to be a glass acrylic. Several brand names are Plexiglas, Lucite and Perspex. PMMA is as a better price elective to polycarbonate (LAPTOP). An alternate profit which P.M.M.A possess over PC is the unfortunate deficiency of conceivably hurtful bisphenol A sub-units current in polycarbonate.
Grand Michael
What Francis heard on February 24, 1208, was this: go and preach, even without formation or ordination! No gold, no silver, no money not even for alms! No bag for provisions! One habit only! No shoes, no staff! It was an amputation of every superfluous item, of every precaution for life, and, at the same time, of every protection that an institution like the church could provide at the time. It was also a refusal to he recognized as a regular order, a refusal of the legal privileges associated with such status, and a refusal of priestly ordination. Poverty in the institutional sense means to he excluded from privileges. . . . "No brother is to hold a position of power or a ruling office, especially not among the brothers themselves. No one in this way of living is to be called prior; instead all are to be known simply as minor brothers. And all are to wash one another's feet" (rule of 1221).
Dorothee Sölle (The Silent Cry: Mysticism and Resistance)
I’m scared, but also debating whether to try and whack her with my Chloé Paddington bag – thank goodness for the heavy padlock – and try to make a run for it in my gorgeous but impractical brown suede, five-inch Marc by Marc Jacobs boots. Luckily, I spy Obélix – lucky because my boots were made more for display purposes than running footwear. Obviously the crazy woman is wearing flat, sensible, Clarks-looking shoes in dependable black. Yuck. That’s not the point though. The point is she’d catch me in seconds and I’d probably damage my boots in the process.
Elle Field (Kept (Arielle Lockley, #1))
One immutable law of travel is that one’s arrival or departure gate is always at the extreme outer limit of the terminal, especially if your bag is heavy or your shoes have just begun to pinch.
Sue Grafton (J is for Judgment (Kinsey Millhone, #10))
I slowly, deliberately began to work the blade into his throat. He squirmed and kicked and fought agains tme, but in his current state, I was stronger. His will to live was pathetic, just like he was. Eventually he stopped kicking. I kept cutting. When I was finally done, I was covered in sweat and only a few drops of blood on my shoes and pants. They'd come out in a good wash. I put his head into the garbage and pulled the bag out, making a knot at the end. I hoped it wouldn't leak through. Then I looked around the office. It was a mess before I came in, piles of paper and empty beer bottles scattered around. The addition of his blood and a headless corpse was barely noticeable.
Karina Halle (Dirty Angels (Dirty Angels, #1))
Tops (shirts, sweaters, etc.) Bottoms (pants, skirts, etc.) Clothes that should be hung (jackets, coats, suits, etc.) Socks Underwear Bags (handbags, messenger bags, etc.) Accessories (scarves, belts, hats, etc.) Clothes for specific events (swimsuits, kimonos, uniforms, etc.) Shoes
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))