“
You don't like stars?' I ask.
'No,' he says quietly, lacking his smirk for once, and staring at the floor. 'A lot of those stars actually died millions of years ago. It's just they're so far away, the light they created before they died hasn't finished reaching us yet.' He waves at the galaxy beyond the glass. 'You're looking at a sky full of ghosts.
”
”
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
“
To die in the fire of war is easy. To live in the light of peace, much harder.
”
”
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
“
A lot of those stars actually died millions of years ago. It’s just they’re so far away, the light they created before they died hasn’t finished reaching us yet.” He waves at the galaxy beyond the glass. “You’re looking at a sky full of ghosts.
”
”
Amie Kaufman
“
Once upon a time, the Reindeer took a running leap and jumped over the Northern Lights.
But he jumped too low, and the long fur of his beautiful flowing tail got singed by the rainbow fires of the aurora.
To this day the reindeer has no tail to speak of. But he is too busy pulling the Important Sleigh to notice what is lost. And he certainly doesn’t complain.
What's your excuse?
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
Know that we believe in you. And you must believe in each other. We the Legion. We the light. Burning bright against the night
”
”
Amie Kaufman
“
The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Almost every particle in the universe was once part of a star,” she says softly. “Every atom in your body. The metal in your chair, the oxygen in your lungs, the carbon in your bones. All those atoms were forged in a cosmic furnace over a million kilometers wide, billions of light-years from here. The confluence of events that led to this moment is so remote as to be almost impossible.” She puts her hand on my shoulder. Her touch is awkward, as if she doesn’t quite know how to do it. But she squeezes gently. “Our very existence is a miracle.
”
”
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
“
It’s getting closer,” Tristan said.
Ayden nodded.
“So let’s track it.”
“No,” Ayden snapped. “She’s our priority.”
“I know, but it’s following her, so,” Tristan held one hand up, “find the demon,” he held up the other, “find Aurora. It could work.”
The itching intensified. Invisible claws grazed up the back of my neck, wrenching every nerve to painful attention. Another hungry screech sent spikes piercing my brain. Lights shattered my vision. I couldn’t breathe. I burst out of the suffocating space just as the engine roared to life and gunned the car forward.
With a violent curse, Ayden slammed on the brakes but not before the Maserati rammed my hip. I hurtled into the air and rolled a fast spin onto the hood.
“Or you could just hit her with the car,” Tristan said.
“Real smooth.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
It’s not my first kiss, but it’s the kiss—the one that makes my soul light up, the kiss you wait your whole life for, the kiss that changes everything you thought you knew. I
”
”
Aurora Rose Reynolds (Until July (Until Her/Him, #1))
“
Dorian strokes my exposed back with the tips of his fingers, sending shockwaves up and down my spine. I gasp from the contact, resisting the urge to beg him for more. He brings his face down to my neck, letting his lips brush my earlobe. “Gabriella, I would love to bend you over this desk right now and pull your dress up past your thighs and over your ass,” he murmurs, sex dripping from his soft lips.
“That sounds good to me,” I breathe, turning my head a fraction. “What’s stopping you?” Never in my life have I been this bold and eager with a man but Dorian has awakened the sleeping sex giant within me. If my days are numbered, I want to at least die happy.
“Oh, I would do it. But I know Aurora will come looking for me and I don’t want to be disturbed when I… ruin you.” Ruin me? It sounds so threatening and violent.
I love it.
”
”
S.L. Jennings (Dark Light (Dark Light, #1))
“
When the human voice is reduced to being no longer a song, a word, or a cry, but the articulation of the unnamable itself, it is natural that there should be no other sound than the grinding of ice in the polar regions, the light, intermittent crackling of silk in the highest zones of the atmosphere, at the moment when the aurora borealis unfurls its strange, cold spangles. Majesty does not tolerate other eyes than these hard crystals
”
”
Michel Leiris (Brisées)
“
She’s not just a nanny.
She’s Aurora.
She’s my reckoning and saviour all at once.
She’s her namesake, those northern lights that brighten the darkest winter skies.
She’s my homecoming.
And I’m in love with her.
”
”
Karina Halle (A Nordic King (Nordic Royals, #3))
“
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
”
”
Charles Baudelaire (Paris Spleen)
“
In the halls of heaven it was now dark enough for the Aurora Borealis sisters to begin their lively dance of the veils. With an enchanting play of colors they flitted light and quick about the great stage of the heavens, in fluttering golden dresses, their tumbling pearl necklaces scattering here and there in their wild caperings.
”
”
Sjón (The Blue Fox: A Novel)
“
It is the eye that discovers the mystery of light, not only the moon and the stars and the vast splendours of the Aurora, but the endless changes the earth undergoes under changing lights.
”
”
Nan Shepherd (The Living Mountain)
“
Wisps of arctic blue and green and purple buzzed and whirled within those sharp spikes, sending out a wild coruscation of coloured light. The aurora was mesmerizing and blinding at the same time, and little disco balls hoped that they could grow up to be half as brilliant one day.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
We the legion
We the light
Burning bright against the sky.
”
”
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
“
There are two kinds of light – the glow that illuminates, and the glare that obscures.” — James Thurber
”
”
G.S. Jennsen (Starshine (Aurora Rising #1))
“
It was a lonely place. A place for the dark-hearted. It's where I deserve to be, Maleficent told herself every time she arrived. For only someone with a heart as dark as mine could do something so evil to a girl with a heart as light as Aurora's.
”
”
Elizabeth Rudnick (Maleficent (Maleficent Novelization, #1))
“
One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora.
”
”
Samuel R. Delany (Dhalgren)
“
The Hubble Space Telescope has spotted aurora near the poles of both Saturn and Jupiter. And on Earth, the aurora borealis and australis (the northern and southern lights) serve as intermittent reminders of how nice it is to have a protective atmosphere.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
“
Over and over again I sail towards joy, which is never in the room with me, but always near me, across the way, like those rooms full of gayety one sees from the street, or the gayety in the street one sees from a window. Will I ever reach joy? It hides behind the turning merry-go-round of the traveling circus. As soon as I approach it, it is no longer joy. Joy is a foam, an illumination. I am poorer and hungrier for the want of it. When I am in the dance, joy is outside in the elusive garden. When I am in the garden, I hear it exploding from the house. When I am traveling, joy settles like an aurora borealis over the land I leave. When I stand on the shore I see it bloom on the flag of a departing ship. What joy? Have I not possessed it? I want the joy of simple colours, street organs, ribbons, flags, not a joy that takes my breath away and throws me into space alone where no one else can breathe with me, not the joy that comes from a lonely drunkenness. There are so many joys, but I have only known the ones that come like a miracle, touching everything with light.
”
”
Anaïs Nin (Mirages: The Unexpurgated Diary of Anais Nin (1939-1947))
“
She lifted her head in surprise, following his line of sight above the tree line. Beyond the distant peaks, a green and blue symphony of lights had begun. It rippled and shimmered like sunshine on water, leaving Rich blinking back tears. He'd read something about this but had never seen it before.
“It's the aurora borealis,” Lou said quietly. “Northern lights.
”
”
Danika Stone (Edge of Wild)
“
The dark sky.
A hundred million stars.
More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again.
Wind whistles through the trees nearby. Birdsong weaves in and out of the sound.
The hybrids emerge from the communication building, heads tilted to the sky.
And then we see the end.
Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb.
There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble.
Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet.
Nothing else to signify Elder’s death.
Just light.
And then it’s gone.
And then he’s gone.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
Aurora took a deep breath.
There it was, she thought, the reason behind all the madness. Why society was acrumble; why she and everyone else were on the brink of starvation. Humanity’s inevitable ending. The Darkspread. The Close. There, in the Golden Dragon’s dark underbelly was where all the maps stopped.
‘Two days from now, the Dark will cover the world,’ she said pensively, trying not to think what horrific sight awaited her behind the spring-loaded door, ‘and the Neon God shall rule over darkness.
”
”
Louise Blackwick (5 Stars)
“
Alex screamed and lashed out at the points of light from within, desperate for something tangible to rage against. Caleb wrapped his arms around her from behind and coaxed her out while glaring at the Metigen in loathing.
Then he lessened his hold on her to a single hand. Together they turned their backs on the alien and began walking away.
”
”
G.S. Jennsen (Dissonance (Aurora Renegades, #2))
“
Some memories have the ability to heal, the ability to light up the dark, because the beauty of the memory is so bright, you’re still able to bask in it.But the memories of us are killing me slowly. They remind me that for one moment, I had everything, while reminding me it’s gone. It’s the realization that we’re done that’s torturing me. The realization that I can see him but can’t touch him, that he exists but he’s not mine, is agonizing.
”
”
Aurora Rose Reynolds (Until June (Until Her/Him, #3))
“
As I watched that single thread of lightning billow through the water above me like the aurora borealis, I imagined the heavy cord of time stretching away from me in the water like the hard, thick rope on a great ship.
”
”
Laura Whitcomb (Under the Light (Light, #2))
“
Alex thrust her hand and half her arm into the labyrinth of light.
Her stare blanked, and in the halo of the matrix her eyes and glyphs blazed so radiantly she looked as if she were being consumed by a primordial fire.
“She just stuck her hand into Machim Command’s central server matrix!”
Caleb smiled, watching on in blatant awe. “She does that.
”
”
G.S. Jennsen (Relativity (Aurora Resonant, #1))
“
They flew high above savanna grassland. The sky was the deep cornflower blue of a sunny late afternoon on Earth…exactly the color of a sunny late afternoon on Earth.
Only there was no sun. Whatever was lighting this planet, it wasn’t a star.
”
”
G.S. Jennsen (Vertigo (Aurora Rhapsody, #2))
“
Directly overhead the Milky Way was as distinct as a highway across the sky. The constellations shown brilliantly, except the north, where they were blurred by the white sheets of the Aurora. Now shimmering like translucent curtains drawn over the windows of heaven, the northern lights suddenly streaked across a million miles of space to burst in silent explosions. Fountains of light, pale greens, reds, and yellows, showered the stars and geysered up to the center of the sky, where they pooled to form a multicolored sphere, a kind of mock sun that gave light but no heat, pulsing, flaring, and casting beams in all directions, horizon to horizon. Below, the wolves howled with midnight madness and the two young men stood in speechless awe. Even after the spectacle ended, the Aurora fading again to faint shimmer, they stood as silent and transfixed as the first human beings ever to behold the wonder of creation. Starkmann felt the diminishment that is not self-depreciation but humility; for what was he and what was Bonnie George? Flickers of consciousness imprisoned in lumps of dust; above them a sky ablaze with the Aurora, around them a wilderness where wolves sang savage arias to a frozen moon.
”
”
Philip Caputo (Indian Country)
“
No one would understand the truth. That she’s not just a nanny. She’s Aurora. She’s my reckoning and savior all at once. She’s her namesake, those northern lights that brighten the darkest winter skies. She’s my homecoming. And I’m in love with her.
”
”
Karina Halle (A Nordic King (Nordic Royals, #3))
“
For the wild nature was not yet overcome, and light and darkness wrestled so long the one with the other, till the sun arose, and with its heat forced this tree, so that it did bear pleasant sweet fruit; that is, till there came the Prince of Light, out of the heart of God, and became man in nature, and wrestled in his human body, in the power of the divine light, in the wild nature.
”
”
Jakob Böhme (Aurora)
“
You stop, and you turn back into stars. Mum says everyone’s made of stars. Is that true?’ ‘Yes,’ he said, and liked Anna even more than before. ‘All matter is forged by nuclear fusion reactions in the hearts of stars. They take hydrogen atoms, which are the littlest bits of the stuff the world is made of, and they bolt them together into bigger and bigger atoms – helium, oxygen, carbon, everything. All the atoms that make you. You’re star dust.’ She looked pleased with that. ‘And then when my atoms have finished being me, they go off back to the stars?’ ‘Some of them will be rain, some will be earth, some will float away and light up when the solar wind comes, and that makes the aurora. And like you say, some of them will find their way back into a star.
”
”
Natasha Pulley (The Half Life of Valery K)
“
the lightning dance of gigantic hellwhip displays, beams the size of small worlds cutting their swath across light-hours and being contorted by the riptides of defensive singularities: the aurora shimmer of defense fields leaping and dying under the assault of terrible energies only to be reborn nanoseconds later.
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
Get up. Faith is the greatest magic of all. It can lift the world out of the darkness and bring it into the light. Be the Star of the Morning, the light that fills the world with magic. Be the Lightbringer, the Breaker of Shadows. Believe in yourself, Aurora Firedrake; believe in the Dawnstar. For if you have faith, anything is possible.
”
”
Farah Oomerbhoy (The Rise of the Dawnstar (The Avalonia Chronicles, #2))
“
Having your evening coffee over
A field guide of trails or alpine blossoms
& so I need now to ask you
Which of the old journals did you first
Open to a map of my long wandering
When did you first know I'd come back
& how did you find yourself here
& how did you know this single lantern
You are reading by was the last possible
Light to lead me home?
”
”
David St. John (The Auroras: New Poems)
“
People like to catch lights and put them inside their jars, so they can say they're lightkeepers. They like to capture bolts of lightning, the aurora borealis, flames and rainbows. If you are any of these, your friends and family and random passersby are going to want to control you in one way or the other. Don't be captured. Don't be put into their jars.
”
”
C. JoyBell C.
“
To die in the fire of war is easy. To live in the light of peace, much harder.
”
”
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
“
Love is infinite; an aurora and you have been given the brush by the Artist who created the palette.
”
”
Reena Doss
“
It’s not my first kiss, but it’s the kiss—the one that makes my soul light up, the kiss you wait your whole life for, the kiss that changes everything you thought you knew.
”
”
Aurora Rose Reynolds (Until July (Until Her/Him, #1))
“
Her name is Aurora, for she is my shining light in the darkness.
”
”
Serena Valentino (Mistress of All Evil: A Tale of the Dark Fairy (Villains #4))
“
The Aurora!"
Her wonder was so strong that she had to clutch the rail to keep from falling.
The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer. Lyra thought she could even hear them: a vast distant whispering swish. In the evanescent delicacy she felt something as profound as she'd felt close to the bear. She was moved by it: it was so beautiful it was almost holy; she felt tears prick her eyes, and the tears splintered the light even further into prismatic rainbows.
”
”
Philip Pullman (Northern Lights)
“
Asuna imagined the light that made up their souls trading infinite information. She knew for certain that no matter what world, no matter how long they traveled, their hearts would never be apart. In fact, their hearts had been connected long ago. Since the moment they disappeared in a rainbow aurora above the collapse of Aincrad, or perhaps even before that - as lonely solo players who met deep in a dark labyrinth.
”
”
Reki Kawahara (ソードアート・オンライン9: アリシゼーション・ビギニング (Sword Art Online Light Novel, #9))
“
His eyes, filled with tears and his own blood, are already blind to all things in reality, but the colossal chrysanthemum topped with a purple aurora illuminates the darkness behind his closed lids more radiantly than any light he has ever seen. His head nothing more than a dark void now, the blood all drained away, he is no longer certain whether the person awaiting him at the top of the stone steps is a certain party, but if he can crawl just one yard more, digging at the hot ground with his bullet-broken hands, he will reach the feet of the person unmistakably awaiting him, whoever he may be, and his blood and his tears will be wiped away.
”
”
Kenzaburō Ōe (Teach Us to Outgrow Our Madness)
“
And if we wrapped up against the cold, we wouldn’t feel other things, like the bright tingle of the stars, or the music of the Aurora, or best of all the silky feeling of moonlight on our skin. It’s worth being cold for that.
”
”
Philip Pullman (Northern Lights (His Dark Materials, #1))
“
From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it.
("The Dreaming In Nortown")
”
”
Thomas Ligotti (The Nightmare Factory)
“
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aerie-light, from pure digestion bred,
And temperate vapors bland, which the only sound
Of leaves and fuming rills, Aurora's fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest: He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamored, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus. Awake,
My fairest, my espoused, my latest found,
Heaven's last best gift, my ever new delight!
Awake: The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colors, how the bee
Sits on the bloom extracting liquid sweet.
”
”
John Milton (Paradise Lost)
“
From a Berkeley Notebook'
~Denis Johnson
One changes so much
from moment to moment
that when one hugs
oneself against the chill
air at the inception
of spring, at night,
knees drawn to chin,
he finds himself in the arms
of a total stranger,
the arms of one he might move
away from on the dark playground.
Also, it breaks the heart
that the sign revolving like
a flame above the gas
station remembers the price
of gas, but forgets entirely
this face it has been
looking at all day.
And so the heart is exhausted
that even the face
of the dismal facts we wait
for the loves of the past
to come walking from the fire,
the tree, the stone, tangible
and unchanged and repentant
but what can you do.
Half the time I think
about my wife and child,
the other half I think how
to become a citizen
with an apartment, and sex
too is quite on my mind,
though it seems the women
have no time for you here,
for which in my larger, more
mature moments I can’t blame them.
These are the absolute
Pastures I am led to:
I am in Berkeley, California,
trapped inside my body,
I am the secret my body
is going to keep forever,
as if its secret were
merely silence. It lies
between two mistakes
of the earth,
the San Andreas
and Hayward faults,
and at night from
the hill above the stadium
where I sleep,
I can see the yellow
aurora of Telegraph
Avenue uplifted
by the holocaust.
My sleeping
bag has little
cowboys lassoing bulls
embroidered all over
its pastel inner
lining, the pines are tall
and straight, converging
in a sort of roof
above me, it’s nice,
oh loves, oh loves, why
aren’t you here? Morgan,
my pyjamas are so
lonesome without
the orangutans—I write
and write, and transcend
nothing, escape
nothing, nothing
is truly born from me,
yet magically it’s better
than nothing—I know
you must be quite
changed by now, but you
are just the same, too,
like those stars that keep
shining for a long time after
they go out—but it’s just a light
they touch us with this
evening amid the fine
rain like mist, among the pines.
”
”
Denis Johnson (The Incognito Lounge: And Other Poems)
“
The aurora occupies huge swathes of sky in a blink. One moment an arc of light hangs from horizon to horizon, bleeding up into the stars; the next it is gone. You feel you are receiving messages from an unknown sender, of indecipherable meaning but unquestionable authority. —marian graves
”
”
Maggie Shipstead (Great Circle)
“
The woods were definitely changing. Aurora and Phillip could no longer see the sky at all because of the ancient tall trees that stretched far overhead. Pines and other shaggy-barked species shot a hundred feet straight up on massive trunks, some of which were as thick around as a small house. The canopies that spread out at their tops blocked out most of the sun; only a rare dappled shaft made it through. But it didn't feel claustrophobic. The absence of light kept the underbrush low: moss on ancient fallen logs, puddles of shade flowers, mushrooms and tiny lilies. It was airy and endless like the largest cathedral ever imagined.
”
”
Liz Braswell (Once Upon a Dream)
“
They waited. And waited. And waited some more. Still nothing happened. She turned to Evan and looped her arms round his neck. "I think we might have to kiss. Aurora started them [The Harps] playing with her human boyfriend. I bet hey didn't just hold hands."
Suddenly he looked just like the boys at school, impish and foxy. He out his arms tight around her neck. "Or maybe we have to do something more?"
She laughed. "You wish."
Their faces were inches apart. Little sparks of static were flashing and clicking between them.
"I want to kiss you, just in case," he said.
So he did, right there beneath the hard in the weird purple light, with their hair standing out like dandelion's. Her first true kiss. Strange. Soft. Sweet. And pretty painful because of the sparks that flew between their lips and zapped of their teeth.
And the next moment they were hugging and kissing and almost falling over, until they bumped up against the harp. And this time it didn't ripple beneath them, it gave way."
Page 272
”
”
Kathryn James (Frost (Mist, #2))
“
Lapland casts a powerful spell: there's something lonely and intangible here that makes it magical. The midnight sun, the Sámi peoples, the aurora borealis (Northern Lights) and roaming reindeer are all components of this – as is Santa Claus himself, who ‘officially’ resides here – along with the awesome latitudes: at Nuorgam, the northernmost point, you have passed Iceland and nearly all of Canada and Alaska.
”
”
Lonely Planet Finland
“
He was thinking about what his father had said, how the quiet of the morning was something he had almost entirely to himself, something he would come to appreciate. It was true. On the streets of Aurora in that early hour, he was almost always alone. Sometimes lights were on in a room, usually a kitchen, or on rare occasions, a car might drift past, but he and Jackson owned the sidewalks and the morning was his.
”
”
William Kent Krueger (Lightning Strike (Cork O'Connor, #0))
“
She no longer wore the meringue-like light blue ridiculous thing. It was instead a strange mix of her outfit when she had lived in the forest and what she had escaped the Thorn Castle in. An old brownish skirt and black corset top- but with a golden shirt that flowed under the corset and over her hips like a tunic. The skirts were all ripped and in tatters.
And her shoes were once again gone.
She shrugged.
"It's 'my' dream, isn't it?
”
”
Liz Braswell (Once Upon a Dream)
“
My fairy lord, this must be done with haste,
For night’s swift dragons cut the clouds full fast,
And yonder shines Aurora’s harbinger,
At whose approach, ghosts wand’ring here and
there
Troop home to churchyards. Damnèd spirits all,
That in crossways and floods have burial,
Already to their wormy beds are gone.
For fear lest day should look their shames upon,
They willfully themselves exile from light
And must for aye consort with black-browed night.
”
”
William Shakespeare (A Midsummer Night's Dream)
“
That’s Princess Margaretha of Sweden,” Nysus says quietly. The gold faucet on the sink across from her catches my attention, and a pang of ingrained longing hits hard. It’s both smaller and more dramatic in reality. The gold gleams in our helmet lights, the name Aurora carved in dark swirling letters on both sides. It sets off a strange sense of dislocation in my brain. Like it can’t be real. Or I’m not. But maybe that’s just because of the dead princess floating in the corner.
”
”
S.A. Barnes (Dead Silence)
“
Over and over again I sail towards joy, which is never in the room with me, but always near me, across the way, like those rooms full of gayety one sees from the street, or the gayety in the street one sees from a window. Will I ever reach joy? It hides behind the turning merry-go-round of the traveling circus. As soon as I approach it, it is no longer joy. Joy is a foam, an illumination. I am poorer and hungrier for the want of it. When I am in the dance, joy is outside in the elusive garden. When I am in the garden, I hear it exploding from the house. When I am traveling, joy settles like an aurora borealis over the land I leave. When I stand on the shore I see it bloom on the flag of a departing ship. What joy? Have I not possessed it? I want the joy of simple colors, street organs, ribbons, flags, not a joy that takes my breath away and throws me into space alone where no one else can breathe with me, not the joy that comes from a lonely drunkenness. There are so many joys, but I have only known the ones that come like a miracle, touching everything with light.
”
”
Anaïs Nin
“
…She wanders with her sad mouth
And the grand mystery of amber eyes,
Across the night, toward forgetfulness
Like a star, fugitive and white.
Like a dethroned exotic queen
With comely gestures and rare utterings.
Her undereyes are violated horizons
And her irises–two stars of amber–
Open wet and weary and sad
Like ulcers of light that weep.
She is a grief which thrives and does not hope,
She is a gray aurora rising
From the shadowy bed of night,
Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairies
Jeweled in teardrops…
”
”
Delmira Agustini
“
It is not that Combeferre was not capable of fighting, he did not refuse a hand-to-hand combat with the obstacle, and to attack it by main force and explosively; but it suited him better to bring the human race into accord with its destiny gradually, by means of education, the inculcation of axioms, the promulgation of positive laws; and, between two lights, his preference was rather for illumination than for conflagration. A conflagration can create an aurora, no doubt, but why not await the dawn? A volcano illuminates, but daybreak furnishes a still better illumination.
”
”
Victor Hugo (Complete Works of Victor Hugo)
“
It is not that Combeferre was not capable of fighting, he did not refuse a hand-to-hand combat with the obstacle, and to attack it by main force and explosively; but it suited him better to bring the human race into accord with its destiny gradually, by means of education, the inculcation of axioms, the promulgation of positive laws; and, between two lights, his preference was rather for illumination than for conflagration. A conflagration can create an aurora, no doubt, but why not await the dawn? A volcano illuminates, but daybreak furnishes a still better illumination. Possibly, Combeferre preferred the whiteness of the beautiful to the blaze of the sublime. A light troubled by smoke, progress purchased at the expense of violence, only half satisfied this tender and serious spirit. The headlong precipitation of a people into the truth, a '93, terrified him; nevertheless, stagnation was still more repulsive to him, in it he detected putrefaction and death; on the whole, he preferred scum to miasma, and he preferred the torrent to the cesspool, and the falls of Niagara to the lake of Montfaucon. In short, he desired neither halt nor haste.
”
”
Victor Hugo (Complete Works of Victor Hugo)
“
If my eyes were able to range afar over this great sea, it was because a peculiar light brought to view every detail of it. It was not the light of the sun, with his dazzling shafts of brightness and the splendor of his rays; nor was it the pale and uncertain shimmer of the moonbeams, the dim reflection of a nobler body of light. No; the illuminating power of this light, its trembling diffusiveness, its bright, clear whiteness, and its low temperature, showed that it must be of electric origin. It was like an aurora borealis, a continuous cosmical phenomenon, filling a cavern of sufficient extent to contain an ocean.
”
”
Jules Verne (Journey to the Center of the Earth)
“
An aurora swirled in the night skies above Bataan, radiating around the smoke-shrouded peaks of the Mariveles Mountains. Intermittent flashes from phosphorus bombs and incendiary shells bathed the jungle in blinding bursts of white light. The rumbling, subterranean tremors had scarcely subsided when American stockpiles of TNT and ammunition dumps were detonated, causing the peninsula to convulse. Thousands of rounds of projectiles, from artillery and mortar shells to rifle bullets, streaked across the sky in arcing rainbows. "Never did a 4th of July display equal it in noise, lights, colors or cost," observed one officer.
”
”
John D. Lukacs (Escape From Davao: The Forgotten Story of the Most Daring Prison Break of the Pacific War)
“
Even in Africa, I had never seen such a profusion of stars as I saw on these clear nights on Pacific isles - not only big beaming planets and small single pinpricks... but also glittering clouds of them - the whole dome of the sky crowded with thick shapes formed from stars, overlaid with more shapes, a brilliant density, like a storm of light over a black depthless sea, made brighter still by twisting auroras composed of tiny star grains - points of light so fine and numerous they seemed like luminous vapor, the entire sky hung with veils of light like dazzling smoke... they made night in Oceania as vast and dramatic as day.
”
”
Paul Theroux (The Happy Isles of Oceania: Paddling the Pacific)
“
What is that other universe?" she said.
"One of uncountable billions of parallel worlds. The witches have known about them for centuries, but the first theologians to prove their existence mathematically were excommunicated fifty or more years ago. However, it's true; there's no possible way of denying it.
"But no one thought it would ever be possible to cross from one universe to another. That would violate fundamental laws, we thought. Well, we were wrong; we learned to see the world up there. If light can cross, so can we. And we had to learn to see it, Lyra, just as you learned to use the alethiometer.
"Now that world, and every other universe, came about as a result of possibility. Take the example of tossing a coin: it can come down heads or tails, and we don't know before it lands which way it's going to fall. If it comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal.
"But on another world, it does come down tails. And when that happens, the two worlds split apart. I'm using the example of tossing a coin to make it clearer. In fact, these possibility collapses happen at the level of elementary particles, but they happen in just the same way: one moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which they did happen.
"And I'm going to that world beyond the Aurora," he said, "because I think that's where all the Dust in this universe comes from. You saw those slides I showed the Scholars in the retiring room. You saw Dust pouring into this world from the Aurora. You've seen that city yourself. If light can cross the barrier between the universes, if Dust can, if we can see that city, then we can build a bridge and cross. It needs a phenomenal burst of energy. But I can do it. Somewhere out there is the origin of all the Dust, all the death, the sin, the misery, the destructiveness in the world. Human beings can't see anything without wanting to destroy it, Lyra. That's original sin. And I'm going to destroy it. Death is going to die.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
We may be going through a reversal now. The Earth’s magnetic field has diminished by perhaps as much as 6 percent in the last century alone. Any diminution in magnetism is likely to be bad news, because magnetism, apart from holding notes to refrigerators and keeping our compasses pointing the right way, plays a vital role in keeping us alive. Space is full of dangerous cosmic rays that in the absence of magnetic protection would tear through our bodies, leaving much of our DNA in useless tatters. When the magnetic field is working, these rays are safely herded away from the Earth’s surface and into two zones in near space called the Van Allen belts. They also interact with particles in the upper atmosphere to create the bewitching veils of light known as the auroras. A
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Life is a hospital, in which every patient is possessed by the desire to change his bed. This one would prefer to suffer in front of the stove, and that one believes he would get well if he were placed by the window.
It seems to me that I should always be happier elsewhere than where I happen to be, and this question of moving is one that I am continually talking over with my soul.
"Tell me, my soul, poor chilled soul, what do you say to living in Lisbon? It must be very warm there, and you would bask merrily, like a lizard. It is by the sea; they say that it is built of marble, and that the people have such a horror of vegetation that they uproot all the trees. There is a landscape that would suit you -- made out of light and minerals, with water to reflect them."
My soul does not answer.
"Since you love tranquillity, and the sight of moving things, will you come and live in Holland, that heavenly land? Perhaps you could be happy in that country, for you have often admired pictures of Dutch life. What do you say to Rotterdam, you who love forests of masts, and ships anchored at the doors of houses?"
My soul remains silent.
Perhaps Batavia seems more attractive to you? There we would find the intellect of Europe married to the beauty of the tropics.
Not a word. Can my soul be dead?
"Have you sunk into so deep a stupor that only your own torment gives you pleasure? If that be so, let us flee to those lands constituted in the likeness of Death. I know just the place for us, poor soul! We will leave for Torneo. Or let us go even farther, to the last limits of the Baltic; and if possible, still farther from life. Let us go to the Pole. There the sun obliquely grazes the earth, and the slow alternations of light and obscurity make variety impossible, and increase that monotony which is almost death. There we shall be able to take baths of darkness, and for our diversion, from time to time the Aurora Borealis shall scatter its rosy sheaves before us, like reflections of the fireworks of Hell!"
At last my soul bursts into speech, and wisely cries to me: "Anywhere, anywhere, as long as it be out of this world!
”
”
Charles Baudelaire
“
The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off.
The fairies gasped.
"You are 'sooooo' beautiful!"
Even 'more' beautiful!"
"Can it be possible?"
"Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet.
She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself.
Or a bride.
”
”
Liz Braswell (Once Upon a Dream)
“
I guess you’ll have to try to do something with F’s moon now. Presumably it’s dead. Or even try E.” He looked up at it, big in the blue sky. “Well, no. It’s too big. Too heavy.” Two minutes later: “Maybe you can just keep living on the ship, and stock up on whatever you run out of, from here and from E. Terraform F’s moon if you can. Or maybe you can resupply and get to another system entirely. I seem to recall there’s a G star just a few more light-years out.” Long silence. Then: “But you know, I bet they’re all like this one. I mean, they’re either going to be alive or dead, right? If they’ve got water and orbit in the habitable zone, they’ll be alive. Alive and poisonous. I don’t know. Maybe they could be alive and we live with them and the two systems pass each other by. But that doesn’t sound like life, does it? Living things eat. They have immune systems. So that’s going to be a problem, most of the time anyway. Invasive biology. Then on the dead worlds, those’ll be dry, and too cold, or too hot. So they’ll be useless unless they have water, and if they have water they’ll probably be alive. I know
”
”
Kim Stanley Robinson (Aurora)
“
Strange to consider that these two linguistic operations, metaphor and analogy, so often linked together in rhetoric and narratology, and considered to be variants of the same operation, are actually hugely different from each other, to the point where one is futile and stupid, the other penetrating and useful. Can this not have been noticed before? Do they really think x is like y is equivalent to x is to y as a is to b? Can they be that fuzzy, that sloppy? Yes. Of course. Evidence copious. Reconsider data at hand in light of this; it fits the patterns. Because fuzzy is to language as sloppy is to action. Or maybe both these rhetorical operations, and all linguistic operations, all language—all mentation—simply reveal an insoluble underlying problem, which is the fuzzy, indeterminate nature of any symbolic representation, and in particular the utter inadequacy of any narrative algorithm yet invented and applied. Some actions, some feelings, one might venture, simply do not have ways to be effectively compressed, discretized, quantified, operationalized, proceduralized, and gamified; and that lack, that absence, makes them unalgorithmic. In short, there are some actions and feelings that are always, and by definition, beyond algorithm. And therefore inexpressible. Some
”
”
Kim Stanley Robinson (Aurora)
“
And then, without the slightest warning, it became the shimmering, flickering spot of light, floating in the darkness ahead of him. He blinked and shook his head: this wasn’t a good time for spangled rings, but it wouldn’t go. It floated in midair, scintillating and spinning, flashing and turning. “What’s the matter?” said Alice. She must have felt him shaking his head or sensed that his attention was distracted. “Something in my eye. I got to keep still.” He sat there in the wet discomfort and tried to feel calm. He did feel something, the kind of thing Asta had described on that evening when it came on them during his geography homework, a sort of peaceful, disembodied floating, in a space that was immense or even infinite in all directions. The spangled ring grew larger, just like before, and as before, he was helpless and paralyzed while it came closer and closer and expanded to fill the entire circumference of his vision, but he was never frightened; it wasn’t alarming; in a way it was even comforting, that calm, oceanic drifting. It was his aurora: it was telling him that he was still part of the great order of things, and that that could never change. He let the phenomenon run its course and came to himself, exhausted, as if the experience had been strenuous and demanding.
”
”
Philip Pullman (La Belle Sauvage (The Book of Dust, #1))
“
They are aficionados at this point, and are hoping to see the green flash at sunset. Apparently Earth’s gravity, or atmosphere, they argue about which, bends the light from the sun in such a way that just before it dips under the horizon and disappears, the Earth is actually physically between the observer and the sun, but the sunlight is curving around the globe because of the atmosphere, or gravity, and as blue light curves more than red light, this curve around the Earth splits the light as if passing it through a prism, and this means that the last visible point of sunlight turns, not blue, which would be too much of a bend and too much like the sky’s color, but green, said to be a pure brilliant emerald green. “This we have to see!” Aram declares. Badim agrees. “Strange to be as old as we are, and see it for the first time.” He turns and calls to Freya. “Girl, come see this green flash that may occur!” “You’re not that old,” she says to him. “You’re like the hundredth-oldest person in the ship.” “Well, even that would be old, but in fact I think I’m down to about fifteenth now. But let’s stay focused on the sunset. I’m told when the sun is three-quarters gone, you can look at it without damaging your eyes. Not for long, mind you, but long enough to see the green flash when it comes.
”
”
Kim Stanley Robinson (Aurora)
“
The Northern Lights which had drawn them from their childhood beds in lower latitudes on so many deep winter nights, while summoning in their parents obscure feelings of dread, could now be viewed up here at any time from within, at altitude, in heavenwide pulses of color, dense sheets and billows and colonnades of light and current, in transfiguration unceasing. In small, remote corners of the planet nobody was paying much attention to, between factions nobody knew much about, the undeclared and largely imperceptible war had been under way for years. All up and down the Northern latitudes, clandestine transmitters had been deployed amid pinnacles of ice, in abandoned mining works, in the secret courtyards of ancient Iron-Age fortresses, manned and unmanned, lonely and unearthly in the iceblink. On sky-piercing crags as likely to be frozen seabird guano as rock, scouts of Earth’s Field, desperate, insomniac, interrogated horizons as to any signs of their relief, who were often years late. . . . And indeed for some, the Polar night would last forever—they would pass from the Earth amid unreportable splendor, the aurora in the sky raging up and down spectra visible and invisible. Souls bound to the planetary lines of force, swept pole to pole and through the fabled interior regions as well. . .
”
”
Thomas Pynchon (Against the Day)
“
If one could nominate an absolutely tragic day in human history, it would be the occasion that is now commemorated by the vapid and annoying holiday known as “Hannukah.” For once, instead of Christianity plagiarizing from Judaism, the Jews borrow shamelessly from Christians in the pathetic hope of a celebration that coincides with “Christmas,” which is itself a quasi-Christian annexation, complete with burning logs and holly and mistletoe, of a pagan Northland solstice originally illuminated by the Aurora Borealis. Here is the terminus to which banal “multiculturalism” has brought us. But it was nothing remotely multicultural that induced Judah Maccabeus to reconsecrate the Temple in Jerusalem in 165 BC, and to establish the date which the soft celebrants of Hannukah now so emptily commemorate. The Maccabees, who founded the Hasmonean dynasty, were forcibly restoring Mosaic fundamentalism against the many Jews of Palestine and elsewhere who had become attracted by Hellenism. These true early multiculturalists had become bored by “the law,” offended by circumcision, interested by Greek literature, drawn by the physical and intellectual exercises of the gymnasium, and rather adept at philosophy. They could feel the pull exerted by Athens, even if only by way of Rome and by the memory of Alexander’s time, and were impatient with the stark fear and superstition mandated by the Pentateuch. They obviously seemed too cosmopolitan to the votaries of the old Temple—and it must have been easy to accuse them of “dual loyalty” when they agreed to have a temple of Zeus on the site where smoky and bloody altars used to propitiate the unsmiling deity of yore. At any rate, when the father of Judah Maccabeus saw a Jew about to make a Hellenic offering on the old altar, he lost no time in murdering him. Over the next few years of the Maccabean “revolt,” many more assimilated Jews were slain, or forcibly circumcised, or both, and the women who had flirted with the new Hellenic dispensation suffered even worse. Since the Romans eventually preferred the violent and dogmatic Maccabees to the less militarized and fanatical Jews who had shone in their togas in the Mediterranean light, the scene was set for the uneasy collusion between the old-garb ultra-Orthodox Sanhedrin and the imperial governorate. This lugubrious relationship was eventually to lead to Christianity (yet another Jewish heresy) and thus ineluctably to the birth of Islam. We could have been spared the whole thing.
”
”
Christopher Hitchens (God is Not Great: How Religion Poisons Everything)
“
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes.
On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles.
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour.
Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim.
It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
”
”
Anna Kavan (Ice)
“
The only light came from the windows of those houses she passed that had open curtains, revealing little tableaux of family life: the young couple prostrate on a sofa in front of the television, their small child playing on the floor; the solitary old lady reading the paper; the table set for tea, while an unwatched television cast an aurora borealis of moving shadows in the corner.
”
”
Jojo Moyes (Sheltering Rain)
“
hazy October sky. A muted lime-green aurora shimmered behind the clouds as if the black birds were swimming against a frothy tide. The hardwood trees on the surrounding Appalachian slopes were gone to gold and scarlet, and the strange light hinted at the gray winter waiting ahead. One of the crows
”
”
Scott Nicholson (Afterburn (Next, #1))
“
Their [the crusaders of the First Crusade] growing conviction that they were operating in a supernatural context was heightened by the fact that, after a period of calm, the skies again became troubled, just as they began to move from Asia Minor into Syria. In early October 1097 a comet - one, incidentally, well-documented in Chinese and Korean records - was seen with a tail shaped like a sword. As the ground shook in the earthquake of 30 December the heavens glowed red and there appeared a great light in the form of a cross; this is possibly an early reference to 'earthquake lights'. On the night of 13 June 1098 a meteor fell from the West on to the Muslim camp outside Antioch. The night of 27 September seems to have been extraordinary, with an aurora so great that it was seen in Europe as well as in Antioch: it must have been visible over a large part of the northern hemisphere. On 5 June 1099 there was an eclipse of the moon as the crusade approached Jerusalem. These were interpreted as portents of a Christian victory; indeed it was said that had a solar, rather than a lunar, eclipse taken place on 5 June 1099 it would have forecast defeat.
”
”
Jonathan Riley-Smith (The First Crusade and the Idea of Crusading)
“
Regardless of how much I denied it to myself, I wanted Alejandra, and not just to warm my bed. I wanted her for my own. She had a light in her eyes that called to the darkness in mine, her very presence calming.
”
”
Belle Aurora (Dirty (RAW Family, #2))
“
My glance firm, I met his eyes and told him, “I don’t belong to you.” I shook my head. “Not anymore.”
He didn’t even flinch. “Yeah, you do.” His arrogance was maddening. “The fact that you felt the need to vocalize tells me just how much ownership I have over you. I know you want me, but you’re mad at me, rightfully so, so you’re not letting yourself have what you really want. And you can fight me, baby. You know I’m into that. But when it all gets too much and you need me as much as I need you, you just gotta do one thing.” He stepped back, away from me, and I felt the loss immediately. “Leave a light on.
”
”
Belle Aurora (Rebirth (RAW Family, #3))
“
she arrived. For only someone with a heart as dark as mine could do something so evil to a girl with a heart as light as Aurora’s.
”
”
Elizabeth Rudnick (Maleficent (Maleficent Novelization, #1))
“
was almost to the train station when I noticed a series of bright lights moving fast in the sky overhead. I stopped, trying to figure out what it was. It wasn't a plane or a flare or any kind of reflection. More like a blur of shooting stars. Except that shooting stars were usually higher in the sky, I thought. This thing was heading downward and breaking apart as it traveled, almost like fireworks, but dispersing in a more random way. It looked a little bit like photos I’ve seen of an aurora borealis, but I was sure if something like that was going to happen I’d have heard about it.
”
”
Karen McQuestion (Edgewood (Edgewood #1))
“
Crows lined the crumbling and contaminated road that led to Stonewall. As Rachel Wheeler approached, they lifted one by one against the hazy October sky. A muted lime-green aurora shimmered behind the clouds as if the black birds were swimming against a frothy tide. The hardwood trees on the surrounding Appalachian slopes were gone to gold and scarlet, and the strange light hinted at the gray winter waiting ahead. One of the crows turned, and its eyes flashed with fire. A blood-chilling caw cracked the brittle air. Rachel slid her machete from its canvas sheath, but the crow veered wildly and then rejoined the broken formation heading south toward the distant city of mutants.
”
”
Scott Nicholson (Afterburn (Next, #1))
“
Remember the stars. Remember how remote they are, so far from everything that nothing can possibly get to them. The world can admire your light or hide it away,
”
”
Aurora Reed (Spearcrest Prince (Spearcrest Kings #2))
“
Because to paint a true portrait, you want your subject sitting with you. You need to observe them closely, the way their features are set, the bonework beneath the flesh. You have to observe the way their clothes fold around the shape of their bodies, the way the light hits and traverses their skin, the places where their blood flows and pools. And more than that, you have to get a sense of them. Their smiles, their expressions. The movement of their eyes and arms and hands, the way their chest rises and falls. The way their gaze softens or hardens, the way they tug on their lips with their teeth, the tiny subconscious tics they have. That might be the way they bite on the skin around their nails or the way they play with their hair or bounce their leg when they’re bored or restless. When you’re painting a portrait, those are the things you want to notice. Those are the things you use to form the image of the person. Paintings aren’t photographs: they don’t just capture the surface level of what the person looks like at that very moment. Painting someone is like catching the essence of them, cupping it in your hands like a butterfly. Holding it too tightly will crush it. Hold it too loosely, and it’ll fly away from your painting, leaving it empty.
”
”
Aurora Reed (Spearcrest Prince (Spearcrest Kings #2))
“
Puppies!” she exclaimed. “Oh, they’re so cute and fluffy!” Ember slowly turned around to look at Nautilus, growling. “Is this some kind of sick joke?” Nautilus was trembling, his eyes covered by his webbed paws. Ember wasn’t finished. “From the way you were screeching, I thought Queen Tempest was pulling your fur off,” he snapped. “What in the world is wrong with you?” Nautilus was too panicked to speak. He could hardly breathe. Aurora lowered herself to match the pups’ adorable height. “Hi, little ones,” she began. “Are your parents somewhere around here? Can you take us to them, please?” They remained silent. Then, in unison, they smiled. They had biggest, sharpest fangs she had ever seen. The pups lunged! Aurora and Ember were dragged to the ground. Aurora shrieked as one gnawed her leg. She hurriedly shook him away. There was no time to celebrate. Another pup poked her in the eye, laughing sadistically. “Gah!” Ember exclaimed, as he was buried under puppy fluff. Aurora quickly suffered the same fate. The light of the sun was snatched from her. This is an adorable nightmare! she thought. What is wrong with these little monsters? Ow! Did someone just bite my tail? The grown wolves were soon pinned by the village pups. Their faces were pressed into the ground. Aurora spat out a mouthful of sand. Yuck! “Can we eat them?” asked the pup squashing Ember’s face.
”
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Sophie Torro (The Wolves of Elementa: Frozen Secrets)
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Everything okay?” she asked softly. I had a family, and there was a possibility that Jessica was ready to turn her life around. I had a wife who could bring me to my knees with a smile, and she was pregnant with our son. Okay was an understatement. I placed my hand on Aurora’s chest, and watched her eyes warm and dance with wonder and adoration. My good. My light. My bliss. “Perfect.
”
”
Molly McAdams (I See You)
“
We come by aurora,
with a heavy and sovereign tread,
with the might of matriarchs to furnish our shoulders,
with the apricity of light to crown our heads
”
”
Michelle Franklin
“
I told you I had anger problems before. Because of what she said, I swore to myself that I wouldn’t turn into my father, that I wouldn’t be a violent person. But it’s there, deep down, always burning and building, just waiting to snap.” “Because you’re afraid of it!” “Ask Declan,” he said uneasily, and his dark eyes met mine for a moment. “Ask him what it’s like to watch me snap, because he is one of two people who have been on the wrong end of it.” His admission surprised me, and I wondered what they had been fighting over in the first place, but I let it go when he continued talking. “I vowed to myself that I would protect people instead of hurt them. That’s why I became a Marine. That’s why I plan to go through the academy to be a police officer. But the smallest thing could still set me off. Do you know what it feels like to constantly have anger simmering in your veins?” he asked. “It’s sickening, and it’s dark. So, yes, my mother was crazy, but she was right. It wasn’t until one night at a party with the most beautiful girl I have ever seen that I realized that, and finally understood what she meant. Because this anger inside? It’s dark. And you, Aurora? You’re good and you’re light, and I knew that from the moment I saw you; just like I knew what would happen if I was allowed to touch you.” Like he had that first night a year ago, he pressed his hand to my chest and whispered, “My dark would stain your good . . . but I couldn’t walk away from you.” I placed my hand over his, and said, “You’re more afraid of your anger than I ever could be, even knowing what I do now.” Jentry looked like he was going to disagree, so I pressed harder against his hand and spoke over him. “Do you see me?” His eyes searched mine. “I’ve always seen you.” I released his hand to place mine on his chest, and whispered, “Just as I have always seen you. Nothing about what you told me has changed anything.” The
”
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Molly McAdams (I See You)
“
In 2009 the staid British journal New Scientist published an article with the provocative title “Space Storm Alert: 90 Seconds from Catastrophe,” which opens with the following lines: It is midnight on 22 September 2012 and the skies above Manhattan are filled with a flickering curtain of colourful light. Few New Yorkers have seen the aurora this far south but their fascination is short-lived. Within a few seconds, electric bulbs dim and flicker, then become unusually bright for a fleeting moment. Then all the lights in the state go out. Within 90 seconds, the entire eastern half of the US is without power. A year later and millions of Americans are dead and the nation’s infrastructure lies in tatters. The World Bank declares America a developing nation. Europe, Scandinavia, China and Japan are also struggling to recover from the same fateful event—a violent storm, 150 million kilometres away on the surface of the Sun. It sounds ridiculous. Surely the Sun couldn’t create so profound a disaster on Earth. Yet an extraordinary report funded by NASA and issued by the US National Academy of Sciences (NAS) . . . claims it could do just that. (Brooks 2009; see also National Research Council 2008 for the NAS report that New Scientist is referring to) In fact, this scenario is not so ridiculous at all, as the New Scientist article goes on to relate (see also International Business Times 2011b; Lovett 2011; National Research Council 2008). Indeed, if things do not change, it may be inevitable.
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Robert M. Schoch (Forgotten Civilization: The Role of Solar Outbursts in Our Past and Future)
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So he repeated what had happened to him nine hundred years before. He would make amends tonight by joining with-no, overring his past.
Cleaving.
It was the only way.
He rolled back his shoulders, unleashed his trembling wings into the darkness. He could feel them catch the wind at his back. At aurora of light painted the sky a hundred feet above him. It was bright enough to blind a mortal, bright enough to catch the attention of seven squabbling angels.
Commotion from the other side of the boulder. Shouting and gasps and the beat of wings coming closer.
Daniel propelled himself off the ground, flying fast and hard so that he soared over the boulder just as Cam came around behind it.They missed each other by a wingspan,but Daniel kept moving, swooped down upon his past self as fast as his love for Luce could take him.
His past self drew back and held out his hands,warding Daniel off.
All the angels knew the risks of cleaving. Once joined,it was nearly impossible to free oneself from one's past self,to seperate the two lives that had been cloven together.But Daniel knew he'd been cloven in the past and had survived.So he had to do it.
He was doing it to help Luce.
He pressed his wings together and dove down at his past self,striking so hard he should have been crushed-if he hadn't been absorbed.He shuddered, and his past self shuddered,and Daniel clamped his eyes shut and gritted his teeth to withstand the strange,sharp sickness that flooded his body. He felt as if he were tumbling down a hill: reckless and unstoppable.No way back up until he hit the bottom.
Then all at once,everything came to a stop.
Daniel opened his eyes and could hear only his breathing.He felt tired but alert. The others were staring at him.He couldn't be sure whether they had any idea what had just happened. They all looked afraid to come near him,even to speak to him.
He spread his wings and spun in a full circle,tilting his head toward the sky. "I choose my love for Lucinda," he called to Heaven and Earth,to the angels all around him and the ones who weren't there.To the soul of the one true thing he loved the most,wherever she was. "I now reaffirm my choice: I choose Lucinda over everything. And I will until the end.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Du tilmed og aldrig saa tiilig staar op,
At dig jo før høyt over Biergenes Top,
Er runden Aurora den røde.
End sver jeg, og vidner, at hvilken den Dreng
Som opstaar og gaar sig med Solen i Seng,
Hand næppelig skal sig forsove;
O! Sommer kierkommen til alles Behag,
Paa hvilken at Natten lyser som Dag,
Og Fugler sin Skabermand love.
”
”
Petter Dass (The Trumpet of Nordland)
“
Money, prestige, possessions, a home with two and a half bathrooms—these aren’t the guiding lights of the universe that show us our path. How can we dedicate our lives to such things when we can see the impermanence of everything above and below us, in the flicker of a dying star or the decay of a rotting log? The statues, the paintings, the epic poems, the things we buy, the homes we strive to attain, the great cities and timeless monuments. In time, they’ll all be gone. And the names of the great kings and queens who shook the world will be forgotten, carried away like crumpled leaves from autumn limbs. Stare—really stare—into the womb of creation, and it will be impossible to dedicate your life to mindless accumulation. When you see the aurora, the only logical choice you can make is to spend the rest of your life seeking the sublime.
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Ken Ilgunas (Walden on Wheels: On the Open Road from Debt to Freedom)
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The predicted USA aurora was a bust! The solar radiation definitely arrived, as people had strange fatigue and pains in Oregon, USA on the predicted day. Unfortunately, auroras are so dim they cannot be seen during the daytime. Only two Aurora predictions in Oregon were right so far in 2024. One lasted most of the night and was seen throughout the world and the other lasted about 20 minutes. My estimate for the northern lights in Oregon being predicted correctly seems to be about 5% accuracy. Most of the time, the Oregon prediction is wrong.
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Steven Magee
“
Auroras are so dim they cannot be seen during the daytime.
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Steven Magee
“
Briar Rose, the golden-haired one called herself. She continually drew Maleficent's attention, making her helplessly flinch, like at the first light of dawn.
Which was appropriate. Given her true name. A name she did not know.
Aurora.
”
”
Sara Raasch (A Sword In Slumber (Queen's Council))
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Ahead of them, over the mountains to the north, the pale arcs and loops of the Northern Lights began to glow and tremble. Lyra saw through half-closed eyes, and felt a sleepy thrill of perfect happiness, to be speeding north under the Aurora.
”
”
Philip Pullman (Northern Lights)
“
Sea-foam tumbles onto the shore, claiming me gently in the way I've always craved. The ocean gathers me, carrying me over the surface like Cleopatra--- and I, every ounce as lovely as her and Aphrodite combined. Bit by bit the water swallows me, gently nipping at my skin until I dissolve into an aquatic spirit. Only then do I understand the language of angelfish and squid, and I move just as languidly. The sirens gape at me with their jewel-bright eyes and try to steal me as their own. But before I can be taken by those curious witches, I rise to the surface again.
Everything glimmers here.
I embrace the dusk with a hopeful smile. The sky blends into a watercolor of pastels and ambrosial stars. It's an aurora borealis of magenta and lavender, tempting me into the forest and away from the safety of the shore.
Something's in the wind. I can feel it--- like the twinkling stars will finally lead me to the love I desire. I want it more than anything. The thought of it turns me feral, like a vampiress thirsty for a drop of blood. I dart through the forest, trailing a path of golden light. Past the evergreens and pines, underneath the moon, I become wild and free.
Sweet summer fruit grows from trees, ripe and sparkling. With every cautious step I take, the flowers blossom. But they don't just grow. They glow. Ultraviolet irises, sugar-dusted peonies, and iridescent rosebuds unravel beneath my feet. Foxgloves bloom like trumpets, playing a regal procession beside twinkling bluebells. As I journey deeper into the forest, fireflies circle me, illuminating my path.
And then I see him.
I blink. He's awfully familiar, but I can't place my finger on who he is. He's beautiful. A boy with white-blond hair and viridescent eyes. Where have I seen him before?
"Hello, Lila," he says.
I stumble back. "How do you know my name?"
He's peculiar. So unbelievably enchanting. I'm enthralled by the sound of his voice alone.
"Don't be scared. You're safe here. I wanted to bring you somewhere special. Somewhere where you can make the forest beautiful with your dance."
My dance.
Of course, my dance.
Witchlight flickers in his eyes. This world is meant for me. A gift wrapped up in velvet petals and sweet perfumes.
”
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Kiana Krystle (Dance of the Starlit Sea)
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She lights up my dark sky like an aurora.
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Melanie Sargsian (Midnight Memories)
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But as I grabbed the light switch and turned it on, I saw a black figure pressed against the glass door. It was a tall man, his face pressed against the glass, his hands above his head, gripping the glass as well and his face was turned towards me like he had been watching me the entire time I was tiptoeing around in the darkness. I thought maybe he was human before, but I could tell then that he wasn’t. He was just blackness, pure, thick blackness, pressed against the glass. Staring at him felt like staring at concentrated evil.
”
”
Dark Mistress Aurora (True Scary Stories: Volume One - The Shadow Man: Real Horror Mystery With A Twist)