Audible Love Quotes

We've searched our database for all the quotes and captions related to Audible Love. Here they are! All 155 of them:

I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest - blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
Charlotte Brontë (Jane Eyre)
Why do you love the woman you're in love with? Because she is. And that, after all, is God's own definition of Himself; I am that I am. The girl is who she is. Some of her isness spills over and impregnates the entire universe. Objects and events cease to be mere representations of classes and become their own uniqueness; cease to be illustrations of verbal abstractions and become fully concrete. Then you stop being in love, and the universe collapses, with an almost audible squeak of derision, into its normal insignificance.
Aldous Huxley (The Genius and the Goddess: a Novel)
Close your eyes,” he said. Without waiting for me, he pressed his hand over my eyelids, shutting them for me. I felt the love seat shift as he slid in beside me, heard the inexplicably loud sound of the cover opening, the pages inside scraping against each other as he turned them. Then I felt his breath on my ear as he said, voice barely audible, “‘I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.’” He paused, long, the only sound his breath, a little ragged, before he went on, “‘And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don’t want to be folded anywhere, because there, where I’m folded, I am a lie.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I love you Anna Covey,' he said, his voice barely audible. And slowly, clumsily, he leant forward, and his lips found hers, and Anna felt him kiss her awkwardly, she knew that she wasn't a Surplus any more. And nor was Peter.
Gemma Malley (The Declaration (The Declaration, #1))
Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late. The tears threaten to return, so I willfully banish all thoughts from my head and take a few more deep breaths. I'm suddenly dizzy from the panic attack I've just suffered, and I close my eyes, resting my head against the warm leather of my steering wheel. Loneliness doesn't exist on any single plane of consciousness. It's generally a low throb, barely audible, like the hum of a Mercedes engine in park, but every so often the demands of the highway call for a burst of acceleration, and the hum becomes a thunderous, elemental roar, and once again you're reminded of what this baby's carrying under the hood.
Jonathan Tropper (The Book of Joe)
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
Judith McNaught (Paradise (Paradise, #1))
He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.
Arthur Phillips (The Song Is You)
To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character - perfect concord is the result.
Charlotte Brontë (Jane Eyre)
As that fucking chandelier twinkled overhead, Blay said roughly, "I'm still in love with him." Saxton dropped his eyes and brushed a the top of his thigh, as if there might have been a tiny piece of lint there. "I know. You thought you weren't?" As if that were rather stupid of him. "I'm so fucking tired of it. I really am." "That I believe." "Im so fucking..." God, those sounds, that muted pounding , that audible confirmation of what he had been ignoring for the past year-- On a sudden wave of violence, he pitched the brandy snifter at the marble fireplace, shattering the thing. "Fuck, Fuck!" If he'd been able to, he'd have jumped up and torn that goddamn cocksucking light fixture off the goddamn cocksucking ceiling.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
One of the reasons I love working in voiceover (and audiobooks) so much is that I'm an old soul, and every time I go up to the microphone, I feel like I'm doing a classic radio play or something. I really like that.
Jason Frazier
I hope one day you’ll fall in love,” Lydia muttered, barely audibly. “And that person will bring you to your knees.” Tristan
Alessandra Hazard (Just a Bit Wrong (Straight Guys #4))
I love you, Anna Covey,' he said, his voice barely audible. And slowly, clumsily, he leant forward, and his lips found hers, and as Anna felt him kiss her awkwardly, she knew that she wasn't a Surplus anymore. And nor was Peter. Surplus meant unnecessary. Not required. You couldn't be a Surplus if you were needed by someone else. You couldn't be a Surplus if you were loved.
Gemma Malley (The Declaration (The Declaration, #1))
—¿Qué tanto me miras? — pregunto con timidez. Podía haberle dicho cualquier cosa, podía haberle dicho que me gustaba su peinado, o que me agradaban loa aretes que traía puestos, pero mi boca se desconectó de mi cuerpo. —Es que eres muy hermosa—dije en un susurro apenas audible.
Lolo Mayaya (Sweet Temptation (Divine Temptations #1))
In the widely open cup of the armchair was I-330. I, on the floor, embracing her limbs, my head on her lap. We were silent. Everything was silent. Only the pulse was audible. Like a crystal I was dissolving in her, in I-330. I felt most distinctly how the polished facets which limited me in space were slowly thawing, melting away. I was dissolving in her lap, in her, and I became at once smaller and larger, and larger, unembraceable. For she was not she but the whole universe. For a second I and that armchair near the bed, transfixed with joy, we were one.
Yevgeny Zamyatin (We)
She fit against him like a teaspoon inside a tablespoon, curves angling together in all the right places to lock them into place with a nearly audible click of perfection
Louisa Edwards (Just One Taste (Recipe for Love, #3))
I have yet to find a genre of music I enjoy; it’s basically audible physics, waves and energized particles, and, like most sane people, I have no interest in physics.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Men love jargon. It is so palpable, tangible, visible, audible; it makes so obvious what one has learned; it satisfies the craving for results. It is impressive for the uninitiated. It makes one feel that one belongs. Jargon divides men into Us and Them…. Obscurity is fascinating. One tries to puzzle out details, is stumpred, and becomes increasingly concerned with meaning – unless one feels put off and gives up altogether. Those who persevere and take the author seriously are led to ask about what he could possibly have meant, but rarely seem to wonder or discuss whether what he says is true.
Walter Kaufmann
The truth is that Percy has always been important to me, long before I fell so hard for him there was an audible crash. It's only lately that his knee bumping mine under a narrow pub table leaves me fumbling for words. A small shift in the gravity between us and suddenly all my stars are out of alignment, planets knocked from their orbits, and I’m left stumbling, without map or heading, through the bewildering territory of being in love with your best friend.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body.... Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them. Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
Linda Hogan (Dwellings: A Spiritual History of the Living World)
I am in love with the stars of night - I have made them audible...
John Geddes (A Familiar Rain)
You have not known very many men." "I have no wish to know any others. I love this one.
Shelly Thacker (His Forbidden Touch (Stolen Brides #3))
Other Lives And Dimensions And Finally A Love Poem My left hand will live longer than my right. The rivers of my palms tell me so. Never argue with rivers. Never expect your lives to finish at the same time. I think praying, I think clapping is how hands mourn. I think staying up and waiting for paintings to sigh is science. In another dimension this is exactly what's happening, it's what they write grants about: the chromodynamics of mournful Whistlers, the audible sorrow and beta decay of Old Battersea Bridge. I like the idea of different theres and elsewheres, an Idaho known for bluegrass, a Bronx where people talk like violets smell. Perhaps I am somewhere patient, somehow kind, perhaps in the nook of a cousin universe I've never defiled or betrayed anyone. Here I have two hands and they are vanishing, the hollow of your back to rest my cheek against, your voice and little else but my assiduous fear to cherish. My hands are webbed like the wind-torn work of a spider, like they squeezed something in the womb but couldn't hang on. One of those other worlds or a life I felt passing through mine, or the ocean inside my mother's belly she had to scream out. Here, when I say I never want to be without you, somewhere else I am saying I never want to be without you again. And when I touch you in each of the places we meet, in all of the lives we are, it's with hands that are dying and resurrected. When I don't touch you it's a mistake in any life, in each place and forever.
Bob Hicok
I do not understand how any one can live without some small place of enchantment to turn to. In the forest there is a constant stirring in the treetops, as though on the stillest days the breathing of the earth is yet audible…The universe breathed, and the world inside it breathe same breath. This was the cosmic life, with suns and moons to make it lovely. It was important only to keep close enough to the pulse to feel its rhythm, to know… one’s own minute living is a torn fragment of a larger cloth. Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson
Marjorie Kinnan Rawlings
For my sake,” he said firmly, addressing the air in front of him as though it were a tribunal, “I dinna want ye to bear another child. I wouldna risk your loss, Sassenach,” he said, his voice suddenly husky. “Not for a dozen bairns. I’ve daughters and sons, nieces and nephews, grandchildren—weans enough.” He looked at me directly then, and spoke softly. “But I’ve no life but you, Claire.” He swallowed audibly, and went on, eyes fixed on mine. “I did think, though . . . if ye do want another child . . . perhaps I could still give ye one.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
She gave me a lopsided quirk of a smile. "Joss," her voice hoarse, barely audible. I wanted to run. I know. That's horrible. But I wanted to run away from this part. People ending up in hospital had never concluded well in my life, and seeing her there, so vulnerable, so exhausted, just reminded me of how close we might have come to losing her. I felt a hand squeeze mine and I turned my head to see Hannah watching me. She looked as pale as I felt, and her fingers were trembling between mine. She was scared too. I smiled reassuringly at her, hoping I was pulling it off. "Ellie is okay. Come on." I tugged on her hand and pulled her with me to Ellie's bed side. I reached out for the hand Ellie had held out for her mom, and I slid mine into it, feeling relief and love as she gave me a gentle squeeze.
Samantha Young (On Dublin Street (On Dublin Street, #1))
I had no room now for this fear, or for any other fear, because I was filled to the brim with music. And even when it was not literally (audibly) music, there was the music of my muscle-orchestra playing — “the silent music of the body,” in Harvey’s lovely phrase. With this playing, the musicality of my motion, I myself became the music — “You are the music, while the music lasts.” A creature of muscle, motion and music, all inseparable and in unison with each other — except for that unstrung part of me, that poor broken instrument which could not join in and lay motionless and mute without tone or tune.
Oliver Sacks (Musicophilia: Tales of Music and the Brain)
Have you had another motherfucker around my kid?” The audible hitch in her breath and the guilt that flashed in her eyes did nothing to stop my growing rage. “What do you mean?” she stammered. “You bitch.” I released her neck and took a step back. “Who is he?” “Who is who?” she screamed. “There’s no one!” “That’s not what your eyes just said.” “So now you’re a fucking mind reader?” “No. I’m your fucking mind reader. Shelly, don’t play with me,” I warned. “You have no right to question my love life.” Love? Was she in love? Fuck that. I’d stop her heart with my bare hands before I allowed her give it to anyone
B.B. Reid (Fear Us (Broken Love, #3))
The birds on the branches, the lilies in the field, the deer in the forest, the fishes in the sea, countless hosts of happy men, exultantly proclaim: God is love. But underneath all these sopranos, supporting them as it were, as the bass part does, is audible the de profundis which issues from the sacrificed one: God is love.
Walter Lowrie (A Short Life of Kierkegaard)
I was in such an ugly, dark place the night we met. I looked into your eyes, and you were right there with me—my angel in the darkness. You saved me.” He buries his nose in my hair and inhales audibly. “You saved me and I love you.
Lexi Ryan (Lost in Me (Here and Now, #1))
I can't explain the birds to you even if I tried. In the early morning, when the sun's rays peek over the mountain and subtly light up the landscape in a glow that, if audible, would sound like a hum, the birds sing. They sing in a layered symphony, hundreds deep. You really can't believe how beautiful it is. You hear bass notes from across the farm and soprano notes from the tree in front of you all at once, at varying volumes, like a massive choir that stretches across fifty acres of land. I love birds. But not as much as my wife loves them. My wife thinks about them, whereas I only notice them once they call for attention. But she looks for them, builds fountains for them, and saves them after they crash into windows. I've seen her save many birds. She holds them gently in the palm of her hand, and she takes them to one of the fountains she's built especially for them and holds their beaks up to the gentle trickle of water to let them drink, to wake them up from their dazed stupor. No matter how much time it takes, she doesn't leave them until they recover. And they mostly always do.
Portia de Rossi (Unbearable Lightness: A Story of Loss and Gain)
I still wake longing for your touch Skin open wound raw because I was told that's the only way to heal. I couldn't tame you you weren't meant for domestication meant to roam free but I still remember the first time you said "I love you" a whisper barely audible afraid of choking on your words or mine you preferred me voiceless blank stare submissive swallowing back years of lost time waiting for you to change.
Nancy Arroyo Ruffin (Letters to My Daughter: A collection of short stories and poems about Love, Pride, and Identity)
What kind of love do you think you deserve then?” “I’m not sure,” I answer honestly, my voice small and hardly audible over the music streaming from the speakers. He clasps my chin between his fingers and looks me in the eyes as he says, “Then it’s up to us to figure it out. Together.
Lauren Asher (My December Darling)
Could God speak to me audibly if He wanted to? You bet, and I hope He does sometime; I'll let you know. Probably in a book called 'God Talked to Me'. Until then, it seems that what God does most the time when He has something to say is this...He doesn't pass us messages, instead He passes us each other.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
I was in love. That truth hit me with a flash of light—then an audible boom. And some distant rumbling. Oh. It was just a thunderstorm.
Brenda Hiatt (Starstruck (Starstruck, #1))
The awesome love of our invisible God has become both visible and audible in Jesus Christ,
Brennan Manning (The Furious Longing of God)
Every new book is a chance to live another life, experience new emotions.
Maggie Dallen (Audible Love)
Acquire the habit of speaking to God as if you were alone with God. Speak with familiarity and confidence as to your dearest and most loving friend. Speak of your life, your plans, your troubles, your joys, your fears. In return, God will speak to you— not that you will hear audible words in your ears, but words that you will clearly understand in your heart.”1 —St. Alphonsus de’Liguori (1696–1797)
Bert Ghezzi (Adventures in Daily Prayer: Experiencing the Power of God's Love)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
It’s . . . what you said, in the bar the other night. About how I can’t let things go. You’re right. And maybe—I don’t know. Maybe it’s because I’ve been so—my whole life, people do things to, they . . . they hurt the people I love. And there was never anything I could do about it. Not until I got magic.” Noam’s hand slackened against Dara’s, but Dara didn’t try to pull away again. He rubbed his thumb against the backs of Noam’s knuckles, and Noam said: “I can do something, now. And maybe I . . . maybe I’m afraid of being powerless again.” The moment that followed was heavy and silent, thick enough between them Dara could’ve twisted it in his grasp like fabric. “You aren’t powerless.” Dara’s voice wavered. “You—Noam, even if you didn’t have magic, you wouldn’t be powerless. You’re so . . . you’re the bravest person I know. The stupidest too.” That earned a broken sort of laugh from Noam. “But. You’re strong. He won’t break you like he—” His throat closed around the rest. Noam’s inhale was sharp, audible. He lifted his hand and slid chilly fingers into Dara’s shorn-short hair. “You aren’t broken, Dara.
Victoria Lee (The Fever King (Feverwake, #1))
I meant to resist your charms; I really did.I wasn't going to do this." Alan took her wrist, guiding her hand over so that he could press a kiss to the palm. "Make love with me?" "No." Shelby's gaze traveled from his mouth to his eyes. "Be in love with you." She felt his fingers tighten on her wrist, then loosen slowly as his eyes stayed dark and fixed on hers. Beneath her, she felt the change in his heartbeart. "And are you?" "Yes." The word, hardly audible, thundered in his head. Alan brought her to him, cradling her head against his chest, feeling her low slow expulsion of air as his arm came around her. He hadn't expected her to give him so much so soon. "When?" "When?" Shelby repeated, enjoying the solid feel of his chest under her cheek. "Sometime between when we first stepped out on the Write's terrace and when I opened a basket of strawberries." "It took you that long? All I had to do was look at you.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The truth is that Percy has always been important to me, long before I fell so hard for him there was an audible crash. It's only lately that his knee bumping mine under a narrow pub table leaves me fumbling for words. A small shift in the gravity between us and suddenly all my stars are out of alignment, planets knocked from their orbits, and I'm left stumbling, without map or heading, through the bewildering territory of being in love with your best friend.
Mackenzi Lee
Tatiana liked the notion of the dress, she liked the feeling of the cotton against her skin and the stitched roses under her fingers, but she did not like the feeling of her exploding body trapped inside the lung-squeezing material. What she enjoyed was the memory of her skinny-as-a-stick fourteen-year-old self putting on that dress for the first time and going out for a Sunday walk on Nevsky. It was for that feeling that she had put on the dress again this Sunday, the day Germany invaded the Soviet Union. On another level, on a conscious, loudly-audible-to-the-soul level, what Tatiana also loved about the dress was a small tag that said FABRIQUÉ EN FRANCE. Fabriqué en France! It was gratifying to own a piece of anything not made badly by the Soviets, but instead made well and romantically by the French; for who was more romantic than the French? The French were masters of love. All nations were different. The Russians were unparalleled in their suffering, the English in their reserve, the Americans in their love of life, the Italians in their love of Christ, and the French in their hope of love. So when they made the dress for Tatiana, they made it full of promise. They made it as if to tell her, put it on, chérie, and in this dress you, too, shall be loved as we have loved; put it on and love shall be yours. And so Tatiana never despaired in her white dress with red roses. Had the Americans made it, she would have been happy. Had the Italians made it, she would have started praying, had the British made it, she would have squared her shoulders, but because the French had made it, she never lost hope. Though at the
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
According to Scripture, the world we live in is God’s creation. It is the visual, fragrant, audible, touchable, and tastable manifestation of God’s love, the place where God’s desire that others be and be well finds earthly expression.
Norman Wirzba (From Nature to Creation (The Church and Postmodern Culture): A Christian Vision for Understanding and Loving Our World)
The despair which had overwhelmed her slowly ebbed: he loved her, ah he loved her. He was free to enjoy himself with Jeanne, or with others, he loved her. “I love you,” he had whispered in her ear, “I love you,” so softly it was scarcely audible. “I love you.
Pauline Réage (Story of O)
Because life isn’t always tidy. We don’t always have the answers we want, and love isn’t always pretty,” he said, his gaze pointed as I swallowed audibly. “It’s messy and painful, but it is always worthwhile. It is always the answer, my star, not the problem.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Although she rarely heard God's voice speaking audibly to her, Delphine knew that Ellie had been right. God was speaking through her life, and speaking through the people in it. He had spoken through Ellie and Jack too many times to count. And He had spoken through His Word most of all.
Ann Swindell (Love in the Castle Library (In the Castle Library #2))
Dude, what're you waiting for?" Carlos calls. "Plant one on her." I lift my eyes and am shocked to see Brandon is staring at my mouth. He swallows audibly and flicks his gaze to mine. the emotions darkening the soft green color are too confusing to name. Does he want to back out? An exhale of breath leaves Brandon's lips, almost like a laugh, and he scoots closer to me on the blanket. I twist my legs under myself, sitting tall as I face him. He cups my chin and tilts it toward him, drowning me in the now dark-green depths of his eyes, the cologne I gave him for his birthday filling my head. It's woodsy and yummy and I always loved how it smelled on the store testers, but on Brandon, it's even sexier. My eyes flutter closed, and I inhale again, this time slowly. Goose bumps prickle my arms, and my head gets fuzzy. Brandon slides his hand down the column of my neck and brings the other up, threading his fingers through the hair at my nape. His breath fans across my cheek, and everything south of my bellybutton squeezes tight. When his mouth first meets mine, it's hesitant, questioning. But as I move my lips with his, he quickly grows bolder, coaxing them apart. Desire, pure and raw, electrifies my veins as his tongue sweeps my mouth. A whimpering sound springs from my chest, and instinctively, I wrap my arms around his neck, tugging him closer. Needing more. My teeth graze his full bottom lip, and I pull it, sucking on it gently. He moans and knots his fingers in my hair, and a thrill dances down my back. Brandon is an amazing kisser, just as I knew he would be. I have no control over my body's reactions. I lose myself in his lips, his tongue, and his strong arms, forgetting time and space and even my surroundings...
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your sleepy eyes And when again they open, the sun will rise.   Here it’s safe, here it’s warm Here the daisies guard you from every harm Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.   Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her.   Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when again it’s morning, they’ll wash away.   Here it’s safe, here it’s warm Here the daisies guard you from every harm   The final lines are barely audible.   Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In the end, life is a simple equation. Each time you love- be it a man or a child, a cat or a horse- you add color to this world. When you fail to love, you erase color. Love, in any of its forms, is what takes this journey from a bleak black-and-white pencil sketch to a magnificent oil painting.
Lori Nelson Spielman (The Star Crossed Sisters of Tuscany (Audible book))
So rather than spending time wondering why I don’t hear audible voices, I just try to listen harder with my heart, and I’ve realized a couple of things that seem kind of obvious now. God doesn’t talk to me in an audible voice because God isn’t a human being; He’s God. That makes sense to me, because human beings are limited and God isn’t limited at all. He can communicate to us in any way He wants to anytime He wants to. Through flowers, other people, an uncomfortable sense, a feeling of joy, goose bumps, a newfound talent, or an appreciation we acquire over time. It doesn’t need to be a big mystical thing like my surfer buddies made it out to be.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Thou shalt not commit adultery;” in other words, thou shalt not adulterate Life, Truth, or Love, — mentally, morally, or physically. “Thou shalt not steal;” that is, thou shalt not rob man of money, which is but trash, compared with his rights of mind and character. “Thou shalt not kill;” that is, thou shalt not strike at the eternal sense of Life with a malicious aim, but shalt know that by doing thus thine own sense of Life shall be forfeited. “Thou shalt not bear false witness;” that is, thou shalt not utter a lie, either mentally or audibly, nor cause it to be thought. Obedience to these commandments is indispensable to health, happiness, and length of days.
Mary Baker Eddy (Prose Works (Authorized Edition))
What do you even want from me,” she grumbled, a tortured tone creeping into her voice. “You should go home to Liz, get married and take care of the baby…” Joe drew in a deep breath and exhaled audibly. ”Wow, Danny! What great advice! If you were trying to pack the three scariest words into one sentence, you really nailed it!” Leaning in a bit, he squinted at her. “Or are you serious???” Her eyes darting back at him, D let out a bitter laugh. “Personally, I’ve always found the constellation of just you and her freaky enough - even without the marriage-part and the baby-part. But that’s just me, you know…” “Okay, I guess you were being serious then,” Joe concluded flatly.
Billy Wood-Smith (An Interrupted Love Story (Can You Mend It? #1))
Her brave comment tugged at my heart strings, and I swallowed audibly. The next part was completely honest. “I just feel a connection between us.” I wagged my finger at the space between us. “An acute sexual tension if you will. It could make for some pretty amazing sex between us. I think we have great chemistry. I felt it even before I looked at you.
K.L. Shandwick (Love with Every Beat)
Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when again it’s morning, they’ll wash away. Here it’s safe, here it’s warm Here the daisies guard you from every harm The final lines are barely audible. Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I opened the window to let some fresh air into the room and was surprised to see that the rain was not just falling, but that it formed an actual wall of water, as if the whole sky were falling. While I was staring at the strange phenomenon, the form of an angel began to appear before me… It was Matariel, the Angel of Rain, whom I had not seen since my descent and who on this occasion appeared in a shiny, blue-grey form. She was only an arm’s length away and stared straight at me. She looked like a young woman floating on enormous wings -not a single drop of rain touched her. The smell of the cool rain swept the room as Matariel began talking to me. She never once moved her lips, but her every word was clearly audible in my head.
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
You wonder how long this moment could stretch for, and how much it could contain: you, her, the soft rush of cars speeding in the darkness, the gaze, seeing each other here, her heartbeat near audible, before she says, ‘I love you, you know?’ She has swum out into open water, and it is not long before you join her. You take but a moment before saying, ‘I love you too.
Caleb Azumah Nelson (Open Water)
Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your sleepy eyes And when again they open, the sun will rise. Here it’s safe, here it’s warm Here the daisies guard you from every harm Here your dreams are sweet and tomorrow brings them true Here is the place where I love you. Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her. Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when again it’s morning, they’ll wash away. Here it’s safe, here it’s warm Here the daisies guard you from every harm The final lines are barely audible. Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Do you think I’m going to take her back? Do you think I’m still in love with her?” She shrugs with one shoulder. “Amanda,” I say, grappling for the words. When I don’t say anything else, she slowly turns her head to look at me. Fearful. Hopeful. “I told her it was too late,” I admit. “I told her I didn’t love her anymore, because I don’t. That ship sailed a long time ago. And I told her I wished her the best of luck but the truth was, I’ve met someone else.” I give her a faint smile, aware of everything riding on this. “You.” “Me?” she repeats, her voice barely audible. “I didn’t mean it as a work partner. I didn’t mean it as someone I’m casually sleeping with. I meant in a completely jumping the gun, getting ahead of myself, answering for you when I shouldn’t, I want you to be my girlfriend kind of way. She doesn’t have my affection, my future or my heart. You do, Amanda. You do.
Karina Halle (Smut)
I slowly wipe my bloody hand a crossed my jacket and draw my switch blade from my pocket. I show it to him. Mutt regards it with contempt. "How is it you're thinking you'll stop e with that wee thing?" The blade snaps out audibly. Mutt would not be the largest thing to die on the slender point of it. "I don't think I'll stop you," I say. "I think that you will cut my horse and then when you come out of that stall, I will use this to cut your heart out and hand it to you.
Maggie Stiefvater (The Scorpio Races)
The whole house and garden is one vast obscenity. It bears a sickening resemblance to the description one human writer made of Heaven: 'the regions where there is only life and therefore all that is not music is silence'. Music and silence - how I detest them both! How thankful we should be that ever since Our Father entered Hell - though longer ago than humans, reckoning in light years, could express- no square inch of infernal space and no moment of infernal time has been surrendered to either of those abominable forces, but all has been occupied by Noise - Noise, the grand dynamism, the audible expression of all that is exultant, ruthless, and virile - Noise which alone defends us from silly qualms, despairing scruples and impossible desires. We will make the whole universe a noise in the end. We have already made great strides in this direction as regards the Earth. The melodies and silences of Heaven will be shouted down in the end.
C.S. Lewis (The Screwtape Letters)
There is a proven method by which, over time, the author has preserved his power to function and confidently recommends. It is this: You put on your pillow a small radio, its volume set at just above, or just below, clear audibility, tuned to a station where calm talking occurs, little music, and no shouted commercials. This reminds you of when, as a baby in a cradle, you heard the soft murmur of adult conversation in the adjacent room, and felt safe and loved and could therefore sleep secure.
Bob Ellis (The Ellis Laws: Penguin Special)
Please don’t look at me like that. He lowers his gaze, picks up a strand of my hair and twirls it around his finger. “I miss you,” he says to it. It’s barely audible over the sound of the storm raging outside, but in here, it’s like a roaring crescendo. Why do his words have the power to turn my world upside down? Why do will and shame and guilt and sense fall by the wayside when I’m with him? Because you love him, comes the answer. You love him. You love him. It echoes like the clap of distant thunder.
Leylah Attar (53 Letters for My Lover (53 Letters for My Lover, #1))
How are you enjoying Thorne Abbey?" Cal took a long sip of orange juice before replying. "It's great." I don't think it was possible for Cal to sound less enthusiastic, but either Lara didn't pick up on it, or she didn't care, because she sounded awfully perky as she said, "Well, I'm sure the two of you are welcoming the chance to spend some time together." Cal and I both stared at her. I tried to will her to stop talking, but apparently that power wasn't in my repertoire. Lara flashed us a conspiratorial grin. "Nothing makes me happier than seeing an arrangement that's a real love match." All the awkwardness that had vanished between me and Cal yesterday seemed to swoop back into the room with an audible whoosh. I dared a quick look in his direction, but Cal, as usual, was doing his whole Stoic Man thing. His expression didn't even waver. But then I noticed his hand tightening around his glass. "Cal and I aren't...we don't...there's not any, um, love," I finally said. "We're friends." Lara frowned, confused. "Oh. I'm sorry." She turned to Cal, eyebrows raised. "I just assumed that was the reason you turned down the position with the Council." Cal shook his head,and I think he was about to say something, but I beat him to it. "What position with the Council?" "It was nothing," he said. Lara gave a delicate snort before saying to me, "After his term at Hecate ended, Mr. Callahan was offered a position as the Council's chief bodyguard. Correct me if I'm wrong, but didn't you initially accept the assignment?" she asked Cal. It was the closest I'd ever seen Cal to angry. Of course, on him, that meant that his brow furrowed a little. "I did, but-" he started to say. "But then you heard Sophie was coming to Hecate, and you decided to stay," Lara finished, and her lips twisted in the triumphant smile I'd seen on Mrs. Casnoff's face dozens of times. I stood there, frozen in place, as she turned back to me and said, "Mr. Callahan gave up a chance to travel the world with the council so that he could be little more than a janitor on Graymalkin Island. For you.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Mates are … an intense thing for the Fae.” She swallowed audibly. “It’s a lifetime commitment. Something sworn between bodies and hearts and souls. It’s a binding between beings. You say I’m your mate in front of any Fae, and it’ll mean something big to them.” “And we don’t mean something big like that?” he asked carefully, hardly daring to breathe. She held his heart in her hands. Had held it since day one. “You mean everything to me,” she breathed, and he exhaled deeply. “But if we tell Ruhn that we’re mates, we’re as good as married. To the Fae, we’re bound on a biological, molecular level. There’s no undoing it.” “Is it a biological thing?” “It can be. Some Fae claim they know their mates from the moment they meet them. That there’s some kind of invisible link between them. A scent or soul-bond.” “Is it ever between species?” “I don’t know,” she admitted, and ran her fingers over his chest in dizzying, taunting circles. “But if you’re not my mate, Athalar, no one is.” “A winning declaration of love.” She scanned his face, earnest and open in a way she so rarely was with others. “I want you to understand what you’re telling people, telling the Fae, if you say I’m your mate.” “Angels have mates. Not as … soul-magicky as the Fae, but we call life partners mates in lieu of husbands or wives.” Shahar had never called him such a thing. They’d rarely even used the term lover. “The Fae won’t differentiate. They’ll use their intense-ass definition.” He studied her contemplative face. “I feel like it fits. Like we’re already bound on that biological level.” “Me too. And who knows? Maybe we’re already mates.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
Sounds have always had the ability to make me feel things; audible chewing elicits anger, loud noises can bring on sudden anxiety, and high-pitched sounds resonate in my spine with something akin to physical pain. It’s not all bad, a satisfying key-change in a song brings on all the sensations of cresting on a rollercoaster, but stripped of the terror. It’s lovely. But a lot of noises all at once, even if they are exclusively pleasant sounds, will always feel like an assault, so the relentless cacophony of high school was constantly unbearably overwhelming
Hannah Gadsby (Ten Steps to Nanette)
MICHAEL (standing up and stretching) Gosh, Steve. I don't know how to thank you. STEVE (also standing) Hey, don't thank me. It means you haven't got any excuse now not to get back to work. They are facing each other. STEVE is looking into MICHAEL's eyes. MICHAEL (embarrassed) So... STEVE (also slightly awkward) Right. Well, I guess I'd better be... MICHAEL, surprising himself, silently pulls STEVE towards him. He puts a hand on his cheek. STEVE stares at MICHAEL, unable to move. The feeling of MICHAEL's hand on his cheek is like an electric shock. MICHAEL (whispering, hardly audible) I mean it, really... thanks. He leans forward and kisses STEVE on the lips. STEVE puts his arms round MICHAEL's neck and holds him tightly. MICHAEL suddenly ends the kiss and pulls away. He goes to the door, opens it and says, in a clear voice. MICHAEL Goodnight, then, Steve. STEVE (disappointed, hurt) Right... sure. G'night. MICHAEL immediately closes the door loudly, before STEVE has had a chance to leave. MICHAEL puts a finger to his lips. STEVE suddenly understands. He smiles in radiant relief, pure love and joy in his eyes. They embrace.
Stephen Fry (Making History)
Tatia…Tatiasha,” he said huskily, taking her hands and kissing them, kissing her wrists and the insides of her forearms. “Yes?” she said, just as huskily. “We’re alone together.” “I know,” she replied, suppressing a moan. “We have privacy.” “Hmm.” “Privacy, Tania!” Alexander said intensely. “For the first time in our life you and I have real privacy. We had it yesterday. And we have it today.” She couldn’t take the emotion in his crème brûlée eyes. She lowered her gaze. “Look at me.” “I can’t,” she whispered. Alexander cupped her small face in his massive hands. “Are you…scared?” “Terrified.” “No. Please, don’t be scared of me.” He kissed her deeply on the lips, so deeply, so fully, so lovingly, that Tatiana felt the aching pit inside her open up and flare upward. She tottered, physically unable to continue sitting upright. “Tatiasha,” he said, “why are you so beautiful? Why?” “I’m a rag,” she said. “Look at you.” He hugged her. “God, what a blessing.” Pulling away, Alexander took her hands. “Tania, you are my miracle, you know that, don’t you? You are the one God sent me to give me faith.” He paused. “He sent you to redeem me, to comfort me, and to heal me—and that’s just so far,” he added with a smile. “I’m barely able to hold myself together right now, I want to make love to you so much…” Here he stopped. “I know you’re afraid. I will never hurt you. Will you come into my tent with me?” “Yes,” Tatiana said, softly but audibly.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
COLLOQUE SENTIMENTAL   In the deserted park, silent and vast, Erewhile two shadowy glimmering figures passed.   Their lips were colorless, and dead their eyes; Their words were scarce more audible than sighs.   In the deserted park, silent and vast, Two spectres conjured up the buried past.   Our ancient ecstasy, do you recall? Why, pray, should I remember it at all?   Does still your heart at mention of me glow? Do still you see my soul in slumber? No!   Ah, blessed, blissful days when our lips met! You loved me so! Quite likely,--I forget.   How sweet was hope, the sky how blue and fair! The sky grew black, the hope became despair.   Thus walked they 'mid the frozen weeds, these dead, And Night alone o'erheard the things they said.
Paul Verlaine (Poems of Paul Verlaine)
I studied the stars. 'They're not- they're not stars at all.' 'No,' Rhys came up behind me at the rail. 'Our ancestors thought they were, but... They're just spirits, on a yearly migration to somewhere. Why they pick this day to appear here, no one knows.' I felt his eyes upon me, and tore my gaze from the shooting stars. Light and shadow passed over his face. The cheers and music of the city far, far below were barely audible over the crowd gathered at the House. 'There must be hundreds of them,' I managed to say, dragging my stare back to the stars whizzing past. 'Thousands,' he said. 'They'll keep coming until dawn. Or, I hope they will. There were less and less of them the last time I witnessed Starfall.' Before Amarantha had locked him away. 'What's happening to them?' I looked in time to see him shrug. Something twanged in my chest. 'I wish I knew. But they keep coming back despite it.' 'Why?' 'Why does anything cling to something? Maybe they love wherever they're going so much that it's worth it. Maybe they'll keep coming back, until there's only one star left. Maybe that one star will make the trip forever, out of the hope that someday- if it keeps coming back often enough- another star will find it again.' I frowned at the wine in my hand. 'That's... a very sad thought.' 'Indeed.' Rhys rested his forearms on the balcony edge, close enough for my fingers to touch if I dared. A calm, full silence enveloped us. Too many words- I still had too many words in me.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I think I was falling in love with you for a while,' I said, the words barely audible over the trickle of water as I washed his beautiful wings. 'But I knew on Starfall. Or came close to knowing and was so scared of it that I didn't want to look closer. I was a coward.' 'You had perfectly good reasons to avoid it.' 'No, I didn't. Maybe- thanks to Tamlin, yes. But it had nothing to do with you, Rhys. Nothing to do with you. I was never afraid of the consequences of being with you. Even if every assassin in the world hunts us... it's worth it. You are worth it.' His head dipped a bit. And he said hoarsely, 'Thank you.' My heart broke for him then- for the years he'd spent thinking the opposite. I kissed his bare neck, and he reached back to drag a finger down my cheek.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Then, she stepped hard on something soft. “Ouch!” exclaimed an urgent, musical voice behind her followed by another blast of that scent. That voice rang out in the night like a small bell. Damn, thought Carmen. These late-night stragglers always show up just as I am closing! “We’re closed,” she commented impatiently, not even bothering to turn around. “I can’t get you anything, my cash register is empty. And, I definitely can’t get you any gasoline. The pumps are shut down.” “You’re on my foot!” said the small, feminine voice again, protesting more loudly. “Get off!” The girl laughed. The street lights came on, as if the pressure of stepping on this person’s foot had turned them on. Carmen laughed at the synchronicity. She felt a small hand on her waist as she moved her foot off the soft place it had landed. It had been years since she had felt a woman’s touch. The feminine voice said quietly, “That hurt.” Carmen whirled around to face the girl she had stepped on, and almost lost her balance. Her eyes met the huge violet eyes of the most beautiful country girl she had ever seen standing directly behind her. Obviously, she had stepped on her. She apologized until she was speechless. Then, she coughed and indicated her truck. The girl had straight, healthy blue hair, delicately shaved over one ear and well-done light makeup with a few rhinestone studs in her ears and nose. Carmen had sucked her breath in audibly at the girl’s appearance. This diminutive girl was stunning. She was a real beauty, set in the dark country night like a diamond against the warm obsidian of the sky. And that fragrance!
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest — blest beyond what language can express; because I am my husband’s life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward’s society: he knows none of mine, any more than we each do the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character – perfect concord is the result.
Charlotte Brontë (Jane Eyre)
Dear reader, the Book of Acts did not end in the first century. It continues to be written through those who believe God and have penetrated the Kingdom of God. How can we do this? Simply by following the example of the apostle John and others who practiced being in the Spirit, or entering the realm of His glory, as an essential part of their spiritual lives. Being in the Spirit is a state of deep intimacy with God through which the spirit of man becomes hypersensitive to the presence of God. This is the position from which revelation and visions of the heavenly Kingdom are seen in full. The Kingdom of God is among us; only a thin, transparent membrane separates us from it. When we know God intimately, that membrane breaks. Our faith and love of God and time spent alone with Him allow us to pass to the other side. There, He becomes visible and audible and gives us great revelations.
Ana Méndez Ferrell (Regions of Captivity: One of the Most Powerful Ways to be Delivered)
Music centers you,” I whispered to an empty car, staring at his front door. “You listened to your iPod between classes and while you sat on the bleachers before school every morning.” I smiled, letting more tears run down my cheeks and thinking back to him and his black hoodies, looking so dark. “You love popcorn. Almost every kind and flavor but especially with Tabasco sauce,” I said, remembering the times he would come into the theater where I worked. “You hold the door open for women—students, teachers, and even old ladies coming out of Baskin-Robbins. You love movies about natural disasters, but they have to have some comedy in them. Your favorite one is Armageddon.” I swallowed and thought about how little I’d ever seen Jax truly smile. “And while you love computers, it’s not your passion,” I concluded. “You love being outdoors. You love having space.” My whole face hurt, the last words barely audible. “And you deserve someone who makes you happy. I’m just not that person.
Penelope Douglas (Falling Away (Fall Away, #4))
She danced before me for several minutes, her scarlet dancing silks flashing in the firelight, her bare feet, with their belled ankles, striking softly on the carpet. With a last flash of the finger cymbals, she fell to the carpet before me, her breath hot and quick, her eyes blazing with desire. I was at her side, and she was in my arms. Her heart beat wildly against my breast. She looked into my eyes, her lips trembling, the words stumbling but audible. "Call for the iron," she said. "Brand me, Master." "No, Talena," I said, kissing her mouth. "No." "I want to be owned," she whimpered. "I want to belong to you, fully, completely in every way. I want your brand, Tarl of Bristol, don't you understand? I want to be your branded slave." I fumbled with the collar at her throat, unlocked it, threw it aside. "You're free, my love," I whispered. "Always free." She sobbed, shaking her head, her lashes wet with tears. "No," she wept. "I am your slave." She clenched her body against mine, the buckles of the wide tharlarion belt cutting into her belly. "You own me," she whispered. "Use me.
John Norman (Tarnsman of Gor (Gor, #1))
Where have you been?” I softly answered followed by a question. I wanted to laugh hysterically at the controlled calmness of it all, as if nothing at all had happened, as if he hadn’t resurrected himself after an eternity of absence. “New York,” I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
I did not come here to tell you about Sphinx. Yes, I am looking for a way to your heart, I freely admit that. I am looking for it day and night, here and yon… Can I kiss you? Just as I thought. No one is ever allowed to do what they want most in the world. In heaven, maybe. Or is it that in heaven you stop wanting for anything? “I am not a maniac. I simply love you. I want to be with you, always and forever, I want to feel you next to me when I sleep, I want to kiss your mouth and your forehead and your fingers, and the patches on your jeans, and that silly print on your shirt. I want to always carry you in my arms and make love to you everywhere I could, I want a dozen kids with you, all of them gingers, wild and free, with scraped knees and snubbed noses, with the souls that no one would ever be allowed to drive spikes through. Except none of this will happen, so why are you so mad at me for saying it? “Did you know that your ears are almost transparently red when you stand in front of a window? No, I told you, I am serious, I’ve never been more serious in my life. What do you mean, ugly? You’re ugly? You’ve got to be kidding. You have the blackest eyes in the world, your eyelashes could burn, your hair shines like a small sun. You are a flaming flower on a slender stalk, you… “Sorry. Sorry. I’m not shouting, I’m whispering, I’m barely audible. And I’m not leaning, I am simply drawn forward. It is unbearably hot in here. It’s not? Well, it definitely is warm. I’m fine, I’m not ill, it’s just this place is hot. Or warm, whatever. And the sweater is scratchy. Does this mean I can’t come anymore? Yes, I’ve ruined everything myself, I understand. I’m sorry. So when can I come again?
Mariam Petrosyan (Дом, в котором...)
Amy, listen to me.  Listen to me.  Don't you ever let them tell you you're ugly!  Don't ever let them tell you you're dirty.  You're a beautiful person, inside and out, thoughtful, sensitive and kind.  I don't care what Sylvanus says, or what anyone else thinks.  You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles.  No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry.  I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own.  Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake.  A big mistake.  But to stop now would crush her. "Ah, Amy.  How can you think you're ugly?  Your skin is so soft that it feels like roses after a morning rain." "It's too dark.  Bronzy.  Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent.  "And look at these cheekbones!  I know women — aristocratic women, mind you — who'd kill for cheekbones like these.  High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose.  He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't.  Close your eyes." She did.  He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown?  Brown like conkers?  Brown like nutmeg?  Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair.  It was straight, he could tell that much.  Shiny like glass, as soft as a fern.  He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No.  Brown like black.  And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really.  It's just hair." "Just hair.  Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her.  "Oh, Amy." He
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
Judith McNaught (Almost Heaven (Sequels, #3))
What you did to us—and to me specifically—was wrong, and you had no right to do that.’” The priest stared unblinkingly into Blanchette’s eyes, waiting but unprepared for what came next. “‘Having said that, it brings me to the real reason I’ve come here. The real reason I’ve come here is to ask you to forgive me for the hatred and resentment that I have felt toward you for the last twenty-five years.’ When I said that, he stood up, and in what I would describe as a demonic voice, he said, ‘Why are you asking me to forgive you?’ And through tears I said, ‘Because the Bible tells me to love my enemies and to pray for those who persecute me.’” Blanchette said Birmingham collapsed as if he’d been punched in the chest. The priest dissolved into tears, and soon Blanchette too was crying. Blanchette began to take his leave but asked Birmingham if he could visit again. The priest explained that he was under tight restrictions at the rectory. He said he had been to a residential treatment center in Connecticut, and he returned there once a month. He was not allowed to leave the grounds except in the company of an adult. Blanchette would not see the priest again until Tuesday, April 18, 1989, just hours before his death. Blanchette found his molester at Symmes Hospital in Arlington and discovered the priest—once robust and 215 pounds—was now an eighty-pound skeleton with skin. Morphine dripped into an IV in his arm. Oxygen was fed by a tube into his nostrils. His hair had been claimed by chemotherapy. The priest sat in a padded chair by his bed. His breathing was labored. “I knelt down next to him and held his hand and began to pray. And as I did, he opened his eyes. I said, ‘Father Birmingham, it’s Tommy Blanchette from Sudbury.’” He greeted Blanchette with a raspy and barely audible, “Hi. How are ya?” “I said, ‘Is it all right if I pray for you?’ And he said, ‘Yes.’ And I began to pray, ‘Dear Father, in the name of Jesus Christ, I ask you to heal Father Birmingham’s body, mind, and soul.’ I put my hand over his heart and said, ‘Father, forgive him all his sins.’” Blanchette helped Birmingham into bed. It was about 10 P.M. He died the next morning.
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
The blinking message light on the phone screamed at us when we walked into the bedroom of our suite. Marlboro Man audibly exhaled, clearly wishing the world--and his brother and the grain markets and the uncertainties of agriculture--would leave us alone already. I wish they’d leave us alone, too. In light of the recent developments, though, Marlboro Man picked up the phone and dialed Tim to get an update. I excused myself to the bathroom to freshen up and put on a champagne satin negligee in an effort to thwart the external forces that were trying to rob me of my husband’s attention. I brushed my teeth and spritzed myself with Jil Sander perfume before opening the door to the bedroom, where I would seduce my Marlboro Man away from his worries. I knew I could win if only I applied myself. He was just getting off the phone when I entered the room. “Dammit,” I heard him mumble as he plopped down onto the enormous king-size bed. Oh no. Jil Sander had her work cut out for her. I climbed on the bed and lay beside him, resting my head on his arm. He draped his arm across my waist. I draped my leg around his. He sighed. “The markets are totally in the shitter.” I didn’t know the details, but I did know the shitter wasn’t a good place. I wanted to throw out the usual platitudes. Don’t worry about it, try not to think about it, we’ll figure it out, everything will be okay. But I didn’t know enough about it. I knew he and his brother owned a lot of land. I knew they worked hard to pay for it. I knew they weren’t lawyers or physicians by profession and didn’t have a whole separate income to supplement their ranching operation. As full-time ranchers, their livelihoods were completely reliant on so many things outside of their control--weather, market fluctuations, supply, demand, luck. I knew they weren’t home free in terms of finances--Marlboro Man and I had talked about it. But I didn’t understand enough about the ramifications of this current wrinkle to reassure him that everything would be okay, businesswise. And he probably didn’t want me to. So I did the only thing I could think of to do. I assured my new husband everything would be okay between us by leaning over, turning off the lamp, and letting the love between us--which had zero to do with markets or grains--take over.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Simon laughs when I audibly exhale. “Relieved she’s not here yet?” I roll my suitcase into one of the barren bedrooms and then plunk down on the rock-hard, hideous orange sofa in the lounge. Simon takes a swivel chair from my room and slides it in front of me, where he then plants himself. “Why are you so worried?” I cross my arms and look around the concrete room. “I’m not worried at all. She’s probably very nice. I’m sure we’ll become soul mates, and she’ll braid my hair, and we’ll have pillow fights while scantily clad and fall into a deep lesbian love affair.” I squint my eyes at a cobweb and assume there are spider eggs preparing to hatch and invade the room. “Allison?” Simon waits until I look at him. “You can’t do that. You can’t become a lesbian.” “Why not?” “Because then everyone will say that your adoptive gay father magically made you gay, and it’ll be a big thing, and we’ll have to hear about nature versus nurture, and it’ll be soooooo boring.” “You have a point.” I wait for spider eggs to fall from the sky. “Then I’ll go with assuming she’s just a really sweet, normal person with whom I do not want to engage in sexual relations.” “Better,” he concedes. “I’m sure she’ll be nice. This kind of strong liberal arts college attracts quality students. There’re good people here.” He’s trying to reassure me, but it’s not working. “Totally,” I say. My fingers run across the nubby burned-orange fabric covering the couch, which is clearly composed of rock slabs. “Simon?” “Yes, Allison?” I sigh and take a few breaths while I play with the hideous couch threads. “She probably has horns.” He shrugged. “I think that’s unlikely.” Simon pauses. “Although . . .” “Although what?” I ask with horror. There’s a long silence that makes me nervous. Finally, he says very slowly, “She might have one horn.” I jerk my head and stare at him. Simon claps his hands together and tries to coax a smile out of me. “Like a unicorn! Ohmigod! Your roommate might be a unicorn!” “Or a rhinoceros,” I point out. “A beastly, murderous rhino.” “There is that,” he concedes. I sigh. “In good news, if I ever need a back scratcher, I have this entire couch.” I slump back against the rough fabric and hold out my hands before he can protest. “I know. I’m a beacon of positivity.” “That’s not news to me.
Jessica Park (180 Seconds)
The phone rang and Chassie excused herself to answer it. Silence hung between them as heavy as snow clouds in a winter sky. Eventually, Edgard said, "She doesn't know anything about me. Not even that we were roping partners. Not that we were..." He looked at Trevor expectantly. "No." Trevor quickly glanced at the living room where Chassie was chattering away. "You surprised?" "Maybe that she isn't aware of our official association as roping partners. There was no shame in that. We were damn good together, Trev." The word shame echoed like a slap. As good as they were together, it'd never been enough, in an official capacity or behind closed doors. "What are you really doin' here?" Edgard didn't answer right away. "I don't know. Feeling restless. Had the urge to travel." "Wyoming ain't exactly an exotic port of call." "You think I don't realize that? You think I wouldn't rather be someplace else? But something..." Edgard lowered his voice. "Ah, fuck it." "What?" "Want the truth? Or would you rather I lie?" "The truth." "Truth between us? That's refreshing." Edgard's gaze trapped his. "I'm here because of you." Trevor's heart alternately stopped and soared, even when his answer was an indiscernible growl. "For Christsake, Ed. What the hell am I supposed to say to that? With my wife in the next room?" "You're making a big deal out of this. She thinks we're friends, which ain't a lie. We were partners before we were..." Edgard gestured distractedly. "If she gets the wrong idea, it won't be from me." "Maybe I'm gettin' the wrong idea. The last thing you said to me when you fuckin' left me was that you weren't ever comin' back. And you made it goddamn clear you didn't want to be my friend. So why are you here?" Pause. He traced the rim of his coffee cup with a shaking fingertip. "I heard about you gettin' married." "That happened over a year ago and you came all the way from Brazil to congratulate me in person? Now?" "No." Edgard didn't seem to know what to do with his hands. He raked his fingers through his hair. His voice was barely audible. "Will it piss you off if I admit I was curious about whether you're really happy, meu amore?" My love. My ass. Trevor snapped, "Yes." "Yes, you're pissed off? Or yes, you're happy?" "Both." "Then this is gonna piss you off even more." "What?" "Years and miles haven't changed anything between us and you goddamn well know it." Trevor looked up; Edgard's golden eyes were laser beams slicing him open. "It don't matter. If you can't be my friend while you're in my house, walk out the fuckin' door. I will not allow either one of us to hurt my wife. Got it?" "Yeah." "Good. And I'm done talkin' about this shit so don't bring it up again. Ever.
Liz Andrews
He wept on account of his helplessness, his terrible loneliness, the cruelty of man, the cruelty of God, and the absence of God. "Why hast thou done all this? Why hast thou brought me here to die?" He did not expect an answer, and yet wept because there was no answer and could be none. The pain again grew more acute, but he did not stir and did not call. He said to himself: "Go on! Strike me! But what is this for? What have I done to Thee?" Then he grew quiet and not only ceased weeping but even held his breath and became all attention. It was as though he were listening not to an audible voice but to the voice of his soul, the the current of thoughts arising within him. "what is it you want?" was the first clear conception capable of expression in words that he heard. "what do i want? to live and not to suffer." He answered. "What do you want? what do you want" he repeated to himself. And again he listened with such concentrated attention that even his pain did not distract him. "to live? how?" asked his inner voice. "Why, to live as before - well and pleasantly." as you lived before, well and pleasantly?" the voice echoed. And in imagination he began to recall the best moments of his pleasant life. But strange to say, none of those best moments of his pleasant life now seemed at all what they had seemed then - none of them except the first recollections of childhood. There, in childhood, there had been something really pleasant with which it would be possible to live if it could return. But the child who had experienced that happiness existed no longer, it was like a reminiscence of somebody else. As soon as the period began which had been produced the present Ivan Ilych, all that had then seemed joys now melted before his sight and turned into something trivial and often nasty. And the further he departed from childhood, and the nearer he came to the present, the more worthless and doubtful and false were the joys. This began with the School of Law. A little that was really good was still found there - lightheartedness, friendship and hope. But in the upper classes there had already been few of such good moments. Then during the first years of his official career, when he was in the service of the Governor, some pleasant moments again occured: they were memories of love for a woman. then all became confused and still less of what was good. later on again there was no good. the further he went, the less there was. his marriage, a mere accident, then the disenchantment and his wife's bad breath following it. Then the deadly official life and those preoccupations of money, a year of it, and two, then ten, then twenty years. and the longer it lasted, the more deadly it became. "What really happened was I went down hill but thought I was going up!
Lev Tolstoy
From Alan Thein Durning: The extreme disruption of ecosystems will end. The question is whether people will end it voluntarily and creatively, or whether nature will end it for them, savagely and catastrophically... Humanity’s failure to act in defense of the Earth is conventionally explained as a problem of knowledge: not enough people yet understand the dangers or know what to do about them. An alternative explanation is that this failure reflects a fundamental problem of motivation. People know enough, but they don’t care enough. They do not care enough because they do not identify themselves with the world as a whole. The Earth is such a big place that it might as well be no place at all. If places motivate but the planet does not, a curious paradox emerges. The wrenching global problems that the world’s leading thinkers so earnestly warn about- crises such as deforestation, hunger, population growth, climate change, loss of cultural and biological diversity- may submit to solutions only obliquely. The only cures possible may be local and motivated by a sentiment- the love of home- that global thinkers often regarded as divisive and or provincial. Thus, it may be possible to diagnose problems globally, but impossible to solve them globally. There may not be any ways to save to world that are not, first and foremost, ways for people to say their own places. Here is the hope: that this generation becomes the next wave of natives, first in this place on Earth and then in others. This newfound permanence allows the quiet murmur of localities to become audible again. And that not long thereafter, perhaps very soon, the places of this Earth will be healed and whole again. ...AJ Auden said, “We have spent thee past 250 years in restless movement, recklessly skimming off the cream of superabundant resources, but we have not used the land in the true sense of the word, not have we done ourselves much permanent good. It’s high times that we settled down, not for a hundred years, but for a thousand, forever.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
I remembered that a live audience does provide some qualities a radio broadcast lacks. There is a moment that everybody shares, together in one place. An experience that will never exist again in quite that way. Everybody breathes the same air molecules for a brief stretch of time. There’s an audible reaction as you walk the high wire and nail the performance, or tumble off the tightrope and try to climb back on and salvage your dignity. I love how intimate and personal radio can be; those qualities appeal to my instinct to connect. But I also love how communal live performance is; that appeals to my instinct to form a collective.
Ari Shapiro (The Best Strangers in the World: Stories from a Life Spent Listening—A Poignant Journey Through Journalism, Global Connections, and Human Resilience in Today's World)
I was drawn to him. My body sung in his presence, a hymn so low it was only audible to the two of us.
Nicole Sobon (Time After Time)
It’s just, there are moments when you become hypervigilant and you presume to know what I mean. And you try to jump in.” “Sorry,” I whispered, my voice barely audible. Oh no! I did? I’m such a bad listener. Yet another C-PTSD trait. “And there are other moments when you’re just really raw and, I don’t know…poignant. That moment when you talked about wanting to feel loved felt really good. It was making me tear up, and I was resonating with you. Do you feel this coming and going, too?
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
So here’s to love and loving your portable handheld telecommunication device. Stay inside where it’s temperature-controlled and there are no bugs and spend some time celebrating your beloved today. Make a delicious homemade casserole (look up the recipe on your phone), dip out to pick up a fancy bottle of wine (request a Lyft from your phone), sit next to a cozy fire (YouTube a fireplace video on your phone), sing along to your favorite jams (find it on Spotify on your phone), listen to your favorite book (open Audible on your phone), watch some cheesy movies (did you know you can get Netflix on your phone?!), send an update to the family members you haven’t seen in a while (use e-mail from your phone), order some Indian takeout (Grubhub dot com on your phone), text your homegirl some juicy gossip from your phone, and since you’re playing around on it anyway, why not do a little shopping on your phone? Is it holiday time? If so, maybe you could stop being a huge grinch for a change and just buy everyone in your circle the one thing we’ve been conditioned to constantly want: A NEW PHONE.
Samantha Irby (Wow, No Thank You.)
She never got over what she did.” Uncle Stuart’s voice rumbled, barely audible, and his eyes were drooping shut. “She loved all of you so much.
Kate Moretti (Girls of Brackenhill)
life isn’t always tidy. We don’t always have the answers we want, and love isn’t always pretty,” he said, his gaze pointed as I swallowed audibly. “It’s messy and painful, but it is always worthwhile. It is always the answer, my star, not the problem.
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
Leaning down, I kissed the side of her neck before coming next to her ear, saying loud enough for the others to hear, “Shall I fetch us some drinks, sweetheart? Or perhaps you’d like to go? You know how much I love to watch you walk away.” Her alabaster throat bobbed as she audibly swallowed, and I suddenly envisioned my hand on that throat as I pounded into her soft body. Whoa.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
Yet in the ones where you and I met, where things were as they should have been … that was when I came the closest.” His swallow was audible. “What stopped you?” She wiped at her face again. “The male I fell in love with was you. It was you,
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Bridget sucked in an audible breath. “In Costa Rica, you asked if I’d ever been in love. I said no.” I lowered my head until our foreheads touched and her lips were scant inches from mine. “Ask me again.” It was the same request I’d made at the hospital, but this time, Bridget didn’t break our gaze as she asked, “Have you ever been in love, Mr. Larsen?” “Only once.” I slid my hand up from her neck to the back of her head, cupping it. “And you, Princess. Have you ever been in love?
Ana Huang (Twisted Games (Twisted, #2))
Oh, I’ve never heard an audible voice. Nope, when God talks to me it is through his word, his Spirit, or through a friend.” Aunt Lisa opened Ms. Lorna’s Bible sitting on the side table. “If I open this Bible, I can read verses that define me as God says I am. Such as Ephesians 2:10 which says, ‘For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do.’ When I read this verse, I can hear the quiet whisper of my Heavenly Father whisperin’ into my ear, ‘Lisa, you’re my daughter whom I love. I have a plan for you today, a purpose uniquely designed just for you.’ This gives me hope in a fallen world.
Eve M. Harrell (Revealed Truth: A Journey From Fear to Faith)
She spun me realities where you were dead, where you’d been killed by Erawan and only in handing over the keys to her would I be able to avenge you. But those realities made me… I stopped being useful to her when she told me you were gone. She couldn’t get me to talk, to think. Yet in the ones where you and I met, where things were as they should have been… that was when I came the closest.” His swallow was audible. “What stopped you?” She wiped at her face again. “The male I fell in love with was you. It was you, who knew pain as I did, and who walked with me through it, back to the light. Maeve didn’t understand that. That even if she could create that perfect world, it wouldn’t be you with me. And I’d never trade that, trade this. Not for anything.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I just told you about the importance of asking. Well . . . To get my book into the hands of the people who need it most, I need your help. If my book has been helpful, can you take thirty seconds right now and leave a short review? Think back to why you decided to pick up this book and give it a chance. Maybe it’s because a five-star review on Amazon or Goodreads caught your eye. Leave a review and give someone else the opportunity to start their Million Dollar Weekend. Before I started writing this book, I met Matt, who works security at the Austin airport. He has the same dream as you, to create a business so he can change his life, but he may never hear about this book. Your review means the world to me AND it could change the world of someone else, like Matt. Feel good about yourself knowing your brief review can change someone’s life forever. The review costs you no money (my favorite price) and only takes thirty seconds. You can go to the book’s page on the Amazon app or desktop site, or wherever you bought it, and leave a review there. On Kindle or an e-reader, scroll to the last page of the book. On Audible, go to your library page and click Write a Review. BTW: I read every single review. And when your review happens, an alarm goes off in my office, my mom tells me about it, and our entire team celebrates like we just won the Super Bowl. Now back to your Million Dollar Weekend. —Love you forever, Noah
Noah Kagan (Million Dollar Weekend: The Surprisingly Simple Way to Launch a 7-Figure Business in 48 Hours)
But... but Liska, you must understand. Part of me always knew I could never let you die. I tried to do what I did with the others: keep my distance, wear the mask, interact only enough to train them in magic before I gave them to Weles. It didn't work - you wouldn't let it. You were always so full of hope, so maddeningly tenacious. And then, oh then. Liska, Liseczka, the worst thing of all happened." His voice cracks, and he looks away. "I fell in love." The words are fragile things, barely audible, yet they roar in the silence. "I don't know when it started," he goes on, breathless. "I think it was after I conjured the garden. When you... when you turned and smiled at me. It was like sunlight, like the first warm day after an endless winter." He rubs his hands together. "I had not felt that way since Florian. I became afraid that... that I would lose you like I lost him. So I decided that it was time for me to put an end to all this.
A. B. Poranek
If I could be there with you, I would. A father should be with his son at such times.” He swallowed audibly. “Lad,” he said softly, “Give my love to Drustan and Gwen, but know you carry the bulk of it with you.” Another pause. “I ken a da shouldn’t have favorites, but—och, Dageus, my son, you were always mine.
Karen Marie Moning (The Dark Highlander (Highlander, #5))
Merle took off to hide his front end under a dining room chair, ass in the air like always, as I scooped up the shoe he’d been gnawing on like a damn rawhide bone. “Just a shoe?” I asked in a deadly-quiet voice. “Just a shoe? This is a goddamned Manolo Blahnik! It cost four hundred and seventeen dollars!” I stared down at the ravaged shoe in my hand and felt a whimper bubble up from my chest. I swear to God, I was this close to crying as I looked down at my poor, ruined baby. “Holy shit! You paid four hundred and seventeen dollars for a pair of friggin’ shoes?” Trevor asked in astonishment. “Are you insane!” “Nooo, I said this shoe cost four hundred and seventeen dollars. As a pair, they cost eight thirty-five!” I shouted like the math made the situation more understandable. “Fuck me, cher. It’s a shoe. You walk around with it on your foot; you don’t live in the damn thing! You’re telling me that ugly-ass thing cost more than I paid in rent for a month at my apartment?” I sucked in an audible gasp. How dare he call my precious ugly. “Take it back,” I whispered. “What?” Trevor looked at me like I was a crazy person. “Take it back. This shoe is not ugly. It’s stunning,” I said, holding it to my chest and giving it a loving stroke. He let out a sarcastic grunt and eyeballed the pump like it was garbage. “Not so stunning covered in dog slobber,” he laughed. And I was a second away from stabbing him with the chewed-up stiletto heel. Those shoes deserved to be praised. They deserved to be worn to the most expensive restaurants and balls and red carpet premiers! And they deserved to be buried with dignity in the backyard under my pretty oak tree. And I didn’t think I was being ridiculous at all!
Anonymous
Your father loves you,” Ryan said. He knew it was true. For all Arthur ’s faults, he did love his only son, in his own way. “Doesn’t mean he isn’t disappointed,” Jamie mumbled barely audibly, his words muffled by Ryan’s shirt. “I’m nothing like him. I’m not clever and cool-headed. Not very good at business. If I didn’t have the Grayson eyes, I’d think I was switched at birth.” He chuckled. “Though it doesn’t mean much. Tristan has the Grayson eyes and he’s no Grayson.” He chuckled again. “Actually, Tristan would’ve made a far better Grayson than me. He’s clever and smart with his investments—Zach told me that. Dad would’ve approved of him.” Ryan took Jamie’s chin and tipped his face up. The look of utter misery in Jamie’s aquamarine eyes twisted his insides into a tight, angry knot. “If being a good Grayson means being an arrogant, cunning son of a bitch, I’m glad you are very bad at it. And if that dickhead Lambert wanted your dad’s blessing to love you, fuck him, then. He’s a bloody idiot. You’ve been seeing him for what, two months? A bit too soon for the meeting the parents part.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
Robert.” It was a sigh and a call at the same time. She ignored the lump in her throat and called again. In an instant, her view was obscured. “Lydia!” They were eye-to-eye, and neither said anything for a moment or two. Finally, after an audible gulp, Robert spoke in a whisper. “Are you all right?” “I’ve had better days,” she said in seriousness, and then realized the absurdity of her words and chuckled. “I’m covered in dirt, cuts, and bruises and sporting a lovely goose egg above my ear. One of my favorite gowns is nothing but a ruin, but other than that, I am fine. And now that you are here, I am better.” “Thank the Lord. I cannot tell you how relieved I am to hear you say so. I have been imagining all sorts … well, let’s talk about this later.” “Yes, when we don’t have to whisper through a wall.” “Indeed.” “So what is the plan?” “Hmm … well, plans are a little lacking at this moment. I had expected to rush in and simply grab you, but there are three guards by the door. I procured a thick stick, but three to one … well, not good odds. My second idea was to loosen some of these boards and pull you out. I have also acquired a horse. So once out, we can sneak or run, whichever is the most prudent.” “Yes, but the getting-out part seems to be the problem. For, if I am not mistaken, none of the boards on this side of the barn are loose, and the other sides are too close to the villains.” “There does seem to be a decided lack of cooperation on the part of the building. I have, however, noticed something that might offer another possibility. It would require a great deal of trust on your part.” “Oh?” Lydia was almost certain she was not going to like this new possibility. “Yes. There is a hay door above me. Is there a loft inside?” “Are you thinking that I should climb a rickety ladder to the loft and then try to escape through the hay door?” “Just a thought.” “How would I get down?” “That would be the trust part.” “Ahh. I would jump, and you would catch me.” Lydia visualized her descent, skirts every which way, and a very hard landing that might produce a broken body part. “Yes. Not a brilliant plan. Do you have another?” Robert sounded hopeful. “Not really. But might I suggest a variation to yours?” “By all means.” “I will return to my cell and get the rope that the thugs used to tie me up.” “They tied you up?” “Yes. But don’t let it bother you.…” “No?” “No. Because if they hadn’t, then I wouldn’t have a rope to lower myself from the hay door. I can use the one they used on my feet; it’s thick and long.” “I like that so much better than watching you fling yourself from a high perch.” “Me too. It might take a few minutes as I must return to my original cell—I escaped, you know.” “I didn’t. That is quite impressive.” “Thank you. Anyway, I must return to my cell for the rope, climb the ladder, cross the loft to the door … et cetera, et cetera. All in silence, of course.” “Of course.” “It might take as much as twenty minutes.” “I promise to wait. Won’t wander off … pick flowers or party with the thugs.” “Good to know.” “Just warn me before you jump.” “Oh, yes. I will most certainly let you know.” With a deep sigh, Lydia headed back to her cell, slowly and quietly.
Cindy Anstey (Duels & Deception)
Wiping his hand across his jaw, he shook his head and went back into the library to collect his scattered pride before having to enter the party as if nothing had happened. Staring into the fire, he hoped to commiserate with the only witness of the scene, but instead the flames scolded him with every popping spark. He balked as if the reprimand were audible. What could he have done different? He’d come to apologize, but she wouldn’t give him a chance.  Indignation burrowed into his chest as another cheery melody began in the ballroom and fluttered its way down the hall and into the library. Blast. Where was his buoyant spirit, his unyielding vim? Glaring at the fire that still chided him, he pressed the palm of his hand into the smooth wood of the mantel. Of all the women in Sandwich, why did it have to be Kitty who riled him so? Traitorous emotions.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Years ago, my mother and I fell in love with Busybee’s voice, its calm, even tone, and a smile which was always audible in the language. My father, meanwhile, is clipping his nails fastidiously, letting them fall on to an old, spread-out copy of the Times of India, till he sneezes explosively, as he customarily does, sending the crescent-shaped nail-clippings flying into the universe.
Amit Chaudhuri (Afternoon Raag)
and then the scene sped forward once more. ‘NO!’ I yelled, only it came out as a barely audible whisper. Like one of those nightmares where you try to scream for help but nothing more than a rasping breath escapes your lips. It was beyond cruel. My life had ended, and yet I wasn’t given time to mourn, or even process what had just happened. Murmurs rose and fell, and the court went on. ‘How many of you agreed to the verdict and how many dissented?’ It didn’t even matter. It meant nothing that one person argued in my favour while the rest casually sealed my fate with their assumptions. I was guilty. I would be sent back to prison with all hope of escaping from this nightmare extinguished. And the person who killed Calum would carry on as though nothing had happened. I was powerless to stop it. All I could do was sit, silent, blood lining the inside of my mouth, and wait to learn how many years of my life would be stolen from me. Chapter Fifty-five Calum had told me, moments before he died, that I needed to choose. ‘It’s time for you to make a decision,’ he’d said. I’d needed to decide whether I loved Jason or not. Whether I wanted my marriage to be riddled with lies, or whether I wanted to make it work with the man I’d promised to be faithful to forever. I’d known he was right, but I’d been a coward. For so long I had been waiting for life to make the hard choices for me.
Elle Croft (The Guilty Wife)
Love, now that was dangerous. It plucks your heart out of your chest cavity and throws it into the skies where all you can do is watch it freefall towards the object of your love, and hope he or she would catch it. And very often your heart would land with a sordid, painful thud on the ground, or worse, a ditch, and lie there forlorn, neglected and pitiful until you found it, picked it up, glued the various parts back together and put it back into your chest where it would continue to beat on, stolidly, with only you knowing that there was a beat missing. A beat audible to no discerning ear, but your own, a slight sense of being out of tune with yourself, a heart that beat reluctantly, for the sake of keeping up appearances, in the forlorn hope that some day it would get back in rhythm, that some day it would have something to beat for. And then, over the years of missing a beat, you would grown irretrievably out of beat with yourself, and end up discordant.
Kiran Manral (The Face at the Window)
Eventually, Edgard said, “She doesn’t know anything about me. Not even that we were roping partners. Not that we were…” He looked at Trevor expectantly. “No.” Trevor quickly glanced at the living room where Chassie was chattering away. “You surprised?” “Maybe that she isn’t aware of our official association as roping partners. There was no shame in that. We were damn good together, Trev.” The word shame echoed like a slap. As good as they were together, it’d never been enough, in an official capacity or behind closed doors. “What are you really doin’ here?” Edgard didn’t answer right away. “I don’t know. Feeling restless. Had the urge to travel.” “Wyoming ain’t exactly an exotic port of call.” “You think I don’t realize that? You think I wouldn’t rather be someplace else? But something…” Edgard lowered his voice. “Ah, f**k it.” “What?” “Want the truth? Or would you rather I lie?” “The truth.” “Truth between us? That’s refreshing.” Edgard’s gaze trapped his. “I’m here because of you.” Trevor’s heart alternately stopped and soared, even when his answer was an indiscernible growl. “For Christsake, Ed. What the hell am I supposed to say to that? With my wife in the next room?” “You’re making a big deal out of this. She thinks we’re friends, which ain’t a lie. We were partners before we were…” Edgard gestured distractedly. “If she gets the wrong idea, it won’t be from me.” “Maybe I’m gettin’ the wrong idea. The last thing you said to me when you f**kin’ left me was that you weren’t ever comin’ back. And you made it goddamn clear you didn’t want to be my friend. So why are you here?” Pause. He traced the rim of his coffee cup with a shaking fingertip. “I heard about you gettin’ married.” “That happened over a year ago and you came all the way from Brazil to congratulate me in person? Now?” “No.” Edgard didn’t seem to know what to do with his hands. He raked his fingers through his hair. His voice was barely audible. “Will it piss you off if I admit I was curious about whether you’re really happy, meu amore?” My love. My ass. Trevor snapped, “Yes.” “Yes, you’re pissed off? Or yes, you’re happy?” “Both.” “Then this is gonna piss you off even more.” “What?” “Years and miles haven’t changed anything between us and you goddamn well know it.” Trevor looked up; Edgard’s golden eyes were laser beams slicing him open. “It don’t matter. If you can’t be my friend while you’re in my house, walk out the f**kin’ door. I will not allow either one of us to hurt my wife. Got it?” “Yeah.” “Good. And I’m done talkin’ about this shit so don’t bring it up again. Ever.
Lorelei James (Rough, Raw and Ready (Rough Riders, #5))
I want to take care of you, I want to protect you, I want to love you, and I want to fight with you for the rest of my life.” She laughed softly and her mouth parted when her left hand clenched around the ring I’d just placed in her palm. “Rachel, will you please marry me?” “Yes!” She crushed her mouth to mine and I sat her body up and brought her closed left fist in between our bodies. She stopped kissing me when I coaxed her hand open and inhaled audibly when she saw the new ring. “You’re not allowed to take this one off.” “I won’t,” she promised as I slid it onto her ring finger, and before I could tell her that I loved her, she wrapped her arms around my neck and kissed me until we were both falling back onto the bed. Her
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Why can’t you just admit you’re attracted to me, Rachel?” I asked into her ear as I pressed my body against hers. She swallowed audibly and shook her head as if to clear her mind before speaking. “Because I’m not? I’m not attracted to guys who look like they’re Photoshopped and who have bigger chests than most girls I know.” I couldn’t help it. I laughed loudly and had to pull back slightly when the movement and being pressed up against her made my jeans shrink a size. “Liar.” Even if her voice hadn’t gone all breathy, I still hadn’t forgotten her blush. “And I really hate your tattoos.” “No you don’t.” “And your lip ring and your eyes. And your hair, it drives me nuts. You really need to cut it. Or better yet, one morning you’ll wake up and I will have shaved it off while you slept.” I smiled and let my nose run along her jaw, loving the quick breath she took and how her eyes fluttered shut when I did. “Good to know your favorite things about me, Sour Patch. And if you’re wondering . . . everything about you is my favorite.” “They’re not. And I wasn’t.” “Keep telling yourself that if it helps you sleep at night. But do you think we could wrap up this meeting about how much you want me? I really need to go buy about a dozen pints of ice cream so I can work at not looking Photoshopped anymore.” Her eyes snapped open and darkened as she narrowed them at me. “God, you’re annoying.” “And you’re keeping me from eating.” “I’m not the one who isn’t dressed.” Touché. “I think I should go like this. Maybe there will be a woman there who appreciates the way I look.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
I’m not depressed,” Gabriel said again, as if repeating this would make it true. “I’m just…I just have to wait it out. It will pass. It will. Jared said so.” Claire cringed at the desperation mixed with belief in his voice. Jared said so. That thing was very far from passing. What was it? Some kind of messed-up dependency? Love? Could platonic love be that strong? She didn’t know. She was afraid to ask. Afraid of the answer she’d get. “You miss him,” she murmured, clenching her hands together. Gabriel laughed. It was a horrible sound. “Miss? I don’t miss him. I…” He trailed off. When he spoke again, his voice was barely audible and full of resentment, “I just feel empty. Incomplete.” Claire bit her lip. God. “It’ll pass,” he whispered hoarsely, grabbing her hands and squeezing. “It will. I promise.” His grip hurt, but she didn’t complain. “Okay,” she said with far more conviction than she felt. For their child’s sake, she had to believe in that.
Alessandra Hazard (Just a Bit Unhealthy (Straight Guys #3))
Gabriel leaned his cheek against Jared’s shoulder. “I love you,” he whispered, his voice tight with emotion. Jared closed his eyes. “Don’t.” Gabriel wrapped his other arm around Jared’s waist. “You can’t say I don’t feel it only because I don’t want you that way. I—” His voice thickened. “I love you in every way that matters. I love you so much it fucking scares me.” His voice dropped, becoming barely audible. “I shouldn’t love you more than Jules and Claire.” “Don’t be silly. You don’t love me more than them.” The laugh that left Gabriel’s lips was strained. “Jules had blue eyes and dark hair at birth, you know. Claire told me the eye and hair color might change, but I didn’t believe it. But then they started changing and I…I was so disappointed. I felt so bad about it, you have no idea. I tried to hide it from Claire, didn’t want to upset her, but somehow she knew and she got so mad. We had a huge fight. She yelled at me that I should have let you knock me up if I wanted a son that looks like you.” Christ. “It’s not at all like I imagined,” Gabriel said quietly into his shoulder. His fingers played with the buttons of Jared’s shirt. “I used to think having a family would be amazing, but—but it’s not. The baby cries all the time, and Claire…we’ve been fighting off and on. About little things, things like we think the other said something and we take it the wrong way—minor things like that, but lately it’s been worse. Much worse. I’m not even sure why. Everything just feels wrong and pointless, you know? It sounds horrible, but sometimes…sometimes I wish they would both disappear. And then I feel like such an asshole.” Jared put a hand over Gabriel’s and stroked his knuckles. Sighing, Gabriel twined their fingers together. Jared stared blankly at the carpet, wondering how a person who could never be truly his could feel so right. The simple act of holding Gabriel’s hand was far more satisfying than it had any right to be. It fit perfectly in his.
Alessandra Hazard (Just a Bit Unhealthy (Straight Guys #3))
They each look down now, although not yet at each other. Cabs, whistles, bullets; buses, screams, small sobs; people singing, sighing, pleading with dogs to shit; from the long streets the clang of textures bumping into lampposts; the soft fall onto the ground, like leaves, of seven thousand flyers bearing news of who was out for tonight's performance; the audible thoughts of select citizens, taxpayers, permanent residents. Today I worked; I loved; I tried.
Richard Kramer (These Things Happen)
Well,” I said pleasantly, “if you know a way to make a database hurry up, I’m sure we’d all love to hear it.” “Goddamn it, you’re not even trying!” she said. I will freely admit that nine times out of ten, I would have had a little more patience with Deborah’s patently impossible request and rotten attitude. But with things as they were lately, I really didn’t want to knuckle my forehead and leap into worshipful compliance. I took a deep breath instead and spoke with audible patience and steely control. “Deborah. I am doing my job the best I can. If you think you can do it better, then please feel free to try.” She ground her teeth even harder, and for a moment I thought the canines might splinter and burst through her cheeks. But happily for her dental bill, they did not. She just glared at me instead, and then nodded her head twice, very hard. “All right,” she said. And then she turned around and walked rapidly away without even looking back at me to snarl one last time. I sighed. Perhaps I should have stayed home in bed, or at least checked my horoscope. Nothing seemed to be going right. The whole world was slightly off-kilter, leaning just a bit out of its normal axis. It had a strange and mean tint to it, too, as if it had sniffed out my fragile mood and was probing for further weakness. Ah,
Jeff Lindsay (Double Dexter (Dexter #6))
The sound stopped Chris' heart. It was the tinkle of a tag swinging on a collar. It called out through the house and was accompanied by the skittering steps of two dogs running up the stairs. As if to finish off this cruel, audible narrative, two sniffing noses were pressed to the small gap beneath the airing cupboard's door. The little fuckers had found them already! Heavy footsteps ascended the stairs.  Light flooded into the cupboard. Sitting weak and helpless, Chris kept a hold of Michael and stared up at the big man who filled the doorway. It was George. Thank God. Frowning down at them, George scratched his head before closing the door. Tears rushed forwards. It had worked. It had fucking worked! Squeezing Michael's arm, Chris whispered, "I love you, Michael. So much. I love you—" The door flew open again, the second rush of light stinging Chris' sore eyes. Leaning into the tiny space, George lifted Chris to his feet, breaking the connection between father and son as Chris lost his hold on Michael's arm.  Yanking him out of the cupboard, he pushed Chris forward.
Michael Robertson (Crash (Crash, #1))
Learning to praise, then, changes us. Lewis couldn’t help but notice that the humblest, and at the same time most balanced and capacious minds, praised most, while the cranks, misfits, and malcontents praised least. The good critics found something to praise in many imperfect works; the bad ones continually narrowed the list of books we might be allowed to read. The healthy and unaffected man, even if luxuriously brought up and widely experienced in good cookery, could praise a very modest meal: the dyspeptic and the snob found fault with all. Except where intolerably adverse circumstances interfere, praise almost seems to be inner health made audible.306  The Reordering of Our Loves Why would praise and adoration have such an effect on us? It is because, of the three kinds of prayer—adoration, confession, supplication—praise is the one that directly develops love for God, and if St. Augustine is right, what we love is basically what we are.
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
In short, the oft-repeated (and reported) assumption that trolls devoted most of their time to terrorizing real-life friends and family members was not borne out by my experience. While certain RIP trolls did indeed attack real-life loved ones, and denied feeling any remorse no matter how traumatizing their behaviors (“I just hate everyone,” Peter Partyvan once explained in a private message, his noncommittal shrug almost audible33), most of the trolls I worked with found “real” RIP trolling either uninteresting or downright distasteful
Whitney Phillips (This Is Why We Can't Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream Culture)
Open your eyes Harper.” The first thing I saw was his anxious expression in the mirror. He was worrying his lip waiting for my reaction. I inhaled quickly and his body locked up when I looked down to my left side. It was beautiful. There were four large orange lilies wrapped around my hip, and I couldn’t believe how amazing they looked. I stepped closer and took in the perfect shading and detail to each flower. From the sketches I’d looked at and his drawing of me, I had known Chase was amazing, but I’d never thought he could make something like this look so real. His forced swallow was audible, and I realized I still hadn’t said anything. But there were absolutely no words. First my ring, and now this? Did anything get past him? I turned to face him and ran a hand through his messy hair. “Please tell me what you’re thinking.” Unfortunately, I wasn’t. I crushed my mouth to his and he quickly deepened the kiss. Right away the other tattoo artists started hooting and yelling for us to get a room. I pulled back and knew there was nothing I could do about the deep blush on my face. Chase led me back to his table and put ointment and a wrap over my tattoo before fixing my shirt, he was all smiles. “What made you choose those?” He beamed his white smile at me, “I heard you talking to Bree and Mom about them being your favorite. And ever since that day all I’ve wanted to do was get you orange lilies, but I knew I’d probably get punched again. This was my way around it.” “It looks amazing Chase, thank you.” He shrugged, but he still couldn’t contain that smile. “I’m serious.” I grabbed his face with both hands and brought him close, “I love it, thank you.” Chase kissed me once and skimmed his nose across my cheek. “God, you’re beautiful Harper.” My phone rang then, Brandon’s name flashed on the screen. “Hey babe.” “Hey, how’s the tattoo look?” “Um, it’s not done yet, can I call you after?” “I’m going out with some buddies from high school, I’ll just talk to you tomorrow, kay? But send me a picture when it’s done. I love you.” My stomach clenched, “I love you too. Have fun tonight.” I pressed the end button and looked up at Chase’s closed off expression. “Chase –” “So you’ll need to go buy some anti-bacterial soap to clean it.” “Please talk to me.” “I’m trying. Look, here are some aftercare instructions. Don’t take the wrap off for at least an hour. If anything looks wrong give me a call.” He dropped the paper on my stomach and stepped back. “Chase!” “I have another appointment, and he’s waiting. I’ll see you later.” I looked into his guarded eyes and exhaled deeply, “What do I owe you?” “Nothing. It was a gift. But I’m busy, please go.
Molly McAdams (Taking Chances (Taking Chances, #1))
God will speak to you— not that you will hear audible words in your ears, but words that you will clearly understand in your heart.
Bert Ghezzi (Adventures in Daily Prayer: Experiencing the Power of God's Love)
The meaning of life is found in the receiving, nurturing, and sharing of God's gift of love. Why? Because life is God's love made visible, fragrant, audible, touchable, and nutritious. Life is not a pointless struggle or a random accident. It is God's creation. As such, it is the material manifestation of the divine love that delights in the flourishing of others.
Norman Wirzba (Way of Love: Recovering the Heart of Christianity)
Once the Bible was completed with all of God's intentions for mankind, and the instruction He wanted us to have, there hasn't been a need for Him to speak audibly to us as He once did. The Bible is complete and can prove itself. We don't require additional signs when we're to trust by faith and not by sight or other senses. God speaks to His children through His Word, in the minds of those who have Him living inside their hearts. It's something more profound than a mere conscience. He gives us gifts of peace, joy, love, and other things—as He gives us a new heart once we fully decide to follow and live for Him. When the whole world is upset around me, that's when I hear God the most, when I rely on Him the most. This is a state of fellowship with God that everyone should try to seek all the time, but we're often distracted by our own pursuits, which are only temporary satisfactions at best.
D.I. Telbat (Called to Gobi)
They say when one door closes, another opens or there's a window open somewhere. But what if I keep the door closed for sometime, freeze the moment for a while, and look inside the closets of my heart and take a gentle stroll outside without walking inside of any door, or peeping inside of a window? What if the door I have been looking for has always been the lock of my mind, the key being Silence resonating in my heart only audible when the pelting of doors and windows are hushed for a while?
Debatrayee Banerjee (A Whispering Leaf. . .)
visions, sudden insights that seemed to be supplied supernaturally, audible “teachings,” spiritual reflections (she speaks of her “ghostly understanding”), logical deductions that she made at the time, insights she arrived at only gradually, and even supernatural smells and other bodily experiences. She also tells us that she continued to receive briefer supernatural “touchings” and insights for many years afterwards, although these are not described by her in any detail.
Brendan Pelphrey (Lo, How I Love Thee! : Divine Love in Julian of Norwich)
AMANDA: Do you realize that we're living in sin? ELYOT: Not according to the Catholics; Catholics don't recognize divorce. We're married as much as ever we were. AMANDA: Yes, dear, but we're not Catholics. ELYOT: Never mind, it's nice to think they'd sort of back us up. We were married in the eyes of heaven, and we still are. AMANDA: We may be alright in the eyes of Heaven, but we look like being in the hell of a mess socially. ELYOT: Who cares? AMANDA: Are we going to marry again, after Victor and Sibyl divorce us? ELYOT: I suppose so. What do you think? AMANDA: I feel rather scared of marriage really. ELYOT: It is a frowsy business. AMANDA: I believe it was just the fact of our being married, and clamped together publicly, that wrecked us before. ELYOT: That, and not knowing bow to manage each other. AMANDA: Do you think we know how to manage each other now? ELYOT: This week's been very successful. We've hardly used Solomon Isaacs at all. AMANDA: Solomon Isaacs is so long, let's shorten it to Sollocks. ELYOT: All right. AMANDA: Darling, you do look awfully sweet in your little dressing-gown. ELYOT: Yes, it's pretty ravishing, isn't it? AMANDA: Do you mind if I come round and kiss you? [...] AMANDA: We're tormenting one another. Sit down, sweet, I'm scared. ELYOT [Slowly]: Very well. [He sits down thoughtfully.] AMANDA: We should have said Sollocks ages ago. ELYOT: We're in love all right. [...] AMANDA: [Victor] had a positive mania for looking after me, and protecting me. ELYOT: That would have died down in time, dear. AMANDA: You mustn't be rude; there's no necessity to be rude. ELYOT: I wasn't in the least rude; I merely made a perfectly rational statement. AMANDA: Your voice was decidedly bitter. ELYOT: Victor bad glorious legs, hadn't he? And fascinating ears. AMANDA: Don't be silly. ELYOT: He probably looked radiant in the morning, all flushed and tumbled on the pillow. AMANDA: I never saw him on the pillow. ELYOT: I'm surprised to hear it. AMANDA [angrily]: Elyot! ELYOT: There's no need to be cross. AMANDA: What did you mean by that? ELYOT: I'm sick of listening to you yap, yap, yap, yap, yap, yapping about Victor. AMANDA: Now listen Elyot, once and for all --, ELYOT: Oh my dear, Sollocks! Sollocks! -- two minutes -- Sollocks. AMANDA: But -- ELYOT [firmly]: Sollocks! [They sit in dead silence, looking at each other. AMANDA makes a sign that she wants a cigarette. ELYOT gets up, hands her the box, and lights one for her and himself. AMANDA rises and walks over to the window, and stands there, looking out for a moment. Presently ELYOT joins her. She slips her arm through his, and they kiss lightly. They draw the curtains and then come down and sit side by side on the sofa. ELYOT looks at his watch. AMANDA raises her eyebrows at him and he nods, then they both sigh, audibly] That was a near thing. AMANDA: It was my fault. I'm terribly sorry, darling. ELYOT: I was very irritating, I know I was. I'm sure Victor was awfully nice, and you're perfectly right to be sweet about him. AMANDA: That's downright handsome of you. Sweetheart! [She kisses him.] ELYOT [leaning back with her on the sofa]: I think I love you more than ever before. Isn't it ridiculous? Put your feet up. [She puts her legs across his, and they snuggle back together in the corner of the sofa, his head resting on her shoulder.]
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
I'm certain that our friends from around the world find it hilarious that as soon as the sun makes an appearance we rush to sit out on our patios and balconies clutching hot drinks, "Isn't it lovely?" we tell each other, our voices barely audible through the chatter of our teeth. Even in summer the Scottish weather can be so changeable that we have learned to adapt our gardens, putting up seagrass walls to shield lawns and installing barbeques in sunken courtyards in an attempt to prevent being driven inside by the wind.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
I have nothing left. Nothing. I’m just…broken,” she finished, her voice barely audible now.
 
“Then let me love you broken,” he whispered.
Lexie Talionis (Dreams of Lethe (Lethe Chronicles #2))
But that very same day you broke our hearts, you showed us what true love looks like, and you gained it by sacrificing everything, including us, and our cause, for her.” He glances toward Cecelia and then back to me. “Something we both failed to do. And in turn, you earned her, and you do deserve her for it.” He swallows audibly. “When you tried to defend yourself, we knew you were right, but we were cut so deep we didn’t want to fucking hear it. Because losing her completely was a good enough reason to resent you, and our hands weren’t as dirty if you were equally as guilty.” He blows out a harsh breath. “But we knew you were right, and I think, deep down, we both knew we were on borrowed time with her. And fuck, how I hated you for it.
Kate Stewart,The finish line
and demand an audible out, or she will quit. The problem is not that she’s as crazy as you claim, it is just that she wasn’t crazy enough to leave you long before.
Pierre Jeanty (Ashes of Her Love)
The following year, I began to wonder if I could change my prayer times from monologue to dialogue. I had been writing in prayer journals for many years, but this was one-way communication: I did all the talking. Increasingly, I wanted to hear what God might want to communicate to me on a given day. I decided to “listen” with pen in hand, writing down whatever I “heard” in my mind. As J. I. Packer wrote in his book Your Father Loves You: “God … guides our minds as we think things out in his presence.” This is how I was listening to Him—by focusing on Jesus and His Word, while asking Him to guide my thoughts. I was not listening for an audible voice; I was spending time seeking God’s Face (Psalm 27:8 NKJV).
Sarah Young (Jesus Calling Morning and Evening, with Scripture References: Yearlong Guide to Inner Peace and Spiritual Growth (A 365-Day Devotional) (Jesus Calling®))
Who has been heard we know; they are the well-mapped islands, the rest are the unmappable sea of unheard, unrecorded humanity. Many over the centuries were heard and loved, and their words disappeared in the air as soon as they were spoken but took root in minds, contributed to the culture, like something composting into rich earth; new things grew from those words. Many others were silenced, excluded, ignored. The earth is seven-tenths water, but the ratio of silence to voice is far greater. If libraries hold all the stories that have been told, there are ghost libraries of all the stories that have not. The ghosts outnumber the books by some unimaginably vast sum. Even those who have been audible have often earned the privilege through strategic silences or the inability to hear certain voices, including their own.
Rebecca Solnit (The Mother of All Questions)
Goodbye, New York," I whispered, my voice barely audible against the soft rustling of the leaves. It wasn't a permanent farewell, merely a temporary separation, but it still tugged at my heartstrings. With all its noise, chaos, beauty, and ugliness, this city was a part of me.
Justine Castellon (The Last Snowfall (Through the Seasons Book 2))
tiny seed of doubt sprouting inside her gut. Could this life-altering affair be nothing more than a one-sided mirage? She couldn’t keep her journalistic instincts from attempting to connect dots. She recalled every possible aversion of her lover’s eyes, each word of affirmation that may not have been as sincere and heartfelt as the previous. And now this. Karina released an audible breath and brought her hand to her head. She felt the sharp edge of her one-quarter-karat, pear-shaped diamond engagement ring, and thought about Reinaldo, her Brazilian husband of the last ten years. There had been some good times … moments she’d always remember. But as she recalled the hikes up Pikes Peak, the mountainous bike rides, and games of pool while drinking a few beers, she admitted that Reinaldo had been nothing more than a friend—a convenient friend at that. But one who had helped her produce two kids, two adorable little rug rats. Would they ever look at Mommy the same way, if they found out who the real Karina was? When they found out. Karina couldn’t let her insecurities question her new path in life—a path she’d ignored far too long. Determined to make this relationship work, her mind sharpened, and she leaned over the side of the bed and snatched her smartphone from the back pocket of her khakis. No sweet text messages. She licked her lips, then scrolled to her contacts and tapped the cell number. “Hi, Karina. Miss me already?” the voice on the other end asked. Karina couldn’t help but smile. “I just wanted to hear your voice again before I packed up my things and strolled back into my old life.” “I know what you mean,” Karina’s lover said. “You don’t have a spouse and two kids,” Karina said with a tone more harsh than she’d intended. “Oh, sorry.” “Not a problem. I get it. I really do.” A wave of emotion overcame Karina. A single tear bubbled out of the corner of her eye and she sniffled. “Are you okay, dear?” “I …” “You can tell me, Karina. We share everything.” “I just wanted our evening together to be special. You mean so much to me … how I see myself. How I see our future.” “I’m so sorry my work got in our way. Just know that you hold a special place in my heart.” Karina could hear sincerity, which warmed her heart. “I love you.” “I love you too, Karina.” Muffled sounds broke Karina’s concentration. Was that another person’s voice? “What was that noise? Where are you?” Tension rippled up her spine. “Oh, I just walked in my door. I’m exhausted, dear. Let’s make plans for early next week. We can both relax and have some fun at my new place. We can talk about our future.” The pressure in Karina’s head eased. They kissed into
John W. Mefford (Fatal Greed (Greed, #1))
But we also want our child to learn to obey his earthly parents, whose voices he hears say, “I love you,” whose arms he feels give him hugs, in order that as he grows he will be weaned from obeying us to obeying his heavenly Father, whose voice he might not audibly hear, whose arms he won’t exactly feel, yet who he has been taught loves him even more than we do. How can he learn to obey Him if he hasn’t learned to obey us?
Susan Alexander Yates (And Then I Had Teenagers: Encouragement for Parents of Teens and Preteens)
The macabre melodies were a surreal audible example of just who I’d been before and a stark contrast to who I was now.
K.A. Hill (The Winners' Guide)
The awesome love of our invisible God has become both visible and audible in Jesus Christ, the glory of the only Son filled with enduring love.
Brennan Manning (The Furious Longing of God)
The waiter slapped down my pavé au poivre. It was not a particularly impressive plate- a hunk of meat, fat fried potatoes piled carelessly to one side. But something happened as I sliced the first bite- no resistance, none at all. The knife slid through the meat; the thinnest layer of crusty brown opening to reveal a pulpy red heart. I watched as the pink juices puddled into the buttery pepper sauce. Gwendal looked up. I must have uttered an audible gasp of pleasure. "I don't know why you can't get a steak like this in England," I said, careful, even in my haste to lift the first bite to my mouth, not to drip on my sweater. "Since mad cow, I think it's illegal." My fork and knife paused in midair as I let the salt, the fat, the blood settle on my tongue.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
The necklace is for you either way. I just--I’ve been meaning to ask you, but I wanted to wait until things had calmed down.” Luca’s shoulders slumped a little as he looked down at the grass. He was taking her hesitation as a rejection. Cass tried to tell him yes, but what came out of her mouth was a mixture of a squeak and a whisper. She nodded her head rapidly, doing her best to fight back her tears. “I understand if you still aren’t ready.” Luca was talking to a patch of dead marigolds. He hadn’t even seen her nod. Cass cleared her throat and tried again. “Yes,” she said. This time she was slightly audible. She sniffed, dabbing at her eyes with her gloved hand. “I want to marry you. I’d like that very much.” He looked up, and Cass saw a million things reflected in his eyes--bronze sculptures, fields of wheat, wooden ships, glittering gold palazzos. The whole world. It was out there waiting for her, and she wanted to experience it with Luca. “You’d like that very much,” he repeated, as if he wasn’t quite sure he’d heard her right. Or perhaps he just couldn’t reconcile her answer with the tears streaming down her cheeks. Cass giggled. It came out as part laugh, part sob. “I love you,” she said. “When you first returned to Venice, you were a stranger. But now I can’t imagine being without you. I’m sorry I had to drive you away to recognize that what I want most in the world is to hold you close.” Bending down, Luca leaned his forehead against hers. Cass let her eyelids fall closed. His hair whispered across her skin as he kissed away her tears. His mouth touched each eyelid and then found her lips. He pressed one of her hands to his chest and reached out with his other to trace the curve of her cheek. His kiss was warm and sweet, with the promise of wonderful things to come.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Where have you been?” I asked, almost a whisper. I wanted to laugh hysterically at the controlled calmness of it all, as if nothing at all had happened, as if he hadn’t resurrected himself after an eternity of absence. “New York. I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
New York,” I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
Where have you been?” I softly answered followed by a question. I wanted to laugh hysterically at the controlled calmness of it all, as if nothing at all had happened, as if he hadn’t resurrected himself after an eternity of absence. “New York. I have a good friend there. I found a job, a place. I had to- away from here; away from Bella; from you.” Swallowing, I clasped my hands together to stop from trembling and I said in a low, audible voice, “From me?” He sighed heavily. “I can’t love you, Helena. I still love Bella. And I suppose I could love another woman in another way at the same time, but not you.” “…but why?” I tried hard to keep my voice and gaze even. I glanced at the plain wedding ring on the third finger on his left hand, his wedding band. It was gleaming brightly in the firelight. I felt my heart plummet, like a disappointed child. Seeking the right words, he replied with a very soft voice, “It’s because I would always see you as an extension of her. I want to fall in love with you in separate way, the one that involves only us, uninfluenced by the past and our hurt. I can’t do that now and I can’t tell when I’ll be able to.
Bea C. Pilotin (The Whys Of Us)
I think God’s hope and plan for us is pretty simple to figure out. For those who resonate with formulas, here it is: add your whole life, your loves, your passions, and your interests together with what God said He wants us to be about, and that’s your answer. If you want to know the answer to the bigger question— what’s God’s plan for the whole world?—buckle up: it’s us. We’re God’s plan, and we always have been. We aren’t just supposed to be observers, listeners, or have a bunch of opinions. We’re not here to let everyone know what we agree and don’t agree with, because, frankly, who cares? Tell me about the God you love; tell me about what He has inspired uniquely in you; tell me about what you’re going to do about it, and a plan for your life will be pretty easy to figure out from there. I guess what I’m saying is that most of us don’t get an audible plan for our lives. It’s way better than that. We get to be God’s plan for the whole world by pointing people toward Him.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Nicky,” Caleb murmurs against my shoulder, his voice tired and barely audible. “Go to sleep, love.” My heart leaps and my fingers freeze in his hair, but he doesn’t seem to notice. I wonder if he even realizes what he called me—since the day we met, he comes up with all these new nicknames for me. That one may just be my favorite.
Maia Kinley (Zone Entry (Camrose U, #1))
No matter how loving your intentions are behind the audible sighs, your spouse is feeling like you’re trying to fix him—which feels more like pain, which means he’s now going to move away from you. It makes him feel defensive, and that’s just going to close him off from feeling like changing even more.
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
I love you.” “You love me?” “Yes. I love you.” “You love me?” “Indeed. I love you.” “Say it with a bit more passion.” “I love you.” “Tone it down a bit.” “I love you,” you murmured. “It should still be audible.” “I love you,” you said. “Why?” I asked. “What makes me special?
Warona Jay (The Grand Scheme of Things)
Added the ability to Listen to audio books on Audible.com
Dominic West (Amazon Echo: 2017 Edition - User Guide and Manual - Learn It Live It Love It)
Listening and Answering Throughout most of the great Old Testament book that bears his name, Job cries out to God in agonized prayer. For all his complaints, Job never walks away from God or denies his existence—he processes all his pain and suffering through prayer. Yet he cannot accept the life God is calling him to live. Then the skies cloud over and God speaks to Job “out of the whirlwind” (Job 38:1). The Lord recounts in vivid detail his creation and sustenance of the universe and of the natural world. Job is astonished and humbled by this deeper vision of God (Job 40:3–5) and has a breakthrough. He finally prays a mighty prayer of repentance and adoration (Job 42:1–6). The question of the book of Job is posed in its very beginning. Is it possible that a man or woman can come to love God for himself alone so that there is a fundamental contentment in life regardless of circumstances (Job 1:9)?97 By the end of the book we see the answer. Yes, this is possible, but only through prayer. What had happened? The more clearly Job saw who God was, the fuller his prayers became—moving from mere complaint to confession, appeal, and praise. In the end he broke through and was able to face anything in life. This new refinement and level of character came through the interaction of listening to God’s revealed Word and answering in prayer. The more true his knowledge of God, the more fruitful his prayers became, and the more sweeping the change in his life. The power of our prayers, then, lies not primarily in our effort and striving, or in any technique, but rather in our knowledge of God. You may respond, “But God spoke audible words to Job out of a storm. I wish God spoke to me like that.” The answer is—we have something better, an incalculably clearer expression of God’s character. “In the past God spoke to our ancestors through the prophets at many times and in various ways, but in these last days he has spoken to us by his Son . . . the radiance of God’s glory and the exact representation of his being” (Heb 1:1–3). Jesus Christ is the Word of God (John 1:1–14) because no more comprehensive, personal, and beautiful communication of God is possible. We cannot look directly at the sun with our eyes. The glory of it would immediately overwhelm and destroy our sight. We have to look at it through a filter, and then we can see the great flames and colors of it. When we look at Jesus Christ as he is shown to us in the Scriptures, we are looking at the glory of God through the filter of a human nature. That is one of the many reasons, as we shall see, that Christians pray “in Jesus’ name.” Through Christ, prayer becomes what Scottish Reformer John Knox called “an earnest and familiar talking with God,” and John Calvin called an “intimate conversation” of believers with God, or elsewhere “a communion of men with God”—a two-way communicative interaction.98 “For through [Christ] we . . . have access to the Father by one Spirit” (Eph 2:18).
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
∞ The Convergence of the Universe through Love A Poem by Alexander Martini I believe the universe does not retreat. It draws together. Not into narrowness, but into unity. Not by gravitation, but by grace. The energy of love is not linear. It is exponential — or perhaps we need a new word: expansial. A force that expands and deepens at once. Not only faster. But truer. For when lovers love, they do not only amplify themselves. They amplify the Whole. They are like resonant chambers that make the invisible audible.
Alexander Martini
I raised my hand and skimmed it down the side of her neck until I reached the frantic flutter of her pulse. 'You want to stay.' I should stop touching her, and I should keep my distance, but I was mesmerized. Stella’s swallow was audible in the thick, condensed silence. 'I don’t.' She wavered the tiniest bit on the word don’t. 'No?' I grazed my thumb over her skin. The small point of contact seared through flesh and bone until the heat spilled into my blood. I lifted my eyes to hers again, my voice hardening. 'Then why are you still here?' Distraction. Obsession. Confoundment. She was all those things and more." -(Christian Harper)
Ana Huang (Twisted Lies (Twisted, #4))
ability to Listen to audio books on Audible.com 2606 Jul 10
Dominic West (Amazon Echo: 2017 Edition - User Guide and Manual - Learn It Live It Love It)
My breath is audibly unsteady, completely outing the nerves I’d rather keep hidden. This asshole has totally ruined me. Eighteen years and no one could even figure out who I really was. A couple months on a team with Jaysen Caulfield and I can’t hide for shit.
A.L. Graziadei (Icebreaker)
I love you,” he murmurs, barely audible, “but I think you’re crossing a line.” His voice drops lower, gentle.
Aella Blake (Mistbond (Shadowglow))