Baby Urn Quotes

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The things by which our emotions can be moved - the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music - all these things can be described by the complex flow of numbers. That's not a reduction of it, that's the beauty of it.
Douglas Adams
Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it’s never been out of it. The things by which our emotions can be moved—the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music—all these things can be described by the complex flow of numbers. That’s not a reduction of it, that’s the beauty of it. Ask Newton. Ask Einstein. Ask the poet (Keats) who said that what the imagination seizes as beauty must be truth.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
The cardboard that he stopped at had been written on in February, 1938. The handwriting, in blue-lead pencil, was his brother Seymour's: My twenty-first birthday. Presents, presents, presents. Zooey and the baby, as usual, shopped lower Broadway. They gave me a fine supply of itching powder and a box of three stink bombs. I'm to drop the bombs in the elevator at Columbia or ‘someplace very crowded’ as soon as I get a good chance. Several acts of vaudeville tonight for my entertainment. Les and Bessie did a lovely soft-shoe on sand swiped by Boo Boo from the urn in the lobby. When they were finished, B. and Boo Boo did a pretty funny imitation of them. Les nearly in tears. The baby sang ‘Abdul Abulbul Amir.’ Z. did the Will Mahoney exit Les taught him, ran smack into the bookcase, and was furious. The twins did B.'s and my old Buck & Bubbles imitation. But to perfection. Marvellous. In the middle of it, the doorman called up on the housephone and asked if anybody was dancing up there. A Mr. Seligman, on the fourth—
J.D. Salinger (Franny and Zooey)
If you die, I’m dating your corpse.” “I’m being cremated.” “I’ll date your urn.” “My urn already has a boyfriend. They’re really serious too.” Cooper laughed against my neck then wrapped himself around my waist, swallowing me up with his warm embrace. “My pop has my mom’s name on his wrist,” Cooper whispered against my cheek. “Underneath, he has my name along with the lesser crap kids he got stuck with.” “I’m in college,” I blurted out. “Yeah, I remember you mentioning that.” “Tattoos. Kids. Dating my corpse. Seems serious.” Leaning back, Cooper adjusted me so I rested against his chest. “I always planned to settle down when I was an old fart like my pop. Meet some cute piece of jailbait and make a few bad seeds plus one decent kid I could trust with the family business. Instead, here I am not even done with college with a tattoo of my girl’s name on my wrist.” “You could change your mind.” “I won’t. You’re a keeper.” “I could change my mind,” I said, wiggling my brows at him. “Who would you replace me with? Seriously, look around and see what shit pickings you have to choose from. I’m the best you’ll ever do, baby.” “You are pretty sexy. Tall too. Yeah, I can see keeping you around.” A grinning Cooper glanced at Aaron. “I’m so whipped.” “It’s pretty nauseating, yeah.
Bijou Hunter (Damaged and the Beast (Damaged, #1))