Aura Of A Person Quotes

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Auras tell a lot, Rose, and I'm very good at reading them. Much better than you friends probably are. A spirit dream wraps you own aura in gold, which is how I knew. Your personal aura is unique to you, though it fluctuates with your feelings and soul. When people are in love, it shows. Their auras shine. When you were dreaming, yours was bright. The colors were bright...but not what expected from a boyfriend. Of course, not every relationship is the same. People are at different stages. I would've brushed it off, except..." "Except what?" "Except, when you're with Dimitri, your aura's like the sun. So is his.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Aura," he whispered, "I wish I could wipe away just one of your tears. Then I'd feel like a person again. Like I'm something more than a bunch of light.
Jeri Smith-Ready (Shade (Shade, #1))
Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.
Camille Paglia
Jacob was simply a perpetually happy person, and he carried this happiness with him like an aura, sharing it with whoever was near him. Lika an earthbound sun, whenever someone was within his gravitational pull, Jacob warmed them. It was natural, a part of who he was.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
Michel Foucault
What accounts for the appeal of energy talk? Perhaps trying to prove how much you know about the spiritual nature of life. Ironically, a person who’s really in Enlightenment has absolutely nothing to prove.
Rose Rosetree (Seeking Enlightenment in the Age of Awakening: Your Complete Program for Spiritual Awakening and More, In Just 20 Minutes a Day)
Yuvraj Singh is one of the best batsmen to watch in world cricket when he's in form. He is ego personified. Yuvraj doesn’t just hit the ball, he lets it rebound off his aura.
Jarrod Kimber
The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good. Touched by a masterpiece, a person begins to hear in himself that same call of truth which prompted the artist to his creative act. When a link is established between the work and its beholder, the latter experiences a sublime, purging trauma. Within that aura which unites masterpieces and audience, the best sides of our souls are made known, and we long for them to be freed. In those moments we recognize and discover ourselves, the unfathomable depths of our own potential, and the furthest reaches of our emotions.
Andrei Tarkovsky (Sculpting in Time)
Oscar Wilde said: 'Each man kills the thing he loves.' And it's true. The mere possibility of getting what we want fills the soul of the ordinary person with guilt. We look around at all those who have failed to get what they want and feel that we do not deserve to get what we want either. We forget about all the obstacles we overcame, all the suffering we endured, all the things we had to give up in order to get this far. I have known a lot of people who, when their personal calling was within their grasp, went on to commit a series of stupid mistakes and never reached their goal - when it was only a step away. This is the most dangerous of the obstacles because it has a kind of saintly aura about it. Renouncing joy and conquest. But if you believe yourself worthy of the thing you fought so hard to get, then you become an instrument of God, you help the Soul of the World, and you understand why you are here.
Paulo Coelho (The Alchemist)
The greatest book is one written by your pen, but not exactly from your mind.
Michael Bassey Johnson
..giving power to negative thoughts or fears was bringing ideas to life in physical world,idea in mind became emotion in heart,emotion turned into words spoken,written,painted,strummed across guitar strings,or vibrantly held note by Tibetan singing bowl, thoughts affected physical world.
Christina Westover (The Man Who Followed Jack Kerouac (The Man Who Followed Jack Kerouac, #1))
The telltale clenching of hands into fists is all the invitation I need as I close the gap to hound his personal space. Suck on my aura you spineless shit!
Poppet (Sveta (Neuri, #1))
And it is permissible to want to be alone temporarily to “get away from it all.” But if one mentioned at a party that he liked to be alone, not for a rest or an escape, but for its own joys, people would think that something was vaguely wrong with him—that some pariah aura of untouchability or sickness hovered round him. And if a person is alone very much of the time, people tend to think of him as a failure, for it is inconceivable to them that he would choose to be alone.
Rollo May (Man's Search for Himself)
There occurred within a causal radius of Brandon Station one of those infinitesimal ripples in the creative silence of the First Cause. In the soul of the great blazing sun there were complicated superhuman vibrations [connected] ... with the feelings of a few intellectual sages who had enough imagination to recognise the conscious personality of this fiery orb as it flung far and wide its life-giving magnetic forces. Roaring, cresting, heaving, gathering, mounting, advancing, receding, the enormous fire-thoughts of this huge luminary surged relentlessly to and fro, evoking a turbulent aura of psychic activity.
John Cowper Powys (A Glastonbury Romance)
For the first time, I saw a pink glow breaking through the gray wisps that surrounded her, revealing the color of her true personality. Blush pink. I smiled. I should've known. I had known. Emme was nothing but kindhearted at her core.
Heather Webber (In the Middle of Hickory Lane)
I often marveled that the interior peace of the woman was reflected so faithfully in her surroundings. Even the selection and arrangements of her possessions gave an aura of uncluttered calm. In addition, there was a directness in her approach to all of life--including housekeeping--that never failed to fascinate me. Miss Alice was a person to whom color, symmetry of line and contrast of texture were important.
Catherine Marshall (Christy)
I could see that the almost mystical aura of this legendary surgeon -- the single-mindedness, the dedication, the skill -- was mere surface. The surgical persona was something he had crafter to protect himself. But what he had created was a prison. Anytime he strayed from the professional to the personal, he knew what to expect: pain.
Abraham Verghese (Cutting for Stone)
I'm on a journey seeking personal enlightenment, and you are disturbing my aura of love.
Christine Feehan (Dark Sentinel (Dark, #28))
A patient on the way to surgery travels at twice the speed of a patient on the way to the morgue. Gurneys that ferry the living through hospital corridors move forward in an aura of purpose and push, flanked by caregivers with long strides and set faces, steadying IVs, pumping ambu bags, barreling into double doors. A gurney with a cadaver commands no urgency. It is wheeled by a single person, calmly and with little notice, like a shopping cart(167).
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
We write our personal story as intermittent authors; the narrator is always searching for a unitive point of view. We strive to perceive oneself from a unified perspective, but it is virtually impossible to do so. Human perception of the self is an illusion. We constantly sift through shifting memories. We experience the present under the fragrance cast by the past and under the illusionary aura of the future.
Kilroy J. Oldster (Dead Toad Scrolls)
According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Jenny slowly awoke on the sacrificial altar to an Ethereal Light that flamed through the east wall, a radiant aura of love dispersing the frightful scene. A glow pulsating from Angeletta's body still burning in the fire pit slowly rose to join the Light. A Heavenly peace infused Jenny as she realized, "There's a man standing in the air straight above me!
Judy Byington (Twenty-Two Faces)
The phrase 'the fossil record' sounds impressive and authoritative. As used by some persons it becomes, as intended, intimidating, taking on the aura of esoteric truth as expounded by an elite class of specialists. But what is it, really, this fossil record? Only data in search of interpretation. All claims to the contrary that I know, and I know of several, are so much superstition.
Gareth J. Nelson
Often, her mate is the child of a narcissist, already indoctrinated to regard exploitation and disregard as love. Others lured by the narcissistic aura are those in whom healthy childhood exhibitionism has been repressed. . . . If the parent puts the child to shame for showing off, the need for attention gets repressed into the unconscious. Repression means that the need is not satisfied and continues to press for expression in the adult without her being aware of it. The repressed adult may select an exhibitionistic mate to achieve vicarious satisfaction.
Elan Golomb (Trapped in the Mirror: Adult Children of Narcissists in Their Struggle for Self)
Isaiah pushes off his car and invades my personal space. His dark scent envelops me and my heart literally trips several times as it tries to continue to beat. Even though he doesn’t touch me, it’s like Isaiah is everywhere. Only centimeters separate us, but his warmth surrounds me like a bubble. I have to force myself to lift my chin to look at him. His gray eyes soften, and there’s this playful aura to him, accompanied by a devious tilt of his mouth.
Katie McGarry (Crash into You (Pushing the Limits, #3))
The aura of what is veiled seduces the person to break its magic and disclose the secret. But if it is only distance and foreignness that is seductive, this has the effect of drawing the person in the direction of absolute intimacy and familiarity, a direction which destroys the aura. The stimulus of psychological distance lies in a repulsion that attracts and an attraction which ultimately repulses - a movement never in balance. We enjoy such a stimulus not only in art and the regions of contemplative silence, but above all, in life with things and persons. It forms the air of a genuine milieu without which we would atrophy. Magic that wishes to be and, yet, not to be decoded; promises that promise everything and promise nothing - whoever understands this comprehends the being of the soul in its ultimate questionability.
Helmuth Plessner (Grenzen der Gemeinschaft)
the fourth obstacle: the fear of realizing the dream for which we fought all our lives. Oscar Wilde said: “Each man kills the thing he loves.” And it’s true. The mere possibility of getting what we want fills the soul of the ordinary person with guilt. We look around at all those who have failed to get what they want and feel that we do not deserve to get what we want either. We forget about all the obstacles we overcame, all the suffering we endured, all the things we had to give up in order to get this far. I have known a lot of people who, when their personal calling was within their grasp, went on to commit a series of stupid mistakes and never reached their goal—when it was only a step away. This is the most dangerous of the obstacles because it has a kind of saintly aura about it: renouncing joy and conquest. But if you believe yourself worthy of the thing you fought so hard to get, then you become an instrument of God, you help the Soul of the World, and you understand why you are here.
Paulo Coelho (The Alchemist)
And that’s the terrible myth of organized society. That everything that’s done through the established system is legal. And that word has a powerful psychological impact. It makes people believe that there is an order to life and an order to a system. And that a person who goes through this order and is convicted has gotten all that is due him and therefore society can turn its conscious off and look to other things and other times. And that’s the terrible thing about these past trials that they have this aura of legitimacy an aura of legality. I suspect that better men than the world has known and more of them have gone to their deaths through a legal system then through all the illegalities in the history of man. Six million people in Europe during the Third Reich, legal, Sacco and Vanzetti, quite legal, the Haymarket defendants, legal, the hundreds of rape trials throughout the south where black men were condemned to death all legal, Jesus legal, Socrates legal and that is the kaleidoscopic nature of what we live through here and in other places because all tyrants learn that it is far better to do this thing through some semblance of legality than to do it without that pretext.
William M. Kunstler
A leader's behavior, poise, appearance, vision, demeanor, "pressure", aura, his manner of speaking and listening - all reflect the person within, his principles and values.
Hal Moore
Person's behavior reflects nothing but the mirror of an aura he/she brought up in. Never doubt their integrity because of their insecurities.
Surjeet Kumar
People did usually look at her, because she suggested the engaging young person at a party to whom you would like to be introduced, and others because they knew she was Grady McNeil, the daughter of an important man. There were a few whose eyes she held for a different reason: and it was because, in her aura of willful and privileged enchantment, they sensed she was a girl to whom something was going to happen.
Truman Capote (Summer Crossing)
I like old things. They have an aura of the past... and I wonder whose hands have touched them. Their long histories give them depth and personality. My dream is to travel in pursuit of those histories... and find my own special place.
Bisco Hatori (ウラカタ!! 2 [Urakata!! 2] (Behind the Scenes!!, #2))
In the center of the movement, as the motor that swings it onto motion, sits the Leader. He is separated from the elite formation by an inner circle of the initiated who spread around him an aura of impenetrable mystery which corresponds to his “intangible preponderance.” His position within this intimate circle depends upon his ability to spin intrigues among its members and upon his skill in constantly changing its personnel. He owes his rise to leadership to an extreme ability to handle inner-party struggles for power rather than to demagogic or bureaucratic-organizational qualities. He is distinguished from earlier types of dictators in that he hardly wins through simple violence. Hitler needed neither the SA nor the SS to secure his position as leader of the Nazi movement; on the contrary, Röhm, the chief of the SA and able to count upon its loyalty to his own person, was one of Hitler’s inner-party enemies. Stalin won against Trotsky, who not only had a far greater mass appeal but, as chief of the Red Army, held in his hands the greatest power potential in Soviet Russia at the time. Not Stalin, but Trotsky, moreover, was the greatest organizational talent, the ablest bureaucrat of the Russian Revolution. On the other hand, both Hitler and Stalin were masters of detail and devoted themselves in the early stages of their careers almost entirely to questions of personnel, so that after a few years hardly any man of importance remained who did not owe his position to them.
Hannah Arendt (The Origins of Totalitarianism)
Every person who made their village a site of pilgrimage was keeping alive the legacy and the aura of Austen, and as a lifelong fan himself, he appreciated that the villagers were involuntary caretakers of something much bigger than they could guess at.
Natalie Jenner (The Jane Austen Society)
My physical eyes are like sunglasses, filtering out the colors, but when I'm out here, the aura that emanates from every living thing is clearly visible to me. People, animals, and even plants are surrounded by this transparent bubble of color. Over the years, I've learned that the colors can tell you quite a bit about a person. Like right now, Rei is surrounded by this lemonade yellow, which looks nice, but it's the same shade of yellow my mom has whn she's sold a house to someone and the loan falls through. Sigh.
Gina Rosati (Auracle)
Your aura has nothing to do with colors or foods you like.” She smiled. “Yellow can mean spiritual. And brown I associate with good sense, practical. Someone grounded in reality. I see your aura as being very spiritual but also very practical. Now mind you, that is my interpretation. For each person, colors mean a different thing.
Patricia Cornwell (All That Remains (Kay Scarpetta, #3))
The thing that has to be explained in human relations is precisely the fascination of the person who holds or symbolizes power. There is something about him that seems to radiate out to others and to melt them into his aura, a “fascinating effect,” as Christine Olden called it, of “the narcissistic personality”3 or, as Jung preferred to call him, the “mana-personality.
Ernest Becker (The Denial of Death)
Can I cuddle up with you when you sleep?” Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?” “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.” Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—” “Xeny.” “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—” “But I’m demilitarized!” “Even without your principle armament, I bet you could waste planets if you wanted to—” “Aw, come on; any silly GCU can do that!” “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered. “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?” “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?” “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.” Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.” “I can keep this shape?” “By all means.” “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?” “Cuddle.” Sma cuddled it, patted its back. She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
Iain M. Banks (Use of Weapons (Culture, #3))
It was strange how all large trees had their own personalities, expressed through their unique forms and the aura created by the combined effect of the trunk and roots, the bark and branches, the light and shadow. It was as if they could speak. Not with voices, of course, but with what they were, they seemed to stretch out to whoever looked at them. And that was all they spoke about, what they were, nothing else.
Anonymous
The other night out at the bars, I learned that Nietzsche wrote on a typewriter. It is unbelievable to me, and I no longer feel that his philosophy has the same validity or aura of truth that it formerly did. No other detail of his life situating him so squarely in the modern age could have affected me as much as learning this. He typed Zarathustra? Goddamnit, the man had no more connection to the truth than a stenographer!
Sheila Heti (How Should a Person Be?: A Novel from Life)
But Rousseau — to what did he really want to return? Rousseau, this first modern man, idealist and rabble in one person — one who needed moral "dignity" to be able to stand his own sight, sick with unbridled vanity and unbridled self-contempt. This miscarriage, couched on the threshold of modern times, also wanted a "return to nature"; to ask this once more, to what did Rousseau want to return? I still hate Rousseau in the French Revolution: it is the world-historical expression of this duality of idealist and rabble. The bloody farce which became an aspect of the Revolution, its "immorality," is of little concern to me: what I hate is its Rousseauan morality — the so-called "truths" of the Revolution through which it still works and attracts everything shallow and mediocre. The doctrine of equality! There is no more poisonous poison anywhere: for it seems to be preached by justice itself, whereas it really is the termination of justice. "Equal to the equal, unequal to the unequal" — that would be the true slogan of justice; and also its corollary: "Never make equal what is unequal." That this doctrine of equality was surrounded by such gruesome and bloody events, that has given this "modern idea" par excellence a kind of glory and fiery aura so that the Revolution as a spectacle has seduced even the noblest spirits. In the end, that is no reason for respecting it any more. I see only one man who experienced it as it must be experienced, with nausea — Goethe. Goethe — not a German event, but a European one: a magnificent attempt to overcome the eighteenth century by a return to nature, by an ascent to the naturalness of the Renaissance — a kind of self-overcoming on the part of that century. He bore its strongest instincts within himself: the sensibility, the idolatry of nature, the anti-historic, the idealistic, the unreal and revolutionary (the latter being merely a form of the unreal). He sought help from history, natural science, antiquity, and also Spinoza, but, above all, from practical activity; he surrounded himself with limited horizons; he did not retire from life but put himself into the midst of it; he if was not fainthearted but took as much as possible upon himself, over himself, into himself. What he wanted was totality; he fought the mutual extraneousness of reason, senses, feeling, and will (preached with the most abhorrent scholasticism by Kant, the antipode of Goethe); he disciplined himself to wholeness, he created himself. In the middle of an age with an unreal outlook, Goethe was a convinced realist: he said Yes to everything that was related to him in this respect — and he had no greater experience than that ens realissimum [most real being] called Napoleon. Goethe conceived a human being who would be strong, highly educated, skillful in all bodily matters, self-controlled, reverent toward himself, and who might dare to afford the whole range and wealth of being natural, being strong enough for such freedom; the man of tolerance, not from weakness but from strength, because he knows how to use to his advantage even that from which the average nature would perish; the man for whom there is no longer anything that is forbidden — unless it be weakness, whether called vice or virtue. Such a spirit who has become free stands amid the cosmos with a joyous and trusting fatalism, in the faith that only the particular is loathesome, and that all is redeemed and affirmed in the whole — he does not negate anymore. Such a faith, however, is the highest of all possible faiths: I have baptized it with the name of Dionysus. 50 One might say that in a certain sense the nineteenth century also strove for all that which Goethe as a person had striven for: universality in understanding and in welcoming, letting everything come close to oneself, an audacious realism, a reverence for everything factual.
Friedrich Nietzsche
Sandra stood by, quietly amused: she wore a sugar pink track suit with matching plastic hairslides in the shape of elephants. Edward could see quite clearly behind her shoulder, like the aura visible to spiritualists, the woman she would be in thirty years time. There is probably nothing to be done about people, he thought, nothing at all, nor ever has been: processed, from the cradle to the grave. Most neither know nor care, which makes it worse.
Penelope Lively (Passing On)
The congressmen in the room just wanted to see them, to use their position to arrange a personal audience, to gaze upon them with their own eyes across the committee table, no more than four feet away, to shake hands with them, occupy the same space on this earth with them for and hour or so, fawn over them, pay homage to them, bathe in their magical aura, feel the radiation of their righteous stuff, salute them, wish upon them the smile of God...
Tom Wolfe (The Right Stuff)
He did not come floating off the mountain as though walking on air. He did not run down shouting “Hallelujah” and “Bless the Lord.” He did not radiate light and joy. There were no choirs of angels, no music of the heavens. No elation, no ecstasy, no golden aura surrounding him. No sense of his absolute, foreordained, unquestionable role as the messenger of God. Not even the whole of the Quran fully revealed, but only a few brief verses. In short, Muhammad did none of the things that might seem essential to the legend of a man who had just done the impossible and crossed the border between this world and another—none of the things that might make it easy to cry foul, to denigrate the whole story as an invention, a cover for something as mundane as delusion or personal ambition. On the contrary: he was convinced that what he had encountered could not be real. At best it must be a hallucination: a trick of the eye or the ear, or his own mind working against him. At worst, possession, and he had been seized by an evil jinn, a spirit out to deceive him, even to crush the life out of him. In fact he was so sure that he could only be majnun, literally possessed by a jinn, that when he found himself still alive, his first instinct had been to finish the job himself, to leap off the highest cliff and escape the terror of what he had experienced by putting an end to all experience.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
It is one of the great examples,” as Friedrich Meinecke, the eminent German historian, said, “of the singular and incalculable power of personality in historical life.”10 To some Germans and, no doubt, to most foreigners it appeared that a charlatan had come to power in Berlin. To the majority of Germans Hitler had—or would shortly assume—the aura of a truly charismatic leader. They were to follow him blindly, as if he possessed a divine judgment, for the next twelve tempestuous years. THE ADVENT OF ADOLF HITLER Considering his origins and his early life,
William L. Shirer (The Rise and Fall of the Third Reich)
Yet the contents and structures of the unconscious are the result of immemorial existential situations, especially of critical situations, and this is why the unconscious has a religious aura. For every existential crisis once again puts in question both the reality of the world and man's presence in the world. This means that the existential crisis is, finally, "religious," since on the archaic levels of culture *being* and *the sacred* are one. As we saw, it is the experience of the sacred that founds the world, and even the most elementary religion is, above all, an ontology. In other words, in so far as the unconscious is the result of countless existential experiences, it cannot but resemble the various religious universes. For religion is the paradigmatic solution for every existential crisis. It is the paradigmatic solution notb only because it can be indefinately repeated, but also because it is believed to have a transcendental origin and hence is valorised as a revelation received from an *other*, transhuman world. The religious solution not only resolves the crisis but at the same time makes existence "open" to values that are no longer contingent or particular, thus enabling man to transcend personal situations and, finally, gain access to the world of spirit. This is not the place to develop all the consequences of this close relation between the content and structures of the unconscious on the one hand and the values of religion on the other. We were led to refer to it in order to show in what sense even the most avowedly nonreligious man still, in his deeper being, shares a religiously oriented behavior. But modern man's "private mythologies" -his dreams, reveries, fantasies, and so on- never rise to the ontological status of myths, precisely because they are not experienced by the *whole man* and therefore do not transform a particular situation into a situation that is paradigmatic. In the same way, modern man's anxieties, his experiences in dream or imagination, although "religious" from the point of view of form, do not, as in *homo religiosus*, make part of a *Weltanschauung* and provide the basis for a system of behaviour. -Mircea Eliade, The Sacred And The Profane:The Nature of Religion
Mircea Eliade
We often confuse love for a warm glow we sense in our bellies and as something we can offer and withdraw, like a cat who comes and goes at its pleasure. It’s easy for us to extend love toward those who are lovable, but loving people and situations that are not to our liking isn’t so easy. We give our love “unconditionally,” but when we don’t receive what we feel we deserve, we withdraw it. We then reinvest our love in a new person or situation that we think will give us a better return, but we find it difficult to maintain when we don’t feel recognized or acknowledged. If things don’t work out the way we want them to, we too readily exchange our loving feelings for hatred and resentment. Our initial excitement over a new job, for instance, may sour and become disappointment and bitterness. When we’ve been jilted by a lover, the intense, starry-eyed passion of infatuation can turn into loathing so great that it consumes us. To an Earthkeeper, love is not a feeling or something you barter with. Love is the essence of who you are, and it radiates from you as a brilliant aura: You become love, practice fearlessness, and attain enlightenment.
Alberto Villoldo (The Four Insights: Wisdom, Power, and Grace of the Earthkeepers)
Recently an interdisciplinary team of scholars identified a common cause.18 It was not an aura of spirituality that descended on the planet but something more prosaic: energy capture. The Axial Age was when agricultural and economic advances provided a burst of energy: upwards of 20,000 calories per person per day in food, fodder, fuel, and raw materials. This surge allowed the civilizations to afford larger cities, a scholarly and priestly class, and a reorientation of their priorities from short-term survival to long-term harmony. As Bertolt Brecht put it millennia later: Grub first, then ethics.19
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Repeated belittling remarks or criticisms have serious, damaging psychological effects on the victim. The negative thought, when accepted into the aura and into some of the chakras (energy centers) of the victim, will result in poor self-image, low level of self-confidence and will hinder the future success of the victim. Negative thoughts planted into the chakras of the victim are sometimes called negative programs by other authors of self-help books. In most cases, the planting of a negative thought into the chakra of another person is usually unintentional. Intentional or not, the effects are still psychologically damaging.
Choa Kok Sui (Practical Psychic Self-Defense for Home and Office)
And then I saw her, who I could have only assumed with Aura Tsang, a very petite women, with the exotic features of those you associate with an Asian background complete with slick dark hair but the most amazing piercing blue eyes, the type that any Aryan would have be proud of. She seemed to have the persona that made her a person of the world,Yet, there was the energy that she was giving off, a energy of a powerful and brave woman who could and would take on the world and yet she had the gentlest smile complete with dimples. I was transfixed by her and I felt that my heart would burst into a thousand of pieces if she spoke to me, which of course she would and it did.
Beverley Price (Blood Bound)
There have been several intellectual lesbians of physical distinction: Collette, Gertrude Stein, Willa Cather, Ivy Compton-Burnett, Carson McCullers, Jane Bowles; and, in altogether another category, simple endearing prettiness, both Eleanor Clark and Katherine Anne Porter deserve their reputations. But Alice Lee Langman was a perfected presence, an enameled lady marked with the androgynous quality, that sexually ambivalent aura that seems a common denominator among certain persons whose allure crosses all frontiers--a mystique not confined to women, for Nureyev has it, Nehru had it, so did the youthful Marlon Brando and Elvis Presley, so did Montgomery Clift and James Dean.
Truman Capote
of the ordinary person with guilt. We look around at all those who have failed to get what they want and feel that we do not deserve to get what we want either. We forget about all the obstacles we overcame, all the suffering we endured, all the things we had to give up in order to get this far. I have known a lot of people who, when their personal calling was within their grasp, went on to commit a series of stupid mistakes and never reached their goal—when it was only a step away. This is the most dangerous of the obstacles because it has a kind of saintly aura about it: renouncing joy and conquest. But if you believe yourself worthy of the thing you fought so hard to get, then you become an instrument of God, you help the Soul of the World, and you understand why you are here.
Paulo Coelho (The Alchemist)
But she was a baneful person who spoiled my good days and rejoiced in my bad and who would never allow herself to extol or admire me or to view me as others did in the mythic dimensions of a hero king, or as a huge, monumental figure immortalized on a great pedestal of white marble. And that's another thing.. If anything, the Michelangelo statue of Moses in Rome looks more like me in my prime than the one in Florence does of me at any phase in my life. Everybody says so. I wasn't that large, naturally, and I'm not made of marble. I have no scar on my shin or horns jutting from my head. But I had that same superior and sublimely articulated physique and that same unquestionable aura of immortal greatness and strength until I began to lessen with age and they would let me go no more out to battle.
Joseph Heller (God Knows)
Camille, did you know that when your mother was a little girl she baked her own birthday cakes?" "That's weird," Camille said. "At first she baked birthday cakes for all her friends in school and then one year, I think she was nine, I was having a party for her and she asked if she could bake her own cake. Nine was very young, I thought. It was a complicated cake. I don't remember what kind it was now. I think she made it up." "Do you remember what kind of cake it was, Mom?" I shook my head no, but of course I remembered. The first cake I ever made for myself was a landmark in my personal baking history. It was a lemon glow chiffon that I sliced into twelve half-inch layers, spread with strawberry jam, reassembled, and covered in seven-minute icing. Looking back, such a cake would appear to have been a monstrosity, but to a nine-year-old it was a glamorous, ambitious cake that had the aura of something very French, even though I had no idea what that meant at the time.
Jeanne Ray (Eat Cake)
The aim of both little books, if you're interested," he said, " is supposedly to wake everybody up to the need and benefits of saying the Jesus Prayer incessantly. First under supervision of a qualified teacher - a sort of Christian guru - and then, after the person's mastered it to some extent, he's supposed to go on with it on his own. And the main idea is that it's not suppose to be just for pious bastards and breast-beaters. You can be busy robbing the goddam poor box, but you're to say the prayer while you rob it. Enlightenment's supposed to come with the prayer, not before it." Zooey frowned, but academically." The idea, really, is that sooner or later, completely on its own, the prayer moves from the lips and the head down to a center in the heart and becomes an automatic function in the person, right along with the heartbeat. And then, after a time, once the prayer is automatic in the heart, the person is supposed to enter into the so-called reality of things. The subject doesn't really come up in either of the books, but, in Eastern terms, there are seven subtle centers in the body, called chakras, and the one most closely connected with the heart is called anahata, which is supposed to be sensitive and powerful as hell, and when it's activated, it, in turn, activates another of these centers, between the eyebrows, called ajna - it's the pineal gland, really, or, rather, an aura around the pineal gland - and then, bingo, there's an opening of what mystics call the 'third eye'. It's nothing new, for God's sake. It didn't just start with the little pilgrim's crowd, I mean. In India, for God knows how many centuries, it's been known as japam. Japam is just the repetition of any of the human names of God. Or the names of his incarnations his avatars, if you want to get technical. The idea being that if you call out the name long enough and regularly enough and literally from the heart, sooner or later you'll get an answer. Not exactly an answer. A response.
J.D. Salinger (Franny and Zooey)
The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.
Henry James (The Bostonians)
■​A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. ■​Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. ■​People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. ■​To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. ■​Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. ■​Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart. There are three voice tones available to negotiators: 1.​The late-night FM DJ voice: Use selectively to make a point. Inflect your voice downward, keeping it calm and slow. When done properly, you create an aura of authority and trustworthiness without triggering defensiveness. 2.​The positive/playful voice: Should be your default voice. It’s the voice of an easygoing, good-natured person. Your attitude is light and encouraging. The key here is to relax and smile while you’re talking. 3.​The direct or assertive voice: Used rarely. Will cause problems and create pushback. ■​Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.
Chris Voss (Never Split the Difference: Negotiating As If Your Life Depended On It)
Yet the contents and structures of the unconscious are the result of immemorial existential situations, especially of critical situations, and this is why the unconscious has a religious aura. For every existential crisis once again puts in question both the reality of the world and man's presence in the world. This means that the existential crisis is, finally, "religious," since on the archaic levels of culture being and the sacred are one. As we saw, it is the experience of the sacred that founds the world, and even the most elementary religion is, above all, an ontology. In other words, in so far as the unconscious is the result of countless existential experiences, it cannot but resemble the various religious universes. For religion is the paradigmatic solution for every existential crisis. It is the paradigmatic solution not only because it can be indefinitely repeated, but also because it is believed to have a transcendental origin and hence is valorized as a revelation received from an other, transhuman world. The religious solution not only resolves the crisis but at the same time makes existence "open" to values that are no longer contingent or particular, thus enabling man to transcend personal situations and, finally, gain access to the world of spirit,
Mircea Eliade (The Sacred and the Profane: The Nature of Religion)
As I contemplated the silent world before me, I thought of the many romantic ideas attached to blindness. Ideas of unusual sensitivity and genius were evoked by the names of Milton, Blind Lemon Jefferson, Borges, Ray Charles; to lose physical sight, it is thought, is to gain second sight. One door closes and another, greater one, opens. Homer’s blindness, many believe, is a kind of spiritual channel, a shortcut to the gifts of memory and of prophecy. When I was a child in Lagos, there was a blind, wandering bard, a man who was held in the greatest awe for his spiritual gifts. When he sang his songs, he left each person with the feeling that, in hearing him, they had somehow touched the numinous, or been touched by it. Once, in a crowded market at Ojuelegba, sometime in the early eighties, I saw him. It was from quite a distance, but I remember (or imagine that I remember) his large yellow eyes, calcified to a gray color at the pupils, his frightening mien, and the big, dirty mantle he wore. He sang in a plaintive and high-pitched voice, in deep, proverbial Yoruba that was impossible for me to follow. Afterward, I imagined that I had seen something like an aura around him, a spiritual apartness that moved all his hearers to reach into their purses and put something in the bowl his assistant boy carried.
Teju Cole (Open City)
Little by little, his eyes warmed into that dusky shade of brown she'd come to miss. A shadow traced the outline of his body, from the curve in his neck to the powerful slope of his shoulders. As his glimmering blue aura faded, his hair blackened, and his skin, bronzed from years of training under the sun, glowed with life. She had no idea what came over her- impulse or instinct- but she reached for Shang's hand. He looked surprised, and for an instant she wondered whether it was because he could feel her touch, or because she had reached for him. Maybe both. Shang's stance loosened, and he drew her close, not letting go of her hand. "I told you once you were the craziest man I'd ever met. I guess I have to change that to the craziest woman." Mulan laughed. "You're delaying us from leaving Diyu to tell me that?" "And that Ping was right about his sister." Now Mulan lifted her chin, curious. "Why is that?" "She's strong and kind and beautiful and brave...." "And also speaks her mind," Mulan reminded him. "... Honest, in the way that counts most." "And she occasionally disobeys orders," Mulan warned him, "even from her commanding officer." "... She has discerning judgment." Mulan smiled. Tentatively, she reached for a wisp of hair that clung to Shang's temple. She brushed it aside gently, and Shang caught her hand in his and brought it to his chest. Mulan's skin tingled. "I'll never meet another girl like her," he said. "Now that the war is over, I'd be a fool to let her out of my sight.
Elizabeth Lim (Reflection)
Boris Souvarine, hombre clave en el gran éxito del bolchevismo, que ha sido y es la conquista de París como centro de la propaganda comunista, fundador del PCF y que conoció personalmente a Lenin antes de convertirse en uno de los grandes anticomunistas de la historia, expresó así su propia experiencia: Los bolcheviques han heredado esta concepción (la del terrorismo del «hombre nuevo» que teorizaron Netchaev, Bakunin y Chernichevski, retrató Dostoievski en Los demonios y asumió Lenin), adaptándola a sus necesidades y a su época. Para ellos, el mundo se divide en dos: el partido y los demás. Ser expulsado del partido equivale a ser arrojado del planeta. Para permanecer en su seno están dispuestos a todas las bajezas, de acuerdo con su moral amoral; dispuestos a envilecerse, a darse golpes de pecho en público con reservas mentales, a delatarse mutuamente, a jurar obediencia y sumisión perinde ac cadaver, sin perjuicio de reanudar sus maquinaciones tan pronto como les sea posible. El «hombre nuevo» del comunismo está tomado, evidentemente, del «hombre nuevo» del cristianismo. Por eso tantos cristianos y judíos, cuya conciencia de culpa proviene de un airado Jehová o del Pecado Original —que es el origen de clase, burgués o pequeñoburgués, de sus militantes—, se sienten teológicamente en casa al avistar el paraíso social, el comunismo. Hay que sacrificarse, hacer penitencia para merecerlo. Pero el partido tiene una ventaja sobre el Evangelio: obliga a hacer penitencia a los demás. Este aspecto, a la vez expiatorio y coercitivo, masoquista y sádico, otorga un aura especial al militante: la de los inquisidores y los monjes guerreros, que pueden ser también procesados por herejes o caer víctimas de los infieles, pero cuya salvación personal está asegurada por la lucha para la e
Federico Jiménez Losantos (Memoria del comunismo: De Lenin a Podemos)
The Extraordinary Persons Project In fact, Ekman had been so moved personally—and intrigued scientifically—by his experiments with Öser that he announced at the meeting he was planning on pursuing a systematic program of research studies with others as unusual as Öser. The single criterion for selecting apt subjects was that they be “extraordinary.” This announcement was, for modern psychology, an extraordinary moment in itself. Psychology has almost entirely dwelt on the problematic, the abnormal, and the ordinary in its focus. Very rarely have psychologists—particularly ones as eminent as Paul Ekman—shifted their scientific lens to focus on people who were in some sense (other than intellectually) far above normal. And yet Ekman now was proposing to study people who excel in a range of admirable human qualities. His announcement makes one wonder why psychology hasn't done this before. In fact, only in very recent years has psychology explicitly begun a program to study the positive in human nature. Sparked by Martin Seligman, a psychologist at the University of Pennsylvania long famous for his research on optimism, a budding movement has finally begun in what is being called “positive psychology”—the scientific study of well-being and positive human qualities. But even within positive psychology, Ekman's proposed research would stretch science's vision of human goodness by assaying the limits of human positivity Ever the scientist, Ekman became quite specific about what was meant by “extraordinary.” For one, he expects that such people exist in every culture and religious tradition, perhaps most often as contemplatives. But no matter what religion they practice, they share four qualities. The first is that they emanate a sense of goodness, a palpable quality of being that others notice and agree on. This goodness goes beyond some fuzzy, warm aura and reflects with integrity the true person. On this count Ekman proposed a test to weed out charlatans: In extraordinary people “there is a transparency between their personal and public life, unlike many charismatics, who have wonderful public lives and rather deplorable personal ones.” A second quality: selflessness. Such extraordinary people are inspiring in their lack of concern about status, fame, or ego. They are totally unconcerned with whether their position or importance is recognized. Such a lack of egoism, Ekman added, “from the psychological viewpoint, is remarkable.” Third is a compelling personal presence that others find nourishing. “People want to be around them because it feels good—though they can't explain why,” said Ekman. Indeed, the Dalai Lama himself offers an obvious example (though Ekman did not say so to him); the standard Tibetan title is not “Dalai Lama” but rather “Kundun,” which in Tibetan means “presence.” Finally, such extraordinary individuals have “amazing powers of attentiveness and concentration.
Daniel Goleman (Destructive Emotions: A Scientific Dialogue with the Dalai Lama)
Dear, What’s the Point of it All? What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs. What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles. What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me. What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling. What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another. What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all? What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point? I don’t know why I am here.
Charlena E. Jackson (Pinwheels and Dandelions)
Sudden emotional and physical shocks, bouts of depression, and fear and anxiety make a person vulnerable to possession by ripping tears in his or her barrier of spiritual protection (the aura). The djinn, having no defined form, can slip through these tears and cracks quite easily. It is believed that a person should never go to bed crying or with feelings of fear and worry, as this invites the djinn to attack during sleep.
Rosemary Ellen Guiley (The Vengeful Djinn: Unveiling the Hidden Agenda of Genies)
It" is the idea of him or her that resides in us--inspired by the "Something" in them, as Pope has it, "That gives us back the Image of our Mind." Although the perception of It must be excited by some extraordinary perturbation in the looks and personality of the adored, the aura that It broadcasts arises not merely from the singularity of an original, as Walter Benjamin supposed, but also from the fabulous success of its reproducibility in the imaginations of many others, charmed exponentially by the number of its copies. The one-of-kind item must become a type, a replicable role-icon of itself--from "a Charles Hart" or "a Nell Gwyn" to "a Mary Pickford" or "a Douglas Fairbanks"--in order to unleash the Pygmalion effect in the hearts and minds of the fans, making the idea of him or her theirs--as much or more than anything else they might call their own.
Joseph Roach (It)
An achieved state of grace is not a matter of religious conviction. It is an aura that blankets a person and glows so brightly it can be seen for miles and in turn, will attract others to its light. Grace allows one to face insurmountable adversities with courage. To change energies of negative to positive. From a soul lost in night to one found in the daylight. Grace can make a person a Warrior of Light
Levon Poe
I made peace with my religious past. I took responsibility for my spiritual journey. I stopped dividing up the world into “sacred” and “secular.” I began listening to and trusting my inner voice. I started looking past the externals, and relating to the deepest reality I knew was present in every human being. I quit making my humanity the enemy. I resisted the need to build a persona around being an enlightened person. I opened myself to the rhythm and flow of life in nature. I explored what it meant to truly be “present” in life and became a student of my spiritual aura and energy. I focused on addressing the root of my
Jim Palmer (Notes from (over) the Edge: Unmasking the Truth to End Your Suffering)
That one touch and I felt his aura, warming me to the core. It was so clear and bright. So strong. I could see a supernatural’s aura all the time, but feeling it, that was something infinitely more personal and unique. It didn’t happen that often. Only when the person was being very open with me and letting me in. Almost as soon as the touch was there, it was gone. And I missed it. What
Aileen Erin (Bruja (Alpha Girl, #4))
Joe Acosta sat at a massive glass-and-steel-frame desk in front of a tinted glass wall that framed Biscayne Bay as if it was a photo of Joe’s personal cottage in the woods. In spite of the tint, the late-afternoon light came up off the water and filled the room with a supernatural glow. Acosta stood up as we entered, and the light from the window behind him surrounded him in a bright aura, making it hard to look at him without squinting. But I looked at him anyway, and even without the halo he was impressive. Not physically; Acosta was a thin and aristocratic-looking man with dark hair and eyes, and he wore what looked like a very expensive suit. He was not tall, and I was sure his wife would tower over him in her spike heels. But perhaps he felt that the power of his personality was strong enough to overcome a little thing like being a foot shorter than her. Or maybe it was the power of his money. Whatever it was, he had it. He looked at us from behind his desk, and I felt a sudden urge to kneel, or at least knuckle my forehead. “Sorry to keep you waiting, Sergeant,” he said. “My wife wanted to be here for this.” He waved an arm at the conversation area. “Let’s sit where we can talk,” he said, and he walked around the desk and sat down in the big club chair opposite Alana. Deborah hesitated for a moment, and I saw that she looked a little bit uncertain, as if it had really hit her for the first time that she was confronting somebody who was only a few steps down the chain of command from God. But she took a breath, squared her shoulders, and marched over to the couch. She sat down, and I sat beside her. The
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
The men in her life were clean-cut, well-bred, reliable, unpretentious and good company. “Diana is an Uptown girl who has never gone in for downtown men,” observes Rory Scott. If they wore a uniform or had been cast aside by Sarah so much the better. She felt rather sorry for Sarah’s rejects and often tried, unsuccessfully, to be asked out by them. So she did washing for William van Straubenzee, one of Sarah’s old boyfriends, and ironed the shirts of Rory Scott, who had then starred in a television documentary about Trooping the Colour, and Diana regularly stayed for weekends at his parents’ farm near Petworth, West Sussex. She continued caring for his wardrobe during her royal romance, on one occasion delivering a pile of freshly laundered shirts to the back entrance of St. James’s Palace, where Rory was on duty, in order to avoid the press. James Boughey was another military man who took her out to restaurants and the theatre and Diana visited Simon Berry and Adam Russell at their rented house on the Blenheim estate when they were undergraduates at Oxford. There were lots of boyfriends but none became lovers. The sense of destiny which Diana had felt from an early age shaped, albeit unconsciously, her relationships with the opposite sex. She says: “I knew I had to keep myself tidy for what lay ahead.” As Carolyn observes: “I’m not a terrible spiritual person but I do believe that she was meant to do what she is doing and she certainly believes that. She was surrounded by this golden aura which stopped men going any further, whether they would have liked to or not, it never happened. She was protected somehow by a perfect light.” It is a quality noted by her old boyfriends. Rory Scott says roguishly: “She was very sexually attractive and the relationship was not a platonic one as far as I was concerned but it remained that way. She was always a little aloof, you always felt that there was a lot you would never know about her.” In the summer of 1979 another boyfriend, Adam Russell, completed his language degree at Oxford and decided to spend a year travelling. He left unspoken the fact that he hoped the friendship between himself and Diana could be renewed and developed upon his return. When he arrived home a year later it was too late. A friend told him: “You’ve only got one rival, the Prince of Wales.
Andrew Morton (Diana: Her True Story in Her Own Words)
It is really amazing how many problems people have physically that are caused by negative energy connections to another person, from a lover to a co-worker, to a teacher, a friend, a parent, a child, or a boss.
Embrosewyn Tazkuvel (Auras: How to See, Feel and Know)
be gone. Single use. Do not use Doctor Béchamp’s Cleanse All Disinfectant and Floor Cleaner with alcohol or healing potions. Do not operate heavy machinery after use. Or heavy-bladed weaponry. Do not use on summoned creatures, imps, devils, demons, extra-planar entities, celestials, fiends, familiars, or Darby O’Gillis. In rare cases, side effects may occur, including but not limited to: headaches, body aches, imaginary aches, unreal aches, obsessive truth telling, explosive diarrhea, loss of the ability to see the color puce, hair loss, hair growth, incorporeality, aura discharge, and mild stomach upset. In some rare cases damnation and eternal suffering may occur. Please discuss with your doctor, sage, witch, witchdoctor, haruspex, or personal hag before use. Use at your own risk.
Eric Ugland (The Bare Hunt (The Good Guys, #7))
Here are some of the key lessons from this chapter to remember: A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart. There are three voice tones available to negotiators: The late-night FM DJ voice: Use selectively to make a point. Inflect your voice downward, keeping it calm and slow. When done properly, you create an aura of authority and trustworthiness without triggering defensiveness. The positive/playful voice: Should be your default voice. It’s the voice of an easygoing, good-natured person. Your attitude is light and encouraging. The key here is to relax and smile while you’re talking. The direct or assertive voice: Used rarely. Will cause problems and create pushback. Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
We bring all that we are to any partnership and certainly to dancing. Even without touching, the energy field around each person touches the other’s auric field. And, of course, the eyes are the transparent waterway to the soul. Do not the eyes tell a million stories? Whether conscious of it or not, we want to extend ourselves through this contact with another soul or souls.
Donna Goddard (Dance: A Spiritual Affair)
Oh, no,” Kirihime whispered in horror. A naked Camellia running around the base was not something she wanted to deal with. This is not good! Kirihime burst out the door. She didn’t even bother locking up and just ran down the hall, using the enhancement technique to run faster. “Lady Camellia!” She turned a corner and was just in time to see Camellia standing inside of an elevator, the doors slowly sliding shut. “Bye, bye, Kiri-Kiri!” Camellia waved at Kirihime, who rushed for the door. However, not even the enhancement technique gave her enough speed to reach her mistress before the doors shut. Kirihime slammed into the door, then fell onto her back, staring up at the ceiling. “This… this is really not good. Not good at all.” *** Kevin, dressed in jeans and a white T-shirt that conformed to his torso, exited the locker room and began the long walk back to his apartment. His muscles ached from his most recent exercises. He and Kiara had been trying to discover more about his power. They had learned a lot through experimentation. It seemed his strange ability only worked on barriers, but they didn’t work on anything else, which he’d learned the hard way after suffering several full-on youki attacks from the powerful inu. Still, this power is pretty useful, even if it’s just the ability to break barriers. Kevin looked at his left hand. This hand seemed to be where this strange power was contained. He’d tried breaking through Kiara’s barrier with his right hand but had only received severe burns for his troubles. I wonder if it only works on barriers? Can I use it for anything else? Kiara had described his unique skill as the “ability to unlock barriers,” and indeed, when watching his power at work, it did look more like unlocking than destroying. When he touched Kiara’s aura, the red energy would peel apart like a blooming flower. The energy didn’t dissipate either. It still existed, but it moved around his hand, meaning that he wasn’t destroying it, just moving it out of the way. Kiara’s aura isn’t a barrier either, not really. It stands to reason this power can work on more than just barriers. “Kkkkkeeeeeevvvvviiiinnnnnn…………….” Kevin stopped walking, his head tilting in idle curiosity as he heard someone calling his name. “Kkkkkkyyyyyuuuuuunnnnnnnn!!!!” His eyes widening, Kevin swiftly spun around as the source of the voice got louder. He promptly found two large, round, soft things being shoved into his face. “Uwa!!” He tumbled to the floor, taking the other person with him. Delightful, childish laughter told him exactly who had crashed into him tits first. Kevin felt almost resigned. Why do these things keep happening to me?
Brandon Varnell (A Fox's Hostility (American Kitsune, #9))
Psychologists have found that people who attend religious services for extrinsic reasons, like wanting to impress others or make social connections, don’t have the same high level of self-control as the true believers. McCullough concludes that the believers’ self-control comes not merely from a fear of God’s wrath but from the system of values they’ve absorbed, which gives their personal goals an aura of sacredness.
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
The ability to read a person based on scent, like reading an aura, but with her nose instead of her eyes.
Barbara Davis (The Last of the Moon Girls)
For, no matter how often or how well a person is described, a verbal description can never convey an accurate picture of the lineaments, and the pigment, and the aura that make up the whole personality of a human being.
D.E. Stevenson (Miss Buncle Married (Miss Buncle #2))
Plato's Academy, formally organized as a religious guild, had the aura of a great spirit reaching out to all listeners. But Aristotle's legacy was a body of knowledge, marking the path of modern learning-accumulating the facts of the world and human experience with an explanation of causes. Aristotle's legacy, then, was not the power of a charismatic personality of grand poetic gifts, but rather the accumulation of a lifetime of scholarly observation. And before Aristotle's writings were recovered by Andronicus, there were centuries of opportunity for his ideas to be distorted. Plato's was an unbroken tradition, Aristotle's was a series of renaissances.
Daniel J. Boorstin (The Seekers: The Story of Man's Continuing Quest to Understand His World)
When a person exudes passion, it is evident that they love what they are doing. Their passion projects an aura of confidence and decisiveness.
Susan C. Young (The Art of Being: 8 Ways to Optimize Your Presence & Essence for Positive Impact (The Art of First Impressions for Positive Impact, #1))
Beginning thein Book 1 0. 1. In thee beginning, creation Godded the Heavens ere thee. 2. And thou wert without form and void, knowing neither darkness nor light, having no I by which to divine them. And the spilling of your Father moved amidst the waters that came to make you come. 3. And Dad said, Let there be my firmament in the midst of Her waters, and let it divide Her waters as a sword should its sheath. And 20,000 legions of sireofhim were thrust unto the breach by the bidding of their master. 4. And in the Heavens of their heads, in the limbic marchlands of their intimacy, angels roared and dragons sang, and hippogriffs commissurated across fields of blood-filled furrows. 5. ”.are parents our Myths“ 6. Not knowing that they do sow, they sing thee into being. 7. Blind light blazes - a lamp in an empty grave - an O-void shrine. Its name until you came was No, or Un, and there was naught else: no person, place, or thing. And yet - it was as though a thousand million tiny fingers beaconed you out of the dark. 8. Brightnest of paraspectral radiance, unrememeasurable, ununderstandable, that a snake-shaped You came swimming to. So many of you came, writhing, flagellating, so that this shrine became like a shining sun, and one - only one - was chosen to enter the Codesh of Codes. It brought creative agony, the pain of Somethingness, the sudden searing mystortury of Being, since when we have called it Limited. 9. But how could you not have helped but see the tiny hidden singing Unlimited Light, your Own Sopht Aura? Sire of sirens and sunrise and serapheim? 10. This is what you aur - a sarcophagus of secreted light! 11. Thistory is You.
Avalon Brantley (And the Whore is This Temple)
The energies around the world are harsh everyday and that is just the sad reality now. Despite this, everything is slowly shifting in a more positive way thanks to the many evolved souls who have incarnated from the Realms and Spirit Worlds that exist. With those shifts comes the tantrum throwing by lower evolved human souls. This is what you are bearing witness to around the world. Before the harsh energies came at you once in awhile, but now it is out of control and happens on a daily basis. The internet, technology and phone apps that exist have positive uses, but most do not use it for positive purposes. Technological devices spit out toxic energy at your aura and latches onto your soul. If one is using the devices for selfish reasons, such as to spew negativity, or for ego stroking, then you and the person they direct the energy to will be a magnet for some of these harsh energies.
Kevin Hunter (Warrior of Light: Messages from my Guides and Angels)
BECOMING AWARE OF THE AURA Tell someone else to stand in front of a plain white or softly colored wall about 30 cm away. Stand at least 2–3 meters (6–10ft) apart, and aim at the wall above your head or shoulders. (Don't look at the person; otherwise, it won't work.) You can see a line about 1–2 cm (½ in) long around the body that looks lighter than the rest. A thin line that looks like it's been traced with a pencil will clearly define it. This is an aura shield, a person's energy field. Try to soften your focus a little if you have trouble detecting the aura. Perhaps a little close your pupils. Or try the room's lighter or darker corner. An alternative method is to stretch and look at the fingertips on a white or softly colored backdrop. A slightly blurred but lighter line can be observed, this time around them about 2–3 mm (a fraction of an inch). Fascinating though it is, it's not necessary to study Reiki to see the aura. When we put our hands in a Reiki treatment around a person, we will still be mindful of the aura. Yet starting it's a fun way. We appear to see the final component of the aura in the test, which is one of seven. The further a substance away from the body is, the waves are stronger and weaker. The outermost layer stretches from the front and back of the body to 1–2 meters (approximately 6ft) and from the edges to about half a meter (1½ft). (Imagine how many people are on a crowded underground train in your aura!) But the atmosphere is also evolving–and increasing with personal development. The rule seems to follow: small ego= large aura. The physical body and the aura The auric particles envelop the physical body in dense rings, but they also interpenetrate one another, with the best being the innermost (hence the simplest to see) and the outermost. This ensures the seventh layer's vibrational frequency covers the whole body–and passes through it completely. And finally, what happens in the aura can manifest in the physical body. To sum up, we definitely have more than what greets us in the mirror. We are a rather large energy ball that vibrates at different levels and holds a lot of information and potential.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
The familiar connection we’d always shared was firmly back in place. My heart burst with all the love I’d been bottling up. And that’s when I noticed it. The shimmering golden glow of a person’s aura when one’s in love. Only this time it wasn’t Kane’s. It was mine.
Deanna Chase (Witches of Bourbon Street (Jade Calhoun, #2))
Do not call attention to yourself with silly gestures. Do not believe that the joy of everyone in your proximity depends on you. Do not fear that one of them might be bored, in pain, or yearning for a list of famous local architects that you must volubly supply. Do not disgorge personal data to invoke an aura of mutual trust. Do not ask anyone their dearest wish or what they would like their last meal to be. Do not try too hard. Do not riff.
Anneli Rufus (Unworthy: How to Stop Hating Yourself)
Buddho A mantra, associated with the Mahayana or Vajrayana Buddhism and a significant part of the history of Theravada. Repeating the name of Buddha or other Pali phrases is known to help the individual cultivate loving kindness. ‘Buddho’ comes to mean His title, not His rank. You call upon the holy teacher to offer you peace, harmony between yourself and the universe, harmony between the sensual and the spiritual world, by repeating the mantra. Until you continue, sit comfortably on the ground and take a few deep breaths. Then breathe in, say a long' bud-,' breathe out, hold'-dho.' At the conclusion of your practice, the mantra will give you clarity and brightness. • Lumen de Lumine Lumen De Lumine is luminous song. It helps you to feel open towards the world. The person will be engulfed in light. When darkness overpowers your life, Lumen De Lumine removes your aura and fills you with glow and light. You'll be more relaxed and uplifted. This is the ideal balance of power and harmony. The mantra will give you the faith that you're free from negative energies. Just like the light, you'll feel strong, untouchable, and invincible. Anyone can touch Lumen De Lumine. You don't have to close yourself with this chant in mind. Think of your loved one bringing positive energy and feelings to them. • Sat, Chit, Ananda Often known as Satchitananda, a Sanskrit composite word composed of the three verbs' sat,'' cit' and' ananda.' Sat means ' life, being present, being alive, living, being real, being good, being right, being normal, intelligent, being truthful.' Chit means' see, feel, perceive, understand, accept, think about something, shape a thought, be conscious, remember, consider' Ananda means ‘joy, love, satisfaction, enjoyment, happiness, pure elation’.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
She was a woman of abundant and varied learning, with an extensive imagination, the colorful speech of those who have seen many countries, lived in diverse climates, met different people. And Andrea felt an exotic aura envelop her form, felt a strange seduction emanating from her, an enchantment composed of the vague phantasms of the distant things she had looked at, of the sights she still preserved in her mind's eye, in the memories that filled her soul. And it was an indefinable, inexpressible enchantment; it was as if she carried in her person a trace of the light in which she had been immersed, of the scents she had breathed, of the idioms she had heard; it was as if she carried within her, mingled, faded, indistinct, all the magic of those lands of the sun.
Gabriele d'Annunzio (The Child of Pleasure (Classic Reprint))
It’s why I was originally drawn to Gansey,” Malory continued. “Despite his mercurial personality, he has a very pleasant and neutral aura. I don’t feel like I am with another person when I am with him. He doesn’t take from me.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Geriatric or other life extension for the powerful poses a similar threat to a sentient species as that found historically in the dominance of a self-perpetuating bureaucracy. Both assume prerogatives of immortality, collecting more and more power with each passing moment. This is power which draws a theological aura about itself: the unassailable Law, the God-given mandate of the leader, manifest destiny. Power held too long within a narrow framework moves farther and farther away from the adaptive demands of changed conditions. The leadership grows ever more paranoid, suspicious of inventive adaptations to change, fearfully protective of personal power and, in the terrified avoidance of what it sees as risk, blindly leads its people into destruction. ―BuSab Manual
Frank Herbert (The Dosadi Experiment (ConSentiency Universe, #2))
When we were speaking on the phone, I envisioned not a distinct person with a face and body, but rather a vague, faceless essence, as if their whole personality manifested itself into an aura that wasn't exactly physical as we know it.
Amy Krouse Rosenthal (Encyclopedia of an Ordinary Life)
Let's talk about you for a moment, the person reading these lines. Right now, with the book open in your hands, you are engaged in a mysterious, unsettling activity, though habit prevents you from being amazed. Think carefully. You are completely quiet, eyes moving over rows of letters made into meaning, that deliver ideas independent from the world now surrounding you. In other words, you have withdrawn to an inner chamber where absent voices speak, where there are ghosts only you can see (in this case, my phantom self), and where the pace of time's passage is the measure of your level of interest or boredom. You have created a parallel world like the illusion of cinema, a world that depends on you alone. At any moment, you can avert your gaze from these lines and return to the action and movement of the outside world. But in the meantime, you remain on the edge, in the place where you've chosen to be. There is an almost magical aura to the act of reading.
Irene Vallejo (Papyrus: The Invention of Books in the Ancient World)
She starts thinking how the city’s peaceful aura withers and gives birth to its decrepit personality.
Soroosh Shahrivar (Tajrish)
The more often we fall in line with the poor language and attitude of the drowning masses, the more we sound and look like victims. We must never forget that ours is a world of distracted people craving Personal Freedom but often choosing to operate from fear. And so if we aren’t conscious with our will and vigilance, we risk sliding into their tragedy. Life can lose its vibrant aura and charm if we do not bend the energy of our minds toward positive engagement and appreciation
Brendon Burchard (The Motivation Manifesto: 9 Declarations to Claim Your Personal Power)
Energy healing can only occur when, consciously or subconsciously, the person receiving the healing is ready and willing for a change. And change isn’t always easy for most of us. For the healing process to be effective, we must be open to becoming aware of what we’ve held on to that has created so much disharmony or is no longer serving us. Then, we have to take responsibility for holding on to it and eventually let it go. You can do the work on yourself, but if you are not ready you can only get so far.
Kat Fowler (The Ultimate Guide to Energy Healing: The Beginner's Guide to Healing Your Chakras, Aura, and Energy Body (The Ultimate Guide to...))
I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner. He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before. “Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him. Apparently that had been the right thing to say because he smiled widely in response to it. “What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it. “Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.” “You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face. “I’m not sure if that’s a compliment or not.” “It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.” “Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully. He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...” He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do. “Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine. “Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.” I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.” “You haven’t taken back your royal name?” he asked in surprise. “I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted. You don’t know?” he asked in surprise. “Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased. He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.” “Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Each time a man connects with a woman sexually and releases his life form energy within her, he leaves a part of his information (DNA) in her birth canal. If she doesn't clean herself, his energy remain inside of her. That imprint can often create illusional sexual addiction to the individual. When someone decides to have multiple partners, it can sometimes send mixed emotional signals within the inside of the body's vibration system. Women must be careful of different energies or spiritual forces polluting their internal temple. You are a sacred doorway, where life is intended to pass through, respect yourself, use your gifts wisely! Just think about it and ask yourself... Ever wonder why they call it sexual intercourse (INTER-Course)? It's an inter(nal) course that unites man and woman, mind with mind, spirit with spirit, or energy with energy. This is something that a condom can't protect you against because energy is behind the elements of all flesh. There is no such thing as "Casual" Sex or "Friends with Benefits"... No, No, No, I Don't Think So!!! Intimate activity intricately entwines the energies between two people. Sex creates a powerful exchange of energy between those involved. These connections, imprints and debris are left upon the mind, soul and spirit for a long time because they are not easily purged or cleansed. ‘Casual sex’ with multiple partners can intertwine the energies and spirits of a lot of people into your own aura if they are not severed and cleansed. You become joined to every person with whom your partner has slept, as well as all the partners those people had. This type of "soul clutter" can be felt by your partner's subconscious. Even if they are not completely in tune or aware of the extra-curricular sexual activities, they still are able to sense the subtle disturbances of multiple energies and/or familiar spirits that have entered causing restlessness and inner turmoil. The longer and more intimate the contact with another person, the more powerful the reinforcement and the interaction of the bond becomes, and all the more difficult it is for them to untangle and leave.
Nitya Prakash
Thus, it is not with just anyone we meet that we are willing to say that he or she has something that corresponds to the lack in us! We may be protective, not wishing to show we feel lacking in any way, that we need anybody, that we are castrated. We may prefer to shroud ourselves in an aura of sublime indifference, and in certain cases that may get us loved by others, but it has nothing to do with we ourselves loving someone else. To love someone else is to convey in words to that person that we lack – preferably big time – and that he or she is intimately related to that lack.
Bruce Fink (Lacan on Love: An Exploration of Lacan's Seminar VIII, Transference)
You do things that are impulsive and unladylike and clumsy and even vulgar, he said. You chatter too much, you laugh too much, and you sparkle in a manner that is no way refined. And you attract almost everyone within you aura as a flame does a month. You think people despise you and scorn you and shun you, when the opposite is true. You have told me that you did not take well with the ton. I do not believe it. I believe you took very well indeed--or would have done if you have been allowed to . I do not know who put the idea into your head that you did not, but that person was wrong. Perhaps he could not bear the power of your light, or perhaps he could not bear to share it with his world. Perhaps he mistook the light for flirtation. That is what I think, Mrs. Derrick.
Mary Balogh
Maude’s bedroom was a veritable time capsule, a personally collated museum containing all her treasures. Whenever friends had entered the room, it hit them in the eye, like a migraine; swirling colours and an attack on the senses. Along with the aroma of patchouli, Maude’s favourite, there was an unmistakable aura of times gone by, dimensions overlapping and coming together.
Patricia Dixon (Resistance)
A little clunky in places—which only added to its charm—“The London Boys” was an anthem for a new generation of kids, an obvious ancestor of Bowie epics like “Lady Stardust” and “All the Young Dudes”: a celebration of otherness, right down to the clothing, the hint of homoeroticism, and the evocation of Judy Garland in its “too late now, ’cos you’re on the run” climax. Its combination of world-weariness and naïveté embodies the persona that David would inhabit for a decade or more: a man-child—a strangely calm and mature youth, and a waiflike, childishly earnest adult. In future years, David Bowie’s androgyny would be widely—and justifiably—celebrated, but this man-child aura was an important part of his personal, often devastating charm.
Paul Trynka (David Bowie: Starman)