Back To The Salt Mines Quotes

His breath caught, harsh enough that she looked over her shoulder. But his eyes weren't on her face. Or the water. They were on her bare back. Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?" It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier." He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage. "A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once. "You were a slave." She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved. He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.

I had survived the work gangs in the ghetto. Baked bread under cover of night. Hidden in a pigeon coop. Had a midnight bar mitzvah in the basement of an abandoned building. I had watched my parents be taken away to their deaths, had avoided Amon Goeth and his dogs, had survived the salt mines of Wieliczka and the sick games of Trzebinia. I had done so much to live, and now, here, the Nazis were going to take all that away with their furnace! I started to cry, the first tears I had shed since Moshe died. Why had I worked so hard to survive if it was always going to end like this? If I had known, I wouldn't have bothered. I would have let them kill me back in the ghetto. It would have been easier that way. All that I had done was for nothing.

He leans close and says, "It matters to me," right against my mouth, and then kisses me like he means it. I've thought about what it'd be like to kiss Jake over the past few days, way more than I'd care to admit. But I don't even have time to register the firm press of his lips against mine, without breath, before he pulls back. His face freezes, eyes wide with oh shit written across them. Maybe I'd be offended if I wasn't so sure that my own expression matches his perfectly. "I shouldn't have done that," he blurts out. "I'm an idiot." "Yeah," I agree, "you really are." I grab the collar of his shirt and tug him back to me. He makes a muffled sound of surprise in the back of his throat, hesitating for a heartbeat before his mouth opens against mine. Suddenly, we're kissing for real - clumsy at first as we feel each other out, but then I shirt forward into his lap, fall against his chest and tip my head down, and it's like two puzzle pieces snapping into place. He tastes exactly the way I thought he would, of cigarettes and citrus and salt. The ocean. And he kisses like I thought he would, too, hard and hot and urgent, and way better than anyone I've made out with before.

Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.

Amanusa sighed. She held out her hand to her husband who helped her to her feet. "Back to the salt mine Grey calls a workroom. I left my students practicing lancing." "Good god," Grey exclaimed. "The floors will be awash in blood." "Hardly. They're practicing on themselves. Most of them haven't managed to pierce the skin yet." Amanusa shook her head in mild disappointment.

Then I shower the Enemy with a one-two punch of Long Island radiation and Gowanus toxic waster, which burn it like acid. It screams again in pain and disgust, but Fuck you, you don't belong here, this city is mine, get out! to drive this lesson home, I cut the bitch with LIRR traffic, long viscous honking lines; and to stretch out its pain, I salt these wounds with the memory of a bus ride to LaGuardia and back. And just to add insult to injury? I backhand its ass with Hoboken, raining the drunk rage of ten thousand dudebros down on it like the hammer of God. Port Authority makes it honorary New York, motherfucker; you just got Jerseyed.

All conversation had stopped. Following the guests’ collective gazes, Cam saw something—a lizard?—wriggling and slithering its way past sauceboats and salt cellars. Without hesitation he reached out and captured the small creature, cupping it in closed hands. The lizard squirmed furiously in the space between his closed palms. “I’ve got it,” he said mildly. The vicar’s wife half fainted, slumping back in her chair with a low moan. “Don’t hurt him!” Beatrix Hathaway called out anxiously. “He’s a family pet!” The assembled guests glanced from Cam’s closed hands to the Hathaway girl’s apologetic face. “A pet?… What a relief,” Lady Westcliff said calmly, staring down the length of the table at her husband’s blank countenance. “I thought it was some new English delicacy we were serving.” A swift wash of color darkened Westcliff’s face, and he looked away from her with fierce concentration. To anyone who knew him well, it was obvious he was struggling not to laugh.

Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.

Endovier must have been terrible,” Chaol said. Nothing malicious or mocking lay beneath his words. Did she dare call it sympathy? “Yes,” she said slowly. “It was.” He gave her a look that asked for more. Well, what did she care if she told him? “When I arrived, they cut my hair, gave me rags, and put a pickax in my hand as if I knew what to do with it. They chained me to the others, and I endured my whippings with the rest of them. But the overseers had been instructed to treat me with extra care, and took the liberty of rubbing salt into my wounds—salt I mined—and whipped me often enough so that some of the gashes never really closed. It was through the kindness of a few prisoners from Eyllwe that my wounds didn’t become infected. Every night, one of them stayed up the hours it took to clean my back.

Sometimes it’s the place where you grew up that says, You belong to me. No matter how long I’ve been away, when I come back to New York City in a taxi over the Triborough Bridge and the afternoon sun shifts off the steel skyline and blinds me, I feel it. In the heavy July of privet tinged with sea salt on the East End of Long Island, where I spent nearly every summer until I was twenty and many since, I know it. And in an empty theater, with the ghost light on and the darkness, warm and velvet like a dinner jacket my father once wore, it’s mine.

For you, I would bring down the stars, wreath their fire around your neck like diamonds, and watch them pulse to the beat of your heart For you, I would capture the candlelight in the palm of my hand Give my breath to give it life A whisper, 'My love' So that it may grow Bright and hot And burn me For you, I would drink the salted oceans Until their depths Were swallowed into the depth of me How deep it is, this life This love, for you I cannot touch bottom I never will For you, I would mine the stony earth Until it relinquished The secrets of time Cracks in the stone wrinkles of the Earth As she turns her face to another new day And so I wish to live Every one of mine With you For you, I would be myself At long last I would live in my skin And breathe my words in my own voice Tinged with the accent Of a child calling to a car that will never stop And in the fading echo Nothing remains but the truth of me that is the love of you I have loved you with both Hands tied behind my back Bound with pen and ink Paper and words Sealed with someone else's name until this moment in which I am nothing but a man who loves a woman. There is nothing left to say Except to give all of my heart For you

It is entirely different from kissing Callum. It is, for a start, significantly less wet. Less impulsive and frantic and out of control. It feels bold and shy both at once, like giving and taking. Her lips are chapped but her mouth is soft as milkweed silk and rimmed with salt water from the cold spray kicked up against the side of the boat. When they part against mine, I open my mouth in return. Her thumb skims my jawline, feather-light. But beyond the physical observations, it’s nothing. Not wholly unpleasant, but neither something I’m anxious to repeat. Just a thing people do. She pulls back, her hand still upon my cheek, and looks at me. “Did that work any sort of magic?” “Not really.” “That’s a shame.” She settles back into our little nest of cloaks, pulling the collar higher around her face. “It worked for me.

His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.

The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.

Later when Cardan, Locke, Nicasia, and Valerian sit down to their lunch, they have to spit out their food in choking horror. All around them are the less awful children of faerie nobles, eating their bread and honey, their cakes and roasted pigeons, their elderflower jam with biscuits and cheese and the fat globes of grapes. But every single morsel in each of my enemies' baskets has been well and thoroughly salted. Cadan's gaze catches mine, and I can't help the evil smile that pulls up the corners of my mouth. His eyes are bright as coals, his hatred a living thing, shimmering in the air between us like the air above black rocks on a blazing summer day.

Sabbath is that one day. It is a reprieve from what you ought to do, even though the list of oughts is infinitely long and never done. Oughts are tyrants, noisy and surly, chronically dissatisfied. Sabbath is the day you trade places with them: they go in the salt mine, and you go out dancing. It’s the one day when the only thing you must do is to not do the things you must. You are given permission— issued a command, to be blunt—to turn your back on all those oughts. You get to willfully ignore the many niggling things your existence genuinely depends on—and is often hobbled beneath—so that you can turn to whatever you’ve put off and pushed away for lack of time, lack of room, lack of breath. You get to shuck the have-tos and lay hold of the get-tos.

There are Californians who waiver in their allegiance to the climate of California. Sometimes the climate of San Francisco has made me cross. Sometimes I have thought that the winds in summer were too cold, that the fogs in summer were too thick. But whenever I have crossed the continent—when I have emerged from New York at ninety-five degrees, and entered Chicago at one hundred degrees—when I have been breathing the dust of alkali deserts and the fiery air of sagebrush plains—these are the times when I have always been buoyed up by the anticipation of inhaling the salt air of San Francisco Bay. If ever a summer wanderer is glad to get back to his native land, it is I, returning to my native fog. Like the prodigal youth who returned to his home and filled himself with husks, so I always yearn in summer to return to mine, and fill myself up with fog. Not a thin, insignificant mist, but a fog—a thick fog—one of those rich pea-soup August fogs that blow in from the Pacific Ocean over San Francisco. When I leave the heated capitals of other lands and get back to California uncooked, I always offer up a thank-offering to Santa Niebla, Our Lady of the Fogs. Out near the Presidio, where Don Joaquin de Arillaga, the old comandante, revisits the glimpses of the moon, clad in rusty armor, with his Spanish spindle-shanks thrust into tall leathern boots—there some day I shall erect a chapel to Santa Niebla. And I have vowed to her as an ex-voto a silver fog-horn, which horn will be wound by the winds of the broad Pacific, and will ceaselessly sound through the centuries the litany of Our Lady of the Fogs. Every Californian has good reason to be loyal to his native land. If even the Swiss villagers, born in the high Alps, long to return to their birthplace, how much more does the exiled Californian yearn to return to the land which bore him. There are other, richer, and more populous lands, but to the Californian born, California is the only place in which to live. And to the returning Californian, particularly if he be native-born, the love of his birthplace is only intensified by visits to other lands. Why do men so love their native soil? It is perhaps a phase of human love for the mother. For we are compact of the soil. Out of the crumbling granite eroded from the ribs of California’s Sierras by California’s mountain streams—out of earth washed into California’s great valleys by her mighty rivers—out of this the sons of California are made, brain, and muscle, and bone. Why then should they not love their mother, even as the mountaineers of Montenegro, of Switzerland, of Savoy, lover their mountain birth-place? Why should not exiled Californians yearn to return? And we sons of California always do return; we are always brought back by the potent charm of our native land—back to the soil which gave us birth—and at the last back to Earth, the great mother, from whom we sprung, and on whose bosom we repose our tired bodies when our work is done.

I freeze, my hand resting on the door knob, as the man straightens his jacket, then turns to me. For a moment, I can’t make sense of what I’m seeing. It feels like waking in the middle of the night and trying to convince yourself the shadows at the end of your bed really are just the furniture, not a restless ghost at your window. But this—this must be a ghost. I close my eyes hard, then open them again, but he’s still there. He looks like my father. Younger, and trimmer, and leaner in the face than my father ever was, but he looks like my father. He looks like me. The same coffee-dark hair, and, though his is starting to salt around the temples, it’s still thick and curls handsomely, just like mine. He’s missing his right ear, and one side of his face is webbed with faint red scars, giving his skin the look of porcelain broken and then glued back together, but I can see my father’s jawline. He’s built like my father as well—short, but sturdy. Broad shoulders—I have those too. And the same Grecian nose and veined blue eyes. My mother’s eyes.

I found Chinatown both impossibly sophisticated and unbearably out of vogue. Chinese restaurants were a guilty pleasure of mine. I loved how they evoked the living world- either the Walden-like sense of individualism of the Ocean or Happy Garden, or something more candid ("Yummies!"). Back home they had been a preserve of birthdays and special celebrations: a lazy Susan packed with ribs and Peking duck, rhapsodically spun to the sound of Fleetwood Mac or the Police, with banana fritters drenched in syrup and a round of flowering tea to finish. It felt as cosmopolitan a dining experience as I would ever encounter. Contextualized amid the big-city landscape of politicized microbreweries and sushi, a hearty table of MSG and marinated pork felt at best crass, at worst obscurely racist. But there was something about the gloop and the sugar that I couldn't resist. And Chinatown was peculiarly untouched by my contemporaries, so I could happily nibble at plates of salt and chili squid or crispy Szechuan beef while leafing through pages of a magazine in peace.

I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.

Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’ The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow. The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole. Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the far end, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap. That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself. I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.

I studied the wings, the arm around my waist. 'Please don't drop me. And please don't-' We shot into the sky, fast as a shooting star. Before my yelp finished echoing, the city had yawned wide beneath us. Rhys's hand slid under my knees while the other wrapped around my back and ribs, and we flapped up, up, up into the star-freckled night, into the liquid dark and singing wind. The city lights dropped away until Velaris was a rippling velvet blanket littered with jewels, until the music no longer reached even our pointed ears. The air was chill, but no wind other than a gentle breeze brushed my face- even as we soared with magnificent precision for the House of Wind. Rhys' body was hard and warm against mine, a solid force of nature crafted and honed for this. Even the smell of him reminded me of the wind- rain and salt and something citrus-y I couldn't name. We swerved into an updraft, rising so fast it was instinct to clutch his black tunic as my stomach clenched. I scowled at the soft laugh that ticked my ear. 'I expected more screaming from you. I must not be trying hard enough.' 'Do not,' I hissed, focusing on the approaching tiara of lights in the eternal wall of the mountain. With the sky wheeling overhead and the lights shooting past below, up and down became mirrors- until we were sailing through a sea of stars. Something tight in my chest eased a fraction of its grip.

Come on. Let’s go get coffee, get your mind off it,” Silas says soothingly as I begin to take my frustration out on the bag of bread, violently twisting the end of the plastic into a knot. “I don’t like coffee,” I grumble without looking at him. Silas reaches forward and puts his hands over mine. Goose bumps erupt on my arms. He raises his eyebrows, voice gentle. “You can get chocolate milk, then. But let’s get out of here before you bend the entire loaf in half.” I sigh and look at him. Funny how he can go from being “just Silas” to Silas in a matter of seconds. I release the bread and follow him out the door, my frustration and the flutter feeling fighting for control of me. The diner Silas takes me to is just a few blocks away, a dingy but classic-looking place with black and white tile and red neon signs blinking things such as “Apple Pie!” and “Specialty Hash Browns!” We slide into a booth, and a waitress who is missing several teeth grins at us and asks us for our order. “Just a cup of coffee for me. You, Rosie?” “Chocolate milk,” I reply with a snide look at Silas. He laughs and the waitress hurries away. Then, silence. Silas rearranges the salt and pepper shakers, and I pretend to read a piece of paper outlining the history of the diner. Right. “So,” I blurt out, a little louder than I meant to, “I guess you didn’t get much time at home, did you? Back from California and now stuck here with us?” Is my voice shaking? I think my voice is shaking.

Aubade" Who lives where summer ends knows the hard cold of autumn is blissfully close, although it feels each season newly un- known. You are constantly newly unknown to me, my night-glowing open-hearted sting-of-salt weather. Rains and winds, sleights-of- hand. Who if not you could weigh me enough down. You’d paint my eyes blacker and warmer than they are and soon they would carry whole calendars of black night in them. You say you’re pulled back, but it is a rare thing inside those shocks of minutes that holds without our even needing to touch it. Maybe you think you trade one clean joy for another. But mine is darker, slanted, nitrous blue at the root, an acrostic of what is most free and far. To be another person than the one you were before means more than I understand. But my gradual hands move in streams over you whether you travel or not, as you drop into sleep or not, and in the book of this most-alone-place I am there only when you feel need, a coat so thin and so like skin you can touch the slopes, the smoother pools, dust-mooded winds over roads, the skeleton instrument of your voice as it richens the maps and paths, summer’s last shades of white on dark soil, as if the moon-moth and house-mouth were close against the lashes of your eyes, puzzles-in- flutter, or wandering off through the warm night air, unlikely ever again to find such light as this. from Boston Review: August 21, 2013

Do you wish to return to Cambridge, Em?" he said. "Because if that is the case, you need only say the word. I suppose I could return to teaching--- perhaps I could do both, or install a regent here, to rule in my stead. If there is one thing I will not stand for, it is for you to be unhappy---" "No, indeed!" I exclaimed. He appeared to have worked himself up into a proper speech, so I put my hand over his mouth. And then-- my initial thought was that this would be more efficient than arguing with him--- I pulled his face to mine, and kissed him. As I had guessed, he forgot all about what he had been saying, and pulled me closer. His lips tasted like the salt the servants had sprinkled onto the coffee--- quite agreeable. I stopped thinking, something I rarely do, and for a moment there was only the hum of crickets and rustling of night creatures in the trees. He drew back and touched my cheek, his dark eyes searching mine. A flickering, moon-colored glow had appeared above us--- he had summoned a light. "I mean it," he murmured. So not quite so forgetful, then. The light caught caught on the silvered flowers in his hair and made him look even more inconveniently otherworldly than he already did, but I found that when I focused on small, familiar things, like the way his mouth came up slightly higher on the left side, and how his green eyes leaned more yellow than blue, I was able to disregard this. "I know," I replied. "I have brought myself here, Wendell--- I am not some poor maiden who stumbled unawares through a ring of mushrooms.

He leaned over toward me, putting his fingers under my chin. He grazed my lips with his nose and then with his own lips, first gently, and then taking them into his mouth and biting them one at a time. He put his big hand around my neck, covering my throat, terrifying me with the power he had to wrap those fingers tight and suffocate me, but exciting me because I knew that he would not do it. There was too much that he wanted from me, and I did not know yet exactly what it was. He kissed me with an open mouth, my lips subsumed by his. His tongue found mine, and he pulled it into his mouth. As soon as he felt my enthrallment, he pulled away from me so that I was looking into his eyes, and I understood in that moment why he called himself my master. His eyes were intense and fathomless, an eternity of deep blue, like the sea at twilight, and they left me without a will of my own. "I want you to suck my tongue," he said. "Taste me." He put the length of it into my mouth, and I obeyed him, latching on to it. I was surprised how much it thrilled me, and for a long time, I nursed at his tongue as if I expected it to feed me. His lips and his tongue- and his entire being- hummed with a subtle but indelible current. I felt that I could stay there forever, feeding on his tongue, but he broke it off, pulling back, his hand still on my throat. "Does that feel familiar?" he asked. "No, I have never felt anything like that before," I said, disappointed that he had stopped and wanting more. I was still catching my breath, yet wanting him back inside my mouth where I could taste him again. What had he tasted like? Salt, iron, spice- like nature itself.

Then Janie’s baby voice rose above the din. “Ma-ma!” My steps halted. So did my heart. The plaintive cry filled every crevice of my being. “Ma-ma!” The caterwauling ceased. I turned. Ollie’s horror-stricken face told me I’d heard right. Gripping the handle of my suitcase and clenching my teeth, I tried to hold in my own keening. Janie dropped to her pudgy knees in the middle of the road. “Ma-ma!” She fell on her face in the dirt and sobbed. My gaze rose past her to Frank, who stood at the top of the steps. His horror seemed to mirror my own. I’d thought by leaving I’d alleviate his suffering, but it seemed I’d only deepened it. He made his way across the yard, his eyes fixed on mine. He passed his frozen children as if they were merely trees in a human forest and stopped in front of me, so close I could smell Ol’ Bob on his shirt. I tilted my head back, looked into his face. My heart bumped against my chest, though I’d felt sure it had stopped beating altogether. His arms reached for me, then fell back to his side. “Please, Rebekah. Please stay. They need you. I told you that.” “I can’t.” My vision blurred as I shook my head. His thumb caught a tear on my cheek, wiped it dry. I glanced at Janie, still lying heartbroken in the dirt. I ached to go to her, but I didn’t want to make things worse. Ollie seemed to read my thoughts. She picked up her sister, but her attention remained on me. I looked back at Frank. “Can’t you see? I’m giving you your life back. Your whole life. Your house. Your family.” I tasted the salt of my tears. He grabbed my shoulders. “But don’t you understand, Rebekah? I can’t have my whole life back. When I left for the war, I knew nothing would ever be the same. And it isn’t. Clara is gone. I have to make a new life now.” He sucked in a deep breath. “And I want to make it with you.” “Me? Are you saying . . . ” I held my breath, holding the words inside me, afraid they’d meet the air and burst like a soap bubble. His lips curled into a smile that chased every trace of gray from his eyes. “Marry me?

Why did you come back to Salt Lake?" I knew the answer before I asked the question and he knew I knew, and it was like you could see the shadow of it hanging there between us. "I needed to see you," he finally said. "It's hard to explain." "You don't have to." "I tried telling my mom once what happed that day. Showed her the hole in the window screen and Moe and even after that she said it was complicated, that my dad's a complicated man and we all needed to try harder to understand him." His voice was shaking now. "And I thought, hey, maybe she's right. Maybe he was just playing around, you know. Maybe we didn't need to run." "We did," I whispered. "That's why I had to come, see?" He didn't move and I didn't move, but in a few seconds I heard him sniffling and he couldn't stop and I knew he was crying. "Cameron." I propped myself up, reached out my arm. "Come here." He got up and came to me, dragging his blanket behind him like a child. I scooted over in my bed to make room. "Come on." He positioned himself beside me-I stayed under the covers, he was on top of them, his head next to mine on the pillow. I stroked his hair and thought of the week he'd lived at our house, the way we slept shoulder to shoulder in our sleeping bags in the living room and I got another good memory. Jennifer, Cameron had said. You awake? His voice was coming from across the room. I sat up. Yeah. Look. He was standing by the living room window. The blinds were closed, but he had his hands on the cord, a big smile on his face. Ready? I nodded, starting to smile myself. One, two, three, Cameron said, then pulled the blind up, hand over hand on the cord like someone on TV. His smile got even bigger as he watched my face. Snow. Giant flakes of it falling in front of the window even though it was only September. Now, I fell asleep with my arm over Cameron's chest, thinking of how the flakes had been slow and white in the glow of the streetlights that lined the apartment walkways, and the smile on his face and on mine, like the snow was personal, a gift he'd given me himself.

O God of heaven! The dream of horror, The frightful dream is over now; The sickened heart, the blasting sorrow, The ghastly night, the ghastlier morrow, The aching sense of utter woe. The burning tears that would keep welling, The groan that mocked at every tear, That burst from out their dreary dwelling, As if each gasp were life expelling, But life was nourished by despair. The tossing and the anguished pining, The grinding teeth and starting eye; The agony of still repining, When not a spark of hope was shining From gloomy fate's relentless sky. The impatient rage, the useless shrinking From thoughts that yet could not be borne; The soul that was for ever thinking, Till nature maddened, tortured, sinking, At last refused to mourn. It's over now—and I am free, And the ocean wind is caressing me, The wild wind from the wavy main I never thought to see again. Bless thee, bright Sea, and glorious dome, And my own world, my spirit's home; Bless thee, bless all—I cannot speak; My voice is choked, but not with grief, And salt drops from my haggard cheek Descend like rain upon the heath. How long they've wet a dungeon floor, Falling on flagstones damp and grey: I used to weep even in my sleep; The night was dreadful like the day. I used to weep when winter's snow Whirled through the grating stormily; But then it was a calmer woe, For everything was drear to me. The bitterest time, the worst of all, Was that in which the summer sheen Cast a green lustre on the wall That told of fields of lovelier green. Often I've sat down on the ground, Gazing up to the flush scarce seen, Till, heedless of the darkness round, My soul has sought a land serene. It sought the arch of heaven divine, The pure blue heaven with clouds of gold; It sought thy father's home and mine As I remembered it of old. Oh, even now too horribly Come back the feelings that would swell, When with my face hid on my knee, I strove the bursting groans to quell. I flung myself upon the stone; I howled, and tore my tangled hair; And then, when the first gust had flown, Lay in unspeakable despair. Sometimes a curse, sometimes a prayer, Would quiver on my parchèd tongue; But both without a murmur there Died in the breast from whence they sprung. And so the day would fade on high, And darkness quench that lonely beam, And slumber mould my misery Into some strange and spectral dream, Whose phantom horrors made me know The worst extent of human woe. But this is past, and why return O'er such a path to brood and mourn? Shake off the fetters, break the chain, And live and love and smile again. The waste of youth, the waste of years, Departed in that dungeon thrall; The gnawing grief, the hopeless tears, Forget them—oh, forget them all!

The whole set of stylizations that are known as 'camp' (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about 'camp' is that it has become fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, 'Either she scored her last social triumph in 1926 or it is a man in drag.' Perhaps 'camp' is set in the 'twenties because after that differences between the sexes—especially visible differences—began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to re-live it. The whole structure of society was at that time much more rigid than it has ever been since, and in two main ways. The first of these was sexual. The short skirts, bobbed hair and flat chests that were in fashion were in fact symbols of immaturity. No one ever drew attention to this, presumably out of politeness. The word 'boyish' was used to describe the girls of that era. This epithet they accepted graciously. They knew that they looked nothing like boys. They also realized that it was meant to be a compliment. Manliness was all the rage. The men of the 'twenties searched themselves for vestiges of effeminacy as though for lice. They did not worry about their characters but about their hair and their clothes. Their predicament was that they must never be caught worrying about either. I once heard a slightly dandified friend of my brother say, 'People are always accusing me of taking care over my appearance.' The sexual meaning of behaviour was only sketchily understood, but the symbolism of clothes was recognized by everyone. To wear suede shoes was to be under suspicion. Anyone who had hair rather than bristle at the back of his neck was thought to be an artist, a foreigner or worse. A friend of mine who was young in the same decade as I says that, when he was introduced to an elderly gentleman as an artist, the gentleman said, 'Oh, I know this young man is an artist. The other day I saw him in the street in a brown jacket.' The other way in which society in the 'twenties was rigid was in its class distinctions. Doubtless to a sociologist there were many different strata merging here and there but, among the people that I was now getting to know, there were only two classes. They never mingled except in bed. There was 'them', who acted refined and spoke nice and whose people had pots of money, and there was 'us', who were the salt of the earth.

I held out my hand and he looked down at it, as if he didn't understand what I was offering. At last he said, I think I'm a little old for that, love. But I stood there, stubborn, my empty palm open and outstretched. Don't give me that look, he said, and then he signed, relented. I felt happy then, proud, as if I had won something. Walking side by side with his hand in mine. I would learn that things I perceived as abandonment were Jude's acts of trust, like the way he always walked ahead without looking behind him, trusting me to keep pace, to follow. But I was the kind who always looked back, glancing over my shoulder whenever I turned a corner, as if I were a woman descended from the line of Lot's wife in the old parable. When I licked my lips, I tasted salt.

There is something about the first frost that brings out the caveman--- one might even say the vampire--- in me. I want to wear fur and suck the meat off lamb bones, and on comes my annual craving for boudin noir, otherwise known as blood sausage. You know you've been in France for nearly a decade when the idea of eating congealed blood sounds not only normal, but positively delightful. When I was pregnant, my body craved iron in silly amounts. I could have eaten a skyscraper. It's a shame that it's not on the French pregnancy diet--- forbidden along with charcuterie, liver, and steak tartare. It's true that boudin noir is not the sort of thing I'd buy at any old supermarket. Ideally, you want a butcher who prepares his own. I bought mine from the mustached man with the little truck in Apt market, the same one I'd spotted during our first picnic in Provence. Since our first visit, I'd returned many times to buy his delicious, very lean, saucisses fraîches and his handmade andouillettes, which I sauté with onions, Dijon mustard, and a bit of cream. I serve my boudin with roasted apples--- this time, some Golden Delicious we picked up from a farm stand by the side of the road. I toasted the apple slices with olive oil, sprinkled the whole lot with sea salt, and added a cinnamon stick and a star anise to ground the dish with cozy autumn spices. Boudin is already cooked through when you buy it, but twenty minutes or so in a hot oven gives it time to blister, even burst. I'm an adventurous eater, but the idea of boiled (or cold) boudin makes me think about moving back to New Jersey. No, not really. I admit, when you first take it out of the oven, there are some visual hurdles. There's always a brief moment--- particularly when I serve the dish to guests--- that I think, But that looks like large Labrador shit on a plate. True enough. But once you get past the aesthetics, you have one of the richest savory tastes I can imagine. Good boudin has a velveteen consistency that marries perfectly with the slight tartness of the roasted apples. Add mashed potatoes (with skin and lumps), a bottle of Châteauneuf-du-Pape, and wake me in the spring.

Someone needs to be concerned about those girls." "Kara and Kendra know that I am only a phone call away." "Would you even answer the phone if you're laid up under some man?" Line. Crossed. Ashanti closed the distance between them, until she was barely a foot away. "Apparently, you didn't hear me the first time," she said. "Who I fuck is none of your business." Anita gasped, her head snapping back. Her mouth opened and closed but no words came out. "I should petition the courts!" she finally screeched. "Get those girls away from you!" "Try it," Ashanti said. "You shouldn't be raising my brother's children!" "I am tired of your bullshit, Anita. You hadn't talked to your 'beloved' brother for over three years before he died. I know my dad tried to contact you, and you ignored him." "He was not your father!" "Fuck you! He is my father. He loved me and treated me like his own flesh and blood. You, on the other hand, who actually was his flesh and blood, didn't want anything to do with him until he was buried in the ground. And all because he took your mother's dishes." "It was her wedding china and it was mine!" Anita said. "And it has nothing to do with you." "No, it doesn't. I don't care why you cut your own brother out of your life. What I do care about are my sisters. You talk about wanting to raise Kara and Kendra? You live an hour away and saw them five times in the first ten years of their lives. "I know what this is, it's guilt," Ashanti continued. "But you don't get to alleviate the shame and regret you feel at the way you treated your own brother by making my sisters' lives hell.

The door opened. Rowan. She kept herself in that cool darkness, savoring the growing chill in the water, the quieting pulse under her skin. He sounded about halfway across the room when his footsteps halted. His breath caught, harsh enough that she looked over her shoulder. But his eyes weren’t on her face. Or the water. They were on her bare back. “Who did that to you?” It would have been easy to lie, but she was so tired, and he had saved her useless hide. “A lot of people. I spent some time in the Salt Mines of Endovier.” He was so still that she wondered if he’d stopped breathing. “How long?” he asked after a moment. She braced herself for the pity, but his face was so carefully blank—no, not blank. Clam with lethal rage. “A year. I was there a year before… it’s a long story.” She noticed then that his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She’d burned him again. And yet he had held on to her—had run all the way here and not let go once. “You were a slave.” She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved.

Khewra salt mine in Pakistan, which is said to date back to the era of Alexander the Great. You’ve probably encountered Khewra salt before; it is better known these days as pink Himalayan salt, though the mine is actually about 200 miles from the Himalayan foothills, making this a cheeky bit of marketing, a little like bottling London’s River Thames and selling it as Yorkshire Dales spring water.

I didn't know if you were still living... in sin. I didn't want a bad influence in his life." I spoke past the growing lump in my throat. "I'm not a monster. Just because I naively fell in love with a semi-divorced man doesn't mean I would have harmed your son. Jesus! You'd think I spent most of my life on death row by the way you talk about me when I've never seen the inside of a jail. Unlike Warren Sr.!" To this day, I have no idea why I had to tack on that part about Marvina's deceased husband. It was petty, but seeing as we were already wallowing in the muddy puddles of our past, what difference did it make? "He wasn't a jailbird," Marvina spat back. "He only went in once for a ticket he didn't pay before the deadline." She opened the oven and slid the onion skins inside next to the peppers. "Don't I know this already. I hope the forty dollars of mine that you put toward his bail served the both of y'all well.

He kissed me back, his lips so warm, and alive. But then he pulled away, breathing steadily and resting his forehead against mine. “Nicole,” he said my name, his voice soft and raspy. I tasted salt on my lips—tears. I must have been crying and not even realized it. “You have no idea how long I’ve been wanting to do that again.” He caressed my cheeks with his fingers, as if making sure I were real. “But we can’t—not now. I have to help the others. And you have to heal Rachael.

I am all want with you, Isolde. You think that I don’t think about you all the time? That I don’t want your scent all over my bed? You think that I don’t wish I had you under my desk with that serious little mouth available for my relief every morning? That I don’t want your snug cunt whenever I goddamn feel like it? Yes, I want you, and I want you collared, and I want you mine. That should be enough to terrify you, because I would hold nothing back until I’d eaten your very soul. I would hold nothing back until it was written on your skin and scratched into your bones how much I crave you.

My girl. My jersey," I say right before the people around us start oohing. "I can't believe you just did that," she says, attempting to hold back a shy smile. I quickly peck her lips. "Believe it. I used to dream about you being mine. Now you are." I start back down the stairs. "My dream girl wears my name." I throw her a wink as my heart races faster than my feet back to the dugout. Cameron Salt is my future. I've never been more sure of anything in my life, but I've also never lived in this moment. One where I'm enough and the girl I want wants me back. I saw it on her face. My move was bold, but it was everything, just like her.

With a wicked smirk, I part the Devil's lips. He invites me eagerly with want, drinking me in like salted chocolate, savoring my blood on his tongue. He thinks he has me. My muscles tense when he weakens, my power growing as his desire burgeons. It shifts too suddenly. I gasp as he grabs me by the waist, pulling me firmly against his body. His hand coils around my neck, lifting my lips to his. My eyes shut instinctually, tasting the blood and honey on his tongue. The taste deepens, layered like spiced sangria. I want more. I want it so much, it consumes me. I press into him harder. He's ravenous, squeezing me, threading his fingers through my hair, ruining my curls. No. My eyes burst open, but I don't shatter his fantasy. Not yet. I come up for breath as his lips find their way to my neck. I tilt my head back, glancing at the stained glass ceiling. The upper hand is mine again when I push him against the stone wall, furiously feeding him kisses to satiate his hunger. He grabs my leg, pulling it around his waist. I balance myself against the cave, and with my touch, crystals start to sprout. Citrine, ruby, and amber. They form into points, my own glittering weapons. Once they're not long enough, I snap a piece off. The Devil mistakes my destruction as rapture. I play into it further. Grabbing him by the collar, I spin us away from the wall, continuing our tango over to the balcony. Wisps of my gossamer gown pool around my thighs as he explores me. My fingers twist into his hair, pulling, stringing up his appetite until he begs for more. And, once I have him truly at my mercy, I jab the crystal straight into his back.

It’s for you from Miss Tempy.” Aletta stood and stretched from side to side, then accepted the offered treat. She started to take a drink, then paused and looked back at him, doing her best to make her frown look real. “If it’s for me, then why is half of it gone?” He grinned. “I didn’t want to spill any on the way so I drank a little.” She laughed and took a sip. Delicious as usual. She’d finally managed to watch Tempy mixing a batch one day and had learned the woman’s secret—a little salt and vanilla. And, of course, a generous amount of cream. “Are we ready to hang the star yet, Mama?” “Almost. But I’m to the point now where I’m going to need some help putting it all together.” He jumped up. “I’ll help.” She tousled his hair. “I appreciate that. But I think you and I might require a third person for this next part.” Just then Aletta looked over to see Jake walking from the house, past the barn and toward his cabin. “Captain Winston!” she called. He turned, gave a quick wave, and headed in their direction. “Evening, Aletta.” He knelt and gave Andrew a playful poke in the tummy. “Hey, buddy, how you doing?” “I’m good, Ja—” Andrew cut his eyes in her direction. “I mean . . . Captain Winston, sir. You want some cocoa? Tempy made some just now.” Jake smiled. “That sounds good, thank you.” Aletta caught her son’s gaze, appreciating how he’d corrected his mistake. “Do you plan on drinking half of the Captain’s too?” With an impish grin, Andrew darted back to the kitchen. “Fine boy you’ve got there, Aletta.” “Thank you. I think I’ll keep him.” “With good reason.” Jake eyed the booth lying in pieces on the barn floor beside the manger, and knelt to examine her work. “Very impressive. Your father taught you well.” “I only wish I’d learned how to carve like he could. He would’ve taught me, but I didn’t consider it important enough at the time.” He ran a hand over the manger and looked up at her, a mischievous gleam in his eyes. “It’s never too late to learn something new.” “I’ve got yours, Captain Winston!” They looked up to see Andrew slowly walking toward them, his attention homed in on the cup in his hands. Captain Winston took the cup from him but eyed it suspiciously. “Tell me now . . . how much of mine did you drink?” Andrew grinned. “Not as much as Mama’s.

I pulled my hair up in a messy ponytail upon leaving the bedroom and didn’t change from my blue and white shorts and red tank top I wore to bed the night before (Go, USA!). The shirt is tight and the shorts are short, but I'm completely comfortable. Graham is presently glaring at me like he doesn’t like me too much, so I'm thinking he is not comfortable with my outfit—or he still isn't over last night. I don't think he's ever been so angry with me before—well, except for maybe that time I accidentally put salt in his girlfriend's coffee instead of sugar. I pour myself a cup of coffee, showing him my back. And I wait. He doesn't make me wait long. His voice is brittle as he snaps, “Do you have to dress like that?” “I always dress like this. You never seemed to care before.” I give my behind an extra wiggle just to irritate him. I know I've succeeded when something thumps loudly against the tabletop. “I think you should dress like that more often,” Blake immediately replies. “Did anyone ask you?” is Graham's hotheaded comeback. “In fact, I think you’re wearing too many clothes. You should remove some.” A low growl leaves Graham. When I finally face the Malone boys, it is to find them staring one another down from across the small table. Graham’s wearing a white t-shirt and black shorts; his brother is in jeans and a brown shirt. Their coloring is so different, as are their features, but they are both striking in appearance, and their expressions currently mimic one another’s. “Graham, you're being an ass,” I calmly inform him. He grabs a piece of toast off his plate and whips it at me. I duck and it lands in the sink. To say I’m surprised would be an understatement. Toast throwing now? This is what our friendship has resorted to? “I will not live with someone who throws toast at me in anger,” I announce, setting my untouched cup of coffee on the counter. Blake snorts, covering his mouth with the back of his hand as he turns his attention to the world beyond the sliding glass patio doors. Graham blinks at me, like he doesn’t understand what I just said or maybe he doesn’t understand what he just did. Either way, I grab my mug and stride out of the room and down the hall to my bedroom. I’ll drink my coffee in peace, away from the toast throwing. Only peace is not to be mine. The door immediately opens after I close it, and there is Graham, staring at me, his head cocked, his expression unnamable. “This coffee is hot,” I warn, holding the white mug out. “You wanna be a toast thrower then I can be a coffee thrower. Just saying.” “Put the coffee down.” “No.” He takes a step toward me. “Come on. Please.” “You threw toast at me,” I point out, in case he forgot. “I don’t know why I did that,” he mumbles, looking down. When he lifts his eyes to me, they are pleading. “Please?” With a sigh, I comply. I am putty in his hands—or I could be. I keep the mug within reach on the dresser, should I need it as backup. As soon as I let the cup go, I’m pulled against his hard chest, his strong arms wrapping around me, his chin on the crown of my head. His scent cocoons me; a mixture of soap and Graham, and I inwardly sigh. He should throw toast more often if this is the end result. “I’m sorry—for last night, for the toast.

The hills of waste are the topographic inverse of the open pit mines— the largest open pit mines in New York State, still unreclaimed— where the limestone rocks were quarried, the earth gouged out in one place to bury the ground in another. If time could run backward, like a film in reverse, we would see this mess reassemble itself into lush green hills and moss-covered ledges of limestone. The streams would run back up the hills to the springs and the salt would stay glittering in underground rooms.

But the most intriguing part of the van Meegeren story is how his success as a forger got him arrested as a war criminal. During the German occupation of the Netherlands, Han-he was also an art dealer-sold one of his Vermeer forgeries, Christ with the Adulteress, to a German banker, who then sold it to Hermann Goering, number two in Hitler's command. When the painting was discovered hidden in an Austrian salt mine after the war, it was traced back to Han. On the assumption that he had sold a Dutch national treasure to the enemy during wartime, van Meegeren charged as a Nazi collaborator and thrown into jail. Han was then faced with a choice: Confess to forging the painting or spend the rest of his life in prison. After a week in solitary confinement, he told his jailers that the painting was not a master- piece by Vermeer, just a forgery by van Meegeren. But, to both his dismay and gratification, no one believed him. So, under the vigilant eyes s of reporters and court-appointed witnesses, he repainted the forgery while a prisoner at the Headquarters of Military Command. Both of his works were "authenticated" as forgeries, and the war crime charges were dropped.

Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle. Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her. Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute. A fuse? Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body. At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz. Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else … Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight. Her heart stopped as she saw the heavy rounded band of a thumb ring. Wriggling beneath him, Amelia tried to turn over. The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—” He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body. “You,” he said softly. Cam Rohan.

Looks like we’re tied,” he said, not at all angry she’d tricked him. Dear God, was that a dimple in his cheek, a small one, but combined with the twinkle in his blue eyes, her heart almost stopped. “Does that make us both winners?” she asked. They could exchange a prize. A sixty-nine went two ways. “Tiebreaker. Betcha I can make a bigger splash than you with a cannonball.” She snorted. “Pookie, you are delusional if you think those tight glutes of yours can spray more water than this ass of mine.” And so they spent the rest of the afternoon playing. Best damned time she’d had in years. Even better, her accidents didn’t bother Leo one bit. When she tossed a pile of mud at him, hitting him in the chest, he didn’t freak out because the slime she tossed had a leech in it. Nor did he scream as if a brain-eating zombie was after him when she wrestled the bloodsucking critter off his skin. Although she did feel a little sheepish when he reminded her they had salt in the picnic basket. Leo could also handle her rambunctious side. A good thing, or she might have really hurt him. When she saw his bare back as she climbed the rocks for a dive, she jumped on it, only realizing as she soared through the air that she might cause some serious damage. He barely stumbled as she hit him, and she kissed him when he said rather dryly, “Next time can you at least yell Geronimo?” Next time? Hell yeah. -Leo & Meena

How remarkable,” Amelia said casually. “There’s still something left of you.” Plucking a handkerchief from her sleeve, she strode forward and tenderly wiped sweat and a smear of blood from his cheeks. Noticing his unfocused gaze, she said, “I’m the one in the middle, dear.” “Ah. There you are.” Leo’s head bobbed up and down like a string puppet’s. He glanced at Merripen, who was providing far more support than Leo’s own legs were. “My sister,” he said. “Terrifying girl.” “Before Merripen puts you in the carriage,” Amelia said, “are you going to cast up your accounts, Leo?” “Certainly not,” came the unhesitating reply. “Hathaways always hold their liquor.” Amelia stroked aside the dirty brown locks that dangled like strands of yarn over his eyes. “It would be nice if you would try to hold a bit less of it in the future, dear.” “Ah, but sis…” As Leo looked down at her, she saw a flash of his old self, a spark in the vacant eyes, and then it was gone. “I have such a powerful thirst.” Amelia felt the smart of tears at the corners of her eyes, tasted salt at the back of her throat. Swallowing it back, she said in a steady voice, “For the next few days, Leo, your thirst will be slaked exclusively by water or tea. Into the carriage with him, Merripen.” Leo twisted to glance at the man who held him steady. “For God’s sake, you’re not going to put me in her custody, are you?” “Would you rather dry out in the care of a Bow Street gaolkeeper?” Merripen asked politely. “He would be a damn sight more merciful.” Grumbling, Leo lurched toward the carriage with Merripen’s assistance.

The strains of the work are intense, the lifespan of the machines short. ‘When one of them reaches the end of its useful days,’ says Neil, ‘it’s not cost-effective to bring it back up. It’d take the place of ore in the upshaft, and that’s too expensive. So instead the machine gets driven into a worked-out tunnel of rock salt, and abandoned there. The halite will flow around it as the tunnel naturally closes up.’ It is an astonishing image: the translucent halite melting around this cybernetic dragon – the fossilization of this machine-relic in its burial shroud of salt. I remember the pit ponies about which Emile Zola had written, brought down as foals into France’s great nineteenth-century coal mines. The foals would not see daylight again. They grew in the mines, were fed there, were worked to death there, and their stunted bodies were left in side tunnels, awaiting the burial of collapse.

I'm not sure why you gave me such a personal book if you cared about it so much." Isabella's fuse, famously long, now blew in an instant. "I gave it to you... because I thought that maybe, somewhere, inside of you... there was the tiniest semblance of a soul." Isabella's cheeks were bright red, as was her neck, as hot tears filled her eyes. "What did you say?" "I thought that maybe... maybe beneath all of the... all of the hair products and the lip gloss and the eye shadow," said Isabella, her voice shaking, along with her hands, "there was an actual human being inside of you. But... there's nothing human about you." The look on Molly's face was one of both shock and awe at the fury stirred up in Isabella. "You're just... an empty vessel. You're all exterior. And you'll never write a great cookbook or do anything great in your life, because... because whatever part of you was human, whatever part of you existed that could connect with other people, is gone and it's all been replaced by... by... Botox." Isabella put her mug down and headed for the door. Molly, too stunned to speak, watched her. As Isabella pulled open the handle, she turned back one last time: "Good luck with the cookbook. You can delete me from your phone. I'm going to keep you in mine and change your name to an emoji, just like you did with me. Only your emoji is going to be... it's going to be a smiling piece of shit!

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