Baby Cot Quotes

We've searched our database for all the quotes and captions related to Baby Cot. Here they are! All 35 of them:

Good mothers know all about patience. They know about lugging the promise of a baby around for nine whole months, about the effort of pushing and puffing until a head pops; they know about being pinned to a spot, wincing as gums make contact with sore nipples; they know about keeping a vigil over a cot all night, praying that the doctor's medicine will work; they know that even when patience seems to be at an end, more is required. Always more.
Adaobi Tricia Nwaubani (I Do Not Come to You by Chance)
Kneeling in the keeping room where she usually went to talk-think it was clear why Baby Suggs was so starved for color. There was’t any except for two orange squares in a quilt that made the absence shout. The walls of the room were slate-colored, the floor earth-brown, the wooden dresser the color of itself, curtains white, and the dominating feature, the quilt over an iron cot, was made up of scraps of blue serge, black, brown and gray wool–the full range of the dark and the muted that thrift and modesty allowed. In that sober field, two patches of orange looked wild–like life in the raw.
Toni Morrison (Beloved (Beloved Trilogy, #1))
While she strode rapidly through the ward to the door at the other end, she was able to see that every bed or cot held an infant or a small child in whom the human template had been wrenched out of pattern, sometimes horribly, sometimes slightly. A baby like a comma, great lolling head on a stalk of a body... then something like a stick insect, enormous bulging eyes among stiff fragilities that were limbs... a small girl all blurred, her flesh guttering and melting - a doll with chalky swollen limbs, its eyes wide and blank, like blue ponds, and its mouth open, showing a swollen little tongue. A lanky boy was skewed, one half of his body sliding from the other. A child seemed at first glance normal, but then Harriet saw there was no back to its head; it was all face, which seemed to scream at her.
Doris Lessing (The Fifth Child)
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
Mid-Term Break I sat all morning in the college sick bay Counting bells knelling classes to a close. At two o'clock our neighbours drove me home. In the porch I met my father crying— He had always taken funerals in his stride— And Big Jim Evans saying it was a hard blow. The baby cooed and laughed and rocked the pram When I came in, and I was embarrassed By old men standing up to shake my hand And tell me they were 'sorry for my trouble'. Whispers informed strangers I was the eldest, Away at school, as my mother held my hand In hers and coughed out angry tearless sighs. At ten o'clock the ambulance arrived With the corpse, stanched and bandaged by the nurses. Next morning I went up into the room. Snowdrops And candles soothed the bedside; I saw him For the first time in six weeks. Paler now, Wearing a poppy bruise on his left temple, He lay in the four-foot box as in his cot. No gaudy scars, the bumper knocked him clear. A four-foot box, a foot for every year.
Seamus Heaney
Do you realize what a beacon you’ve become?” “A—I beg your pardon?” “A beacon of hope,” says the woman, smiling. “As soon as we announced we’d be doing this interview, our viewers started calling in, e-mails, text messages, telling us you’re an angel, a talisman of goodness . . .” Ma makes a face. “All I did was I survived, and I did a pretty good job of raising Jack. A good enough job.” “You’re very modest.” “No, what I am is irritated, actually.” The puffy-hair woman blinks twice. “All this reverential—I’m not a saint.” Ma’s voice is getting loud again. “I wish people would stop treating us like we’re the only ones who ever lived through something terrible. I’ve been finding stuff on the Internet you wouldn’t believe.” “Other cases like yours?” “Yeah, but not just—I mean, of course when I woke up in that shed, I thought nobody’d ever had it as bad as me. But the thing is, slavery’s not a new invention. And solitary confinement—did you know, in America we’ve got more than twenty-five thousand prisoners in isolation cells? Some of them for more than twenty years.” Her hand is pointing at the puffy-hair woman. “As for kids—there’s places where babies lie in orphanages five to a cot with pacifiers taped into their mouths, kids getting raped by Daddy every night, kids in prisons, whatever, making carpets till they go blind—
Emma Donoghue (Room)
Guinefort had been a dog and, so far as Thomas’s father knew, the only animal ever to be canonized. The beast had saved a baby from a wolf, then been martyred by his owner, who thought the dog had eaten the baby when in truth he had hidden it beneath the cot.
Bernard Cornwell (The Archer's Tale (The Grail Quest, #1))
She helps Holly and me to decorate the sky-blue bedroom with sparkly stars and a crescent moon painted in silver acrylic paint. We paint a wide, arching rainbow that stretches from one corner of the room to another. When my new baby sister looks up from her cot, she’ll see stars to wish on, a moon to soothe her to sleep, a slice of rainbow to remind her that magic is always just round the corner. I
Cathy Cassidy (Scarlett)
It was an earthquake, tearing at the sons of America, trying to swallow them up. Beautiful, beautiful, beautiful sons, that women had reared, had kissed and screamed at, and that fathers had stared intently in their cots, to see themselves in the wondrous mirrors of their babies.
Sebastian Barry
Did you have any yourself?" she said. "Just one." Harold thought of David, but it was too much to explain. He saw the boy as a toddler and how his face darkened in sunshine like a ripe nut. He wanted to describe the soft dimples of flesh at his knees, and the way he walked in his first pair of shoes, staring down, as if unable to credit they were still attached to his feet. He thought of him lying in hit cot, his fingers so appallingly small and perfect over his wool blanket. You could look at them and fear they might dissolve beneath your touch. Mothering had come so naturally to Maureen. It was as if another woman had been waiting inside her all along, ready to slip out. She knew how to swing her body so that a baby slept; how to soften her voice; how to curl her hand to support his head. She knew what temperature the water should be in his bath, and when he needed to nap, and how to knit him blue wool socks. He had no idea she knew these things and he had watched with awe, like a spectator from the shadows. It both deepened his love for her and lifted her apart, so that just at the moment when he thought their marriage would intensify, it seemed to lose its way, or at least set them in different places. He peered at his baby son, with his solemn eyes, and felt consumed with fear. What if he was hungry? What if he was unhappy? What if other boys hit him when he went to school? There was so much to protect him from, Harold was overwhelmed. He wondered if other men had found the new responsibility of parenting as terrifying, or whether it had been a fault that was only in himself. It was different these days. You saw men pushing buggies and feeding babies with no worries at all.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
Night, my handsome little prince,’ she whispered and tiptoed out of the nursery she had so carefully prepared for the birth of her baby, with soft toys all lined up at the head of the cot and a large white toy box in the corner, Alfie’s name spelt out in large letters on it. The heartbeat continued, strong and comforting –a protective force like a mother’s love.
Carol Wyer (Last Lullaby (Detective Natalie Ward, #2))
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
IN MEMORIAM: FLIGHT 752 I try to envisage the passengers seated in neat rows. Everyone knows the real risk is at take-off and landing, but after an hour delay, their plane was soaring. Relieved, they whispered prayers, dreaming of families and friends at arrival gates clutching coffee cups and bouquets. I like to think it was calm, the plane blanketed by night’s caress. Cellphones put away, the cabin lights dimmed, babies cooing in cots, and refreshments on their way. 176 hearts beating in one narrow womb. Closer to the heavens, I know their journey was short— earth angels for a while who were returning home.
Kamand Kojouri
And sleep training? Guess who proposed that unique technique? Why, a surgeon-turned-sportswriter, of course, who wrote under the pseudonym Stonehenge. If babies “are left to go to sleep in their cots, and allowed to find out that they do not get their way by crying, they at once become reconciled, and after a short time will go to bed even more readily in the cot than on the lap,” Dr. John Henry Walsh wrote in his Manual of Domestic Economy in 1857. Besides doling out advice on infant sleep, John Henry also authored several books about guns, including The Shot-Gun and Sporting Rifle and The Modern Sportsman’s Gun and Rifle. (And he lost a big chunk of his left hand one day when a gun exploded in his grasp.)
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)
As I watched him rock her back and forth, my ovaries felt like they were about to explode. This man was sexy when he wasn’t holding a baby. Now? Off the charts. “I don’t get why I couldn’t get her to sleep, and then you hold her for five minutes…” “Can’t say I understand it, either.” Looking down at her, he said, “I gotta be honest, though. I kinda wanted to run for the hills when you first asked me to take her. But she made it easy.” Deacon shrugged. “Not bad for my first time holding a baby, huh?” My mouth fell agape. “Ever? You’re kidding me.” “Nope.” He laughed. “That figures.” She looked so comfy in his big arms. No wonder she’d fallen asleep. It must have been like lying in a warm, king-size bed compared to the usual fold-out cot with uncomfortable springs.
Penelope Ward (The Anti-Boyfriend)
matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. “To know all is to forgive all.” As Dr. Johnson said: “God himself, sir, does not propose to judge man until the end of his days.” Why should you and I? PRINCIPLE 1 Don’t criticize, condemn or complain.
Dale Carnegie (How To Win Friends and Influence People)
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
Dale Carnegie (How to Win Friends and Influence People)
She did not like it that Jasper should shoot birds; but it was only a stage; they all went through stages. Why, she asked, pressing her chin on James's head, should they grow up so fast? Why should they go to school? She would have liked always to have had a baby. She was happiest carrying one in her arms. Then people might say she was tyrannical, domineering, masterful, if they chose; she did not mind. And, touching his hair with her lips, she thought, he will never be so happy again, but stopped herself, remembering how it angered her husband that she should say that. Still, it was true. They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they awoke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after breakfast, which they did every day of their lives, was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish - something they had heard, something they had picked up in the garden. They all had their little treasures... And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and she believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries - perhaps that was it. He had always his work to fall back on. Not that she herself was "pessimistic," as he accused her of being. Only she thought life - and a little strip of time presented itself to her eyes - her fifty years. There it was before her - life. Life, she thought - but she did not finish her thought.
Virginia Woolf (To the Lighthouse)
Babies who do not sleep ‘through the night’ alone in a cot, as soon as possible after birth, are seen as a ‘problem’.
Gabrielle Palmer (The Politics of Breastfeeding: When Breasts are Bad for Business)
Parents who believe they must leave their baby to cry and sleep alone from an early age, will tuck numerous cuddly toy animals into their baby’s cot, as though they unconsciously know their baby is deprived and needs comfort.
Gabrielle Palmer (The Politics of Breastfeeding: When Breasts are Bad for Business)
Mothers who share a bed or use a three-sided cot attached to the bed are far more responsive to their babies than those who have a separate cot by the bed.
Gabrielle Palmer (The Politics of Breastfeeding: When Breasts are Bad for Business)
Angeline says that we’re not doing very well. Apparently they expected the Japs from the south, by the sea, but they came from the north instead and just breezed right through the defenses there. And it’s really awful outside.” Her voice hiccups. “I saw a dead baby on a pile of rubbish this morning as I came here. It’s all around, the rubbish and the corpses, I mean, and they’re burning it so it smells like what I imagine hell smells like. And I saw a woman being beaten with bamboo poles and then dragged off by her hair. She was half being dragged, half crawling along, and screaming like the end of the world. Her skin was coming off in ribbons. You’re supposed to wear sanitary pads so that . . . you know . . . if a soldier tries to . . . Well, you know. The locals and the Japanese both are looting anything that’s not locked down, and thieving and generally being impossible. They’re all over the place in Kowloon, running amok. We’re thinking about moving out to one of the hotels, just so we’re more in the middle of things, and we can see people and get more information. The Gloucester is packed to the rafters but my old friend Delia Ho has a room at the Repulse Bay and says we can have it because she’s leaving to go to China. We can share the room with Angeline, don’t you think? And apparently, the American Club has cots out and people are staying there as well. They have a lot of supplies, I suppose. Americans always do. Everyone wants to be around other people.
Janice Y.K. Lee (The Piano Teacher)
If you really try to know the Hindus you will observe that all castes have several very formal ceremonies. Three are most important. Twelve days after birth the baby is placed in a swinging cot above twelve candles and the priest announces his name. The second ceremony is marriage, which has usually been arranged by the parents. However if a man becomes wealthy he may add wives of his own choice, and as many as he can afford! The last ceremony is for the death. The Hindus believe the soul, trapped in the skull, can only be released by sacred fire. So they burn the dead. They make sure the skull is burned up or is broken open. Three days later they scatter the ashes into a river...” “Why
Sam Wellman (William Carey)
Late that evening, I begged Marlboro Man to go back to the ranch to sleep. We’d had visits from my dad, our grandmothers, my best friend, Becky, and Mike. My mom had even peeked her head in once she’d determined the coast was clear, and I’d been poked and prodded and checked by nurses all day long. I felt tired and gross, not having been given permission to shower yet, and I didn’t want him to sleep on a hard cot in the room. Plus, I couldn’t risk being asked about my bodily functions in his presence again. “Go home and get some sleep,” I said. “I’ll still be here in the morning.” He didn’t put up much of a fight. He was exhausted; I could tell. I was exhausted, too--but I was supposed to be. I needed Marlboro Man to stay strong. “Good night, Mama,” he said, kissing my head. I loved this new “Mama” thing. He kissed our baby on the cheek.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Throughout the first six month's of the baby's life, Elena is overcome with a gloom so intense that it takes all her willpower not to be swallowed up by it entirely. All the colour, it seems, has drained out of the world and swirled down a long, dark hole along with all the joy. Where once there were yellows and golds to admire, now there is only grey. So deep is the sorrow that afflicts her soul that she has no energy left to love the poor child who lies in her cot for hours cooing and gurgling and reaching up for her feet, while Elena paces anxiously around her bed and wishes she would vanish into thin air like all the other things which once made her happy
Mary Karras (The Making of Mrs. Petrakis: A Novel of One Family, Two Countries)
She continued to stare at the floor. She felt herself starting to cry. “Come on, say it: ‘I only wanted the knife.’” “Tony,” Jane said, “enough.” Tony bent down and picked up the knife. “Oh stop crying, Sarah. This is what you were after, wasn’t it? Or did you want to practice bending spoons or something?” He turned, showed the knife to Jane, standing somewhere near the ladder. “Check this out. Little one thought she’d try to take a knife.” “But why?” Jane said in a baby voice. “To stab us?” Sarah suddenly stalked past Tony. Jane stepped aside as she went for the ladder. She climbed it as fast as she could. “That’s right, get upstairs, high society!” Tony called after her. Sarah ran to the cot and sank down, face in her pillow. “And no more food, by the way! Remember the half-eaten sandwich down here, ‘cuz the dogs are getting it. You just lost mess hall privileges.
Erik Goddard (The Kidnapping of Sarah Easton)
The likelihood of my baby being injured during co-sleeping was, in reality, significantly lower than it would have been had I left her in the hospital cot. In the UK, 90 percent more babies die alone in baskets or cots – Sudden Infant Death Syndrome – than they do when they securely, rather than hazardously, co-sleep with their mothers.
Antonella Gambotto-Burke (Apple: Sex, Drugs, Motherhood and the Recovery of the Feminine)
Endless tunnels, twisting and turning, a girl with silver eyes brighter than the moon, a stream of tarot cards then a pair of fiery wings that twisted up into the sky. A necklace of thorns then a girl with lilac hair covered in mud. A huge palace reached above me then a Dragon with jade green scales landed on its roof, two babies lying in a cot, then two dark haired twin girls clutching hands at the bottom of a darkened pit. “Gabriel!” someone was shouting and I tried to wrangle
Caroline Peckham (Vicious Fae (Ruthless Boys of the Zodiac, #3))
The survivors of a nuclear war will be able, if they can make their way to Hutchinson, Kansas, and get 200 metres (650 feet) down into the salt-shafts, to retrieve an assortment of objects which have been chosen partly with them in mind. There are seeds of hybrid plants, the files of various commercial enterprises, secret formulae for making brand-name products, food for the treasure-finders, and even folding cots, just in case they bring their babies with them. There is a film library which includes Gone with the Wind, Polly of the Circus, and lots of Buster Keaton.
Margaret Visser (Since Eve Ate Apples Much Depends on Dinner: The Extraordinary History and Mythology, Allure and Obsessions, Perils and Taboos of an Ordinary Mea)
She truly was the most beautiful creature we had ever laid eyes on and, watching her sleep, in her cot, my brother and I forged a silent pact, in which we would protect that fragile, little baby with our lives, if it came to that.
LUMI (Eleanora's Sundown)
were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
If he was indeed still alive he was probably lying on a cot somewhere like an ancient baby, helpless, clinging to life out of sheer spite, but unable to do any living. His time was over. The ruling officers of the DAS were similarly toothless and wizened. It was as if cadavers were in charge of things, the dead ruling the living, and the living were tired of it.
Salman Rushdie (Victory City)
Meg hesitated. Still sniffling, she rose from her cot and trudged toward me. She fell into my hug like I was a comfy mattress. I grunted, surprised by how solid and heavy she was. She smelled of apple peels and mud, but I didn’t mind. I didn’t even mind the mucus and tears soaking my shoulder. I’d always wondered what it would be like to have a younger sibling. Sometimes I’d treated Artemis as my baby sister, since I’d been born a few minutes earlier, but that had been mostly to annoy her. With Meg, I felt as if it were actually true. I had someone who depended on me, who needed me around no matter how much we irritated each other. I thought about Hazel and Frank and the washing away of curses. I supposed that kind of love could come from many different types of relationships.
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))