Azur Lane Quotes

We've searched our database for all the quotes and captions related to Azur Lane. Here they are! All 9 of them:

Séraphine." The whisper in her dreams and Bridget whimpered and tried to bat it away. She needn't wake yet. It wasn't time to rise. She had hours still. A soft chuckle and the brush of something soft on her cheek. "I would never have guessed you were such a deep sleeper, my practical housekeeper." She had a terrible foreboding, an awful suspicion, even in her dreams, and she fought valiantly through the sluggish waves. Bridget opened her eyes, blinking, in the candlelight, to find azure eyes only inches from her own. They crinkled at the corners. "There you are.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The duke brought her hand to his mouth and, his azure eyes glittering in the candlelight, pressed a kiss to the inside of her wrist. And then the edge of his teeth. She felt the warm softness of his lips, the prickle of against tender skin, and a sort of shock seemed to go straight through the center of her body. He let her go and her wrist felt the cold of night. "Séraphine. The burning one. I should've known.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Oh," said her husband, sounding deeply pleased at something he'd read in his letter. "What?" Bridget sat up, inadvertently spilling several drops of honey on her breast. Sadly, she succumbed to her husband's fondness for nudity soon after their marriage. Valentine glanced up, but his gaze was immediately drawn to the honey slowly dripping down her breast. "Val..." Bridget moved to scoop the honey up with her finger. His hand darted out, catching hers. "Oh, don't," he breathed, leaning over her, forcing her flat on her back. He bent, closing his azure eyes, and licked her breast almost reverently. She shuddered. "It's the middle of the day," she whispered. His eyes opened, wicked and amused. "I know. Your favorite." She smiled up at him, threading her fingers through his golden hair. "I love you." "And I love you," he murmured against her lips, before taking her mouth hard and possessively. Their letters fell to the floor, abandoned, but Bridget didn't care at all. She was with her true love and the world outside could wait.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Spring Lane burned with a mythology of chipped slates, pale wash-water blue and flaking at the seam. The summer yellow glow of an impending dawn diffused, diluted in the million-gallon sky above the tannery that occupied this low end of the ancient gradient, across the narrow street from where Phyllis and Michael stood outside the alley-mouth. The tannery’s high walls of browning brick with rusted wire mess over its high windows didn’t have the brutal aura that the building had down in the domain of the living. Rather it was softly iridescent with a sheen of fond remembrance – the cloisters of some mediaeval craft since disappeared – and had the homely perfume of manure and boiled sweets. Past the peeling wooden gates that lolled skew-whiff were yards where puddles stained a vivid tangerine harboured reflected chimney stacks, lamp black and wavering. Heaped leather shavings tinted with corrosive sapphire stood between the fire-opal pools, an azure down mounded into fantastic nests by thunderbirds to hatch their legendary fledglings. Rainspouts eaten through by time had diamond dribble beading on their chapped tin lips, and every splinter and subsided cobble sang with endless being. Michael Warren stood entranced and Phyllis Painter stood beside him, sharing his enchantment, looking at the heart-caressing vista through his eyes. The district’s summer sounds were, in her ears, reduced to a rich stock. The lengthy intervals between the bumbling drones of distant motorcars, the twittering filigree of birdsong strung along the guttered eaves, the silver gurgle of a buried torrent echoing deep in the night-throat of a drain, all these were boiled down to a single susurrus, the hissing tingling reverberation of a cymbal struck by a soft brush. The instant jingled in the breeze.
Alan Moore (Jerusalem)
She would've sworn the cat- or kitten, for it sounded quite small- was right in front of her, but there was nothing there. She straightened and glanced at Val. His azure eyes were alight with amusement. "Phantom cats and ghostly kittens." She frowned at him. "I don't believe in ghosts." "Boring." He kissed her on the nose and, while she was still blinking in surprise, leaned down and did something to the back of the cupboard. Suddenly one of the boards came away in his hands. She leaned down again to look. Staring back at them was a ginger cat, her green eyes wide, and at her teats were a row of wriggling kittens in a rainbow of colors. She was curled in the small space of what was evidently a false back to the cupboard. "But how did she get in?" Bridget breathed, enchanted. The kittens were at that wee fluffy stage and absolutely adorable. "Magic," Val said promptly, and then, more prosaically, "or the back of the cupboard's rotted away.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Naturally I find you surrounded by warm clouds and billowing white cloths," Val drawled in her ear, making her jump. She whirled to find him standing right behind her. He wore slate blue today, the color neatly severe on him, his curling golden hair clubbed neatly back, his azure eyes watching her alertly for any weakness. Oh, God, he'd had his mouth on her most intimate parts last night. What had possessed her to let him do that? It was of she'd been in some sort of sensual dream. The hot bath, his words, his hands, his lips... He smiled and she knew, she absolutely knew that he knew what she was thinking about.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
His azure eyes suddenly dropped to pin her, hard and merciless, and she lost her breath as she fell into his predator's stare. It was like looking into the eyes of something inhuman, almost otherworldly. Her chest ached as she stared at him, the air still locked within her, but at the same time the place between her legs ached as well. She was suddenly made very aware that beneath the starch of her apron, the wool of her dress, and the bone of her stays, she had soft nipples that had tightened into points. Then she inhaled, filling her lungs with sweet air, as he watched her still, his eyes half-lidded, and she felt an odd exhilaration, as if a gauntlet had been thrown down. As if they were adversaries, equal on the field.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
His face might've been carved by a Greek sculptor, so perfect were his cheekbones, lips, and nose. His eyes were of the clearest azure. His curling hair was the color of polished guineas and quite gorgeous- which the duke obviously knew, since he wore it long, unpowdered, and tied at the nape of his neck with an enormous black bow. He wore an elegant purple velvet coat over a cloth-of-gold waistcoat embroidered in black and crimson. Fountains of lace fell from wrists and throat as he lounged in a winged armchair, one long leg thrust forward. Diamonds on the buckles of his shoes glinted in the candlelight. His Grace was urbane male sophistication personified- but anyone who therefore dismissed him as harmless was a rank fool. The Duke of Montgomery was as deadly as a coiled adder discovered suddenly at one's feet.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Michael set off with Blue, who gambolled at his side, sniffing his pocket with longing. For once the clouds had cleared, and the sky was an azure blue. The slanting morning sunshine threw massive shadows across the lane and butterflies flirted with the jasmine on the tops of the hedgerows. He took a deep breath, enjoying the freedom from studying and exams, and Cadet Corps.
P.J. Skinner (Rebel Green (Green Family #1))