Axes And O's Quotes

We are, all of us, wandering about in a state of oblivion, borrowing our time, seizing our days, escaping our fates, slipping through loopholes, unaware of when the axe may fall.

A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.

Do not focus your thoughts among the confused wheels of secondary causes, as -'O if this had been, this had not followed!' Look up to the master motion of the first wheel. In building, we see hewn stones and timbers under hammers and axes, yet the house in this beauty we do not see at the present, but it is in the mind of this builder. We also see unbroken clods, furrows, and stones, but we do not see the summer lilies, roses, and the beauty of a garden. Even so we do not presently see the outcome of God's decrees with his blessed purpose. It is hard to believe when his purpose is hidden and under the ground. Providence has a thousand keys to deliver his own even when all hope is gone. Let us be faithful and care for our own part, which is to do and suffer for him, and lay Christ's part on himself and leave it there; duties are ours, events are the Lord's.

At the funeral the meaning of all funerals was revealed to me: they are the preparation for one's own death. The clerk asked me if four o'clock in the afternoon would be convenient. I said it would. "It's a nice hour," the clerk assured me. It was.

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.

doesn’t seem at all creepy or murderous, though actually if you look at a picture with that idea in mind everyone starts to look like an axe-wielding killer, so I try to put the thought out of my head.

Why then I do but dream on sovereignty, Like one that stands upon a promontory And spies a far-off shore where he would tread, Wishing his foot were equal with his eye, And chides the sea that sunders him from thence, Saying, he'll lade it dry to have his way: So do I wish the crown, being so far off, And so I chide the means that keeps me from it, And so, I say, I'll cut the causes off, Flattering me with impossibilities, My eye's too quick, my hear o'erweens too much, Unless my hand and strength could equal them. Well, say there is no kingdom then for Richard; What other pleasure can the world afford? I'll make my heaven in a lady's lap, And deck my body in gay ornaments, And witch sweet ladies with my words and looks. O miserable thought! and more unlikely Than to accomplish twenty golden crowns! Why, love forswore me in my mother's womb; And for I should not deal in her soft laws, She did corrupt frail nature with some bribe, To shrink mine arm up like a wither'd shrub, To make an envious mountain on my back, Where sits deformity to mock my body; To shape my legs of an unequal size, To disproportion me in every part, Like to a chaos, or an unlick'd bear-whelp That carries no impression like the dam. And am I then a man to be belov'd? O monstrous fault, to harbor such a thought! Then since this earth affords no joy to me But to command, to check, to o'erbear such As are of better person than myself, I'll make my heaven to dream upon the crown, And whiles I live, t' account this world but hell, Until my misshap'd trunk that bears this head Be round impaled with a glorious crown. And yet I know not how to get the crown, For many lives stand between me and home; And I - like one lost in a thorny wood, That rents the thorns, and is rent with the thorns, Seeking a way, and straying from the way, Not knowing how to find the open air, But toiling desperately to find it out - Torment myself to catch the English crown; And from that torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall, I'll slay more gazers than the basilisk, I'll play the orator as well as Nestor, Deceive more slily than Ulysses could, And like a Simon, take another Troy. I can add colors to the chameleon, Change shapes with Proteus for advantages, And set the murtherous Machevil to school. Can I do this, and cannot get a crown? Tut, were it farther off, I'll pluck it down.

And now there is this—this fit. It is altogether unlike anything she has felt before. It makes her think of a hand drawing on a glove, of a lamb slithering wet from a ewe, an axe splitting open a log, a key turning in an oiled lock. How, she wonders, as she looks into the face of the tutor, can anything fit so well, so exactly, with such a sense of rightness?

We are, all of us, wandering about in a state of oblivion, borrowing our time, seizing our days, escaping our fates, slipping through loopholes, unaware of when the axe may fall. As Thomas Hardy writes of Tess Durbeyfield, ‘There was another date . . . that of her own death; a day which lay sly and unseen among all the other days of the year, giving no sign or sound when she annually passed over it; but not the less surely there. When was it?

A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!

His departure was a sad disappointment to those hands who had been preparing their testimony for the trial. Some of them were old shipmates of Jack's, and they were perfectly ready to swear through a nine-inch plank so long as their evidence led in the right direction: the court would have heard a lively description of the Honourable Sod's furious assault upon the Captain with a brace of pistols, a boarding-axe, a naked sword and a topmast fid, together with all the warm or pathetic expressions used on either side, such as Somers' 'Rot your vitals, you infernal bugger,' and Jack's 'Pray, Mr Somers, consider what you are about.

O my land! O my love! What a woe, and how deep, Is thy death to my long mourning soul! God alone, God above, Can awake thee from sleep, Can release thee from bondage and dole! Alas, alas, and alas! For the once proud people of Banba! As a tree in its prime, Which the axe layeth low, Didst thou fall, O unfortunate land! Not by time, nor thy crime, Came the shock and the blow. They were given by a false felon hand! Alas, alas, and alas! For the once proud people of Banba! O, my grief of all griefs Is to see how thy throne Is usurped, whilst thyself art in thrall! Other lands have their chiefs, Have their kings, thou alone Art a wife, yet a widow withal! Alas, alas, and alas! For the once proud people of Banba! The high house of O’Neill Is gone down to the dust, The O’Brien is clanless and banned; And the steel, the red steel May no more be the trust Of the Faithful and Brave in the land! Alas, alas, and alas! For the once proud people of Banba! True, alas! Wrong and Wrath Were of old all too rife. Deeds were done which no good man admires And perchance Heaven hath Chastened us for the strife And the blood-shedding ways of our sires! Alas, alas, and alas! For the once proud people of Banba! But, no more! This our doom, While our hearts yet are warm, Let us not over weakly deplore! For the hour soon may loom When the Lord’s mighty hand Shall be raised for our rescue once more! And all our grief shall be turned into joy For the still proud people of Banba!

Downside was frowning at the Shanka corpses, weighing his axe and wondering where to start. "Never thought o' myself as a man who fills sacks with heads." "No one sets off in that direction," said Clover, puffing out his cheeks one more time. "But before you know it, there you bloody are.

The next day, Viv dominated her match against Gillian North so thoroughly, the fight ended about as quickly as Conrad Fae’s against Casey Foreman. The Mauler came head-on across the Grasslands field, and Viv’s Speed had placed her behind the broader girl as North had swung and wasted her opening strike, burying the head of her axe into the soft ground of the windy plains. Bilaterally severing her opponent’s hamstrings with a flash of Gemela’s sword, Viv barely missed a killing blow with her dagger at the back of North’s head when the Mauler tucked as she dropped, trying to roll out of the way

I ask you to judge me by the enemies I have made.”   -Franklin D. Roosevelt 20th century ruler, Earth     Logan was in the middle of taking on Leda Truant and Tad Emble together when the notification pinged his NOED. He ignored it, bringing Honoris’ haft across his body to smash Truant’s testing spear out of the way so hard that she actually staggered sideways, opening her right flank up to him. He would have liked to take advantage of the chance, but needed to instead bring the axe around and keep Tad at bay as the Brawler closed in on his left. Leda recovered, and the spear slashed at Logan’s legs, now. He stepped into the arc of the strike, letting the haft of the weapon—rather than the blade—smack him along the back of his newly armored foreleg and ping off harmlessly, all while swinging Honoris around at the Phalanx’s head. Leda ducked, but it wasn’t her who was the actual target of the move. Tad, seeing his chance, darted in once more, punch-daggers driving forward. Logan’s steel-clad fist—the one he’d released from the massive axe’s shaft once the momentum of his swing had been enough to carry it through—took the smaller boy in the side of the head before he could land a hit.

Minha jornada é uma busca constante por conexões entre o visível e o invisível, entre o passado e o presente. Através da escrita, espero compartilhar a sabedoria ancestral que encontrei e inspirar outros a explorarem suas próprias raízes espirituais.

Morgan is strong, like a Greek goddess. She’s the type of woman that makes men bow down, the kind that deserves to be treasured and revered. She’s the kind of woman that people used to bring gifts to, would beg to kiss her feet. She’s a woman to be worshipped and coveted.

He’d lugged his fair share of those exact same bags in MI, though they’d all been khaki or olive drab. But he knew the type. It was a portable weapons locker. Sure enough, when she removed a small but sturdy lock from the zippers and hauled down on them, then flung the bag open, he could see a veritable armory inside. There were handguns and submachine guns and shotguns and some sort of sniper rifle, very high-tech-looking with a folding stock and a sleek body. But there were other weapons in there as well, knives and swords and axes and clubs and even an honest-to-God crossbow. It was like Dirty Harry meets King Arthur, and all in a seedy motel room!

Look at those women over there, Bella. They haven’t ceased staring at me all night. One would think they’d never seen a fictional character come to life before.” “They and everybody else,” Arabella said impatiently. “But not for— Jackie, are you listening to me?” “And that Baron whatever-his-name-is has winked at me six times. Six! Can you imagine? It is positively diverting.” “Jackie, look at me.” Arabella held a cheaply printed broadsheet. “Have you read this? Part III?” “I have. It is a very satisfying finale.” “Satisfying?” “Everybody ends up just as they should,” she forced herself to say. Arabella squeezed her hand. “This is not like you, darling. He hurt you terribly, and I understand that this ending satisfies that hurt. But you cannot like the stone princess’s fate. Do not tell me you have resigned yourself to it.” “I haven’t, of course. She goes willingly, while I—” “Willingly?” Arabella peered at her. “You haven’t read it, have you?” She pressed the page into her palm. Jacqueline cared nothing that at least a dozen pairs of eyes were on her as she uncreased the paper and yet again forced her misery behind the blockade of pride and confidence she had erected. If they must all see her read it to be satisfied she knew the ending— the ending she had written an hour after telling Duke Tarleton that she could not marry him or any other man— then so be it. But as her eyes scanned the words, she did not recognize them. This was not her writing. The king he swore in fury’s rage His daughter would be wed To warlike man through violent force, And chained to mortal bed. The princess wed; her husband learned The secret of the portal. With axe and club he broke it down, Entrapping her as mortal. The Sun Prince knew not this tragic fate; He waited at the feast. ’Midst song and dance he watched for her, Yet found in them no peace. In silv’ry light he stood upon The brook’s clear bank where once With hands entwined they’d spoke of joy, Yet now came still silence. Days passed to weeks, weeks into months. The princess did not come. He called his heartbreak to the stars, Beneath which they had loved. The trees whispered his sorrow’s grief, The Moon in solace shone, But the prince no comfort would he take Now his mortal maid was gone. His beauty waned; the prince grew weak. His golden luster faded. For it was she who’d brought him life; From her his beauty came. O’er song and feast the dark night crept Upon the desolate shore. Then sending forth his final breath, The Sun Prince was no more. Jacqueline blinked, shedding a tear and marring the freshly printed ink. She swiped a finger beneath her lashes. Before her appeared a linen kerchief. The hand that held it was masculine, strong and familiar. She lifted her head. The Earl of Bedwyr knelt before her upon one knee. His hair was tousled, his coat wrinkled, his cravat hastily tied, and his hand extending the linen was unsteady. His dark eyes spoke something she could not readily believe: hope. “Princess.” His voice was rough. “Don’t let me die.” -Jacqueline, Arabella, & Cam

Look at those women over there, Bella. They haven’t ceased staring at me all night. One would think they’d never seen a fictional character come to life before.” “They and everybody else,” Arabella said impatiently. “But not for— Jackie, are you listening to me?” “And that Baron whatever-his-name-is has winked at me six times. Six! Can you imagine? It is positively diverting.” “Jackie, look at me.” Arabella held a cheaply printed broadsheet. “Have you read this? Part III?” “I have. It is a very satisfying finale.” “Satisfying?” “Everybody ends up just as they should,” she forced herself to say. Arabella squeezed her hand. “This is not like you, darling. He hurt you terribly, and I understand that this ending satisfies that hurt. But you cannot like the stone princess’s fate. Do not tell me you have resigned yourself to it.” “I haven’t, of course. She goes willingly, while I—” “Willingly?” Arabella peered at her. “You haven’t read it, have you?” She pressed the page into her palm. Jacqueline cared nothing that at least a dozen pairs of eyes were on her as she uncreased the paper and yet again forced her misery behind the blockade of pride and confidence she had erected. If they must all see her read it to be satisfied she knew the ending— the ending she had written an hour after telling Duke Tarleton that she could not marry him or any other man— then so be it. But as her eyes scanned the words, she did not recognize them. This was not her writing. The king he swore in fury’s rage His daughter would be wed To warlike man through violent force, And chained to mortal bed. The princess wed; her husband learned The secret of the portal. With axe and club he broke it down, Entrapping her as mortal. The Sun Prince knew not this tragic fate; He waited at the feast. ’Midst song and dance he watched for her, Yet found in them no peace. In silv’ry light he stood upon The brook’s clear bank where once With hands entwined they’d spoke of joy, Yet now came still silence. Days passed to weeks, weeks into months. The princess did not come. He called his heartbreak to the stars, Beneath which they had loved. The trees whispered his sorrow’s grief, The Moon in solace shone, But the prince no comfort would he take Now his mortal maid was gone. His beauty waned; the prince grew weak. His golden luster faded. For it was she who’d brought him life; From her his beauty came. O’er song and feast the dark night crept Upon the desolate shore. Then sending forth his final breath, The Sun Prince was no more. Jacqueline blinked, shedding a tear and marring the freshly printed ink. She swiped a finger beneath her lashes. Before her appeared a linen kerchief. The hand that held it was masculine, strong and familiar. She lifted her head. The Earl of Bedwyr knelt before her upon one knee. His hair was tousled, his coat wrinkled, his cravat hastily tied, and his hand extending the linen was unsteady. His dark eyes spoke something she could not readily believe: hope. “Princess.” His voice was rough. “Don’t let me die.” -Jacqueline, Arabella, & Cam

March 2 MORNING “But all the Israelites went down to the Philistines, to sharpen every man his share, and his coulter, and his ax, and his mattock.” — 1 Samuel 13:20 WE are engaged in a great war with the Philistines of evil. Every weapon within our reach must be used. Preaching, teaching, praying, giving, all must be brought into action, and talents which have been thought too mean for service, must now be employed. Coulter, and axe, and mattock, may all be useful in slaying Philistines; rough tools may deal hard blows, and killing need not be elegantly done, so long as it is done effectually. Each moment of time, in season or out of season; each fragment of ability, educated or untutored; each opportunity, favourable or unfavourable, must be used, for our foes are many and our force but slender. Most of our tools want sharpening; we need quickness of perception, tact, energy, promptness, in a word, complete adaptation for the Lord’s work. Practical common sense is a very scarce thing among the conductors of Christian enterprises. We might learn from our enemies if we would, and so make the Philistines sharpen our weapons. This morning let us note enough to sharpen our zeal during this day by the aid of the Holy Spirit. See the energy of the Papists, how they compass sea and land to make one proselyte, are they to monopolize all the earnestness? Mark the heathen devotees, what tortures they endure in the service of their idols! are they alone to exhibit patience and self-sacrifice? Observe the prince of darkness, how persevering in his endeavours, how unabashed in his attempts, how daring in his plans, how thoughtful in his plots, how energetic in all! The devils are united as one man in their infamous rebellion, while we believers in Jesus are divided in our service of God, and scarcely ever work with unanimity. O that from Satan’s infernal industry we may learn to go about like good Samaritans, seeking whom we may bless!