Backgrounds Funny Quotes

You know on TV when there’s one of those awkward, shocking moments and all you hear are the crickets in the background? Well chirp fucking chirp...this is one of those moments.

Apparently the part of the brain that identified things as funny kept running as a background process even when its contributions were useless.

IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, NOT BUT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything she said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? AND DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUITFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT”S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT'S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.

People are not two-thirds one thing and the remainder something else. Temperament, personality, or outlook don’t divide quite like that. The bits don’t separate clearly. You end up a funny homogeneous mixture. This is something that will become more common in the latter part of the century—people with mixed cultural backgrounds, and mixed racial backgrounds. That’s the way the world is going.

Look here, cousin,” Big Country’s drawled in the background. “This here’s a car. We just got off a plane, and no matter how fast you push this bitch, she ain’t gon’ fly, so believe me when I say, I refuse to die over some foolishness you call love, not today.

He laughs under his breath, though I’m not sure what is so funny about that. Maybe it’s evil laughter? There’s no dramatic dom dom dom like Anna would provide in the background to steer me toward the appropriate conclusion in a time like this. I really did grow entirely too reliant on her ghostly cues and tension breakers.

And he needed to make things right. It was funny how in moments like this you realized what mattered the most and how everything else was fucking background noise.

She was a bitch,' Carl suddenly heard somebody say in the background, and that apparently refreshed everyone's memory. Yes, thought Carl with satisfaction. It's the good stable arseholes like us who are remembered best.

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Bindu held up her hands in a T-shape. "Neither of you are married or seeing anyone. The aunties did background checks." "Background checks?" Prem asked. "How did you? I mean- I didn't give you any of my personal information." Farha Auntie stood from her chair, brushed off her shoulders, and then stepped closer until she could whisper in his face. "I have your home address, genealogy history, the balance on your credit card, and your social security number prita. As well as the name of your pet beta fish when you were six. Don't test us.

Smiling doesn’t mean she doesn’t care. It’s only a symptom of life carrying on, which inevitably it does. No matter how cataclysmic the events, and even in light of the worst tragedies, hearts continue to beat, lungs continue to draw air, and sometimes things continue to be funny. Some pain changes you, alters you permanently and tattoos your soul. “Forever pain,” her grandmother called it, but amazingly you still live through it. And eventually, even forever pain recedes and grows less sharp. You wake up one day to discover it no longer fills every corner of your mind. It’s still there, lurking in the background, but it’s less present and pronounced, a throb deep within you that almost takes focus to feel.

You make me better on the field, but off the field, too, Sky. I love how you make me feel. Being around you is intoxicating and freeing, but it's also the first sense of home I've had in such a long time. You're funny and sweet, and you don't seem to mind that I told you for the first time while that I love you my toddler is singing a cartoon theme song in the background.

The Captain was wearing his best blousey shirt, his beard was gleaming in the early morning light and he’d polished all his gold teeth. As he strode manfully towards the shore, the only thing that could have make him look even more heroic that he already did would have been the theme to Flash Gordon playing in the background, but it was a hundred and seventy years too early for that.

Background doesn’t mean Old Family,' said Jem. 'I think it’s how long your family’s been readin‘ and writin’. Scout, I’ve studied this real hard and that’s the only reason I can think of. Somewhere along when the Finches were in Egypt one of ‘em musthave learned a hieroglyphic or two and he taught his boy,' Jem laughed. 'Imagine Aunty being proud her great­grandaddy could read an’ write — ladies pick funny things to be proud of.

On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people. Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies. As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down. The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise. Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones? Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex. I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters. I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me. Stories that are not my own. Funny, isn’t it? The power of story. It’s why I picked up a pen. I slay monsters, too.

There were also times when they didn't kiss and roam nonstop. The in-between times. That's when they just held each other and whispered. Marnie, of course, heard it all. Adam would try to make Robyn laugh, and she would, whether it was funny or not. She would tease him and he would tell her what it was like before. And they talked about what it would be like after. It was as if they were two normal kids in love, sitting on a sofa in a warm living room, telling each other almost everything and sorting out the world with someone's mom puttering annoyingly in the background. Except, of course, they weren't two normal kids. Would never be.

As you sit there watching a performance of a Shakespeare, Johnson, or Marlowe play, the crowd will fade into the background. Instead, you will be struck by the diction. There are words and phrases that you will not find funny, but which will make the crowd roar with laughter. Your familiarity with the meanings of Shakespeare's words will rise and fall as you see and hear the actors' deliveries and notice the audience's reaction. That is the strange music of being so familiar with something that is not of your own time. What you are listening to in that auditorium is the genuine voice, something of which you have heard only distant echoes. Not every actor is perfect in his delivery; Shakespeare himself makes that quite clear in his Hamlet. But what you are hearing is the voice of the men for whom Shakespeare wrote his greatest speeches. Modern thespians will follow the rhythms or the meanings of these words, but even the most brilliant will not always be able to follow both rhythm and meaning at once. If they follow the pattern of the verse, they risk confusing the audience, who are less familiar with the sense of the words. If they pause to emphasize the meanings, they lose the rhythm of the verse. Here, on the Elizabethan stage, you have a harmony of performance and understanding that will never again quite be matched in respect of any of these great writers.

People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.

A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.

Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure. Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed. I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved. It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out. Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man. Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad. I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown. We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me. It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.

Now I myself, I cheerfully admit, feel that enormity in Kensington Gardens as something quite natural. I feel it so because I have been brought up, so to speak, under its shadow; and stared at the graven images of Raphael and Shakespeare almost before I knew their names; and long before I saw anything funny in their figures being carved, on a smaller scale, under the feet of Prince Albert. I even took a certain childish pleasure in the gilding of the canopy and spire, as if in the golden palace of what was, to Peter Pan and all children, something of a fairy garden. So do the Christians of Jerusalem take pleasure, and possibly a childish pleasure, in the gilding of a better palace, besides a nobler garden, ornamented with a somewhat worthier aim. But the point is that the people of Kensington, whatever they might think about the Holy Sepulchre, do not think anything at all about the Albert Memorial. They are quite unconscious of how strange a thing it is; and that simply because they are used to it. The religious groups in Jerusalem are also accustomed to their coloured background; and they are surely none the worse if they still feel rather more of the meaning of the colours. It may be said that they retain their childish illusion about their Albert Memorial. I confess I cannot manage to regard Palestine as a place where a special curse was laid on those who can become like little children. And I never could understand why such critics who agree that the kingdom of heaven is for children, should forbid it to be the only sort of kingdom that children would really like; a kingdom with real crowns of gold or even of tinsel. But that is another question, which I shall discuss in another place; the point is for the moment that such people would be quite as much surprised at the place of tinsel in our lives as we are at its place in theirs. If we are critical of the petty things they do to glorify great things, they would find quite as much to criticise (as in Kensington Gardens) in the great things we do to glorify petty things. And if we wonder at the way in which they seem to gild the lily, they would wonder quite as much at the way we gild the weed.

what could Marilyn Monroe’s death ever have to do with me? “IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, BUT NOT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything he said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUTIFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT’S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT’S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.

White cats are reminder of a world full of love and peace, if cared for glows likes snow on background of setting sun

Shit Can Happen" Bitch Yeah... [1] - Shit can happen [8X] [Kon Artis] Yo, yo, huh, yo, yo, yo That's right motherfuckers we back Same slanging, orangatangin, wilding out on hoodrats They say I act like I'm too famous to say hi And tell 'em what my name is but really I'm still nameless... You niggas don't get it yet do you Dealing out platinum or flop I still put it through you Wit a luger that'll spit fire And hit higher than a pitch by a bitch like Mariah You think for one second since we got a deal That we won't deal wit you in front of St Andrew's still? You gay rappers better learn that I won't stop until I see 'em turn back If you don't slow that roll you got You gonna see these Runyan Ave. niggas that really need some Prozac For' sure' that, ask the others But gator lay you down next to your mother's mother's grandmother [Kuniva] You know I'm feeling real rowdy tonight Ready to fight and half the niggas I give dap to I don't even like The same cat who never gave a damn about your name I gives a fuck about it like the next selling Clippers' game I kill you in ways you couldn't even fathom You and your madame, it's really unexplainable how I have 'em Who call theyself screaming about a challenge Nigga we got a gift while you barely making it off mere talent My skills are deeply embedded even your hoe said it She was knock kneed I fucked her now she's bow legged In the middle of rappin I drop the mic And have a stare down and jump in the crowd and start scrappin Kuniva and Kon Artis my nigga we get it cracking While the paramedics pick you up we on the side laughing [HOOK: 1- in background] [Kon Artis] Now this aint funny so don't you dare laugh Shit can happen in him and yo' ass You can be touched don't think you can't Cause niggas aint fucking around no more man [repeat] [Swifty McVay]

Let’s explore how your Approval Seeker shows up in your life. What things do you do to make sure people like you? What things do you avoid, so others won’t be upset? Take a moment to reflect on this now. The more self-aware you can become, the more power you have to transform yourself and your results. Be sure to think about each of the core areas in your life–your work and career, dating and romantic life, friends and family. 15 Common Signs of Approval Seeking 1. Avoiding No You avoid saying no to others. You fear they will become upset or think you’re a bad person, so you usually say yes, even if it adds more stress to your life. 2. Hesitation You often wait for the “right thing” to say (and thus speak way less than you normally do). 3. Nervous Laughter You’re quick to laugh at whatever another person says, even if it’s not that funny. Your laugh might come too quickly, too often, or at inappropriate times. 4. Difficulty with Endings You have difficulty ending things, from conversations to friendships to romantic relationships. As a result, you may drag things out longer than you really want to. 5. Overly Agreeable You smile, nod, and are very agreeable with others (regardless of your actual opinions on the subject). 6. Avoiding Disagreement You avoid disagreeing with others, challenging others, or stating alternative perspectives. 7. Fear of Judgment You’re afraid of the judgments of others (which can lead to nervousness, hesitation, over-thinking, and social anxiety). 8. Fear of Upset You’re often afraid that others are secretly angry or critical of you, even though they seem to like you when you’re together. This can lead to a constant background unease that you may have “done something wrong” that someone is upset about. 9. Pressure to Entertain You feel pressure to have something great to share, such as a funny or highly engaging story about an adventure you’ve had. 10. Second Guessing & Conversational Replays During an interaction, you experience self-consciousness and doubt about how you are coming across. You imagine you should be someone “better” than you are. Afterwards, you replay the interaction in your mind and find all the things you did wrong, ways you may have upset the other person, and things you should have said. 11. Habitual Apologies You’re quick to apologize out of habit, even for minor transgressions, like starting to speak at the same time as someone else. 12. Submissive Body Language You demonstrate submissive body language, such as looking away frequently or keeping your eyes down. 13. Putting Others First You have a strong habit of putting others’ needs ahead of your own, thinking it is selfish to do otherwise. 14. Not Stating Desires You rarely state what you want directly. Instead, you may suggest or imply something and hope the other person detects it. You often question your desires and think they might be either too much or not worth asking for. 15. Attempting to Fit In & Impress You try to fit in to groups by pretending to be interested in things you are not, or exaggerating about your experiences, wealth, or achievements. All submission to peer pressure is approval seeking.

If you want a picture of the future; imagine a skinny man who belongs to a race with the lowest birthrates in human history fucking the latest model 300 robot pussy whilst a TV blares in the background announcing a 2% increase to white privilege tax, all the while the man is careful not to utter any misogynistic words like 'bitch' or 'whore' to his robot companion as he gets close to orgasm; lest he gets reported by said robots anti-hate speech monitoring software in doing so receiving a fine and not being allowed access to the robots simulated snatch for 30 days.

Time was a funny thing. It was always flowing along in the background like a river, but bring too much power to bear, and it warped. It slowed; it wanted to pause and take a look. Anytime too much power—too much Investiture, too much self—congregated, realms became porous and time behaved oddly.

Kit: Is all this [visit to Northern Ireland] doin' your head in? Rodney: Bloody Hell, no, anything but. I've really enjoyed myself. Peter's soddin' hilarious, he really is. It's just a bit weird, that's all. And all of you being so used to it, that makes it even weirder. I mean, you've got those guys in there [the British soldiers], and that story of Peter's... There might have really been a bomb, but to him, it's just a funny story to tell... Kit: Aye, which is how you know people are really gettin' used to somethin'-- they laugh at it. An' those fellas in there were just part of the queue, part of the background. An' that's the way it is. Most've the time.

The artists considered musicians nothing more than background noise which interrupted important discussions on Modernism.

It’s a funny thing how hope has a way of always hovering there in the background, even when one’s gut says it’s over.

Also in the background is a long-standing US hatred of the European social system, which provides decent wages, working conditions, and benefits. The United States doesn't want that model to exist, because it is a dangerous one. People may get funny ideas.

I was gay bashed in Montreal when I was a kid by a group of grown men. That was terrifying." They'd grown silent.and, there was just the crackling and muttering of the fire in the background as Olivier spoke. "They hit me with sticks. It's funny, but when I think back that's the most painful part. Not the scrapes & bruises but before they hit me they kind of poked, ya know?" He jabbed with one arm to mimick their movements. "It was as though I wasn't human." "That's the necessary first step!" Said Myrna. "They dehumanize their victim. You've put it well" she spoke from experience. Before coming to Three Pines, she'd been a psychologist in Monteal. And, being black, she knew that singular expression when people saw her as furniture.

I was gay bashed in Montreal when I was a kid by a group of grown men. That was terrifying." They'd grown silent.and, there was just the crackling and muttering of the fire in the background as Olivier spoke. "They hit me with sticks. It's funny, but when I think back that's the most painful part. Not the scrapes & bruises but before they hit me they kind of poked, ya know?" He jabbed with one arm to mimick their movements. "It was as though I wasn't human." "That's the necessary first step!" Said Myrna. "They dehumanize their victim. You've put it well" she spoke from experience. Before coming to Three Pines, she'd been a psychologist in Monteal. And, being black, she knew that singular expression when people saw her as furniture.

An Orwellian world is much easier to recognize, and to oppose, than a Huxleyan,” he wrote. “Everything in our background has prepared us to know and resist a prison when the gates begin to close around us . . . [but] who is prepared to take arms against a sea of amusements?

Ever been arrested?" Bill leaned forward, his expression impossible to read. Yes, actually. But it wasn't my fault. "No, sir!" Was it Sir? Lord? Lady? I shouldn't have done the accent! Fantastic! He pulled out a small, black folder and an ink pad from the front pocket of his pants. "I'll just need your prints here and here, so we can do a background check. The questionnaire is pretty straight forward." I had a sudden vision of getting found out and my escape including dodging bullets and trees, while narrowly making it through a crack in the shrubs, only to get hit by a car. I started the slow process of inking my fingers and pressing them to the paper with Bill's help. They stuck, then came up. I was going to prison. That's where honesty got me! Prison!

my lover stays lanes apart but it feels like continents once he stops replying on whatsapp: he has checked my story on instagram but one of these days, social media will be the death of me. my lover shows up on my door unannounced, two different flavours of doughnuts in his hand, he knows i have been crying. they'd taste better if they weren't so soggy, but i have enough filters on my phone to make them look pretty, my friends would be jealous, favourite desserts from half-closed, overpriced airport shops, a hundred cities away. my lover holds my hand A hasn't called me back he says, their boyfriends do not get them their and kisses my neck, i wish there was a song by the 1975 playing in the background, but instagram music isn't supported in my region. i haven't seen him in eight days, it's funny when i write it down because i was sure it was a millennium, we yearn for skin, touch, smell, but let me quickly take a photograph, make him look like he's not looking, our love can go stale, but my social media needs to keep its aesthetic game strong. two boomerangs, seven filters, and one kissing selfie later, we explode. without words, without music. i feel like it's my first kiss again. this is how it must have felt to be in love a thousand years ago.

Need is a funny thing. Sometimes it’s just a hum in the background. Sometimes it grows like ivy, patient but relentless, sliding tiny tendrils into your mortar and crumbling your walls. Sometimes it rises hard and fast, breathtaking in its urgency. Sometimes

Dave once asked me if I ever sleep. He’s seen the blue glow of the television flickering in my window in the small hours of night. I tell him, yeah, the TV’s on, but only for background noise. It’s nice to have voices in the room other than my own. I can’t sleep through the night, and often wake to the pitch-black of solitude. The mind can go to bad places in the time it takes to reach the remote. “That would drive me crazy,” Dave told me, “all that racket.” What troubles me is the silence. Funny thing about the Lurking Man : He’s loudest in the dark. Throw on the light and he’s reduced to a whisper. Even the dimmest light is better than none. That, neighbor, is why I sleep with the TV on at night.

Mom wasn’t a weak person, or a wisp of a domineered housewife who hid in the background. Far from it. She was a vivacious, funny, and smart woman who loudly voiced her opinions, and would’ve been a suffragette had she lived in the twenties. She was gorgeous, with shoulder-length brown hair and beautiful brown eyes. She was strong and was an athlete as a teenager. She smoked, drank, and laughed out loud. A vital presence. She just never did understand or relate to children. She left school as a teenager and worked full-time in an office, then married young and became a mother and housewife. Now she found herself in New York in the swinging sixties, and despite my dad’s best efforts to make her the perfect square wife, she was energized, curious, and had time on her hands. She took music lessons, looked longingly at the bohemian lifestyle, and went off alone to the Newport Jazz Festival to see Miles Davis. Not about to be the happy homemaker, she wanted to party.

Mom wasn’t a weak person, or a wisp of a domineered housewife who hid in the background. Far from it. She was a vivacious, funny, and smart woman who loudly voiced her opinions, and would’ve been a suffragette had she lived in the twenties. She was gorgeous, with shoulder-length brown hair and beautiful brown eyes. She was strong and was an athlete as a teenager. She smoked, drank, and laughed out loud. A vital presence. She just never did understand or relate to children. She left school as a teenager and worked full-time in an office, then married young and became a mother and housewife. Now she found herself in New York in the swinging sixties, and despite my dad’s best efforts to make her the perfect square wife, she was energized, curious, and had time on her hands. She took music lessons, looked longingly at the bohemian lifestyle, and went off alone to the Newport Jazz Festival to see Miles Davis. Not about to be the happy homemaker, she wanted to party. Dad never became rich, and I’ve been told some blame fell upon my mom for failing to help him climb the career ladder. Instead of standing by her man, she acquired hippie habits, wore dashikis, and was a lousy teammate at cocktail parties.

Above all, he kept it an internal conflict, not a conflict between him and her.… And if she or anyone else comments on her quietness or hesitancy, Jim’s prompt reply is, ‘That’s just your style. Other people have different styles. But this is yours. You like to take your time and be sure.’ Jim also knows that part of her style is befriending anyone whom others tease, doing careful work, noticing everything going on in the family, and being the best soccer strategist in her league.” One of the best things you can do for an introverted child is to work with him on his reaction to novelty. Remember that introverts react not only to new people, but also to new places and events. So don’t mistake your child’s caution in new situations for an inability to relate to others. He’s recoiling from novelty or overstimulation, not from human contact. As we saw in the last chapter, introversion-extroversion levels are not correlated with either agreeableness or the enjoyment of intimacy. Introverts are just as likely as the next kid to seek others’ company, though often in smaller doses. The key is to expose your child gradually to new situations and people—taking care to respect his limits, even when they seem extreme. This produces more-confident kids than either overprotection or pushing too hard. Let him know that his feelings are normal and natural, but also that there’s nothing to be afraid of: “I know it can feel funny to play with someone you’ve never met, but I bet that boy would love to play trucks with you if you asked him.” Go at your child’s pace; don’t rush him. If he’s young, make the initial introductions with the other little boy if you have to. And stick around in the background—or, when he’s really little, with a gentle, supportive hand on his back—for as long as he seems to benefit from your presence. When he takes social risks, let him know you admire his efforts: “I saw you go up to those new kids yesterday. I know that can be difficult, and I’m proud of you.