Axl Rose Quotes

Cause silence isn't golden When I'm holding it inside

Cause I've been where I have been An I've seen what I have seen

How can I ever satisfy you An how can I ever make you see That deep inside we're all somebody An it don't matter who you wanna be

And on the second OOOOOOOO, you picture just a naked glowing green skull that hangs there vibrating gape-mouthed in a prison cell. Or whatever it is you picture.

The waterwheel was twice a man’s height, wider than a man’s two stretched arms. The timbers, braced and bolted with rusty iron were heavy, hand-hewn, swollen with a century of wet. Moss bearded the paddles, which dripped as they rose. The sounds were good. Wooden stutter like children running down a hall at the end of school. Grudging axle thud like the heartbeat of a strong old man.

And the pool was filled with water out of sunlight, And the lotos rose, quietly, quietly, The surface glittered out of heart of light, And they were behind us, reflected in the pool. Then a cloud passed, and the pool was empty. Go, said the bird, for the leaves were full of children, 40 Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.   II   Garlic and sapphires in the mud Clot the bedded axle-tree. The trilling wire in the blood Sings below inveterate scars And reconciles forgotten wars. The dance along the artery The circulation of the lymph Are figured in the drift of stars Ascend to summer in the tree We move above the moving tree In light upon the figured leaf And hear upon the sodden floor Below, the boarhound and the boar Pursue their pattern as before 60 But reconciled among the stars.   At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor

Guns N’ Roses—the trademark now owned by Axl—took the stage.

Where are the speakers?” Lincoln shouted. “Are they in the seats?” “Hell, yes. Fucking awesome, right? It’s like having Axl Rose in your asshole.

Ahh, it’s true. Secret rocker. So, is the science teacher just a facade? Kinda like the real Peter Parker? Do you secretly save the world on your off time?” I’m smiling at him, enjoying the banter. His frame seems so much bigger, being in the small space. He’s not saying anything, so I go on. “Did I just bust you out? You gonna have to keep me quiet now?” I laugh. But he doesn’t. He leans over and wraps his strong hand around my neck, bringing our faces close, our lips pressing together. I can’t remember the last time I ever made out in a car, if that’s what we’re doing. The old-school French kissing outside the parent’s house until the lights go on and we have to break apart. But this time, I’m an adult and no one’s going to stop us. Not sure what comes over me, but I lean forward, letting him know I want more. His response is just want I want as he pulls my body over the center console to his side, my legs now straddling him. My body is on fire, being in this position. I shamelessly grind forward, loving the friction the hardness between his legs brushing against my covered clit causes. His grip around my ass tightens and he growls into my mouth. Our kiss becomes brutal, my hands working their way up his tight chest, up his neck and into his thick, dark hair. I grip handfuls into my fists and, as I cock my head to the side for a deeper kiss, I accidently knock his glasses off. “Shit, sorry,” I moan into his mouth. He doesn’t skip a beat, grabbing my ass cheeks tighter and grinding what feels like a gigantic sized monster against my sex. This is not how I saw this going, but man, am I glad. His mouth, his strong hands, his hard cock, everything has become a pleasant surprise. The sound of Axl Rose singing in the background while we kiss and grind, our teeth scraping, our tongues dancing around one another, while our hands explore, squeezing, pulling and pinching. It’s almost becoming too much and the buildup is going to cause me to orgasm. I should stop this; this is immature what we’re doing. Dry humping in a car, god, what’s wrong with us? His grip is strong and intense, pushing, pulling, as our bodies move.

I aimed to take my guitar, travel the world with it, and reclaim rock and roll, city by city. So I came up with a title and wrote it in the bottom corner of the cover. Against Me! Is Reinventing Axl Rose.

Mabel was well over a foot shorter than Jay. At the bakery Christmas party, she'd glanced with loathing at the limbo pole, walked straight underneath it, and headed for the bar. She still managed to look down her nose at him now. "Valuable life lesson. If you feel comfortable shoveling handfuls of stolen sweets into your pockets, I might feel comfortable shoveling you headfirst into a pipe." Jay raised his brows at Sylvie. "Have we considered moving Mabel's workstation so she's slightly farther away from the paying customers? Perhaps about"---he made a pinching motion with his finger and thumb--- "two post codes to the left?" "Have we considered getting a haircut, so we look slightly less like an aging rockstar?" Mabel asked conversationally. "It's swell of you to take over potions class while Sylvie's back on telly, Axl Rose, but you don't have to go full wizard cosplay.

He didn’t even make it to our shows on time. I tried telling him that if it didn’t fly for Axl Rose, it wouldn’t fly for him, but he just brushed me off.

Shortly after I began work with Teresa, I acquired another MPD client, a supposedly schizophrenic young man I will call Tony. He called in to the clinic on a day I was on telephone duty, saying he was having flashbacks of "ritual abuse.” I did not yet know what that was. Tony became my client. He could be quite entertaining. I have a vivid memory of him as a three-year-old, "Tiny Tony,” standing on his head on my office couch, and running down the hall to try unsuccessfully to make it to the bathroom. He had in his head the entire rock band of Guns’n’Roses, and I got to know Axl, the band leader, quite well. I remember the time Tony was in hospital and I went to visit him; Axl popped out and said, "Remember, we’re schizophrenic in here!

Aside from being famous, what do Beethoven, Mark Rothko, Hemingway, Francis Ford Coppola, Van Gogh, Alvin Ailey, Robin Williams, Sylvia Plath, Balzac, Jackson Pollock, Edgar Allan Poe, Axl Rose, Mark Twain, and Virginia Woolf have in common? They all suffered from some form of mental illness. Even

Axl Rose is the ear-cutting scene from Reservoir Dogs in human form.

Libby tried to scramble down, but the hem of her dress became snagged in the wheel axle and her urgent tugs did nothing to free it. In an instant Michael was by her side, leaning across her and pulling the trapped muslin free. Libby’s eyes widened in horror as his two hands encompassed her waist and she was bodily lifted from the cart and set on the cobblestone street as gently as if she were made of porcelain. “Get your hands off my daughter.” She startled at the venom in her father’s voice and scurried toward the house, but she was no match for Michael’s long-legged stride as he caught up with her at the base of the porch. Didn’t he realize that he was making the situation worse? Michael looked her father directly in the eye. “Mr. Sawyer—” “Professor Sawyer.” “Professor Sawyer,” Michael amended. “Your daughter has been very gracious. Her knowledge of the plants in the area is astounding.” “Her foolishness is astounding! And I ought to have you arrested . . . taking liberties with a mental deficient too stupid to know your motives.” Libby flinched at the fury in her father’s voice and heat gathered in her cheeks. Michael’s brows lowered and he moved to stand between her and the professor. “My English is not perfect and I do not understand what you just called your daughter, but I understand the tone,” Michael said calmly. “You have cause to resent me, but Libby does not deserve to be the target of your anger. I will not leave her in a house where she may be treated harshly.

The slippery case went on the prayer. Axl Rose.

Oddly enough, Axl Rose of Guns N’ Roses was a big Depeche Mode fan and he invited them to join him at a heavy metal nightclub, the Cat House. However, when he went off to a friend’s Beverly Hills barbecue and allegedly shot a pig, Depeche Mode were sufficiently shocked to issue a statement: ‘... as strict vegetarians, the band were appalled by Rose’s behaviour and do not wish to associate themselves with anyone who goes around shooting pigs for fun.

[Axl Rose] is not a tall man—I doubt even the heels of his boots (red leather) put him at over five feet ten. He walked toward us with stalking, cartoonish pugnaciousness. I feel like all anybody talks about with Axl anymore is his strange new appearance, but it is hard to get past the unusual impression he makes. To me he looks like he's wearing an Axl Rose mask. He looks like a man I saw eating by himself at a truck stop in Monteagle, Tennessee, at two o'clock in the morning about twelve years ago. He looks increasingly like the albino reggae legend Yellowman. His mane evokes a gathering of strawberry red intricately braided hempen fibers, the sharply twisted ends of which have been punched, individually, a half inch into his scalp. His chest hair is the color of a new penny. With the wasp-man sunglasses and the braids and the goatee, he reminds one of the monster in Predator, or of that monster's wife on its home planet. When he first came onto the scene, he often looked, in photographs, like a beautiful, slender, redheaded 20-year-old girl. I hope the magazine will run a picture of him from about 1988 so the foregoing will seem a slightly less creepy observation and the fundamental spade-called-spade exactitude of it will be laid bare. But if not, I stand by it. Now he has thickened through the middle—muscly thickness, not the lard-ass thickness of some years back. He grabs his package tightly, and his package is huge. Only reporting.