Audit Inspirational Quotes

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Karma is a balance sheet of life which debits and credit all your deeds.YourWhich is audited by our creator and actions are based on what we accumulated in it.
Abhysheq Shukla (KARMA)
Karma is the balance sheet of life which debits and credit all your deeds.YourWhich is audited by our creator and actions are based on what we accumulated in it.
Abhysheq Shukla (KARMA)
Kaya makapal ang mukha ko at matigas ang bituka,e. Hindi kilala ang pagsuko dahil hangga't wala akong inaapakang tao, inilalaban ko ang magpapasaya sa puso ko- kahit mabasted nang ilang libong beses, 500 doon ay sa text pa; kahit hindi matanggap sa audition para sa role ni Pilosopo Tasyo sa El Fili; kahit madalas palakol sa exam; kahit hindi ako laging nakakapasa sa kung ano ang tingin ng iba na disente at tama, go pa rin. Sabi nga ng paborito kong mga philosophers, "Laban, laban!" [Sexbomb Girls]. Bawal bumawi kung ang gusto mo lang naman mapalanunan ay ligaya at pagmamahal.
Rod Marmol (Lahat Tayo May Period (At Iba Pang Punctuation Marks))
I needed no convincing of the fatal possibilities of government overreach, of the way the fatalities told the story of who the nation considered expendable, but, even after the low points of the previous decade, I believed in government, or at least believed in it more than the alternative. That my country might always expect me to audition for my life I accepted as fact, but I trusted the public charter of national government more than I trusted average white citizens acting unchecked. I believed in government, I had come to understand, the way that agnostics who hadn’t been to service in decades sometimes hedged their bets and brought their babies to be baptized or otherwise welcomed into the religions of their parents’ youth. I had abandoned the actual religion I was raised with as soon as I got to college, but when in moments of despair I needed the inspiration of a triumphant martyr figure who made me believe in impossible things, I thought not of saints or saviors but of my mother.
Danielle Evans (The Office of Historical Corrections)
We must check the inspirations that come to us in the depths of our own conscience against the revelation that is given to us with divinely certain guaranteers by those who have inherited in our midst the place of Christ's Apostles―by those who speak to us in the Name of Christ and as it were in His own Person. Qui vos audit me audit; qui vos spernit, me spernit.
Thomas Merton (The Seven Storey Mountain)
Go where your energy is reciprocated, appreciated, & celebrated. Audit your engagements; compartmentalize & adjust accordingly. Analyze & reflect on how each person affects you - energies you're inviting into your space/environment. Do they motivate you or keep you stagnant?
Cheyanne Ratnam
4. Who cares if you can nail your performance once. I want you to be able to do it over and over, as you would on set when they move from the master shot to the medium shot to the close up and then do the same thing again in the turnaround. That would be impressive to me.  
Murisa Harba Durrant (Acting With Energy: Creating Brilliance Take After Take)
They are all coming now to see what part they played... Auditions are over. The Script is written and casting is closed.
Niedria Kenny (Order in the Courtroom: The Tale of a Texas Poker Player)
Keeping the world safe for people to practice their audition pieces seems like one good reason to fight this war. If music stops, and art ceases, and beauty fades, what have we then?" - Lovely War
Julie Berry
Quinn wrote a script. He took the character Luke Gray out of the store and, in an inspired moment, renamed him Fibber McGee. He called his script Fibber McGee and Molly, but for some reason the agency people handling the Johnson account didn’t like it. They wanted to call it Free Air. It was, after all, about a middle-aged pair of married vagabonds who travel down America’s highways, stopping occasionally for gasoline and some engaging talk about Johnson’s Car Wax. But there was a problem with this title: Sinclair Lewis had used it on a short story and, as Yoder was told, wanted $50,000 for its release. So Fibber it was—perhaps the luckiest bad break in all radio. An audition record was made, and Johnson’s Wax bought the show. It would premiere on Monday night, April 16, 1935, with Smackout still running on the same (Blue) network, as a six-a-week quarter-hour feature at 10 A.M.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The Pickard Family arrived at NBC in 1928, a scene that might have inspired The Beverly Hillbillies more than 30 years later. May Singhi Breen recalled their arrival for Radio Guide. They pulled up at the NBC Fifth Avenue studio in a big touring car overflowing with clothes, bags, and household possessions and “announced calmly that they were the best musicians in their part of the country, and wanted to play on ‘this here radio.’” Everyone was given an audition in those days, and Breen recalled the Pickards’ as “a riot … they were immediately spotted as one of the greatest novelties of all time.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
A person who refuses to give up will always succeed, eventually. Henry Ford failed and went broke five times before he succeeded. NBA superstar Michael Jordan was once cut from his high school basketball team. After his first audition, screen legend Fred Astaire received the following assessment from an MGM executive: “Can’t act. Slightly bald. Can dance a little.
Joyce Meyer (The Confident Woman Devotional: 365 Daily Inspirations)