“
I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.
”
”
Hermann Hesse (Siddhartha)
“
Bad fates do not always follow those who deserve them.
”
”
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5, 2.5, 2.6))
“
He asked, 'Croesus, who told you to attack my land and meet me as an enemy instead of a friend?'
The King replied, 'It was caused by your good fate and my bad fate. It was the fault of the Greek gods, who with their arrogance, encouraged me to march onto your lands. Nobody is mad enough to choose war whilst there is peace. During times of peace, the sons bury their fathers, but in war it is the fathers who send their sons to the grave.
”
”
Herodotus (The Histories)
“
Good men and bad men alike are capable of weakness. The difference is simply that a bad man will be proud all his life of one good deed - while an honest man is hardly aware of his good acts, but remembers a single sin for years on end.
”
”
Vasily Grossman (Life and Fate)
“
Well—I have to say I personally have never drawn such a sharp line between ‘good’ and ‘bad’ as you. For me: that line is often false. The two are never disconnected. One can’t exist without the other. As long as I am acting out of love, I feel I am doing best I know how. But you—wrapped up in judgment, always regretting the past, cursing yourself, blaming yourself, asking ‘what if,’ ‘what if.’ ‘Life is cruel.’ ‘I wish I had died instead of.’ Well—think about this. What if all your actions and choices, good or bad, make no difference to God? What if the pattern is pre-set? No no—hang on—this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can’t get there any other way?
”
”
Donna Tartt (The Goldfinch)
“
It's not reasonable to love people who are only going to die," she said.
Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
"I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?"
"Yes," she whispered.
He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Neither of us says the word love, not once. It would be tempting fate; it would be romance, bad luck.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
See, the things we do, everything—the universe is watching. Good and bad. And that motherfucker is making a list like a goddammed accountant. And, in the end, all the accounts have to balance.
”
”
J.K. Franko (Tooth for Tooth (Talion #2))
“
Never surrender your hopes and dreams to the fateful limitations others have placed on their own lives. The vision of your true destiny does not reside within the blinkered outlook of the naysayers and the doom prophets. Judge not by their words, but accept advice based on the evidence of actual results. Do not be surprised should you find a complete absence of anything mystical or miraculous in the manifested reality of those who are so eager to advise you. Friends and family who suffer the lack of abundance, joy, love, fulfillment and prosperity in their own lives really have no business imposing their self-limiting beliefs on your reality experience.
”
”
Anthon St. Maarten
“
It's crap that you're letting on bad year determine your fate for the rest of your life.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
Hold on little girl
Show me what he's done to you
Stand up little girl
A broken heart can't be that bad
When it's through, it's through
Fate will twist the both of you
So come on baby come on over
Let me be the one to show you
”
”
Mr. Big
“
It's already bad. I'm honestly not sure how much worse it's going to get." Notice that I didn't say couldn't get worse. It can always get worse. I know this. And thus I refuse to tempt fate. Superstitious - probably. But magic exists. So does karma, and karma can be a bitch.
”
”
Cat Adams (Blood Song (Blood Singer, #1))
“
Don't live the same day over and over again and call that a life. Life is about evolving mentally, spiritually, and emotionally.
”
”
Germany Kent
“
Coming back is the thing that enables you to see how all the dots in your life are connected, how one decision leads you another, how one twist of fate, good or bad, brings you to a door that later takes you to another door, which aided by several detours--long hallways and unforeseen stairwells--eventually puts you in the place you are now.
”
”
Ann Patchett (What Now?)
“
I'm not a believer in predetermined fates, being rewarded for one's efforts. I'm not a believer in karma. The reason why I try to be a good person is because I think it's the right thing to do. If I commit fewer bad acts there will be fewer bad acts, maybe other people will join in committing fewer bad acts, and in time there will be fewer and fewer of them.
”
”
Daniel Handler
“
Burning bridges behind you is understandable. It's the bridges before us that we burn, not realizing we may need to cross, that brings regret.
”
”
Anthony Liccione
“
Occurrences can be unpredictable. If we have to endure a cascade of rumpling coincidences, it’s fate that dictates our lives, taking over the common procedure of ‘timing,’ and, thus, sealing the bondage of our free choice. Once our choice is kidnapped and strangled to the core, fate checkmates our destiny. (“Wrong time. Wrong place”)
”
”
Erik Pevernagie
“
When life gives you lemons, you don't make lemonade. You use the seeds to plant a whole orchard - an entire franchise! Or you could just stay on the Destiny Bus and drink lemonade someone else has made, from a can.
”
”
Anthon St. Maarten
“
Patience is the antidote to the restless poison of the Ego. Without it we all become ego-maniacal bulls in china shops, destroying our future happiness as we blindly rush in where angels fear to tread. In these out-of-control moments, we bulldoze through the best possible outcomes for our lives, only to return to the scene of the crime later to cry over spilt milk.
”
”
Anthon St. Maarten (Divine Living: The Essential Guide To Your True Destiny)
“
Once a thing is set to happen, all you can do is hope it won't. Or will-depending. As long as you live, there’s always something waiting, and even if it’s bad, and you know it's bad, what can you do? You can’t stop living.
”
”
Truman Capote (In Cold Blood)
“
Whether or not belive in Fate comes down to one thing: who you blame when something goes wrong. Do you think it's your fault - that if you'd tried better, worked harder, it wouldn't have happened? Or do you just chalk it up to circumstance?
I know poeple who'll hear about the people who died, and will say that it was God's will. I know people who'll say it was bad luck. And then there's my personal favorite: They were just in the wrong place at hte wrong time.
Then again, you could say the same thing about me, couldn't you?
”
”
Jodi Picoult (Nineteen Minutes)
“
Intentions, good or bad, are not enough. There's luck or fate or something else that takes over...
”
”
John Steinbeck (The Winter of Our Discontent)
“
Hell? Hell is a fairy tale for the gullible, for what punishment could be worse than that we inflict upon ourselves? We burn so badly in this life that there can be nothing left.
”
”
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
“
Will you stay no longer? nor will you not that I go with you?
Sebastian: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you.
”
”
William Shakespeare (Twelfth Night)
“
I have come to accept myself for what I am: human. I am not perfect. I am not immune to fate, but I am not automatically doomed for being alive. I feel temptations every second of every day and I am not controlled by them. I do what I want anyway, so who is to say I want anything else? When I want, I let these peculiarities run across me like dogs to their masters. When I do not, I keep them at bay with my will and my testimony. I do not cut myself off from what makes me feel; I just refuse to feel anything that cuts me off from what matters most. It is called will power. With a little practice, you can accomplish great things.
”
”
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
“
There are always choices. But sometimes there are no good ones.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
Fear, anxiety, arousal, and pain; all are emotions and sensations. They are neither right, nor are they wrong; good nor bad. They are simply passions, a most important part of life. Feel them, fully experience them, surrender to them, and learn to accept them. As a submissive, you must let go. André Chevalier
”
”
Nikki Sex (Fate (Fate, #1))
“
The course of history is determined not by battles, by sieges, or usurpation, but by the individuals. The strongest army is, at its most basic level, a collection of individuals. Their decisions, their passions, their foolishness, and their dreams shape the years to come. If there is any lesson to be learned from history, it is that all too often the fate of armies, of cities, of entire realms rests upon the actions of one person's decision, good or bad, right or wrong, big or small, can unwittingly change the world.
But history can be quite the slattern. One never knows who that person is, where he might be, or what decision he might male.
It is almost enough to make me believe in destiny.
”
”
Jim Butcher (Furies of Calderon (Codex Alera, #1))
“
Every one of us is like an island; alone and lonely. It's not a bad thing. Solitude sets us free, just as loneliness brings depth to our lives. In the novels I like, the characters are like isolated islands. In the novels I love, the characters used to be like isolated islands, until their fates gradually intertwined; the kind of stories where you whisper, 'You were here?' and a voice answers, 'Yes, always.
”
”
Hwang Bo-Reum (Welcome to the Hyunam-Dong Bookshop)
“
Until you make the unconscious conscious, it will direct your life and you will call it fate.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
The fault lies with us, and only us. It’s not fate, not genetics, not bad luck, and it’s definitely not Mom and Dad. Ultimately it’s us and our choices. But, but’ – now her eyes shone and she almost vibrated with excitement – ‘the most powerful, spectacular thing is that the solution rests with us as well. We’re the only ones who can change our lives, turn them around. So all those years waiting for someone else to do it are wasted.
”
”
Louise Penny (Still Life (Chief Inspector Armand Gamache #1))
“
You like to imagine yourself in control of your fate, consciously planning the course of your life as best you can. But you are largely unaware of how deeply your emotions dominate you. They make you veer toward ideas that soothe your ego. They make you look for evidence that confirms what you already want to believe. They make you see what you want to see, depending on your mood, and this disconnect from reality is the source of the bad decisions and negative patterns that haunt your life. Rationality is the ability to counteract these emotional effects, to think instead of react, to open your mind to what is really happening, as opposed to what you are feeling. It does not come naturally; it is a power we must cultivate, but in doing so we realize our greatest potential.
”
”
Robert Greene (The Laws of Human Nature)
“
Cadeon, can you hear me?"
He didn't open his eyes. "Nothing wrong with my ears."
"Of course not." She laid the cloth on his forehead. "So . . you and Tera seemed close."
"Been through a lot."
"Was she your girlfriend?"
He gave a laugh that sounded like a grunt. "Not at all."
"And you really didn't sleep with Imatra?"
"Bloody hell, noooo, I didn't . . . She's a slag."
"Then why did you kiss her?" Holly asked.
"Directions. . . and to see."
"To see what?"
"That it wouldn't be all that bad without you."
This was interesting. "Did you make a determination?"
He gave a bitter laugh. "It'll be all that bad."
Oh, Cadeon. "You've known I was your female for a year?" He nodded. "Why I would be chosen for you?"
"Fate decides . . . who I can be most satisfied with."
Nibbling her lip, she asked, "Have you slept with anyone else since you knew it was me?"
"Gave a halfhearted try for a witch . . . she wanted a werewolf instead."
There was no getting around it--Holly was jealous of the witch.
But then Cadeon said, "And I wanted you.
”
”
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
“
What is so unnerving about the candidacy of Sarah Palin is the degree to which she represents—and her supporters celebrate—the joyful marriage of confidence and ignorance . . . Ask yourself: how has "elitism" become a bad word in American politics? There is simply no other walk of life in which extraordinary talent and rigorous training are denigrated. We want elite pilots to fly our planes, elite troops to undertake our most critical missions, elite athletes to represent us in competition and elite scientists to devote the most productive years of their lives to curing our diseases. And yet, when it comes time to vest people with even greater responsibilities, we consider it a virtue to shun any and all standards of excellence. When it comes to choosing the people whose thoughts and actions will decide the fates of millions, then we suddenly want someone just like us, someone fit to have a beer with, someone down-to-earth—in fact, almost anyone, provided that he or she doesn't seem too intelligent or well educated.
”
”
Sam Harris
“
The world was precarious, Lotto had learned. People could be subtracted from it with swift bad math. If one might die at any moment, one must live!
”
”
Lauren Groff (Fates and Furies)
“
Winning is an effect of trying. You have to want it badly enough to go through pain, discipline, and failure to find it. To confront it. To claim it. But most of all, you have to fight for it. Everything else—anything else—is absolute surrender
”
”
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
“
To such men the desperate and horrible thought has come that perhaps the whole of human life is but a bad joke, a violent and ill-fated abortion of the primal mother, a savage and dismal catastophe of nature.
”
”
Hermann Hesse (Steppenwolf)
“
Mankind accepts good fortune as his due, but when bad occurs, he thinks it was aimed at him, done to him, a hex, a curse, a punishment by his deity for some transgression, as though his god were a petty storekeeper, counting up the day's receipts.
”
”
Sheri S. Tepper (The Visitor)
“
I have no idea whether parents can be of help, and I do not blame mine. It was my own affair to come to terms with myself and to find my own way, and like most well-brought-up children, I managed it badly.
Everyone goes through this crisis. For the average person this is the point when the demands of his own life come into the sharpest conflict with his environment, when the way forward has to be sought with the bitterest means at his command. Many people experience the dying and rebirth - which is our fate - only this once during their entire life. Their childhood becomes hollow and gradually collapses, everything they love abandons them and they suddenly feel surrounded by the loneliness and mortal cold of the universe. Very many are caught forever in this impasse, and for the rest of their lives cling painfully to an irrevocable past, the dream of the lost paradise - which is the worst and most ruthless of dreams.
”
”
Hermann Hesse (Demian)
“
The best of men cannot defend their fate: the good die early, the bad die late.
”
”
Daniel Defoe
“
She'll tell herself that what she really wanted was not to live forever, but to stop worrying.
'What if I change?' she asked the fortune teller, all those years ago, sure that knowledge could save her from bad luck and tragedy. 'Most people don't,' the woman said.
”
”
Chloe Benjamin (The Immortalists)
“
I AM ALL ABOUT SELF-DETERMINATION. Will. Control. I determine my path in life. I decide my failures and successes. Screw fate. Destiny can kiss my ass. If I want something badly enough, I can have it. If I focus, sacrifice, there is nothing I can’t do.
”
”
Emma Chase (Tangled (Tangled, #1))
“
The only way to make sure that the Hand didn't get to you would have been to kill your brother. I could've done it, but I didn't. I just gave him some drugs."
"You gave an addict in rehab drugs, and you want credit for it?"
"Of course it sounds bad when you put it that way.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
Wherever you go in the next
catastrophé
Be it sickroom, or prison,
or cemet’ry
Do not fear that your stay will be
solit’ry
Countless souls share your fate,
you’ll have company!
”
”
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
“
Just because fate has chosen something for you instead of you choosing it for yourself doesn’t mean it has to be bad.
”
”
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
“
Van was feeding Christian as we walked in the door. I shielded my hands in front of my face to prevent from seeing her bare breast. "God damn woman, put that tit away!"
"I'm feeding my daughter. You want another taste?"
I started gagging immediately just thinking about how bad that shit tasted. "Hell no! I would rather eat dog shit.
”
”
Jennifer Foor (Risking Fate (Mitchell Family, #4))
“
Good men and bad men alike are capable of weakness. The difference is simply that a bad man will be proud all his life of one good deed – while an honest man is hardly aware of his good acts, but remembers a single sin for years on end.
”
”
Vasily Grossman (Life and Fate (Stalingrad, #2))
“
When impersonal digital records on electronics are used to forever brand people, the world loses its humanity, its human nature. It’s no longer humans who decide the fate of other humans, but inhuman technology that decides as the world moves closer to a technological tyranny that rules over and controls humans, whether they’ve been labeled bad or good.
Jerome had observed how the world was becoming more and more impersonal, more inhumane as people gave up their rights to think for themselves, allowing unelected technocrats to shape the world as they saw fit, and be in control of disseminating information that shaped and molded the population’s mind.
”
”
Jasun Ether (The Beasts of Success)
“
I love you so badly I could get lost in it and never find my way back out.
”
”
Tessa Bailey (Owned by Fate (Serve, #1))
“
The only consent hinge in life is that everyhin is changing. And that's a little scary, but it means that hints can't be bad or hard forever.
”
”
Amanda Hocking (Fate (My Blood Approves, #2))
“
You are a woman marked for sorrow.
”
”
Sophocles (Electra)
“
Not at me, Inej. I’d never lay down good coin to be told my future by anyone – fraud or holy man.” “Fate has plans for us all, Kaz.” “Was it fate that took you from your family and stuck you in a pleasure house in Ketterdam? Or was it just very bad luck?” “I’m not sure yet,” she’d said coldly.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Let us remind ourselves of the terminology. A theist believes in a supernatural intelligence who, in addition to his main work of creating the universe in the first place, is still around to oversee and influence the subsequent fate of his initial creation. In many theistic belief systems, the deity is intimately involved in human affairs. He answers prayers; forgives or punishes sins; intervenes in the world by performing miracles; frets about good and bad deeds, and knows when we do them (or even think about doing them). A deist, too, believes in a supernatural intelligence, but one whose activities were confined to setting up the laws that govern the universe in the first place. The deist God never intervenes thereafter, and certainly has no specific interest in human affairs. Pantheists don't believe in a supernatural God at all, but use the word God as a non-supernatural synonym for Nature, or for the Universe, or for the lawfulness that governs its workings. Deists differ from theists in that their God does not answer prayers, is not interested in sins or confessions, does not read our thoughts and does not intervene with capricious miracles. Deists differ from pantheists in that the deist God is some kind of cosmic intelligence, rather than the pantheist's metaphoric or poetic synonym for the laws of the universe. Pantheism is sexed-up atheism. Deism is watered-down theism.
”
”
Richard Dawkins (The God Delusion)
“
As far as I can see, in this world, you’re a fool for not using whatever gifts
you’re given. It’s not as though you lied or cheated or stole to get Howard Marlowe as your father. That’s
who he is; that’s who you are. You got dealt a bad card when you were bitten—so use one of the better
cards you have in your hand to make up for it.
”
”
Claudia Gray (Fateful)
“
You cannot lie down behind your badly made decisions and call them fate or determinism or god.
”
”
Daisy Johnson (Everything Under)
“
You of all beings know how fate works. What happened to you as a human happened because everyone from your parents on down tried to circumvent what was supposed to be – which ultimately was the destruction of the Atlantean pantheon. There was no changing that prophecy. But the way you suffered was completely unnecessary. Had your parents embraced their true destiny, you would have been saved years of torment. Fate will not be denied. We can sculpt it, but in the end we’re all pawns to our final destinies. Good, bad, or indifferent. (Savitar)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
It’s certainly nice to have my options open.” He looked back out at the city. “Can this possibly work, Mister Brekker? Or am I risking the fate of Ravka and the world’s Grisha on the honor and abilities of a fast-talking urchin?”
“More than a bit of both,” said Kaz. “You’re risking a country. We’re risking our lives. Seems a fair trade.”
The king of Ravka offered his hand. “The deal is the deal?”
“The deal is the deal.”
They shook.
“If only treaties could be signed so quickly,” he said, his easy privateer’s mien sliding back in place like a mask purchased on West Stave. “I’m going to have a drink and a bath. One can take only so much mud and squalor. As the rebel said to the prince, it’s bad for the constitution.”
He flicked an invisible speck of dust from his lapel and sauntered out of the solarium.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You're not very good at being contemplative," Milo said. "You always sound like some bad caricature of a philosopher, like those fortune cookies with 'Confucius say' or the Nietzsche guy from Mystery Men that's always saying 'when you walk on the ground, the ground walks on you.
”
”
Amanda Hocking (Fate (My Blood Approves, #2))
“
Do you believe in fate?" Neil heard the faint scorn in the other man's voice. "No. Do you?" "Luck, then," Aaron said, ignoring that return question. "Only the bad sort." "We're flattered by your high opinion of us, of course." Aaron
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Everybody sees the ants?"
He looks at me and says, "Well, how many people do you think live perfect lives, son? Aren't we all victims of something at some time or another?"
"I don't follow."
"Left hand red!" he says. Two ants fall on this turn, and the ant laughter gets louder. "Well, think about it. How many bad things can be done to a person? You got murder and assault, rape and robbery for starters. Just with those you're looking at some big numbers of how many people see the ants." He calls, "Left foot blue!"
I say, "Huh," because I'm not sure how many people he means.
"There's battery, conspiracy, extortion, slander, defamation and harassment, child abuse, stalking-the list is long, isn't it? Don't forget that every crime has hundreds of victims-everyone who knew and loved the victim and the criminal. That shit can trickle down."
"All those people see the ants?"
"Yep. Right hand green!"
"Wow."
"Yeah," he says. "If there are people who don't see 'em, I'd say we outnumber them a million to one.
”
”
A.S. King (Everybody Sees the Ants)
“
You have special abilities,” she goes on. “I don’t mean you are a witch or a fox spirit. And you’ve never seemed drawn to the special gift of healing or magic. Rather, you are like A-ma Mata, who gave birth to the Akha people, who pushed against her restraints, who said, ‘No, I will not accept my bad fate,’ and who endured against all odds with her intelligence, compassion, and perseverance. All that comes from this grove. And the mother tree.” A-ma
”
”
Lisa See (The Tea Girl of Hummingbird Lane)
“
Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our
destination is the same in the end, but our journey - part chosen, part determined- is
different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.
”
”
Iain Banks (The Wasp Factory)
“
With regards to the way of death, if you are prepared to die at any time, you will be able to meet your release from life with equanimity. As calamities are usually not as bad as anticipated beforehand, it is foolhardy to feel anxiety about tribulations not yet endured. Just accept that the worst possible fate for a man in service is to become a rōnin, or death by seppuku. Then nothing will faze you.
”
”
Yamamoto Tsunetomo (Hagakure: The Book of the Samurai)
“
as jolaha ka maram na jana, jinh jag ani pasarinhh tana;
dharti akas dou gad khandaya, chand surya dou nari banaya;
sahastra tar le purani puri, ajahu bine kathin hai duri;
kahai kabir karm se jori, sut kusut bine bhal kori;
No one could understand the secret of this weaver who, coming into existence, spread the warp as the world; He fixed the earth and the sky as the pillars, and he used the sun and the moon as two shuttles; He took thousands of stars and perfected the cloth; but even today he weaves, and the end is difficult to fathom.
Kabir says that the weaver, getting good or bad yarn and connecting karmas with it, weaves beautifully.
”
”
Kabir (The Bijak of Kabir)
“
To such men the desperate and horrible thought has come that perhaps the whole of human life is but a bad joke, a violent and ill-fated abortion of the primal mother, a savage and dismal catastrophe of nature. To them, too, however, the other thought has come that man is perhaps not merely a half-rational animal but a child of the gods and destined to immortality.
”
”
Hermann Hesse (Steppenwolf)
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Naive people tend to generalize people as—-good, bad, kind, or evil based on their actions. However, even the smartest person in the world is not the wisest or the most spiritual, in all matters. We are all flawed. Maybe, you didn’t know a few of these things about Einstein, but it puts the notion of perfection to rest. Perfection doesn’t exist in anyone. Nor, does a person’s mistakes make them less valuable to the world.
1. He divorced the mother of his children, which caused Mileva, his wife, to have a break down and be hospitalized.
2.He was a ladies man and was known to have had several affairs; infidelity was listed as a reason for his divorce.
3.He married his cousin.
4.He had an estranged relationship with his son.
5. He had his first child out of wedlock.
6. He urged the FDR to build the Atom bomb, which killed thousands of people.
7. He was Jewish, yet he made many arguments for the possibility of God. Yet, hypocritically he did not believe in the Jewish God or Christianity. He stated, “I believe in Spinoza’s God who reveals himself in the harmony of all that exists, not in a God who concerns himself with the fate and the doings of mankind.
”
”
Shannon L. Alder
“
For there is merely bad luck in not being loved; there is misfortune in not loving. All of us, today, are dying of this misfortune. For violence and hatred dry up the heart itself; the long fight for justice exhausts the love that nevertheless gave birth to it. In the clamor in which we live, love is impossible and justice does not suffice. This is why Europe hates daylight and is only able to set injustice up against injustice. But in order to keep justice from shriveling up like a beautiful orange fruit containing nothing but a bitter, dry pulp, I discovered once more at Tipasa that one must keep intact in oneself a freshness, a cool wellspring of joy, love the day that escapes injustice, and return to combat having won that light. Here I recaptured the former beauty, a young sky, and I measured my luck, realizing at last that in the worst years of our madness the memory of that sky had never left me. This was what in the end had kept me from despairing. I had always known that the ruins of Tipasa were younger than our new constructions or our bomb damage. There the world began over again every day in an ever new light. O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.
”
”
Albert Camus
“
The temptation is to make an idol of our own experience, to assume our pain is more singular than it is. Experience means nothing if it does not mean beyond itself: we mean nothing unless and until our hard-won meanings are internalized and catalyzed within the lives of others. There is something I am meant to see, something for which my own situation and suffering are the lens, but the cost of such seeing—I am just beginning to realize—may very well be any final clarity or perspective on my own life, my own faith. That would not be a bad fate, to burn up like the booster engine that falls away from the throttling rocket, lighting a little dark as I go.
”
”
Christian Wiman
“
If this understanding of the good news of Jesus prevailed among Christians, the belief that Jesus’s message is about how to get somewhere else, you could possibly end up with a world in which millions of people were starving, thirsty, and poor; the earth was being exploited and polluted; disease and despair were everywhere; and Christians weren’t known for doing much about it. If it got bad enough, you might even have people rejecting Jesus because of how his followers lived. That would be tragic.
”
”
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
“
This," I say softly, "is going to change everything."
I don't mean it the way I usually do.
I don't mean that change is hard or scary, though it's definitely both.
I mean only to say this: that sometimes, through good luck or bad, through curses or fate, the world cracks itself open, and afterward nothing will ever be the same.
All I mean is that this seems like one of those times.
”
”
Jennifer E. Smith (Windfall)
“
Will picked a single blossom from a gorse bush beside him; it shone bright yellow on his grubby hand. "People are very complicated," he said sadly.
"So they are," John Rowlands said. His voice deepened a little, louder and clearer than it had been. "But when the battles between you and your adversaries are done, Will Stanton, in the end the fate of all the world will depend on just those people, and on how many of them are good or bad, stupid or wise. And indeed it is all so complicated that I would not dare foretell what they will do with their world. Our world.
”
”
Susan Cooper
“
Shirking and sharking, in all their many varieties, have been sown broadcast by the ill-fated cause; and even those who have contemplated its history from the outermost circle of such evil, have been insensibly tempted into a loose way of letting bad things alone to take their own bad course, and a loose belief that if the world go wrong, it was, in some offhand manner, never meant to go right.
”
”
Charles Dickens (Bleak House)
“
I believe in the ability to choose. I believe this life is made up of our choices and their consequences— the good and the bad. I do not believe in letting anything up to fate. We are the makers of our own destinies, our own futures, our own paths. To blindly follow is an insult to the miracle of being human. To be human is to make choices; the moment you allow others to make decisions for you is the moment you do an injustice to not only mankind but to yourself.
”
”
Kelseyleigh Reber (If I Resist (Circle and Cross, #2))
“
We don't have a choice in how or when our bad days will blindside us. But what we do choose is how we allow them to leave us once they're gone. You can use those moments as a catalyst to spur you on to greater things or you can let it be the event that breaks you and leaves you shattered and forever lost in darkness. That, my friend, is the curse of free will. You can blame it all on fate and the universe, but in the end you alone decide if you're going to lie down and let hell take you under, or if you're going to stand strong in defiance of it all with your middle finger raised.
~ Caleb
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioning our characters in the wrong way. Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never so little scar. The drunken Rip Van Winkle, in Jefferson’s play, excuses himself for every fresh dereliction by saying, “I won’t count this time!” Well! He may not count it, and a kind Heaven may not count it; but it is being counted none the less. Down among his nerve-cells and fibers the molecules are counting it, registering and storing it up to be used against him when the next temptation comes. Nothing we ever do is, in strict scientific literalness, wiped out. Of course this has its good side as well as its bad one. As we become permanent drunkards by so many separate drinks, so we become saints in the moral, and authorities and experts in the practical and scientific spheres, by so many separate acts and hours of work. Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keeps faithfully busy each hour of the working-day, he may safely leave the final result to itself. He can with perfect certainty count on waking up some fine morning, to find himself one of the competent ones of his generation, in whatever pursuit he may have singled out.
”
”
William James (The Principles of Psychology)
“
We have explicit expectations of ourselves in specific situations–beyond expectations; they are requirements. Some of these are small: If we are given a surprise party, we will be delighted. Others are sizable: if a parent dies, we will be grief-stricken. But perhaps in tandem with these expectations is the private fear that we will fail convention in the crunch. That we will receive the fateful phone call and our mother is dead and we feel nothing. I wonder if this quiet, unutterable little fear is even keener than the fear of the bad news itself: that we will discover ourselves to be monstrous.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
He told me that everyone had a hidden door, which was the way into the heart, and that it was a point of honour with him to be able to find the handles to those doors. For the heart was both key and lock, and he who could master the hearts of men and learn their secrets was well on the way to mastering the Fates and controlling the thread of his own destiny. Not, he hastened to add, that any man can really do that. Not even the gods, he said, were more powerful than the Three Fatal Sisters. He did not mention them by name, but spat to avoid bad luck; and i shivered to think of them in their glum cave, spinning out lives, measuring them, cutting them off.
”
”
Margaret Atwood (The Penelopiad)
“
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each.
Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime.
There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful.
If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love:
To Gaylene deceased
To Ray deceased
To Francy permanent psychosis
To Kathy permanent brain damage
To Jim deceased
To Val massive permanent brain damage
To Nancy permanent psychosis
To Joanne permanent brain damage
To Maren deceased
To Nick deceased
To Terry deceased
To Dennis deceased
To Phil permanent pancreatic damage
To Sue permanent vascular damage
To Jerri permanent psychosis and vascular damage
. . . and so forth.
In Memoriam.
These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
”
”
Philip K. Dick (A Scanner Darkly)
“
Dear Camryn,
I know you're scared. I'd be lying if I said I wasn't a little scared, too, but I have to believe that this time around everything will be fine. And it will be.
We've been through so much together. More than most people in such a short time. But no matter what, the one thing that has never changed is that we're still together. Death couldn't take me away from you. Weakness couldn't make me look at you in a bad light. Drugs and all the shit that comes with them couldn't take you away from me. I think it's more safe to say that we're indestructable.
Maybe all of this has been a test. Yeah, I think about that a lot and I've convinced myself of it. A lot of people take Fate for granted. Some have everything they've ever wanted right at their fingertips, but they abuse it. Others walk right past their only opportunity because they never open their eyes long enough to see that it's there. But you and I, even before we met, took all the risks, made our own decisions without listening to everybody around us telling us, in so many ways, that what we're doing is wrong. Hell no, we did it our way, no matter how reckless, or crazy or unconventional. It's like the more we pushed and the more we fought, the harder the obstacles. Because we had to prove we were the real deal.
And I know we've done just that.
Camryn, I want you to read this letter to yourself once a week. It doesn't matter what day or what time, just read it. Every time you open it, I want you to see that another week has passed and you're still pregnant. That I'm still in good health. That we're still together. I want you to think about the three of us, you, me and our son or daughter, traveling Europe and Soth America. Because we're going to do it. I promise you that.
You're everything to me, and I want you to stay strong and not let your fear of the past taint the path to our future. Everything will work out this time, Camryn, everything will, I swear to you.
Just trust me.
Until next week...
Love,
Andrew
”
”
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
“
The cult of individuals is always, in my view, unjustified. To be sure, nature distributes her gifts unevenly among her children. But there are plenty of the well-endowed, thank God, and I am firmly convinced that most of them live quiet, unobtrusive lives. It strikes me as unfair, and even in bad taste, to select a few of them for boundless admiration, attributing superhuman powers of mind and character to them. This has been my fate, and the contrast between the popular estimate of my powers and achievements and the reality is simply grotesque.
”
”
Albert Einstein (Ideas and Opinions)
“
All fortunes in the world, good or bad, are limited. Just like this cup of water, there's only so much. Once you've drunk your fill, there'll be no more left for others. If one receives more, another must receive less.
Throughout the ages, all conflicts are born from the fact that there are many in this world, but only one cup of water, and there is a good reason to justify giving it to any of them. You want to change fate? It's difficult but not impossible. But if you change that child's life, someone else's life will also be changed, and more grudges will be created. Once upon a time, you said to just give another cup of water, just like how today you wanted to choose a third path. Your intention is to expand the source - a beautiful thought. But I must tell you, it's basically impossible.
”
”
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 2)
“
1. That reason is a gift of God and that we should believe in its ability to comprehend the world.
2. That they have been wrong who undermined confidence in reason by enumerating the forces that want to usurp it: class struggle, libido, will to power.
3. That we should be aware that our being is enclosed within the circle of its perceptions, but not reduce reality to dreams and the phantoms of the mind.
4. That truth is a proof of freedom and that the sign of slavery is the lie.
5. That the proper attitude toward being is respect and that we must, therefore, avoid the company of people who debase being with their sarcasm, and praise nothingness.
6. That, even if we are accused of arrogance, it is the case that in the life of the mind a strict hierarchy is necessary.
7. That intellectuals in the twentieth century were afflicted with the habit of baratin, i.e., irresponsible jabber.
8. That in the hierarchy of human activities the arts stand higher than philosophy, and yet bad philosophy can spoil art.
9. That the objective truth exists; namely, out of two contrary assertions, one is true, one false, except in strictly defined cases when maintaining contradiction is legitimate.
10. That quite independently of the fate of religious denominations we should preserve a "philosophical faith," i.e., a belief in transcendence as a measure of humanity.
11. That time excludes and sentences to oblivion only those works of our hands and minds which prove worthless in raising up, century after century, the huge edifice of civilization.
12. That in our lives we should not succumb to despair because of our errors and our sins, for the past is never closed down and receives the meaning we give it by our subsequent acts.
”
”
Czesław Miłosz (New and Collected Poems: 1931-2001)
“
When you go against the flow of nature and betray the spiritual laws existing within, there is, and always will be, a negative reaction. Those who try escaping life before fate shakes their hand, will forever be stuck on earth, chained to the place they so badly wanted to leave. What a complicated misery. I guarantee you it will be torture to be invisible and ignored by those you love when you can see them - but you are already dead for them to hear you utter another word. Talk about agony, more so, than remaining on this plane and continuing your spiritual cycle as it was written to be lived.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
On good days, which don’t come often, I love my ship and everything it represents. I thrill at the thought of seeing Earth II. There are going to be so many things there that have never been seen by human eyes before. I’ll get to study the planet using priceless, brand-new equipment that’s just waiting to be unpacked. I’ll discover things that might change the fate of humanity for ever. The Infinity is the biggest, most expensive scientific mission in history. I get to be the very first person to see the results. I’m so lucky.
On bad days, I worry about my responsibilities until my gut cramps and my head feels full of knives.
On my very worst days, I think of nothing but how vulnerable I am out here. I’m balanced on the edge of oblivion with only a fragile skin of metal separating me from the void of space.
”
”
Lauren James (The Loneliest Girl in the Universe)
“
Dear Jim."
The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart.
Presently she took up the paper again and went on reading:
"I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things.
"And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful!
"About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire?
"It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent.
"That is all. Good-bye, my dear"
Then am I
A happy fly,
If I live
Or if I die
”
”
Ethel Lilian Voynich
“
Under conditions of a truly human existence, the difference between succumbing to disease at the age of ten, thirty, fifty, or seventy, and dying a "natural" death after a fulfilled life, may well be a difference worth fighting for with all instinctual energy. Not those who die, but those who die before they must and want to die, those who die in agony and pain, are the great indictment against civilization. They also testify to the unredeemable guilt of mankind. Their death arouses the painful awareness that it was unnecessary, that it could be otherwise. It takes all the institutions and values of a repressive order to pacify the bad conscience of this guilt. Once again, the deep connection between the death instinct and the sense of guilt becomes apparent. The silent "professional agreement" with the fact of death and disease is perhaps one of the most widespread expressions of the death instinct -- or, rather, of its social usefulness. In a repressive civilization, death itself becomes an instrument of repression. Whether death is feared as constant threat, or glorified as supreme sacrifice, or accepted as fate, the education for consent to death introduces an element of surrender into life from the beginning -- surrender and submission. It stifles "utopian" efforts. The powers that be have a deep affinity to death; death is a token of unfreedom, of defeat. Theology and philosophy today compete with each other in celebrating death as an existential category: perverting a biological fact into an ontological essence, they bestow transcendental blessing on the guilt of mankind which they help to perpetuate -- they betray the promise of utopia.
”
”
Herbert Marcuse (Eros and Civilization: A Philosophical Inquiry into Freud)
“
Your life is written in indelible ink. There's no going back to erase the past, tweak your mistakes, or fill in missed opportunities. When the moment's over, your fate is sealed.
But if look closer, you notice the ink never really dries on any our experiences. They can change their meaning the longer you look at them.
Klexos.
There are ways of thinking about the past that aren't just nostalgia or regret. A kind of questioning that enriches an experience after the fact. To dwell on the past is to allow fresh context to trickle in over the years, and fill out the picture; to keep the memory alive, and not just as a caricature of itself. So you can look fairly at a painful experience, and call it by its name.
Time is the most powerful force in the universe. It can turn a giant into someone utterly human, just trying to make their way through. Or tell you how you really felt about someone, even if you couldn't at the time. It can put your childhood dreams in context with adult burdens or turn a universal consensus into an embarrassing fad. It can expose cracks in a relationship that once seemed perfect. Or keep a friendship going by thoughts alone, even if you'll never see them again. It can flip your greatest shame into the source of your greatest power, or turn a jolt of pride into something petty, done for the wrong reasons, or make what felt like the end of the world look like a natural part of life.
The past is still mostly a blank page, so we may be doomed to repeat it. But it's still worth looking into if it brings you closer to the truth.
Maybe it's not so bad to dwell in the past, and muddle in the memories, to stem the simplification of time, and put some craft back into it. Maybe we should think of memory itself as an art form, in which the real work begins as soon as the paint hits the canvas. And remember that a work of art is never finished, only abandoned.
”
”
John Koenig
“
Th communique repeated the information. “He went to the body of his wife and wouldn’t leave it, although she was dead.”
How strange. why didn’t he run and save his own hide? What made him go back? is it possible that he loved her? Is it possible that he wanted to hold her in his arms one last time? Is it possible that he needed to cry and grieve? Is it possible that he felt the stupidity of war? Is it possible that he felt the injustice of fate? Is it possible that he thought of children, born or unborn? Is it possible that he didn’t care what become of him now?
It’s possible. We don’t know. Or at least we don’t know for certain. But we can guess. His actions answer.
And so h sits alone in a prison. Not a “Russian” or a “Communist” or “solider” or “enemy” or any of these categories. Just-a-man who cared for just-a-woman for just-a-time more than anything else.
Here’s to you, Nicolai Pestretsov, wherever you may go and be, for giving powerful meaning to the promises that are the same everywhere; for dignifying that covenant that is the same in any language— “for better or for worse, in good times and bad, in sickness and in health, to love and honor and cherish unto death, so help me God.” You kept the faith; kept it bright— kept it shining. Bless you!
”
”
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
“
My five Upstart sons are all bloody and brave
I’ve got one on the gallows, and two in the grave
One is your prisoner, and none is your slave
“Pish,” said Gormalin. “That’s a war song!”
I’ve got one in the hills that you never have met
And though he is young, he will murder you yet
For the hour is coming you’ll answer your debt
“That song’s illegal!” he protested, and right he was. It’s the very song that got Kellan na Falth hanged. “You can’t sing about men killing men since the Goblin Wars! Especially not a song against a proper king of Holt, even an old, bad king!”
Now, of course, I joined in.
My five Upstart sons have declared against you
Their tongues are as black as their promise is true
And they’ll call you to answer whatever you do!
No Coldfoot guard was going to be left out of an illegal Galtish rebel song, so Malk picked up the next verse with us, his strong, confident baritone suddenly making the whole insurrection seem credible.
The crown you so love sits but light on your head
The castle you stole has a cold, stony bed
And though I am old, I will yet see you dead
You’ve hundreds of men with long swords and long knives
But you’ve lain with near half of their fair Galtish wives
And none of them love you to lay down their lives
Abandon your tower and open your gate
No silver-bought army can alter your fate
If all my five perish, my neighbor has eight
Our ten thousand sons have declared against you
Their tongues are as black as their promise is true
And they’re coming, they’re coming, whatever you do
”
”
Christopher Buehlman (The Blacktongue Thief (Blacktongue, #1))
“
It is a mistake to think of the expatriate as someone who abdicates, who withdraws and humbles himself, resigned to his miseries, his outcast state. On a closer look, he turns out to be ambitious, aggressive in his disappointments, his very acrimony qualified by his belligerence. The more we are dispossessed, the more intense our appetites and illusions become. I even discern some relation between misfortune and megalomania. The man who has lost everything preserves as a last resort the hope of glory, or of literary scandal. He consents to abandon everything, except his name. [ . . . ]
Let us say a man writes a novel which makes him, overnight, a celebrity. In it he recounts his sufferings. His compatriots in exile envy him: they too have suffered, perhaps more. And the man without a country becomes—or aspires to become—a novelist. The consequence: an accumulation of confusions, an inflation of horrors, of frissons that date. One cannot keep renewing Hell, whose very characteristic is monotony, or the face of exile either. Nothing in literature exasperates a reader so much as The Terrible; in life, it too is tainted with the obvious to rouse our interest. But our author persists; for the time being he buries his novel in a drawer and awaits his hour. The illusion of surprise, of a renown which eludes his grasp but on which he reckons, sustains him; he lives on unreality. Such, however, is the power of this illusion that if, for instance, he works in some factory, it is with the notion of being freed from it one day or another by a fame as sudden as it is inconceivable.
*
Equally tragic is the case of the poet. Walled up in his own language, he writes for his friends—for ten, for twenty persons at the most. His longing to be read is no less imperious than that of the impoverished novelist. At least he has the advantage over the latter of being able to get his verses published in the little émigré reviews which appear at the cost of almost indecent sacrifices and renunciations. Let us say such a man becomes—transforms himself—into an editor of such a review; to keep his publication alive he risks hunger, abstains from women, buries himself in a windowless room, imposes privations which confound and appall. Tuberculosis and masturbation, that is his fate.
No matter how scanty the number of émigrés, they form groups, not to protect their interests but to get up subscriptions, to bleed each other white in order to publish their regrets, their cries, their echoless appeals. One cannot conceive of a more heart rending form of the gratuitous.
That they are as good poets as they are bad prose writers is to be accounted for readily enough. Consider the literary production of any "minor" nation which has not been so childish as to make up a past for itself: the abundance of poetry is its most striking characteristic. Prose requires, for its development, a certain rigor, a differentiated social status, and a tradition: it is deliberate, constructed; poetry wells up: it is direct or else totally fabricated; the prerogative of cave men or aesthetes, it flourishes only on the near or far side of civilization, never at the center. Whereas prose demands a premeditated genius and a crystallized language, poetry is perfectly compatible with a barbarous genius and a formless language. To create a literature is to create a prose.
”
”
Emil M. Cioran (The Temptation to Exist)
“
Believing in my great hurt, my literal cutting off from society's mainland, it seems to me that I took life in a sense too seriously, and the lives of others, for the same reason, too lightly. The murders were my own conception; my sex. The Factory was my attempt to construct life, to replace the involvement which otherwise I did not want.
Well, it is always easier to succeed at death.
Inside this greater machine, things are not quite so cut and dried (or cut and pickled) as they have appeared in my experience. Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our destination is the same in the end, but our journey - part chosen, part determined- is different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.
”
”
Iain Banks
“
Driven by that extraordinary oppression which falls on every human being when, childhood over, he begins to divine that he is fated to go on in isolation and unaided towards his own death; driven by this extraordinary oppression, which may with justice be called a fear of God, man looks round him for a companion hand in hand with whom he may tread the road to the dark portal, and if he has learned by experience how pleasurable it undoubtedly is to lie with another fellow-creature in bed, then he is ready to believe that this extremely intimate association of two bodies may last until these bodies are coffined: and even if at the same time it has its disgusting aspects, because it takes place under coarse and badly aired sheets, or because he is convinced that all a girl cares for is to get a husband who will support her in later life, yet it must not be forgotten that every fellow-creature, even if she has a sallow complexion, sharp, thin features and an obviously missing tooth in her left upper jaw, yearns, in spite of her missing tooth, for that love which she thinks will for ever shield her from death, from that fear of death which sinks with the falling of every night upon the human being who sleeps alone, a fear that already licks her as with a tongue of flame when she begins to take off her clothes, as Fraulein Erna was doing now; she laid aside her faded red-velvet blouse and took off her dark-green shirt and her petticoat.
”
”
Hermann Broch (The Sleepwalkers (The Sleepwalkers, #1-3))
“
I had no one to point at. Certainly not my parents, because I had nothing to accuse them of. The zeal for letting in the daylight, with which , as a member of the concentration camps seminar, I had condemned my father to shame, had passed, and it embarrassed me. But what other people in my social environment had done, and their guilt, were in any case a lot less bad than what Hanna had done. I had to point at Hanna. But the finger I had pointed at her turned back to me. I had loved her. Not only had I loved her, I had chosen her. I tried to tell myself that I had known nothing of what she had done when I chose her. I tried to talk myself into the state of innocence in which children love their parents. But love of our parents is the only for which we are not responsible.
And perhaps we are responsible even for the love we feel for our parents. I envied other students back then who had dissociated themselves from their parents and thus from the entire generation of perpetrators, voyeurs, and the willfully blind, accommodators and accepters, thereby overcoming perhaps not their shame, but at least their suffering because of the shame. But what gave rise to the swaggering self-righteousness I so often encountered among these students? How could one feel guilt and sahme and at teh same time parade one's self-righteousness? Was their dissociation of themselves from their parents ere rhetoric: sounds and noise that were supposed to drown out the fact that their love for their parents made them irrevocably complicit in their crimes?
These thoughts did not come until later, and even later they brought no comfort. How could it be a comfort that the pain I went through because of my love for Hanna, was, in a way, the fate of my generation, a German fate, and that it was only more difficult for me to evade, more difficult for me to manage than for others. All the same, it would have been good for me back then to be able to feel I was part of my generation.
”
”
Bernhard Schlink (The Reader)
“
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin.
I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways."
He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face.
"Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell.
"Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway."
The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier.
Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla).
In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves.
That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love.
In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme.
By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.
Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
”
”
Milan Kundera
“
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime.
That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister.
And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you.
When my sister walked out of her room and said she’d met Jesus, my mom knew all that.
And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you.
And she believed.
When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?”
Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian.
All the money she gave up, so we’re poor now.
But I don’t have an answer for them.
How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.”
Why else would she believe it?
It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life.
My mom wouldn’t have made the trade otherwise.
If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side.
That or Sima is insane.
There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it.
If it’s not true, she made a giant mistake.
But she doesn’t think so.
She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed.
And she’s poor now.
People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better.
It’s true.
We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma.
We can wonder and question and disagree. You can be certain she’s dead wrong.
But you can’t make Sima agree with you.
It’s true.
Christ has died. Christ is risen. Christ will come again.
This whole story hinges on it.
Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
”
”
Daniel Nayeri (Everything Sad Is Untrue)
“
I asked Hillary why she had chosen Yale Law School over Harvard. She laughed and said, "Harvard didn't want me." I said I was sorry that Harvard turned her down. She replied, "No, I received letters of acceptance from both schools." She explained that a boyfriend had then invited her to the Harvard Law School Christmas Dance, at which several Harvard Law School professors were in attendance. She asked one for advice about which law school to attend. The professor looked at her and said, "We have about as many woen as we need here. You should go to Yale. The teaching there is more suited to women." I asked who the professor was, and she told me she couldn't remember his name but that she thought it started with a B. A few days later, we met the Clintons at a party. I came prepared with yearbook photos of all the professors from that year whose name began with B. She immediately identified the culprit. He was the same professor who had given my A student a D, because she didn't "think like a lawyer." It turned out, of course, that it was this professor -- and not the two (and no doubt more) brilliant women he was prejudiced against - who didn't think like a lawyer. Lawyers are supposed to act on the evidence, rather than on their prejudgments. The sexist professor ultimately became a judge on the International Court of Justice.
I told Hillary that it was too bad I wasn't at that Christmas dance, because I would have urged her to come to Harvard. She laughed, turned to her husband, and said, "But then I wouldn't have met him... and he wouldn't have become President.
”
”
Alan M. Dershowitz
“
My mother believed in God's will for many years. It was af if she had turned on a celestial faucet and goodness kept pouring out. She said it was faith that kept all these good things coming our way, only I thought she said "fate" because she couldn't pronounce the "th" sound in "faith".
And later I discovered that maybe it was fate all along, that faith was just an illusion that somehow you're in control. I found out the most I could have was hope, and with that I wasn't denying any possibility, good or bad. I was just saying, If there is a choice, dear God or whatever you are, here's where the odds should be placed.
I remember the day I started thinking this, it was such a revelation to me. It was the day my mother lost her faith in God. She found that things of unquestioned certainty could never be trusted again.
We had gone to the beach, to a secluded spot south of the city near Devil's Slide. My father had read in Sunset magazine that this was a good place to catch ocean perch. And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nenkan, his ability to do anything he put his mind to. My mother believed she had nenkan to cook anything my father had a mind to catch. It was this belief in their nenkan that had brought my parents to America. It had enabled them to have seven children and buy a house in Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were now in balance, the right amount of wind and water.
”
”
Amy Tan (The Joy Luck Club)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)