Bad Boy A Memoir Quotes

Her magic formula for dealing with children is ignoring all faults and accenting tiny virtues. She says, "Instead of telling Tommy day in and day out that he is the naughtiest boy in the United States of America, which could very well be true, take an aspirin and comment on his neatly tied shoes. Almost anybody would rather be known for expert shoe-tying than for kicking the cat." She always tells whiners how charming they are--bullies how brave--bad sports how good--sneaks how honest!

Each of us is born with a history already in place

The idea of voluntary segregation went against every value I had been taught. What did being born black have to do with excellence?

My parents were told by the principal of West Barnstable Elementary School and my teacher that I was a bright boy whose spelling was in the retarded range and whose handwriting was the worst they’d ever seen. I find it embarrassing that I spell so badly. I will do almost anything to avoid being embarrassed, but no effort either on my part or on the part of any teacher has ever dented my utter bafflement when it comes to choosing which letters to put down, how many, and in what order.

All the authors I studied, all the historical figures, with the exception of George Washington Carver, and all those figures I looked upon as having importance were white men. I didn't mind that they were men, or even white men. What I did mind was that being white seemed to play so important a part in the assigning of values.

We want things we cannot have. We seek to reclaim a certain moment, sound, sensation. I want to hear my mother’s voice. I want to see my children as children. Hands small, feet swift. Everything changes. Boy grown, father dead, daughter taller than me, weeping from a bad dream. Please stay forever, I say to the things I know. Don’t go. Don’t grow.

Denial helps the bystander. We don't want to know what the boys we send to Iraq have done to others out of terror, or what others have done to them. We would rather not know about terror or be confronted with evil. This is as true about Abu Ghraib as it is about person assaults and more private crimes, the crimes that occur inside families. But the victim, too, cannot bear to believe. She may bury or dissociate from or disown her pain...to be raped or abused or threatened with violent death; to be treated as an object in a perpetrator's dream, rather than the subject of your own - these are bad enough. But when observers become complicit in the victim's desire to forget, they become perpetrators, too. When authorities disbelieve the victim, when bystanders refute what they cannot bear to know, they rob the victim of normal existence on the earth. Bystander and victim collude in denial or forgetting, and in so doing, repeat the abuse. Life for the victim now begins anew. In this new world, the victim can no longer trust the evidence of her senses. Something seems to have happened, but what? The ground disappears. This is the alchemy of denial: terror, rage, and pain are replaced with free-floating shame. The victim will being to wonder: What did I do? She will being to believe: I must have done something bad. But the sensation of shame is shameful itself, so we dissociate that, too. In the end, a victim who has suffered the denial of others will come to see herself as a liar.

You’d think that after two teenage boys admitted a long-kept secret about their sexuality to each other there would be some sort of tentative period, a span of time in which they’d be cautiously honest and play it cool. Nothing could’ve been farther from the truth. Our coming out to each other was like opening a backed-up fire hydrant, releasing an unwieldy torrent of foul language, sex talk, and fashion experimentation.

In the end, Miss Margitan settled for a formal apology and two weeks of detention for the bad boy who had dared call her Maggot in print. It was bad, but what in high school is not? At the time we’re stuck in it, like hostages locked in a Turkish bath, high school seems the most serious business in the world to just about all of us. It’s not until the second or third class reunion that we start realizing how absurd the whole thing was.

I was hostile, and I had every right to be. Middle school didn't make any sense. If you were mean, people liked you. If you were nice, people were mean. If you teased girls, they smiled and laughed. If you complimented them, they frowned and walked away. If you were bad in class, you were hailed in the hallway. If you were good in class, you were bullied in the locker room. The pretty girls dated the ugly boys, and the only friends you had were the ones you didn't want.

I felt the urge to sprint, my body felt freer striding faster. I was terribly shaken, though nothing bad had happened. Intellectually it seemed that I should want to stay with Icecap and Edison. We had all smoked, I had decided to make myself vulnerable to new men, to trust them, and these boys had proven themselves to be worthy of my trust. They hadn’t touched me, nothing bad had happened; I had proven my mother wrong. I had weighed the situation, I’d felt safe, and this had been my chance to remind myself that rape wasn’t normal.

At the time I was, and would continue to be for many years, obsessed with the Sweet Valley High books. I read them voraciously because I was nothing like Elizabeth and Jessica Wakefield or even Enid Rollins. I would never date a boy like Todd Wilkins, the handsome captain of the basketball team, or Bruce Patman, the handsome, wealthy bad boy of Sweet Valley. When I read the books, though, I could pretend that a better life was possible for me, one where I fit in somewhere, anywhere, and I had friends and a handsome boyfriend and a loving family who knew everything about me. In a better life, I could pretend I was a good girl.

In striving to fulfill our identities as women, it's important not to confound the various passages of life with each other. What we may need in girlhood or adolescence are not the same qualities we need in maturity. The task of adolescence is to leave home. And women in a sexist society have chronically found this hard to do. Our biology has reinforced the very dependence which our minds have been able to fly beyond. Patriarchal practices like arranged marriages, female sexual mutilation and the denial of abortion have encouraged us to glorify not-leaving as a self-protective strategy. No wonder our creative heroines had to find strategies for leaving. Those who were heterosexual devised the strategy of falling for bad boys as a primal means of separation. We make a mistake in thinking they were only victims. They were adventurers first. That they became victims was not their intent. Sylvia Plath was not merely a masochist but a bold adventurer who perhaps got more than she bargained for. As I get older, I come to understand that the seemingly self-destructive obsessions of my various younger lives were not only self-destructive. They were also self-creative. All through the stages of our lives, we go through transformations that may only manifest themselves when they are safely over. The rebels and bad boys I loved were the harbingers of my loving those very qualities in myself. I loved and left the bad boys, but I thank them for helping to make me the strong survivor I am today.

IT’S A CHOICE Try as we might; neither I nor anyone else can change the past. Yet, our history does not have to hold us hostage. We can’t change things said and done to us, nor can we undo and change what we have done to others. There is no do-over, unfortunately. What we can choose to do, however, is grow and take ownership of our mistakes and share our history and experiences to heal ourselves and others. We can also choose to forgive ourselves and others, and we can also choose to use our experiences to raise ourselves while giving hope and inspiration to others. We can choose to grow from adversity, and we can choose to let go of victimhood. And that is what I decided to do when I left prison, here and in my book. I choose to own it all – the good, the bad, and the ugly, and I choose to let it all go and use my story as both a cautionary tale and a source of inspiration.

But then I met Frank Serpico in Bregman’s office. Bregman had set it up. I took one look at Frank and I knew. I said, I can play him. I’ve got to play him. I saw it in his eyes, and I thought, I want to be that. I’m often offered real people, and I turn them down. I didn’t want to be them. Not because they’re bad or good. Just because I didn’t feel any connection to them. I spent more time with Frank that summer before we made the film. He came to visit me at a house I was renting in Montauk. We were sitting on my deck, looking at the waves coming in. Finally I said something to him that he’d probably heard a thousand times before. “Frank, why didn’t you take those payoffs?” I asked him. “Just take that money and give your share away if you didn’t want to keep it?” He said to me, “Al, if I did that”—long pause—“who would I be when I listen to Beethoven?” There was something about that statement that just made me want to play him.

As I was heading back, I began to hear the sound of someone crying, which you sort of expect in a graveyard. I looked around to see where it was coming from. And there, sitting on a tombstone, was Francis Ford Coppola bawling like a baby. Profusely crying. Nobody was going near him, so I went up to him, and I said, “Francis, what’s wrong? What happened?” He wiped his eyes with his sleeve, paused, looked up at me, and said, “They won’t give me another shot.” He had wanted to film another setup that day, and he had not been allowed it. Even he had to answer to someone else. And he wanted this so badly that to have it denied had actually wounded him. One never knows if a film is going to be great. You know one thing, if it’s a really good script—and Mario and Francis wrote a really good script—there’s a chance. An actor comes in and plays his role, but the film is all in what happens after, how an editor cuts it together and how the director figures out the storytelling. But there in that graveyard I thought: If this is the kind of passion that Francis has for it, then something here is working. I knew I was in good hands.

It's a classic tale of good versus evil, except with garlic. Gramma goes to La Senora for consultation, for help, for direction. But Gramma has darker thoughts than La Senora can get behind. She's casting midnight spells with nail clippings and earwax, cheap powdery perfumes and dead toads in jars, carrying her 9 millimeter pistol in her car. She prays for strength. She prays for death. Not for herself or him. Maybe him. She prays to Pancho Villa, she prays to bad saints.

I felt the urge to sprint, my body felt freer striding faster. I was terribly shaken, though nothing bad had happened. Intellectually it seemed that I should want to stay with Icecap and Edison. We had all smoked, I had decided to make myself vulnerable to new men, to trust them, and these boys had proven themselves to be worthy of my trust. They hadn’t touched me, nothing bad had happened; I had proven my mother wrong. I had weighed the situation, I’d felt safe, and this had been my chance to remind myself that rape wasn’t normal. It seemed that smoking weed with men had confirmed just exactly that which I hoped it would confirm for me. That men could behave better – that strangers could be safe; that hanging out in new places with new boys isn’t inherently stupid or extreme or risky in nature. That girls do this, especially when they’re also with a boy they know, and such girls are not tempting rape.

At times, BGCT [i.e., Baptist General Convention of Texas] officials tried to downplay the Baptist abuse problem with an ‘at least we aren't as bad as the Catholics’ schtick. They claimed that while the Catholic abuse problem involved children – and usually boys – the Baptist problem was more about clergy ‘misconduct’ with adult women. ‘Most of ours are heterosexual relationships with adults,’ they said. It was an offensive and minimizing claim, supported by no evidence. To the contrary, The Associated Press had gathered insurance data showing that the abuse of children in Baptist churches was likely just as pervasive as in Catholic churches.

Part of what had drawn me to him in the first place was that he was so much like me. A good boy who could be very, very bad, who was lured just enough into badness—into drinking, drugs, and misadventures—but who never fully turned his back on his responsibilities.

Chef Fany Gerson opened Dough in Bed-Stuy in 2010, and her big, billowy, brioche-style doughnuts have spread across the city and are now available at dozens of third-party locations (including Smorgasburg, which is where we first sampled the bad boys). With delectable flavors like blood orange, hibiscus, and toasted coconut, inspired by Fany's Latin American heritage, to know Dough is to love it. Naturally, Anarchy in a Jar supports local and family farmers- this is Brooklyn! A lesser credo just wouldn't cut it. The small-batch condiments company was started in 2009 by Laena McCarthy and includes deliciously eclectic offerings like grapefruit & smoked salt marmalade, cherry balsamic jam, and beer mustard.