Backyard Landscaping Quotes

The first supermarket supposedly appeared on the American landscape in 1946. That is not very long ago. Until then, where was all the food? Dear folks, the food was in homes, gardens, local fields, and forests. It was near kitchens, near tables, near bedsides. It was in the pantry, the cellar, the backyard.

When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.

It was like having two children in the car with her. Okay, one child and a young adult that kept backsliding. Hal, of course, was attempting to prove he was really only eight years old. Taggart could resist the taunting part of the time. Nigel was the senile grandmother who never noticed that the children were fighting. He sat in the backseat, smiling serenely at the passing landscape. What made things worse was that Taggart called shotgun so he could film through the front window. That made it so she couldn't reach Hal to swat him into silence. She found herself tempted to hit Taggart just because he was beside her. And because he'd changed into a dark blue silk shirt and cologne that smelled so good she just wanted to roll in it. "I can kill us all," Jane growled, gripping the wheel tightly, and resisted the urge to drive the production truck into the ditch to prove her point. Somehow they reached downtown without her killing anyone.

But you're stuck filming crap now." Hal snorted. "Chased by monsters? Better be damn good at running." "And exactly how do you get hurt filming a landscaping show?" Taggart retorted. "If it can't kill us, we don't film it," Jane said, to stop the fighting before it could start. "There's a lot of dangerous flora and fauna in Pittsburgh and it doesn't stay beyond the Rim. It comes into people's backyards and sets up shop. We teach our viewers how to deal with it, but it means we have to actually get close enough to get hurt." "Deal with, as in kill?" Nigel seemed flabbergasted. "This isn't Earth. These aren't endangered species. This morning we were dealing with a very large strangler vine in a neighborhood with lots of children. There's no way to 'move' it to someplace where it isn’t a danger, especially while it's actively trying to kill anything that stumbles into its path. Pets. Children. Automated lawnmowers." "That one is always amusing to watch but it always ends badly for the lawnmower," Hal said.

The sorrow I feel has not disappeared, but it has been integrated into my life as a painful part of a healthy whole. Initially, my loss was so overwhelming to me that it was the dominant emotion—sometimes the only emotion—I had. I felt like I was staring at the stump of a huge tree that had just been cut down in my backyard. That stump, which sat all alone, kept reminding me of the beloved tree that I had lost. I could think of nothing but that tree. Every time I looked out the window, all I could see was that stump. Eventually, however, I decided to do something about it. I landscaped my backyard, reclaiming it once again as my own. I decided to keep the stump there, since it was both too big and too precious to remove. Instead of getting rid of it, I worked around it. I planted shrubs, trees, flowers, and grass. I laid out a brick pathway and built two benches. Then I watched everything grow. Now, three years later, the stump remains, still reminding me of the beloved tree I lost. But the stump is surrounded by a beautiful garden of blooming flowers and growing trees and lush grass. Likewise, the sorrow I feel remains, but I have tried to create a landscape around the loss so that what was once ugly is now an integral part of a larger, lovely whole.

Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)

How do you calculate fish fries in the backyard, kiddie pools in the front yard, and unfettered views of a thousand starts in the night sky? So much of life is intangible, and places don't feel like they're disappearing to the people who are living there. I went to Accomack County and I found endless metaphors for a dying county in a changing landscape. There were endless metaphors that went the opposite way, too: rural life as a fairy tale, better than the rest of the country. The reality is probably somewhere in between. The people who lived in Accomack were happy to live in Accomack. It wasn't small, it was close-knit. It wasn't backward, it was simple. There weren't a hundred things to do every night, but if you went to the one available thing, you were pretty much guaranteed to run into someone you knew.

My first ten years were spent in a suburb of Melbourne so quiet that I believed no people could have survived on the far side of their trimmed privet hedges unless their wardrobes and cupboards were stuffed with rubber or clay or painted tokens of another world altogether, a world that poked up into Melbourne in the dark corners of bedrooms and the shadowy spaces under fruit-trees and behind fowl sheds in backyards wholly hidden from the street. On many a Sunday afternoon when my mother took me on long trips by tram to visit some aunt or great-aunt and I had to sit for the first half-hour in the front room, I looked around me for some detail of a painted landscape on the wall or some gesture made by a porcelain figure in the crystal-cabinet or some pattern in the threads of an anti-macassar that seemed the nearest sign of the other world. Then, when I was allowed to go outside , I would always find a certain kind of place - the patch of rotting leaves under the treefern on the blind side of the house; the clump of arum lilies between the garden shed and the back fence; the corner of lawn just beyond the last flagstone in a path that had seemed likely to lead to something much more definite. I would stand in that place and stare, and wonder what word I had to learn the meaning of or what other person I had to turn myself into before I could recognise the doorway that must have been somewhere just in front of me.

I continuously see signs related to my dream home on a daily basis. My favorite book growing up as a child was the Secret Garden. I always wished I had a home that was filled with all the beautiful plants described in that book. And guess what? My new house is engulfed in pink, red, orange, white, and yellow roses. I also have fuchsia camellias everywhere. Birds of paradise line my backyard along with an entire wall covered in green vine. There are also palm trees. I never asked for a pool, but it also has this nine-foot-deep, blue, 40,000-gallon pool, which is a bonus that this house has that the black kitchen house didn’t. But the kicker is that one day I was walking around the landscape and noticed that I have a lemon tree in my backyard. This home is everything that I asked for and more.

He closes his eyes and takes a deep inhale, a bright smile on his face. “The smell of books is up there with cake fresh out of the oven and peonies.” “I don’t know what peonies smell like.” His mouth drops open. “Don’t you smell the flowers in your backyard?” I shake my head. “No. They were there when I purchased the house, and I pay a landscaper to handle the yard for me, or Mom does it.” He looks at me like I’m insane, then shakes his head, tsk-ing under his breath. I make a mental note to smell every flower in my backyard when we get home before asking him which ones are his favorites, so I can buy some for him when we’re back home. It’s normal for friends to buy each other flowers, right?

So my years at university were just an excuse to hole up in a shed in my parents’ backyard and write. Because the way I looked at it you learnt to write on the job, by writing. Which wasn’t the most nuanced way to approach the craft of fiction, but not far wide of the mark, as things turned out. What I didn’t know is that you also learn to write by watching and listening and remembering and wondering. And perhaps most importantly, by reading. As a result of four years’ intensive reading I got a sort of education despite myself.

They said I could leave if you came and picked me up." He dropped his voice to a whisper and pulled the camera closer. His pupils were blown wide, almost touching the rims of his irises. "The angry penguins scare me." Jane pinched the bridge of her nose, trying to ward off a headache. "They've given you pain medicine, haven't they?" "My state of medication does not make them any less scary. Tiny, angry, little birds." He was talking about the ancient Catholic nuns of Mercy Hospital. They were one of the few things on the planet that actually frightened Hal. She suspected he would be even more cavalier about getting hurt if there was a hospital other than Mercy to go to in Pittsburgh. "Please, please, please, please, please, please." Hal whimpered. "You've got the Fortress of Solitude. All those empty beds! Please!" "Fine. You can stay at my place. I'll come get you." She slapped down her hand, cutting the feed. The two men were staring at the display with surprise and amusement. "Who was that unfortunate fellow?" Nigel asked. "That's – that's the host of Pittsburgh Backyard and Garden, Hal Rogers. We had a rough shoot this morning." Taggart was clearly confused by the answer. Obviously he thought PB&G was a simple landscape show.

One humid summer afternoon, Remy got to missing his dad, who was in Japan doing fieldwork. After searching around the house, I found him in the backyard sitting on a rock and crying tears that were so sincere and alone that I immediately cried right along with him--out of both empathy and also a sense of joy that he, after a mere five years on this earth, was able to feel so deeply for someone else. Because I was crying, I was short on words, but I carried him inside to an overstuffed chair and let his little heaving body fill in every space on my stomach and chest. We stayed there for a long time without speaking while he calmed--he seemed to want to melt right into me until any hurt he felt was gone. I had already been thinking a lot about bodies and the spirit, but that moment brought new clarity to my abstract ideas and tentative conclusions. My body is home to my children. I lie between my children each night while they fall asleep, and they reach out in the dark and stroke my face or reach for my hand. It's like the reaffirmation of both their place in the world and their place in a larger plan, as they run their tiny hands across the familiar and tangible landscape of my body. My body for them is a manifestation of home, and home is what the spirit has always felt like for me. There have been times in my life, more than I'd like to admit, that I've spent copious amounts of thought and energy trying to rearrange the home of my body. Roughly pushing furniture around with dissatisfaction, barging in with the latest trend, sitting at the window wishing my home was anything other than what it was. I think, like many, I've been harsh to my body, spoken unkindly to and about it. Watching Thea move through the world with almost comical confidence has shifted my paradigm. Since she has been around, I slowly, one step and one day at a time, began reclaiming confidence in my body. I feel fierce in protecting her confidence, and I've learned in order to do that I have to protect my own. I've learned that in order to be an efficacious woman with any sort of spiritual power, I first have to love my body.