Backyard Baseball Quotes

I unconsciously decided that, even if it wasn't an ideal world, it should be so and painted only the ideal aspects of it - pictures in which there are no drunken slatterns or self-centered mothers . . . only foxy grandpas who played baseball with kids and boys who fished from logs and got up circuses in the back yard.

A little boy went out to the backyard to play with a baseball bat and a ball. He said to himself, “I am the best hitter in the world.” Then he threw the ball up in the air and took a swing at it, but he missed. Without a moment’s hesitation, he picked up the ball and tossed it in the air again, saying as he swung the bat, “I’m the best hitter in all the world.” He swung and missed. Strike two. He tossed the ball up again, concentrating more intensely, even more determined, saying, “I am the best hitter in all the world!” He swung the bat with all his might. Whiff! Strike three. The little boy laid down his bat and smiled real big. “What do you know?” he said. “I’m the best pitcher in all the world!

What I can’t understand is why. If he wanted to talk, he could have revealed himself. Instead, he continued to creep between the Hawthorne Institute and my backyard, usually with a baseball in hand.

Anyone who knows baseball knows Ted Williams. He played professionally from 1939 to 1960 and is one of the undisputed greatest hitters of all time, right up there with Babe Ruth. But whether you’re familiar with him or not, I have news for you: Ted Williams never played baseball. Nope, he never did. The problem there is the verb: Williams wasn’t playing. To him, hitting a baseball wasn’t a game. He always took it very, very seriously. In a 1988 interview he said as a child he literally wished on a falling star that he would become the greatest hitter to ever live. But he didn’t sit around and wait for the dream to come true. His obsessive, perfectionist work ethic would bring him more success than any descending celestial body would. Williams said, “I . . . insist that regardless of physical assets, I would never have gained a headline for hitting if I [had not] kept everlastingly at it and thought of nothing else the year round . . . I only lived for my next time at bat.” Ten thousand hours to achieve expertise? Williams probably did that a few times over. He was obsessed. After school, he’d go to a local field and practice hitting until nine P.M., only stopping because that’s when they turned the lights out. Then he’d go home and practice in the backyard until his parents made him go to bed. He’d get to school early so he could fit in more swings before classes started. He’d bring his bat to class. He picked courses that had less homework, not because he was lazy but so he’d have more time for hitting.

One day in the spring of 1894 or so, Amanda Cobb looked out her kitchen window and saw Tyrus and a bunch of Negro boys merrily hauling a cart laden with scrap metal, broken furniture, and other things they’d found in backyards and vacant lots around town. They were headed toward the junkyard to try to make a few dollars, and Mrs. Cobb knew for what. “He was always thinking up ways of earning money to buy baseball supplies,” she would tell a writer for the Springfield (Massachusetts) Sunday Union and Republican in 1928. “He was always playing when he was a child. In fact, we had a hard time getting him to go to school. I remember that the first money he earned he spent for a mitt. He couldn’t have been more than six years old when a neighbor asked him to take his cow to the pasture and gave Ty some change for doing it. Ty didn’t buy candy or ice cream. He knew what he wanted, and he got it—a baseball glove.

You choose to work». «For us!» «No, Tatiana, for you». «Well, who do you work for? Don’t you work for you?» «No,» said Alexander. «I work for you. I work so that I can build you a house that will please you. I work very hard so you don’t have to, because your life has been hard enough. I work so you can get pregnant; so you can cook and putter and pick Anthony up from school and drive him to baseball and chess club and guitar lessons and let him have a rock band in our new garage with Serge and Mary, and grow desert flowers in our backyard. I work so you can buy yourself whatever you want, all your stiletto heels and clingy clothes and pastry mixers. So you can have Tupperware parties and bake cakes and wear white gloves to lunch with your friends. So you can make bread every day for your family. So you will have nothing to do but cook and make love to your husband. I work so you can have an ice cream life.

What about the backyard stuff?” he asked. “What about it?” “Is it okay if I use it, too?” “Oh, sure. The equipment is in a metal shed in the back. Just help yourself. It’s not locked or anything. And if you want company, just let me know. I’d be happy to play with you.” Did I just say that? I did not just say that. Like we were six years old and heading for a sandbox. He was grinning again, like he thought it was funny or stupid or I was having a Tiffany moment. “I didn’t mean play with you exactly,” I said. “I meant…you know, keep you company so you don’t feel awkward…you know, like I exercised with you.” “I’ll be okay alone in the backyard.” He stepped off the treadmill. “I’m going to go shower.” He waited a heartbeat, like he expected me to say I’d be happy to keep him company in the shower, too. Fortunately, my brain finally kicked in, and I kept my mouth shut. I watched him walk out of the room. I thought I’d known everything that would be involved in having a baseball player living with us for the summer. I was discovering that I didn’t have a clue.

What a dreadful experience for a young boy who just wanted the company of his dad, who just wanted to whack at baseballs in the backyard with the old man, who just wanted to be taught to use a circular saw, who just wanted to learn the rudiments of five-card stud or blackjack, who just wanted to understand the precise location of the clitoris or how to pronounce clitoris, or who wanted to learn how to order meat from a waiter, or who wanted to say the word meat with great gusto, or who wanted to learn the proper way to mix and shake a martini, or who wanted to learn to say good little piece of tail, or who wanted to contemplate the necessity of moving on, or who wanted to neglect to shave, or who wanted to learn the specifics of firearms, wanted to be able to eject a used shell, to drive with one hand and dangle the other out the window, to belch without shame, who wanted to drink in the morning, who wanted not to bother flushing the toilet, who wanted to learn to walk naked from the bathroom without worrying about who saw him, and who wanted to cut down his colleagues, his personal friends, in midsentence when he had to. Who would not want his dad when his dad was gone?

became a blurry swirl of shapes and colors narrowing into a luminous spot of white light at the end of a black anoxic tunnel and dissolving into a rapid series of bright sharp images that I recognized at once from my childhood: long forgotten memories of important moments flashing by faster than anything I’d ever experienced, twenty to thirty frames a second, each one of them original, like perfect photographic slides from the archives of my young life, every scene compressed into a complete story with sights and sounds and smells and feelings from the time. Each image was euphoric, rapturous. The smiling face of my beautiful young mother / a gentle touch from her hand on my face / absorbing her love / playing in the sand at the seashore with my father / waves washing up on the beach / feeling the strength and security of his presence / soothing, kind-hearted praise from a teacher at school / faces and voices of adoring aunts and uncles / steam trains coming in at the local railroad station / hearing myself say “choo-choo” / the excitement of shared discovery with my brother on Christmas morning / running free through a familiar forest with a happy dog / hitting a baseball hard and hearing encouraging cries from my parents behind me in the bleachers / shooting baskets in a backyard court with a buddy from high school / a tender kiss from the soft warm lips of a lovely teenage girl / the encouraging thrust of her stomach and thighs against mine.

Two years before our arrival at Maplehurst, we had left the Midwest eager for new jobs, milder weather, and a house of our own with a real backyard. We were unprepared for the enormity of our losses. Good friends. Close-knit community. A meaningful connection with the work of our minds and our hands. There was one lost thing, in particular. It was such a natural part of our prewilderness lives that I only ever recognized it after it was gone. In our northern city, we had lived a seasonal rhythm of summer festivals and winter sledding, spring baseball games and autumn apple picking. Our moments and our months were distinguished by the color of the trees, deep red or spring green, and the color of the lake, sparkling and playful in summer, menacing and dull in winter. These things were the beautiful, sometimes harsh, but always rhythmic backdrop in our days. Time was like music. It had a melody. In the wilderness, the only thing that differentiated one season from the next was my terrible winter asthma. Without time's music, I became aimless and disconnected, like a child's lost balloon.

We can be nomads in our own narrative, can feel like a stranger in our own story, just stopping by and traveling through, forever looking for something we feel we will not and cannot ever find. This sense of placelessness has everything to do with personhood, has everything to do with the ways our lives will project forward—who we will become and why. We are, all of us, trying to go back to the backyards where we learned to throw baseballs, the kitchens where we learned how to cook. We are trying to get back to the fields our families farmed, the ancient recipes and remedies, hoping to know what we need to make the soups and sauces. We search for bloodlines lost in map lines, the immigrant story of coming to a new land only to find ourselves missing the old one. Generations stretch out, longer and farther from our place of origin, straining and stretching to hold on to who we are. But the currents of change are strong, washing it all away in the waters of time.

We can be nomads in our own narrative, can feel like a stranger in our own story, just stopping by and traveling through, forever looking for something we feel we will not and cannot ever find. This sense of placelessness has everything to do with personhood, has everything to do with the ways our lives will project forward—who we will become and why. We are, all of us, trying to go back to the backyards where we learned to throw baseballs, the kitchens where we learned how to cook. We are trying to get back to the fields our families farmed, the ancient recipes and remedies, hoping to know what we need to make the soups and sauces. We search for bloodlines lost in map lines, the immigrant story of coming to a new land only to find ourselves missing the old one. Generations stretch out, longer and farther from our place of origin, straining and stretching to hold on to who we are. But the currents of change are strong, washing it all away in the waters of time.

Baseball is fathers and sons,” the poet Donald Hall wrote. “Football is brothers beating each other up in the backyard.

I feel this constant buzz of dark power. I think I was right that dark energy multiplies your energy. It’s like I have unlimited mindbending power! Just a few more nights of training and Tommy and Randall will be sorry they messed with me. With his new understanding of his powers, he created a baseball bat and made the ball hover in front of him. Taking hold of the bat, he swung it. It crashed into the ball just as he released his mental grip on it. The ball went flying over their fence. It was headed for at least three backyards away, when suddenly it stopped. Leon stared at it curiously. What’s happening? Have I lost control of my powers? Am I making it hover there without knowing that I’m doing it? Why isn’t it moving? Leon noticed something move in the corner of his vision. He turned to see Randall walking around the side of his house. He scowled, though Randall didn’t see it because he was staring at the ball. Leon looked back at the ball and saw it coming slowly back to him. It landed just inside his fence and rolled to his feet. Leon looked back up at Randall. He shivered and felt goosebumps on his arm. There was something different about Randall. His clothes were normal: cargo shorts and a blue t-shirt.