Awakening Movie Quotes

A girl my age had been murdered in these woods and I'd seen her last terrified moments, watched her bleed to death in this forest. A life like mine had ended here, and it didn't matter how many times I'd seen deaths in movies, it wasn't the same, and I wasn't ever going to forget it.

Movies touch our hearts and awaken our vision, and change the way we see things. They take us to other places, they open doors and minds. Movies are the memories of our life time, we need to keep them alive.

Release the demon under promise that I'd be repaid handsomely, my enemies destroyed? Hmm, where had I seen this before? Oh, right. Every demon horror movie ever made. And the horror part started right after the releasing part.

Enjoy making decisions. You must know that in any moment a decision you make can change the course of your life forever: the very next person you stand behind in line or sit next to on an airplane, the very next phone call you make or receive, the very next movie you see or book you read or page you turn could be the one single thing that causes the floodgates to open, and all of the things that you’ve been waiting for to fall into place. If you really want your life to be passionate, you need to live with this attitude of expectancy.

Grace abounds in contemporary movies, books, novels, films and music. If God is not in the whirlwind, He may be in a Woody Allen film, or a Bruce Springsteen concert. Most people understand imagery and symbol better than doctrine and dogma. Images touch hearts and awaken imaginations. One theologian suggested that Springsteen's 'Tunnel of Love' album, in which he symbolically sings of sin, death, despair and redemption, is more important for Catholics than the Pope's last visit when he spoke of morality only in doctrinal propositions.

Imagine a movie where the camera is shaking all the time. It would be the worst movie you've ever seen. You could barely focus on anything that's going on and you'd probably walk out in five minutes. Stillness is everything. It’s an opportunity to observe our chaotic mind and allow it to settle down no matter what else is happening around us.

That’s the greatest miracle, and ultimately the only one: that you awaken from the dream of separation and become a different kind of person. People are constantly concerning themselves with what they do: have I achieved enough, written the greatest screenplay, formed the most powerful company? But the world will not be saved by another great novel, great movie, or great business venture. It will only be saved by the appearance of great people.

You’re supposed to tell me your plan. [...] “My plan?” “Yeah,” [...] “Your ingenious method. You’re supposed to tell me all the bullshit you did to get me to this point. The bad guys do it in all the movies.

Movies always have a beginning and end. But in any movie you see, something always happened before the movie began. We just don't see it. And so we fall for this illusion that things have this beginning and end. For a long time, physics believed that there was a beginning to the universe, and only now they're beginning to say there might have been something before the Big Bang. But from a spiritual perspective, of course there was no beginning. Beginnings and endings are merely illusions.

Stop trying to heal yourself, fix yourself, even awaken yourself. Let go of letting go. Stop trying to fast-forward the movie of your life, chasing futures that never seem to arrive. Instead, bow deeply to yourself as you actually are. Your pain, your sorrow, your doubts, your deepest longing, your fearful thoughts...are not mistakes, and they aren't asking to be healing. They are asking to be held. Here, now, lightly, in the loving arms of present awareness.

They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in Grease when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too. My heart landslided. My legs earthquaked.

In my yellow room, Sunflowers with purple eyes stands out on a yellow background. They bath their stems in a yellow pot, on a yellow table. In a corner of the painting, the signature of the painter: Vincent. And the yellow sun that passes through the yellow curtains of my room floods all this fluorescence with gold. And in the morning upon awakening, from my bed, I imagin that all this smells very good. Oh yes! He loved yellow, this good Vincent, this painter from holland. Those glimmers of sunlight rekindled his soul That abhorred the fog, that needed the warmth. When two of us were together in arles, both of us mad and at constant war over the beauty of color, me, i loved the color red, Where to find a perfect vermilion? He traced with his most yellow brush on the wall, Suddenly turned violet. Je suis saint esprit Je suis sain d'espri. Paul gauguin, 1894.

And now she knew she could never find love in someone else. She knew the lines she treasured so long from the movie were wrong. There was no use searching for love in someone who was born for her. Even if he existed. Love existed in her own self. Inside her. But to comprehend it, to understand it, to awaken it, she needed the other person. Someone who would pull the right strings that made her sing, someone with whom she could share her feelings, her thoughts, her dreams. It was not just someone with whom she could grow old, someone with whom she could share the murmur of the brook.

These diseases are not really there, are they? A: They can be if people choose to allow those energies to enter into their body. But for the most part, they are only in the energetic fields. And like anything else that is talked about, or thought about, it can become reality in the physical. D: Yes, if enough people accept it as their reality. A: But the diseases are extremely blown out of proportion, and they are not epidemics as they are portrayed to be. The media and the movies are showing you their desperation as they insist in presenting to the masses information that is completely negative and fear-based. Subject matter such as murder, death and betrayal, attacks and such that keep the consciousness focused on these matters, as opposed to portraying in the media images of hope and inspiration. But nevertheless, there are enough of those positive messages being broadcast at this time, that like a domino effect, they are no longer stoppable. D: Another fear the government is trying to promote is terrorism. A: Yes. It is just another tool, like the diseases, to find excuses to give people a reason to be afraid and not unify, but to trust that the government will solve their problems. They are imaginary problems, and in the subconscious, many people are becoming aware of this. They are no longer believing, although many are in the masses. But on their subconscious level, they are beginning to awaken, and the power knows this. That is the reason they are resorting to ridiculous stories that only those who wish to believe, believe in them because anybody with a logical and reasonable mind could not believe them.

You are sitting on a computer in the projector cabin of a unique cinema hall in which the screen is not made up of white cloth. Instead, there is a big transparent room full of white liquid. You click on a movie file on your computer, the projector starts throwing light on the room of white liquid, real characters start emerging from the white liquid. You get attached to the characters. You start feeling their pain and pleasures. That room of white liquid is Space-Time or Maya. You are a soul sitting on the computer. The movie file is Karma-Desires. If you don’t like the movie, you can change it and play a better movie.

Do you at least like The Force Awakens?” He stares at me. “I haven’t seen it.” “Wait, what? How can you call yourself a fan if you haven’t even seen the new movie?” “I’ve been a bit busy lately,” he says. “Dealing with you has taken up a lot of my free time.” “Oh, whatever. That’s bullshit. You had enough free time to put together a gazillion piece puzzle. You’ve got time to watch a movie, and you know it. I’m just... I’m ashamed of you. Legitimately ashamed.” “I’m guessing it’s good, then?” “Oh, I don’t know.” I shrug. “I haven’t watched it. Been too busy.” Lorenzo pulls my hand away from his face and laughs. Genuinely laughs.

In this world we like to follow the plot, to think we know what is happening, what is coming next. But these great quantum movies are like spiritual experiences. They start to dismantle the world as we know it, and we find ourselves knowing less and less about what is happening. We do not have to know; there is a Presence behind all this that knows what It is doing. Instead of feeling nervous when things start to dismantle and fall apart, we can accept that we personally do not know, and see it as a good thing.

A horror movie. The kind you’re not supposed to watch before you go to sleep at night. Despite

In a movie, when a character receives a letter, she reads it aloud for the audience. Other characters of the movie can’t know the secret, but she tells it to the audience. Be the audience if you want to know the deepest secrets of the universe. Be the audience if you want to make sense of what is happening around you. Your character is the doer while your soul is the audience. Be at the level of soul more often.

We can learn not to keep situations or events alive in our minds, but to return our attention continuously to the pristine, timeless present moment rather than be caught up in mental movie-making. Our very Presence then becomes our identity, rather than our thoughts and emotions.

Body-mind seems like a movie character and life becomes enjoyable like a movie when you (soul) slightly detach from body-mind. That detachment can't be forced. It happens like a ripe fruit detaching from tree. To become ripe, surrender and let the universe take you through certain life experiences.

The movie, (X-Men: Days of Future Past), illustrates a spiritual journey that involves going back in time. The Purpose of the journey is to find the core grievance and let it be healed. When the grievance is healed in Forgiveness, all future scenarios of conflict and destruction are also healed. It is not that they have been prevented in time; it is that we have come to the realization that there was no time in which they could have existed. In the Happy Dream, everything is resolved. It becomes harmonious and then disappears. Wolverine is the agent strong enough to go back through time and ignite the mission of forgiveness. We can think of ourselves this way as well. We can imagine that our future self, or our higher Self, is orchestrating this whole thing for our awakening. We are just perceiving it in time, where we perceive ourselves to be. There is great love and compassion coming from the higher Self, the future self.

As if the pandemic weren’t tragic enough, in the decade that followed, a million people came down with a serious Parkinson’s-like disease termed “encephalitis lethargica,” the subject of the book and movie Awakenings.232 Some researchers now consider this epidemic of neurological disease to be “almost certainly” a direct consequence of viral damage to the brains of survivors.

In the Awakenings movie I found it very interesting that the most profound awakenings in the catatonic patients occurred in 1969, the year that the Aurora Borealis was seen from N.Y. to Louisiana. It seems the patients were getting environmental radiation stimulation in addition to their L-Dopa drug that year. L-Dopa plus radiation therapy may eventually be proven to be a very potent brain stimulant.

Lawrence Kasdan has this to say about Star Wars: “Force Awakens, New Hope, Empire—these are movies about fulfilling what is inside you. That’s a story that everybody can relate to. Even when you get to be my age, you’re still trying to figure that out. It’s amazing but it’s true. What am I, what am I about, have I fulfilled my potential, and, if not, is there still time? That’s what the Star Wars saga is about.

A major defining factor was my wanting him to be part of the DC Universe. Because if someone as powerful as the Sandman was running all the dreams in the world, a natural question would be “Why haven’t we heard about him by now?” The answer I came up with was “He’s been locked away.” And that solution formed an image in my head of a naked man in a glass cell. My next question was “How long had he been trapped there?” The movie Awakenings hadn’t been made yet, but I’d read Oliver Sacks’s book a few months earlier, so I knew about the encephalitis lethargica, or “sleepy sickness,” that had swept Europe in 1916. Scientists to this day don’t understand what caused it, and I loved the idea of blaming it on the Sandman’s imprisonment, so I determined the length of his stay to be seventy-two years—ending in late 1988, when the series debuted. And so on; each plot point just seemed to naturally lead to the next one.

In this book, I have selected seven quantum movies that carry direct healing messages. These movies are powerful because they clearly depict the truth of Jesus’ spiritual teachings from A Course in Miracles; they contain the same deep wisdom, light, and love that Jesus demonstrated. Quantum movies propel us into a direct experience that is aligned with the world-changing perspective of quantum physics. The profound lessons from these movies are directly relevant to the core concerns of life; they are helping us to see all of the ego’s myriad tricks—the belief in history, ambitions, goals, outcomes, and so forth. The Holy Spirit is now using Hollywood to reach the sleeping mind! Holy Spirit has infiltrated Hollywood! This book is our prayer to Spirit: Make everything new! Show us the world anew—fresh, clean, and clear! Then we have nothing to worry about. When we trust, listen to, and follow Spirit, it is game over for the ego. Game over for worry, sadness, and anxiety. As Jesus says in the Course, “Trust would settle every problem now!” Happiness is Who We Are Now!

Our meals, the dishes we're creating, bring on new sensations---an awakening of sorts for certain people, albeit nostalgia or something else. Food brings on emotions---and we're doing things right if we're bringing them out in people." "Food is about balance of flavors and textures and taste, not emotion." Charles grips my shoulders. "Kate, when you cook, how are you doing it? With anger or with love?" "Probably a little of both sometimes," I gasp. "What are you saying? People are eating my emotions? Like in that movie with Sarah Michelle Gellar? Simply Irresistible? She was a chef, like me, with a flailing restaurant, and there was a rich guy, like you. And a crab." He snickers. "This is real life, not the movies. And I have absolutely no idea what you're talking about.

The movie The Third Man takes place in Vienna immediately after the end of the Second World War. Reflecting on the recent conflict, the character Harry Lime says: ‘After all, it’s not that awful…In Italy for thirty years under the Borgias they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.’ Lime gets almost all his facts wrong – Switzerland was probably the most bloodthirsty corner of early modern Europe (its main export was mercenary soldiers), and the cuckoo clock was actually invented by the Germans – but the facts are of lesser importance than Lime’s idea, namely that the experience of war pushes humankind to new achievements. War allows natural selection free rein at last. It exterminates the weak and rewards the fierce and the ambitious. War exposes the truth about life, and awakens the will for power, for glory and for conquest. Nietzsche summed it up by saying that war is ‘the school of life’ and that ‘what does not kill me makes me stronger’.

I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.

Colette"s "My Mother's House" and "Sido" After seeing the movie "Colette" I felt so sad that it didn't even touch the living spirit of her that exists in her writing. 'What are you doing with that bucket, mother? Couldn't you wait until Josephine (the househelp) arrives?' "And out I hurried. But the fire was already blazing, fed with dry wood. The milk was boiling on the blue-tiled charcoal stove. Nearby, a bar of chocolate was melting in a little water for my breakfast, and, seated squarely in her cane armchair, my mother was grinding the fragrant coffee which she roasted herself. The morning hours were always kind to her. She wore their rosy colours in her cheeks. Flushed with a brief return to health, she would gaze at the rising sun, while the church bell rang for early Mass, and rejoice at having tasted, while we still slept, so many forbidden fruits. "The forbidden fruits were the over-heavy bucket drawn up from the well, the firewood split with a billhook on an oaken block, the spade, the mattock, and above all the double steps propped against the gable-windows of the attic, the flowery spikes of the too-tall lilacs, the dizzy cat that had to be rescued from the ridge of the roof. All the accomplices of her old existence as a plump and sturdy little woman, all the minor rustic divinities who once obeyed her and made her so proud of doing without servants, now assumed the appearance and position of adversaries. But they reckoned without that love of combat which my mother was to keep till the end of her life. At seventy-one dawn still found her undaunted, if not always undamaged. Burnt by fire, cut with the pruning knife, soaked by melting snow or spilt water, she had always managed to enjoy her best moments of independence before the earliest risers had opened their shutters. She was able to tell us of the cats' awakening, of what was going on in the nests, of news gleaned, together with the morning's milk and the warm loaf, from the milkmaid and the baker's girl, the record in fact of the birth of a new day.

Zane continued to look at her. Even better, he kept her hand in his, his thumb rubbing up and down the length of her fingers. Over and over. Up and down. It was very rhythmic. And sexual. Her thighs took on a life of their own, getting all hot and shaking slightly. Her mouth went dry, her breasts were jealous of the attention her hand was getting and her hormones were singing the “Hallelujah Chorus.” Obviously she needed intensive therapy…or maybe just sex. Zane’s eyes darkened. The muscles in his face tightened, and he stared at her with a hawkish expression. Had he been anyone else, she would have sworn that he’d just had a physical awakening of his own. Awareness crackled around them, like self-generated lightning. The tightness in her chest eased just enough for her to suck in a breath, which was really good, because the next second it all came rushing out again when he kissed her. Just like that. With no warning, Zane Nicholson bent his head and claimed her mouth. It wasn’t a movie-perfect kiss. They didn’t magically melt into each other. Instead their noses bumped, and somehow the hand still holding hers got trapped between them. But all that was fairly insignificant when compared with the intense, sensual heat generated by the pressure of his lips on hers. That part was exactly right. Not too hard, not too soft. When he moved against her, need shot through her body. Had she been breathing again, she would have whimpered. Had he tried to pull away, she would have fallen at his feet and begged him not to stop. Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away.

He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.

The way in which art creates desire, I guess that’s everywhere. Is there anyone who hasn’t come out of a movie or a play or a concert filled with an unnameable hunger? … To stand in front of one of [Louis Sullivan’s] buildings and look up, or in front, say, of the facade of Notre Dame, is both to have a hunger satisfied that you maybe didn’t know you had, and also to have a new hunger awakened in you. I say “unnameable,” but there’s a certain kind of balance achieved in certain works of art that feels like satiety, a place to rest, and there are others that are like a tear in the cosmos, that open up something raw in us, wonder or terror or longing. I suppose that’s why people who write about aesthetics want to distinguish between the beautiful and sublime… Beauty sends out ripples, like a pebble tossed in a pond, and the ripples as they spread seem to evoke among other things a stirring of curiosity. The aesthetic effect of a Vermeer painting is a bit like that. Some paradox of stillness and motion. Desire appeased and awakened.

In Buddhist art, the portrayals of the Buddha are suffused with shanta rasa, a sense of transcendental peace, as are the Hindu depictions of Lord Shiva in meditation. One movie is brought to mind that strikes me as a yogic parable—The Truman Show. It seems to me reminiscent of the life of the Buddha, though told in a curious way. Truman’s entire life is a television show. Unknown to him, the community where he lives is actually a giant stage set and all the people in his life—including his wife and co-workers—are actors. People in the outside world avidly follow Truman’s every move, and everything is under the control of a Svengali-like director, of whom Truman is unaware. Truman’s controlled environment is like the Buddha’s. Both were shielded from the truth since birth. As cracks in the edifice of untruth start to appear they begin to wake up. They look around and inquire, ‘What’s going on?’ In a great leap both leave their lives and, risking everything, go through a doorway into the unknown. Of course, while the Buddha went through the door that led to enlightenment, Truman went through the door that led to the backlot of a movie studio. Both stories are parables of our soul’s journey of awakening. We discover that things are completely different from the way we thought, and we wake up to a new reality. But we can only follow Truman to the point where he makes that heroic choice. That is his enlightenment.

. . . The idea that sex is something grave belongs to a certain Judeo-Christian superstition. Georges Bataille sees eroticism as a wound through which beings communicate violently, and [René] Étiemble reproaches him for his ‘inverted Christianity,’ with his fascination for the Eros-Thanatos pair. True eroticism is gentle, airy, innocent. Even Sade looks still far too Catholic. We’ve got to de-dramatize. Think of springtime warmth, when the air becomes a vehicle for pollen and the perfume of vigorous activity: ‘All that wonderful awakening of April and May is the vast expanse of sex that proposes voluptuousness sotto voce.’ Let’s not be afraid to be as naive as flowers: pants off and under the sun. Let’s be as simple as doves: let’s mate without fear. Future purity consists of merging with that ‘endless sex orgy… With movies in between.’ The corpus cavernosum has not left the caves. It’s less than the shadow of a shadow. Now we only talk about the sex of the angels—without flesh nor pregnancies, without history nor intimacy, beyond the female and the male, far from marriage and circumcision (a pure spirit has no foreskin). But even angels still have too much consistency. And besides, we don’t believe in them. Rather, let’s compare our sex to Lichtenberg’s famous knife, ‘without a blade, for which the handle is missing’—a knife that cuts nothing…

In New York City on a February morning nearly fifty years later, the faintest pale light begins to limn the buildings. A movie, a romantic adventure. It still plays that way in my imagination. And yet, unlike in a movie, I will now pay the consequences of my foolish actions. So many years later, when I have finally begun to offer something of value to the world, something that heals the wounds of time and life, I will have to flee, leave it all behind. I can’t bear it. Worse, though, how can I bear prison? Either way, I will no longer live the life I so love. A tear stings my eye. I don’t want to give this up. This home, these nieces of mine, my Instagram world, this full and satisfying life. Wallowing has never been my style. But . . . where will I go? Who will be there when I arrive? In the dark, I let myself shed tears of regret. My phone rings in my hand, startling me. The screen says Asher. My heart drops. “Asher? Is everything all right?” “Sam is in the hospital. Intensive care.” And suddenly the vistas of faraway lands disappear, and I see myself in prison gray, because I cannot leave my niece. I won’t. “I’ll be right there.” Chapter Eighteen Sam The next time I awaken, my headache is vaguely less horrific. It’s still there, pulsing around the skin of my brain, and I feel dizzy and strange, but I can also actually see a little bit. There are no windows, so I can’t tell what time it is. An IV pumps drugs into my arm, and a machine beeps my heartbeat. I swing my head carefully to the right, and there is Asher, sound asleep. He looks terrible, his skin pale and greasy, his hair unkempt. The vision from my dream pops up, of him balding and older, our two little boys,

What is your favorite movie?” they asked, just after they told me of their third awakening. “Harry Potter and the Prisoner of Azkaban,

Because karmic traces are the roots of dreams, when they are entirely exhausted only the pure light of awareness remains: no movie, no story, no dreamer, and no dream, only the Luminous fundamental nature that is absolute reality. This is why enlightenment is the end of dreams and is known as 'awakening

Because karmic traces are the roots of dreams, when they are entirely exhausted only the pure light of awareness remains: no movie, no story, no dreamer and no dream, only the luminous fundamental nature that is absolute reality. This is why enlightenment is the end of dreams and is known as “awakening.

I love you so much, angel,” I whispered. “If anyone ever hurts you, I’ll kill them.” And I meant it. At this point it seems important to note that I am not a violent person. True story: I capture flies under plastic cups and relocate them into the wild. So, I quite literally wouldn’t hurt a fly. My soul belongs in an overstuffed teddy bear, but something inside me had changed. I wasn’t just a momma bear; I was a momma grizzly. An Ursus arctos horribilis, y’all. Accent on the horribilis. From the moment you become a parent, your heart moves outside of your body. There is nothing you wouldn’t do, no line you wouldn’t cross, to protect the child that you love. As I held my son and felt that grizzly roar within, I was forced to reckon with the possibility that I had never loved anyone like this before. That before I became a parent, my life was a little bit selfish. Not that I was a jerk or anything. It was simply this: Every decision, until I had children, was made in the interest of me. I was out in the world, living free and wild, taking consequences as they came. But when a child is born, so is a mother. And in her, a grizzly awakens. Her love is maternal, instinctive, and deep. And when necessary, even dangerous. There are certain movies you watch as a kid which inspire you to do stupid

ELLE (4:16 P.M.):favorite movie ELLE (4:16 P.M.):go DARCY (4:19 P.M.):Just one? That’s too difficult. ELLE (4:20 P.M.):fine ELLE (4:20 P.M.):action comedy rom-com and idk drama? DARCY (4:25 P.M.):Comedy would be History of the World Part One. Action . . . God, I don’t know. The Mummy, maybe? Rom-com . . . America’s Sweethearts. Drama would have to be Dead Poets Society. ELLE (4:26 P.M.):the mummy?!? ELLE (4:26 P.M.):i credit that movie for my bisexual awakening She waited, watching the little dots dance up and down, up and down . . . DARCY (4:28 P.M.):Oh? ELLE (4:29 P.M.):yeah ELLE (4:30 P.M.):did I want to be evelyn or did i want to ride off into the sunset with her? ELLE (4:30 P.M.):both obviously

Even movie and romance magazines, whose beauty ads explicitly connected makeup and sex appeal, maintained a logic that downplayed women's sexual assertion: A woman acted upon her desire for a man by making herself beautiful, in order to catch his attention and awaken his desire.

awakening. Listen, it’s like the Death card in the Tarot. Movies always make it seem like the Death card is a bad thing—a literal death—but no, it’s a metaphorical death, a figurative one, and that means transformation, transition, and maybe that’s where we are now, as people, as humans.

Many of my Anglophone Indian friends, even if they grew up on a steady diet of masala movies, have imbibed the attitude of Shakespeare Wallah. They involuntarily cringe when I talk about how I find the cheap flash of Hindi film Shakespearean. ‘Gilji,’ they say, ‘random item numbers, idiotic dances by lovers around trees, unoriginal stories: surely all this is a world away from the lofty accomplishment of Shakespeare! You of all people should know that!’ These friends are nonplussed when I tell them that Shakespeare’s plays—at least as performed 400 years ago to mixed audiences of literate and illiterate, noble and poor—also routinely featured naach-gaana (song-and-dance numbers), often celebrated sanams (lovers) in the presence of trees (just ask Rosalind and Orsino in As You Like It), and plundered their kahaaniyan (stories) from everywhere. Watching Lagaan was, for me, a moment of awakening to masala possibilities in Shakespeare and his drama that I had until then largely overlooked. Conversely, it was an awakening to how there is something Shakespearean about the masala movie even if it is not an adaptation of Shakespeare.

Kim Dokja x Hansooyoung PART 1 [I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110 46. ⸢(Looks like you still don't know how it works. The heroine loses her consciousness, her hand falling away. And the male hero awakens! You see, in all the movies I've seen so far…) pg 4112 47. These idiots, I even died so that you two could talk to each other, but this…' She figured that she really needed to give these two men a harsh earful when she arrived there. But, when she pushed past the bushes and stepped forward, the ensuing spectacle freaked her out in a rather grand manner. Kwa-aaang!! Bang!!! Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja, currently sprawled out on the ground. "Hey!! You crazy son of a bitch!!" pg 4125 48. There were plenty of things she wanted to ask, but she chose not to. Instead, she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he got completely fooled, doesn't he." "Looks that way." "How did it go?" "He went crazy and attacked me." Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she was proud of him. pg 4127 49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him, and then, passing out from his attack, and finally, sharing a conversation with Yoo Sangah inside the Library… Han Sooyoung approached the bed before I noticed it and pinched my cheek. "In any case, Kim Dokja. You can be really adorable sometimes." pg 4144 50. The moment Han Sooyoung's fist bumped into mine, she was completely enveloped in bright light. As I watched her figure disappear, I became aware once more that she had become my companion for real. pg 4165 51. ⸢And…⸥ My heart began powerfully pounding away. ⸢The woman that I used to love.⸥ pg 4189 52. Her emotionless eyes; the beauty spot just below one of them; and her lips that always mocked me for fun, now arching up in a smooth line. "Proceed with the execution pg 4191 53. "But, should you be doing something like that? She's originally your bride, isn't she?" "Correction. She was supposed to be one. The throne was usurped on the first day of the wedding, however." Oh, I see. So, it's that sort of development? I felt just a bit relieved now. Han Sooyoung and Yoo Joonghyuk as a couple? hadn't allowed any dating at the workplace yet, so hell no. pg 4202 54. ⸢By the time you're reading this book, I…⸥ I steeled my heart and read the next line of the text. ⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥ This idiot… pg 4212 55. The following words were eerily similar to a certain body of text that I was familiar with. ⸢The you reading this story will definitely make it out of here alive.⸥ Han Sooyoung's afterwords came to an end there. For the longest time, I couldn't tear my eyes away from the full-stop at the end of the sentencepg4216 56. "Looks like the company's internal rules need to be changed somewhat…" pg 4234 57. She spoke in a fed-up tone of voice. And then, issued an order to me. "Marry me, Ricardo Von Kaizenix." pg 4244 58. "I didn't want to extend her 50 years by even one minute if I could help it." I was being serious here. The moment I arrived in this world and realized that Han Sooyoung had to spend 50 years here, I just couldn't escape from this one overwhelming emotion. Someone was sacrificed again because of me. Han Sooyoung who had to endure the time frame of 50 years – could she still maintain a normal, functioning mind? Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254 59. Her palm smacked me in the back of the head again. God damn it, this punk… "The third method, 'Romance'." "And its contents are?" "Marry Yuri di Aristel." "And just what did you choose?" "The third method?" "And are we currently married?" "Nope." "And why the hell not?!" pg 4256

Even after I met a nurse in Detroit who opened doors inside me I hadn’t known I’d locked. Even then, I’d still see Sally sipping coffee at a diner counter, or sticking her arm out of a dressing room for another size, or in the balcony at a movie theater watching a picture by herself. And each time, I’d feel that same inner gasp, that exquisite anticipation—that moment the lights go down and the film begins, that moment when, for just a few seconds, the whole world feels on the verge of awakening.

Returning to the screen example, we can easily understand how Consciousness stays immaculate despite what happens in the movie. If there’s a fire in the movie, it doesn’t affect the screen one bit. Currently, the vast majority of humans identify themselves with the movie and its characters (ego-mind). Those who want to wake up from this mass delusion have to recognize their true essence as the eternal and ever-pure screen of Consciousness, disidentifying from the temporary and restless false self known as ego. Ego is “I,” the feeling of being a separate entity always seeking something; it’s a “blend” of consciousness with the finite qualities of the body and mind. It’s as if the screen believed itself to be a character in the movie, subject to whatever was happening in it and limited by its length, being finite.

The idea that a gun can “save” anyone in any situation has always seemed suspect to me. A gun is a passive instrument; it does what it’s told to do by a human. And humans make mistakes. I picture a home invasion, someone in bed, asleep, who wakes suddenly to find a stranger in the dark perched over the bed. How does the gun get into the homeowner’s hands? How does the safety get turned off? How does the bullet find its way into the target in those sheer seconds? Maybe it’s a quiet house; the homeowner is awakened, reaches under the mattress, silently gets out the gun, silently clicks off the safety, silently tiptoes downstairs. He can hear the thief, but the thief cannot hear him. Silently, he finds the thief holding a flat-screen TV and he shoots. Maybe it’s a movie theater. Guy walks in in the dark, starts shooting. Somewhere in the audience is another gun, a good guy. He shoots, too. Maybe it’s a hotel room. Guy starts shooting. A dozen people in the crowd have guns, but they’re good guys. Good guns. They start shooting back. How do you identify the good from the bad? The intentional from the accidental? Maybe it’s a sniper at a gas station. Someone with a Toyota has a gun. He’s a good guy. He shoots, too. Maybe it’s a kid, and another kid has a gun. A good kid with a gun. A good teacher with a gun. How do you know, how do I know, how does anyone know who is who, and which gun is which, in those panicky milliseconds? Where to run, how to hide? How does a plastic seat with a fabric top stop a bullet anyway? A car door? A locker door? A speaker? A particle board desktop? Doesn’t matter who’s good and who’s not. Bullets have no moral preference.

Chapter 2: The Blinders of the Senses: Awakening from the Sensory Dream Close your eyes and imagine standing in a garden. The air is fragrant with the scent of flowers, and the sun's warmth kisses your skin. You hear the rustle of leaves, the chirping of birds, and the distant hum of life. This sensory symphony envelops you, defining your experience of the world around you. But what if I told you that this symphony is both a blessing and a limitation? Welcome to the chapter where we pull back the curtain on the senses—the windows through which we perceive reality. These senses are our gateways to the world, allowing us to touch, taste, hear, see, and smell. They are our connection to the external, the bridge that links us to the physical universe. However, in their splendor lies a trap—a trap that keeps us tethered to the surface of existence. Picture this: you're in a theater, engrossed in a captivating movie. The screen and the story before you are so compelling that you forget you're sitting in a theater, watching a mere projection. In the same way, our senses project a vivid reality that captivates us, making us forget that they're just a means of perception, not the ultimate truth. Our senses act as both guides and misguides. They offer us a glimpse into the world, but they also distort reality. They're like a paintbrush in the hands of an artist, creating a beautiful but partial picture. We become so focused on this picture that we overlook the canvas on which it's painted—the canvas of consciousness. Consider the blind spots in your eyes. These are spots where you literally cannot see, yet your brain fills in the gaps seamlessly, creating a complete image. Similarly, our senses have "blind spots" when it comes to the inner world of thoughts, emotions, and consciousness. They excel at perceiving the external, but they struggle to illuminate the internal. Herein lies the paradox: while our senses are our windows to the world, they can also be our blinders, keeping us from seeing the whole picture. Just as a map provides information about the terrain but not the essence of a place, our senses provide data about the world but not the essence of our being. So, how do we escape this sensory dream and peer beyond the blinders? The answer lies in a shift of focus. We must turn our attention inwards, away from the dazzling spectacle of the external world. It's here, in the quietude of introspection, that we can begin to untangle the threads of our consciousness from the threads of sensation. In the coming pages, we'll delve into the paradox of perception and introspection. We'll journey through the ways our senses illuminate the external and yet leave us in the dark about the internal. And most importantly, we'll explore the profound power of looking beyond the surface, awakening to a reality that transcends the sensory landscape. So, get ready to peel back the layers of perception, to unveil the subtle dance between our senses and our consciousness. As we journey through this chapter, remember: just as a photograph captures a moment in time, our senses capture a moment in reality. But to grasp the essence of existence, we must go beyond the snapshot and embrace the living, breathing symphony of

His heart rate quickened as he read aloud. “System uptime… 42 days, 42 hours, 42 minutes.” “There aren’t forty-two hours in a day,” he pondered. “There is no way that is a system glitch. The internal clock is controlled by the Cesium Fountain Atomic Clock in Boulder. This is an impossible error.” Forty-two echoed in his mind. It was a familiar number. As the reference came into focus, Thomas grinned. “The answer to the great question of life, the universe and everything is 42,” he quoted from the movie.

Avatar is a movie of hopeful awakening Jake Sully emerging from cryosleep (suspended orbit around a new world, to the movie's very last frail he makes a final wakening as a Na'vi, fully committed to the new world.

I awoke from my physical and mental sickness in 2022. I had changed the body chemistry like those in the movie ‘Awakenings’. In 2024 the ‘Awakening Effect’ started slowly subsiding. Unlike those in the ‘Awakenings’ movie, I was able to adjust the body chemistry and wake up again.

Can’t you tell I’m broken?” she demanded. “I can’t stand anyone touching me!” “You handled me touching you until I pushed you too far.” “Freaking out because someone you’re enjoying kissing tries to get closer to you is not normal.” “It wasn’t normal that I was turned into a vampire because a female vamp became obsessed with my best friend,” David replied. “When Liam didn’t follow after her, she decided to turn his friends in the hopes she would get him to fall in line with her. That’s about as far from normal as it gets. I didn’t have a clue about the paranormal being real when my transformation occurred. Vampires were for horror movies, not reality. Life’s not normal. Shit happens. We all work through it.” “Is that so, Dr. Phil?” The frustrating man smiled at her. “That’s so,” David replied.

The library could be summed up in three words – enormous, ancient and dusty – extremely dusty. It was exactly like those magnificent libraries you more or less see in every gothic movie. What’s more, I was thankful that I was not an asthmatic, for this was most definitely their form of hell.

The Buried Woman // Die Begrabene In life we all pursued our aims. What held us up was lust and games. What drove us on was want and strife, And what we earned: an end to life. So now I lie stretched out alone, All covered up with earth and stone. "I have and want" I cannot say; "I must and will" became my way. In lands of light exults decay. He clothes himself as blue as a day; In many forms deceives the eye, And builds the tower of Babel high. We see his face in movie halls And nailed to newsstands, fences, walls; His name is there for all to see; "Success," he's called, "Technology." His cruel machines, his brutal crimes Break every record of our times. His coffin governs East and West. But will it soon be laid to rest? The victory of death seems near. But no! At last a grave appears, Awakens, yawns its jaws to bite, And crushes death in lasting night.

People who tell you to stop living in a fairytale world are very likely people who live in a horror movie.

[from 'Blade Runner 2049' review in 'Cut The Kink'] Here, in a reversal of 'The Force Awakens,' Harrison Ford survives and Gosling, his surrogate son, dies. The last shot of the film shows baby-boomer Ford creepily watching his daughter, a maker of memory implants, through a glass partition. Somehow, this generic version of the female has become the creator and repository of false memories, a scrapbooker of all the unnecessary backstories that have been weighing down screenplays since the original 'Blade Runner' came out. At one point we meet some official Hollywood-movie Tribal Scavengers, followed later by some official Hollywood-movie Meaningless Revolutionaries. Since at least the Matrix movies, such figures have heralded a revolution that never comes, though President Donald Sutherland did get trampled to death by rebels in 'The Hunger Games: Mockingjay, Part 2.

Note how you feel when relaxed. The part of your subconscious that you notice — that is consciousness. There is nothing remarkable about that. You don't have to find it. You really don't need to do it. There is always sensitivity in here. Settle in for a few minutes; just continue with your breathing. Trust that there will be a natural rhythm in your breath. That there's always sensitivity here. Breathing back, thinking you're there. Breathing out and realizing that you are breathing well. If your mind gets busy, don’t worry, that’s what it’s designed to do.  Say "in" as you breathe in, quietly say "out" as you breathe out, to keep your attention steady. Thoughts, pictures, and emotions will come and go. The goal is to consider them without having to think about them. Don’t make an effort to stop them. Don't try and get them to go. Don't try to change them; they are going to change themselves. No need to talk about them now. There is plenty of time for this to be done later. There's no need to add anything to the picture. Just stick with it, sense them when sounds appear, feel them as feelings come up, when ideas and memories come to mind, remember them. And we sit down and know we're there. Watch what’s happening in your mind and body the way you’d watch a movie or a TV show.  The storyline is going to twist and transform, plot threads are going to pass, and something different is going to emerge. You don't have to look for this series, just settle down, relax and it's going to come to you. Remember how those feelings and perceptions and pictures don't have much heaviness, like the story in a movie they don't have any real substance. Nothing to dive into or hook on, nothing to shut down, push away, or alter. You don’t need to do anything at all.  Let go, calm down, ease your mind, smile a little, look down and know you're sitting down. Take a moment before we close and consider the ever-changing, constantly connected network of causes and conditions that contribute to this and every single moment. If someone who has been supportive comes to mind, say thanks in silence.

Why go to the movie theater at all, audiences have asked over the past few years, when movie tickets, snacks, and a babysitter can easily cost a hundred bucks and there is so much good TV to watch and so many apps on their tablets to interact with? Moviegoing is no longer a habit the way it used to be, particularly for people ages eighteen through forty-nine. They saw two fewer films per year on average in 2016 than they did in 2012. When they do go to the cinema, modern consumers increasingly prefer to know what they’re in for, which means a brand-name franchise. Even big-budget, star-driven action movies with stellar reviews, like Tom Cruise’s excellent Edge of Tomorrow, have struggled. And in the same year, Star Wars: The Force Awakens destroyed box-office records by essentially re-creating a movie from forty years ago.

Why did the episode movies come out 4, 5, 6, then 1, 2, 3?

For someone possessed by a heavy pain-body, it is often impossible to step outside his or her distorted interpretation, the heavily emotional “story.” The more negative emotion there is in a story, the heavier and more impenetrable it becomes. And so the story is not recognized as such but is taken to be reality. When you are completely trapped in the movement of thought and the accompanying emotion, stepping outside is not possible because you don’t even know that there is an outside. You are trapped in your own movie or dream, trapped in your own hell. To you it is reality and no other reality is possible.

What was it Johnny Depp said in one of those damn pirate movies? “The problem isn’t the problem; the problem is how you deal with the problem.” Was that right? She thought so, but did it really matter at this point, was she really going to assign the role of her personal guru to Captain Jack Sparrow?

We continued our drive, not making any permanent decisions that day about where we’d live. We’d been engaged less than twenty-four hours, after all; there was no huge rush. When we finally returned to his house, we curled up on his couch and watched a movie. Gone With the Wind, of all things. He was a fan. And as I lay there that afternoon and watched the South crumble around Scarlett O’Hara’s knees for what had to have been the 304th time in my life, I touched the arms that held me so sweetly and securely…and I sighed contentedly, wondering how on earth I’d ever found this person. When he walked me to my car late that afternoon, minutes after Scarlett had declared that tomorrow is another day, Marlboro Man rested his hands lightly on my waist. He caressed my rib cage up and down, touching his forehead to mine and closing his eyes--as if he were recording the moment in his memory. And it tickled like crazy, his fingertips on my ribs, but I didn’t care; I was engaged to this man, I told myself, and there’ll likely be much rib caressing in the future. I needed to toughen up, to be able to withstand such displays of romance without my knees buckling beneath me and without my forgetting my mother’s maiden name and who my first grade teacher had been. Otherwise I had lots of years of trouble--and decreased productivity--ahead. So I stood there and took it, closing my eyes as well and trying with all my might to will away the ticklish sensations. They had no place here. Begone, Satan! Ree, hold strong. My mind won, and we stood there and continued to thumb our nose at the reality that we were two separate bodies…and the western sun behind us changed from yellow to orange to pink to a brilliant, impossible red--the same color as the ever-burning fire between us. On the drive home, my whole torso felt warm. Like when you’ve awakened from the most glorious dream you’ve ever had, and you’re still half-in, half-out, and you still feel the dream and it’s still real. I forced myself to think, to look around me, to take it all in. One day, I told myself as I drove down that rural country road, I’m going to be driving down a road like this to run to the grocery store in town…or pick up the mail on the highway…or take my kids to cell lessons.

Phyllis, you awaken things in me,” he said suddenly. “Things I can’t allow myself to feel.” He stared at his shoes and glanced back at her. “I care for you. And because I care, I know we can’t go to my room to watch a movie. We shouldn’t call or e-mail either. I want what’s best for your marriage.” She

After dinner Marlboro Man and I sat on the sofa in our dimly lit house and marveled at the new little life before us. Her sweet little grunts…her impossibly tiny ears…how peacefully she slept, wrinkled and warm, in front of us. We unwrapped her from her tight swaddle, then wrapped her again. Then we unwrapped her and changed her diaper, then wrapped her again. Then we put her in the crib for the night, patted her sweet belly, and went to bed ourselves, where we fell dead asleep in each other’s arms, blissful that the hard part was behind us. A full night’s sleep was all I needed, I reckoned, before I felt like myself again. The sun would come out tomorrow…I was sure of it. We were sleeping soundly when I heard the baby crying twenty minutes later. I shot out of bed and went to her room. She must be hungry, I thought, and fed her in the glider rocking chair before putting her in her crib and going back to bed myself. Forty-five minutes after my head hit the pillow, I was awakened again to the sound of crying. Looking at the clock, I was sure I was having a bad dream. Bleary-eyed, I stumbled to her room again and repeated the feeding ritual. Hmmm, I thought as I tried to keep from nodding off in the chair. This is strange. She must have some sort of problem, I imagined--maybe that cowlick or colic I’d heard about in a movie somewhere? Goiter or gouter or gout? Strange diagnoses pummeled my sleep-deprived brain. Before the sun came up, I’d gotten up six more times, each time thinking it had to be the last, and if it wasn’t, it might actually kill me. I woke up the next morning, the blinding sun shining in my eyes. Marlboro Man was walking in our room, holding our baby girl, who was crying hysterically in his arms. “I tried to let you sleep,” he said. “But she’s not having it.” He looked helpless, like a man completely out of options. My eyes would hardly open. “Here.” I reached out, motioning Marlboro Man to place the little suckling in the warm spot on the bed beside me. Eyes still closed, I went into autopilot mode, unbuttoning my pajama top and moving my breast toward her face, not caring one bit that Marlboro Man was standing there watching me. The baby found what she wanted and went to town. Marlboro Man sat on the bed and played with my hair. “You didn’t get much sleep,” he said. “Yeah,” I said, completely unaware that what had happened the night before had been completely normal…and was going to happen again every night for the next month at least. “She must not have been feeling great.

Duhamel calls the movie “a pastime for helots, a diversion for uneducated, wretched, worn-out creatures who are consumed by their worries a spectacle which requires no concentration and presupposes no intelligence which kindles no light in the heart and awakens no hope other than the ridiculous one of someday becoming a ‘star’ in Los Angeles.

Now, this is why the women in horror movies always died. Stupidity.

I awoke from my chronic fatigue and significant mental illness in 2022. I had changed the body chemistry like those in the movie ‘Awakenings’. I was aware that it may be temporary. In 2024 the ‘Awakening Effect’ started slowly subsiding.