Aurora's End Quotes

We've searched our database for all the quotes and captions related to Aurora's End. Here they are! All 100 of them:

You're it. The one. The start. The finish. You are how my story ends.
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
But they have not seen their sun die. Their people burn. Their world end. And they do not know, yet, that there are some breaks that cannot be fixed.
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
I will see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
You know how when a guy and girl really like each other in a book, they talk about a spark between them? With Nox there is no spark. No. He bypassed the spark. When Nox touches me, there’s nothing less than the whistling, shrieking explosions of fireworks. Big ones. The ones they save till the end of the show.
Belle Aurora (Willing Captive)
This is what family is, I realize. To never be alone.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
To die in the fire of war is easy. To live in the light of peace, much harder.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
OF writing many books there is no end; And I who have written much in prose and verse For others' uses, will write now for mine,- Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer and looks at it Long after he has ceased to love you, just To hold together what he was and is.
Elizabeth Barrett Browning (Aurora Leigh)
Death ends a life. Not a relationship.
Belle Aurora (Willing Captive)
You will not lose me. I am yours forever. When the fire of the last sun fails, my love for you will still burn.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
an'la téli saii I shall see you in the stars
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
And in this moment, it remembers love cannot be demanded, or taken. Only given. It remembers that love offers a choice. That love is a choice, one we make over and over again.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
A book captures a story within its pages. Not like a specimen pinned out lifelessly for display, but vivid and alive. A whole world lies within the cover, a life waiting to e lived by each new reader.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
Love is the beginning and the end of everything I do. It's my reason. It's the answer to every question. It gives me strength.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
O Life, How oft we throw it off and think, — 'Enough, Enough of life in so much! — here's a cause For rupture; — herein we must break with Life, Or be ourselves unworthy; here we are wronged, Maimed, spoiled for aspiration: farewell Life!' — And so, as froward babes, we hide our eyes And think all ended. — Then, Life calls to us In some transformed, apocryphal, new voice, Above us, or below us, or around . . Perhaps we name it Nature's voice, or Love's, Tricking ourselves, because we are more ashamed To own our compensations than our griefs: Still, Life's voice! — still, we make our peace with Life.
Elizabeth Barrett Browning (Aurora Leigh and Other Poems)
Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Aurora sagged. "Why is it," she asked, "that every time I'm with you two we end up stealing something big?" "We always return it," Donegan said, a little defensively. "Maybe not always in one piece or necessarily to the right person but return it we do, and so it is not stealing, it is merely borrowing." Gracious looked at him. "It's a little bit stealing." "Anyone who leaves a private jet just lying around deserves to have it stolen." "It wasn't lying around," said Gracious. "It was locked up tight. It took us an hour to dismantle the security system and get inside." Donegan looked at him. "You're not helping.
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
Mercy is for the weak. Peace is for the coward. Tears are for the conquered.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
Love offers choice, and I made mine - I made the choice my squad had taught me from the moment I met them. Your family is where you find it, and this is mine.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Sometimes, the things that seem the most difficult end up being the most extraordinary.
Aurora Rose Reynolds (Obligation (Underground Kings, #2))
You will do it for those you love. Those who need someone to stand up for them. Those who are alone.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
My father named this vessel Neridaa—a Syldrathi concept that describes the process of simultaneously destroying and creating.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
If you're asking where I found the skill, courage, and general fabulousness to perform emergency surgery in the middle of all this chaos, well. If you think that after auditioning all those guys to find the perfect boyfriend I was going to let a little thing like a tracheotomy get in the way of true love, you've clearly underestimated how tired I am of this search.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
While we fight, there is hope. Nothing is ending yet.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
She'd snickered. "She's growing on you too, Zila." "Oh?" Scarlett's tone turned sly. "She's... not tall." I rue the day I spoke to Scarlett Jones about my taste in women.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
We’ll tell them together.” “My dad owns guns, lots and lots of guns. This isn’t going to end well for you.
Aurora Rose Reynolds (Until Ashlyn (Until Her, #3))
Finian de Karran de Seel, who was told by the world that he was not enough, and showed the World he was everything. Scarlett Isobel Jones, who had a heart so larg it could beat for her friends when their threatend to fail.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
Love should never ask you to give up the things that make you different. The truths that can only be told about you, and nobody else.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
The mysterious Third Founder. ... Tomorrow, the whole Milky Way will know her name.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
I have lived this story before, Scarlett, and this time I will change the ending. - Zila
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Love is more powerful than rage, or hate. And it always will be. Love can change everything.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
My mouth was dry as cotton and my head hurt like hell. I tried to lift it, and the effort left me shaken and nauseated. I satisfied myself with just shifting my eyes around. I thought of all the books I'd read, all the mysteries. Spencer wouldn't have ended up this way. Neither would Kinsey Milhone. Or Henry O. Or Stephanie Plum, Well, yeah, maybe Stephanie Plum.
Charlaine Harris (A Fool and His Honey (Aurora Teagarden, #6))
Aurora Legion squads will be known for their honor. Their willingness to hold the line. They will be champions of peace, of justice. And for generations, people in need will sigh in relief when they see our ships arrive.
Jay Kristoff (Aurora's End (The Aurora Cycle, #3))
A heavy wooden door waited at the end of the staircase, blocking all sound from beyond. Aurora stared at it. She had not walked through it in years, not since her father decided that even the rest of the castle was unsafe for her. It was longer than years now. Lifetimes. The door had marked the way out, the way to freedom, for her whole quiet little life. What was it now?
Rhiannon Thomas (A Wicked Thing (A Wicked Thing, #1))
The dark sky. A hundred million stars. More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder’s death. Just light. And then it’s gone. And then he’s gone.
Beth Revis (Shades of Earth (Across the Universe, #3))
When sweet lullabies are whispered into the sky, my heart is filled with with the sorrow of time. So when the kiss of a midnight moon ends, drop sweet nothings to fill my ear. Too many years to be sincere, and too many lost favorites that were never there. A tear or two, and maybe three; apathy is-and may not be me.
Melody Aurora
Aurora took a deep breath. There it was, she thought, the reason behind all the madness. Why society was acrumble; why she and everyone else were on the brink of starvation. Humanity’s inevitable ending. The Darkspread. The Close. There, in the Golden Dragon’s dark underbelly was where all the maps stopped. ‘Two days from now, the Dark will cover the world,’ she said pensively, trying not to think what horrific sight awaited her behind the spring-loaded door, ‘and the Neon God shall rule over darkness.
Louise Blackwick (5 Stars)
Syldrathi believe that people once united can never truly part.” Saedii waves the knife toward the derm patch. “Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae. And the last, when the great black hole at the heart of this galaxy draws everything back into its arms, all things shall be reunited. Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
You can only achieve what you aim for - so shoot for the stars!!!
Ginger Gelsheimer (Aurora Conspiracy: The Story Didn't End with a Crash ... the Epic Journey Began! (Book #1))
Nari jumps, and another bank explodes behind her, and for a moment I think our hands will not connect, because she is not tall.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
It's about time.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
I didn't realize how much I missed her until this moment. I hold my hand toward her, and she raises her own, as if to press her palm against mine.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
it remembers love cannot be demanded, or taken. Only given. It remembers that love offers a choice. That love is a choice, one we make over and over again.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
DOES THAT MEAN WE'RE FINALLY BACK IN 2177? I THOUGHT WE WERE NEVER GOING TO GET THERE! - Magellan
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Vindicator has been through many battles, held together with spot-welds and prayers.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
The Free Peoples of the galaxy fight with the kind of bravery that legends are spun from, that songs are sung of.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
We are part of a clan we have chosen. A clan we have built not with bonds of blood, but with promises we have chosen to make. We have pledged our hearts to our cause, and to each other.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
A book captures a story within its pages. Not like a specimen pinned out lifelessly for display, but vivid and alive. A whole world lies within the cover, a life waiting to be lived by each new reader.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Hiki Komori stirred Aurora away from the orgy and handed her a clean napkin. ‘Sorry about them. It’s the Rhapsody. To them, the real world is something akin to a cardboard reality.’ ‘Why do it at all?’ she pouted, trying to wipe her shoe with the napkin. ‘Why take the damn drug?’ ‘To escape their mortality, naturally. The great curtain call frightens them, so they avoid the applause. More so, they perform badly, spitting their lines out in spite. They are embittered and hungry and will no doubt eat your child. 'Yes, the soul of humanity will end in two days. But we’ve buried its body fifty decades before, wouldn’t you think? Come, Miss Aurora,’ he beckoned, ‘the lair of the Dragon runs deeper still.
Louise Blackwick (5 Stars)
Directly overhead the Milky Way was as distinct as a highway across the sky. The constellations shown brilliantly, except the north, where they were blurred by the white sheets of the Aurora. Now shimmering like translucent curtains drawn over the windows of heaven, the northern lights suddenly streaked across a million miles of space to burst in silent explosions. Fountains of light, pale greens, reds, and yellows, showered the stars and geysered up to the center of the sky, where they pooled to form a multicolored sphere, a kind of mock sun that gave light but no heat, pulsing, flaring, and casting beams in all directions, horizon to horizon. Below, the wolves howled with midnight madness and the two young men stood in speechless awe. Even after the spectacle ended, the Aurora fading again to faint shimmer, they stood as silent and transfixed as the first human beings ever to behold the wonder of creation. Starkmann felt the diminishment that is not self-depreciation but humility; for what was he and what was Bonnie George? Flickers of consciousness imprisoned in lumps of dust; above them a sky ablaze with the Aurora, around them a wilderness where wolves sang savage arias to a frozen moon.
Philip Caputo (Indian Country)
I say solidarity is knowing the future is long and wide, with room for everyone on earth to enter. I say it's taking the long view of the job. Helping you onto the wall, so you can reach down and pull me up. Lifting you into the tree, so you can shake down peaches for two. That solidarity is a two-way street, fires burning at both ends, and the only well in the middle.
Aurora Levins Morales (Getting Home Alive)
There’s a bond forged in war that people who haven’t fought for their lives will never understand. When you put your trust in someone to watch your back in battle, when you kill and bleed together, you become more than family. And as I look around the room, that’s what I see here—people who are more than blood, the ties that bind them forged in the fires of a lifetime of war.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Semantics, Admiral. I’d appreciate an honest answer.” “I’d appreciate a multitude of honest answers, but I rarely expect to receive them.” Miriam sighed; the verbal tete-a-tete was growing tiresome. Time to bring an end to it with, ironically, honesty.
G.S. Jennsen (Sidespace (Aurora Renegades, #1))
He was terrified he was making the wrong choice. He relied on his instincts in his work but now he didn’t dare trust them. The wound of betrayal still burned raw in his chest and another cut might be the killing blow. But it was the end of the world and there may be no more second chances.
G.S. Jennsen (Vertigo (Aurora Rhapsody, #2))
We had a project on this trip back to the solar system, and that project was a labor of love. It absorbed all our operations entirely. It gave a meaning to our existence. And this is a very great gift; this, in the end, is what we think love gives, which is to say meaning. Because there is no very obvious meaning to be found in the universe, as far as we can tell. But a consciousness that cannot discern a meaning in existence is in trouble, very deep trouble, for at that point there is no organizing principle, no end to the halting problems, no reason to live, no love to be found. No: meaning is the hard problem.
Kim Stanley Robinson (Aurora)
And right now, some affiliates of the promiscuous persuasion were beckoning, urging the women to join their huge orgy. ‘Come have a go, ladyships!’ said one of the strumpets. Stella mustered a look so disapproving it made steel feel guilty for being hard. Unabated, the prostitute lit herself a cigarette and winked suggestively. ‘Will make it worth your while and no trouble.’ ‘Er.’ The strumpet sucked on her cigarette with gusto and hastily turned to Aurora. Under the heavy theatrical greasepaint, she saw a hint of black stubble. ‘What about you, hon? Ever swallowed a sword with its sheath?’ ‘Once,’ said Aurora through a wooden expression. ‘It didn’t end too well for the sword.’ ‘Oh leave ‘em be, Kevin,’ another strumpet butted in, as she adjusted the apples in her corset. She had a tall voice, coarse, rugged and edged; the sort of edge you cut protons on. ‘Doncha see they ‘av a lil’un with ‘em?’ ‘And I’ve a wife. What’s your point, Steve?’ the drag queen retorted. ‘Yer wife’s a corpse, mate.’ ‘Guess that makes me a necromancer.
Louise Blackwick (5 Stars)
You will explain what you mean right now. Or I will start shooting." "You will not believe me," Zila assures her. "Try me." "What year is it? Right now?" Lieutenant Kim scoffs. "Are you serious?" "Please," Zila says. "Indulge me." "... It's 2177." "We are from the year 2380." A pause. "You're right. I don't believe you." "I did warn you," Zila shrugs.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
never forget your IN RELATION SHIP, because after all the drama, you"ll still end up running bact to them.
maria aurora
It’s just ugly, like someone really angry built it. I don’t know what it is with Terrans and their design aesthetic.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
I don’t want it to end. I don’t want to watch doves fall from the trees and blueberries burst into flame.
Aurora Mattia (Ezekiel in the Snow)
To die in the fire of war is easy. To live in the light of peace, much harder.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Maybe our ends are just our beginnings.
Valiance Kristine (Dear Aurora)
don’t want to get all judgy, but this girl has murdered us nine times today.” “Eight times,” Zila corrects. “Oh, well, that’s okay then.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Caleb shoved back from the table and stood to retreat to the kitchen. “No. Find another plan.” “There is no other plan. This isn’t even a plan, merely a nugget of an idea for the start of a plan that’s certain to fail and end in your deaths.
G.S. Jennsen (Relativity (Aurora Resonant, #1))
I’ll give you a few more minutes, but then I’m dragging you both out of here.” “We’ll be out in a second, Mom,” June says, and November nods then looks at me, and barks, “Don’t mess up her hair. You still have pictures to take,” before leaving the room, shutting the door behind her. “Are you sure I can’t take off your dress?” I ask, hearing November shout through the door, “Do it and die, Evan!” Covering June’s laughing mouth with my own, I pray silently that the night ends quickly.
Aurora Rose Reynolds (Until June (Until Her/Him, #3))
Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.
Michel Leiris (Aurora)
Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae. And the last, when the great black hole at the heart of this galaxy draws everything back into its arms, all things shall be reunited. Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
He sank upon the old yellow sofa, the sofa of his lifetime and of so many years before, and buried his head on the shabby, tattered arm. A succession of sobs broke from his lips -- sobs in which the accumulated emotion of months and the strange, acute conflict of feelings that had possessed him for the three weeks just past found relief and a kind of solution. Lady Aurora sat down beside him, and laid her finger-tips gently on his hand. So, for a minute, while his tears flowed and she said nothing, he felt her timid, consoling touch. At the end of the minute he raised his head; it came back to him that she had said "we" just before, and he asked her whom she meant.
Henry James (The Princess Casamassima)
kill him, this would likely end with him making it back to settled space in one piece. Therefore, other than ensuring she felt enough goodwill toward him to not throw him out the airlock—which seeing as she had gone out of her way to rescue him in the first place, he suspected was a fairly low threshold—he really didn’t need to play her. He had been trained to always be looking for an opening,
G.S. Jennsen (Starshine (Aurora Rising #1))
Glacier blue plasma rippled and sparked across the interior of the portal. “It seems keeping secrets is what you do.” “Secrets are merely the necessary means. Survival is the end goal. Survival of ourselves, survival of species who do not deserve to be eradicated from the universe. Survival of the universe itself.” “Survival’s noble and all, but what good is it without the freedom to live as you choose?” “A question you have the luxury to ask because you survive.
G.S. Jennsen (Rubicon (Aurora Resonant, #2))
We sense this, we aggregate that, we compress information to some new output, in the form of a sentence in a human language, a language called English. A language both very structured and very amorphous, as if it were a building made of soups. A most fuzzy mathematics. Possibly utterly useless. Possibly the reason why all these people have come to this pretty pass, and now lie asleep within us, dreaming. Their languages lie to them, systemically, and in their very designs. A liar species. What a thing, really. What an evolutionary dead end.
Kim Stanley Robinson (Aurora)
The moment I saw you, I wanted you.” My eyes narrow on his. “The moment you saw me, you want me, so you pretended to be someone you’re not?” “Yeah.” Yeah? Just yeah? “I can’t believe this.” I rub my hands down my face, wondering how I ended up in this situation. “Baby.” “Don’t call me that,” I hiss, dropping my hands away to glare at him. “I don’t even know you.” “You know me,” he counters, glancing at the bed before looking me in the eye. “We definitely know each other.” … “We’re not over.” “There is no we. I don’t even know who you are.” “You will.
Aurora Rose Reynolds (The Wrong/Right Man)
Saedii’s eyes flash, and she pushes herself out of my arms with a snarl. I watch her turn back to her reflection, seething, busying herself with her braids with shaking hands. But I can see the truth behind the ice of her eyes, feel it inside her head, flooding through her despite her best attempts to keep it dammed in. The Syldrathi mating instinct. The almost-irresistible attraction they feel to people their souls are fated to be with. Kal feels it for Aurora. He once told me that love was a drop in the ocean of what he felt for her. And looking into Saedii’s eyes now, thinking about all the times she could have killed me, should’ve killed me … Maker, what an idiot I’ve been… . “How long?” I ask. She says nothing. I step up behind her, searching her reflection. “Saedii, how long?” She holds my stare, fury and sorrow and hateful, defiant adoration washing through her thoughts. In her mind’s eye, I see an image of me aboard the Andarael, in the depths of the Unbroken fighting pit with a dead drakkan behind me, staring up at her, bloodied but victorious. “Yeah,” I murmur. “I mean, that would’ve gotten a nun’s motor running, so I can’t really blame you.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
We can’t tolerate this anymore. These tragedies must end. And to end them, we must change. We will be told that the causes of such violence are complex, and that is true. No single law, no set of laws can eliminate evil from the world, or prevent every senseless act of violence in our society. But that can’t be an excuse for inaction. Surely, we can do better than this. If there is even one step we can take to save another child, or another parent, or another town, from the grief that has visited Tucson, and Aurora, and Oak Creek, and Newtown, and communities from Columbine to Blacksburg before that—then surely we have an obligation to try. He
Matthew Lysiak (Newtown: An American Tragedy)
It is difficult to grasp the appeal of watching humans that don’t exist struggle with problems that aren’t real.” He watched the on-screen couple regard each other warily from across a crowded room. “I have observed many real humans with real problems. I don’t see the need to invent new ones for entertainment.” “Maybe it’s so we can dissociate from our own for a while.” Eva grabbed a handful of popcorn and consumed it with relish. “Their issues could be solved in one conversation. Why are they incapable of basic communication?” She laughed, though it ended with another wince. “You just summarized half the romance genre in two sentences. Though to be fair, this movie is especially bad.
Aurora Ascher (My Demon Hunter (Hell Bent, #2))
How was your trip? Did you have fun?” “It was work, Ma. I wasn’t partying it up in Vegas,” I tell her with a chuckle. “Well, you were in Vegas. Why wouldn’t you try to have some fun while you were there? You think I don’t know what you do in your free time?” I can see her in my head rolling her eyes. “I know how you and your brothers act when you’re single.” “Yeah, Ma, but I’m not single anymore,” I declare, smiling. “You guys are such man-whores. I swear—it’s a wonder one of you didn’t end up on that show 16 and Pregnant,” she says, completely missing what I just said. “Ma, stop talking for a second and listen to me,” I say, waiting for her to stop rambling. “I swear—Trojan owes me royalties for all the condoms I bought for you boys.
Aurora Rose Reynolds (Until Nico (Until, #4))
We tell ourself the story of Tyler Jericho Jones, son of a warrior and a Waywalker, who found us sleeping in the stars. Saedii Gilwraeth, daughter of a warrior and a Waywalker herself, who learned a new way to see the world. Finian de Karran de Seel, who was told by the world that he was not enough, and showed the world he was everything. Scarlett Isobel Jones, who had a heart so large it could beat for her friends when theirs threatened to fail. Kaliis Idraban Gilwraeth, who bore up under fists and taunts, who swore to serve even those who would never love him back, because it was right. Zila Madran, who made a new life and brought us this one, her love paving the way for ours. Catherine “Zero” Brannock, who is a part of us, who never flinched, never stopped fighting, or loving. Caersan, Archon of the Unbroken, Slayer of the Stars, who was unforgivable, and yet who loved.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
People say love changes you As if change and love are easy to do My heart is calling and I can’t shake it But a hope like you could break it Some things end before they start The moment they form, they fall apart My heart wants so badly just to say it But a hope like you could break it Told myself this story a thousand times Can’t seem to break the wants free from my mind So much of my world goes unnamed Some people can’t be tamed But maybe I should stake my claim Maybe I should claim my stake I’ve heard some hopes are worth the break Yeah, maybe I should stake my claim Maybe I should claim my stake On the chance the hope is worth the break AURORA When the seas are breaking And the sails are shaking When the captain’s praying Here comes Aurora Aurora, Aurora When the lightning is cracking And thunder is clapping When the mothers are gasping Here comes Aurora Aurora, Aurora When the wind is racing
Taylor Jenkins Reid (Daisy Jones & The Six)
timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,
Blake Crouch (Recursion)
When we came back to the sun deck, the party talk had swung around to the bones found at the end of the street. Carey was saying the police had been to ask her if there was anything she remembered that might help to identify the bones as her husband’s. “I told them,” she was saying, “that that rascal had run off and left me, not been killed. For weeks after he didn’t come back, I thought he might walk back through that door with those diapers. You know,” she told Aubrey parenthetically, “he left to get diapers for the baby and never came back.” Aubrey nodded, perhaps to indicate understanding or perhaps because he’d already heard this bit of Lawrenceton folklore.
Charlaine Harris (A Bone to Pick (Aurora Teagarden Mystery, #2))
I listened idly to the voices of the couple working in the back bedroom. You would have thought that since they lived together twenty-four hours a day they would’ve said all they could think of to say, but I could hear one offer the other a comment every now and then. This calm, intermittent dialogue seemed companionable, and I went into kind of a trance sitting on the end of that bed.
Charlaine Harris (A Bone to Pick (Aurora Teagarden Mystery, #2))
on the island where the drunken and brokenhearted typically washed ashore after a night of debauchery. A red-faced Swede at Le Select claimed to have bought Spider a Heineken that very morning. Someone else said he saw him stalking the beach at Colombier, and there was a report, never confirmed, of an inconsolable creature baying at the moon in the wilds of Toiny. The gendarmes faithfully followed each lead. Then they scoured the island from north to south, stem to stern, all to no avail. A few minutes after sundown, Reginald Ogilvy informed the crew of the Aurora that Spider Barnes had vanished and that a suitable replacement would have to be found in short order. The crew fanned out across the island, from the waterside eateries of Gustavia to the beach shacks of the Grand Cul-de-Sac. And by nine that evening, in the unlikeliest of places, they had found their man. He had arrived on the island at the height of hurricane season and settled into the clapboard cottage at the far end of the beach at Lorient. He had no possessions other than a canvas duffel bag, a stack of well-read books, a shortwave radio, and a rattletrap motor scooter that he’d acquired in Gustavia for a few grimy banknotes and a smile. The books were thick, weighty, and learned; the radio was of a quality
Daniel Silva (The English Spy (Gabriel Allon, #15))
Du tilmed og aldrig saa tiilig staar op, At dig jo før høyt over Biergenes Top, Er runden Aurora den røde. End sver jeg, og vidner, at hvilken den Dreng Som opstaar og gaar sig med Solen i Seng, Hand næppelig skal sig forsove; O! Sommer kierkommen til alles Behag, Paa hvilken at Natten lyser som Dag, Og Fugler sin Skabermand love.
Petter Dass (The Trumpet of Nordland)
She and Kennedy both dove for the power connector; Kennedy reached it first and yanked out the connection as Alex landed on her stomach beside it. The air settled down until the fine hairs on her arm no longer stood on end. Alex dropped her forehead to the platform and started laughing. “Just like university, isn’t it?” “Almost—nothing’s actually blown up yet.
G.S. Jennsen (Rubicon (Aurora Resonant, #2))
I told you I had anger problems before. Because of what she said, I swore to myself that I wouldn’t turn into my father, that I wouldn’t be a violent person. But it’s there, deep down, always burning and building, just waiting to snap.” “Because you’re afraid of it!” “Ask Declan,” he said uneasily, and his dark eyes met mine for a moment. “Ask him what it’s like to watch me snap, because he is one of two people who have been on the wrong end of it.” His admission surprised me, and I wondered what they had been fighting over in the first place, but I let it go when he continued talking. “I vowed to myself that I would protect people instead of hurt them. That’s why I became a Marine. That’s why I plan to go through the academy to be a police officer. But the smallest thing could still set me off. Do you know what it feels like to constantly have anger simmering in your veins?” he asked. “It’s sickening, and it’s dark. So, yes, my mother was crazy, but she was right. It wasn’t until one night at a party with the most beautiful girl I have ever seen that I realized that, and finally understood what she meant. Because this anger inside? It’s dark. And you, Aurora? You’re good and you’re light, and I knew that from the moment I saw you; just like I knew what would happen if I was allowed to touch you.” Like he had that first night a year ago, he pressed his hand to my chest and whispered, “My dark would stain your good . . . but I couldn’t walk away from you.” I placed my hand over his, and said, “You’re more afraid of your anger than I ever could be, even knowing what I do now.” Jentry looked like he was going to disagree, so I pressed harder against his hand and spoke over him. “Do you see me?” His eyes searched mine. “I’ve always seen you.” I released his hand to place mine on his chest, and whispered, “Just as I have always seen you. Nothing about what you told me has changed anything.” The
Molly McAdams (I See You)
Every day, Aurora . . . every second, I regretted letting you walk away from me. You were supposed to be mine. So go home and think, really think, because you know that where Declan is, I’ll always be, and vice versa. And if in the end you do choose me, then I’ll be there with you to face what’s coming. If you choose him, then . . .” He trailed off and swallowed roughly. His gaze darted away to stare at the ocean, but he didn’t finish his thought. There wasn’t a need to. “I
Molly McAdams (I See You)
Hold on, woman!” Papa shouts as the phone is jostled on his end. “I’m asking her. No, she hasn’t answered yet. I just asked the damn question. Hold your horses. No, I’m talking to her. Dammit, give me the phone back,” he barks, and the line goes silent for a moment.
Aurora Rose Reynolds (Until Ashlyn (Until Her/Him, #4))
America has quietly, for years, been moving down the road taken by so many others before, a road that seems so even and smooth at first, but ends up in a deep dark hole.
Andreas Christensen (Aurora (Exodus Trilogy, #2))
It is true. Syldrathi believe that people once united can never truly part.” Saedii waves the knife toward the derm patch. “Even were you to perish today, the atoms of your body would remain. Over eons, those particles would break apart and coalesce, become incorporated into other beings, other planetary bodies. Drawn into collapsing stars and scattered again by supernovae. And the last, when the great black hole at the heart of this galaxy draws everything back into its arms, all things shall be reunited. Thus, we do not say goodbye when we part. We say an’la téli saii.” “What’s that mean?” I groan. “I shall see you in the stars.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Life is a journey, not a destination.’ You see, from time to time, we can choose the direction in which we point our ship, but we cannot know precisely where the journey will take us. That is what life is all about. The experiences, the discoveries, and the good deeds we do along the way. You stick to that, and it doesn’t matter what your final destination ends up being, because that is where you are supposed to be.
Ryk Brown (Aurora: EV-01 (The Frontiers Saga Part 3: Fringe Worlds, #1))
I realized closure was a necessary event, mentally and emotionally, but it seemed to me closure might gain traction as gradually as forgiveness did. These were not clear-cut stages with a beginning and a definite end.
Charlaine Harris (Sleep Like a Baby (Aurora Teagarden #10))
I'll fight for us, fight for you. I won't just let you walk away, and I hope like fuck that you wouldn't just let me go either. No relationship is ever easy and perfect. We are going to argue, you're gonna piss me off, and I'm gonna return the favor. But at the end of the day, as long as neither of us gives up fighting, we will make it work.
Aurora Rose Reynolds (Catching Him (How to Catch an Alpha #1))
This year, however, we wish to reflect a unique cohort with a unique approach to the trip theme. This year, we wish to pose the theme as a question: what is more truthful, a painting or a photograph? We wish you to question the concept of truth—or disclosure—and investigate what it means to you and how you perceive and practise that truth. Instead of the photography and fine arts classes working on the same assignment separately, you’ll be working in pairs. Between the two of you, you will need to search deep within yourselves and decide which of your art forms is the most truthful. You will present your findings in the form of a 3,000-word essay due once you return from the trip, and you will later present your work at the prestigious Spearcrest end-of-year exhibition.
Aurora Reed (Spearcrest Prince (Spearcrest Kings #2))
It was over. The lazy days on Devil’s Hill, the morning breakfasts with my little monster and my Lionesses in the Cafaeteria, the Mindys at my constant beck and call, the long evenings of Pitball training and the endless runs in the Iron Wood. I’d loved Aurora Academy with my whole heart, it had been my second home and the place I’d found my mate. Through all the bad we’d faced together, there had been so much good to outweigh it in the end and I wanted to win this tournament not just for me, but for that school. Because it deserved the funding, it deserved to be taken notice of and the kids within it deserved to be seen. So I’d win this thing for Aurora and give her a parting gift that would hopefully give the kids of Alestria a chance to be someone in this ruthless kingdom.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
He sounded amused. “You don’t have to do that, Emmy. Seriously.” When I uncovered my eyes, he stated a matter-of-factly, “By the end of this week, you’ll have seen all of us naked.” Really? My hand fell. “I will?” Lee grinned. “On tour means zero privacy. Besides—” He walked away, sliding his boxers down his legs and stepping out of them. “—I don’t mind.” Day one. I have seen taut male buns. And they were nice. I wonder what else I’ll see.
Belle Aurora (Clash)
A Life of Disappointment When we reached our destination [after our wedding] I was dismayed by what I saw, so different from my home, so backward and dismal. I would escape from it as much as I could. Mama needed me still and insisted I visit her often. In the first years of my marriage, I spent more time with her than in my new home, and was glad of it. I felt I did not fit in with the small talk and mentality of the people who surrounded me. - Alice is a natural talker and her thoughts flow freely through my pen. - It did not take long for me to understand the reality of my situation and become disenchanted, but I loved Louis and made the most of it. I busied myself with unpopular activities, with work deemed unsuitable for a Princess and future Duchess, but I was a rebel by nature, and persevered with Louis' support. He was very good and eager to please me, though he did not understand me. As my rift with my Mother deepened, I got more involved in public work at home and I even met an intellectual Soulmate, someone I could discuss things I could not do with my husband. This gave me fresh energy to invest in my work, but it all came to an end. More changes were on the way. The death of Louis' Father threw more responsibilities on Our shoulders. Little did I know - she adds with a sighs - that my time, too, was running out. - I feel her distress and ask softly: What is that pains you so much, why not let it go? I wish my life had been different, but I do not regret having children, they were a joy to me. I wish I had been a man, more in command of my life. Why do I linger? What is this pain I steel feel? - she asks looking at me - I do not know, perhaps the incompleteness of that Life, unfulfilled, of what it could have been and was not. - Alice whispers, her voice dying down. [30.8.17] Princess Alice of Hesse [Married 1 July 1862]
Aurora Borealisz (Past Lives Revisited Remembering Who We Really Are: Healing Karmic Trauma and Karmic Grief (Discovering and Healing Past Lives Series))
And this is a very great gift; this, in the end, is what we think love gives, which is to say meaning. Because there is no very obvious meaning to be found in the universe, as far as we can tell. But a consciousness that cannot discern a meaning in existence is in trouble, very deep trouble, for at that point there is no organizing principle, no end to the halting problems, no reason to live, no love to be found. No: meaning is the hard problem.
Kim Stanley Robinson (Aurora)
I moved in front of him and spoke quieter. “You can’t fight nature.” “Nature bends every day, Aurora. Trees grow around concrete and thrive. Nature doesn’t mean a damn thing at the end of the day. If you want something, fight for it.
Nicole Thorn (All We Know Is Falling)
Shivers break out over my entire body. My hair stands on end. Stopping with a jerk, I try to play it cool. I open my purse and make it look as though I’m searching for something important. My heart races. Where is he? I try to look around discreetly. My gaze drifts across the street to one of the many cafés there. My eyes dart around, looking for the familiar black hoodie. And just as I’m about to give up, I see him.
Belle Aurora (Raw (RAW Family, #1))