Awkward Situation Quotes

We've searched our database for all the quotes and captions related to Awkward Situation. Here they are! All 100 of them:

Out of the corner of her eye she thought she saw Jace shoot her a look of white rage - but when she glanced at him, he looked as he always did: easy, confident, slightly bored. "In future, Clarissa," he said, "it might be wise to mention that you already have a man in your bed, to avoid such tedious situations." "You invited him into bed?" Simon demanded, looking shaken. "Ridiculous, isn't it?" said Jace. "We would never have all fit." "I didn't invite him into bed," Clary snapped. "We were just kissing." "Just kissing?" Jace's tone mocked her with its false hurt. "How swiftly you dismiss our love.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You're an idiot,' said Mum, when I relayed to her the entire situation on Wednesday. 'Not an unintelligent idiot, but a sort of naive idiot who manages to fall into a difficult situation and then can't get out out of it because she's too awkward.
Alice Oseman (Radio Silence)
There is nothing that is quite so reassuring in an awkward situation as knowing that one is well turned-out, and while I hope I am not so fainthearted as to require such stratagems, I am not so foolish as to overlook their value.
Patricia C. Wrede (Sorcery & Cecelia: or The Enchanted Chocolate Pot (Cecelia and Kate, #1))
They stood together in a false intimacy, a nervous contact. And he was in love with her.
D.H. Lawrence (Women in Love)
I can never be important to any one.' 'What is to prevent you?' 'Every thing — my situation — my foolishness and awkwardness.
Jane Austen (Mansfield Park)
Awkward situation. I think Ash is off to rock back and forth in a corner and seriously wonder how his life got to be this way. He's a sensitive plant." Jared nodded. "Might be better than stalking out to a balcony to wrap yourself in a cloak of bitterness and self-hatred like metaphorical Batman, though." "Or trying to make light of a situation with constant awkward jokes." Kami agreed. "Whatever. Emotional health is for losers.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
When I was in my early twenties I didn't have a need to rub together, back when my life was a series of wants and whims. But recently I had felt overwhelmed by longings that seemed to lunge out of me in the most awkward situations.
Tyne O'Connell (Making the A-list)
There are certain horrific moments in life when the only way to fix an awkward situation is to be awkward.
Roshani Chokshi (Aru Shah and the Song of Death (Pandava, #2))
Dear Judy Blume, why didn’t you write a book about how to survive talking to your centuries-old, super-duper experienced, smoking-hot soul mate about sex for the first time ever? That book would have been extremely helpful in preparing me for this incredibly awkward situation.
Karen Amanda Hooper (Taking Back Forever (The Kindrily, #2))
Two memories. Two bright minds which remember past events differently. It is an awkward situation. There exists no third person to say which of us is correct.
Susanna Clarke (Piranesi)
I never really know the protocol for this kind of situation. It's like when you're in line at a store, and a grandma starts telling you all about her grandchildren or her arthritis, and you smile and nod along. But then it's your turn to check out, so you're just like okay, well, good-bye forever.
Becky Albertalli (The Upside of Unrequited (Simonverse, #2))
It was an awkward moment. We were burning down our host's house, a situation which any guest seeks to avoid.
Tahir Shah (In Search of King Solomon's Mines)
My tendency to make awkward situations even more ininappropriate and uncomfortable was such a charming characteristic.
Olivia Harvard (Handcuffs, Kisses and Awkward Situations)
At the door, there was one of those moment when two people realize that they like each other more than they know each other. This is nicer than the opposite situation, but more awkward. You try to remember the protocol for touching. You hate to gush, or presume to much, yet you are unwilling to let the moment pass without without some gesture
Emma Donoghue
YOU’RE AN IDIOT,” said Mum, when I relayed to her the entire situation on Wednesday. “Not an unintelligent idiot, but a sort of naive idiot who manages to fall into a difficult situation and then can’t get out of it because she’s too awkward.
Alice Oseman (Radio Silence)
My life is full of unconventionalities, abnormalities and awkward fucking situations. If you’re easily offended by crude language and inappropriate talks, you’ve taken a wrong fucking turn somewhere. You won’t understand me if you can’t handle me, and I’m not going to try to explain myself. I’m raw. I’m hard. I’m the thing you shy away from. So I’m warning you now. Back away. Because once you enter my life, I won’t ever let you leave.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Of course, it wouldn’t have mattered if I’d seen it coming or not. Adrian was totally unsuitable for me, and it had nothing to do with his many vices or potential descent into insanity. Adrian was a vampire. True, he was a Moroi—one of the good, living vampires—but it made no difference. Humans and vampires couldn’t be together. This was one point the Moroi and Alchemists stood firmly together on. It was still amazing to me that Adrian had voiced those feelings to me. It was amazing that he could even have them or that he’d had the nerve to kiss me, even if it was a kiss that had left me dizzy and breathless. I’d had to reject him, of course. My training would allow nothing less. Our situation here in Palm Springs forced the two us to constantly be together in social situations, and it had been rough since his declaration. For me, it wasn’t just the awkwardness of our new relationship. I…well, I missed him. Before this debacle, he and I had been friends and spent a lot of time together. I’d gotten used to his smirky smile and the quick banter that always flowed between us. Until those things were gone, I hadn’t realized how much I relied on them. How much I needed them. I felt empty inside...which was ridiculous, of course. Why should I care so much about one vampire? Sometimes it made me angry. Why had he ruined such a good thing between us? Why had he made me miss him so much? And what had he expected me to do? He had to have known it was impossible for us to be together. I couldn’t have feelings for him. I couldn’t. If we’d lived among the Keepers—a group of uncivilized vampires, humans, and dhampirs—maybe he and I could have…no. Even if I had feelings for him—and I firmly told myself I didn’t—it was wrong for us to even consider such a relationship. Now, Adrian spoke to me as little as possible. And always, always, he watched me with a haunted look in his green eyes, one that made my heart ache and—
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I don't want to spend my time rescuing you from awkward situations.
Jane Toombs (Baby of Mine)
This might make for an awkward situation. I have a talent for awkward situations.
Peter Davis (Poetry! Poetry! Poetry!)
If you will thank me," he replied, "let it be for yourself alone. That the wish of giving happiness to you might add force to the other inducements which led me on, I shall not attempt to deny. But your family owe me nothing. Much as I respect them, I believe I thought only of you." Elizabeth was too much embarrassed to say a word. After a short pause, her companion added, "You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever." Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances.The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do.
Jane Austen (Pride and Prejudice)
Mercer,” Polly says, “we are now going to hug. As a group. The experience will be very un-English. It will be good for you. Do not speak, at all, especially not in an attempt to diffuse the emotional intensity of the situation.” They hug, somewhat awkwardly, but with great feeling. “Well,” Mercer says, after a moment, “that was certainly—” “I will hit you with a shovel,” Polly Cradle murmurs.
Nick Harkaway (Angelmaker)
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you." Maxon took a step closer. My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted. Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard. Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?" "If you lay a single finger on me, I'll do worse!" I promised. "What?" "I said, if you-" "No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?" I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming. The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position. We were quiet for a while, and once Maxon was over the worst of his pain, he faced me. "What did you think I wanted?" he asked. I ducked my head and blushed. "America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!" He started to walk away but turned back. "Why did you even offer to help if you think so little of me?" I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
Kiera Cass (The Selection (The Selection, #1))
I am super awkward at social situations in general, and there's some major stuff going down, so I'm not going to hold to any sort of societal standard, and I'm just going to pretend like we've known each other long enough to say what's on our mind, and I hope that's okay.
Myra McEntire (Infinityglass (Hourglass, #3))
Women scare enough, but bloggers can be even more frightening to deal with. Most bloggers are emotionally unstable and are often awkward in social situations, which is why so many of us turned to blogging in the first place. Also, they are always looking for something to write about, so if you fuck something up it will be blogged, Facebooked, and retweeted until your death.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
After all, he was only a man, with a man's dislike of difficult or awkward situations.
Bram Stoker (The Lair of the White Worm)
What's going on here?" Buck asks just as loudly, gesturing wildly with his giant, hairy knuckled hands. "I'm sucking his dick," I say sarcastically. Sometimes I wish my mouth didn't have a faulty connection to my brain allowing everything to come out unfiltered. Alex coughs, his fingers twitching on my hip, and Buck's face turns an unnatural shade of red. This is such an odd situation; the awkwardness causes me to continue to spew idiocy. "Fine, you got me. I wasn't sucking his dick. We were fucking each other's mouths with our tongues. This is otherwise referred to as kissing, but mouth fucking sounds way dirtier, so I'm gonna go with that.
Helena Hunting (Pucked (Pucked, #1))
I wanted to go back in time and never come out here to take a piss. I wanted to fast-forward time and get out of this awkward situation. I wanted to pause time and never leave this fucked up moment. So conflicted.
Nordika Night (Garron Park (From Nothing, #1))
Although I was an imaginative child, prone to nightmares, I had persuaded my parents to take me to Madame Tussauds waxworks in London, when I was six, because I had wanted to visit the Chamber of Horrors, expecting the movie-monster Chambers of Horrors I'd read about in my comics. I had wanted to thrill to waxworks of Dracula and Frankenstein's Monster and the Wolf-man. Instead I was walked through a seemingly endless sequence of dioramas of unremarkable, glum-looking men and women who had murdered people - usually lodgers and members of their own families - and who were then murdered in turn: by handing, by the electric chair, in gas chambers. Most of them were depicted with their victims in awkward social situations - seated about a dinner table, perhaps, as their poisoned family members expired. The plaques that explained who they were also told me that the majority of them had murdered their families and sold the bodies to anatomy. It was then that the word anatomy garnered its own edge of horror for me. I did not know what anatomy was. I knew only that anatomy made people kill their children.
Neil Gaiman (The Ocean at the End of the Lane)
Normally, Richard was the kind of guy I disliked, someone born and raised plush: looks, charm, smarts, probably money. These men were never very interesting to me; they had no edges, and they were usually cowards. They instinctively fled any situation that might cause them embarrassment or awkwardness. But Richard didn’t bore me. Maybe because his grin was a little crooked. Or because he made his living dealing in ugly things.
Gillian Flynn (Sharp Objects)
On one hand she seems so agile, so athletic, and yet I've seen her appear so awkward that it embarrassed me. She gives the impression of a hard, worldly adroitness, and in some situations she's like an adolescent: rigid with ancient, middle class attitudes, unable to think for herself, falling back on old verities...victim of her family teaching, shocked by what shocks people, wanting what people usually want. She wants a home, a husband, and her idea of a husband is a man who earns a certain amount of money, helps around the garden, does the dishes...the idea of a good husband that's found in This Week magazine; a viewpoint from the most ordinary stratum, that great ubiquitous world of family life, transmitted from generation to generation. Despite her wild language.
Philip K. Dick (Confessions of a Crap Artist)
Not an unintelligent idiot, but a sort of naive idiot who manages to fall into a difficult situation and then can't get out of it because she's too awkward.
Alice Oseman (Radio Silence)
A NOTE FROM RYKE My life is full of unconventionalities, abnormalities and awkward fucking situations. If you’re easily offended by crude language and inappropriate talks, you’ve taken a wrong fucking turn somewhere. You won’t understand me if you can’t handle me, and I’m not going to try to explain myself. I’m raw. I’m hard. I’m the thing you shy away from. So I’m warning you now. Back away. Because once you enter my life, I won’t ever let you leave.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.
Brandon Sanderson (Tress of the Emerald Sea)
His light tone, in which, had her nerves been steadier, she would have recognized the mere effort to bridge over an awkward moment, jarred on her passionate desire to be understood. In her strange state of extra-lucidity, which gave her the sense of being already at the heart of the situation, it seemed incredible that any one should think it necessary to linger in the conventional outskirts of word-play and evasion.
Edith Wharton (The House of Mirth)
She would have picked me over you regardless if it came to that,” Frank continued, “so the result would have been the same in the end, but still. Given that I am basically Batman in this situation, I consider you my—” “Really?” I said. “I’m Robin, huh?” “…Well, this is awkward,” Frank said. “I was gonna say Alfred.
Kyle Kirrin (Shadeslinger (The Ripple System #1))
My wife said to me recently that she hates couples who finish each other's sentences for them. I agreed that it was annoying, but it made me think that perhaps we were missing out on something, so now every time she says anything, I say 'full stop' at the end. I have been doing it for a full week now, and it has really kept the romance alive.
Danny Wallace (More Awkward Situations for Men)
It's moments like this, when you need someone the most, that your world seems smallest. I'm told there's no going back. So I’m choosing forward The exhaustion of living was just too much for me to talk any longer It still might be a shock. To realize you are just one story walking among millions Why is it so much easier to talk to a stranger? Why do we feel we need that disconnect in order to connect? I had done it. I had embraced danger. The experience might have been an epic disaster, but it was still…an experience We are reading the story of our lives/ as though we were in it, /as though we had written it Like dogs and lions, small children can sense fear. The slightest flinch, the slightest disinclination, and they will jump atop you and devour you I might have liked to share a dance with you. If I may be so bold to say In a field, I am the absence of field. In a crowd, I am the absence of crowd. In a dream, I am the absence of dream. But I don’t want to live as an absence. I move to keep things whole. Because sometimes I feel drunk on positivity. Sometimes I feel amazement at the tangle of words and lives, and I want to be a part of that tangle…It’s only a game if there is an absence of meaning. And we’ve already gone too far for that You restore my faith in humanity Do you want to go get coffee or something tomorrow and discuss and analyze the situation at length? Let’s just wander and see what happens It was rather awkward, insofar as we were both teetering between the possibility of something and the possibility of nothing. Fate has a strange way of making plans I love a man who doesn’t let go of the leash, even when it leads him to ruin
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
I suspect that in the late ’90s alone, youth group games were responsible for millions of mono breakouts, thousands of broken bones, dozens of stomach pumps, and countless hours of therapy, for they typically involved placing insecure, hormonally charged teenagers in as physically awkward and borderline dangerous a situation as possible, preferably in the company of food,
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Being the only stranger at dinner with a group of girls who are already close friends doesn't sound appealing at all. I'll have to pretend to laugh at stories I don't get about people I don't know. I'll probably stuff my face just to have something to do while they all gab about their ninth-grade English teacher or some other inside joke that makes me feel like an outsider. It's hard to know how to behave in those situations. You can jump right in, asking "Who?" and "Where was this?" or you can sit back and let them have their laughs. I almost always opt for the latter, sometimes to my detriment. What I think is letting them have their fun, they might takes as she-thinks-she's-too-cool.
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
So it's actually way easier just to humor these men who grew up watching movies where the girl doesn't like the hero until he's been persistent enough to make her like him. This is the grease that keeps the gears of the heteronormativity machine spinning, obviously, but it's just easier to slip out of an awkward situation with an awkward guy than it is to call out the misogyny inherent in what he's doing. It's a tough spot to be in, but also this is coming from an angry dyke who's also trans and who, at one point, had society try to use her as a vessel for that kinda of misogyny.
Imogen Binnie (Nevada)
Calvin clears his throat. “Do you have anything to drink?” Booze. Right. This is the perfect situation for some booze. I jump up, and he laughs, awkwardly. “I should have thought to get champagne or something.” “You bought the dinner,” I remind him. “Obviously the champagne was on my list and I dropped the ball.” Pulling a bottle of vodka from the freezer, I set it on the counter and then realize I have nothing to mix it with. And I finished the last beer the other night. “I have vodka.” He smiles valiantly. “Straight-up vodka it is.” “It’s Stoli.” “Straight-up mediocre vodka it is,” he amends with a cheeky wink. His phone buzzes, and it sets off a weird, giddy reaction in my chest. We both have full lives beyond this apartment, which remain complete mysteries to each other. One difference between us is that Calvin likely doesn’t care about my life outside of this. Yet I care intensely about his. Having him here feels like finding the key to unlock a mysterious chest that’s been sitting in the corner of my bedroom for a year. Buzz. Buzz. Looking up, I meet his eyes. They’re wide, almost as if he’s not sure whether to answer. “You can get it,” I assure him. “It’s okay.” His face darkens with a flush. “I . . . don’t think I should.” “It’s your phone! Of course it’s okay to answer it.” “It’s not . . .” Buzz. Buzz. Unless, maybe, it’s some Mafia drug lord and if he answers his ruse is up and I’ll kick him out. Or—gasp—maybe it’s a girlfriend calling? Why had this not occurred to me? Buzz. Buzz. “Oh my God. Do you have a girlfriend?” He looks horrified. “What? Of course not.” Buzz. Buzz. Holy shit, how long until his voicemail puts us out of our misery? “. . . Boyfriend?” “I don’t—” he starts, smiling through a wince. “It’s not.” “ ‘Not’?” “My phone isn’t ringing.” I stare at him, bewildered. His blush deepens. “It’s not a phone.” When he says this, I know he’s right. It doesn’t have the right rhythm to be a phone. I lift the vodka to my lips and chug straight from the bottle. The buzzing has the exact rhythm of my vibrator . . . the one I tucked beneath that cushion on the couch days ago. I’m going to need to be pretty drunk to deal with this.
Christina Lauren (Roomies)
I was aware of a gathering anxiety around the question of visibility. I wanted to be seen, taken in and accepted, the way one is by a lover’s approving gaze. At the same time I felt dangerously exposed, wary of judgement, particularly in situations where being alone felt awkward or wrong, where I was surrounded by couples or groups.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Why doesn't life's awkward social situations come with an instruction manual, Ellie!
Verity Bright (Murder in an Irish Castle (A Lady Eleanor Swift Mystery, #12))
I did not flirt with him; I was being courteous, since you were making the entire situation completely awkward.” “Good, he should have taken the hint.
C.C. Brown (Red Flags (Red Flags, #1))
I’ve always been awkward with other women. Always. I’m either worried they’ll feel they have to hold my hand in social situations or aggravated because they do.
Penelope Douglas (Credence)
Yes, we’ve already been…intimate…and yes, he might have given me the most erotic experience of my life, but that doesn’t mean that we’re not in that awkward situation where we’ve had amazing sex, but we have no idea how or if we should acknowledge it or not. Good to see aliens aren’t immune to the frustrating male/female dynamics that have plagued my entire life. Yay.
Mara Frost (Saved (Alien Space Pirates, #3))
It’s easier to think of you as an adversary.” Devon smiled faintly. “That puts us in an awkward situation, then, as I’ve decided against selling the estate.” Kathleen was too astonished to reply. She couldn’t believe it. Had she heard him correctly? “Eversby Priory’s situation is so desperate,” Devon continued, “that few men could conceivably make it worse. Of course, I’m probably one of them.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
People always say they want to know the truth. They make big speeches about how important it is to them and they harp on about the consequence of deceit, but when they’re faced with the truth, they suddenly don’t want it anymore. The truth requires you to be brave. The truth requires you to face awkward situations. The truth requires you to stand your ground, to bear it, not run away and hide from it.
Callie Hart (Rooke)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I lead a double life. I'm John Wayne Gacy. I present myself in potentially awkward social situations as a laughing, colorful clown to gain your regard. If you ask my friends and neighbors, they will tell you I'm "normal" and that I "keep to myself." Meanwhile, there's a crawlspace in the basement where I've buried my secrets. It's starting to get pretty crowded down there, but they are mine. And there they'll stay.
Anne Clendening (Bent: How Yoga Saved My Ass)
I'm not the sort to beat about the bush. I find that sort of deviousness too much trouble. So whenever I have to enter into discussions, I make it a rule to speak frankly and truthfully, though I am well aware that it may create awkward situations. As a matter of fact, this idiosyncrasy of mine led me once into unexpected trouble. On the other hand, if I try to adopt diplomatic moves, it never works out in the end.
Osamu Dazai (A Lie)
I hear you're a writer,' said 2040..."What are you writing about?' Not liking to discuss my writing with strangers, I had been privately auditioning possible conversation stoppers, but I didn't think that I would ever have the nerve to use one. But now, in the most awkward of situations, it seemed appropriate. 'Actually, I'm writing a biography,' I responded casually. 'About a man in Alaska who makes foie gras from penguins.
Phoebe Damrosch (Service Included: Four-Star Secrets of an Eavesdropping Waiter)
In situations like this, most people wish for a hole to open up and swallow them into the ground. But I don’t want that. What I want is to be the hole. I don’t know what that sentiment means, but I’m sure I mean it.
Nicola Yoon (Instructions for Dancing)
Now the situation could be resolved, and we could put this behind us -- both the awkward misunderstandings and the misguided attempts at self-preservation. Though both of those would probably happen in the future anyway.
Wataru Watari (やはり俺の青春ラブコメはまちがっている 3)
Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.
Brandon Sanderson (Tress of the Emerald Sea)
But that’s not even what she’s asking. Cassie wants to know if I’ll still walk home with her after school every day, if I’ll watch movies with her that I miss hald of because I’m answering her bizarre questions; if I’ll still tolerate her mindless chatter and scattered conversations. If I’ll still be nice to her. This girl who speaks slowly and runs awkwardly, who can only manage short spurts of eye contact and stiffens under anyone’s touch, who struggles to match appropriate emotions with situations. Who finds joy in the simplest of things, who will never sit at a cafeteria table or in a bathroom and say mean things behind people’s back. Who understands more than most people give her credit for. Who’s heart can’t seem to hold animosity, even towards those who have been cruel to her. Who only ever wanted to be a friend to me since the moment she stepped out of her mom’s car with a bag of cookies. “Of course, I will,” I promise. “Yeah, okay.” She finally looks up to offer me a wide grin and a nod. “Are you going to eat those Junior Mints?
K.A. Tucker (Be the Girl)
The shots and shouts of the attackers rang out quite clearly but were already gone some distance away. Here I lay on my back in the warm sun; under the circumstances, I would have been expected to spring to my feet and begin attempting to justify mu most awkward situation. Defying all the rules, still flat on my back, I cracked my heels together, threw my hand to my forehead in salute, and yelled up to the oberleutnant, "Funder Rauch died for the Führer, Folk, and the Fatherland!" Where there's a war, there have to be dead bodies, I reasoned
Georg Rauch (An Unlikely Warrior: A Jewish Soldier in Hitler's Army)
hope I didn’t cause any awkwardness 60when I mentioned the incident with the soldier, or the checkpoint, or when I reveal that we are living under occupation here. Gunshots and military vehicle sirens, and sometimes the sound of helicopters, warplanes and shelling, the subsequent wail of ambulances; not only do these noises precede breaking news reports, but now they have to compete with the dog’s barking, too. And the situation has been like this for such a long time that there aren’t many people alive today who remember little details about what life was like before all this,
Adania Shibli (Minor Detail)
This might just be two people in a queue, but this has become a mighty battle of wills - a war between all that is right and all that is wrong - and it is I and I alone standing at the gates between one minor slight in the queue-munity, and outright supermarket-based anarchy. In many ways, I am doing this for you.
Danny Wallace (More Awkward Situations for Men)
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I’ve actually left a lunch with friends when a man there got enraged with his spouse. His rage hurt me. In situations like that, I am fierce about protecting my energy, so I said to my friends, “Please excuse me. I’m feeling tired,” and politely left. It was awkward, but I chose my well-being over “social correctness” and sticking it out.
Judith Orloff (The Empath's Survival Guide: Life Strategies for Sensitive People)
Michael, can I have the—” I burst into the kitchen, only to find that Michael and Sloane weren’t the only ones there. Judd was cooking, and Agent Briggs was standing with his back to me, a thin black briefcase by his feet. “—the bacon,” I finished hastily. Agent Briggs turned to face me. “And why does Michael have your bacon?” he asked. As if this whole situation wasn’t awkward enough, Lia chose that moment to come sauntering into the room. “Yes, Cassie,” she said with a wicked grin, “tell us why Michael has your bacon.” The way she said the phrase left very little question that she was using it as a euphemism. “Lia,” Judd said, waving a spatula in her general direction, “that’s enough.
Jennifer Lynn Barnes (The Naturals (The Naturals, #1))
The only part of my existence in which I experience any sense of fragmentation is in that last strange conversation with the Other. And so I have to ask Myself: whose memory is at fault? Mine or his? Might he in fact be remembering conversations that never happened? Two memories. Two bright minds which remember past events differently. It is an awkward situation. There exists no third person to say which of us is correct. (If only the Sixteenth Person were here!) As for the Other's claim that I lose time and muddle days, I do not see how this can possibly be true, I invented the calendar I use, so how could it get 'out of sync' as he put it? There is nothing for it to get out of sync with.
Susanna Clarke (Piranesi)
There is another issue with the largely cognitive approach to management, which we had big-time at Google. Smart, analytical people, especially ones steeped in computer science and mathematics as we were, will tend to assume that data and other empirical evidence can solve all problems. Quants or techies with this worldview tend to see the inherently messy, emotional tension that’s always present in teams of humans as inconvenient and irrational—an irritant that will surely be resolved in the course of a data-driven decision process. Of course, humans don’t always work that way. Things come up, tensions arise, and they don’t naturally go away. People do their best to avoid talking about these situations, because they’re awkward. Which makes it worse.
Eric Schmidt (Trillion Dollar Coach: The Leadership Playbook of Silicon Valley's Bill Campbell)
As time passed, I began to get depressed and cried a lot. It was not because of my pregnancy. Praise the Lord, I wasn't having any more morning sickness, and I remained in good health, but my emotions were taking a nosedive. In my present situation, I was so isolated, and so lonely, and when a woman is pregnant, she doesn't feel pretty any more. In fact, she often feels ugly and awkward.
Helen Goldie (Nell of Whitemoss: You Are Never Alone)
I’m not freaking out. I’m turned on. I’m thinking about sniffing your bed pillows like a weirdo, contemplating if it’d be better for you to bend me over the island or the couch, and my ovaries are basically exploding—pew, pew, pew—like fireworks because you’re so good with Chunky that I can imagine you as the one of those dads who’d play tea party with your daughter. And all of that is making me hot and nervous . . . and . . . and . . . I should stop talking now.
Lauren Landish (Drop Dead Gorgeous)
I think for most masked Autistic people, there are key moments in childhood or adolescence where we learn we are embarrassing or wrong. We say the wrong thing, misread a situation, or fail to play along with a neurotypical joke, and our difference is suddenly laid bare for all to see. Neurotypical people may not know we’re disabled, but they identify in us some key flaw that is associated with disability: we’re childish, or bitter, self-absorbed, or too “angry,” or maybe we’re just awkward and make people cringe.
Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
Tell The Truth. Most of your problems come from not telling the truth. The lies you tell, even to spare other people's feelings, always come back to haunt you. If you simply tell people what you mean you would be better off, a lot happier, not trapped in some awkward social situation. Others will know where they standand will be more honest with you. They won't expect you to be what you're not. They won'tneed to test you to discover your intentions. You won't have to make excuses for not doing things you didn't want to do or explain why you prefer to do what like to do. They'll know. Telling the truth and being your own person are closely linked. A strong person says what he or she means. A weak person lies to please others. A strong person lets the truth be other people's problem. A weak person holds the truth inside and complains about being treated unfairly. What is telling the truth hurts other people's feelings? You're not supposed to tell people that they look fat, are stupid or ugly. That's just being rude. Tell the truth avout what you feel, want, and like and mean what you say. If other's get hurt by your truth, they'll have to deal with it. Others may not like what you say, but they'll respect you for being honest and they'll survive better than if you lie to them. If you lie to please people, they won't really believe you. They'll be suspicious and suffer with every inconsistency they find in your story. You'll be called on to update alibis and others will undermine you and try to trap you. People hate being lie to, because lying takes away their free choice and their ability to defend themselves. Tell the truth. It only hurts once. Lies hurt everyone all the time.
David Viscott
I hadn’t thought of—let alone said—“Soul Leading” in many years, and stumbled awkwardly through the words. Ian spoke it without hesitation, though, and I wondered how often he had used it through those years. The words seemed puny and powerless, swallowed among the sounds of hay rustling and beasts chewing. But I felt a tiny bit of comfort for having said them. Perhaps it was only that the sense of reaching out to something larger than yourself gives you some feeling that there is something larger—and there really has to be, because plainly you aren’t sufficient to the situation. I surely wasn’t.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
Because it is illegal to talk to a stranger on a train, it can sometimes be confusing when someone stands on your foot or hits you with their briefcase and then fails to say sorry. Which is why I have decided to carry an air horn with me at all times, and when someone stands on my foot I will set it off in their face and then go back to reading my paper. I imagine this will make people want to avoid standing on my feet, but if I've paid good money for the air horn, I'll want to use it, so I'll wear massive clown-shoes while travelling. I'll also wear a red nose and a wig. Essentially, I really want to get into clowning.
Danny Wallace (More Awkward Situations for Men)
Catti-brie didn't blink, barely drew breath. She was thinking how noble this drow had been. So many other men would not have asked questions, would have taken advantage of the situation. And would that have been such a bad thing? the young woman had to ask herself now. Her feelings for Drizzt were deep and real, a bond of friendship and love. Would it have been such a bad thing if he had made love to her in that room? Yes, she decided, for both of them, because, while it was her body that had been offered, it was Khazid'hea that was in control. Things were awkward enough between them now, but if Drizzt had relented to the feelings that Catti-brie knew he held for her, if he had not been so noble in that strange situation and had given in to the offered temptation, likely neither of them would have been able to look the other in the eye afterward. Like they were doing now, on a quiet plateau high in the mountains, with a chill and crisp breeze and the stars glowing even more brightly above them. "Ye're a good man, Drizzt Do'Urden," the grateful woman said with a heartfelt smile. "Hardly a man," Drizzt replied, chuckling, and glad for the relief of the tension. Only a temporary relief, though. The chuckle and the smile died away almost immediately, leaving them in the same place, the same awkward moment, caught somewhere between romance and fear.
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.” “After yesterday--” She broke off and swallowed hard, and nodded. “No one but the two of us will ever know about that.” Even if Kathleen chose to believe him, it didn’t set her at ease. The memory was an unwanted bond with him. He had seen her at her weakest, her lowest, and she would have preferred him to be mocking rather than treat her with gentleness. She forced herself to meet his gaze as she admitted with vexed honesty, “It’s easier to think of you as an adversary.” Devon smiled faintly. “That puts us in an awkward situation, then, as I’ve decided against selling the estate.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
If men felt empowered to talk about sex with their partner, especially before any sexual relationship has occurred, many harmful situations could perhaps be avoided. Many men see talking about sex as embarrassing, awkward or feminine. To avoid our boys becoming men who harm women, we need to encourage them to talk openly about sex and their feelings towards it. We need to encourage them to want to talk about sex with women, to see it as a part of the process of love and relationships, instead of leaving communication as solely the burden of the feminine partner to take on. Consent doesn't have to necessarily be sexy, but it should have to be talked about in an open and understanding way.
Catriona Morton (The Way We Survive: Notes on Rape Culture)
In fact, neither the grotesque gesticulations of the international forces nor the disgusted lamentations of the representatives of good causes can have any real effect, because we have not taken the decisive step — the final step — in the analysis of the situation. No one dares, or wants, to take that step, which is to recognize, not simply that the Serbs are the aggressors (which is to state the obvious), but that they are our objective allies in a cleansing operation for a future Europe where there are no awkward minorities and for a New World Order where there is no radical opposition to its own values — the values of the democratic dictatorship of human rights and the transparency of markets.
Jean Baudrillard (Screened Out)
A player’s first move isn’t necessarily the truest or clearest view of that person I’ll get, but it’s often the most naked, because it takes a while to situate yourself within an imaginary landscape. When you respond to the initial subscriber packet with your opening move—when you come to the bridge—you haven’t had a chance to get much sense of the game’s rhythms, so you’re awkward, halting, more likely to overplay your hand. The open path at the overpass gives way to grand schemes, huge, multipart responses, whole narratives from within the canvas newly forming inside the player’s imagination. I keep myself out of it; I interpret and react, like a flowchart responding flatly to a person who’s asking it how to live.
John Darnielle (Wolf in White Van)
I remember when we parted there was an awkward moment when the severity of my situation and our unfamiliarity with each other left us with no words, and in a gesture that I’m sure was completely unconscious, he placed his hand over his heart for just a second as a flicker of empathetic anguish crossed his face. It sliced right through me. It cut through the cloud I was living in and let the plain day pour its balm upon me. It was, I am sure, one of those moments when we enact and reflect a mercy and mystery that are greater than we are, when the void of God and the love of God, incomprehensible pain and the peace that passeth understanding, come together in a simple human act. We stood for a minute in the aftermath, not talking, and then went our suddenly less separate ways.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
My teammates and I cut wide eyes with each other, not really understanding our emotions in that moment. Of course, we felt awkward, embarrassed, and uncomfortable. I remember specifically feeling betrayed. I thought of how our privacy as females had been entirely dismissed, violated, and ignored. There was no thought to how we would respond or how uncomfortable a male sharing this changing space with us would make us feel. It felt like we were pawns in a sick game catering to the male who claimed our identity but didn’t have the same physiology, anatomy, or chromosomes, to name a few… I desperately wanted to call my mom and dad and tell them of this situation in hopes they would reassure me that I wasn’t crazy in experiencing this as a total violation of our rights to privacy as women.
Riley Gaines (Swimming Against the Current: Fighting for Common Sense in a World That’s Lost its Mind)
Replace Maladaptive Thoughts with Coping Statements When you feel anxious in social situations, you probably have many false beliefs and maladaptive thoughts, such as “I don’t fit in” or “I’m so awkward.” An important part of coping with social anxiety is to be able to recognize when your thinking is clouded. Use your journal to record events that make you feel anxious, and examine what you were thinking at the time and why. It may help to refer to the list of maladaptive thinking patterns on pages 25 and 26 to help you see when your thinking is faulty. Remember that figuring out your faulty thoughts requires that you be totally honest with yourself. Once you have identified your maladaptive thoughts, you can work to replace them with more constructive thoughts, called coping statements.
Heather Moehn (Social Anxiety (Coping With Series))
She’d ask if I had a problem with her, or if I sensed awkwardness between us. She’d tell me how important I was to Joe and how special he thought I was. She would give me a series of hugs and repeatedly tell me that she hoped we’d be friends. We’d met at least five times, and she and Joe had been going out for over a year, yet she still believed there were declarations we had to make to each other in quiet corners of social situations. I had thought about why she did this a lot and, rather generously, had come to the conclusion that Lucy was a woman who’d watched too many structured reality TV shows. She evidently felt a party wasn’t a party until two women in peplum dresses clutched hands while one says: “After you slept with Ryan, I stopped liking you as a friend, but I will always love you like a sister.
Dolly Alderton (Ghosts)
No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard — and he had never been handsome. He had a considerable independence besides two good livings — and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on — lived to have six children more — to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features — so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief — at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities — her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid — by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! — for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
Jane Austen (Northanger Abbey)
Ideas for Journal Entries You may find the following ideas useful in beginning your journal or keeping the entries varied. If you are not used to expressing your thoughts on paper, it may seem awkward at first. The longer you do it, the easier it will become. You’ll be amazed at the insight you gain into your life. -Write about your most memorable experience with social anxiety. How did you feel? What did you think? How did others react? Why do you think the event happened? -Write about situations that make you anxious every day. Record your thoughts, feelings, and actions. You may want to divide the page into columns with the headings: situation or event; negative thoughts; physical reactions; and actions. Following is an example of how this may look: Situation or Event Should I attend the first art class after school. Negative Thoughts I thought about skipping out. I was afraid of what people would think. I wanted to do a good job. Physical Reactions I felt a shortness of breath. In general, I was nervous and in a bad mood. Actions I took some deep breaths and visualized the class going well. Later, I became engrossed in my drawing. -Write about a time when you were pleased with how you acted in a social situation. -Identify times when anxiety symptoms kept you from doing something that you really wanted to do. How did you feel? What might have happened if you had not been afraid? -Write a letter to someone who made you feel bad about yourself. You aren’t going to show the letter to anyone, so feel free to write whatever you want. -Write out a conversation with your inner voice. Begin the entry with a question directed to yourself, then write your mental response. It may help to label the different voices A and B. Dialogue writing is a very effective way to get to the heart of the matter.
Heather Moehn (Social Anxiety (Coping With Series))
Right off, Hopkins addressed a matter that had pinched relations between America and Britain. “I told him there was a feeling in some quarters that he, Churchill, did not like America, Americans or Roosevelt,” Hopkins recalled. Churchill denied it, emphatically, and blamed Joseph Kennedy for promulgating so incorrect an impression. He directed a secretary to retrieve the telegram he had sent to Roosevelt the previous fall, in which he congratulated the president on his reelection—the one Roosevelt had never answered or acknowledged. This initial awkwardness was quickly eclipsed, as Hopkins explained that his mission was to learn all he could about Britain’s situation and needs. The conversation ranged wide, from poison gas, to Greece, to North Africa. John Colville noted in his diary that Churchill and Hopkins “were so impressed with each other that their tête-à-tête did not break up till nearly 4:00.” It
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
The silence lengthened, becoming strained and awkward until it was broken by the goose’s imperious honk. Swift glanced at the massive bird. “You have a companion, I see.” When Daisy explained what the two boys had been doing with the goose, Swift grinned. “Clever lads.” The remark did not strike Daisy as being especially compassionate. “I want to help him,” she said. “But when I tried to get near, he pecked me. I expected a domestic breed would have been a bit more receptive to my approach.” “Greylags are not known for their mild temperaments,” Swift informed her. “Particularly males. He was probably trying to show you who was boss.” “He proved his point,” Daisy said, rubbing her arm. Swift frowned as he saw the growing bruise on her arm. “Is that where he pecked you? Let me see.” “No, it’s all right—” she began, but he had already come forward. His long fingers encircled her wrist, the thumb of his other hand passing gently near the dark purple mark. “You bruise easily,” he murmured, his dark head bent over her arm. Daisy’s heart dispensed a series of hard thumps before settling into a fast rhythm. He smelled like the outdoors—sun, water, grassy-sweet. And deeper in the fragrance lingered the tantalizing incense of warm, sweaty male. She fought the instinct to move into his arms, against his body…to pull his hand to her breast. The mute craving shocked her. Glancing up at his downturned face, Daisy found his blue eyes staring right into hers. “I…” Nervously she pulled away from him. “What are we to do?” “About the goose?” His broad shoulders hitched in a shrug. “We could wring his neck and take him home for dinner.” The suggestion caused Daisy and the Greylag to stare at him in shared outrage. “That was a very poor joke, Mr. Swift.” “I wasn’t joking.” Daisy placed herself squarely between Swift and the goose. “I will deal with the situation on my own. You may leave now.” “I wouldn’t advise making a pet of him. You’ll eventually find him on your plate if you stay at Stony Cross Park long enough.” “I don’t care if it makes me a hypocrite,” she said. “I would rather not eat a goose I’m acquainted with.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Akos was still in the bathroom. He had plugged the bathtub drain and turned on the faucets. Now he was undoing the straps of his armor with quick, nimble fingers. “Don’t tell me you don’t need my help,” he said to me. “I won’t believe you.” I stepped out of sight of the living room and tried to lift my shirt over my head. I only made it up to my stomach before I had to stop for breath. Akos set his armor down and took the hem of my shirt from me. I laughed, softly, as he guided it over my head and down my arms and said, “This is awkward.” “Yes it is,” he said. He kept his eyes on my face. He was blushing. I had not allowed myself to imagine a situation like this, his fingers brushing my arms, the memory of his mouth on mine so close I could still feel it. “I think I can handle the pants on my own,” I said. I didn’t mind showing skin. I was far from frail, with thick thighs and a small chest, and it didn’t concern me. This body had carried me through a hard life. It looked exactly the way it was supposed to. Still, when his eyes dropped--just for a moment--I stifled a nervous giggle.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged, but one word from you will silence me on this subject for ever. Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change, since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances. The happiness which this reply produced, was such as he had probably never felt before; and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do. Had Elizabeth been able to encounter his eye, she might have seen how well the expression of heartfelt delight, diffused over his face, became him; but, though she could not look, she could listen, and he told her of feelings, which, in proving of what importance she was to him, made his affection every moment more valuable.
Jane Austen (Pride and Prejudice)
Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
There are so many reasons why I'm proud to be an introvert. I love being a great listener & observer. I've learned so much about people that way & it's made it very hard for anyone to deceive me. I love the fact that I'm able to enjoy my own company. I'm rarely bored because I have books & movies or even my imagination to keep me company. Speaking of books, since I love reading & researching, it's made me knowledgeable on various topics so that when I do talk to others, I can follow along & understand almost anything. Lastly, there is something about being an introvert that requires a quiet type of confidence. Yes, many times we might feel awkward & like an outcast in certain situations, but for the most part, we happily stand alone. It takes courage to not allow the world to mold us into what they want. Once we become comfortable in our own skin, we learn that we are unique & strong people. We are able to make significant impacts while flying under the radar & without making a scene. We don't need the spotlight or validation to know our worth. It's a beautiful thing to be an Introvert. Just thought I'd share.
Anonymous
Well, check out these questions below, and if you can answer yes to most or all of the following points about a person and her business, you would have a pretty deep referral relationship: ​You trust them to do a great job and take great care of your referred prospects. ​You have known each other for at least one year. ​You understand at least three major products or services within their business and feel comfortable explaining them to others. ​You know the names of their family members and have met them personally. ​You have both asked each other how you can help grow your respective businesses. ​You know at least five of their goals for the year, including personal and business goals. ​You could call them at 9 o’clock at night if you really needed something. ​You would not feel awkward asking them for help with either a personal or business challenge. ​You enjoy the time you spend together. ​You see each other on a regular basis—in both business and personal situations. ​You enjoy seeing them achieve further success. ​They are “top of mind” regularly. ​You have open, honest talks about how you can help each other further.
Ivan R. Misner (Networking Like a Pro: Turning Contacts into Connections)
What was wrong with her? Nothing. Nothing was wrong with Tress. Her mind was functioning properly. She hadn’t lost her creativity. She hadn’t run out of ideas. She was simply tired. We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.
Brandon Sanderson (Tress of the Emerald Sea)
Are you angry when someone’s armpits stink or when their breath is bad? What would be the point? Having such a mouth and such armpits, there’s going to be a smell emanating. You say, they must have sense, can’t they tell how they are offending others? Well, you have sense too, congratulations! So, use your natural reason to awaken theirs, show them, call it out. If the person will listen, you will have cured them without useless anger. No drama nor unseemly show required.” —MARCUS AURELIUS, MEDITATIONS, 5.28 The person sitting next to you on the plane, the one who is loudly chattering and knocking around in your space? The one you’re grinding your teeth about, hating from the depth of your soul because they’re rude, ignorant, obnoxious? In these situations, you might feel it takes everything you have to restrain yourself from murdering them. It’s funny how that thought comes into our heads before, you know, politely asking them to stop, or making the minor scene of asking for a different seat. We’d rather be pissed off, bitter, raging inside than risk an awkward conversation that might actually help this person and make the world a better place. We don’t just want people to be better, we expect it to magically happen—that we can simply will other people to change, burning holes into their skull with our angry stare. Although when you think about it that way, it makes you wonder who the rude one actually is.
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living: Featuring new translations of Seneca, Epictetus, and Marcus Aurelius)
As Zane drove toward the exit, Phoebe searched frantically for a topic of conversation. Nothing brilliant came to mind. She nibbled on her lower lip as she considered risking the truth. When nothing better occurred to her, she decided to dive right into the cowboy-infested water. “So this is really strange, huh?” Zane glanced at her but didn’t speak. She cleared her throat. “Me being here. I mean you don’t know me from a rock, and I’m going to be staying at the ranch for a couple of days. Maybe we should get to know each other, so the situation isn’t so awkward.” “If you don’t feel like you belong, why did you come?” She spent a good three seconds mentally swooning over the sound of his voice before processing his words. He wasn’t exactly welcoming. “Well, um, several reasons,” she said, stalling, then couldn’t think of any but one. She sighed. “Maya guilted me into it.” “What did she tell you? That I keep Chase locked in a tower and feed him bread and water?” Phoebe winced. “Not exactly.” “But close.” “Um, maybe.” Zane’s grip on the steering wheel tightened. “She’s always had a soft spot for Chase.” “He must be really smart. That must make you proud. I certainly couldn’t design a website and entice people to sign up for a cattle-drive vacation.” Zane’s ever-so-perfect mouth tightened. “He lied, stole and committed fraud. Pride doesn’t much enter into it for me.” Phoebe hunched down in her seat. “If you’re going to put it like that,” she mumbled and turned her attention to the scenery.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Generalized Social Anxiety In contrast to people with specific social anxieties, you may be afraid in a wide variety of situations. You might feel that people are judging everything you do and you might set unreasonable standards of perfection for yourself. This condition is called generalized (or discrete) social anxiety. Generalized social anxiety accounts for 80 percent of all cases of social anxiety. Often, people with generalized social anxiety get caught in a vicious cycle. Because they are overly anxious in many situations, they act in clumsy and awkward ways, which in turn makes them feel even more discouraged and anxious. This cycle often results in depression and chronic stress. Generalized social anxiety can affect almost every aspect of your life. This has been the case for Toni, a college senior. In high school, I hardly had any friends. I didn’t participate in any extracurricular activities and managed to get by with average grades. Because I attend a large state university, I am even more invisible. So far, I have avoided any class that has any interaction with my peers, such as discussion groups or labs. As graduation approaches, I need to decide what type of career I want. The thought of job interviews terrifies me. I am considering grad school but would need recommendations to apply. I haven’t even spoken to most of my professors, and the ones who know me probably can’t say anything good about me. As a result, I’m really depressed. When I imagine the future, I can’t see myself being happy. I’ll probably move back to my parents’ house after graduation. I know they are disappointed in me, and that makes me feel like a complete failure.
Heather Moehn (Social Anxiety (Coping With Series))
But here’s the tricky part about compassion and connecting: We can’t call just anyone. It’s not that simple. I have a lot of good friends, but there are only a handful of people whom I can count on to practice compassion when I’m in the dark shame place. If we share our shame story with the wrong person, they can easily become one more piece of flying debris in an already dangerous storm. We want solid connection in a situation like this—something akin to a sturdy tree firmly planted in the ground. We definitely want to avoid the following: The friend who hears the story and actually feels shame for you. She gasps and confirms how horrified you should be. Then there is awkward silence. Then you have to make her feel better. The friend who responds with sympathy (I feel so sorry for you) rather than empathy (I get it, I feel with you, and I’ve been there). If you want to see a shame cyclone turn deadly, throw one of these at it: “Oh, you poor thing.” Or, the incredibly passive-aggressive southern version of sympathy: “Bless your heart.” The friend who needs you to be the pillar of worthiness and authenticity. She can’t help because she’s too disappointed in your imperfections. You’ve let her down. The friend who is so uncomfortable with vulnerability that she scolds you: “How did you let this happen? What were you thinking?” Or she looks for someone to blame: “Who was that guy? We’ll kick his ass.” The friend who is all about making it better and, out of her own discomfort, refuses to acknowledge that you can actually be crazy and make terrible choices: “You’re exaggerating. It wasn’t that bad. You rock. You’re perfect. Everyone loves you.” The friend who confuses “connection” with the opportunity to one-up you: “That’s nothing. Listen to what happened to me one time!
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.” “I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.” Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows. “Don’t look so surprised!” Tris says. “Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.” Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle. I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?” She nods, smirking. “Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath. “I’m not likely to forget that anytime soon,” she mutters. She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
Veronica Roth (Allegiant (Divergent, #3))
When I returned from the restroom and Jase saw how much I was bleeding, he began to grill the doctor with every question imaginable. She remained completely stoic, no matter what he said. Every time he asked her a question, she provided the same measured response: “I will not know until I begin to operate.” She began trying to offer various common medical possibilities for this incident, such as a ruptured cyst and other diagnoses. Jase shot down every explanation with the power and speed he would use to blast a duck out of the sky with a shotgun. He was never disrespectful toward her, but he was intense. Due to the pain I was experiencing, I did not realize exactly what was going on, but I did know I was lying on the bed while the doctor and my husband were in a Western movie standoff on either side of me. These two strong personalities were about to collide, and I was in the direct line of fire! At one point, the telephone in my pre-op room rang. Without saying a word, the doctor picked up the phone, stretched it across my bed, and handed it to Jase, never taking her eyes off his. To say that one could cut the tension in the room with a knife is a complete understatement. I was not happy about Jase’s confrontational manner, but at the same time, I was grateful that he was asking the questions I never thought to ask and telling the doctor exactly how he wanted her to treat me. “Like your own daughter,” he said. Jase clearly communicated that he wanted the doctor to rectify the situation. He went on to tell her, “You better not start taking out a bunch of things that need to be left inside of her. I understand that you have to operate, but do not remove anything that does not have to come out.” She confirmed her understanding of his expectations and left the room. “Jason,” I said, using his full name, “she is my boss.” I hated the thought that he might say something to offend her, something that might make my working for her difficult or awkward in the future. “I don’t care,” Jase said, “my main concern is you. I am about to send you back into that operating room with her, and I want to make sure she knows my expectations are high.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
Kathy’s teachers view her as a good student who always does her homework but rarely participates in class. Her close friends see her as a loyal and trustworthy person who is a lot of fun once you get to know her. The other students in school think she is shy and very quiet. None of them realize how much Kathy struggles with everyday life. When teachers call on her in class, her heart races, her face gets red and hot, and she forgets what she wants to say. Kathy believes that people think she is stupid and inadequate. She imagines that classmates and teachers talk behind her back about the silly things she says. She makes excuses not to go to social events because she is terrified she will do something awkward. Staying home while her friends are out having a good time also upsets her. “Why can’t I just act like other people?” she often thinks. Although Kathy feels isolated, she has a very common problem--social anxiety. Literally millions of people are so affected by self-consciousness that they have difficulties in social situations. For some, the anxiety occurs during very specific events, such as giving a speech or eating in public. For others, like Kathy, social anxiety is part of everyday life. Unfortunately, social anxiety is not an easily diagnosed condition. Instead, it is often viewed as the far edge of a continuum of behaviors and feelings that occur during social situations. Although you may not have as much difficulty as Kathy, shyness may still be causing you distress, affecting your relationships, or making you act in ways with which you are not happy. If this is the case, you will benefit from the advice and techniques provided in this book. The good news is that it is possible to change your thinking and behavior. However, there are no easy solutions. It takes strong motivation and time to overcome social anxiety. It might even be necessary to see a professional therapist or take medication. Eventually, becoming free of your anxiety will make the hard work well worth the effort. This book will help you understand social anxiety and the impact it can have on your life, now and in the future. You will find out how the disorder is diagnosed, you will receive information on professional guidance, and you will learn ways to cope with and manage the symptoms. Becoming an extroverted person is probably unlikely, but you can become more confident in social situations and increase your self-esteem.
Heather Moehn (Social Anxiety (Coping With Series))
But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
Alan, as per his usual routine, got up early and peeked into my rom to check on me. What he found were his teenage stepdaughter and her childhood sweetheart curled up in the same bed, sound asleep and draped all over each other. He hissed my name, alarmed: "Jenna!" "Wha-?" I sat straight up, immediately aware of what was happening and how it all looked. I clambered over Cameron, who was just coming to consciousness, and followed Alan into the kitchen. "It's nothing, I swear," I said in a whisper. If Mom wasn't up yet, I wanted to keep it that way. Alan shook his head. "It looks bad." He glanced toward my bedroom. "Was that Ethan? Tell him to come out here. I want to talk to him." "Um, it's not Ethan. It's Cameron." He put his hands to his head. "Jenna. Jenna." "I know. Is Mom awake?" "Not yet." I kept my voice low. "Can we talk by the fish tank?" He led, I followed. "He came to my window in the night," I explained. "He needed to talk. I let him in. It was me. It was my idea. It was all...nothing happened." "This isn't my area," Alan said, looking at the fish. "Your mom is supposed to do the tough stuff. We have a policy of laissez-faire when it comes to me and...this kind of thing." "Exactly. So," I said hopefully, "go make the coffee and we'll pretend nothing every happened." Cameron came into the room, his blanket wrapped around him. His hair was sticking up in the back, and his long eyelashes hooded sleepy eyes. "I just needed to talk to someone," he said to Alan. "Guess we fell asleep." "Uh-huh." Alan cast an anxious glance toward his and mom's bedroom and said, "You couldn't talk in the kitchen?" "We didn't think about it," I said. "That's how innocent it was, see?" Alan stared at us, still shaking his head. "Look, Cameron, just get out of here before Jenna's mom sees you. Okay?" He nodded. "I'll go get my boots." I breathed a sigh of relief. "Thank you, Alan." When Cameron shut my bedroom door, Alan said, "Jenna. This is the kind of situation that's very, very awkward, to say the least. If your mom were to find out, I would be in scalding hot water." "She won't. Thank you thank you thank you." "Now. I need my coffee." He shuffled off to the kitchen, ankles cracking. "I'm too old for this." Back in my room, I watched Cameron get ready to go, thinking about everything we'd talked about and what it meant. "Where do you live?" I asked. "I'll take you home." "I share a studio apartment with three other guys. It's a dump," he said, lacing up his boots. "How come you were sleeping in my car yesterday?" "Sometimes I don't want to be there." He pulled on his jacket. "I'll go straight to school, shower in the locker room. See you later." He started to open the window. "Wait," I said. "You can use the front door, you know. Just be quiet." "Okay." He paused on his way out of my room, looing back once to say, "Thanks.
Sara Zarr (Sweethearts)
Before their chaise drew to a complete halt in front of the house a door was already being flung open, and a tall, stocky man was bouncing down the steps. “It would appear that our greeting here is going to be far more enthusiastic than the one we received at our last stop,” Elizabeth said in a resolute voice that still shook with nerves as she drew on her gloves, bravely preparing to meet and defy the next obstacle to her happiness and independence. The door of their chaise was wrenched open with enough force to pull it from its hinges, and a masculine face poked inside. “Lady Elizabeth!” boomed Lord Marchman, his face flushed with eagerness-or drink; Elizabeth wasn’t certain. “This is indeed a long-awaited surprise,” and then, as if dumbstruck by his inane remark, he shook his large head and hastily said, “A long-awaited pleasure, that is! The surprise is that you’ve arrived early.” Elizabeth firmly repressed a surge of compassion for his obvious embarrassment, along with the thought that he might be rather likeable. “I hope we haven’t inconvenienced you overmuch,” she said. “Not overmuch. That is,” he corrected, gazing into her wide eyes and feeling himself drowning, “not at all.” Elizabeth smiled and introduced “Aunt Berta,” then allowed their exuberant host to escort them up the steps. Beside her Berta whispered with some satisfaction, “I think he’s as nervous as I am.” The interior of the house seemed drab and rather gloomy after the sunny splendor outside. As their host led her forward Elizabeth glimpsed the furnishings in the salon and drawing room-all of which were upholstered in dark leathers that appeared to have once been maroon and brown. Lord Marchman, who was watching her closely and hopefully, glanced about and suddenly saw his home as she must be seeing it. Trying to explain away the inadequacies of his furnishings, he said hastily, “This home is in need of a woman’s touch. I’m an old bachelor, you see, as was my father.” Berta’s eyes snapped to his face. “Well, I never!” she exclaimed in outraged reaction to his apparent admission of being a bastard.” “I didn’t mean,” Lord Marchman hastily assured, “that my father was never married. I meant”-he paused to nervously tug on his neckcloth, as if trying to loosen it-“that my mother died when I was very young, and my father never remarried. We lived here together.” At the juncture of two hallways and the stairs Lord Marchman turned and looked at Berta and Elizabeth. “Would you care for refreshment, or would you rather go straight to bed?” Elizabeth wanted a rest, and she particularly wanted to spend as little time in his company as was possible. “The latter, if you please.” “In that case,” he said with a sweeping gesture of his arm toward the staircase, “let’s go.” Berta let out a gasp of indignant outrage at what she perceived to be a clear indication that he was no better than Sir Francis. “Now see here, milord! I’ve been putting her in bed for nigh onto two score, and I don’t need help from the likes of you!” And then, as if she realized her true station, she ruined the whole magnificent effect by curtsying and adding in a servile whisper, “if you don’t mind, sir.” “Mind? No, I-“ It finally occurred to John Marchmen what she thought, and he colored up clear to the roots of his hair. “I-I only meant to show you how,” he began, and then he leaned his head back and briefly closed his eyes as if praying for deliverance from his own tongue. “How to find the way,” he finished with a gusty sigh of relief. Elizabeth was secretly touched by his sincerity and his awkwardness, and were the situation less threatening, she would have gone out of her way to put him at his ease.
Judith McNaught (Almost Heaven (Sequels, #3))