August 1 Quotes

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AUGUST PULLMAN'S PRECEPT Everyone deserves a standing ovation because we all overcometh the world. --Auggie
R.J. Palacio (Wonder (Wonder, #1))
It was a cruel trick of the universe, thought August, that he only felt human after doing something monstrous.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
I read somewhere," said Kate, "that people are made of stardust." He dragged his eyes from the sky. "Really?" "Maybe that's what you're made of. Just like us." And despite everything, August smiled.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Everything good, everything magical happens between the months of June and August. Winters are simply a time to count the weeks until the next summer
Jenny Han (The Summer I Turned Pretty (Summer, #1))
I think we're too young to be dating. I mean I don't see what the rush is." Summer says. "Yeah, I agree," said August. "Which is kind of a shame, you know what with all those babes who keep throwing themselves at me and stuff?
R.J. Palacio (Wonder (Wonder, #1))
It hurts,” he whispered. “What does?” asked Kate. “Being. Not being. Giving in. Holding out. No matter what I do, it hurts.” Kate tipped her head back against the tub. “That’s life, August,” she said. “You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
You can't have real pain without real love. You can't feel grief and loss and hurt without real love. Love is the only way you can ever be really hurt deep down.
Katherine Applegate (Beach Blondes: June Dreams / July's Promise / August Magic (Summer, #1-3))
I'd rather be able to see the truth than live a lie.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Listen to me,” he said, pulling off his coat. “You need to stay awake.” She almost laughed, a shallow chuckle cut short by pain. He tore the lining from the Colton jacket. “What’s so funny?” “You’re a really shitty monster, August Flynn.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Always keep mint on your windowsill in August, to ensure that buzzing flies will stay outside, where they belong. Don't think the summer is over, even when roses droop and turn brown and the stars shift position in the sky. Never presume August is a safe or reliable time of the year.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Whatever he was made of — stardust or ash or life or death — would be gone. Not with a bang, but with a whimper. In with gunfire and out with smoke. And August wasn’t ready to die. Even if surviving wasn’t simple, or easy, or fair. Even if he could never be human. He wanted the chance to matter. He wanted to live.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Someone should tell you you're beautiful every time the sun comes up. Someone should tell you you're beautiful on Wednesdays. And at teatime. Someone should tell you you're beautiful on Christmas Day and Christmas Eve and the evening before Christmas Eve, and on Easter. He should tell you on Guy Fawkes Night and on New Year's, and on the eigth of August, just because.
Dana Schwartz (Anatomy (The Anatomy Duology, #1))
Less than a month ago all of August still stretched before us - long and golden and reassuring, like an endless period of delicious sleep.
Lauren Oliver (Delirium (Delirium, #1))
Looks like macho boy's cool just melted like a Slush Puppie in August.
Darynda Jones (Death and the Girl Next Door (Darklight, #1))
August found himself nodding, even though he spent most of his time afraid. Afraid of what he was, afraid of what he wasn’t, afraid of unraveling, becoming something else, becoming nothing.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Books, indeed, were his sole luxuries
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
One of the reasons I grew my hair long last year was that I like how my bangs cover my eyes: it helps me block out the things I don't want to see." -August thinking
R.J. Palacio (Wonder (Wonder, #1))
I never said I didn’t feel the same,” Jack said harshly. “Just because I don’t see the kingdom doesn’t mean it doesn’t still exist,” Jack said furiously. “As long as one of us remembers it, it still counts. We decide the end of the game, not them. Not anyone else. You’re so stupid, August. You’re so stupid and I love you so much.
K. Ancrum (The Wicker King (The Wicker King, #1))
For one, dazzling, infinite moment, August felt like he was standing on a precipice, the end of one world and the beginning of another, a whisper and a bang.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Even for those to whom life and death are equal jests. There are some things that are still held in respect.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
Take from my palms, to soothe your heart, a little honey, a little sun, in obedience to Persephone's bees. You can't untie a boat that was never moored, nor hear a shadow in its furs, nor move through thick life without fear. For us, all that's left is kisses tattered as the little bees that die when they leave the hive. Deep in the transparent night they're still humming, at home in the dark wood on the mountain, in the mint and lungwort and the past. But lay to your heart my rough gift, this unlovely dry necklace of dead bees that once made a sun out of honey. ― Osip Mandelstam, The Selected Poems (NYRB Classics; 1st edition, August 31, 2004) Originally published 1972
Osip Mandelstam (The Selected Poems)
The German people in its whole character is not warlike, but rather soldierly, that is, while they do not want war, they are not frightened by the thoughts of it.
Adolf Hitler (The speeches of Adolf Hitler, April 1922-August 1939 (vol. 1))
Todo el mundo debería recibir una ovación del público puesto en pie al menos una vez en su vida, porque todos vencemos al mundo.
R.J. Palacio (Wonder (Wonder, #1))
The first indication of menopause is a broken thermostat. It's either that or your weight. In any case, if you don't do something, you could be dead by August. God, middle age is an unending insult.
Dorothea Benton Frank (Sullivan's Island (Lowcountry Tales, #1))
Do they Still sing songs of my victory?” August choked. “They do. And they’ll crescendo like beacons to the farthest reaches. With every new breath of life that forms in a world without darkness that came at the price of your hands and your mind.
K. Ancrum (The Wicker King (The Wicker King, #1))
It will be found, in fact, that the ingenious are always fanciful, and the truly imaginative never otherwise than analytic.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
What do you want?” chided Leo. “To be ordinary? To be human?” He said the word as if it stained his tongue. “Better human than a monster,” he muttered. Leo’s jaw tightened. “Take heed, little brother,” he said. “Do not lump us in with those base creatures. We are not Corsai, swarming like insects. We are not Malchai, feeding like beasts. Sunai are justice. Sunai are balance. Sunai are—” “Self-righteous and prone to speaking in third person?” cut in August before he could stop himself.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
You’re a great player, August.” She tips up on her toes until her lips are at my ear. “But I think you’ll be an even greater man.
Kennedy Ryan (Long Shot (Hoops, #1))
You saw me before I saw you. In the airport, that day in August, you had that look in your eyes, as though you wanted something from me, as though you’d wanted it for a long time. No one had ever looked at me like that before, with that kind of intensity. It unsettled me, surprised me, I guess. Those blue, blue eyes, icy blue, looking back at me as if I could warm them up. They’re pretty powerful, you know, those eyes, pretty beautiful, too.
Lucy Christopher (Stolen (Stolen, #1))
A veces no hace falta que uno quiera hacerle daño a alguien para dañarlo.
R.J. Palacio (Wonder (Wonder, #1))
Damen is gorgeous. I know this without looking up. I just focus on my book as he makes his way toward me since I know way too much about my classmates already. So as far as I'm concerned, an extra moment of ignorance really is bliss. But according to the innermost thoughts of Stacia Miller sitting just two rows before me - Damen Auguste is totally smoking hot. Her best friend, Honor, completely agrees. So does Honor's boyfriend, Craig, but that's a whole other story
Alyson Noel (Evermore (The Immortals, #1))
August groaned inwardly. Mind over body. Mind over body. Mind over body over bodies on the floor over tallies seared day by day by day into skin until it cracked and broke and bled into the beat of gunfire and the melody of pain and the world was made of savage music, made and was made of, and that was the cycle, the big bang into the whimper and on and on and none of it was real except for August or all of it was real except for him. . . .
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
I seemed to be upon the verge of comprehension, without the power to comprehend as men, at time, find themselves upon the brink of rememberance, without being able, in the end, to remember.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
I read somewhere," said Kate, "that people are made of stardust." He dragged his eyes from the sky. "Really?" "Maybe that's what you're made of. Just like us." And despite everything. August smiled.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Ours is a love that reimagines—that peels back the sky at high noon searching for the stars, collecting them like shells in a bucket. We bathe in stardust, drink from the Milky Way, and dance on the moon. We pierce the firmament, peer into infinity, and tread on time and space. There is no before. There is no after. Now gives birth to forever. This moment may die, but this love never will. Time is not a line. It’s a circle, and we, August and Iris, we stand at the center.
Kennedy Ryan (Long Shot (Hoops, #1))
Vil du altid se sådan der ud, August? Jeg mener, kan du ikke få en eller anden plastikkirugi eller sådan noget?" Jeg smilede og pegede på mit ansigt. "Hallo? Det her er EFTER plastikkirugi!
R.J. Palacio (Wonder (Wonder, #1))
The perfectly good car comes with a perfectly dangerous girl.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
For one, dazzling, infinite moment, August felt like he was standing on a precipice, the end of one world and the beginning of another, a whisper and a bang. And
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
August’s heart seized. He didn’t … know he could have this. Jack kissed him so carefully that August thought he would fall to pieces. Kissed him with the weight of knowing the price of risk. Then he gazed back at August like his heart was already breaking.
K. Ancrum (The Wicker King (The Wicker King, #1))
It hurts,” he whispered. “What does?” asked Kate. “Being. Not being. Giving in. Holding out. No matter what I do, it hurts.” Kate tipped her head back against the tub. “That’s life, August,” she said. “You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
There is no before. There is no after. Now gives birth to forever. This moment may die, but this love never will. Time is not a line. It’s a circle, and we, August and Iris, we stand at the center.
Kennedy Ryan (Long Shot (Hoops, #1))
And suddenly, with a jolt of horror, he realised that he couldn't live without it anymore. It was as much a part of him as anything now. He couldn't run from it any more than anyone could run out of their own skin. It would just keep coming back, over and over, curling up out of him, growling like hunger. He would crave the burn until he was dead. August curled up against the wall and put his head in his arms. He gripped the lighter so tightly that his knuckles went white.
K. Ancrum (The Wicker King (The Wicker King, #1))
I came up with a handful of rules: write a delight every day for a year; begin and end on my birthday, August 1; draft them quickly; and write them by hand. The rules made it a discipline for me. A practice. Spend time thinking and writing about delight every day.
Ross Gay (The Book of Delights: Essays)
And you?" asked Kate. "Your brother is righteous, your sister is scattered. What does that make you?" When August answered, the word was small, almost too quiet to hear. "Lost." He exhaled, and it seemed to take more than air out of him. "I'm what happens when a kid is so afraid of the world he lives in that he escapes the only way he knows how. Violently.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Of course, I didn't kill them. They're just taking a little ... siesta, that's all.
Alyson Noel (Evermore (The Immortals, #1))
Can't rush art.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
When the guns fired in August 1914, did the faces of men and women show so plain in each other's eyes that romance was killed?
Virginia Woolf (A Room of One's Own)
Jack kissed him so carefully that August thought he would fall to pieces. Kissed him with the weight of knowing the price of risk. Then he gazed back at August like his heart was already breaking. It was the same face that Jack had made on the roof, in the middle of the night, when they rolled in the grass, when he sat back with August’s blood and ink on his hands, when his face was lit orange with flames, when he’d opened the door to Rina’s room, when he stared across the gym at the homecoming dance, when he pulled him from the river and breathed him back to life. Jack had been waiting. He’d been trying. He was scared. There were tears in his eyes and it took August’s breath away.
K. Ancrum (The Wicker King (The Wicker King, #1))
Your acts are your monuments
R.J. Palacio (Wonder (Wonder, #1))
He took one look at Allegro and frowned. Allegro took one look at him and put its ears back. Ilsa broke into a laugh, as sweet as chimes, and right then August knew, for sure, that he was keeping the cat.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
I don’t get why people are always trying to escape.” “Really?” said Kate. “Take a look around.” In the distance beyond August’s window, the nothing gave way to something—a town, if it could be called a town. It was more like a huddle of ramshackle structures, buildings gathered like fighters with their backs together, looking out on the night. The whole thing had a starved dog look about it. Fluorescent lights cut glaring beams through the darkness. “I guess it’s different for me,” he said, his voice taut. “One moment I didn’t exist and the next I did, and I spend every day scared I’ll just stop beingagain, and every time I slip, every time I go dark, it’s harder to come back. It’s all I can do to stay where I am. Who I am.” “Wow, August,” she said softly. “Way to kill the mood.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Safe," she said with a hollow smile. "That is a pretty word." "Come on," snapped Kate beside the door. "But--" "Don't worry, August. I'm not afraid of the dark." Our sister has two sides. He took Ilsa's face in his hands. "Please be careful." They do not meet. "Go," she said. "Before the cracks catch up.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Stubble or what?" Eyes still closed he chuckled. "I'm not shaving until our parents let us date again." He kissed my cheek. "What if it takes... a... while?" I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly. "There are only six or seven weeks until August football practice starts right?" "Hm." His mouth moved up my neck toward my ear. Oh. "Will you be able to stuff your beard into your helmet?" I croaked. In answer he put his lips on my ear. I forgot the next joke I'd planned to make and lost myself in Adam.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Old Man River! That seems far too austere a name For something made of mirth and rage. O, roiling red-blood river vein, If chief among your traits is age, You're a wily, convoluted sage. Is "old" the thing to call what rings The vernal heart of wester-lore; What brings us brassy-myth made kings (And preponderance of bug-type things) To challenge titans come before? Demiurge to a try at Avalon-once-more! And what august vitality In your wide aorta stream You must have had to oversee Alchemic change of timber beam To iron, brick and engine steam. Your umber whiskey waters lance The prideful sober sovereignty Of faulty-haloed Temperance And wilt her self-sure countenance; Yes, righteousness is vanity, But your sport's for imps, not elderly. If there's a name for migrant mass Of veteran frivolity That snakes through seas of prairie grass And groves of summer sassafras, A name that flows as roguishly As gypsy waters, fast and free, It's your real name, Mississippi.
Tracy J. Butler (Lackadaisy: Volume #1 (Lackadaisy, #1))
I try not to crave things I can't afford." "You are a world-class liar, August Bateman. Every inch of craves things you can't afford or don't feel like you're allowed to have.
K. Ancrum (The Wicker King (The Wicker King, #1))
That’s life, August,” she said. “You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Until the August 1 story about the Dahlberg check, the working relationship between Bernstein and Woodward was more competitive than anything else. Each had worried that the other might walk off with the remainder of the story by himself. If one had gone chasing after a lead at night or on a weekend, the other felt compelled to do the same. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
A visitor asked Lincoln what good news he could take home from an audience with the august executive. The president spun a story about a machine that baffled a chess champion by beating him thrice. The stunned champ cried while inspecting the machine, "There's a man in there!"Lincoln's good news, he confided from the heights of leadership, was that there was in fact a man in there.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Dandelion Wine is nothing if it is not the boy-hid-in-the-man playing in the fields of the Lord on the green grass of other Augusts in the midst of starting to grow up, grow old, and sense darkness waiting under the trees to seed the blood. I
Ray Bradbury (Dandelion Wine (Green Town, #1))
This book is dedicated to Thomas Coleman, a retired longshoreman, who died in his attic at 2214 St. Roch Avenue in New Orleans’ 8th Ward on or about August 29, 2005. He had a can of juice and a bedspread at his side when the waters rose. There were more than a thousand like him.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
The August 1 story had carried their joint byline; the day afterward, Woodward asked Sussman if Bernstein's name could appear with his on the follow-up story - though Bernstein was still in Miami and had not worked on it. From the on, any Watergate story would carry both names. Their colleagues melded the two into one and gleefully named their byline Woodstein. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
June ripened into July, then burst and withered and dried and became August.
Lev Grossman (The Magicians (The Magicians, #1))
CHAPTER 1 August 1962 MAE MOBLEY
Kathryn Stockett (The Help)
May August wind blow you in the right direction. Acts 2:1-4 James 3:4 John 3:8
De philosopher DJ Kyos
Polly Esther Doe was born at 8:03 a.m. on August 14.
Adam Rex (Cold Cereal (The Cold Cereal Saga, #1))
What are you looking for?” he asked. A car alarm was going off in the distance, and he cringed as if the sound were deafening. “A ride,” she answered. Some of the cars were too new, others too old. She finally stopped in front of a black sedan, nice enough, but not one of the models with fancy security and keyless entry. “Break that for me,” she said, nodding at the driver’s side door. “The window?” asked August, and she gave him a look that said yes, obviously the window, and he gave her a look that said I don’t commit petty crimes very often before he slammed his elbow into the glass to shatter it.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Monsters, monsters, big and small,” she sang cheerfully. “They’re gonna come and eat you all.” A shiver ran through him. “Corsai, Corsai, tooth and claw, Shadow and bone will eat you raw. Malchai, Malchai, sharp and sly, Smile and bite and drink you dry.” August swallowed hard, knowing what came next. “Sunai, Sunai, eyes like coal, Sing you a song and steal your soul.” The little girl’s smile grew even wider. “Monsters, monsters, big and small, They’re gonna come and eat you all!” She
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
We are not Malchai, feeding like beasts. Sunai are justice. Sunai are balance. Sunai are—” “Self-righteous and prone to speaking in third person?” cut in August before he could stop himself
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
No one has ever told me that I'm beautiful before," Hazel said. She hadn't realized it was true until she said it out loud. Jack stood with his hands on either side of her face and stared at her for a few heartbeats. Then he leaned in and softly kissed both her eyelids. "Someone should tell you that you're beautiful every time the sun comes up. Someone should tell you you're beautiful on Wednesdays. And at teatime. Someone should tell you you're beautiful on Christmas Day and Christmas Eve and the evening before Christmas Eve, and on Easter. He should tell you on Guy Fawkes Night and on New Year's, and on the eighth of August, just because." He kissed her lips once more, gently, and then pulled away and gazed into her eyes. "Hazel Sinnett, you are the most miraculous creature I have ever come across, and I am going to be thinking about how beautiful you are until the day I die.
Dana Schwartz (Anatomy (The Anatomy Duology, #1))
...epic, epic love is not about having someone. It's about being willing to give them up. It's sacrifice. It's my mom's theater tickets stuffed down at the bottom of her jewelry box. It's Noah and August. It's my sister and Annabelle. It's Jordan and his mom, the truth he reserves to protect her. And see, that's the thing I didn't understand. The thing no one tells you. That just because you find love doesn't mean it's yours to keep. Love never belongs to you. It belongs to the universe.
Rebecca Serle (Famous in Love (Famous in Love, #1))
It was not until the year 1808 that Great Britain abolished the slave trade. Up to that time her judges, sitting upon the bench in the name of justice, her priests, occupying her pulpits, in the name of universal love, owned stock in the slave ships, and luxuriated upon the profits of piracy and murder. It was not until the same year that the United States of America abolished the slave trade between this and other countries, but carefully preserved it as between the States. It was not until the 28th day of August, 1833, that Great Britain abolished human slavery in her colonies; and it was not until the 1st day of January, 1863, that Abraham Lincoln, sustained by the sublime and heroic North, rendered our flag pure as the sky in which it floats. Abraham Lincoln was, in my judgment, in many respects, the grandest man ever President of the United States. Upon his monument these words should be written: 'Here sleeps the only man in the history of the world, who, having been clothed with almost absolute power, never abused it, except upon the side of mercy.' Think how long we clung to the institution of human slavery, how long lashes upon the naked back were a legal tender for labor performed. Think of it. With every drop of my blood I hate and execrate every form of tyranny, every form of slavery. I hate dictation. I love liberty.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
No matter how much he loved me. No matter how much I loved him in return. I would never, ever belong to another person. As long as I lived.
J.L. Berg (Forgetting August (Lost & Found, #1))
Thrown from the garden, she searches for true love. but she needs an heir.
Suzanne Stroh (Tabou: Patience (Book 1))
Mind over body over bodies on the floor over tallies seared day by day by day into skin until it cracked and broke and bled into the beat of gunfire and the melody of pain and the world was made of savage music, made and was made of, and that was the cycle, the big bang into the whimper and on and on and none of it was real except for August or all of it was real except for him. . . . He
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
Coincidences, in general, are great stumbling-blocks in the way of that class of thinkers who have been educated to know nothing of the theory of probabilities---that theory to which the most glorious objects of human research are indebted for the most glorious of illustration.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained. The occupation is often full of interest and he who attempts it for the first time is astonished by the apparently illimitable distance and incoherence between the starting-point and the goal.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
Jack fulfilled every inch of every requirement expected of him. Taking the lead when August got weak, handing it back when his own knees buckled. Hitting against each other back and forth until Newton's cradle turned into Huygens's pendulum and they finally moved as one. After that thought, all at once, like a horrible cacophony of sound, the voice that lived behind his teeth whispered: This is the love of your life.
K. Ancrum (The Legend of the Golden Raven (The Wicker King, #1.5))
August stopped rolling the apple, closed the book, forced himself to sit still, even though a still body was a busy mind- something to do with the potential and kinetic energy, if he had to guess; all he knew was that he was a body in search of motion.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
He impaired his vision by holding the object too close. He might see, perhaps, one or two points with unusual clearness, but in so doing he, necessarily, lost sight of the matter as a whole. Thus there is such a thing as being too profound. Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial. The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
August 1 The harvest season has finally arrived. Today marks its opening. Our next stop on the wheel of the year will be the autumn equinox. I've always seen the opening of the harvest as a kind of stairway we walk down to reach the dark and magickal part of the year where all the good things await. The cool, comforting energy that feels more like home than any place can. Today is the landing at the top of the stairs. All we have to do is put one foot before the other, and before you know it, we'll be watching The Great Pumpkin again.
Damien Echols (Life After Death)
I was the worst kind of fool. When I look back on that August night, changed forever by all my wounds and all my suffering, that undamaged Odd Thomas seems like a different human being from me, immeasurably more confident than I am now, still able to hope, but not as wise, and I mourn for him.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
Late August" Late August — This is the plum season, the nights blue and distended, the moon hazed, this is the season of peaches with their lush lobed bulbs that glow in the dusk, apples that drop and rot sweetly, their brown skins veined as glands No more the shrill voices that cried Need Need from the cold pond, bladed and urgent as new grass Now it is the crickets that say Ripe Ripe slurred in the darkness, while the plums dripping on the lawn outside our window, burst with a sound like thick syrup muffled and slow The air is still warm, flesh moves over flesh, there is no hurry
Margaret Atwood (Selected Poems 1: 1965-1975)
I’d play you at the five. If you were mine, you’d be at the center of my life. August’s words filter through tiny gaps in the barbed-wire fence surrounding my heart. That could be my place. Instinctively, I know August would put me at the center, but one could argue I was Caleb’s center, too. A dark, twisted center with the sides closing in and choking, but the center nonetheless.
Kennedy Ryan (Long Shot (Hoops, #1))
Your girl doesn’t seem like the type who’s into the party scene.” I got hung up on the phrase “your girl” and the rush of pride it sent through me for what was probably a second too long. “Yeah, I don’t think so.” Jase chuckled softly. “She’s turned you into a changed man, hasn’t she?” I smiled as I grabbed my keys. Jase might be right. Since I’d met Avery in August, a lot of my habits had changed, even more so during the weeks following fight night. “Something like that.” “Well, have fun. Don’t impregnate her.
Jennifer L. Armentrout (Trust in Me (Wait for You, #1.5))
But they had found the Tansy Patch a charming place and were glad to go again. For the rest of the vacation there was hardly a day when they did not go up to it-- preferably in the long, smoky, delicious August evenings when the white moths sailed over the tansy plantation and the golden twilight faded into dusk and purple over the green slopes beyond and fireflies lighted their goblin torches by the pond.
L.M. Montgomery (Emily of New Moon (Emily, #1))
I would yearn for nothing no yesterday passing, no tomorrow to come and my present neither advancing nor retreating Nothing happening to me! If only I were a stone – I said – Oh if only I were some stone so that water would burnish me green, yellow – I would be placed in a room like a sculpture, or exercises in sculpture or material for the eruption of the necessary from the folly of the unnecessary If only I were a stone so that I could yearn for something! ― Mahmoud Darwish, “If only I were a stone” A River Dies of Thirst: Journals. (Archipelago; 1 Tra edition August 25, 2009)
Mahmoud Darwish (A River Dies of Thirst: Journals)
Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, essayist, and poet. His earliest novels were bestsellers, but his popularity declined later in his life. By the time of his death he had virtually been forgotten, but his longest novel, Moby-Dick — largely considered a failure during his lifetime, and responsible for Melville's drop in popularity — was rediscovered in the 20th century as a literary masterpiece. Source: Wikipedia
Herman Melville (Moby-Dick)
From the study of the development of human intelligence, in all directions, and through all times, the discovery arises of a great fundamental law, to which it is necessarily subject, and which has a solid foundation of proof, both in the facts of our organization and in our historical experience. The law is this: that each of our leading conceptions -- each branch of our knowledge -- passes successively through three different theoretical conditions: the theological, or fictitious; the metaphysical, or abstract; and the scientific, or positive. In other words, the human mind, by its nature, employs in its progress three methods of philosophizing, the character of which is essentially different, and even radically opposed: namely, the theological method, the metaphysical, and the positive. Hence arise three philosophies, or general systems of conceptions on the aggregate of phenomena, each of which excludes the others. The first is the necessary point of departure of the human understanding, and the third is its fixed and definitive state. The second is merely a state of transition.
Auguste Comte (Cours de philosophie positive 1/6 (French Edition))
As Wilson mourned his wife, German forces in Belgium entered quiet towns and villages, took civilian hostages, and executed them to discourage resistances. In the town of Dinant, German soldiers shot 612 men, women, and children. The American press called such atrocities acts of "frightfulness," the word then used to describe what later generations would call terrorism. On August 25, German forces bean an assault on the Belgian city of Louvain, the "Oxford of Belgium," a university town that was home to an important library. Three days of shelling and murder left 209 civilians dead, 1,100 buildings incinerated, and the library destroyed, along with its 230,000 books, priceless manuscripts, and artifacts. The assault was deemed an affront to just to Belgium but to the world. Wilson, a past president of Princeton University, "felt deeply the destruction of Louvain," according to his friend, Colonel House; the president feared "the war would throw the world back three or four centuries.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
Tobias Hawthorne had given himself a middle name at the same time he’d disinherited his family. Tattersall. Tatters, all. Given everything that Jameson and Xander had told me about their grandfather, that seemed like a message. Leaving the money to me—and before me, to charity—wasn’t the point. Disinheriting his family was. “What the hell happened twenty years ago in August?” I asked. Alisa seemed to be weighing her response. My eyes narrowed, and I wondered if any part of her was still loyal to Nash. To his family. “Mr. Hawthorne and his wife lost their son that summer. Toby. He was nineteen, the youngest of their children.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
The summer dresses are unpacked and hanging in the closet, two of them, pure cotton, which is better than synthetics like the cheaper ones, though even so, when it's muggy, in July and August, you sweat inside them. No worry about sunburn though, said Aunt Lydia. The spectacles women used to make of themselves. Oiling themselves like roast meat on a spit, and bare backs and shoulders, on the street, in public, and legs, not even stockings on them, no wonder those things used to happen. [...] And not good for the complexion, not at all, wrinkle you up like a dried apple. But we weren't supposed to care about our complexions any more, she'd forgotten that.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Why is it that all the main work of breaking down human souls went on at night? Why, from their very earliest years, did the Organs select the night? Because at night, the prisoner torn from sleep, even though he has not yet been tortured by sleeplessness, lacks his normal daytime equanimity and common sense. He is more vulnerable.
Aleksandr Solzhenitsyn (August 1914 (The Red Wheel, #1))
To look at a star by glances—to view it in a side-long way, by turning toward it the exterior portions of the retina (more susceptible of feeble impressions of light than the interior), is to behold the star distinctly—is to have the best appreciation of its lustre—a lustre which grows dim just in proportion as we turn our vision fully upon it. A greater number of rays actually fall upon the eye in the latter case, but in the former, there is the more refined capacity for comprehension. By undue profundity we perplex and enfeeble thought; and it is possible to make even Venus herself vanish from the firmament by a scrutiny too sustained, too concentrated, or too direct.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
A minute ago it was June. Now the weather is September. The crops are high, about to be cut, bright, golden, November? unimaginable. Just a month away. The days are still warm, the air in the shadows sharper. The nights are sooner, chillier, the light a little less each time. Dark at half-past seven. Dark at quarter past seven, dark at seven. The greens of the trees have been duller since August, since July really. But the flowers are still coming. The hedgerows are still humming. The shed is already full of apples and the tree's still covered in them. The birds are on the powerlines. The swifts left week ago. They're hundreds of miles from here by now, somewhere over the ocean.
Ali Smith (Autumn (Seasonal Quartet, #1))
The first gas chambers were constructed in 1939, to implement a Hitler decree dated September 1 of that year, which said that “incurably sick persons should be granted a mercy death.” (It was probably this “medical” origin of gassing that inspired Dr. Servatius’s amazing conviction that killing by gas must be regarded as “a medical matter.” ) The idea itself was considerably older. As early as 1935, Hitler had told his Reich Medical Leader Gerhard Wagner that “if war came, he would take up and carry out this question of euthanasia, because it was easier to do so in wartime.” The decree was immediately carried out in respect to the mentally sick, and between December, 1939, and August, 1941, about fifty thousand Germans were killed with carbon-monoxide gas in institutions where the death rooms were disguised exactly as they later were in Auschwitz—as shower rooms and bathrooms.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
In August 1944, the War Ministry in Tokyo had issued a directive to the commandants of various POW camps, outlining a policy for what it called the ‘final disposition’ of prisoners. A copy of this document, which came to be known as the ‘August 1 Kill-All Order,’ would surface in the war crimes investigations in Tokyo. Bearing a chilling resemblance to actual events that occurred at Palawan, the directive stated: ‘When the battle situation becomes urgent the POWs will be concentrated and confined to their location and kept under heavy guard until preparations for the final disposition will be made. Although the basic aim is to act under superior orders, individual dispositions may be made in [certain] circumstances. Whether they are destroyed individually or in groups, and whether it is accomplished by means of mass bombing, poisonous smoke, poisons, drowning, or decapitation, dispose of them as the situation dictates. It is the aim not to allow the escape of a single one, to annihilate them all, and not to leave any traces.’ (pp. 23-24)
Hampton Sides (Ghost Soldiers: The Epic Account of World War II's Greatest Rescue Mission)
1 and 2. The United States represents less than 5 percent of the world’s population; it consumes more than 25 percent of the world’s resources. This is accomplished to a large degree through the exploitation of other countries, primarily in the developing world. Point 3. The United States maintains the largest and most sophisticated military in the world. Although this empire has been built primarily through economics—by EHMs—world leaders understand that whenever other measures fail, the military will step in, as it did in Iraq. Point 4. The English language and American culture dominate the world. Points 5 and 6. Although the United States does not tax countries directly, and the dollar has not replaced other currencies in local markets, the corporatocracy does impose a subtle global tax and the dollar is in fact the standard currency for world commerce. This process began at the end of World War II when the gold standard was modified; dollars could no longer be converted by individuals, only by governments. During the 1950s and 1960s, credit purchases were made abroad to finance America’s growing consumerism, the Korean and Vietnam Wars, and Lyndon B. Johnson’s Great Society. When foreign businessmen tried to buy goods and ser vices back from the United States, they found that inflation had reduced the value of their dollars—in effect, they paid an indirect tax. Their governments demanded debt settlements in gold. On August 15, 1971, the Nixon administration refused and dropped the gold standard altogether.   Washington
John Perkins (The Secret History of the American Empire: The Truth About Economic Hit Men, Jackals, and How to Change the World (John Perkins Economic Hitman Series))
The world remembers the battle ever since by the taxis. A hundred of them were already in the service of the Military Government of Paris. With 500 more, each carrying five soldiers and making the sixty-kilometer trip to the Ourcq twice, General Clergerie figured he could transport 6,000 troops to the hard-pressed front. The order was issued at 1:00 P.M., the hour for departure fixed for 6:00 P.M. Police passed the word to the taxis in the streets. Enthusiastically the chauffeurs emptied out their passengers, explaining proudly that they had to “go to the battle.” Returning to their garages for gas, they were ordered to the place of assembly where at the given time all 600 were lined up in perfect order. Gallieni, called to inspect them, though rarely demonstrative, was enchanted. “Eh bien, voilà au moins qui n’est pas banal!” (Well, here at least is something out of the ordinary!) he cried. Each with its burden of soldiers, with trucks, buses, and assorted vehicles added to the train, the taxis drove off, as evening fell—the last gallantry of 1914, the last crusade of the old world.
Barbara W. Tuchman (The Guns of August)
The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyse. A chess-player, for example, does the one without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a somewhat peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed resulting in injury or defeat. The possible moves being not only manifold but involute, the chances of such oversights are multiplied; and in nine cases out of ten it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract, let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherché movement, the result of some strong exertion of the intellect. Deprived of ordinary resources, the analyst throws himself into the spirit of his opponent, identifies himself therewith, and not unfrequently sees thus, at a glance, the sole methods (sometime indeed absurdly simple ones) by which he may seduce into error or hurry into miscalculation.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))