Autumn Motivational Quotes

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We all grow tired eventually; it happens to everyone. Even the sun, at the close of the year, is no longer a morning person.
Joyce Rachelle
Autumn is the time of year when Mother Nature says, “Look how easy, how healthy, and how beautiful letting go can be.
Toni Sorenson
None of our hearts are pure, we always have mixed motives. Are self deceivers, but the worst of all Deceits is to murmur 'Lord, I am not worthy' And, lying easy, turn your face to the wall.
Louis MacNeice (Autumn Journal)
As the season changes, we learn to adapt.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
Autumn is a momentum of the natures golden beauty…, so the same it’s time to find your momentum of life
Rashedur Ryan Rahman
Even those fallen leaves dance, on the musical wind cadence.
Anoushka Tyagi
The technologies which have had the most profound effects on human life are usually simple. A good example of a simple technology with profound historical consequences is hay. Nobody knows who invented hay, the idea of cutting grass in the autumn and storing it in large enough quantities to keep horses and cows alive through the winter. All we know is that the technology of hay was unknown to the Roman Empire but was known to every village of medieval Europe. Like many other crucially important technologies, hay emerged anonymously during the so-called Dark Ages. According to the Hay Theory of History, the invention of hay was the decisive event which moved the center of gravity of urban civilization from the Mediterranean basin to Northern and Western Europe. The Roman Empire did not need hay because in a Mediterranean climate the grass grows well enough in winter for animals to graze. North of the Alps, great cities dependent on horses and oxen for motive power could not exist without hay. So it was hay that allowed populations to grow and civilizations to flourish among the forests of Northern Europe. Hay moved the greatness of Rome to Paris and London, and later to Berlin and Moscow and New York.
Freeman Dyson (Infinite in All Directions)
Killing depends on circumstances, as you'd expect, whether it's a cold, planned murder, or a hot death in a fight, or inspired by honor or a more shameful motive. However many times you kill, though, it's the first that matters. It's a man's first blood that banishes him from the world of the ordinary.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
I’m not saying it’s okay. It happens mostly when she’s depressed, and if her mom is any indication, depression is going to be a lifelong thing for her. I’m simply saying that Autumn’s base motivations are defensive, not cruel.
Laura Nowlin (If Only I Had Told Her)
The fullness of life is wrapped in all sacred times: plenty and scarcity; happiness and sadness; planting and harvesting; sunrise and sunset; winter and springtime; summer and autumn; beginning and finishing; birth and death…!
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
All things are beautiful in the sacred time.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
All seasons are beautifully filled with splendid wonders.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Life is like an Autumn; short but colourful.
Zain Baloch
Inhale the scent of a forest close by. I can smell the earthy fragrance of autumn as night falls, the leaves gently rustling, I can feel the damp air of dusk descending. The forest is not there. It is in my mind's eye.
Natsu Miyashita (The Forest of Wool and Steel 1)
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with other I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts. When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carreid the promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that. But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.
L.M. Montgomery (The Blue Castle)
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with other I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts. When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carried the promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that. But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning.
Karl Ove Knausgård
Autumn has her flaws. She’s offhandedly arrogant about her looks. She lacks tenacity or drive for anything that isn’t reading or writing. When she’s in a bad mood, you must tread carefully. She can, in the blink of an eye, casually strike with a few cruel words that get right to the heart of your insecurities. But she almost always apologizes quickly. She’ll flinch after the words leave her mouth and tell you she’s sorry. I’m not saying it’s okay. It happens mostly when she’s depressed, and if her mom is any indication, depression is going to be a lifelong thing for her. I’m simply saying that Autumn’s base motivations are defensive, not cruel.
Laura Nowlin (If Only I Had Told Her)
My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.
Ivan Goncharov (Oblomov)
Get that pitying look off your face,' Eris snarled softly. 'I know what sort of creature my father is. I don't need your sympathy.' Cassian again studied him. 'Why did you leave Mor in the woods that day?' It was the question that would always remain. 'Was it just to impress your father?' Eris barked a laugh, harsh and empty. 'Why does it still matter to all of you so much?' 'Because she's my sister, and I love her.' 'I didn't realise Illyrians were in the habit of fucking their sisters.' Cassian growled. 'It still matters,' he ground out, 'because it doesn't add up. You know what a monster your father is and want to usurp him; you act against him in the best interests of not only the Autumn Court but also all of the faerie lands; you risk your life to ally with us... and yet you left her in the woods. Is it guilt that motivates all of this? Because you left her to suffer and die?' Golden flame simmered in Eris's gaze. 'I didn't realise I'd be facing another interrogation so soon.' 'Give me a damn answer.' Eris crossed his arms, then winced. As if whatever injuries lay beneath his immaculate clothes ached. 'You're not the person I want to explain myself to.' 'I doubt Mor will want to listen.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The story was a favorite of his mother’s, repeated every so often throughout childhood and adolescence. There’s a flock of swans on a lake in the deepening autumn. As the nights grow colder, they all fly away. Except one, for reasons Alkaitis can’t remember: a lone swan who doesn’t perceive the approaching danger or loves the lake too much to leave even though it’s clearly time to go or is afflicted by hubris—the swan’s motivations were hazy and, Alkaitis suspects, changeable, depending on what message his mother was trying to impart at any given moment—and then winter sets in and the swan is frozen in ice, because it didn’t get out of the water in time. —
Emily St. John Mandel (The Glass Hotel)
The Motive for Metaphor" You like it under the trees in autumn, Because everything is half dead. The wind moves like a cripple among the leaves And repeats words without meaning. In the same way, you were happy in spring, With the half colors of quarter-things, The slightly brighter sky, the melting clouds, The single bird, the obscure moon-- The obscure moon lighting an obscure world Of things that would never be quite expressed, Where you yourself were not quite yourself, And did not want nor have to be, Desiring the exhilarations of changes: The motive for metaphor, shrinking from The weight of primary noon, The A B C of being, The ruddy temper, the hammer Of red and blue, the hard sound-- Steel against intimation--the sharp flash, The vital, arrogant, fatal, dominant X. Wallace Stevens, Transport to Summer (1947)
Wallace Stevens (Transport to Summer)
The crowd Passing through the crowded places, Witnessing life’s contours appearing on unknown people’s faces, They all chase someone or something, Almost like seasons changing, Where spring chases the summer, summer chases the autumn, that loves to chase the winter, In crowded places life acts like seasons, sometimes in ways unfair and at times in ways fairer, Because few faces display real smiles, while many act to smile, It is obvious when they cant recognise their own reflections in mirrors, exuding their life’s snippets of million miles, As they go past me and I walk past a lot of these men and women. I feel a common thread of life with which we all are woven, It shows in their glances and it shows in my brief scans of their appearances, But they go past me and I walk past them to chase our own desires and our new chances, After a while the crowd forgets about me and I too forget everything about the crowd, A feeling of silence overcomes the scene and I can hear my own heart beats clear and loud, Then as I walk through the multitude of life’s representations, I feel I am walking towards some lesser known feelings, life’s new sensations, But the crowd does not stop moving or enjoy a moment of pause, Because everyone in the crowd has life’s contours to cross and fulfil fate’s daily clause, That needs them in the arena of life everyday, in the form of crowd that is always moving and sometimes winning and at times losing, But riding the life’s lure and its ocean of uncertainties the crowd relentlessly keeps cruising, How far will each one go and how long will each one last, Is what life wants to know, it is so today and it has been so in the past, That is why life invented crowds where it walks beside each one of them without being recognised, And it tried to evict me from the rhythm of the crowd because her presence I had realised, The crowd keeps getting bigger and the pacing steps never stop, It is autumn now, leaves are falling and many a flowers drop, But the true season of life can be witnessed in the movement of the crowd, Where you always have to move in some direction, whether you are someone who is hated or someone who is loved!
Javid Ahmad Tak (They Loved in 2075!)
I’m simply saying that Autumn’s base motivations are defensive, not cruel.
Laura Nowlin (If Only I Had Told Her)
Nature has taken a deep autumnal breath, and with gusting sighs of relief has shed away the year’s heft that’s now in the rear view. Tumbling away with strewn leaves are the remnants of days gone by. Storms have been weathered, dry spells overcome, and harsh winds survived, nature is now moving forward stronger. With newly sown seeds hope is laying dormant ready to forge ahead in the ethereal sunlight, come spring. Not loosing a beat, but rising back up rejoining the rhythm and restarting the journey. A beautiful lesson in resilience at play.
Marie Helen Abramyan
She’s our fucking princess.” “She is not,” Ruhn growled. “The Autumn King has not recognized her, nor will he ever.” “Why?” Dec demanded. “Because she’s his bastard child. Because he doesn’t like her. I don’t fucking know,” Ruhn spat. He couldn’t—wouldn’t—ever tell them his own motivations for it. That deep-rooted fear of what the Oracle’s prophecy might mean for Bryce should she ever be granted a royal title. For if the royal bloodline was to end with Ruhn, and Bryce was officially a princess of their family … She would have to be out of the picture for it to come to pass. Permanently. He’d do whatever was necessary to keep her safe from that particular doom. Even if the world hated him for it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
What motivated me to write was a pale September, walking to and fro from school, a hail shower in Swaziland, a forest of flowers, autumn in Port Elizabeth, the falling of the leaves, the wind in the trees, the golden threads were caught up and that ran in my sister's hair, children caught in poverty, abandonment, neglect, malnourished with their distended bellies, the weight of driftwood, seawater, fish and chips with my mother after our walk on the beach, talk of angels in war, drought, famine, hunger, the spitting, thin rain or being drenched by a downpour, harbingers, outsiders and insiders.
Abigail George (Winter in Johannesburg)
Kane sat on his back porch, listening to the birds chirp and letting the cool spring breeze blow across his skin, ruffling his hair. He tightened the sweater around his chest. Avery's latest bouquet had arrived this morning, about the same time Autumn had come to check on him. She called the unexpected visit 'time alone' with her father, but Kane knew her true motivation. These unannounced visits were growing in frequency, and the frowns were more pronounced each time the children stopped by. Kane tried to care, tried to ease their worry, but apparently no matter what he said or did, they had their own thoughts and nothing seemed to make them feel any better once they'd arrived.
Kindle Alexander (Always (Always & Forever #1))
He did have some small advantage, though. He knew the truth about surveillance. Ever since the dawn of GWOT the nations of the West – apart from the United States, where civil libertarians tended to carry rifles and use them on closed-circuit cameras as an expression of their freedoms – had put their faith in creating a paranoid state, one where every move of every citizen was recorded and logged and filmed and fuck you, if you’ve got nothing to hide you’ve got nothing to worry about. Whether this had had any great influence in the course of GWOT was a moot point, but there was one thing not generally appreciated about the paranoid state. It was incredibly labour-intensive. There were simply not enough people to monitor all the cameras. Every shop had one, every bus and train and theatre and public convenience, every street and road and alleyway. Computers with facial recognition and gait recognition and body language recognition could do some of the job, but they were relatively simple to fool, expensive, and times had been hard for decades. It was cheaper to get people to watch the screens. But no nation on Earth had a security service large enough, a police force big enough, to keep an eye on all those live feeds. So it was contracted out. To private security firms all trying to undercut each other. The big stores had their own security men, but they were only interested in people going in and out of the store, not someone just passing by. So instead of a single all-seeing eye London’s seemingly-impregnable surveillance map was actually a patchwork of little territories and jurisdictions, and while they all had, by law, to make their footage available to the forces of law and order, many of the control rooms were actually manned by bored, underpaid, undertrained and badly-motivated immigrants.
Dave Hutchinson (Europe in Autumn (The Fractured Europe Sequence, #1))
I thought of it, yes,” he said finally. He let his head fall back on the pillow, eyes fixed on the low beamed ceiling. “Still, if I was human enough—or petty enough—to consider that I might offend you by bringing William here, I would ask you to believe that such offense was not my motive in coming.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I believe you,” I said, my eyes fixed on the skein. “If only because it seems rather a lot of trouble to go to. What was your motive, though?
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I told you I had feelings for my wife,” he said softly. “I did. Affection. Familiarity. Loyalty. We had known each other all her life; our fathers had been friends; I had known her brother. She might well have been my sister.” “And was she satisfied with that—to be your sister?” He gave me a glance somewhere between anger and interest. “You cannot be at all a comfortable woman to live with.” He shut his mouth, but couldn’t leave it there. He shrugged impatiently. “Yes, I believe she was satisfied with the life she led. She never said that she was not.” I didn’t reply to this, though I exhaled rather strongly through my nose. He shrugged uncomfortably, and scratched his collarbone. “I was an adequate husband to her,” he said defensively. “That we had no children of our own—that was not my—” “I really don’t want to hear about it!” “Oh, don’t you?” His voice was still low, not to wake Ian, but it had lost the smooth modulations of diplomacy; the anger was rough in it. “You asked me why I came; you questioned my motives; you accused me of jealousy. Perhaps you don’t want to know, because if you did, you could not keep thinking of me as you choose to.” “And how the hell do you know what I choose to think of you?” His mouth twisted in an expression that might have been a sneer on a less handsome face. “Don’t I?” I looked him full in the face for a minute, not troubling to hide anything at all. “You did mention jealousy,” he said quietly, after a moment. “So I did. So did you.” He turned his head away, but continued after a moment. “When I heard that Isobel was dead … it meant nothing to me. We had lived together for years, though we had not seen each other for nearly two years. We shared a bed; we shared a life, I thought. I should have cared. But I didn’t.” He took a deep breath; I saw the bedclothes stir as he settled himself. “You mentioned generosity. It wasn’t that. I came to see … whether I can still feel,” he said. His head was still turned away, staring at the hide-covered window, grown dark with the night. “Whether it is my own feelings that have died, or only Isobel.” “Only Isobel?” I echoed. He lay quite still for a moment, facing away. “I can still feel shame, at least,” he said, very softly.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I had always liked darkness. When I was small I was afraid of it if I was alone, but when I was with others I loved it and the change to the world it brought. Running around in the forest or between houses was different in the darkness, the world was enchanted, and we, we were breathless adventurers with blinking eyes and pounding hearts. When I was older there was little I liked better than to stay up at night, the silence and the darkness had an allure, they carried a promise of something immense. And autumn was my favorite season, wandering along the road by the river in the dark and the rain, not much could beat that. But this darkness was different. This darkness rendered everything lifeless. It was static, it was the same whether you were awake or asleep, and it became harder and harder to motivate yourself to get up in the morning. I succeeded, and five minutes later I was standing in front of my desk again, but what happened there was also rendered lifeless. It felt as though I was getting nothing back from what I was doing. However much effort I put in, nothing came back. Everything vanished, everything dissolved into the great darkness in which we lived. I might as well say this as that, do this as that, nothing made any difference.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
but there was one thing not generally appreciated about the paranoid state. It was incredibly labour-intensive. There were simply not enough people to monitor all the cameras. Every shop had one, every bus and train and theatre and public convenience, every street and road and alleyway. Computers with facial recognition and gait recognition and body language recognition could do some of the job, but they were relatively simple to fool, expensive, and times had been hard for decades. It was cheaper to get people to watch the screens. But no nation on Earth had a security service large enough, a police force big enough, to keep an eye on all those live feeds. So it was contracted out. To private security firms all trying to undercut each other. The big stores had their own security men, but they were only interested in people going in and out of the store, not someone just passing by. So instead of a single all-seeing eye London’s seemingly-impregnable surveillance map was actually a patchwork of little territories and jurisdictions, and while they all had, by law, to make their footage available to the forces of law and order, many of the control rooms were actually manned by bored, underpaid, undertrained and badly-motivated immigrants.
Dave Hutchinson (Europe In Autumn (Fractured Europe Sequence, #1))
If people believe the government is giving them AIDS and blowing up levees, and that white-owned companies are trying to sterilize them, they would be lacking in normal human emotions if they did not—to put it bluntly—hate the people they believed responsible. Indeed, vigorous expressions of hatred go back to at least the time of W.E.B. Du Bois, who once wrote, “It takes extraordinary training, gift and opportunity to make the average white man anything but an overbearing hog, but the most ordinary Negro is an instinctive gentleman.” On another occasion he expressed himself in verse: 'I hate them, Oh! I hate them well, I hate them, Christ! As I hate hell! If I were God, I’d sound their knell This day!' Such sentiments are still common. Amiri Baraka, originally known as LeRoi Jones, is one of America’s most famous and well-regarded black poets, but his work is brimming with anti-white vitriol. These lines are from “Black Dada Nihilismus:” 'Come up, black dada nihilismus. Rape the white girls. Rape their fathers. Cut the mothers’ throats.' Here are more of his lines: 'You cant steal nothin from a white man, he’s already stole it he owes you anything you want, even his life. All the stores will open up if you will say the magic words. The magic words are: Up against the wall motherfucker this is a stick up!' In “Leroy” he wrote: “When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone.” When he was asked by a white woman what white people could do to help the race problem, he replied, “You can help by dying. You are a cancer. You can help the world’s people with your death.” In July, 2002, Mr. Baraka was appointed poet laureate of New Jersey. The celebrated black author James Baldwin once said: “[T]here is, I should think, no Negro living in America who has not felt, briefly or for long periods, . . . simple, naked and unanswerable hatred; who has not wanted to smash any white face he may encounter in a day, to violate, out of motives of the cruelest vengeance, their women, to break the bodies of all white people and bring them low.” Toni Morrison is a highly-regarded black author who has won the Nobel Prize. “With very few exceptions,” she has written, “I feel that White people will betray me; that in the final analysis they’ll give me up.” Author Randall Robinson concluded after years of activism that “in the autumn of my life, I am left regarding white people, before knowing them individually, with irreducible mistrust and dull dislike.” He wrote that it gave him pleasure when his dying father slapped a white nurse, telling her not “to put her white hands on him.” Leonard Jeffries is the chairman of the African-American studies department of the City College of New York and is famous for his hatred of whites. Once in answer to the question, “What kind of world do you want to leave to your children?” he replied, “A world in which there aren’t any white people.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)