B Moon Quotes

For he would be thinking of love Till the stars had run away And the shadows eaten the moon.

Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done The silver apples of the moon, The golden apples of the sun. - The Song of Wandering Aengus

Some people are just sad when there aren't talking squirrels.” —Lily Winter

See, there were these two guys in a lunatic asylum... and one night, one night they decide they don't like living in an asylum any more. They decide they're going to escape! So, like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moon light... stretching away to freedom. Now, the first guy, he jumps right across with no problem. But his friend, his friend didn't dare make the leap. Y'see... Y'see, he's afraid of falling. So then, the first guy has an idea... He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk along the beam and join me!' B-but the second guy just shakes his head. He suh-says... He says 'Wh-what do you think I am? Crazy? You'd turn it off when I was half way across!

Anarchy could never get a man to the moon, but it may the only mode that can allow us to survive on earth.

Tavin cupped his hands to his mouth. “Here, dragon-dragon-dragon!” he yelled. Lily stared in amazement. Well, that was bold, she thought, and stupid.

Odd names: Winter, Autumn—they almost sound as if someone just made them up.” —Dubb

We sat grown quiet at the name of love; We saw the last embers of daylight die, And in the trembling blue-green of the sky A moon, worn as if it had been a shell Washed by time's waters as they rose and fell About the stars and broke in days and years. I had a thought for no one's but your ears: That you were beautiful, and that I strove To love you in the old high way of love; That it had all seemed happy, and yet we'd grown As weary-hearted as that hollow moon

You won't find the tales I bear in any books . . . My tales are from the Moon Realm.” —Ebb Autumn

From man's blood-sodden heart are sprung Those branches of the night and day Where the gaudy moon is hung. What's the meaning of all song? "Let all things pass away.

You know, if the sun and the moon were to actually collide, it would set off a cataclysmic reaction of epic proportions. Are you ready to have your world completely obliterated?

ROSE of all Roses, Rose of all the World! The tall thought-woven sails, that flap unfurled Above the tide of hours, trouble the air, And God’s bell buoyed to be the water’s care; While hushed from fear, or loud with hope, a band With blown, spray-dabbled hair gather at hand. Turn if you may from battles never done, I call, as they go by me one by one, Danger no refuge holds, and war no peace, For him who hears love sing and never cease, Beside her clean-swept hearth, her quiet shade: But gather all for whom no love hath made A woven silence, or but came to cast A song into the air, and singing past To smile on the pale dawn; and gather you Who have sought more than is in rain or dew Or in the sun and moon, or on the earth, Or sighs amid the wandering starry mirth, Or comes in laughter from the sea’s sad lips; And wage God’s battles in the long grey ships. The sad, the lonely, the insatiable, To these Old Night shall all her mystery tell; God’s bell has claimed them by the little cry Of their sad hearts, that may not live nor die. Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die. The Sweet Far Thing

The Song of Wandering Aengus I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done, The silver apples of the moon, The golden apples of the sun.

The new moon rode high in the crown of the metropolis. Shinin', like "Who on top of this?

...and pluck till time and times are done The silver apples of the moon, The golden apples of the sun.

All our lives, we long, we long, thinking it is the moon we long for. So how, when we meet it in the shape of a most fair woman, can we do less than leave all others for her?

[T]he way I see it, we're two people, so hopelessly intertwined, that without one, the other ceases to fully exist. You call me your moon, well, I call you my soul mate.

Have you ever tried to demarcate the hours between the moment you thought you'd never fall asleep and the instant after opening your eyes, your bedroom flooded with the befuddling, sugary pink of dawn? Between point A and point B you exist, you are alive, your breath slowing, your body temperature dropping, the shadows cast by your furniture elongating and shrinking as the moon revolves through the sky above your flimsy house, if that's even where you really are. Every night, anything could happen, and you would never be the wiser. What I'm trying to say is that day, I learned that time doesn't belong to you. All you have is what you remember. A fraction; less.

You call me your sun, well you’re my moon, Kaeleb. I know it’s not the most romantic thing I could say right now, but it’s true. You’re my balance. You’re the ebb to my flow. You’re the day to my night. The light to my dark. With all the bad that I’ve experienced, you are the good that balances my life.

Big results require big ambitions. ~ Heraclitus

The most important thing is love," said Leigh-Cheri. "I know that now. There's no point in saving the world if it means losing the moon." Leigh-Cheri sent that message to Bernard through his attorney. The message continued, "I'm not quite 20, but, thanks to you, I've learned something that many women these days never learn: Prince Charming really is a toad. And the Beautiful Princess has halitosis. The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?" The next day, Bernard's attorney delivered to her this reply: Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free. Leigh-Cheri went out in the blackberries and wept. "I'll follow him to the ends of the earth," she sobbed. Yes, darling. But the earth doesn't have any ends. Columbus fixed that.

Little by little they all gathered around him, entering through the cracks like moonbeams...[b]ut once the wind of misfortune blows, people disperse like little clouds around the moon when the wind blows off the mountains.

But—" yelped Twizbang, “Greydor will eat us!

I was growing cold, but now you are my campfire.

I had no fear of the stream's perils, and I listened with the greatest contentment to the quiet slap of water on rocks, the running whisper of the current, and the taps and creaks and croaks that rose with the mist around me. Overhead swing the glittering stars, and the bright moon shone down and lit the curling ripples of the water. At no time in my life had I been in greater danger from the elements, and yet if I learned that heaven is such as that night was, I should deem it a joy worth the dying.

she felt that there was a tide within her, moving with the power of the moon and the ocean and the goddess, who had bound them together, rising, cresting within her heart untill she thought that she must weep, or laugh, or both. she felt her world shifting, remaking itself; holding on to all she was and all she known, but creating a space within these things for this man she was holding in her arms, so that he might share it with her, bringing to it all that he was and all that he had known. And in that instant, in the eternity of that kiss, Alayna knew, with a joy that she found frightening even as it encompassed her, that her life would never again be as it had been.

Edain came out of Midhir's hill, and lay Beside young Aengus in his tower of glass, Where time is drowned in odour-laden winds And Druid moons, and murmuring of boughs, And sleepy boughs, and boughs where apples made Of opal and ruhy and pale chrysolite Awake unsleeping fires; and wove seven strings, Sweet with all music, out of his long hair, Because her hands had been made wild by love. When Midhir's wife had changed her to a fly, He made a harp with Druid apple-wood That she among her winds might know he wept; And from that hour he has watched over none But faithful lovers.

On this night of the Harvest Moon. They tossed bones into the “Bone Fire” and asked the yellow moon to shine its protection over them. (Today we call it a "Bonfire")

Oh, the things we can achieve when we aspire to the greatness within ourselves.

I wonder if the sea, Looks to the moon too, And thinks of me.

May you have warm words on a cool evening, a full moon on a dark night, and a smooth road all the way to your door.

In the current Christian-based Gregorian calendar the year 1 B.C. was followed by the year A.D. 1—there was no year zero. Century reckoning is therefore shifted by one year. Before

You ever wondered what it's like to be me? I always wondered what it's like to be you. Quick, lets change clothes before someone else knows. So what's your name? " E.J.B.

There is just one moon and one golden sun And a smile means friendship to everyone Though the mountains divide And the oceans are wide It's a small world after all

[...] when, if the tale's true, The Pestle of the moon That pounds up all anew Brings me to birth again To find what once I had And know what once I have known, Until I am driven mad

But what my car needs is gas, not memories! How can you make a car go on memories?' B.D. scratched under her Admiral's hat. 'What'd you think gas was, girl? 'Course there's all sorts of fuel, wind and wishes and chocolate cake and collard greens and water and brawn, but you're wanting the kind that burns in an engine. That kind of gas is nothing more than the past stored up and fermented and kept down in the cellar of the earth till it's wanted. Gas is saved-up sunlight. Giant ferns and apples of immortality and dimetrodons and cyclopses and werewhales drank up the sun as it shone on their backs a million years ago and used it to be a bigger fern or make more werewhales or drop seeds of improbability.' Her otter's paws moved quick and sure, selecting a squat, square bottle here and a round rosy one there. 'It so happens sunshine has a fearful memory. It sticks around even after its favorite dimetrodon dies. Gets hard and wily. Turns into something you can touch, something you can drill, something you can pour. But it still remembers having one eye and slapping the ocean's face with a great heavy tail. It liked making more dinosaurs and growing a frond as tall as a bank. It likes to make things alive, to make things go.

The moon, B had noticed, awakened the dawn, and so the two – like pale cousins – never saw each other. Even on the most hopeful of days the moon could only peep, from a distant sky, at the sun.

I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done The silver apples of the moon The golden apples of the sun.

When I say I will never leave you nor forsake you, I am not making up some white man's words that mean nothing, I am repeating holy, sacred words that are in that book. Those words have power. I want to teach you the power of those words. For me to ignore my Holy Scriptures and walk away from you, or to take a child from you as your father did your mother, would mean to me that I had lied to my God. I would accept death before I would leave you after making such a holy promise.

Diwali (Lakshmi Pujan/Amavasya) is the darkest night of the year. And our ancestors have taught us to overcome darkness with light. When the moon is not shining, neither the sun, sky is dark; India glitters. Proud of being part of such a wise and one of the finest tradition. Diwali is practicing "तमसोमा जोतिर्गमय" . . . Happy Diwali to all. May der b light in your life. . .

She had stepped into the thin strip of earth that they claimed as their own. Bound by the last building on Brewster and a brick wall, they reigned in that unlit alley like dwarfed warrior kings. Born with the appendages of power, circumcised by the guillotine, and baptized with the steam from a million non reflective mirrors, these young men wouldn't be called upon to thrust a bayonet into an Asian farmer, target a torpedo, scatter their iron seed from a B-52 into the wound of the earth, point a finger to move a nation, or stick a pole into the moon--and they knew it. They only had that three-hundred-foot alley to serve them as stateroom, armored tank, and executioner's chamber.

Leaning against my car after changing the oil, I hold my black hands out and stare into them as if they were the faces of my children looking at the winter moon and thinking of the snow that will erase everything before they wake. In the garage, my wife comes behind me and slides her hands beneath my soiled shirt. Pressing her face between my shoulder blades, she mumbles something, and soon we are laughing, wrestling like children among piles of old rags, towels that unravel endlessly, torn sheets, work shirts from twenty years ago when I stood in the door of a machine shop, grease blackened, and Kansas lay before me blazing with new snow, a future of flat land, white skies, and sunlight. After making love, we lie on the abandoned mattress and stare at our pale winter bodies sprawling in the half-light. She touches her belly, the scar of our last child, and the black prints of my hand along her hips and thighs.

Absentmindedly, I started doodling in the margins of my paper. Renee, I wrote in cursive, and then again in bubble letters and then in the loopy handwriting of the mystery note. I drew a tiny picture of the moon above the lake. And then stick figures of people swimming in it. And then for some reason, I wrote Dante. First in print, and then in large, wavy letters, and then in all caps. Dante. Dante. DANTE. I had just finished writing, when I heard someone say my name. “Renee.” I shook myself out of my daze to discover that Mr. B. and the entire class were staring at me. “Earth to Renee. The most primitive tombs. What were they called?” he repeated. I glanced at my notes for the answer, but they were covered in doodles. “Dante,” I blurted out, reading the first word I saw. Immediately my face went red. “No, sorry, I meant . . . I meant dolmen.” I winced, hoping I was right so that I would be saved from further embarrassment. Thankfully, Dante wasn’t in my class. Mr. B. smiled. “Correct,” he said, returning to the board. He drew a diagram of a stonelike lean-to, which I recognized from the reading. I took notes and kept my head down for the rest of class.

O Moon that rid'st the night to wake Before the dawn is pale, The hamadryad in the brake, The Satyr in the vale, Caught in thy net of shadows What dreams hast thou to show? Who treads the silent meadows To worship thee below? The patter of the rain is hushed, The wind's wild dance is done, Cloud-mountains ruby-red were flushed About the setting sun: And now beneath thy argent beam The wildwood standeth still, Some spirit of an ancient dream Breathes from the silent hill. Witch-Goddess Moon, thy spell invokes The Ancient Ones of night, Once more the old stone altar smokes, The fire is glimmering bright. Scattered and few thy children be, Yet gather we unknown To dance the old round merrily About the time-worn stone. We ask no Heaven, we fear no Hell, Nor mourn our outcast lot, Treading the mazes of a spell By priests and men forgot.

Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")

Don't ever give up your music, David. It may save your life one day.

She wasn’t looking at herself in the glass, but out at a great silver moon hanging beyond a thin metal balcony that looked over the grey towers of a human city.

I want to tell him that if I’m his sun, he’s my moon guiding me out of the darkness.

The moon belongs to everyone, The best things in life are free, The stars belong to everyone, They gleam there for you and me.

Part Two -- Red Flags   Chapter Five: Red Flags of a Psychopath   artist unknown   Three things cannot be long hidden: the sun, the moon, and the truth. ~ Buddha

Sometimes it's hard to tell what derails a train and with life, it is the same.

Lies with their face on, that’s what promises are. But they can wear as much concealer as they like: it won’t last them through the rain.

Chariots for Apollo: The Making of the Lunar Module, by Charles B. Pellegrino and Joshua Stoff (New York: Atheneum, 1985),

I carry the sun in a golden cup. The moon in a silver bag.

I dreamed of moons that night. Twin screens of themselves: one dark twin, one light.

And if anyone had told him that one day he would travel to worlds beyond this one, and experience the past, present and future as one, he would have said they were crazy.

Living a life of service to others is the most powerful sermon of all, don't you think?

That fence has gotta 'lectric charge runnin' through it!" Duffy whispered. "Felt like I got struck by lightnin' right b'tween my shoulder blades! It crackled like when the barber turns on his trimmer." Ott had had his suspicions about the electric fence, but there had been only one way to know for sure. That's why some people were generals and others were sergeants, after all.

The Sorrow of Love W. B. Yeats, 1865 - 1939 The quarrel of the sparrows in the eaves, The full round moon and the star-laden sky, And the loud song of the ever-singing leaves, Had hid away earth’s old and weary cry. And then you came with those red mournful lips, And with you came the whole of the world’s tears, And all the sorrows of her labouring ships, And all the burden of her myriad years. And now the sparrows warring in the eaves, The curd-pale moon, the white stars in the sky, And the loud chaunting of the unquiet leaves Are shaken with earth’s old and weary cry.

I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done, The silver apples of the moon, The golden apples of the sun.

There are many ways to generate numerical falsehoods from data, many ways to create proofiness from even valid meaurements. Causuistry distorts the relationships between two sets of numbers. Randumbness creates patterns where none are to be found. Regression to the moon disguises nonsense in mathematical-looking lines or equations or formulae, making even the silliest ideas seem respectable. Such as the one described by this formula: Callipygianness=(S+C)x(B+F)/T-V) Where S is shape, C is circularity, B is bounciness, F ir firmness, T is texture, and V is waist-to-hip ratio. This formula was devised by a team of academic psychologists after many hours of serious research into the female derriere. Yes, indeed. This is supposed to be the formula for the perfect butt. It fact, it's merely a formula for a perfect ass

Keep your head up, and know that the sun breaks through the skies each day so you can experience God's will and purpose for your life. If you can see the sun or even the moon, then you are already in line with His plans.

All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle

And I saw no temple therein: for the Lord God aAlmighty and the Lamb are the btemple of it. 23 And the city had no need of the asun, neither of the moon, to shine in it: for the glory of God did lighten it, and the bLamb is the clight thereof.

We sat as silent as a stone, We knew, though she'd not said a word, That even the best of love must die, And had been savagely undone Were it not that Love upon the cry Of a most ridiculous little bird Tore from the clouds his marvellous moon.

The moon established which day was the first of the month, and which was the fifteenth. Such festivals as Passover, Pentecost, and Tabernacles were set on particular days of the month (Leviticus 23:5-6, 34; Numbers 28:11-14; 2 Chronicles 8:13; Psalm 81:3). The moon, of course, governs the night (Psalm 136:9; Jeremiah 31:35), and in a sense the entire Old Covenant took place at night. With the rising of the Sun of Righteousness (Malachi 4:2), the "day" of the Lord is at hand (Malachi 4:1), and in a sense the New Covenant takes place in the daytime. As Genesis 1 says over and over, first evening and then morning. In the New Covenant we are no longer under lunar regulation for festival times (Colossians 2:16-17). In that regard, Christ is our light.

THE BEET IS THE MOST INTENSE of vegetables. The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious. Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets. The beet is the melancholy vegetable, the one most willing to suffer. You can't squeeze blood out of a turnip . . . The beet is the murderer returned to the scene of the crime. The beet is what happens when the cherry finishes with the carrot. The beet is the ancient ancestor of the autumn moon, bearded, buried, all but fossilized; the dark green sails of the grounded moon-boat stitched with veins of primordial plasma; the kite string that once connected the moon to the Earth now a muddy whisker drilling desperately for rubies. The beet was Rasputin's favorite vegetable. You could see it in his eyes. In Europe there is grown widely a large beet they call the mangel-wurzel. Perhaps it is mangel-wurzel that we see in Rasputin. Certainly there is mangel-wurzel in the music of Wagner, although it is another composer whose name begins, B-e-e-t——. Of course, there are white beets, beets that ooze sugar water instead of blood, but it is the red beet with which we are concerned; the variety that blushes and swells like a hemorrhoid, a hemorrhoid for which there is no cure. (Actually, there is one remedy: commission a potter to make you a ceramic asshole—and when you aren't sitting on it, you can use it as a bowl for borscht.) An old Ukrainian proverb warns, “A tale that begins with a beet will end with the devil.” That is a risk we have to take.

Even when I was a boy I could never walk in a wood without feeling that at any moment I might find before me somebody or something I had long looked for without knowing what I looked for. And now I will at times explore every little nook of some poor coppice with almost anxious footsteps, so deep a hold has this imagination upon me. You too meet with a like imagination, doubtless, somewhere, wherever your ruling stars will have it, Saturn driving you to the woods, or the Moon, it may be, to the edges of the sea. I will not of a certainty believe that there is nothing in the sunset, where our forefathers imagined the dead following their shepherd the sun, or nothing but some vague presence as little moving as nothing. If beauty is not a gateway out of the net we were taken in at our birth, it will not long be beauty, and we will find it better to sit at home by the fire and fatten a lazy body or to run hither and thither in some foolish sport than to look at the finest show that light and shadow ever made among green leaves. I say to myself, when I am well out of that thicket of argument, that they are surely there, the divine people, for only we who have neither simplicity nor wisdom have denied them, and the simple of all times and the wise men of ancient times have seen them and even spoken to them.

People are noise: the sort of it that disturbs your thinking. It’s only causing problems and the more of them you gather, the more problematic life gets. Their noise was the very reason why Tom was trying to avoid them and used to keep the doors shut when he heard them outside. ~ As the moon began to rust

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

Harding’s nomination had cost him and his interests $1 million. But with Harding in the White House, a historian noted, “the oil men licked their chops.” Sinclair funneled, through the cover of a bogus company, more than $200,000 to the new secretary of the interior, Albert B. Fall; another oilman had his son deliver to the secretary $100,000 in a black bag.

Stones, similar to the black stone of the Ka'ba, were worshiped by Arabs in most parts and by the Semitic races generally. The Kabyles of Kabylia in Northern Algeria say their first Great Mother goddess was turned to stone. Other names of the goddess are Kububa, Kuba, Kube and the Latin Cybele. Other scholars say that this meteorite was brought to Makkah by the Sabeans or the Ethiopians and state that the goddess who dwelt in the sacred black stone was given the title Shayba (see Beni Shaybah - the Sons of the Old Woman, above) who represented the Moon in its threefold existence - waxing, (maiden), full (pregnant mother) and waning (old wise woman). Although the word Ka'ba itself means 'cube', it is very close to the word ku'b meaning 'woman's breast.

One oilman from Oklahoma told a friend that Harding’s nomination had cost him and his interests $1 million. But with Harding in the White House, a historian noted, “the oil men licked their chops.” Sinclair funneled, through the cover of a bogus company, more than $200,000 to the new secretary of the interior, Albert B. Fall; another oilman had his son deliver to the secretary $100,000 in a black bag.

Dude, you are so whipped.” He frowned. “N-no, I’m not.” “You look at her as if she hung the moon.” Zeke shrugged uncomfortably, not so sure that she hadn’t. “I’m enjoying b-b-being with her. A l-lot, actually.” Chad had his head cocked to the side and a funny look on his face. “Do you love her?” For a long moment, he couldn’t answer, because his heart clutched in his chest. “Yeah, I think I do.” “What

His days were light beer: lacking potency and barely intoxicating. Hardly worth investing in and perhaps that was why he barely ever spent anything on them. He was a shipwreck at the bottom of the sea. Something useless and long forgotten about, only to treasure hunters still of worth. Maybe that was what Helen was: a treasure hunter and therefore convinced that she had use for him. ~ As the moon began to rust

God has not forgotten you. He will as readily order about the forces of the universe on your account as He did on Noah’s. His plans for Noah were also plans for the whole world through Noah. So they are for you. He will use you for the good of the whole world if you will let Him. SELECTED We may forget; God does not! God’s time is never wrong, Never too fast nor too slow; The planets move to its steady pace As the centuries come and go. Stars rise and set by that time, The punctual comets come back With never a second’s variance, From the round of their viewless track. Men space their years by the sun, And reckon their months by the moon, Which never arrive too late And never depart too soon. Let us set our clocks by God’s, And order our lives by His ways, And nothing can come and nothing can go Too soon or too late in our day. ANNIE JOHNSON FLINT “There are no dates in His fine leisure.

Byzantium The unpurged images of day recede; The Emperor's drunken soldiery are abed; Night resonance recedes, night-walkers' song After great cathedral gong; A starlit or a moonlit dome disdains All that man is, All mere complexities, The fury and the mire of human veins. Before me floats an image, man or shade, Shade more than man, more image than a shade; For Hades' bobbin bound in mummy-cloth May unwind the winding path; A mouth that has no moisture and no breath Breathless mouths may summon; I hail the superhuman; I call it death-in-life and life-in-death. Miracle, bird or golden handiwork, More miracle than bird or handiwork, Planted on the starlit golden bough, Can like the cocks of Hades crow, Or, by the moon embittered, scorn aloud In glory of changeless metal Common bird or petal And all complexities of mire or blood. At midnight on the Emperor's pavement flit Flames that no faggot feeds, nor steel has lit, Nor storm disturbs, flames begotten of flame, Where blood-begotten spirits come And all complexities of fury leave, Dying into a dance, An agony of trance, An agony of flame that cannot singe a sleeve. Astraddle on the dolphin's mire and blood, Spirit after spirit! The smithies break the flood, The golden smithies of the Emperor! Marbles of the dancing floor Break bitter furies of complexity, Those images that yet Fresh images beget, That dolphin-torn, that gong-tormented sea.

So we wouldn't run out of things to talk about over lunch, I tried to read a trendy new short-story collection called Wok that I bought at Barnes & Noble last night and whose young author was recently profiled in the Fast Track section of New York magazine, but every story started off with the line "When the moon hits your eye like a big pizza pie" and I had to put this slim volume back into my bookshelf and drink a J&B on the rocks, followed by two Xanax, to recover from the effort.

Back when her name had been “Beauty,” Aggie’s grandmother had told her men were stronger than women, save one exception: women’s times of bleeding. Helen had said in the moon house women bled and watched the fire. They talked together. They sang together and told stories. To men, this place was a curse. Blood was a curse. A smelly stain on the thighs of the weak. Yet women knew the power of dark jewels. That the moon house was not for the cursed and the weak but for the strong and the blessed.

So, having at last met a foe I could not defeat, I fled,” he said in disgust. “Rather than face you in my weakness, I thought to leave you behind, to forget about you, which I thought was surely possible. After all, how could one human overwhelm me with feelings in such a short period of time?” He smiled bitterly, shaking his head at his own foolishness. “You told me once I haunted your dreams,” he said softly. “With you gone, I have lived for those moments stolen from your sleep. I wanted you to remember me so that no other man could touch you the way I had. The very possibility drove me mad. When I learned you’d gone to Texas, my first thought was to destroy Jabril Karim before his eyes could so much as look upon you, lest he even think to take you for his own.” A cloud covered the moon high above, hiding his face until only the silver gleam of his eyes was visible as he met her gaze. “I have been mastered at last, sweet Cyn, helpless in the face of that most human of failings. I love you.

And once a lady by my side Gave me a harp, and bid me sing, And touch the laughing silver string; But when I sang of human joy A sorrow wrapped each merry face, And, patrick! by your beard, they wept, Until one came, a tearful boy; 'A sadder creature never stept Than this strange human bard,' he cried; And caught the silver harp away, And, weeping over the white strings, hurled It down in a leaf-hid, hollow place That kept dim waters from the sky; And each one said, with a long, long sigh, 'O saddest harp in all the world, Sleep there till the moon and the stars die!

As she reached the stairs, she made a quick detour and stepped outside. A crescent moon hung in the midnight blue sky along with trillions of twinkling stars. Out here there were no streetlights to wash out the view. She loved being able to see the stars. Tonight, the mountains were etched deep purple against the night sky. The white snowcapped tips gleamed silver. Nearer, silhouetted pine trees swayed in the breeze as if in a slow dance. “You are such a romantic,” Trask had once told her. “Are you sure you want to open a bar? You should be writing poetry.” She’d laughed. “How do you know I don’t?

It's so quiet,", she says in realization. The Leszy hums behind her. "It always is, right before dawn." His shoulder brushes against hers as he moves to her side, resting his hands on the railing. "It feels like a different place. Does it not? A moment slipped out of time, belonging to neither night nor day." As if the sky can hear his words, the deepest hues of night begin to lift like a veil, the moon a votive high above. The quiet seeps into Liska's bones. The Leszy is right, she muses. For that brief splinter of time, the Driada feels like a different world entirely-a transient place where the dark stands still, waiting for the light to arrive.

When water is still, it is like a mirror, reflecting the beard and the eyebrows. It gives the accuracy of the water-level, and the philosopher makes it his model. And if water thus derives lucidity from stillness, how much more the faculties of the mind? The mind of the Sage being in repose becomes the mirror of the universe, the speculum of all creation.22 [59a]   The fluidity of water is not the result of any effort on the part of the water, but is its natural property. And the virtue of the perfect man is such that even without cultivation there is nothing which can withdraw from his sway. Heaven is naturally high, the earth is naturally solid, the sun and moon are naturally bright. Do they cultivate these attributes?23 [63b]

The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.

These were the kids who would take LSD for recreational purposes, who relied upon tape recorders to supply the weird studio effects their music required and who could repeat the cosmic wisdom of the Space Brothers as if it were the Pledge of Allegiance. Brought up on space heroes and super beings, as revealed to them in comic books and TV shows, the whole galaxy was their birthright, just as Mad magazine and cheap B-movies had shown them hows stupid and flimsy a construct daily life could be. To the subtle dismay of their parents, this was a generation capable of thinking the unthinkable as a matter of course. That their grand cosmological adventure should come to an end just as Neil Armstrong succeeded in bringing Suburbia to the Moon is another story and it will have to wait for another time.

The Song of the Wandering Aengus: I went out to the hazel wood Because a fire was in my head And I cut and peeled a hazel wand And hooked a berry with a thread And when white moths were on the wing And moth-like stars were flickering out I dropped a berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire aflame But something rustled on the door And someone called me by by name. It had become a glimmering girl With apple blossoms in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands I will find out where she has goner And kiss her lips and take her hands And walk among long dappled grass And pluck till time and times are done The silver apples of the moon, The golden apples of the sun.

[B]ecause now in this moment which is so wondrous the way it lies beside you, I either do not exist or the past has never existed, either my breath is the breath of stars or I do not breathe as I turn to you, as you breathe my name, my heart, as the net of stars dissolves above us, as you wrap yourself around me like honeysuckle, the moon turning pale because it is so drained by our love, so that before this moment, before you lay beneath me, you must have disguised yourself the way the killdeer you pointed out diverts intruders to save what it loves. pretending a broken wing, giving itself over finally to whatever forces, whatever love, whatever touch, whatever suffering it needs just to say I am here, I am always here, stroking the wings of your soul. —Richard Jackson, closing lines to “Sonata of Love’s History,” Heartwall<?i> (University of Massachusetts Press, 2000)

Perhaps the most influential person ever associated with Samos was Pythagoras,* a contemporary of Polycrates in the sixth century B.C. According to local tradition, he lived for a time in a cave on the Samian Mount Kerkis, and was the first person in the history of the world to deduce that the Earth is a sphere. Perhaps he argued by analogy with the Moon and the Sun, or noticed the curved shadow of the Earth on the Moon during a lunar eclipse, or recognized that when ships leave Samos and recede over the horizon, their masts disappear last. He or his disciples discovered the Pythagorean theorem: the sum of the squares of the shorter sides of a right triangle equals the square of the longer side. Pythagoras did not simply enumerate examples of this theorem; he developed a method of mathematical deduction to prove the thing generally. The modern tradition of mathematical argument, essential to all of science, owes much to Pythagoras. It was he who first used the word Cosmos to denote a well-ordered and harmonious universe, a world amenable to human understanding.

Luke pulls me to him and crushes his mouth to mine. “I said I wasn’t going to do this,” he whispers on a kiss. “’S’okay.” I pull him closer, my hands snaking up his back. “Don’t mind.” His hands move up to cup my face, to tilt my head, to move his lips over mine again. “Bella?” “Hmmm?” I stifle a groan as Luke pulls away. Still holding my face in one hand, he runs his finger down my nose. Over my cheek. I lean into his palm and just try to breathe. “What?” “Do you know what this was?” he asks, his mouth near my ear. “The warm-up?” “A test.” My cozy smile drops. I step away. “You’re lying to yourself if you think you don’t want to be with me.” “I—I”—am so mad—“it was the moonlight. It was the popcorn at nine o’clock.” Luke reaches out and brushes a piece of hair behind my ear. “Face it—you’re totally into your editor.” He sighs dramatically. “I hope whatever is keeping us apart is worth it.” I stand there motionless, my tongue glued to the roof of my mouth as Luke climbs into his 4Runner. I should say something. I should yell—or maybe throw a shoe? What would Ruthie do? No. I can’t moon him.

It isn't true about the lambs. They are not meek. They are curious and wild, full of the passion of spring. They are lovable, and they are not silent when hungry. Tonight the last of the triplet lambs is piercing the quiet with its need. Its siblings are stronger and will not let it eat. I am its keeper, the farmer, its mother. I will go down to it in the dark, in the cold barn, and hold it in my arms. But it will not lie still--it is not meek. I will stand in the open doorway under the weight of watching trees and moon, and care for it as one of my own. But it will not love me--it is not meek. Drink, little one. Take what I can give you. Tonight the whole world prowls the perimeters of your life. Your anger keeps you alive-- it's your only chance. So I know what I must do after I have fed you. I will shape my mouth to the shape of the sharpest words-- even those bred in silence. I will impale with words every ear pressed upon open air. I will not be meek. You remind me of the necessity of having more hope than fear and of sounding out terrible names. I am to cry out loud like a hungry lamb, cry loud enough to waken wolves in the night. No one can be allowed to sleep.

Bluefur headed along the fern tunnel. Why wasn’t Goosefeather helping more? Why did ThunderClan seem to have the laziest, dumbest medicine cat? As she reached the end of the tunnel, she stopped. The medicine clearing was cool and green and empty. “Goosefeather!” Bluefur guessed he was sleeping in his den. Two eyes peered from the crack in the rock. Bluefur tensed. They were round and wild, and for a moment she thought a fox had got in. “Goosefeather?” she ventured shakily. The medicine cat padded out, his pelt ruffled. His eyes were still wild, but less startling in the daylight. “What is it?” “Featherwhisker sent me for herbs for my belly. I shared a bad mouse with Sweetpaw and Rosepaw last night.” “You as well?” He rolled his eyes. Bluefur nodded. “Evil omens everywhere.” Bluefur wondered if she’d heard the medicine cat correctly. He was muttering as he turned back into his den and still muttering as he came out and shoved a pawful of shredded leaves in front of her. “It was just a bad mouse,” she meowed, wondering why he was so upset. He leaned toward her, his breath stinky in her face. “Just a bad mouse?” he echoed. “Another warning, that’s what it was! I should have seen it coming. I should have noticed.” “How?” Bluefur backed away. “It didn’t taste bad.” She realized that his pelt wasn’t ruffled from sleep, but simply ungroomed. It clung to his frame as though the season were leaf-bare and he hadn’t eaten properly for a moon. She took another pace back. “It was just a bad mouse,” she repeated. He turned a disbelieving look on her. “How can you—you of all cats—ignore the signs?” he spat. “Me?” What did he mean? “You have a prophecy hanging over your head like a hawk. You’re fire, and only water can destroy you! You can’t ignore the signs.” “B-but…I’m just a warrior.” Was she supposed to have the insight of a medicine cat? That wasn’t fair. He should be giving her answers, not taunting her with the promise of a destiny she didn’t understand. She had wondered when Goosefeather would again speak to her about the prophecy, but now he was making even less sense than before. “Just a warrior?” His whiskers trembled. “Too many omens. Three cats poisoned, two only whiskers from StarClan, Leopardfoot nearly dead, her three kits hanging on to life like rabbits in a fox den.” He stared through her, seeming to forget she was there. “Why such a difficult birth for the Clan leader’s mate? The kits may not make it through another night. The tom is too weak to mew, let alone feed. I should help them, and yet how can I when the signs are clear?” What in the name of StarClan was he talking about? Forgetting the herbs, Bluefur backed out of the den. Only whiskers from StarClan.

In the Brhadāraṇyaka Upaniṣad7 the first form of the doctrine of transmigration is given. The souls of those who have lived lives of sacrifice, charity and austerity, after certain obscure peregrinations, pass to the World of the Fathers, the paradise of Yama; thence, after a period of bliss, they go to the moon; from the moon they go to empty space, whence they pass to the air, and descend to earth in the rain. There they “become food,… and are offered again in the altar fire which is man, to be born again in the fire of woman”, while the unrighteous are reincarnated as worms, birds or insects. This doctrine, which seems to rest on a primitive belief that conception occurred through the eating by one of the parents of a fruit or vegetable containing the latent soul of the offspring, is put forward as a rare and new one, and was not universally held at the time of the composition of the Upaniṣad. Even in the days of the Buddha, transmigration may not have been believed in by everyone, but it seems to have gained ground very rapidly in the 7th and 6th centuries B.C. Thus the magnificently logical Indian doctrines of saṃsāra, or transmigration, and karma, the result of the deeds of one life affecting the next, had humble beginnings in a soul theory of quite primitive type; but even at this early period they had an ethical content, and had attained some degree of elaboration. In

What’s the basic way to catch a ghost in Luigi’s mansion: Dark Moon? a) Throw an Ectonet over it. b) Blast it with the ShadeShocker. c)     Stun it with a Strobulb, and then vacuum it into your Poltergust 5000. d)    Trap and store it in a Specter Snare. Name something that you can’t do with Poltergust 5000 a) Roll up a throw rug b)    Run very fast as you are propelled by a jet of water c) Vacuum up spiders and their webs d) Make a ceiling fan spin. These tough-looking spirits just want to give you a hand for your hard work. What do you call them? a) Sly Fives b) Clap Claps c) Slammers d) Slap Happies. Things aren’t always as they seem inside a hunting building. What tool helps you see objects hidden by Spirit Balls? a) Specter-o-scope b) Dark-light device c) De-illusionator d) Goggles of clarity. If you see a piece of furniture or a flowerpot shaking, what should you do? a) Press the X button b) Exercise caution c) Get ready to stun a ghost with your Strobulb d) All of the above. BONUS QUESTION: What does E stand for in Professor E. Gadd? a) Elvis b) Elvin c) Elroy d) Esteban. RESULTS: 0 out of 6 – Very, very very bad! You didn’t only ruin your mission of catching ghosts, but more of them came and they ate your I-scream. 1 out of 6 – Not bad! You did well enough that all of the ghosts moved out of your house. They ate your I-scream before they left. 2 out of 6 – Not too shabby! There ghosts are outside the house, and yup they ate your I-scream. 3 out of 6 – Not bad, but not good either. Let’s say you did manage to get ghosts outside the house, but your I-scream is eaten, and new ghosts won’t see you as a big threat. Get ready. 4 out of 6 – Nice! You must spend a lot of time in Gloomy Manor’s haunted library. It looks like you manage to read besides hunting ghosts. Also, you got an over-Boo notice. 5 out of 6 – Well done! You chase away ghosts so fast that you spend more time reading and improving your knowledge about these little pests. Are you an encyclopedia about ghosts or a human? 6 out of 6 – Excellent! You are the expert in catching and destroying ghosts. You could definitely help Luigi in tackling the

I learned to take very little. I learned to want nothing more. I learned something else during those nights. When all the world slept, a new silence settled into the forest. With candle in hand and dressed in gowns of gossamer, I would slip out into the night and dance to the sound of silence. Barefoot, I would spin then lay in the cool grass in a strip of moonlight. I would lie there all night and gaze up at the stars, so silent, so clear there in the wood, and so, so far away. I lived between worlds. The war, my reality, my hell and this world in the forest of fantasy. And I’m stuck. I can’t go back. I forever toggle between two worlds and one is ever so much more real to me than yours.At night, beneath the moon, I didn’t need my worlds to escape. I only needed to open my eyes and see the world as it was. Quiet and calm and at peace, just as I still see it. I escaped through my music and wrote poetry to ease the pain…and letters. I poured so much of my heart into the letters I wrote to Erik, who I could see so easily on the other side. I still have them. Every letter I ever wrote him. During those times, when the world was dark, Erik became more real to me than anything else. He was quiet. He listened. He held me in the silence. He played his violin for me. And he loved me. When I cried, I closed my eyes and felt him envelope me. Only Erik and the cats ever came. No matter how long and loud I cried, my parents, no one ever came. I was fourteen. I was alone and all I wanted was for someone to love me.

That child would forever play in the gardens and dance with the rain. The child who would bury her face into lilacs and roses and blooms of hyacinth, and breathe in their sweet perfumes. She could ride on the wind and bathe in the stars. She who danced beneath the moon hearing music of her own as she ran through the shadows of the forest. The same child who scaled barefoot the cliffs of her glen and stripped her clothes off to stand naked in the rain while she gazed out over the waterfalls. (c)

Scientific truths were made explicit a mere five hundred years ago, with the work of Francis Bacon, René Descartes and Isaac Newton. In whatever manner our forebears viewed the world prior to that, it was not through a scientific lens (any more than they could view the moon and the stars through the glass lenses of the equally recent telescope).

Proof. There is nothing more theoretical than proof. The pagans asked the Prophet Muhammad for proof—he split the moon in two, but that was not enough for them.

Q: Why did the cow jump over the moon? A: To get to the Milky Way!

Which game did the cat want to play with the mouse? A: Catch! Q: Why did the cow jump over the moon?