Awe Feeling Quotes

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I love science, and it pains me to think that so many are terrified of the subject or feel that choosing science means you cannot also choose compassion, or the arts, or be awed by nature. Science is not meant to cure us of mystery, but to reinvent and reinvigorate it.
Robert M. Sapolsky
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom the emotion is a stranger, who can no longer pause to wonder and stand wrapped in awe, is as good as dead —his eyes are closed. The insight into the mystery of life, coupled though it be with fear, has also given rise to religion. To know what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms—this knowledge, this feeling is at the center of true religiousness.
Albert Einstein (Living Philosophies)
Felicity ignores us. She walks out to them, an apparition in white and blue velvet, her head held high as they stare in awe at her, the goddess. I don't know yet what power feels like. But this is surely what it looks like, and I think I'm beginning to understand why those ancient women had to hide in caves. Why our parents and suitors want us to behave properly and predictably. It's not that they want to protect us; it's that they fear us.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspiring, is playing the “Es muss sein!” to our own great love.
Milan Kundera (The Unbearable Lightness of Being)
There are human beings in this world who are soft enough to feel every terrible thing that happens so deeply. And are still brave enough to remain constant and suffer for those who need them the most. Even the stars blink in awe of the gleam of their souls.
Nikita Gill
The feeling of awed wonder that science can give us is one of the highest experiences of which the human psyche is capable. It is a deep aesthetic passion to rank with the finest that music and poetry can deliver. It is truly one of the things that make life worth living and it does so, if anything, more effectively if it convinces us that the time we have for living is quite finite.
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
As Aristotle said, 'Excellence is a habit.' I would say furthermore that excellence is made constant through the feeling that comes right after one has completed a work which he himself finds undeniably awe-inspiring. He only wants to relax until he's ready to renew such a feeling all over again because to him, all else has become absolutely trivial.
Criss Jami (Killosophy)
Sometimes it comes down to a choice," Magnus said. "Between saving one person and saving the whole world. I've seen it happen, and I'm selfish enough to want the person who loves me to choose me. But Nephilim wil always choose the world. I look at Alec and I feel like Lucifer in Paradise Lost. 'Abashed the Devil stood, And felt how awful goodness is.' He meant it in the classical sense. 'Awful' as in inspiring awe. And awe is well and good, but it's poison to love. Love has to be between equals." "He's just a boy," said Luke. "Alec--he's not perfect. And you're not fallen." "We're all fallen," said Magnus, and he wrapped himself up in his chains and was silent.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Sometimes, it’s the people who have been hurt the most who refuse to be hardened in this world, because they would never want to make another person feel the same way they have felt. If that isn’t something to be in awe of, I don’t know what is.
Bianca Sparacino (The Strength In Our Scars)
The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. It's not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time.
John Steinbeck (Travels with Charley: In Search of America)
He didn’t smile. He cupped her face with both hands. An emotion tugged at his expression, a dark awe, the kind saved for a wild storm that rends the sky but doesn’t ravage your existence, doesn’t destroy every thing you love. The one that lets you feel saved.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Tim O'Brien
Kelly held up a finger. “No half-assed middle school kissing, either.” “Okay.” “I want the whole deal.” “This is starting to feel like I’m leasing a car or something.” “I’m serious, I want the Irish special.” Nick rolled his eyes and looked up at the ceiling. “Fine. Jesus.
Abigail Roux (Shock & Awe (Sidewinder, #1))
Are you scared?’ asked Mr. Ibis. ‘Not really.’ ‘Well, try to cultivate the emotions of true awe and spiritual terror, as we walk. They are the appropriate feelings for the situation at hand.
Neil Gaiman (American Gods (American Gods, #1))
Are you happy?” “In all honesty? No. But I am curious – I am curious in my sadness, and I am curious in my joy. I am everseeking, everfeeling. I am in awe of the beautiful moments life gives us, and I am in awe of the difficult ones. I am transfixed by grief, by growth. It is all so stunning, so rich, and I will never convince myself that I cannot be somber, cannot be hurt, cannot be overjoyed. I want to feel it all – I don’t want to cover it up or numb it. So no, I am not happy. I am open, and I wouldn’t have it any other way.
Bianca Sparacino (Seeds Planted in Concrete)
You're incredible. I can feel your power and it's more than anything I...Violet," he swallowed, watching me in awe. "It's like...It's like you're as powerful as an angel." -Lincoln
Jessica Shirvington
We have not the reverent feeling for the rainbow that the savage has, because we know how it is made. We have lost as much as we gained by prying into that matter.
Mark Twain
None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.
Frédéric Gros (A Philosophy of Walking)
For a moment she could feel his emotions again, as close as if they were her own. Awe mixed with fierce protectiveness, and a thread of pain so intense she wanted to take the hurt from him.
Stephanie Garber (Caraval (Caraval, #1))
I rolled my eyes. “I feel like a zoo animal.” Travis watched me for a moment, noted those staring, and then stood up. “I CAN’T!” he yelled. I stared in awe as the entire room jerked their heads in his direction. Travis bobbed his head a couple of times to a beat in his head. Shepley closed his eyes. “Oh, no.” Travis smiled. “get no….sa…tis…faction,” he sang, “I can’t get no….sat-is-fac-tion. ‘Cuz I’ve tried…and I’ve tried…and I’ve tried…and I’ve tried…,” he climbed onto the table as everyone stared, “I CAN’T GET NO!” He pointed to the football players at the end of the table and they smiled, “I CAN’T GET NO!” they yelled in unison. The whole room clapped to the beat, then. Travis’ sang into his fist, “When I’m drivin’ in my car, and a man comes on the…ra-di-o…he’s tellin’ me more and more…about some useless in-for-ma-tion! Supposed to fire my im-agin-a-tion! I CAN’T GET NO!
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds. When this happens, everything feels more spacious. Try walking around with a child who's going, "Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!" And the child points and you look, and you see, and you start going, "Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!" I think this is how we are supposed to be in the world--present and in awe.
Anne Lamott
Then the best thing I can do is—" He froze. The brown eyes that had been narrowed with aggravation suddenly went wide with...what? Amazement? Awe? Or perhaps that stunned feeling I kept having when I saw him? Because suddenly, I was pretty sure he was experiencing the same thing I had earlier. He'd seen me plenty of times in Siberia. He'd seen me just the other night at the warehouse. But now...now he was truly viewing me with his own eyes. Now that he was no longer Strigoi, his whole world was different. His outlook and feelings were different. Even his soul was different. It was like one of those moments when people talked about their lives flashing before their eyes. Because as we stared at one another, every part of our relationship replayed in my mind's eye. I remembered how strong and invincible he'd been when we first met, when he'd come to bring Lissa and me back to the folds of Moroi society. I remembered the gentleness of his touch when he's bandaged my bloodies and bettered hands. I remembered him carrying me in his arms after Victor's daughter Natalie had attacked me. Most of all, I remembered the night we'd been together in the cabin, just before the Strigoi had taken him. A year. We'd known each other only a year but we'd lived a lifetime in it. And he was realizing that too, I knew as he studied me. His gaze was all-powerful, taking in every single one of my features and filing them away. Dimly, I tried to recall what I looked like today. I still wore the dress from the secret meeting and knew it looked good on me. My eyes were probably bloodshot from crying earlier, and I'd only had time for a quick brushing of my hair before heading off with Adrian. Somehow, I doubted any of it mattered. The way Dimitri was looking at me...it confirmed everything I'd suspected. The feelings he'd had for me before he'd been turned-the feelings that had become twisted while a Strigoi—were all still there. They had to be. Maybe Lissa was his savior. Maybe the rest of the Court thought she was a goddess. I knew, right then, that no matter how bedraggled I looked or how blank he tried to keep his face, I was a goddess to him.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Okay.” “I want the whole deal.” “This is starting to feel like I’m leasing a car or something.” “I’m serious, I want the Irish special.” Nick rolled his eyes and looked up at the ceiling. “Fine. Jesus.
Abigail Roux (Shock & Awe (Sidewinder, #1))
I thought I was over him! So why did my heart still rip? Why did I still feel this sorrow? I got this strange sensation that God was with me. And he was angry. He was very angry--not at me and not at Jack. God was angry at the pain I was going through. I wondered if that was why God hated sin, because of the destruction it caused. For a moment I felt awe for a God who loved me enough to hate the things that hurt me without hating me for causing them.
Susan E. Isaacs (Angry Conversations with God: A Snarky but Authentic Spiritual Memoir)
At heart, science is the quest for awesome - the literal awe that you feel when you understand something profound for the first time. It's a feeling we are all born with, although it often gets lost as we grow up and more mundane concerns take over our lives.
Sean Carroll (The Particle at the End of the Universe: How the Hunt for the Higgs Boson Leads Us to the Edge of a New World)
Humans, I was discovering, believed they were in control of their own lives, and so they were in awe of questions and tests, as these made them feel like they had a certain mastery over other people, who had failed in their choices, and who had not worked hard enough on the right answers.
Matt Haig (The Humans)
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
Jennifer Egan (A Visit from the Goon Squad)
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
I want to learn his body, find every pleasure it’s hiding. All this reverence and simple awe I feel when I touch him, feel his breath brush my skin.
Aleksandr Voinov (Skybound)
It made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy)
Your opening needs to be a kind of pleasant shock therapy. It should grab people. And in grabbing them, it should both awe the guests and honor them. It must plant in them the paradoxical feeling of being totally welcomed and deeply grateful to be there.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
I felt deep within me that the highest point a man can attain is not Knowledge, or Virtue, or Goodness, or Victory, but something even greater, more heroic and more despairing: Sacred Awe!” - The Narrator.
Nikos Kazantzakis (Zorba the Greek)
We lose a great deal, I think, when we lose this sense and feeling for the sun. When all has been said, the adventure of the sun is the great natural drama by which we live, and not to have joy in it and awe of it, not to share in it, is to close a dull door on natures's sustaining and poetic spirit.
Henry Beston (The Outermost House: A Year of Life On The Great Beach of Cape Cod)
Awe, I discovered, was my favorite feeling. It was a rare experience, but when it happened, it was like an orgasm for the mind.
Augusten Burroughs (Lust & Wonder)
No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe.
John Steinbeck (Travels with Charley: In Search of America)
To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it a corresponding proximity to life. After a firefight, there is always the immense pleasure of aliveness. The trees are alive. The grass, the soil—everything. All around you things are purely living, and you among them, and the aliveness makes you tremble. You feel an intense, out-of-the-skin awareness of your living self—your truest self, the human being you want to be and then become by the force of wanting it. In the midst of evil you want to be a good man. You want decency. You want justice and courtesy and human concord, things you never knew you wanted. There is a kind of largeness to it, a kind of godliness. Though it’s odd, you’re never more alive than when you’re almost dead. You recognize what’s valuable. Freshly, as if for the first time, you love what’s best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Tim O'Brien (The Things They Carried)
If we can’t say “thy will be done” from the bottom of our hearts, we will never know any peace. We will feel compelled to try to control people and control our environment and make things the way we believe they ought to be.
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
Anne looked at the white young mother with a certain awe that had never entered into her feelings for Diana before. Could this pale woman with the rapture in her eyes be the little black-curled, rosy-cheeked Diana she had played with in vanished schooldays? It gave her a queer desolate feeling that she herself somehow belonged only in those past years and had no business in the present at all.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I want to know what it feels like to kiss a guy. And you've had a lot of practice, so I know you're a good kisser. Are you simultaneously complimenting me and calling me a whore?
Abigail Roux (Shock & Awe (Sidewinder, #1))
Don't think about why you question, simply don't stop questioning. Don't worry about what you can't answer, and don't try to explain what you can't know. Curiosity is its own reason. Aren't you in awe when you contemplate the mysteries of eternity, of life, of the marvelous structure behind reality? And this is the miracle of the human mind--to use its constructions, concepts, and formulas as tools to explain what man sees, feels and touches. Try to comprehend a little more each day. Have holy curiosity.
Albert Einstein
This is a feeling that you had, Quentin, she said. Once, a very long time ago. A rare one. This is how you felt when you were eight years old, and you opened one of the Fillory books for the first time, and you felt awe and joy and hope and longing all at once. You felt them very strongly, Quentin. You dreamed of Fillory then, with a power and an innocence that not many people ever experience. That's where all this began for you. You wanted the world to be better than it was.
Lev Grossman (The Magician's Land (The Magicians, #3))
I have not yet lost a feeling of wonder, and of delight, that this delicate motion should reside in all the things around us, revealing itself only to him who looks for it. I remember, in the winter of our first experiments, just seven years ago, looking on snow with new eyes. There the snow lay around my doorstep — great heaps of protons quietly precessing in the earth's magnetic field. To see the world for a moment as something rich and strange is the private reward of many a discovery.
Edward M. Purcell
What would happen if a man's face could adequately express his suffering, if his entire inner agony would be objectified in his facial expression? Could we still communicate? Wouldn't we then cover our faces with our hands while talking? Life would really be impossible if the infinitude of feelings we harbor within ourselves would be fully expressed in the lines of our face. Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would be truly understand and appreciate the advantages of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
Emil M. Cioran (On the Heights of Despair)
At any rate, isn’t it lovely to, once in a while, feel small in the presence of your friend? Awed. Fortunate to experience nearness that calls upon space.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Don't you sometimes feel bewildered when you think of the millions of things that put life together?' ... 'I;m not bewildered. I'm filled with the deepest awe and wonder. The miracle is that in its complexity it all works.
Julie Andrews Edwards (The Last of the Really Great Whangdoodles)
The meaning of awe is to realize that life takes place under wide horizons, horizons that range beyond the span of an individual life or even the life of a nation, a generation, or an era. Awe enables us to perceive in the world intimations of the divine, to sense in small things the beginning of infinite significance, to sense the ultimate in the common and the simple; to feel in the rush of the passing the stillness of the eternal.
Abraham Joshua Heschel (God in Search of Man: A Philosophy of Judaism)
Amy was looking around the sanctum in awe. "It's...beautiful!" The girl was modest and thoughtful. How bizarre. So rarely did Ian see these qualities in others–especially during the quest for the 39 Clues. Naturally, he had been taught to avoid these behaviors at all costs and never to consort with anyone who possessed them. They were distasteful–FLO, as Papa would say. For Losers Only. And Kabras never lost. Yet she fascinated him. Her joy in running up Alistair's tiny lawn, her awe at this piddling cubbyhole–it didn't seem possible to gain so much happiness from so little. This gave him a curious feeling he'd never quite experienced. Something like indigestion but quite a bit more pleasant. Ah well. Blame it on the ripped trousers, he thought. Humiliation softened the soul.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
Don’t think about why you question, simply don’t stop questioning. Don’t worry about what you can’t answer, and don’t try to explain what you can’t know. Curiosity is its own reason. Aren’t you in awe when you contemplate the mysteries of eternity, of life, of the marvelous structure behind reality? And this is the miracle of the human mind—to use its constructions, concepts, and formulas as tools to explain what man sees, feels and touches. Try to comprehend a little more each day. Have holy curiosity. —ALBERT EINSTEIN
Robert Greene (Mastery)
...there is no deeper religious feeling than the feeling for the natural world. I wouldn't separate the world of nature from the religious instinct...I would not even object to saying that the sense of awe before the grandeur of nature is itself a religious experience.
Carl Sagan (Conversations with Carl Sagan (Literary Conversations))
You’re one crazy S.O.B. You stole her right from under the guy she was with,” he whispered in awe. “I can’t believe you got her to go out with you. How’d you do that?” “I paid attention to what was going on around me, which is what you need to do. Then you’ll start seeing the things you’re missing.” “I have no idea what you mean, but feel free to teach me, Master Obi-Wan.” I snorted and Cami looked at me. I smiled and she gave me a shy one back before turning toward the screen again.
Lacey Weatherford (Crush (Crush, #1))
Do you know what a summer rain is? To start with, pure beauty striking the summer sky, awe-filled respect absconding with your heart, a feeling of insignificance at the very heart of the sublime, so fragile and swollen with the majesty of things, trapped, ravished, amazed by the bounty of the world. And then, you pace up and down a corridor and suddenly enter a room full of light. Another dimension, a certainty just given birth. The body is no longer a prison, your spirit roams the clouds, you possess the power of water, happy days are in store, in this new birth. Just as teardrops, when they are large and round and compassionate, can leave a long strand washed clean of discord, the summer rain as it washes away the motionless dust can bring to a person's soul something like endless breathing.
Muriel Barbery (The Elegance of the Hedgehog)
One of the most terrible losses man endures in his lifetime is not even noticed by most people, much less mourned. Which is astonishing, because what we lose is in many ways one of the essential qualities that sets us apart from other creatures. I'm talking about the loss of the sense of wonder that is such an integral part of our world when we are children. However, as we grow older, that sense of wonder shrinks from cosmic to microscopic by the time we are adults. Kids say "Wow!" all the time. Opening their mouths fully, their eyes light up with genuine awe and glee. The word emanates not so much from a voice box as from an astonished soul that has once again been shown that the world is full of amazing unexpected things. When was the last time you let fly a loud, truly heartfelt "WOW?" NOt recently I bet. Because generally speaking wonder belongs to kids, with the rare exception of falling madly in love with another person, which invariably leads to a rebirth of wonder. As adults, we are not supposed to say or feel Wow, or wonder, or even true surprise because those things make us sound goofy, ingenuous, and childlike. How can you run the world if you are in constant awe of it?... The human heart has a long memory though and remembers what it was like to live through days where it was constantly surprised and delighted by the world around it.
Jonathan Carroll
What do you feel for me?” Nyktos was silent and then tipped his head back to look at me. Eather pulsed intensely behind his pupils. “I feel too many things. Curiosity and excitement that remind me of what I think yearning must feel like. Need. Want,” he said roughly, his voice low. “Amusement at times. Sometimes, even anger. But always awe. I am always in awe of you. I could keep going, but most of all, what I feel is the closest thing to peace I’ve ever experienced.
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
Am I supposed to feel so much awe and so on about the Godking? After all, he's just a man ... He's about fifty years old, and he's bald. And I'll bet he has to cut his toenails too like any other man. I know perfectly well he's a god, too. But what I think is, he'll be much godlier after he's dead.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
And then, just at that moment, when I'm no longer sure if I'm dreaming or awake or walking some valley in between where everything you wish for comes true, I feel the flutter of his lips on mine, but it's too late, I'm slipping, I'm gone, he's gone, and the moment curls away and back on itself like a flower folding up for the night.
Lauren Oliver (Before I Fall)
His awe of the mountains grew in the days that followed, as the Yellowstone River led him nearer and nearer. Their great mass was a marker, a benchmark fixed against time itself. Others might feel disquiet at the notion of something so much larger than themselves. But for Glass, there was a sense of sacrament that flowed from the mountains like a font, an immortality that made his quotidian pains seem inconsequential.
Michael Punke (The Revenant)
But isn't it... ugly?" "No. Not to me." She pressed a kiss to his chest. "It's fearsome and terrifying and powerful and awe-inspiring. And if anyone ever tried to get at me, that thing would wipe out a neighborhood. How could a girl not be charmed? Besides, after seeing those lessers in action, I'm grateful for it. I feel safe. Between you and the dragon, I don't have to worry." (Rhage & Mary)
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
I want lots and lots of sex." "You really are the woman of my dreams." "First round, wet shower sex, after we scrape off a few layers of the Alaskan tundra, then a short and satisfying lunch break. Then a second round of make-the-mattress-sing sex." "I feel a tear of gratitude and awe forming in the corner of my eyes. Don't think less of me.
Nora Roberts (Chasing Fire)
It feels good,” Kelly finally whispered, sounding surprised. “Will it hurt?” “I’m not going to fuck you, Kels.” “Why not?” “Because you’re hurt and I get rough.” Kelly swallowed hard, his breath quickening. “How rough?” Nick cocked his head and smiled slowly. “That’s kind of hot.
Abigail Roux (Shock & Awe (Sidewinder, #1))
The traditional gender ideals of the strong-silent man who plays his cards close to his chest and the mysterious woman who disguises her feelings with coyness go so far as to make a virtue of being unavailable and secretive. But wholehearted intimacy can develop only where two people are equally forthcoming and self-revelatory. To take the risk of loving, we must become vulnerable enough to test the radical proposition that knowledge of another and self-revelation will ultimately increase rather than decrease love. It is an awe-ful risk.
Sam Keen (To Love and Be Loved)
Just as there was a first instant when someone rubbed two sticks together to make a spark, there was a first time joy was felt, and a first time for sadness. For a while, new feelings were being invented all the time. Desire was born early, as was regret. When stubbornness was felt for the first time, it started a chain reaction, creating the feeling of resentment on the one hand, and alienation and loneliness on the other. It might have been a certain counterclockwise movement of the hips that marked the birth of ecstasy; a bolt of lightening that caused the feeling of awe. Contrary to logic, the feeling of surprise wasn’t born immediately. It only came after people had enough time to get used to things as they were. And when enough time had passed, and someone felt the first feeling of surprise, someone, somewhere else, felt the first pang of nostalgia.
Nicole Krauss (The History of Love)
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies. Take care! Love, Francis. Title: Letter to Abigail Scene: "Death-bed" Chapter: The Road To Awe
Huseyn Raza
Tolstoy teaches us that compassion is of value and enriches our life only when compassion is severe, which is to say when we can perceive everything that is good and bad about a character but are still able to feel that the sum of us as human beings is probably a little more good than awful. In any case, good or bad, it reminds us that life is like a gladiators’ arena for the soul and so we can feel strengthened by those who endure, and feel awe and pity for those who do not.
Norman Mailer (The Naked and the Dead)
I am in awe of the perpetual tumult of the sea. I am moved by the still place on the horizon where the sky begins. I am stirred by the soaring and dipping fields that make the landscape into a rumpled green counterpane. I thought I would never have such powerful feelings again. I thought I would live through the rest of my life having experiences, and thoughts, but I never thought I would again feel deeply-- I was convinced that my wounds had healed and become thick scars, essentially numb.
Katharine Weber (The Music Lesson)
The cliffs are gorgeous. Breath-stealing, really. But not in the soft endearing way of a sunset or a wobbly new lamb. They're gorgeous like a storm is gorgeous —one of those raw, tempestuous ones that leave you feeling awed and scared at the same time. Ever been trapped in a car during a particularly brutal thunderstorm? The cliffs are that kind of beautiful. Think drama, rage, and peace all packed up into one stunning package.
Jenna Evans Welch (Love & Luck (Love & Gelato, #2))
God is in the mountains. Impassive, immovable, jagged giants, separating the celestial from the terrestrial with eternal diagonal certainty. As if silently monitoring the beating heart of the creator from the universe's perfect birth. Stood in the thin air and the awe, one inhales God, involuntarily acknowledging that we are but fragments of a whole, a higher thing. The mountains remind me of my place, as a servant to truth and wonder. Yes, God is in the mountains. Perhaps the pulpit too and even in the piety of an atheist's sigh. I don't know; but I feel him in the mountains.
Russell Brand (Booky Wook 2: This Time it's Personal)
There is pride, too, though - pride that he has done it alone. That his daughter is so curious, so resilient. There is the humility of being a father to someone so powerful, as if he were only a narrow conduit for another, greater thing. That's how it feels right now, he thinks, kneeling beside her, rinsing her hair: as though his love for his daughter will outstrip the limits of his body. The walls could fall away, even the whole city, and the brightness of that feeling would not wane.
Anthony Doerr (All the Light We Cannot See)
If you have ever felt the world melt away when the woman you know is destined to be yours walks into the room; if you have felt your soul reach out to hers, finally making you feel whole; if you tremble when you touch her from sheer awe at being the one who has that right; if the darkness swallows you and you begin to suffocate at the thought of losing her, then you will have a small taste of what it is like to be bonded.
Quinn Loftis (Beyond the Veil (The Grey Wolves, #5))
With the birth of Akash, in his sudden, perfect presence, Ruma had felt awe for the first time in her life. He still had the power to stagger her at times--simply the fact that he was breathing, that all his organs were in their proper places, that blood flowed quietly and effectively through his small, sturdy limbs. He was her flesh and blood, her mother had told her in the hospital the day Akash was born. Only the words her mother used were more literal, enriching the tired phrase with meaning: "He is made from your meat and bone." It had caused Ruma to acknowledge the supernatural in everyday life. But death, too, had the power to awe, she knew this now-that a human being could be alive for years and years, thinking and breathing and eating, full of a million worries and feelings and thoughts, taking up space in the world, and then, in an instant, become absent, invisible.
Jhumpa Lahiri (Unaccustomed Earth)
A mountain is a strange and awful thing. In old times, without knowing so much of their strangeness and awfulness as we do, people were yet more afraid of mountains. But then somehow they had not come to see how beautiful they are as well as awful, and they hated them--and what people hate they must fear. Now that we have learned to look at them with admiration, perhaps we do not feel quite awe enough of them. To me they are beautiful terrors.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
You know,’ Amlis went on, ‘Some water fell out of the sky not so long ago.’ His voice was a little higher than usual, vulnerable with awe. ‘It just fell out of the sky. In little droplets, thousands of them close together. I looked up to see where they were coming from. They seemed to be materializing out of nowhere. I couldn’t believe it. Then I opened my mouth to the sky. Some droplets fell straight in. It was an indescribable feeling. As if nature was actually trying to nurture me.
Michel Faber (Under the Skin)
Thanks pal, but I tend to avoid any substance that makes me feel smarter, stronger, or better looking than I know I actually am." There were, in his opinion, drugs that diminished ego and drugs that engorged ego, which is to say, revelatory drugs and delusory drugs, and on a psychic level, at least, he favored awe over swagger. Should he ever aspire to become voluntarily delusional, then good old-fashioned alcohol would do the job effectively and inexpensively, thank you, and without the dubious bonus of jaw-clenching jitters.
Tom Robbins (Fierce Invalids Home from Hot Climates)
They had been talking about his friend Z. when she announced, "If I hadn't met you, I'd certainly have fallen in love with him." Even then, her words had left Tomas in a strange state of melancholy, and now he realized it was only a matter of chance that Tereza loved him and not his friend Z. Apart from her consummated love for Tomas, there were, in the realm of pos­sibility, an infinite number of unconsummated loves for other men. We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspir­ing, is playing the "Es muss sein!" to our own great love. Tomas often thought of Tereza's remark about his friend Z. and came to the conclusion that the love story of his life exemplified not "Es muss sein!" (It must be so), but rather "Es konnte auch anders sein" (It could just as well be otherwise).
Milan Kundera (The Unbearable Lightness of Being)
You alive?” Tate didn’t know what else to say. He had no idea what guys said to one another after this sort of shit. “I think so. Holy shit, Tate.” Tate didn’t know why, but the awe in those three words made him proud. “Yeah?” “Hell yeah.” After some movement on his end, Logan asked, “You?” “Yeah.” That was as much as Tate could admit, and then he laughed. “Definitely, yes.” “And? Feel better?” Tate could hear the smug tone, but he decided to finally give the guy a break. “I feel fucking fantastic.
Ella Frank (Try (Temptation, #1))
For thousands of years, it had been nature--and its supposed creator--that had had a monopoly on awe. It had been the icecaps, the deserts, the volcanoes and the glaciers that had given us a sense of finitude and limitation and had elicited a feeling in which fear and respect coagulated into a strangely pleasing feeling of humility, a feeling which the philosophers of the eighteenth century had famously termed the sublime. But then had come a transformation to which we were still the heirs.... Over the course of the nineteenth century, the dominant catalyst for that feeling of the sublime had ceased to be nature. We were now deep in the era of the technological sublime, when awe could most powerfully be invoked not by forests or icebergs but by supercomputers, rockets and particle accelerators. We were now almost exclusively amazed by ourselves.
Alain de Botton (The Pleasures and Sorrows of Work)
I do not know, really, how we will survive without places like the Inner Gorge of the Grand Canyon to visit. Once in a lifetime, even, is enough. To feel the stripping down, an ebb of the press of conventional time, a radical change of proportion, an unspoken respect for others that elicits keen emotional pleasure, a quick intimate pounding of the heart. The living of life, any life, involves great and private pain, much of which we share with no one. In such places as the Inner Gorge the pain trails away from us. It is not so quiet there or so removed that you can hear yourself think, that you would even wish to; that comes later. You can hear your heart beat. That comes first.
Barry Lopez (Crossing Open Ground)
WONDERLAND It is a person's unquenchable thirst for wonder That sets them on their initial quest for truth. The more doors you open, the smaller you become. The more places you see and the more people you meet, The greater your curiosity grows. The greater your curiosity, the more you will wander. The more you wander, the greater the wonder. The more you quench your thirst for wonder, The more you drink from the cup of life. The more you see and experience, the closer to truth you become. The more languages you learn, the more truths you can unravel. And the more countries you travel, the greater your understanding. And the greater your understanding, the less you see differences. And the more knowledge you gain, the wider your perspective, And the wider your perspective, the lesser your ignorance. Hence, the more wisdom you gain, the smaller you feel. And the smaller you feel, the greater you become. The more you see, the more you love -- The more you love, the less walls you see. The more doors you are willing to open, The less close-minded you will be. The more open-minded you are, The more open your heart. And the more open your heart, The more you will be able to Send and receive -- Truth and TRUE Unconditional LOVE.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
Most days I live awed by the world we have still, rather than mourning the worlds we have lost. The bandit mask of a cedar waxwing on a bare branch a few feet away; the clear bright sun of a frozen winter noon; the rise of Orion in the eastern evening sky-every day, every night, I give thanks for another chance to notice. I see beauty everywhere; so much beauty I often speak it aloud. So much beauty I often laugh, and my day is made. Still if you wanted to, I think, you could feel sadness without end. I’m not even talking about hungry children or domestic violence or endless wars between supposedly grown men…but ‘you mustn’t be frightened if a sadness rises in front of you, larger than any you even seen,' said Rilke, 'you must realize that something is happening to you, that life has not forgotten you, that it holds you in it hand and will not let you fall.
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
Awe. It’s a feeling he misses. He made lists of things he wanted to feel when he was younger, big things, small things, ice, snow, the sand at the beach, someone else’s hands holding his, feeling him feeling them, a feedback loop of feelings, which is what happens when two people make love. He wanted to feel things that made him feel safe and scared and things that ripped his heart out of his chest, things that made him want to go home and things that made him want to travel, things that made him proud and things that made him regret his choices and he, like all people, slowly ticked these things off the list in his head as he lived, as the world turned until soon, there were very few things left to feel. He believed the last thing he would feel, would be nothing, as that was nearly impossible to feel unless you were dead or hadn’t been born yet. He wondered what it’d be like to not be able to wonder. He’d once wanted to know what it felt like to be able to talk to people properly, to be normal but he’d given up on finding that feeling, figuring no one ever really found it.
pleasefindthis (Intentional Dissonance)
I think that when you consider the beauty of the world and you wonder how it came to be what it is, you are naturally overwhelmed with a feeling of awe, a feeling of admiration and you almost feel a desire to worship something. I feel this, I recognise that other scientists such as Carl Sagan feel this, Einstein felt it. We, all of us, share a kind of religious reverence for the beauties of the universe, for the complexity of life. For the sheer magnitude of the cosmos, the sheer magnitude of geological time. And it’s tempting to translate that feeling of awe and worship into a desire to worship some particular thing, a person, an agent. You want to attribute it to a maker, to a creator. What science has now achieved is an emancipation from that impulse to attribute these things to a creator. -- God Delusion debate Professor Richard Dawkins vs John Lennox
Richard Dawkins
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me. At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering. At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful. It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
Richard Wright (Black Boy (American Hunger))
If it will give you any satisfaction in the end, I still care for you. Either there is no such thing as love, or the word does not mean what I have thought it to mean on many different occasions. It is a feeling without a name, really—better to leave it at that. So take it and go away and have your fun with it. You know that we would both be at one another's throats again one day, as soon as we run out of common enemies. We had many fine reconciliations, but were they ever worth the pain that preceded them? Know that you have won and that you are the goddess I worship—for are not worship and religious awe a combination of love and hate, desire and fear?
Roger Zelazny (Lord of Light)
You tell me that class distinctions are baubles used by monarchs, I defy you to show me a republic, ancient or modern, in which distinctions have not existed. You call these medals and ribbons baubles; well, it is with such baubles that men are led. I would not say this in public, but in a assembly of wise statesmen it should be said. I don't think that the French love liberty and equality: the French are not changed by ten years of revolution: they are what the Gauls were, fierce and fickle. They have one feeling: honour. We must nourish that feeling. The people clamour for distinction. See how the crowd is awed by the medals and orders worn by foreign diplomats. We must recreate these distinctions. There has been too much tearing down; we must rebuild. A government exists, yes and power, but the nation itself - what is it? Scattered grains of sand.
Napoléon Bonaparte
We got passes, till midnight after the parade. I met Muriel at the Biltmore at seven. Two drinks, two drugstore tuna-fish sandwiches, then a movie she wanted to see, something with Greer Garson in it. I looked at her several times in the dark when Greer Garson’s son’s plane was missing in action. Her mouth was opened. Absorbed, worried. The identification with Metro-Goldwyn-Mayer tragedy complete. I felt awe and happiness. How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show to their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God gives to it. I said (sententiously?) that God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ wasn’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
I sincerely believe that for the child, and for the parent seeking to guide him, it is not half so important to know as to feel. If facts are the seeds that later produce knowledge and wisdom, then the emotions and the impressions of the senses are the fertile soil in which the seeds must grow. The years of early childhood are the time to prepare the soil. Once the emotions have been aroused - a sense of the beautiful, the excitement of the new and unknown, a feeling of sympathy, pity, admiration or love - then we wish for knowledge about the object of our emotional response. Once found, it has lasting meaning. It is more important to pave the way for the child to want to know than to put him on a diet of facts he is not ready to assimilate.
Rachel Carson (The Sense of Wonder)
But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
Frédéric Gros (A Philosophy of Walking)
Remind yourself daily that there is no way to happiness; rather, happiness is the way. You may have a long list of goals that you believe will provide you with contentment when they’re achieved, yet if you examine your state of happiness in this moment, you’ll notice that the fulfillment of some previous ambitions didn’t create an enduring sense of joy. Desires can produce anxiety, stress, and competitiveness, and you need to recognize those that do. Bring happiness to every encounter in life, instead of expecting external events to produce joy. By staying in harmony on the path of the Tao, all the contentment you could ever dream of will begin to flow into your life—the right people, the means to finance where you’re headed, and the necessary factors will come together. “Stop pushing yourself,” Lao-tzu would say, “and feel gratitude and awe for what is. Your life is controlled by something far bigger and more significant than the petty details of your lofty aspirations.
Wayne W. Dyer (Change Your Thoughts - Change Your Life: Living the Wisdom of the Tao)
[Wild animals], and the beautiful landscapes that sustain them...possess a value and a virtue regardless of our dwindling connection with them. It seems that there is a virtue and a wisdom in keeping some things beyond our reach: that the protection of wilderness itself is imperative... We have touched, and are consuming, everything. The world is very old, and we are so new. I like the feeling of awe--what the late writer Wallace Stegner called 'the birth of awe'--in beholding wild country not reduced by man. I like to remember that it is wild country that gives rise to wild animals; and that the marvelous specificity of wild animals reminds us to wake up, to let our senses be inflamed by every scent and sound and sight and taste and touch of the world. I like to remember that we are not here forever, and not here alone, and that the respect with which we behold the wild world matters, if anything does.
Rick Bass
I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani
What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.
Ally Carter (United We Spy (Gallagher Girls, #6))
Every day is an opportunity to stand in awe when witnessing the overpowering presence of nature, an apt time to pay reverence for the inestimable beauty of life. I must remain mindful to live in an ethical manner by paying attention to the threat of injustice towards other people and resist capitulating to the absurdity of being a finite body born into infinite space and time. I am part of the world, a spar in a sacred composition, a body of energy suspended in the cosmos. I seek to create a poetic personal testament to life. When I pivot and turn away from fixating upon the cruel artifices of my encysted orbit to face and outwardly embrace the cleansing swirl of heaven’s windmill, I feel gusting in the shank of my marrow the thump of onrushing primordial truths, the electric flush of those ineffable couplets of life that one may not utter.
Kilroy J. Oldster (Dead Toad Scrolls)
and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
I think of two landscapes- one outside the self, the other within. The external landscape is the one we see-not only the line and color of the land and its shading at different times of the day, but also its plants and animals in season, its weather, its geology… If you walk up, say, a dry arroyo in the Sonoran Desert you will feel a mounding and rolling of sand and silt beneath your foot that is distinctive. You will anticipate the crumbling of the sedimentary earth in the arroyo bank as your hand reaches out, and in that tangible evidence you will sense the history of water in the region. Perhaps a black-throated sparrow lands in a paloverde bush… the smell of the creosote bush….all elements of the land, and what I mean by “the landscape.” The second landscape I think of is an interior one, a kind of projection within a person of a part of the exterior landscape. Relationships in the exterior landscape include those that are named and discernible, such as the nitrogen cycle, or a vertical sequence of Ordovician limestone, and others that are uncodified or ineffable, such as winter light falling on a particular kind of granite, or the effect of humidity on the frequency of a blackpoll warbler’s burst of song….the shape and character of these relationships in a person’s thinking, I believe, are deeply influenced by where on this earth one goes, what one touches, the patterns one observes in nature- the intricate history of one’s life in the land, even a life in the city, where wind, the chirp of birds, the line of a falling leaf, are known. These thoughts are arranged, further, according to the thread of one’s moral, intellectual, and spiritual development. The interior landscape responds to the character and subtlety of an exterior landscape; the shape of the individual mind is affected by land as it is by genes. Among the Navajo, the land is thought to exhibit sacred order…each individual undertakes to order his interior landscape according to the exterior landscape. To succeed in this means to achieve a balanced state of mental health…Among the various sung ceremonies of this people-Enemyway, Coyoteway, Uglyway- there is one called Beautyway. It is, in part, a spiritual invocation of the order of the exterior universe, that irreducible, holy complexity that manifests itself as all things changing through time (a Navajo definition of beauty).
Barry Lopez (Crossing Open Ground)
As it moves closer, Galen can make out smaller bodies within the mass. Whales. Sharks. Sea turtles. Stingrays. And he knows exactly what’s happening. The darkening horizon engages the full attention of the Aerna; the murmurs grow louder the closer it gets. The darkness approaches like a mist, eclipsing the natural snlight from the surface. An eclipse of fish. With each of his rapid heartbeats, Galen thinks he can feel the actual years disappear from his life span. A wall of every predator imaginable, and every kind of prey swimming in between, fold themselves around the edges of the hot ridges. The food chain hovers toward, over them, around them as a unified force. And Emma is leading it. Nalia gasps, and Galen guesses she recognizes the white dot in the middle of the wall. Syrena on the outskirts of the Arena frantically rush to the center, the tribunal all but forgotten in favor of self-preservation. The legion of sea life circles the stadium, effectively barricading the exits and any chance of escaping. Galen can’t decide if he’s proud or angry when Emma leaves the safety of her troops to enter the Arena, hitching a ride on the fin of a killer whale. When she’s but three fin-lengths away from Galen, she dismisses her escort. “Go back with the others,” she tells it. “I’ll be fine.” Galen decides on proud. Oh, and completely besotted. She gives him a curt nod to which he grins. Turning to the crowd of ogling Syrena, she says, “I am Emma, daughter of Nalia, true princess of Poseidon.” He hears murmurs of “Half-Breed” but it sounds more like awe than hatred or disgust. And why shouldn’t it? They’ve seen Paca’s display of the Gift. Emma’s has just put it to shame.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Abundance is not the money you have in your bank account, the trophies on your shelf, the letters after your name, the list of goals reached, the number of people you know, your perfect, healthy body, your adoring fans. Abundance is your connection to each breath, how sensitive you are to every flicker of sensation and emotion in the body. It is the delight with which you savor each unique moment, the joy with which you greet each new day. It is knowing yourself as presence, the power that creates and moves worlds. It is your open heart, how deeply moved you are by love every day, your willingness to embrace, to hold what needs to be held. It is the freshness of each morning unencumbered by memory or false hope. Abundance is the feeling of the afternoon breeze on your cheeks, the sun warming your face. It is meeting others in the field of honesty and vulnerability, connecting beyond the story, sharing what is alive. It is your rootedness in the present moment, knowing that you are always Home, no matter what happens, no matter what is gained or lost. It is touching life at the point of creation, never looking back, feeling the belly rise and fall, thanking each breath, giving praise to each breath. It is falling to your knees in awe, laughing at the stories they tell about you, sinking more deeply into rest. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!
Jeff Foster (The Way of Rest: Finding The Courage to Hold Everything in Love)
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
Frédéric Gros (A Philosophy of Walking)
As the leader of the international Human Genome Project, which had labored mightily over more than a decade to reveal this DNA sequence, I stood beside President Bill Clinton in the East Room of the White House... Clinton's speech began by comparing this human sequence map to the map that Meriwether Lewis had unfolded in front of President Thomas Jefferson in that very room nearly two hundred years earlier. Clinton said, "Without a doubt, this is the most important, most wondrous map ever produced by humankind." But the part of his speech that most attracted public attention jumped from the scientific perspective to the spiritual. "Today," he said, "we are learning the language in which God created life. We are gaining ever more awe for the complexity, the beauty, and the wonder of God's most divine and sacred gift." Was I, a rigorously trained scientist, taken aback at such a blatantly religious reference by the leader of the free world at a moment such as this? Was I tempted to scowl or look at the floor in embarrassment? No, not at all. In fact I had worked closely with the president's speechwriter in the frantic days just prior to this announcement, and had strongly endorsed the inclusion of this paragraph. When it came time for me to add a few words of my own, I echoed this sentiment: "It's a happy day for the world. It is humbling for me, and awe-inspiring, to realize that we have caught the first glimpse of our own instruction book, previously known only to God." What was going on here? Why would a president and a scientist, charged with announcing a milestone in biology and medicine, feel compelled to invoke a connection with God? Aren't the scientific and spiritual worldviews antithetical, or shouldn't they at least avoid appearing in the East Room together? What were the reasons for invoking God in these two speeches? Was this poetry? Hypocrisy? A cynical attempt to curry favor from believers, or to disarm those who might criticize this study of the human genome as reducing humankind to machinery? No. Not for me. Quite the contrary, for me the experience of sequencing the human genome, and uncovering this most remarkable of all texts, was both a stunning scientific achievement and an occasion of worship.
Francis S. Collins (The Language of God: A Scientist Presents Evidence for Belief)
As we advance in the spiritual life and in the practice of systematic self-examination we are often surprised by the discovery of vast unknown tracts of the inner life of the soul. They seem like great plains stretching out in mystery and wrapt in mists that sometimes for a moment lift, or sweep off and leave one looking for one brief instant upon great reaches of one’s own life, unknown, unmeasured, unexplored. Men stand at such moments breathless in wonder and in awe gazing upon these great tracts upon which they have never looked before, with kindling eyes and beating hearts; and while they look the mists steal back till all is lost to sight once more and they are left wondering if what they saw was reality, or the creation of their fancy. Or sometimes they see, not far-stretching plains which fill the soul with an awestruck sense of its expansiveness and of how much has been left absolutely uncultivated, not these plains but mountain peaks climbing and reaching upwards till lost in the heavens, echoing it may be with the voice of many streams whose waters fertilize and enrich those small tracts of the soul’s life which have been reclaimed and cultivated and which many a man has thought to be his whole inner self, though he never asked himself whence those rich streams had their source. Now he sees how their source lay in unmeasured heights of his own inner being whose existence he never dreamed of before. In one brief instant they have unveiled themselves. He looks again, and they are shut out from his eyes, there is no token visible that he possesses such reaches, such heights of life. The commonplaces of his existence gather in and crowd upon him, the ordinary routine of life settles down upon him, limiting and confining him on all sides, the same unbroken line measures his horizon, such as he has always known it, the same round of interests and occupations crowd in upon his hours and fill them, the pressure of the hard facts of life upon him are as unmistakable and as leveling as ever, bidding him forget his dreams and meet and obey the requirements of the world in which he lives. And yet the man who has caught but a momentary glimpse of that vast unknown inner life can never be the same as he was before; he must be better or worse, trying to explore and possess and cultivate that unknown world within him, or trying—oh, would that he could succeed!—to forget it. He has seen that alongside of, or far out beyond the reach of, the commonplace life of routine, another life stretches away whither he knows not, he feels that he has greater capacities for good or evil than he ever imagined. He has, in a word, awakened with tremulous awe to the discovery that his life which he has hitherto believed limited and confined to what he knew, reaches infinitely beyond his knowledge and is far greater than he ever dreamed.
Basil W. Maturin (Self-Knowledge and Self-Discipline)