Ave Quotes

We've searched our database for all the quotes and captions related to Ave. Here they are! All 100 of them:

Atque in pepetuum, frater, ave atque vale,” he whispered. The words of the poem had never seemed so fitting: Forever and ever, my brother, hail and farewell.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
But when ye come, and all the flowers are dying, If I am dead, as dead I well may be, You'll come and find the place where I am lying, And kneel and say Ave there for me, And I shall hear, though soft you tread above me, And all my grave will warmer, sweeter be, For you will bend and tell me that you love me, And I shall sleep in peace until you come to me
Frederic Edward Weatherly
At last he reached out and with a gentle hand, closed Valentine’s eyes. "Ave atque vale, Shadowhunter," he said.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I’ve got news for you, Aves. When a guy says he wants to take you out in the name of science, he’s totally full of it. He really just wants to take you out.” “But you’ve taken me out like a million times for the experiment. You kissed me once in the name of science.” “Exactly.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
Somewhere between the shower and the Red Bull I fell in love with you, Aves. I’m talking epically. There is no coming back from a fall like mine.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
In perpetuum, frater, ave atque vale. (Forever and ever, brother, hail and farewell.)
Catullus (The Complete Poems)
Ave atque vale... Hail and farewell. He had never given much thought to the words before, he had never thought about why they were not just a farewell but also a greeting. Every meeting led to a parting, and so it would, as long as it was mortal. In every meeting there was some of the sorrow of parting, but in every parting there was some joy of the meeting as well. He would not forget the joy.
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
Ave Atque Vale Hail and farewell
Catullus
Atque in perpetuum, frater, ave atque vale.
Catullus
Bandits and governments 'ave so much in common that they might be interchangeable anywhere in the world...
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the tree the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like theyh ave a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
This is most definitely a real date,” he promised so passionately it made me shiver. “I asked you out. I’m paying for your dinner. There will be dancing later, and I will be kissing you when the clock strikes twelve tonight.” I let out a tiny squeak of fear and Grayson upped his intensity. “It’s going to happen, Aves, and you are going to like it.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
Ave María Purísima: me acuso de ser yo por todas partes. O sea de querer siempre ser otra. Y hasta peor: conseguirlo.
Xavier Velasco (Diablo Guardián)
Maybe there would be a Tinker city someday, too. They would buy up all of the colored dye, and everyone else in the world would ave to wear brown.' -Mat
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
Why you?” I asked. “Why are you the one here with me? Why isn’t it him?” Grayson’s smile was sad and full of sympathy. “I don’t know, Aves, but maybe it’s for the best. You guys are almost seventeen. If it hasn’t happened by now, maybe it’s not supposed to.” “I can’t accept that.” “Denial isn’t good for you.” “It isn’t denial.” “Now you’re denying your denial.” “But look at you,” I said. “You always thought I was like a sister too. If you can change your mind, then he can too. He just needs a wake up call.” “Hey now, you can’t just go jumping in the shower with every guy you know. That’s totally our thing.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
I was scared for her, which was kind of a new feeling for me because I never really pay that much attention to anyone. Aves was just so destroyed after New Year’s Eve that I couldn’t help myself. I was either stepping up as the role of overprotective big brother, or I’d developed an impossible crush and was pissed off that someone dared hurt my woman. I had no idea which it was. Turns out I was every bit as tangled up in our warped relationship as Avery and Aiden. Thanks a lot, moms. Prenatal yoga classes should be illegal.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
But actually time isn't a straight line. It doesn't ave a shape. In all senses of the term, it doesn't have any form. But since we can't picture something without form in our minds, for the sake of convenience we understand it as a straight line. At this point, humans are the only ones who can make that sort of conceptual substitution.
Haruki Murakami (1Q84 (1Q84, #1-3))
Easy, luv. Don't stir the devil, or you'll 'ave to pay the consequences." "I'm not sure I have any coin on me," she said leaning closer and kissing the stubbled roughness of his jaw. "Do you think he would accept my favors instead?" A sultry whisper in his ear. Blade groaned, "Bloody 'ell, Honor. Don't tease a man so." "But it's so very exciting.
Bec McMaster (Kiss of Steel (London Steampunk, #1))
From inside, I hear Sister Beatrice’s voice: “Did Andrew leave already? Such a sweet boy he is. And devoted too, when he sets his heart to a task. Let me tell you about the time he weeded the convent’s garden. It’s a long story, but we ’ave all afternoon. There was a scuffle in the lunch room, you see…
Emma Chase (Tangled (Tangled, #1))
Potential boyfriends could not smoke Merit cigarettes, own or wear a pair of cowboy boots, or eat anything labeled either lite or heart smart. Speech was important, and disqualifying phrases included “I can’t find my nipple ring” and “This one here was my first tattoo.” All street names had to be said in full, meaning no “Fifty-ninth and Lex,” and definitely no “Mad Ave.” They couldn’t drink more than I did, couldn’t write poetry in notebooks and read it out loud to an audience of strangers, and couldn’t use the words flick, freebie, cyberspace, progressive, or zeitgeist. . . . Age, race, weight were unimportant. In terms of mutual interests, I figured we could spend the rest of our lives discussing how much we hated the aforementioned characteristics.
David Sedaris (Me Talk Pretty One Day)
I don't know things. I'm not good enough. I'm not refined. The more you see of me, the more you'll find me out.' 'But I'm going to help you.' 'You'll 'ave to 'elp me a fearful lot.
H.G. Wells (Kipps)
el ave del espiritu debe liberarse de la jaula racional
Alejandro Jodorowsky (Psicomagia (Spanish Edition))
I watched commercial ave. slide past and there in the distance were the lights of route 18. that was one of those moments that would always be Rutgers for me.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
I don’t know. I think I’ve seen this movie, and it doesn’t turn out so well for me.” I smiled at that, even though she hadn’t meant it to be funny. “How much you want to bet? I’m sure you’ve seen nature shows on alpha males or pack leaders or whatever—the whole flock of sheep thing, right?” I turned my smile extra confident because I know it annoys her when I act cocky. “Aves,Grayson Kennedy is at the top of the Spanish Fork High food chain. I’m the king of the jungle. My friends will like you because I like you.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
I have always thought that if I had been allowed to read history more constantly, instead of losing my time in studies for which I had no aptness, I might ave made some figure in the world
Louis de Rouvroy de Saint-Simon
Or maybe he was seeing double. Bad stuff, gin. Should ‘ave switched to rum a long time ago. Good stuff, rum. You could drink it, or take a bath in it. No, that was gin — he meant Joe.
Robert A. Heinlein (Assignment in Eternity)
Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. Ave! Old knitter of black wool. Morituri te salutant. Not many of those she looked at ever saw her again--not half, by a long way.
Joseph Conrad (Heart of Darkness)
What do you say, Ave,” he asked, searching her eyes. “Feel like making a really bad decision with me?
Mira Lyn Kelly (Touch & Go (Dare to Love, #2))
Así como un ave en su jaula. Así como un bebedor entre el bullicio de la medianoche, así he intentado ser libre, a mi manera.
Leonard Cohen
But there's a difference, I believe, between two consenting adults making a thoughtful transaction and the kind of bargain that happens on the Ave, where some of the women would do anything for anyone, where some of the women need a fix so badly that they can't say no or yes.
Liz Moore (Long Bright River)
Ave maria, gratia plena, get him out of this war, and if you gotta take someone then take me, because I've got nothing real to go home to but he's got a girl now and I can see the hope written all over his face when he sees her. Sancta Maria, Mater Dei, pray for us sinners, but don't spend too much time on my immortal soul, because not even divine intervention can help me now. I know when to walk away from a fight and trying my damnedest not to need him was a losing battle. I won't be in the history book; that's for you. But I loved you first. As long as they get that right., I don't care what they say.
dropdeaddream (The Thirteen Letters (Not Easily Conquered, #2))
You're a model? Never would have guessed," Jonah said in a lazy, teasing voice that caused Hamilton's head to swivel. He'd never seen Jonah flirt before. The girl tilted her head. The glossy hair spilled down one bare shoulder. "Un moment...you look familiar." Jonah grinned. "Yeah?" "'Ave we met? Are you an 'airdresser?" "A hairdresser?" Jonah choked out. "Guys, we'd better get going," Hamilton said. "The name is Jonah," Jonah said, pronuncing his name carefully. He waited for a sign of recognition. "Nicole." "Jonah Wizard." Nicole squinted at him. "You are a wee-zhard? Like the Harry Potter, non?" "I'm Hamilton," Hamilton said, even though nobody asked.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
Vulgar, but not as vulgar as Louis Vuitton, thought Sherman.
Tom Wolfe (The Bonfire of the Vanities)
The soothing vocals of “Ave Maria” serenaded from the small speaker, and Austin looked at me and shrugged in embarrassment. “It makes her smile,” was all he said. I lost a piece of my heart to him right then.
Tillie Cole (Sweet Fall (Sweet Home, #2; Carillo Boys, #1))
Sem a loucura que é o homem Mais que a besta sadia, Cadáver adiado que procria?" O sonho é ver as formas invisíveis Da distância imprecisa, e, com sensíveis Movimentos da esp'rança e da vontade, Buscar na linha fria do horizonte A árvore, a praia, a flor, a ave, a fonte - Os beijos merecidos da Verdade. " (...)Tudo vale a pena Se a alma não é pequena. Quem quere passar além do Bojador Tem que passar além da dor. " Triste de quem é feliz! Vive porque a vida dura. Nada na alma lhe diz Mais que a lição da raiz - Ter por vida a sepultura." Ser descontente é ser homem. " Tenho meus olhos quentes de água. " 'Screvo meu livro à beira-mágoa. " Quando, meu Sonho e meu Senhor?
Fernando Pessoa (Mensagem: poemas esotéricos (Coleccion Archivos) (Spanish Edition))
se não houvesse tristeza nem miséria, se em todo o lugar corressem águas sobre as pedras, se cantassem aves, a vida podia ser apenas estar sentado na erva, segurar um malmequer e não lhe arrancar as pétalas, por serem já sabidas as respostas, ou por serem estas de tão pouca importância, que descobri-las não valeria a vida duma flor.
José Saramago (Baltasar and Blimunda)
Success. I turned back to my sandwich, only to find that it wasn’t there anymore. Maybe because it had been hijacked. “Give me that!” I told the vamp, who was holding it firmly against his chest, a determined look on his face. “What ees zat?” he demanded, eyeing my prize. “Cheese.” I held it up. “Zat ees not cheese.” “How do you know?” “Eet is orange.” “A lot of cheese is orange.” “Non! No cheese ees that color. Cheese comes from zee milk. Zee milk, eet ees white. When ’ave you seen milk that looks like zat?” I held up the square of little slices and pointed at the bold-faced label. “Processed American Cheese.” He snatched the package, without letting go of his hostage. And eyed it warily. “Eet says ‘cheese food.’” He looked up, obviously perplexed. “What ees thees? Zee cheese, it does not eat.
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
A rua dos cataventos Da vez primeira em que me assassinaram, Perdi um jeito de sorrir que eu tinha. Depois, a cada vez que me mataram, Foram levando qualquer coisa minha. Hoje, dos meu cadáveres eu sou O mais desnudo, o que não tem mais nada. Arde um toco de Vela amarelada, Como único bem que me ficou. Vinde! Corvos, chacais, ladrões de estrada! Pois dessa mão avaramente adunca Não haverão de arracar a luz sagrada! Aves da noite! Asas do horror! Voejai! Que a luz trêmula e triste como um ai, A luz de um morto não se apaga nunca!
Mario Quintana
Aves hasn’t mentioned a boyfriend,” Lock chimed in, “and we’re just dying to hear all about you.” Liar. My friends were filthy lying sadists.
Lish McBride (Firebug (Firebug, #1))
By the time he was done with the deer it had been dark three hours and his bad leg was singing 'Ave Maria'.
Stephen King (The Stand)
sorriso tímidodoce dela. (...) Sarangerel, nome de ave e de mel. Ou de luar.
Pepetela
What happened the day I met your father,' she said, 'is that I learned you ave to choose. For better or for worse. You have to choose what your life is going to look like.
Laura Dave
Contact J. Rabbitte, 118, Chestnut Ave., Dublin 21. Rednecks and southsiders need not apply.
Roddy Doyle (The Commitments (Barrytown Trilogy #1))
Si yo ordenara -decía frecuentemente-, si yo ordenara a un general que se transformara en ave marina y el general no me obedeciese, la culpa no sería del general, sino mía.
Antoine de Saint-Exupéry (The Little Prince)
...and for a moment they were Jem-and-Will again. Will could see Jem, but also through him, to the past. Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire. Ave atque vale... Hail and farewell. He had never given much thought to the words before, he had never thought about why they were not just a farewell but also a greeting. Every meeting led to a parting, and so it would, as long as it was mortal. In every meeting there was some of the sorrow of parting, but in every parting there was some joy of the meeting as well. He would not forget the joy. ... "Wo men shi sheng si ji jiao," said Will, and he saw Jem's eyes widen, fractionally, and the spark of amusement inside them. "Go in peace, James Carstairs
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Tudo é como devia ser. A noite aperta a polpa dos frutos, desperta o desejo dos insectos, acalma a inquietação das aves, refresca a pele dos repteis, põe os vaga-lumes a dançar. Sim. Tudo é como devia ser
Luis Sepúlveda
Do I still 'ave an eye?" I laughed. "Still there." He straightened with a sigh. "Too bad. I hear girls take a liking to a man with an eye patch." "Yes, when the eye was lost in some wildly romantic fashion like a sword fight or pistol duel. Not from smacking it on the eyepiece of a microscope. And you hardly need any more help with the ladies.
Tess Oliver (Camille (Camille, #1))
It was only an 'opeless fancy, It passed lika an Ipril dye, But a look an' a word an' the dreams they stirred They 'ave stolen my 'eart awye!' They sye that time 'eals all things, They sye you can always forget; But the smiles an' the tears across the years They twist my 'eart-strings yet!
George Orwell
Ave! Duci novo, similis duci seneci”,’ murmured Mr Slant, drily as only a zombie can manage. ‘Or, as we used to say at school, “Ave! Bossa nova, similis bossa seneca!”’ He gave a little schoolmasterly laugh. He felt at home with dead languages. ‘Of course, grammatically that is completely—’ ‘And that means . . . ?’ said Madam. ‘Here comes the new boss, same as the old boss,’ muttered Dr Follett.
Terry Pratchett (Night Watch (Discworld, #29))
Ave, Praetor Zhang!” Reyna called. “Ave, Praetor Ramírez-Arellano!” Frank said. “Let’s do this. Legion, CLOSE RANKS!” A cheer went up among the Romans as the five cohorts melded into one massive killing machine. Frank pointed his sword forward, and from the golden eagle standard, tendrils of lightning swept across the enemy, turning several hundred monsters to toast. “Legion, cuneum formate!” Reyna yelled. “Advance!” Another cheer on Jason’s right as Percy and Annabeth reunited with the forces of Camp Half-Blood. “Greeks!” Percy yelled. “Let’s, um, fight stuff!” They yelled like banshees and charged. Jason grinned. He loved the Greeks. They had no organization whatsoever, but they made up for it with enthusiasm.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I’m just saying, Ave, you might dress in jeans and a T-shirt and never wear your hair down and talk about how you’re a football-loving tomboy, but you’re also very much an attractive woman, and any man would be blind not to see it, and maybe that’s a weird thing for one friend to say to another, and now I think I might be rambling because I’m embarrassed that I said it. But whatever. It’s the truth.
Melissa Tagg (Three Little Words (Walker Family, #0.5))
Oh, era suntuoso, y la suntuosidad hecha carne. Los trombones crujían como láminas de oro bajo mi cama, y detrás de mi golová las trompetas lanzaban lenguas de plata, y al lado de la puerta los timbales me asaltaban las tripas y brotaban otra vez como un trueno de caramelo. Oh, era una maravilla de maravillas. Y entonces, como un ave de hilos entretejidos del más raro metal celeste, o un vino de plata que flotaba en una nave del espacio, perdida toda gravedad, llegó el solo de violín imponiéndose a las otras cuerdas, y alzó como una jaula de seda alrededor de mi cama. Aquí entraron la flauta y el oboe, como gusanos platinados, en el espeso tejido de plata y oro. Yo volaba poseído por mi propio éxtasis, oh hermanos.
Anthony Burgess (A Clockwork Orange)
Pero aquel que se siente tocado por mi lanza no tarda en expirar. Su esposa se desgarra las mejillas, quedan sus hijos huérfanos y enrojece él la tierra con su sangre, y se corrompe, y hay en torno suyo más aves de rapiña que hembras gemebundas
Homer (La ilíada)
I remember one old woman we pulled out of the rubble. She wasn’t hurt. She gripped my arm and said: ‘That bugger Hitler. ’E’s killed me old man, good riddance, ’e’s killed me kids, more’s the pity. ‘E’s bombed me ’ouse, so I got nowhere ’a live, bu’ ’e ain’t got me. An’ I got sixpence in me pocket an’ vat pub on ve corner, Master’s Arms, ain’t been bombed, so let’s go an’ ’ave a drink an’ a sing-song.’” There
Jennifer Worth (Shadows of the Workhouse (Call the Midwife))
The point is, it didn’t even look like my face. It was the face of any twenty-four-year-old guy who might have been sitting across the way on the commuter train. My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other’s self on the street – what do weh ave to say to each other? Hey there! Hi ya!That’s about it. Nobody raises a hand. No one turns around to take another look.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
Oh Danny boy, the pipes, the pipes are calling From glen to glen, and down the mountain side The summer's gone, and all the flowers are dying 'Tis you, 'tis you must go and I must bide. But come ye back when summer's in the meadow Or when the valley's hushed and white with snow 'Tis I'll be here in sunshine or in shadow Oh Danny boy, oh Danny boy, I love you so. And if you come, when all the flowers are dying And I am dead, as dead I well may be You'll come and find the place where I am lying And kneel and say an "Ave" there for me. And I shall hear, tho' soft you tread above me And all my dreams will warm and sweeter be If you'll not fail to tell me that you love me I'll simply sleep in peace until you come to me. I'll simply sleep in peace until you come to me.
Frederic Edward Weatherly
- É por essa janela que costuma voar? Joana Ofélia sorriu. - Qualquer janela serve. Foi Demérita que me ensinou. Basta olharmos através dos vidros, e somos mais livres do que pássaros. As pessoas podem continuar a ver-nos, mas só nós sabemos que há muito que ali não estamos, que voámos com as aves, com o vento, com a poeira da estrada, com a água da chuva.
Alice Vieira (Se Perguntarem Por Mim Digam Que Voei)
You might find me cleverly clad, in black on black, at 28th and 7th Ave.
Jonathan P. Lamas (Sanctuary of Expression)
¡Soy la vida, la Manzana-Rosa del Ave del Paraíso; soy la mentira de todas las cosas reales, la realidad de todas las ficciones!
Miguel Ángel Asturias (El Señor Presidente)
I don't believe in the Society,' observed Crass. 'I can't see as it's right that a inferior man should 'ave the same wages as me.
Robert Tressell (The Ragged Trousered Philanthropists)
As aves aproximavam-se por cima de nossas cabeças até que me dei conta do que se tratava. Eram imensos. — SANTO DARWIN! — não pude conter o espanto.
Tito Aureliano (Realidade Oculta)
[H]ave my miseries a measure?
Sophocles (Electra (Drama Classics))
bad leg was singing “Ave Maria.
Stephen King (The Stand)
You and me, Ave, is so much better than you versus me.
Kels Stone (Water Under The Bridge (Perks & Benefits #1))
Don’t talk to me about the country. The doctor said I was to go there for six weeks last summer. It nearly killed me, I give you my word. The noise of it. All them birds singin’ all the time, and the cocks crowin’ and the cows mooin’. I couldn’t stick it. When you’ve lived all the years I ’ave in peace and quietness you can’t get used to all that racket goin’ on all the time.
W. Somerset Maugham (Cakes and Ale)
Mothers of America let your kids go to the movies! get them out of the house so they won't know what you're up to it's true that fresh air is good for the body but what about the soul that grows in darkness, embossed by silvery images and when you grow old as grow old you must they won't hate you
Frank O'Hara (Lunch Poems)
The youngest member of this ageing community was ex-variety artiste, Patrick L. Balls. Fifty-nine now, he spent out his remaining years pulling a rope lift and bottling fruit. He had once whistled Ave Maria for Queen Victoria. She wasn't present at the time, but nevertheless that's who he was whistling it for.
Spike Milligan (Puckoon)
But again that sense of peace descended, that spell of perfect happiness, and I was traveling back through the years to the little French church of my childhood as the hymns began. Through my tears I saw the shining altar. I saw the icon of the Virgin, a gleaming square of gold above the flowers; I heard the Aves whispered as if they were a charm. Under the arches of Notre Dame de Paris I heard the priests singing “Salve Regina.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Cole updated Beckett: Stay where u r. Not sure how this will go. He’s playing now. Cole glanced at Beckett’s response: Ave Fuckong Mariea? Cole wondered how to put it: No, just noise. Not music. Beckett’s next message had no typos: Shit
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
But the best book I ever saw in the nick was the Bible. When I was in Brixton on remand, I ’ad one in the flowery. Smashing thin paper for rolling dog-ends in. I must ’ave smoked my way through the book of Genesis, before I went to court.
Brendan Behan (Borstal Boy)
One real kiss and then we’re done?” … “Yeah. One kiss and then we’re done. But it’s got to be the real deal. No chintzing out on me.” … “Okay … Show me what all the fuss is about.” “Brace yourself, Ave,” he warned, giving her his cockiest, most devastating grin.
Mira Lyn Kelly (Touch & Go (Dare to Love, #2))
Owing to the rise of prices Mrs. Hudson was able to get more for her rooms than in my day, and I think in her modest way she was quite well off. But of course people wanted a lot nowadays. “You wouldn’t believe it, first I ’ad to put in a bathroom, and then I ’ad to put in the electric light, and then nothin’ would satisfy them but I must ’ave a telephone. What they’ll want next I can’t think.
W. Somerset Maugham (Cakes and Ale)
¿Cómo saben estos gansos cuándo es el momento de volar hacia el sol? ¿Quién les anuncia las estaciones? ¿Cómo sabemos los seres humanos cuándo es el momento de hacer otra cosa? ¿Cómo sabemos cuándo ponernos en marcha? Seguro que a nosotros nos ocurre igual que a las aves migratorias; hay una voz interior, si estamos dispuestos a escucharla, que nos dice con toda certeza cuándo adentrarnos en lo desconocido.
Elisabeth Kübler-Ross (La rueda de la vida)
Your true soul and body appear before me. Whoever you are, now I place my hand upon you, that you be my poem, I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb, I should have made my way straight to you long ago, I should h ave blabb'd nothing but you, I should have chanted nothing but you. I will leave all and come and make the hymns of you, none has understood you, but I understand you, none has done justice to you, you have not done justice to yourself, none but has found you imperfect, I only find no imperfection in you, none but would subordinate you, I only am he who will never consent to subordinate you, I only am he who places over you no master, owner, better, God, beyond what waits instrinsically in yourself. O I could sing such grandeurs and glories about you! You have not known what you are, you have slumber'd upon yourself all your life, Your eyelids have been the same as closed most of the time. I pursue you where none else has pursued you. Conceal you from others or from yourself, they do not conceal you from me. I give nothing to any one except I give the like carefully to you. These immense meadows, these interminable rivers, you are immense and interminable as they, these furies, elements, storms, motions of Nature, throes of apparent dissolution, you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution.
Walt Whitman
Do not forsake the prayer of her Rosary; it binds you to her. Do not neglect the Ave Maris Stella and the other acts of love for her that she has asked of you or that the Holy Spirit has inspired you to offer her. Such little means are of immense, incalculable value in My eyes and in hers.
Anonymous (In Sinu Jesu: When Heart Speaks to Heart--The Journal of a Priest at Prayer)
But never hold back from firing the arrow if all that paralyzes you is fear of making a mistake. If you ave made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time. If you never take a risk, you will never know what changes you need to make. Each arrow leaves a memory in your heart, and it is the sum of those memories that will make you shoot better and better.
Paulo Coelho (The Archer)
SEGISMUNDO: ¡Ay mísero de mí, y ay infelice! Apurar, cielos, pretendo, ya que me tratáis así, qué delito cometí contra vosotros naciendo. Aunque si nací, ya entiendo qué delito he cometido; bastante causa ha tenido vuestra justicia y rigor, pues el delito mayor del hombre es haber nacido. Sólo quisiera saber para apurar mis desvelos -dejando a una parte, cielos, el delito del nacer-, ¿qué más os pude ofender, para castigarme más? ¿No nacieron los demás? Pues si los demás nacieron, ¿qué privilegios tuvieron que no yo gocé jamás? Nace el ave, y con las galas que le dan belleza suma, apenas es flor de pluma, o ramillete con alas, cuando las etéreas salas corta con velocidad, negándose a la piedad del nido que dejan en calma; ¿y teniendo yo más alma, tengo menos libertad? Nace el bruto, y con la piel que dibujan manchas bellas, apenas signo es de estrellas -gracias al docto pincel-, cuando, atrevido y cruel, la humana necesidad le enseña a tener crueldad, monstruo de su laberinto; ¿y yo, con mejor instinto, tengo menos libertad? Nace el pez, que no respira, aborto de ovas y lamas, y apenas bajel de escamas sobre las ondas se mira, cuando a todas partes gira, midiendo la inmensidad de tanta capacidad como le da el centro frío; ¿y yo, con más albedrío, tengo menos libertad? Nace el arroyo, culebra que entre flores se desata, y apenas sierpe de plata, entre las flores se quiebra, cuando músico celebra de las flores la piedad que le dan la majestad del campo abierto a su huída; ¿y teniendo yo más vida, tengo menos libertad? En llegando a esta pasión, un volcán, un Etna hecho, quisiera sacar del pecho pedazos del corazón. ¿Qué ley, justicia o razón negar a los hombres sabe privilegios tan süave excepción tan principal, que Dios le ha dado a un cristal, a un pez, a un bruto y a un ave?
Pedro Calderón de la Barca (La vida es sueño)
They ave a hockey team, Phillip," Claire said as she unlocked her door and pushed it open. "That's good. Stay away from the players," he mumbled. Reese rolled her eyes as she followed them in. "But I like hockey players," Claire pouted playfully. "Yeah, well, unless you want them to die, stay away. Boys are off-limits.
Toni Aleo (Breaking Away (Nashville Assassins, #1))
Don Libro está helado Estaba el señor don Libro sentadito en su sillón, con un ojo pasaba la hoja con el otro ve televisión. Estaba el señor don Libro aburrido en su sillón, esperando a que viniera...(a leerlo) algún pequeño lector. Don Libro era un tío sabio, que sabía de Luna y de Sol, que sabía de tierras y mares, de historias y aves, de peces de todo color. Estaba el señor don Libro, tiritando de frío en su sillón, vino un niño, lo cogió en sus manos y el libro entró en calor.
Gloria Fuertes
The Hermit I’d gladly climb the highest steeple To escape those middle minded people Jet Set Wedding I wake up screaming clutching my wedding band The garnet ring is still a constant companion on my finger But what happened to the marriage? Fruitland Ave He taught her not to love nor hate And he my friend was double gate The Closing (On Death and Acceptance) When he died the funeral took place at her bank And sadly enough she’s down to her very last frank The Misogynist He sits on his throne a hilltop alone For women’s neurosis cause men’s psychosis Home Sweet Home The neurotic builds the dreamhouse The psychotic becomes his spouse Monogamy I’d rather be someone’s concubine, smell the honeysuckle Taste the wine, than end up being a clinging vine The Gour Maid I like champagne, and french brie, and camembert And men that don’t get in my hair
Elissa Eaton (Too Old to be a Hooker, Too Young to be a Madam)
¿Quién ha tomado la decisión que pone en movimiento esa cadena de envenenamientos, esa ola creciente de muerte que se va extendiendo como las ondas que se forman cuando se lanza una piedra sobre un estanque tranquilo? ¿Quién ha puesto en un platillo de la balanza las hojas que podrían haberse comido los escarabajos y en el otro los lastimosos montones de plumas de diversos colores que forman los restos sin vida de las aves que cayeron bajo el golpe generalizado de los venenos insecticidas? ¿Quién ha decidido (quién tiene derecho a decidir) en nombre de legiones sin cuento de personas que no fueron consultadas, que el valor supremo corresponde a un mundo sin insectos, aunque tenga que ser también un mundo estéril, privado de la gracia de una bandada de aves en vuelo? Esa decisión es la del autoritario revestido temporalmente de poder; ha sido tomada durante un momento de distracción de millones de personas para las que la belleza y el mundo ordenado de la naturaleza tienen todavía un significado que es profundo y perentorio.
Rachel Carson (Primavera silenciosa (Drakontos) (Spanish Edition))
Todas las aves tomaron del fuegosu figura. El pensamiento también tiene su origen en el fuego. Las lenguas de fuego pronuncian palabras tan frías y exactas como la verdad más cálida que puedan tener los labios. Recuerda que las palabras pueden crear de nuevo el universo. Cada vez que te sientas confundida contempla el fuego y entrégale tu mente.
Laura Esquivel (Malinche)
Ao longo da orla do mar venho descalço - para lá e para cá - ao meu encontro.
Günter Grass
[H]aving a money value was no substitute for love.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Entre las aves, la contienda es con frecuencia de carácter más pacífico, pues hay gran rivalidad entre los machos de muchas especies para atraer a las hembras, por el canto; o despliegan hermosos plumajes para verse de la mejor manera posible. También hacen extrañas y grotescas figuras, y luego las hembras espectadoras escogen al compañero que más atractivos les ofrece.
Charles Darwin (El Origen de las Especies)
En un mundo sin humanos, las luces rojas dejarán de parpadear al cesar las emisiones de radio y de televisión; dejarán de producirse millones de conversaciones diarias a través de teléfono móvil, y al cabo de un año habrá varios miles de millones más de pájaros vivos. Pero mientras sigamos aquí, las torres de transmisión representan solo el principio de la involuntaria matanza que la civilización humana está perpetrando con unas criaturas con plumas a las que ni siquiera nos comemos.
Alan Weisman (The World Without Us)
A woman, she had provoked this horror; a woman, she shouldh ave known how to deal with it. It was immesley to her discredit, sexually, to stand there dumb. One said - what did one say? - Oh, Mr. Ramsay! Dear Mr. Ramsay! That was what that kind old lady who sketched, Mrs. Beckwith, would have said instantly, and rightly. But, no. They stood there, isolated from the rest of the world. His immesnse self-pity, his demand for sympathy poured and and spread itself in pools at her feet, and all she did, miserable sinner that she was, was to draw her skirts a little closer round her ankles, lest she should get wet.
Virginia Woolf (To the Lighthouse)
She went as through a forest -- the columns were furrowed like ancient trees, and in through the forest flowed the light, many-hued and clear as song, from the pictured windows. High up above her, beasts and men sported among the stone leafage, and angels played -- and yet far, dizzily far higher, the vaulting soared, lifting the church towards God. In a hall that lay to one side, worship was being held at an altar. Kristin sank down on her knees by a pillar. The singing cut into her like a too strong light. Now she saw how low she lay in the dust. ... Pater noster. Credo in unum Deum. Ave Maria, gratia plena.
Sigrid Undset
Setenta balcones hay en esta casa, setenta balcones y ninguna flor. ¿A sus habitantes, Señor, qué les pasa? ¿Odian el perfume, odian el color? La piedra desnuda de tristeza agobia, ¡Dan una tristeza los negros balcones! ¿No hay en esta casa una niña novia? ¿No hay algún poeta bobo de ilusiones? ¿Ninguno desea ver tras los cristales una diminuta copia de jardín? ¿En la piedra blanca trepar los rosales, en los hierros negros abrirse un jazmín? Si no aman las plantas no amarán el ave, no sabrán de música, de rimas, de amor. Nunca se oirá un beso, jamás se oirá una clave... ¡Setenta balcones y ninguna flor!
Baldomero Fernández Moreno
Ainda na véspera eram seis viventes, contando com o papagaio. Coitado, morrera na areia do rio, onde haviam descansado, à beira de uma poça: a fome apertara demais os retirantes e por ali não existia sinal de comida. Baleia jantara os pés, a cabeça, os ossos do amigo, e não guardava lembrança disto. Agora, enquanto parava, dirigia as pupilas brilhantes aos objetos familiares, estranhava não ver sobre o baú de folha a gaiola pequena onde a ave se equilibrava mal.
Graciliano Ramos (Vidas secas)
As we were heading down Mass Ave toward campus, a man stepped out of a doorway. “I’m selling books,” he said. Instinctively I averted my eyes, picked up my pace, and changed course slightly to give him a wider berth—just as Ivan did the opposite, slowing down right in front of the man, looking right at him, right into his eyes. “Books, really?” I was overcome by the sudden sense of Ivan’s freedom. I realized for the first time that if you were a guy, if you were some tall guy who looked like Ivan, you could pretty much stop to look at anything you wanted, whenever you felt like it. And because I was walking with him now, for just this moment, I had a special dispensation, I could look at whatever he was looking at, too.
Elif Batuman (The Idiot)
Right at the intersection of Mass Ave and JFK Street, it hit me. I stopped short, stunned by the realization of what had just happened: I can do this as a job. I can do this every day that it’s warm and not rainy. If I just made thirty-eight dollars in an hour, I can work three hours and make about a hundred dollars in a day. I don’t have to scoop ice cream anymore. I can make my own schedule. I don’t have to have a boss. Nobody can ever fire me. I WILL NEVER HAVE TO HAVE A REAL JOB AGAIN. And technically? I never really did.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
I began to feel slightly uneasy. You know I am not used to such ceremonies, and there was something ominous in the atmosphere. It was just as though I had been let into some conspiracy—I don’t know—something not quite right; and I was glad to get out. In the outer room the two women knitted black wool feverishly. People were arriving, and the younger one was walking back and forth introducing them. The old one sat on her chair. Her flat cloth slippers were propped up on a foot–warmer, and a cat reposed on her lap. She wore a starched white affair on her head, had a wart on one cheek, and silver–rimmed spectacles hung on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me, too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. AVE! Old knitter of black wool. MORITURI TE SALUTANT. Not many of those she looked at ever saw her again—not half, by a long way.
Joseph Conrad (Heart of Darkness)
You ’ave been to much trouble,” he said in a deep voice. “Fleur tells us you ’ave been working very ’ard.” “Oh, it’s been nothing, nothing!” trilled Mrs. Weasley. “No trouble at all!” Ron relieved his feelings by aiming a kick at a gnome who was peering out from behind one of the new Flutterby bushes. “Dear lady!” said Monsieur Delacour, still holding Mrs. Weasley’s hand between his own two plump ones and beaming. “We are most honored at the approaching union of our two families! Let me present my wife, Apolline.” Madame Delacour glided forward and stooped to kiss Mrs. Weasley too. “Enchantée,” she said. “Your ’usband ’as been telling us such amusing stories!” Mr. Weasley gave a maniacal laugh; Mrs. Weasley threw him a look, upon which he became immediately silent and assumed an expression appropriate to the sickbed of a close friend.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
EL AMENAZADO Es el amor. Tendré que ocultarme o que huir. Crecen los muros de su cárcel, como en un sueño atroz. La hermosa máscara ha cambiado, pero como siempre es la única. ¿De qué me servirán mis talismanes: el ejercicio de las letras, la vaga erudición, el aprendizaje de las palabras que usó el áspero Norte para cantar sus mares y sus espadas, la serena amistad, las galerías de la Biblioteca, las cosas comunes, los hábitos, el joven amor de mi madre, la sombra militar de mis muertos, la noche intemporal, el sabor del sueño? Estar contigo o no estar contigo es la medida de mi tiempo. Ya el cántaro se quiebra sobre la fuente, ya el hombre se levanta a la voz del ave, ya se han oscurecido los que miran por las ventanas, pero la sombra no ha traído la paz. Es, ya lo sé, el amor: la ansiedad y el alivio de oír tu voz, la espera y la memoria, el horror de vivir en lo sucesivo. Es el amor con sus mitología, con sus pequeñas magias inútiles. Hay una esquina por la que no me atrevo a pasar. Ya los ejércitos me cercan, las hordas. (Esta habitación es irreal; ella no la ha visto.) El nombre de una mujer me delata. Me duele una mujer en todo el cuerpo.
Jorge Luis Borges (The Gold of the Tigers: Selected Later Poems)
[H]aving heard, or more probably read somewhere, in the days when I thought I would be well advised to educate myself, or amuse myself, or stupefy myself, or kill time, that when a man in a forest thinks he is going forward in a straight line, in reality he is going in a circle, I did my best to go in a circle, hoping in this way to go in a straight line.
Samuel Beckett (Molloy)
Baptists have always strenuously contended for the acknowledgment of this principle, and have labored to propagate it. Nowhere, on the page of history, can an instance be found of Baptists depriving others of their religious liberties, or aiming to do so; but, wherever they ave found, even in tlie darkest ages of intolerance and persecution, they appear to be far in advance of those who surround them, on this important subject. This is simply owing to their adherence to the Gospel of Christ in its purity. Here religious liberty is taught in its fullest extent; and it was only when the Christian church departed from God's Word, that she sought to crush the rights of conscience; and only when she fully returns to it again, will she cease to cherish a desire to do so.
John Quincy Adams (Baptists, The Only Thorough Religious Reformers)
Cole turned and went down the stairs to wait for the inevitable. Soon Blake would descend the stairs and into madness. But Blake had only taken his favorite parts from Cole’s little speech. Livia had tried to find him. Livia needed him to keep her safe. Blake turned to face the organ. The keys had danced mockingly like disjointed puzzle pieces before, but now…Now they waited obediently. His hands knew them. His hands could sweep them together and create. So he did. He leapt right over the Ave Maria as if Livia held his hand to help him jump. No more Ave Maria. His hands flew over the organ, composing, painting, revealing all that was within him. Blake would show Livia all he had inside for her. If she was looking for him, she didn’t hate him. If she was looking for him, he was allowed to love her. Even if Cole was right and Blake didn’t have the common sense to be with her, he could watch her, like a knight and his queen. He could protect her so she never faced anyone like Dentist again. Blake was allowed to love Livia. And he did. Blake loves Livia.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Of course the activists—not those whose thinking had become rigid, but those whose approach to revolution was imaginatively anarchic—had long ago grasped the reality which still eluded the press: we were seeing something important. We were seeing the desperate attempt of a handful of pathetically unequipped children to create a community in a social vacuum. Once we had seen these children, Ave could no longer overlook the vacuum, no longer pretend that the society’s atomization could be reversed. This was not a traditional generational rebellion. At some point between 1945 and 1967 we had somehow neglected to tell these children the rules of the game we happened to be playing. Maybe we had stopped believing in the rules ourselves, maybe we were having a failure of nerve about the game. Maybe there were just too few people around to do the telling. These were children who grew up cut loose from the web of cousins and great-aunts and family doctors and lifelong neighbors who had traditionally suggested and enforced the society’s values. They are children who have moved around a lot, San Jose, Chula Vista, here. They are less in rebellion against the society than ignorant of it, able only to feed back certain of its most publicized self-doubts, Vietnam, Saran-Wrap, diet pills, the Bomb. They feed back exactly what is given them. Because they do not believe in words—words are for “typeheads,” Chester Anderson tells them, and a thought which needs words is just one more of those ego trips—their only proficient vocabulary is in the society’s platitudes. As it happens I am still committed to the idea that the ability to think for one’s self depends upon one’s mastery of the language, and I am not optimistic about children who will settle for saying, to indicate that their mother and father do not live together, that they come from “a broken home.” They are sixteen, fifteen, fourteen years old, younger all the time, an army of children waiting to be given the words.
Joan Didion (Slouching Towards Bethlehem)