Backwards Hat Quotes

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And do I look like the kind of man that can be intimidated?" barked Uncle Vernon. "Well..." said Moody, pushing back his bowler hat to reveal his sinisterly revolving eye. Uncle Vernon lept backward in horror and collided painfully with a luggage trolley. "Yes, I'd have to say you do, Dursley.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
She turned to Jin now, sprawled by the fire, his hat pulled over his eyes. “I can tell you’re awake. Are you coming with us?” He sighed, tipping his hat backward. “Yeah, yeah. Just trying to get some sleep before going to near certain death.
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
Old George Orwell got it backward. Big Brother isn’t watching. He’s singing and dancing. He’s pulling rabbits out of a hat. Big Brother’s busy holding your attention every moment you’re awake. He’s making sure you’re always distracted. He’s making sure you’re fully absorbed.
Chuck Palahniuk (Lullaby)
Are you threatening me, sir?” he said, so loudly that passersby actually turned to stare. “Yes, I am,” said Mad-Eye, who seemed rather pleased that Uncle Vernon had grasped this fact so quickly. “And do I look like the kind of man who can be intimidated?” barked Uncle Vernon. “Well...” said Moody, pushing back his bowler hat to reveal his sinisterly revolving magical eye. Uncle Vernon leapt backward in horror and collided painfully with a luggage trolley. “Yes, I’d have to say you do, Dursley.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Old George Orwell got it backward.Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's busy holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed.He's making sure your imagination withers. Until it's as useful as your appendix. He's making sure your attention is always filled.And this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
Chuck Palahniuk (Lullaby)
I’ve always considered myself a feminist, but there’s something so goddamn sexy about a man in a backwards hat that has me ready to drop to my knees for the patriarchy.
Chelsea Curto (Face Off (D.C. Stars, #1))
And they are dancing, the board floor slamming under the jackboots and the fiddlers grinning hideously over their canted pieces. Towering over them all is the judge and he is naked dancing, his small feet lively and quick and now in doubletime and bowing to the ladies, huge and pale and hairless, like an enormous infant. He never sleeps, he says. He says he’ll never die. He bows to the fiddlers and sashays backwards and throws back his head and laughs deep in his throat and he is a great favorite, the judge. He wafts his hat and the lunar dome of his skull passes palely under the lamps and he swings about and takes possession of one of the fiddles and he pirouettes and makes a pass, two passes, dancing and fiddling at once. His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Screw guys in backward ball caps and gray sweatpants. Men in hard hats and work boots are my new kink, thanks to Construction Ken standing in front of me with muscular arms and killer cheekbones.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
He’s got a backwards hat on, dark-rimmed glasses, and a toddler in his arms with a matching cap for goodness’ sake.
Liz Tomforde (Caught Up (Windy City, #3))
These distraction-oholics. These focus-ophobics. Old George Orwell got it backward. Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed... and this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
Chuck Palahniuk (Lullaby)
Teddy risked a look backward and nodded as he handed Henry his hat. The two men shook hands and then walked past each other Teddy moving in the direction of Henry's room and Henry the hat pulled down over his face toward the Cutting carriage that was waiting by the curb.
Anna Godbersen (Rumors (Luxe, #2))
He knows we’re a team.” “A team,” Hunt said slowly. As if out of everything she’d laid out, that was what he chose to dwell on. “You know what I mean,” Bryce said. “I’m not sure I do.” Had his voice dropped lower? “We’re roomies,” she said, her own voice getting breathy. “Roomies.” “Occasional Beer Pong Champions?” Hunt snatched the hat off her head and plunked it back on his own, backward as usual. “Yes, the Autumn King truly fears our unholy beer pong alliance.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The sound shivers through the walls, through the table, through the window frame, and into my finger. These distraction-oholics. These focus-ophobics. Old George Orwell got it backward. Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed... and this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
Chuck Palahniuk (Lullaby)
I walked past the lady in yellow robes and the maid bringing her a letter, past the soldier with a magnificent hat and the girl smiling at him, thinking of warm lips, brown eyes, blue eyes. Her brown eyes stopped me. It's the painting from whose frame a girl looks out, ignoring her beefy music teacher, whose proprietary hand rests on her chair. The light is muted, winter light, but her face is bright. I looked into her brown eyes and I recoiled. She was warning me of something-- she had looked up from her work to warn me. Her mouth was slightly open, as if she had just drawn a breath in order to say to me, "Don't!" I moved backward, trying to get beyond the range of her urgency. But her urgency filled the corridor. "Wait," she was saying, "wait! Don't go!" ... She had changed a lot in sixteen years. She was no longer urgent. In fact, she was sad. She was young and distracted, and her teacher was bearing down on her, trying to get her to pay attention. But she was looking out, looking for someone who would see her. This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music.- as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that? I had something to tell her now "I see you," I said. My boyfriend found me crying in the hallway. "What's the matter with you?" he asked. "Don't you see, she's trying to get out," I said, pointing at her.
Susanna Kaysen (Girl, Interrupted)
Jordan Thatcher’s messy black hair curls around a backward hat that says I heart MILFs.
Rebecca Jenshak (Tutoring the Player (Campus Wallflowers, #1))
Hat forward. Cute.” Her free hand mimics grabbing the brim of a cap and turning it backward. “Hat backward? Game on. It’s like a switch.
Elsie Silver (Heartless (Chestnut Springs, #2))
She liked hats, she had the true french feeling about a hat, if a hat did not provoke some witticism from a man on the street the hat was not a success.
Gertrude Stein (Looking Backward: Including "Equality")
Nu metal kids are cul-de-sac crybabies with their baseball hats on backward. Every song is a little boy crying in his bedroom about how his girlfriend won’t make him a sandwich like his mommy used to do.
Grady Hendrix (We Sold Our Souls)
Again the starter and the engine, and after a minute or two the rattle and pop of gravel as the DeSoto eased backward out of the barn. It gleamed darkly and demurely, like a ripe plum. Its chrome was polished, hubcaps and grille, and the side walls of the tires were snowy white. There was a preposterous beauty in all that shine that made her laugh. Jack put his arm out of the window, waiving his hat like a visiting dignitary, backed into the street, and floated away, gentling the gleaming dirigible through the shadows of arching elm trees, light dropping on it through their leaves like confetti as it made its ceremonious passage.
Marilynne Robinson (Home (Gilead, #2))
He grabs a white hard hat from behind the barrier and places it on my head. My nose scrunches. “Seriously?” “Safety first.” He turns my headlamp on before setting up his own. Screw guys in backward ball caps and gray sweatpants. Men in hard hats and work boots are my new kink, thanks to Construction Ken standing in front of me with muscular arms and killer cheekbones.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
Pay no attention to them, ladies, I beg of you," said Gant scathingly. "They are the lowest of the low, the whiskey-besotted dregs of humanity, who deserve to bear not even the name of men, so far have they retrograded backwards." With a flourishing sweep of his slouch hat he departed into the warehouse. "By God!" said Ambrose Nethersole approvingly. "It takes W. O. to tie a knot in the tail of the English language. It always did.
Thomas Wolfe (Look Homeward, Angel)
He knows we're a team.' 'A team,' Hunt said slowly. As if, out of everything she'd laid out, that was what he chose to dwell on. 'You know what I mean,' Bryce said. 'I'm not sure I do.' Had his voice dropped lower? 'We're roomies,' she said, her own voice getting breathy. 'Roomies.' 'Occasional Beer Pong Champions?' Hunt snatched the hat off her head and plunked it back on his own, backward as usual. 'Yes, the Autumn King truly fears our unholy beer pong alliance.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools. Oh my god, said the sergeant.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
I'm sure we'll need some- oof!" She was never to finish the thoughts she was startled by a creature that came bounding swiftly around the side of the carriage. A glimpse of floppy ears and jolly brown eyes filled her vision before the enthusiastic canine pounced so eagerly that she toppled backward from her squatting position. She landed on her rump, the impact knocking her hat to the ground. A swath of hair came loose and slid over her face, while a young tan-and black retriever leapt around her as if he were on springs. She felt a huff of dog breath on at her ear and the swipe of a tongue on her cheek. "Ajax, no," she heard Ivo exclaim. Realizing what a mess she'd become, all in a matter of seconds, Pandora experienced a moment of despair, followed by resignation. Of course this would happen. Of course she would have to meet the duke and duchess after tumbling on the drive like a half-witted carnival performer. It was so dreadful that she began to giggle, while the dog nudged his head against hers. In the next moment, Pandora was lifted to her feet and caught firmly against a hard surface. The momentum threw her off balance, and she clung to St. Vincent dizzily. He kept her anchored securely against him with an arm around her back. "Down, idiot," St. Vincent commanded. The dog subsided, panting happily. "He must have slipped past the front door," Ivo said. St. Vincent smoothed Pandora's hair back from her face. "Are you hurt?" His gaze ran over her swiftly. "No... no." Helpless giggles kept bubbling up as her nervous tension released. She tried to smother the giddy sounds against his shoulder. "I was... trying so hard to be ladylike..." A brief chuckle escaped him, and his hand moved over her upper back in a calming circle. "I would imagine it's not easy to be ladylike in the midst of a dog mauling.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
She stumbled along, knocking into a man in a wide straw hat who was running down the aisle of vendors. When he caught hold of her, she saw that his eyes were green as grass. "You,” she said, her voice syrup-slow. She stumbled and fell on her hands and knees. People were shouting at each other, but that wasn't so bad because at least no one was making her get up. Her necklace had fallen in the dirt beside her. She forced herself to close her hand over it. The elf pushed the mananambal, saying something that she couldn't quite understand because all the words seemed to slur together. The old man shoved back and then, grabbing the enkanto's arm at the wrist, bit down with his golden tooth. The elf gasped in pain and brought down his fist on the old man's head, knocking him backwards. The bitten arm hung limply from the elf's side. Tomasa struggled to her feet, fighting off the thickness that threatened to overwhelm her. Something was wrong. The potion vender had done this to her. She narrowed her eyes at him. The mananambal grinned, his tooth glinting in the floodlights.
Holly Black (The Poison Eaters and Other Stories)
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
As she lifted her own backpack over the side of the black, heavy-duty dodge pickup, Owen took it out of her hands and set it beside the one-man tent and sleeping bag the FBI had provided for him. “I could have done that,” she said. “Sure you could. But my daddy taught me a gentleman always helps a lady.” Bay was so startled at what he’d said, and the chagrined way he’s said it, that she laughed. “Oh, my god. Chauvinism is alive and well—” “We call it chivalry, or Southern courtesy, ma’am,” he said. She realized he was heading around the truck to open the door for her. She stepped in front of him and said, “It’s going to be a long trip if you refuse to let me pull my weight. I can get my own door, Mr. Blackthorne.” For a minute, she thought he was going to make an issue of it. Then he touched the brim of his hat, shot her a rakish grin that turned her insides to mush, and said, “Whatever you say, Mizz Creed.” She was so flustered, she took a half step backward, slid into the seat when he opened the door for her after all, and said, “My friends call me Bay.” Bay flushed as she realized what she’d said. As he came around the hood and got in, she said, “That is—I mean—you know what I mean!” He belted himself into the driver’s seat and started the engine, before he turned to her and said, “My friends call me Owe. You can call me Owen.” She stared at him disbelief. “Oh. You. Blackthorne, you.
Joan Johnston (The Texan (Bitter Creek, #2))
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!
David Cook (Heart of Oak (The Soldier Chronicles, #2))
My internal dialogue went something like this: leave it open!… but that would be strange if someone walks by… who cares? I care! Why do I care? Just close it! You can’t close it; you’re in your underwear!! and if the door is closed you might… do… something… Here is the situation: I’m in my underwear in my room with Quinn and my alcohol laden inhibitions are low, low, low. It’s like closing yourself up in a Godiva chocolate shop, of course you’re going to sample something… Don’t sample anything!! Don’t even smell anything!! If you smell it you’ll want to try it. Don’t smell him anymore. No. More. Smelling. I hope he doesn’t see the empty bottle of wine… Put some clothes on. Is it weird if I dress in front of him? I want some chocolate. Ah! Clothes!! Finally the door closed even though I hadn’t made a conscious decision to do so. I took a steadying breath then turned and followed, trailing some distance behind him and crossing to the opposite side of the room from where he was currently standing. I spotted my workout shirt on the bed and attempted to surreptitiously put it on. Quinn’s back was to me and he seemed to be meandering around the space; he didn’t appear to be in any hurry. He paused for a short moment next to my laptop and stared at the screen. He looked lost and a little vulnerable. Smash, smash, smash I took this opportunity to rapidly pull on some sweatpants and a sweatshirt from my suitcase. The sweatshirt was on backwards, with the little ‘V’ in the back and the tag in the front, but I ignored it and grabbed my jacket from the closet behind me and soundlessly slipped it on too. He walked to the window and surveyed the view as I hurriedly pushed my feet into socks and hand knit slippers, given to me by Elizabeth last Christmas. I was a tornado of frenzied activity, indiscriminately and quietly pulling on clothes. I may have been overcompensating for my earlier state of undress. However, it wasn’t until he, with leisurely languid movements, turned toward me that I finally stopped dressing; my hands froze on my head as I pulled on a white cabled hat, another hand knit gift from Elizabeth. Quinn sighed, “I need to talk to you about your sist-” but
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Hurry up!” everyone in the room seemed to shriek at the same time. It didn’t matter to us that all over Pittsburgh, in every house and in every bar, thousands of others were undoubtedly carrying out their own rituals, performing their own superstitions. Hats were turned backward and inside out, incantations spoken and sung, talismans rubbed and chewed and prayed to. People who had the bad fortune of arriving at their gathering shortly before the Orioles’ first run were treated like kryptonite and banished willingly to the silence of media-less dining rooms and bathrooms, forced to follow the game through the reactions of their friends and family. And every one of those people believed what we believed: that ours was the only one that mattered, the only one that worked. Ruthie fumbled through the pages. Johnson fouled one off. “Got it!” Ruthie called. She stood and held Dock Ellis’s picture high over her head, Shangelesa’s scribbled hearts like hundreds of clear bubbles through which her father could watch the fate of his teammates. “He’s no batter, he’s no batter!” Ruthie sang. Johnson grounded the next pitch to shortstop Jackie Hernandez, who threw to Bob Robertson at first, and the threat was over. We yelled until we were hoarse. We were raucous and ridiculous and unashamed, and I have no better childhood memory than the rest of that afternoon. Blass came back out for the ninth, heroically shrugging off his wobbly eighth and, with Ruthie still standing behind us, holding the program shakily aloft for the entirety of the inning, he induced a weak grounder from Boog Powell, an infield pop-up from Frank Robinson, and a Series-ending grounder to short from Rettenmund. For the second inning in a row, Hernandez threw to Robertson for the final out, and all of us (or those who were able) jumped from our seats just as Blass leaped into Robertson’s arms, straddling his teammate’s chest like a frightened acrobat. Any other year, Blass would have been named the Most Valuable Player, and his performance remains one of the most dominant by a pitcher in Series history: eighteen innings, two earned runs, thirteen strikeouts, just four walks, and two complete game victories. But this Series belonged to Clemente. To put what he did in perspective, no Oriole player had more than seven hits. Clemente had twelve, including two doubles, a triple and two homeruns. He was relentless and graceful and indomitable. He had, in fact, made everyone else look like minor leaguers. The rush
Philip Beard (Swing)
The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.
Elizabeth Bishop (The Complete Poems 1927-1979)
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Evening,” Zane said. It was a pretty wordy opening for him. Phoebe debated inviting him in, then decided it would be too much like an offer to sleep with him. Instead of stepping back and pointing to the bed, which was really what she wanted to do, she moved down the hallway, shutting the door behind her, and did her best to look unimpressed. “Hi, Zane. How are the preparations coming?” He gave her one of his grunts, then shrugged. She took that to mean, “Great. And thanks so much for asking.” They weren’t standing all that close, but she was intensely aware of him. Despite the fact that he’d probably been up at dawn and that it was now close to ten, he still smelled good. He wasn’t wearing his cowboy hat, so she could see his dark hair. Stubble defined his jaw. She wanted to rub her hands over the roughness, then maybe hook her leg around his hip and slide against him like the sex-starved fool she was turning out to be. “Maya’ll be here tomorrow,” he said. “Elaine Mitchell is bringing her out to the ranch with all of the greenhorns in her tourist bus.” She had to clear her throat before speaking. “Maya called me about an hour ago to let me know she’d be getting here about three.” He folded his arms across his broad chest, then leaned sideways against the doorjamb beside her. So very close. Her attention fixed on the strong column of his neck, and a certain spot just behind his jaw that she had a sudden urge to kiss. Would it be warm? Would she feel his pulse against her lips? “She doesn’t need to know what happened,” Zane said. Phoebe couldn’t quite make sense of his words, and he must have read the confusion in her eyes. They were alone, it was night and the man seemed to be looming above her in the hallway. She’d never thought she would enjoy being loomed over, but it was actually very nice. She had the feeling that if she suddenly saw a mouse or something, she could shriek and jump, and he would catch her. Of course he would think she was an idiot, but that was beside the point. “Between us,” he explained. “Outside. She doesn’t need to know about the kiss.” A flood of warmth rushed to her face as she understood that he regretted kissing her. She instinctively stepped backward, only to bump her head against the closed bedroom door. Before she had time to be embarrassed about her lack of grace or sophistication, he groaned, reached for her hips and drew her toward him. “She doesn’t need to know about this one, either.” His lips took hers with a gentle but commanding confidence. Her hands settled on either side of the strong neck she’d been eyeing only seconds ago. His skin was as warm as she’d imagined it would be. The cords of his muscles moved against her fingers as he lifted his head to a better angle. His hands were still, except his thumbs, which brushed her hip bones, slow and steady. His fingers splayed over the narrowest part of her waist and nearly met at the small of her back. She wished she could feel his fingertips against her skin, but her thin cotton top got in the way. He kept her body at a frustrating distance from his. In fact, when she tried to move closer, he held her away even as he continued the kiss. Lips on lips. Hot and yielding. She waited for him to deepen the kiss, but he didn’t. And she couldn’t summon the courage to do it herself. Finally, he drew back and rested his forehead against hers for a long moment. “Do me a favor,” he said. “Try to be a little more resistible. I don’t think I can take a week of this.” Then he turned on his heel, walked to a door at the end of the long hallway, and went inside. She stood in place, her fingers pressed against her still-tingling lips. More than a minute passed before she realized she was smiling.
Susan Mallery (Kiss Me (Fool's Gold, #17))
On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.
Terri Irwin (Steve & Me)
Friendships He walked the street with his hat on, as he held on tightly to his stick, tall, sensing his way, up the path and steps. There she stood ready for the day, with a smile, and her multi-coloured hair, beside her, her faithful friend, as they walked together. One, Two, Three holding on tight, as they walked together, sharing stories, making sure he was safe. Pushed, guided, not to get lost, as she held on tight to the ball, moving it backwards and forwards. There he sat as they exchanged, ideas, passions and choices, with a smile and a thank you. There they stood as they exchanged the daily news, the coffee, a handshake, and a good day. There they walked, as they watched, listened, and shared the beauty of nature, picking the flowers, touching the leaves, and smelling the sweetness. Did you find your friend? ... So many, on the way ... Did you stop? Did you listen? Did you share? By Natasha Parker
Luisa Natasha Parker
I watched the kids walking past us on the sidewalk. They looked pretty much like any other kids. They were dressed for each other. Oversized clothes, sneakers, hats on backwards, or sideways. Most of them tried to look confident. Most of them were full of pretense. All of them were a little overmatched by the speed at which the world came at them. But these kids weren’t like other kids, and I knew it. These kids were doomed. And they knew it.
Robert B. Parker (Small Vices (Spenser, #24))
Derek Walcott wrote in his 1992 Nobel Lecture about the enthusiasm of the tourist: What is hidden cannot be loved. The traveller cannot love, since love is stasis and travel is motion. If he returns to what he loved in a landscape and stays there, he is no longer a traveller but in stasis and concentration, the lover of that particular part of earth, a native. So many people say they ‘love the Caribbean’, meaning that someday they plan to return for a visit but could never live there, the usual benign insult of the traveller, the tourist. These travellers, at their kindest, were devoted to the same patronage, the islands passing in profile, their vegetal luxury, their backwardness and poverty . . . What is the earthly paradise for our visitors? Two weeks without rain and a mahogany tan, and, at sunset, local troubadours in straw hats and floral shirts beating ‘Yellow Bird’ and ‘Banana Boat Song’ to death. There is a territory wider than this – wider than the limits made by the map of an island – which is the illimitable sea and what it remembers. All of the Antilles, every island, is an effort of memory; every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel.24
Carrie Gibson (Empire's Crossroads: A History of the Caribbean from Columbus to the Present Day)
But then, you go and turn a cap backward and give me the full rough-around-the-edges country-boy experi- ence. Do you know how hot that is? I can’t even explain it.” She laughs lightly, like she didn’t just say something that broadsided me. “Hat forward. Cute.” Her free hand mimics grabbing the brim of a cap and turning it backward. “Hat backward? Game on. It’s like a switch.
Elsie Silver (Heartless (Chestnut Springs #2))
He’s got a backwards hat on, dark-rimmed glasses, and a toddler in his arms with a matching cap for goodness’ sake. I try my hardest not to look too closely, but I can see the dark hair spilling out around the edges, ice-blue eyes framed by those glasses. Scruff slopes over his jawline, screaming “older man,” and that alone is my kryptonite.
Liz Tomforde (Caught Up (Windy City, #3))
Luke Brooks did a lot of sexy things, which was getting less annoying, but I don’t think there was anything quite as sexy as watching him, in his backward baseball hat and muscle tee, mount his horse. Damn.
Lyla Sage (Done and Dusted (Rebel Blue Ranch, #1))
My depraved pussy doesn’t stand a chance. She’s a whore for a backward baseball hat—especially on this devastating looking hockey star turned part-time cowboy.
Paisley Hope (Holding the Reins)
Reign grunts, flipping his hat backward and leaning on my dresser.
Monty Jay (Wrath of an Exile (The River Styx Heathens #1))
My depraved pussy doesn’t stand a chance. She’s a whore for a backward baseball hat—especially on this devastating looking hockey star turned part-time cowboy.” ― Paisley Hope, Holding the Reins
Paisley Hope (Holding the Reins (Silver Pines Ranch, #1))
The rest of the family hated Orlando. It was full of ass-backward transplants, bad food, and doo-doo basketball players. It was everything that sucked about the South with none of the benefits. People drove ride-on lawn mowers through their neighborhoods wearing Home Depot hats, but you couldn’t find any decent barbecue within five counties. No Southern hospitality, just hot asphalt and suburban phoniness. All the ignorance, none of the sense.
Eddie Huang (Fresh Off the Boat)
She also could not help but wonder whether he knew that his hat was on backwards.
Michael C. Grumley (Breakthrough (Breakthrough, #1))
He tried to remember in what year he had first heard mention of Big Brother. He thought it must have been at some time in the sixties, but it was impossible to be certain. In the Party histories, of course, Big Brother figured as the leader and guardian of the Revolution since its very earliest days. His exploits had been gradually pushed backwards in time until already they extended into the fabulous world of the forties and the thirties, when the capitalists in their strange cylindrical hats still rode through the streets of London in great gleaming motor-cars or horse carriages with glass sides. There was no knowing how much of this legend was true and how much invented. Winston could not even remember at what date the Party itself had come into existence. He did not believe he had ever heard the word Ingsoc before 1960, but it was possible that in its Oldspeak form—'English Socialism', that is to say—it had been current earlier. Everything melted into mist. Sometimes, indeed, you could put your finger on a definite lie. It was not true, for example, as was claimed in the Party history books, that the Party had invented aeroplanes. He remembered aeroplanes since his earliest childhood. But you could prove nothing.
George Orwell (1984 (Nineteen Eighty-Four), Animal Farm, and over 40 Other Works by George Orwell)
And the winner is,” he sings. He waits, opening the folded piece of paper slowly, drawing out the suspense. I can barely hear him over my own heartbeat, which is thumping like crazy. Is it too late to back out? Shit. I don’t want to do this. “The winner is the person who guessed twelve hundred and forty-eight!” The crowd is silent, and all the participants look to one another. But then I hear a thump, thump, thump, thump as someone comes up the stairs onto the platform. I see the baseball cap before I see the rest of him, and I hope to God that’s Sean’s cap. But Sean didn’t even buy a ticket. Not a single one. Yet it’s his brown gaze that meets mine. It’s his baseball cap, and they are his tattoos. They’re his broad shoulders and his long strides that eat up the distance between us. He turns his hat backward and looks down at me. He stops with less than an inch to spare between us. “Congratulations,” I squeak out. “You didn’t even buy a ticket. How did you…?” “I bought one hundred and forty-two tickets, dummy,” he says. My heart trips a beat. “You did?” All he had to buy was one. I put the winning number on the piece of paper I gave him. He nods, and he takes my face in his hands. His thumbs draw little circles on my cheeks as his fingers thread into the hair at my temples. “You didn’t look at the paper I gave you….” My heart is pounding like mad. “What paper?” he asks. His smile is soft and inviting, and I want to fall into him. “The one you put in your pocket.” His brow furrows. “Never mind,” I say, breathless. He spent 142 dollars for a kiss he already owned in more ways than one. If I loved this man any more, it would be dangerous. He looks down into my eyes, not moving. He’s going to kiss me, right? “What’s the plan here?” “I’m going to kiss my girl,” he says, smiling at me. My breath hitches. “But you have to say yes, first.” He hasn’t let me go. He’s holding me tightly, forcing me to meet his eyes. “This isn’t going to be a one-time thing.” I can’t even think, and he wants me to commit? “It’s not,” I breathe. “You promise?” His gaze searches mine like he’s going to find the secrets to the universe there. “I swear on your life,” I say. He chuckles. “My life?” I nod. His eyebrows draw together. “Aren’t you supposed to swear on your own life?” “My life means nothing if you’re not in it.” His hands start to tremble against my face, and he closes his eyes and takes a deep breath. Logan’s brothers start to chant, “Kiss, kiss, kiss, kiss…,” and the crowd joins in. “You better kiss me,” I say, “or they’re going to get restless.” A tear rolls down my cheek, and he brushes it back with his thumb, his gaze soft and warm. His eyes open, and he leans closer to me. I step onto my tiptoes to get to him because I can’t wait one more second. He stops a breath away from me, just like he did in the room. He waits. “You have to close the distance,” he says to me. He’s making me choose. I fall into him and press my lips to his. He freezes. But then he starts to kiss me. And all the fireworks at the state fair couldn’t compare to the ones that go off in my head.
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
She poured a cup of coffee and slipped into Ada’s makeshift bedroom to grab the book she’d left on the couch. Her gaze focused on her goal, she tiptoed across the rug. With book in hand, she turned. The spine of the book cracked on the floor. The coffee cup broke into pieces, the air ripe with hazelnut. Trembling started in her knees and spread through her body. A static roar blocked out any other noise. The corners of Ada’s mouth tilted into a slight smile. Washed-out blue eyes stared at the ceiling. Darcy reached for Ada’s hand. The cool, waxy skin reeled her backward. She tripped over the book and landed half on the couch. She slid to a crouch on the floor and pulled the afghan over her knees. She dared another look. Ada lay still. Her mind pinged from memory to memory. Standing on a chair in the kitchen while Ada taught her the secret of fluffy biscuits. Cuddling next to Ada on the couch learning to read from Dr. Seuss books. Ada in old, rolled-up overalls and a floppy straw hat weeding the garden. The way Ada smelled like books and Pond’s cold cream. Ada’s laugh when Darcy had regaled her with made-up stories as a child. They’d run out of time to make new memories.
Laura Trentham (Slow and Steady Rush (Falcon Football, #1))
something hard, she presses her lips together just in time to silence a yelp that nearly escapes her throat. “Move!” the guard yells, but marches by without stopping. Finally, Mila senses a structure overhead. They are beneath the main entrance—the arched vehicle gate. A gust of wind lashes at their backs and Mila reaches for her hat to keep it from blowing away. She tugs its brim low over her brow and glances down at Felicia, who is white in the face but whose expression is remarkably calm. Stay focused, Mila reminds herself. You’re so close! Count your steps. One . . . two . . . They creep backward. Three . . .
Georgia Hunter (We Were the Lucky Ones)
I’m coming,” John growled. He rolled his pants legs up a little more, then gingerly stepped into the water. He grimaced. “Boy howdy, is it cold!” Addie giggled behind her hand. “You’ll get used to it in a minute.” He still wore his bowler, vest, and jacket, but with his pants rolled up and the wonder on his face, he reminded her of a little boy dressed in his father’s clothes. She leaned down and flicked cold water at him. A dollop splashed on his cheek and rolled down his neck. His eyes went wide, then he grinned and took off his hat. He scooped up a hatful of water and started toward her. Adrenaline kicked in, and she scurried backward with her hands out. “I give, I give!” He advanced on her. “You’re not getting off that easy.” “Do it, Papa!” Edward splashed water as he practically danced along beside his father. Gideon barked excitedly as if he approved as well. “Traitor,” Addie told him. Her feet slid on the moss-covered rocks. She threw out her hands to try to regain her balance, and John caught her arm. She clutched at him, and in the next moment, she was in his arms, and they both tumbled into the stream. Cold water filled her mouth and nose and soaked her clothing. Her water-heavy dress dragged her down, but she managed to sit up. Laughter bubbled from her throat when she saw John. His wet hair hung in his face, and his suit was soaked. “Hungry?” She picked a flopping minnow off his shoulder and tossed it back into the water. “That was too small to keep anyway,” he said.
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
There you are.” Arthur rushed down the steps to where I stood frozen. He looked serious, solemn even. His arms reached out as if to embrace me, then dropped to his side. “What are you doing here, Arthur?” My voice held a flatness I hardly recognized. And my heart didn’t skip a beat. “I, uh . . .” He glanced back toward his friend in the car before leaning closer to my ear. “We need to talk.” “Then, talk.” I shifted Janie’s weight to my other hip. He cleared his throat and shuffled his feet. “Listen, Rebekah, I’ve been thinking.” His gaze moved to Janie, to the ground. “I was too hasty—about the children, about everything. We can work things out. I understand that they need you to take care of them for a while longer.” He cocked his head and narrowed his eyes just a bit. “But their daddy will be home soon, right?” Suspicion raised my eyebrows. “What’s happened, Arthur?” He swiped a hand through his pale hair, grown longer since our last meeting. “I’m being officially discharged. I thought maybe you and I, we could . . . all those things we talked about . . .” Words I had longed to hear teetered on the edge of his tongue, but I didn’t harbor tender feelings for Arthur any longer. I read more in the depths of his eyes than he knew, like I believed Clara had in Frank’s. Except she apparently saw good; she saw a future. I, on the other hand, sensed a danger in Arthur I’d overlooked before. “We could what?” I asked. He looked perturbed. “Get married, Rebekah. Isn’t that what you wanted?” My head screamed that everything I wanted had changed, but I shut away my unease as I considered the possibilities. At the very least, I had to see if he meant what he said. I swallowed down my fear. “What happened with your fiancée? You never quite explained that, you know.” He slapped his hat on his head, glanced back at his friend waiting in the car. “Listen, I have to go. Borrowed auto and all. But I’ll be back.” He planted his lips on my cheek and jogged away. His friend started the engine and they tore off down the road without a backward glance.
Anne Mateer (Wings of a Dream)
Education was still considered a privilege in England. At Oxford you took responsibility for your efforts and for your performance. No one coddled, and no one uproariously encouraged. British respect for the individual, both learner and teacher, reigned. If you wanted to learn, you applied yourself and did it. Grades were posted publicly by your name after exams. People failed regularly. These realities never ceased to bewilder those used to “democracy” without any of the responsibility. For me, however, my expectations were rattled in another way. I arrived anticipating to be snubbed by a culture of privilege, but when looked at from a British angle, I actually found North American students owned a far greater sense of entitlement when it came to a college education. I did not realize just how much expectations fetter—these “mind-forged manacles,”2 as Blake wrote. Oxford upholds something larger than self as a reference point, embedded in the deep respect for all that a community of learning entails. At my very first tutorial, for instance, an American student entered wearing a baseball cap on backward. The professor quietly asked him to remove it. The student froze, stunned. In the United States such a request would be fodder for a laundry list of wrongs done against the student, followed by threatening the teacher’s job and suing the university. But Oxford sits unruffled: if you don’t like it, you can simply leave. A handy formula since, of course, no one wants to leave. “No caps in my classroom,” the professor repeated, adding, “Men and women have died for your education.” Instead of being disgruntled, the student nodded thoughtfully as he removed his hat and joined us. With its expanses of beautiful architecture, quads (or walled lawns) spilling into lush gardens, mist rising from rivers, cows lowing in meadows, spires reaching high into skies, Oxford remained unapologetically absolute. And did I mention? Practically every college within the university has its own pub. Pubs, as I came to learn, represented far more for the Brits than merely a place where alcohol was served. They were important gathering places, overflowing with good conversation over comforting food: vital humming hubs of community in communication. So faced with a thousand-year-old institution, I learned to pick my battles. Rather than resist, for instance, the archaic book-ordering system in the Bodleian Library with technological mortification, I discovered the treasure in embracing its seeming quirkiness. Often, when the wrong book came up from the annals after my order, I found it to be right in some way after all. Oxford often works such. After one particularly serendipitous day of research, I asked Robert, the usual morning porter on duty at the Bodleian Library, about the lack of any kind of sophisticated security system, especially in one of the world’s most famous libraries. The Bodleian was not a loaning library, though you were allowed to work freely amid priceless artifacts. Individual college libraries entrusted you to simply sign a book out and then return it when you were done. “It’s funny; Americans ask me about that all the time,” Robert said as he stirred his tea. “But then again, they’re not used to having u in honour,” he said with a shrug.
Carolyn Weber (Surprised by Oxford)
Old George Orwell got it backward. Big Brother isn’t watching. He’s singing and dancing. He’s pulling rabbits out of a hat. Big Brother’s busy holding your attention every moment you’re awake. He’s making sure you’re always distracted. He’s making sure you’re fully absorbed. He’s making sure your imagination withers. Until it’s as useful as your appendix. He’s making sure your attention is always filled. And this being fed, it’s worse than being watched. With the world always filling you, no one has to worry about what’s in your mind. With everyone’s imagination atrophied, no one will ever be a threat to the world.” ​
Chuck Palahniuk
So Stephen’s pain is over. He is no longer trapped in the static of his mind. Tormented by stabs of clarity, like a drowning man surfacing above the waves before being engulfed again. There will be no further decline. From here on the decline will be all hers. The pain all hers. She is glad of it, deserves to endure it. It feels like penance. Penance for helping to kill Stephen? Is that right? No. Elizabeth doesn’t feel guilt at the act. She knows in her heart that it was an act of love. Joyce will know it was an act of love. Why does she worry what Joyce will think? It is penance for everything else she has done in her life. Everything that she did in her long career, without question. Everything she signed off, everything she nodded through. She is paying a tax on her sins. Stephen was sent to her, and then taken away, as a punishment. She will speak to Viktor about it; he will feel the same. However noble the causes of her career were, they weren’t noble enough to excuse the disregard for life. Day after day, mission after mission, ridding the world of evil? Waiting for the last devil to die? What a joke. New devils will always spring up, like daffodils in springtime. So what was it all for? All that blood? Stephen was too good for her tainted soul, and the world knew it, so the world took him away. But Stephen had known her, hadn’t he? Had seen her for what she was and who she was? And Stephen had still chosen her? Stephen had made her, that was the truth. Had glued her together. And here she lies. Unmade. Unglued. How will life go on now? How is that possible? She hears a car on a distant road. Why on earth is anybody driving? Where is there to go now? Why is the clock in the hall still ticking? Doesn’t it know it stopped days ago? On the way to the funeral, Joyce had sat with her in the car. They didn’t speak because there was too much to say. Elizabeth looked out of the window of the car at one point, and saw a mother pick up a soft toy her child had dropped out of its pram. Elizabeth almost burst into laughter, that life was daring to continue. Didn’t they know? Hadn’t they heard? Everything has changed, everything. And yet nothing has changed. Nothing. The day carries on as it would. An old man at a traffic light takes off his hat as the hearse passes, but, other than that, the high street is the same. How can these two realities possibly coexist? Perhaps Stephen was right about time? Outside the car window, it moved forward, marching, marching, never missing a step. But inside the car, time was already moving backward, already folding in. The life she had with Stephen will always mean more to her than the life she will now have going forward. She will spend more time there, in that past, she knows that. And, as the world races forward, she will fall further and further back. There comes a point when you look at your photograph albums more often than you watch the news. When you opt out of time, and let it carry on doing its thing while you get on with yours. You simply stop dancing to the beat of the drum. She sees it in Joyce. For all her bustle, for all her spark, there is a part of her, the most important part, locked away. There’s a part of Joyce that will always be in a tidy living room, Gerry with his feet up, and a young Joanna, face beaming as she opens presents. Living in the past. Elizabeth had never understood it, but, with intense clarity, she understands it now. Elizabeth’s past was always too dark, too unhappy. Family, school, the dangerous, compromising work, the divorces. But, as of three days ago, Stephen is her past, and that is where she will choose to live.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
He’s dressed in a pair of jeans, a plain white T-shirt, and a backward baseball hat.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
he’s wearing his signature Dallas Stars, Stanley Cup-winning baseball hat backwards. My depraved pussy doesn’t stand a chance. She’s a whore for a backward baseball hat—especially on this devastating looking hockey star turned part-time cowboy.
Paisley Hope (Holding the Reins (Silver Pines Ranch #1))
Hat forward. Cute.” Her free hand mimics grabbing the brim of a cap and turning it backward. “Hat backward? Game on.
Elsie Silver (Heartless (Chestnut Springs #2))
He’s still in that backward hat that should look foolish, but instead makes him look young and painfully sexy.
Sophia Travers (One Wealthy Wedding (Kings Lane Billionaires, #3))
I’ll do Baldie, then Backwards Hat until it’s only you left.
Bethany Baptiste (The Poisons We Drink)
He reaches for the hat he left on the table, shoving it on his head. Backwards yet again and I get a little lost in how cute he is. Why do men look so appealing wearing their hats like that?
Monica Murphy (Playing Hard to Get (The Players, #1))
Old George Orwell got it backward. Big Brother isn’t watching. He’s singing and dancing. He’s pulling rabbits out of a hat. Big Brother’s busy holding your attention every moment you’re awake. He’s making sure you’re always distracted. He’s making sure you’re fully absorbed. He’s making sure your imagination withers. Until it’s as useful as your appendix. He’s making sure your attention is always filled. And this being fed, it’s worse than being watched. With the world always filling you, no one has to worry about what’s in your mind. With everyone’s imagination atrophied, no one will ever be a threat to the world.
Chick Palahniuk
What, she wondered, could be the reason for such persistent attention? Had she, in her haste in the taxi, put her hat on backwards? Guardedly she felt at it. No. Perhaps there was a streak of powder somewhere on her face. She made a quick pass over it with her handkerchief. Something wrong with her dress? She shot a glance over it. Perfectly all right. What was it? Again she looked up, and for a moment her brown eyes politely returned the stare of the other’s black ones, which never for an instant fell or wavered. Irene made a little mental shrug. Oh well, let her look! She tried to treat the woman and her watching with indifference, but she couldn’t. All her efforts to ignore her, it, were futile. She stole another glance. Still looking. What strange languorous eyes she had! And gradually there rose in Irene a small inner disturbance, odious and hatefully familiar. She laughed softly, but her eyes flashed. Did that woman, could that woman, somehow know that here before her very eyes on the roof of the Drayton sat a Negro? Absurd! Impossible! White people were so stupid about such things for all that they usually asserted that they were able to tell; and by the most ridiculous means, finger-nails, palms of hands, shapes of ears, teeth, and other equally silly rot. They always took her for an Italian, a Spaniard, a Mexican, or a gipsy. Never, when she was alone, had they even remotely seemed to suspect that she was a Negro. No, the woman sitting there staring at her couldn’t possibly know. Nevertheless, Irene felt, in turn, anger, scorn, and fear slide over her. It wasn’t that she was ashamed of being a Negro, or even of having it declared. It was the idea of being ejected from any place, even in the polite and tactful way in which the Drayton would probably do it, that disturbed her.
Nellla Larson
A sudden motion pushed them away from the wall, and then he thought he heard Casati’s oar slide into the water, and they were off. All he heard after that was the soft rubbing of the oar in the curve of the fórcola, the hiss of water along the sides of the boat, and the occasional squeak of one of Casati’s shoes as his weight shifted forwards or backwards. Brunetti gave himself to motion, glad of the passing breeze that tempered the savagery of the heat. He hadn’t thought to bring a hat, and he had scoffed at Paola’s insistence that he bring sunscreen. Real men? Brunetti had rowed since he was a boy, but he knew he had little to contribute to the smoothness of this passage. There was not the slightest suggestion of stop and go, of a point where the thrust of the oar changed force: it was a single forward motion, like a bird soaring on rising draughts of air, or a pair of skis descending a slope. It was a whish or a shuuh, as hard to describe as to hear, even in the midst of the silence of the laguna. Brunetti turned his head to one side, then to the other, but there was only the soft, low hiss. He wanted to turn and look at Casati, as though by watching him row, he might store the motions away and copy them later, but he didn’t want to shift his weight and thus change the balance of the boat, however minimally.
Donna Leon (Earthly Remains (Commissario Brunetti, #26))
Turning around, I see Ryat coming toward me, pocketing his cell phone. He’s dressed in a pair of jeans, a plain white T-shirt, and a backward baseball hat. No man should look that good dressed so casually.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
Shirtless. One slide. A backwards hat. Tan lines on his hips. Purple swim shorts. Abs and a V. A gummy worm hanging out the corner of his mouth. Holy shit, did all that really wanna fuck me?
Nordika Night (Knock Knock (From Nothing, #3))
That backward hat said he meant business, that he was about to get to work, that he was about to get dirty.
Kandi Steiner (Watch Your Mouth (Kings of the Ice, #2))
The day that you walk in a room with your hat turned backwards and someone else turns theirs too, you become a role model. Whether you like it or not.
Dushawn Banks (True Blue)
a man standing behind me wearing a cowboy hat said under his breath, "Fucking faggot." I punched him in the face.
Mark Lanegan (Sing Backwards and Weep: A Memoir)
I come back to the geography of it, the land falling off to the left where my father shot his scabby golf and the rest of us played baseball into the summer darkness until no flies could be seen and we came home to our various piazzas where the women buzzed To the left the land fell to the city, to the right, it fell to the sea I was so young my first memory is of a tent spread to feed lobsters to Rexall conventioneers, and my father, a man for kicks, came out of the tent roaring with a bread-knife in his teeth to take care of the druggist they’d told him had made a pass at my mother, she laughing, so sure, as round as her face, Hines pink and apple, under one of those frame hats women then This, is no bare incoming of novel abstract form, this is no welter or the forms of those events, this, Greeks, is the stopping of the battle It is the imposing of all those antecedent predecessions, the precessions of me, the generation of those facts which are my words, it is coming from all that I no longer am, yet am, the slow westward motion of more than I am There is no strict personal order for my inheritance. No Greek will be able to discriminate my body. An American is a complex of occasions, themselves a geometry of spatial nature. I have this sense, that I am one with my skin Plus this—plus this: that forever the geography which leans in on me I compell backwards I compell Gloucester to yield, to change Polis is this
Charles Olson's (Maximus Poems)
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tacked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' eats and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daublings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from hell more horrible yet than the brimstone land of christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
Cormic McCarthy
Her dad must be a big guy. He pictured a muscular man with a baseball hat on backwards, smoking a cigarette, and drinking a bottle of Wild Turkey while watching underground cockfighting tapes.
Erik Edwards (If You Were There)