Auburn Quotes

We've searched our database for all the quotes and captions related to Auburn. Here they are! All 200 of them:

When red-headed people are above a certain social grade their hair is auburn.
Mark Twain
Sometimes we don’t get second chances, Owen. Sometimes things just end.” He winces. “We didn’t even get a first chance.
Colleen Hoover (Confess)
Do you love me?" he asked. I fell silent. "For the rest of it is glitter and noise," he said. "At the heart of it all is love. You make that choice, and you go forward from there.
Sharon Shinn (Summers at Castle Auburn)
It’s brown.” So maybe I had the teeniest, tiniest, most infinitesimal amount of auburn in my hair. I was still a brunette. “It’s the lighting,” I said. “Yeah, maybe it’s the lightbulbs.” His smile brought up both sides of his mouth, and a dimple surfaced.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Sometimes we become what we see. Sometimes we take what we see and make it the model for what we refuse to become.
Sharon Shinn (Summers at Castle Auburn)
Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me." "I promise," I say. Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her." The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver (Pandemonium (Delirium, #2))
That young man with the long, auburn hair and the impudent face - that young man was not really a poet; but surely he was a poem.
G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
You are so, so beautiful, Auburn. Everywhere. Every part of you. On the outside, on the inside, when you’re beneath me, on top of me, painted on a canvas.
Colleen Hoover (Confess)
My own eyes went to Jamie, who had come to join Fergus and Ian by the sideboard. Still here, thank God. Tall and graceful, the soft light making shadows in the folds of his shirt as he moved, a fugitive gleam from the long straight bridge of his nose, the auburn wave of his hair. Still mine. Thank God.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
He flashed up in her vision like a flare, auburn hair and that constant furrow between his eyes: one blue, one black. Antari. Magic boy. Prince.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Her elf is going to do just that,” he said, the red glow of the ever-after sun turning his hair auburn, almost as red as mine. “I did not work this hard at getting her to accept who she is to let you take your spoiled brat of a little-boy temper tantrum out on her. She stays on my side of the lines.
Kim Harrison (A Perfect Blood (The Hollows, #10))
There were no clues left by the murderer inside the judge’s chambers. No fingerprints. Nothing. The only thing found that was out of the ordinary was a single strand of long auburn hair on the window ledge. A single strand of hair from an unknown female. All dead ends. From my initial perspective, the police were as thorough as they could have been.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
What?!” Auburn says into the phone. “What kind of secret phrase is ‘pencil dick’?
Colleen Hoover (Confess)
They didn’t care, which was too bad because I thought everyone should care that I fucked Perry last night and fucked her good. Perhaps I needed to get an airplane to write that in the sky. I knew an auburn-haired snatchslinger who needed to see it.
Karina Halle (Come Alive (Experiment in Terror, #7))
I can’t have it either. It affects the babies in utero.” “Nonsense,” he said, tossing his long auburn hair over one shoulder. Life would be easier if he wasn’t so damned good-looking. “Why, my mother drank wine every day, and I turned out just fine.” “I think you’re proving my point for me,” I said dryly
Richelle Mead (Shadow Heir (Dark Swan, #4))
I grin. “Good night, OMG.” He slowly shakes his head back and forth while his eyes narrow playfully. “You’re lucky I like you, Auburn Mason Reed.” With that, he closes the door. “Oh my God,” I whisper. I think I might have a crush on that boy.
Colleen Hoover (Confess)
O let me lead her gently o'er the brook, Watch her half-smiling lips and downward look; O let me for one moment touch her wrist; Let me one moment to her breathing list; And as she leaves me, may she often turn Her fair eyes looking through her locks auburne.
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
Before I could answer, there was a soft knock on the door. I turned to see an auburn-haired, green-eyed, freckle-faced young woman walk in. Her hair was a mass of soft curls and she wore no makeup. My first impression was to describe her as a plain-Jane. On closer inspection, hers was a strong and unique face. She dressed in slacks, silk blouse, and no visible jewelry. All of which, to me, indicated serene confidence. Her green eyes were piercing with almost a wild look to them. She handed the contract copies to the lawyer.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
We’re far from being strangers, Auburn.
Colleen Hoover (Confess)
It would be so much easier to be good if one’s hair was handsome auburn, don’t you think?
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Auburn-Stache. Am I selfish?" "I've never met a soul that wasn't. I've met a lot of people who don't bother wondering.
Leah Thomas (Because You'll Never Meet Me (Because You'll Never Meet Me, #1))
She’s giving me two days, not forever. Two days. That won’t be enough for me, Auburn.
Colleen Hoover (Confess)
Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall. Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously. Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so— Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall. The wall was strangely warm. The wall chuckled. “Whoa,” a deep voice said. “You okay, sweetheart?
J. Lynn (Wait for You (Wait for You, #1))
and I looked and looked at her, and knew as clearly as I know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds... but thank God it was not that echo alone that I worshipped. What I used to pamper among the tangled vines of my heart, mon grand pch radieux, had dwindled to its essence: sterile and selfish vice, all that I cancelled and cursed. You may jeer at me, and threaten to clear the court, but until I am gagged and halfthrottled, I will shout my poor truth. I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another’s child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque, part o nous ne serons jamais spars; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torneven then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
Vladimir Nabokov (Lolita)
But I am king. And the well-being of my kingdom depends on my sound judgment and clear head. And those things depend on my state of happiness. And I have known for a long time that my state of happiness depends on you.
Sharon Shinn (Summers at Castle Auburn)
This is what I want you to remember, Auburn,” he says softly. “I don’t want you to remember what it feels like when I’m inside you. I want you to remember how it feels when I look at you.
Colleen Hoover (Confess)
Summer rushes in on the heels of spring, eager to take her turn; and then she dances with wild abandon. But the time soon comes when she gratefully falls, exhausted and sated, into the auburn arms of autumn.
Cristen Rodgers
The leaves on the white-barked quaky trees around the nearby lake glow like embers, fiery gold and auburn against the evergreens. The sight is a warm welcome home.
Erin Summerill (Ever the Hunted (A Clash of Kingdoms, #1))
Do you ever think about him? About the boy who infected you?" Images flash in the darkness: a crown of auburn hair, like autumn leaves burning; the blur of a body, a shape running next to me; a dream-figure. "I try not to," I say. "Why not?" Julian's voice is quiet. I say, "Because it hurts.
Lauren Oliver (Pandemonium (Delirium, #2))
she had something I could not have, and so I resented her—but I realized the fault was mine and not hers.
Sharon Shinn (Summers at Castle Auburn)
Then summer came. A summer limp with the weight of blossomed things. Heavy sunflowers weeping over fences; iris curling and browning at the edges far away from their purple hearts; ears of corn letting their auburn hair wind down to their stalks. AND THE BOYS. The beautiful, beautiful boys who dotted the landscape like jewels, split the air with their shouts in the field, and thickened the river with their shining wet backs. EVEN THEIR FOOTSTEPS LEFT A SMELL OF SMOKE BEHIND!
Toni Morrison (Sula)
That won’t be enough for me, Auburn. I can already tell. And whoever’s favorite color is blue won’t stand a chance in this tent, because I’m about to make sure that the only thing she ever thinks about when she sees a tent again is Oh My God.
Colleen Hoover (Confess)
Would you not marry even for love?" "Love does not seem to bring anyone much happiness as far as I have observed. So I think the lesson learned is never to love." "The lesson is to love wisely," he replied.
Sharon Shinn (Summers at Castle Auburn)
The promises of the future cannot undo the harm of the past.
Sharon Shinn (Summers at Castle Auburn)
The angry one looked her over. "What's your name?" "These are not the droids you are looking for," she said. The smaller, auburn-haired man to her left cracked up.
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
So do I wish I was to be king? That is not a question I ask myself. I ask myself, Would I be a good king? Would I be quick witted and generous of spirit and full of that boundless energy? Or would I be clumsy and stupid and dulled by my own prejudices? I try to be a good man, since I am alive at all, and hope that that teaches me what I would need to know if I was ever faced with a higher challenge.
Sharon Shinn (Summers at Castle Auburn)
Everyone watched, wondering if this could be the same lunatic who'd nearly berthed his ornithopter in the restaurant. I swallowed, for it seemed he was headed straight for my table. He pulled off his helmet and a mass of dark auburn hair spilled out. Off came the goggles, and I was looking at the beaming face of Kate de Vries.
Kenneth Oppel (Skybreaker (Matt Cruse, #2))
He had a fund of small talk, a pleasant voice, a caressing glance and his moustache was irresistible. Crisp and curly, it curved charmingly over his lip, fair with auburn tints, slightly paler where it bristled at the ends.
Guy de Maupassant (Bel-Ami)
She was indeed beautiful, as if someone had taken the scientific measurements of perfection and used them to mold a single ideal specimen. Her face was slightly heart-shaped, with high cheekbones barely flushed. Auburn hair fell in silken ringlets to her waist and her unblemished ivory skin shimmered like mother-of-pearl in the sunshine. Her lips were red red red, looking like she’d just drunk a pint of blood.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
And because I was six, I remember believing color was a kind of happiness—so I took the brightest shades in the crayon box and filled my sad cow with purple, orange, red, auburn, magenta, pewter, fuchsia, glittered grey, lime green.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Sometimes when I am dusting the mirror with the grapes I look at myself in it, although I know it is vanity. In the afternoon light of the parlour my skin is a pale mauve, like a faded bruise, and my teeth are greenish. I think of all the things that have been written about me - that I am inhuman female demon, that I am an innocent victim of a blackguard forced against my will and in danger of my own life, that I was too ignorant to know how to act and that to hang me would be judicial murder, that I am fond of animals, that I am very handsome with a brilliant complexion, that I have blue eyes, that I have green eyes, that I have auburn and also have brown hair, that I am tall and also not above the average height, that I am well and decently dressed, that I robbed a dead woman to appear so, that I am brisk and smart about my work, that I am of a sullen disposition with a quarrelsome temper, that I have the appearance of a person rather above my humble station, that I am a good girl with a pliable nature and no harm is told of me, that I am cunning and devious, that I am soft in the head and little better than an idiot. And I wonder, how can I be all of these different things at once?
Margaret Atwood (Alias Grace)
If I go back to the beginning, I could start it over again. I could go line by line; try and find a shorter way. I could try to make it... better.
David Auburn (Proof)
In this unguarded instant, I realize how much I miss my childhood-big-brother, Uncle Solomon. I miss the comfortable merriment we once shared. His face is awash with a transitioning auburn from the setting sun. It is a handsome face, maybe the only pleasing face left in this wretched town . . . besides Armand's.
Michael Ben Zehabe (Persianality)
The story of Terisa and Geraden began very much like a fable. She was a princess in a high tower. He was a hero come to rescue her. She was the only daughter of wealth and power. He was the seventh son of the lord of the seventh Care. She was beautiful from the auburn hair that crowned her head to the tips of her white toes. He was handsome and courageous. She was held prisoner by enchantment. He was a fearless breaker of enchantments. As in all the fables, they were made for each other.
Stephen R. Donaldson (The Mirror of Her Dreams (Mordant's Need, #1))
And it's not red, it's auburn, and I'm not feisty or tempestuous or any of the other things red hair is supposed to signify. Anyways, as I said, it's auburn.
Kate Alcott
He looked down at his empty glass. "One of the other ways in which I am different from my father," he said. "I am not interested in marrying where I do not love." I spoke in a jesting voice. "And of all the women in the eight provinces, you have not been able to find one you could love?" Now he looked at me again, and his face was completely serious. "That's the problem," he said. "There is one.
Sharon Shinn (Summers at Castle Auburn)
Tam would gut me if he caught you drinking that.” “Always looking after your best interests,” I said, and pointedly chugged the contents of the glass. It was like a million fireworks exploding inside me, filling my veins with starlight. I laughed aloud, and Lucien groaned. “Human fool,” he hissed. But his glamour had been ripped away. His auburn hair burned like hot metal, and his russet eye smoldered like a bottomless forge. That was what I would capture next. “I’m going to paint you,” I said, and giggled—actually giggled—as the words popped out. “Cauldron boil and fry me,” he muttered, and I laughed again.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Everything drifts. Everything is slowly swirling, philosophies tangled with the grocery lists, unreal-real anxieties like rose thorns waiting to tear the uncertain flesh, nonentities of thoughts floating like plankton, green and orange particles, seaweed -- lots of that, dark purple and waving, sharks with fins like cutlasses, herself held underwater by her hair, snared around auburn-rusted anchor chains.
Margaret Laurence (The Fire-Dwellers)
I’ve never felt stronger than I feel when I’m with her. I’ve never felt like I had purpose like I feel when I’m with her.
Colleen Hoover (Confess)
He doesn't make your heart feel like this, Auburn. He doesn't make it so crazy that it tries to beat through the walls of your chest.
Colleen Hoover (Confess)
No such thing as too tall,” she said. She had automatically reached for a brush and now she began uncoiling the tangles of my hair. “It’s good for a woman to be able to look into a man’s eyes. Then she’s not afraid to tell him what she thinks.
Sharon Shinn (Summers at Castle Auburn)
I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another's child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque part oы nous ne serons jamais sиparиs; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torn--even then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.
Vladimir Nabokov (Lolita)
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: “Don’t believe her.” The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pressure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes—once a sweet, melted brown, like syrup—have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver
I believe that this is a practical world and that I can count only on what I earn. Therefore, I believe in work, hard work. I believe in education, which gives me the knowledge to work wisely and trains my mind and my hands to work skillfully. I believe in honesty and truthfulness, without which I cannot win the respect and confidence of my fellow men. I believe in a sound mind, in a sound body and a spirit that is not afraid, and in clean sports that develop these qualities. I believe in obedience to law because it protects the rights of all. I believe in the human touch, which cultivates sympathy with my fellow men and mutual helpfulness and brings happiness for all. I believe in my Country, because it is a land of freedom and because it is my own home, and that I can best serve that country by "doing justly, loving mercy, and walking humbly with my God." And because Auburn men and women believe in these things, I believe in Auburn and love it.
George Petrie
My shoes made an odd, clacking sound on the cobblestones of the courtyard, no matter how quietly I placed my feet. It was like being followed by the audible manifestation of my own shadow.
Sharon Shinn (Summers at Castle Auburn)
It was Beverly Marsh, her auburn hair a dazzling cloud around her head and upon her shoulders, her eyes a lovely gray-green. Her sweater, pushed to her elbows, was frayed around the neck and almost as baggy as Ben’s sweatshirt.
Stephen King (It)
His eyes—once a sweet, melted brown, like syrup— have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver (Pandemonium (Delirium, #2))
The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face -- that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat -- that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.
G.K. Chesterton (The Man Who Was Thursday)
You're just afraid," I flung at him. "Of what would happen to you and your life at court if you were to carry Elisandra away. Of what your father would say. Of what Bryan would do to you." Now he, too, looked angry. "I am afraid of many things, but those are not the fears that keep me from action," he said. I turned my back on him. "Then I don't understand you," I said. I heard the door open. "No," he said, "and you never have.
Sharon Shinn (Summers at Castle Auburn)
It was so stupid, and random, but at that second, with the morning sun hitting her auburn hair, and her huge brown eyes fixed on him, the lock flew off the “do-not-allow-yourself-to-even-think-about-it” portion of his brain, and every feeling he ever had for her—feelings he never even realized he had for her—flooded over him like a tidal wave. Love, tenderness, desire—it hit him so hard he had to excuse himself, go to the men’s room, rest his forehead against the cool metal of the bathroom stall, breathing heavily, wondering what the hell had just happened. It left him exhausted and spent, as if he’d just run a hundred miles. And almost a year later, he was still exhausted, spent, frustrated … and madly in love.
Claire Matthews (Intimate Friends)
...& she, armed with both & abandoning the joys of reason that had meant so much to her as well as me, made a suitably advantageous marriage with an ironmonger with a face like an anvil & a soul like a slag, & so I never saw her freckles fade, her auburn hair dull, never had to watch our love turn to that non-colour, white.
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
Hey!” I exclaimed, seeing Khol standing beside my bed with my pillow in his hands. His tall frame seemed to take up more room in the light of day, and his dark auburn hair looked like fire in the morning sun. His mere physical presence in the same room as me still caused my body to shiver with excitement. Damn . . . not good.
D.T. Dyllin (Hidden Gates (The P.J. Stone Gates Trilogy #1))
Let X equal the quantity of all quantities of X. Let X equal the cold. It is cold in December. The months of cold equal November through February. There are four months of cold, and four of heat, leaving four months of indeterminate temperature. In February it snows. In March the Lake is a lake of ice. In September the students come back and the bookstores are full. Let X equal the month of full bookstores. The number of books approaches infinity as the number of months of cold approaches four. I will never be as cold now as I will in the future. The future of cold is infinite. The future of heat is the future of cold. The bookstores are infinite and so are never full except in September...
David Auburn (Proof)
Arobynn looked exactly as he had the last time she’d seen him: a fine-boned aristo face, silky auburn hair that grazed his shoulders, and a deep-blue tunic of exquisite make, unbuttoned with an assumed casualness at the top to reveal the toned chest beneath. No sign at all of a necklace or chain. His long, muscled arm was draped across the back of the bench, and his tanned, scar-flecked fingers drummed a beat in time with the hall music.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Auburn Mason Reed,” I say out loud. What are the chances? I smile and run my thumb over the letters in her middle name. “We have the same middle name.” I look back up at Adam, and he’s lowering his bed again with a faint smile on his face. “That could be fate, you know.” I shake my head, dismissing his comment. “I’m pretty sure she’s your fate. Not mine.” His voice is strained, and it takes a tremendous amount of effort for him to roll onto his side. He closes his eyes and says, “Hopefully she has more than one fate, Owen.
Colleen Hoover (Confess)
Lobsters fascinated me. Everything from their name to their claws to their magnificent red had me hooked. My hair was that read, the kind of read that looks okay on everything but people, because a person's hair is not supposed to be red. Orange, yes. Auburn, sure. But not lobster red. I took my pigtails, pressed them against the glass, and stared the nearest lobster straight in the eye. Dad said my hair was lobster red. My mother said it was Communist red. I didn't know what a Communist was, but it didn't sound good. Even pressing my hair flat against the glass, I couldn't tell if my dad was right. Part of me didn't want either of them to be right. "Let me out," said the lobster. He always said that. I rubbed my hair against the glass like the tank was a genie's lamp and the action would stir up some magic. Maybe, somehow, I could get these lobsters out. They looked so sad, all huddled on top of one another, antennae twitching, claws rubber-banded together.
Francesca Zappia (Made You Up)
He kisses me like he’s giving me every kiss he wishes he could have given me in the past, and every kiss he’ll wish he could give me in the future. All of them, all at once.
Colleen Hoover (Confess)
Dalloway School rises from the Catskill foothills like a crown upon an auburn head.
Victoria Lee (A Lesson in Vengeance)
He doesn’t make your heart feel like this, Auburn. He doesn’t make it so crazy that it tries to beat through the walls of your chest.
Colleen Hoover (Confess)
Auburn, catching up with his homies.
Stephen King (Mile 81)
When I was in London in 2008, I spent a couple hours hanging out at a pub with a couple of blokes who were drinking away the afternoon in preparation for going to that evening's Arsenal game/riot. Take away their Cockney accents, and these working-class guys might as well have been a couple of Bubbas gearing up for the Alabama-Auburn game. They were, in a phrase, British rednecks. And this is who soccer fans are, everywhere in the world except among the college-educated American elite. In Rio or Rome, the soccer fan is a Regular José or a Regular Giuseppe. [...] By contrast, if an American is that kind of Regular Joe, he doesn't watch soccer. He watches the NFL or bass fishing tournaments or Ultimate Fighting. In an American context, avid soccer fandom is almost exclusively located among two groups of people (a) foreigners—God bless 'em—and (b) pretentious yuppie snobs. Which is to say, conservatives don't hate soccer because we hate brown people. We hate soccer because we hate liberals.
Robert Stacy McCain
Birds and periodic blood. Old recapitulations. The fox, panting, fire-eyed, gone to earth in my chest. How beautiful we are, he and I, with our auburn pelts, our trails of blood, our miracle escapes, our whiplash panic flogging us on to new miracles! They’ve supplied us with pills for bleeding, pills for panic. Wash them down the sink. This is truth, then: dull needle groping for the spinal fluid, weak acid in the bottom of the cup, foreboding, foreboding. No one tells the truth about truth, that it’s what the fox sees from his scuffled burrow: dull-jawed, onrushing killer, being that inanely single-minded will have our skins at last.
Adrienne Rich (Leaflets)
Ow! That…” A little ball of fur chewed on my slippers, not caring that my feet were still inside. I’d never seen another creature like it. It had the auburn- colored body of a lion cub, but it also had nubby horns, wings, and a dragon’s tail. Its little black talons scratched at my leg; then it stared at me with accusa-tory ice- water blue eyes. “No pixing way! Prince Kato?
Betsy Schow (Spelled (The Storymakers, #1))
Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr’s somewhat stationary shadow.
Joseph J. Ellis (Founding Brothers: The Revolutionary Generation)
almost throw him a grateful glance but then turn it into a scowl, which is easy since I’m squinting into the sun, and Flynn’s shock of auburn hair is so shiny it’s practically a weapon in its own right.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
If I knew how to stop the tears, I would. I don’t want him to hear me cry. I don’t want him to know how upset I am that we can’t have this every day of our lives. I don’t want him to ask me what’s wrong. When he feels my tears falling against his chest, he doesn’t do anything to stop them. Instead, he simply holds me with a much tighter grip and presses his cheek against the top of my head. His hand brushes softly through my hair. “I know, baby,” he whispers. “I know.
Colleen Hoover (Confess)
The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.
David Foster Wallace (Infinite Jest)
Close up gave me a nice view of Mychael, and as always, he was damned good to look at. His eyes were that mix of blue and pale green found only in warm, tropical seas. His hair was short and auburn. His handsome features were strong, and his face scruffy with stubble. Very nice. Sexy nice. I guess having demons on your island didn’t give you time to shave. Mychael was an elf, and the tips of his ears were elegantly pointed. I’d felt the urge to nibble those tips on more than one occasion, but I didn’t think now was the time or place.
Lisa Shearin (The Trouble with Demons (Raine Benares #3))
Men like you give pirates a bad name,” Captain Auburn Sally said. “You aren’t pirates,” Captain Hook said with a laugh. “You’re just a bunch of little girls with attitude!” “Then I feel sorry for you, Hook,” Auburn Sally said. “Because you and your men are about to get your booty handed to you by a bunch of little girls. Ladies, charge!
Chris Colfer (Worlds Collide (The Land of Stories #6))
then Colette, everyone’s girl crush, our trusted friend. One of the pretty ones, with her auburn shampoo-commercial hair, her Colorado-bred effortlessness and unmedicated home birth—the perfect female, topped in powdered sugar.
Aimee Molloy (The Perfect Mother)
When I'm running, there's always this split second when the pain is ripping through me and I can hardly breathe and all I see is colour and blur - and in that split second, right as the pain crests, and becomes too much, there's a whiteness going through me, I see something to my left, a flicker of colour (auburn hair, burning, a crown of leaves)-and I know then, too, that if I only turn my head he'll be there, laughing, watching me, holding out his arms.
Lauren Oliver (Pandemonium (Delirium, #2))
My mother looked back at me while my father drove. Her long auburn hair was shimmering in the flickers of light passing through the window from the oncoming highway traffic. Looking at her I admired her flawless, pearlescent skin. Her hazel eyes were flecked with bits of blue and teal like a true Mer. My mother was beautiful, and I looked nothing like her.
Zara Steen
But Matt's the only guy I've ever gone out with,and he barely counts.I once told him I'd dated this guy named Stuart Thistleback at summer camp. Stuart Thistleback had auburn hair and played the stand-up bass, and we were totally in love,but he lived in Chattanooga and we didn't have our driver's licenses yet. Matt knew I made it up,but he was too nice to say so.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I had been right the first time. His sonorous voice echoed through a hollow place of sorrow, catching its reverberations from those ragged walls. His gaiety masked a deep well of loneliness; he was a bright outward shape wrapped around shadows.
Sharon Shinn (Summers at Castle Auburn)
Riiiight," Braden said, jogging to Michelle's side. "Nothing says How have you been? like a punch in the face." He pushed a stray lock of auburn hair beneath a bandana. "Which reminds me." I held my hands up in a fight stance and motioned him closer with my fingers. "I haven't had a chance to say hello to you yet, Braden." "Funny." He rolled his eyes but didn't move.
Cole Gibsen (Senshi (Katana, #2))
You seem sad, Coriel.” I nodded. “The world makes me sad these days. Things I would not have noticed a year ago seem dreadful to me now. Is that a function of growing older? And will everything seem more dreadful every year, from now until I die?
Sharon Shinn (Summers at Castle Auburn)
The light catches in the bare branches of the maple and clothes it in a fleeting dream of autumn, all pink and auburn and gold. The cardinal perched near the top of the tree bursts into radiance, into flame, and for that moment nothing matters at all—not the still soil nor the clattering branches nor the way this redbird will fall to the ground in time, a cold stone, and I too will grow cold, and all my line.
Margaret Renkl (Late Migrations: A Natural History of Love and Loss)
I’ll take whatever you’re willing to give me. Because I know that if you walk out that door, then ten years from now . . . twenty years from now . . . we’ll wish we had listened to our hearts when we think back on tonight.” “That’s what scares me,” I tell him. “I’m afraid if I listen to my heart once, I’ll never figure out how to ignore it again.
Colleen Hoover (Confess)
He sits down at his desk and hands me a pile of letters. They’re all addressed to me, but are opened and have notes on them. Each one is from a different college and placed in order of preference according to Sterling. Auburn sits on top, followed by Ole Miss and Arkansas. They’re all interested in me.
Heidi McLaughlin (Finding My Way (Beaumont #4))
I couldn’t compete with Honesty, With her dark blonde hair streaked with auburn, With her captivating blue eyes, With her legs that stretched into forever. She had the brains, The body, The perfect resume for girlfriend. And me? I had the perfect resume for Best friend. All the boys said so.
Elana Johnson (Elevated)
The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not 'artists,' the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face--that young man was not really a poet; but surely he was a poem.
G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
Fiona, my love, as much as I adore you, I cannot stand your brothers. Any of them." "Gregor is much nicer now that he's married. Even you must admit that." "Only when Venetia is with him. When she's not, he's as annoying as ever." Fiona's lips quirked into a smile, her green eyes gleaming. "Rather like you, I hear." "Who has been carrying tales?" "Everyone." She placed her hand on her husband's cheek and smiled up into his blue eyes. With his dark auburn hair and devastating good looks, "Black Jack" Kincaid had once been the scourge of London's polite society. Now he was her own personal scourge, one she couldn't imagine living without.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
I took the brooch because I was too overcome with irresistible temptation. I was imagining I was Lady Cordelia Fitzgerald, and I just had to wear the brooch over the footbridge of the Lake of Shining Waters, with the wind blowing my auburn hair over to Camelot. I thought I could put it back before you came home, but as I leaned over to look at my reflection in the lake, it slipped from my fingers and sank beneath the rippling waves. That's the best I can do at confessing. Now may I go to the picnic?
L.M. Montgomery
Now his grin lit his face with a sunny halo.
Sharon Shinn (Summers at Castle Auburn)
It unsettles the women as they have dropped their disguise and are now giant praying mantis with blonde and auburn wigs, lipstick smeared on those deadly pincher-like insect jaws.
Irvine Welsh (Marabou Stork Nightmares)
In Maine, around the Lewiston/Auburn/Derry area, there was a place called PENNYWISE CIRCUS. A
Joe Hill (NOS4A2)
auburn in color, and a little too much
Linwood Barclay (A Tap on the Window)
I saw us in some lost future, myself with a long beard, and her with silver streaks entwined in her auburn hair. My son would already be proud of the strength of his own son.
Tanja Radman (Republic of Stone (Lex Legis series, #1))
Auburn Tigers T-shirt.
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.” “Good.” “Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.” He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?” “It’s not so bad.” “Wow. You are a terrible liar.” He frowned fiercely at her. “You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages. “I’m fine.” “Are you sure?” With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes. “I’m sure.” He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out. “But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.” “I can take care of myself, Sonny Flannery,” she bristled, halfheartedly. “Please?” He turned up the wattage on his smile. “I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.” “That’s my girl.” Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
Dylan looked promising. Tomboy. Tall and deliciously rangy. Her raven hair was unevenly sliced, streaked auburn in a patch or two. A thatch of black hair hung like a flag of bad-girl honor over Dylan’s right eye. She was delightfully loud. Her black, paint-splattered jeans were ripped at both knees. She wore a red T-shirt that proclaimed: “Ask Me About My Big Pink Pussy.
Ana B. Good (The Big Sugarbush)
He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver
Her hair, the brightest shade of red he had ever seen, seemed to feed on the firelight, glowing with incandescent heat. The slender wings of her brows and the heavy fringe of her lashes were a darker shade of auburn, while her skin was that of a true redhead, fair and a bit freckled on the nose and cheeks. Sebastian was amused by the festive scattering of little gold flecks, sprinkled as if by the whim of a friendly fairy. She had unfashionably full lips that were colored a natural rose, and large, round blue eyes... pretty but emotionless eyes, like those of a wax doll.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver (Pandemonium (Delirium, #2))
...that’s what drew him in the most, not the pristine shine of her auburn hair, not the delicate view of her eyes from across the room, not even the way she brandished that authentic grin. It was her mystery.
Larry Fort (Still Standing)
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.
Anthony Doerr (All the Light We Cannot See)
Releasing her wrist, he raised his shaking hand and brushed disheveled auburn hair back from her face. Her features were relaxed in sleep. Dirt-smudged. Damp with the tears she had shed for him. At his touch, she made a sound somewhere in the back of her throat and snuggled closer with a sigh. He didn't know who she was. He didn't know who he was. But in that moment, he loved her for freeing him. The dog voiced a plaintive whine. Speech still eluding him, he sent feelings of calm to the loyal animal. Then, taking the woman's small, pale hand in his, he tucked it against his chest, pressed his forehead to hers, and succumbed to a deep healing sleep.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
dressed in blue-and-orange and red-and-white. “What is this?” she asked numbly. “On the screen?” “It’s the Iron Bowl from ’thirteen. Auburn–’Bama. Auburn wins with a one-hundred-and-nine-yard kick back run. War Damn Eagle.
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
You’re actually reading that?” she asked, her auburn brows lifted at the sight of the romance novel Connor had given him this morning, sitting next to the medical textbook he’d propped open to the section on vertical mattress stitches. Parker nodded. “Of course I’m reading it. How else am I going to find out if Michaela and Trent can outwit the creepy bad guy so they can give each other a lifetime supply of preternaturally incredible orgasms?
Kimberly Kincaid (Back to You (Remington Medical, #1))
Sissy wasn't really beautiful, but men never noticed. With her deep green eyes, her shoulder-length auburn hair that swung when she moved, and the way she moved as if she enjoyed just being inside her body, men had always paid her lots of attention.
Loraine Despres (The Scandalous Summer of Sissy LeBlanc)
(T)here is no darkness, not the kind they imagine. Everything is composed of webs and lattices and upheavals of sound and texture... Colour - that's another thing people don't expect. In her imagination, in her dreams, everything has colour. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard room projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver, pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light.
Anthony Doerr (All the Light We Cannot See)
He watched the newly arrived commuters as they stepped into the carriage, pushed their way down the tube, the odours from their damp clothes mingling, giving off varying degrees of mustiness: London grime, or smoke from airless offices. A woman wearing a blue swing coat glanced along the carriage, casting around for an empty seat. Her pale skin, the searching green eyes, reminded him of Emma. Briefly, he felt his breath catch; he stood, clambered back over his neighbour and indicated for her to take his seat. And so his mind stayed with Emma when he knew he should be working out a strategy for telling Dorothy of his news. But Emma was never far away; like the glitter balls in dance halls, she would slowly rotate in his memory, different facets reappearing, as the hues changed in her auburn hair.
Amanda Sington-Williams (The Eloquence of Desire)
NEWT withdraws his head, still leaning against the wall of the dark alleyway, to find a single black glove hanging in the air in front of him. He looks at it, expressionless. It gives a little wave, then points into the far distance. NEWT looks to where it is pointing. High on the dome of St. Paul’s Cathedral, a tiny human figure raises its arm. NEWT looks back at the glove, which makes as though to shake hands. NEWT takes it, and he and the glove Disapparate. EXT. DOME OF ST. PAUL’S—EVENING Apparating beside a dandyesque forty-five-year-old wizard with graying auburn hair and beard. NEWT hands back his glove. NEWT: Dumbledore. (amused) Were the less conspicuous rooftops full, then? DUMBLEDORE (looking out over city): I do enjoy a view. Nebulus. A swirling fog descends over London. They Disapparate.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
He wasn’t a pretty boy, his nose was crooked and his grin lopsided, but he had that square-jawed, salt-of-the-earth handsome look that made a girl think of loose-hipped cowboys and demanding Scottish Lairds. And speaking of Scottish Lairds, old mate was a redhead. Usually gingers weren’t her scene but this guy’s hair was the rich coppery-auburn of a fox's pelt. It gleamed like rose gold under the floodlights, his short beard the exact colour as the stuff on his head. Big Red was doing it for her. Big time. And apparently, the feeling was mutual.
Eve Dangerfield (Open Hearts (Bennett Sisters, #2))
Genya stepped back, brushing the blonde strands of Nina’s wig from her face to get a better look at her. “Nina, how is this possible? The last time Zoya saw you—” “You were throwing a tantrum,” said Zoya, “stomping away from camp with all the caution of a wayward moose.” To Matthias’ surprise, Nina actually winced like a child taking a scolding. He didn’t think he’d ever seen her embarrassed before. “We thought you were dead,” Genya said. “She looks half-dead.” “She looks fine.” “You vanished,” Zoya spat. “When we heard there were Fjerdans nearby, we feared the worst.” “The worst happened,” Nina said. “And then it happened some more.” She took Matthias’ hand. “But we’re here now.” Zoya glared at their clasped hands and crossed her arms. “I see.” Genya raised an auburn brow. “Well, ifhe’s the worst that can happen—
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I close my eyes and lean into him. I think my body makes the choice for me, because my mind has certainly lost all control. I press my face against his neck and listen quietly as our breaths fail to slow. The longer we stand here and the more he says, the heavier our need grows. I can feel it in the way he holds me. I can hear it in the desperate plea of his voice. I can feel it with every rise and fall of his chest.
Colleen Hoover (Confess)
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Greg and Emily are an example of an introvert-extrovert couple who love and madden each other in equal measure. Greg, who just turned thirty, has a bounding gait, a mop of dark hair continually falling over his eyes, and an easy laugh. Most people would describe him as gregarious. Emily, a mature twenty-seven, is as self-contained as Greg is expansive. Graceful and soft-spoken, she keeps her auburn hair tied in a chignon, and often gazes at people from under lowered lashes. Greg and Emily complement each other beautifully. Without Greg, Emily might forget to leave the house, except to go to work.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Color--that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light
Anthony Doerr (All the Light We Cannot See)
Bryn’s back was to me, auburn hair pulled up in the usual sloppy-romantic twist. Soft murmurs came from her as she gently pruned dead leaves from a strange green plant. “They’re never going to talk back. You know that, right?” She turned, suppressing her smile. “Shows how little you know about earth crafting. They always talk back.
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
nor was Miss Wilkinson the ideal: he had often pictured to himself the great violet eyes and the alabaster skin of some lovely girl, and he had thought of himself burying his face in the rippling masses of her auburn hair. He could not imagine himself burying his face in Miss Wilkinson's hair, it always struck him as a little sticky.
W. Somerset Maugham (Of Human Bondage)
Behind those doors was, in a stunning anticlimax, another set of doors, which slid open. A lift. They descended for many floors, until it was clear that they were several stories beneath the ground. Neither of them said anything, but Myfanwy took the opportunity to eye her secretary in the mirrored walls. Ingrid was tall, in her late forties, and her auburn hair was immaculately coiffed. She was slim and fit-looking, as if she spent every afternoon playing tennis. She wore a few pieces of discreet gold jewelry, including a wedding ring. Myfanwy breathed in gently through her nose and smelled Ingrid’s good perfume. The business suit she wore was of a light purple, and exquisitely cut.
Daniel O'Malley (The Rook (The Checquy Files, #1))
Elisandra read while I tried my hand at embroidering a pillowcase that she lent me. The results were execrable. I had no skill with a needle, and no desire to learn, either. "I wouldn't shame a dog by laying this upon his bed," I remarked, showing Elisandra my efforts. She actually smiled. "I like it," she said. "I'll put it on one of my pillows." "Bryan won't let you sleep in the same bed with him if you bring this as your dowry," I said with an attempt at humor. She bent her head back over her book. "Then stitch me another.
Sharon Shinn (Summers at Castle Auburn)
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that.
Hugh Howey (Shift (Silo, #2))
I thought of kissing Astrid under the fire escape. I thought of Norm’s rusty microbus and of his father, Cicero, sitting on the busted-down sofa in his old trailer, rolling dope in Zig-Zag papers and telling me if I wanted to get my license first crack out of the basket, I’d better cut my fucking hair. I thought of playing teen dances at the Auburn RolloDrome, and how we never stopped when the inevitable fights broke out between the kids from Edward Little and Lisbon High, or those from Lewiston High and St. Dom’s; we just turned it up louder. I thought of how life had been before I realized I was a frog in a pot. I shouted: “One, two, you-know-what-to-do!” We kicked it in. Key of E. All that shit starts in E.
Stephen King (Revival)
...there are so many pleasurable topics to discuss besides other people.
Adam Zmarzlinski (The Auburn Prince (The Lamentation of Cin'Céline Book 43))
You do not decide first if you want to live in a village or a court. You decide if that is the man you want to live with, and then you say yes or no.
Sharon Shinn (Summers at Castle Auburn)
you smile to think how lovely it is to have at least danced like a bird before your death.
Auburn McCanta (All the Dancing Birds)
Miss Marshall was wearing a ghastly green gown, one that had no doubt been lent to her by a friend. It fit rather poorly, gaping at the bosom and stretching at the hips. The color dimmed the fire of her hair—which, without her normal pins, refused to stay in place. Little strands made an auburn halo around her head. He’d never seen anything quite so lovely.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
She said poetry was the most truthful writing of all words because it takes a brave pen to say what the lips don’t have the courage to utter. Until I found my
Auburn McCanta (All the Dancing Birds)
Because standing in front of him was his stylishly dressed partner, a messenger bag over one shoulder, a coat tossed over the other, and silver-rimmed aviators nestled in waves of auburn hair. More times than he could count, Jamie had imagined Aidan with his natural hair color, and damn if the reality didn’t surpass each and every one of his fantasies. Mouth
Layla Reyne (Cask Strength (Agents Irish and Whiskey, #2))
I was raised to believe that God has a plan for everyone and that seemingly random twists of fate are all a part of His plan. My mother—a small woman with auburn hair and a sense of optimism that ran as deep as the cosmos—told me that everything in life happened for a purpose. She said all things were part of God’s Plan, even the most disheartening setbacks, and in the end, everything worked out for the best. If something went wrong, she said, you didn’t let it get you down: You stepped away from it, stepped over it, and moved on. Later on, she added, something good will happen and you’ll find yourself thinking—“If I hadn’t had that problem back then, then this better thing that did happen wouldn’t have happened to me.
Ronald Reagan (An American Life)
Dennis-John had a dark auburn head of hair, parted to the side. This styling was a never-ending crusade. The hair was wilful and wanted to break out into thick bohemian waves. Sometimes, when Dennis-John was drunk, or feeling beaten, or in a sustained fury, the hair succeeded. For this reason his hair could be used as an emotional barometer by those who knew him.
Rebecca Hunt (Mr. Chartwell)
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that. ‘Hello?
Hugh Howey (Shift (Silo, #2))
There was never any doubt that the local jury would return a guilty verdict. “In due time, gentlemen of the jury,” Seward concluded, “when I shall have paid the debt of nature, my remains will rest here in your midst, with those of my kindred and neighbors. It is very possible they may be unhonored, neglected, spurned! But, perhaps years hence, when the passion and excitement which now agitate this community shall have passed away, some wandering stranger, some lone exile, some Indian, some negro, may erect over them a humble stone, and thereon this epitaph, ‘He was Faithful!’ ” More than a century afterward, visitors to Seward’s grave at the Fort Hill Cemetery in Auburn would find those very words engraved on his tombstone.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
The ice on the next pane was already disturbed, had been wiped away by someone recently. Beads of condensation stood like tiny lenses warping the light. He rubbed the glass and knew what had happened. He saw the woman inside with the auburn hair that she sometimes kept in a bun. This was not his wife. This was someone who wanted that, wanted him like that. ‘Hello?’ Troy turned toward the voice.
Hugh Howey (Shift (Silo, #2))
Leo’s shoulders were sloped but looked rigid, and his dark grey pin-striped suit hung loose on a slight frame. A wispy strand of auburn hair hovered like a last sign of autumn over a pinched face; sacs of skin puckered under dark eyes, and his thin moustache appeared permanently atremble. Not a handsome man, but his large brown eyes gave him an indefinable attractiveness that also carried an air of sadness.
Rik Stone (Birth of an Assassin: Thrill a Minute Noir)
Elena was strangely calm now, her mind a humming blank. She said no, of course she didn’t mind, and watched Caroline move away, a symphony in auburn and gold. Stefan went with her. There was a circle of faces around Elena; she turned from them and came up against Matt. “You knew he was coming with her.” “I knew she wanted him to. She’s been following him around at lunchtime and after school, and kind of forcing herself on him. But …” “I see.” Still held in that queer, artificial calm, she scanned the crowd and saw Bonnie coming towards her, and Meredith leaving her table. They’d seen, then. Probably everyone had. Without a word to Matt, she moved towards them, heading instinctively for the girls’ rest room. It was packed with bodies, and Meredith and Bonnie kept their remarks bright and casual while looking at her with concern. “Did you see that dress?” said Bonnie, squeezing Elena’s fingers secretly. “The front must be held on with superglue. And what’s she going to wear to the next dance? Cellophane?” “Cling film,” said Meredith. She added in a low voice, “Are you OK?” “Yes.” Elena could see in the mirror that her eyes were too bright and that there was one spot of colour burning on each cheek. She smoothed her hair and turned away.
L.J. Smith (The Awakening and The Struggle (The Vampire Diaries, #1-2))
That young man with the long, auburn hair and the impudent face—that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat—that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.
G.K. Chesterton
Monstrous Sea Private Message 2:54 p.m. 28 - Oct -16 rainmaker: Hey, it’s Wallace. Please tell me I blew your mind again. You make the best face when your mind is being blown. MirkerLurker: Whoa that sounded dirty. rainmaker: Too much? MirkerLurker: Ummmmmmmmmm rainmaker: Too much. Noted. MONSTROUS SEA FORUMS USER PROFILE rainmaker * Fanfiction Moderator AGE: Not telling you LOCATION: NO INTERESTS: MS. Writing things.Campfires. Sweaters. Sleeping in. Dogs. Followers 1,350,199 | Following 54 | Posts 9,112 [Unique Works 144] UPDATES View earlier updates Oct 20 2016 The next chapter of the Auburn Blue fanfic will probably be a little late. Just started at the new school. So, that’s fun. Oct 21 2016 Thanks to @joojooboogee for my new avatar! #DallasRainerForever Oct 23 2016 If math homework were a real person, I’d be doing 25 to life. #Mathslaughter Oct 24 2016 There might actually be other MS fans at this school. THANK JESUS I’M SAVED. Oct 26 2016 Life is destroying me today. No time to write. Stupid math. #Mathslaughter Oct 27 2016 Definitely another MS fan at this school. Pros: Awesome; Not alone; Pretty girl. Cons: Pretty girl. #Fuuuuuuuuck Oct 28 2016 Heyyyy let’s not talk about the pretty girl anymore okay she’s probably looking at this.
Francesca Zappia (Eliza and Her Monsters)
The back barn door opened, and in walked a vision in a billowing green dress. As she led in her mare, Mr. McBride’s voice faded away as Tom’s total attention turned to the girl. About twenty-one or two, Tom guessed. Not too tall, nor short. Beautiful heart-shaped face decorated with rosy cheeks and light freckles. Long auburn hair tied back in a ponytail. Perfectly set green eyes. Full-bosomed and hourglass shaped. Breathtaking.
C.G. Faulkner (Unreconstructed (The Tom Fortner Trilogy #1))
I was irritable, Kent was taciturn, Damien was withdrawn, and Bryan was downright sullen. It was hard to tell if Roderick had any sort of mood upon him; he did not seem like the type to inflict his humors on his companions.
Sharon Shinn (Summers at Castle Auburn)
The second follow-up, which examined changes in specialty, showed how often doctors of each type changed to a more typical specialty (to one more generally chosen by their type) and how often to one less typical. The results strikingly confirmed the conclusion suggested by the answers of the Auburn University freshmen that sensing types either know much less or care much less than do intuitives about the suitability of any given job for their type
Isabel Briggs Myers (Gifts Differing: Understanding Personality Type)
The little girl he loved was gone and in her place stood a stranger with Mattie's eyes and a woman's body, her long auburn hair pulled up from her neck, her small shoulders squared against the world...She didn't see the blush rise up in his face when he spoke his name. She didn't hear his young voice crack when he stammered an answer to her questions. And she didn't know that, for the first time in his life, John Henry Holliday was falling in love.
Victoria Wilcox (Inheritance (Southern Son: The Saga of Doc Holliday, #1))
Political parties were new and still slightly suspect, and some people disliked their constant conflict. One of the Auburn papers lamented, after the close of a campaign, that “politics are the only species of warfare that admits of no cessation of hostilities. There is reason to fear that the frequency of elections in this country, connected with the bitterness and asperity with which they are conducted, have produced a belligerent state of feeling.
Walter Stahr (Seward: Lincoln's Indispensable Man)
Excuse me?” Sloane closed his locker, his glare pinned on the back of Taylor’s auburn head. Taylor turned to him with a leer. “Come on, Sloane. From one Team Leader to another, I’m not even into Humans, but I’d tap that. And those lips? That mouth was made to have a dick in it.” Sloane shoved Taylor up against the lockers. “Show some respect.” “Hey, what the hell, man?” Taylor tried to move, but Sloane held him in place with an arm to his chest. “Dex
Charlie Cochet (Blood & Thunder (THIRDS, #2))
I don’t get lost in his touch. I don’t get lost in his kiss. I don’t get lost in how it feels when he pushes himself inside me. I don’t feel lost in him at all, because it’s the first time I’ve ever felt like someone truly found me.
Colleen Hoover (Confess)
There’s a widespread conviction, spoken and unspoken, that the road to riches is trimmed in Ivy and the reins of power held by those who’ve donned Harvard’s crimson, Yale’s blue and Princeton’s orange, not just on their chests but in their souls. No one told that to the Fortune 500. They’re the American corporations with the highest gross revenues. The list is revised yearly. As I write this paragraph in the summer of 2014, the top ten are, in order, Wal-Mart, Exxon Mobil, Chevron, Berkshire Hathaway, Apple, Phillips 66, General Motors, Ford Motor, General Electric and Valero Energy. And here’s the list, in the same order, of schools where their chief executives got their undergraduate degrees: the University of Arkansas; the University of Texas; the University of California, Davis; the University of Nebraska; Auburn; Texas A&M; the General Motors Institute (now called Kettering University); the University of Kansas; Dartmouth College and the University of Missouri–St. Louis. Just one Ivy League school shows up.
Frank Bruni (Where You Go Is Not Who You'll Be: An Antidote to the College Admissions Mania)
Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
Can I ask you something very personal while you try things on?” “Yes, of course, what do you want to know?” “…well, it’s just that… I don’t want to offend you,” she said uncertainly. “Oh come on, Akane, out with it!” Mitsuko prompted her, “I want to know the answer too!” “Very well,” agreed the little auburn pixie and cut to the chase: “Where are your wings?” The question was so unexpected that I burst out laughing. “I had to part with them when I came down to Earth. “It’s something every angel has to deal with if they’re planning to spend any length of time down here.” “And what’s your life like, up there?” Akane asked. “In the Kingdom of Heaven, we live as beings of pure light.” “Up there, there’s no such thing as fear, pain, hot or cold. We don’t know hunger, suffering, ageing or death. We have no need of food and we don’t sleep. We are the messengers of God and we watch over the lives of mortals. We come to Earth often, but only as spirits, and once we’ve completed our task down here, we always go back to the White Woods.
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
I told her that it was a bad idea," Edythe mumbled under her breath. "Must be nice to know everything." Edythe sent Tyr a silencing sideways glance. "I'm practical." "And openly opinionated," Tyr added matter-of-factly. "And usually right," Edythe added, turning to face him squarely. She wished he wasn't so good-looking. Deep dimples, dark hazel eyes, and reddish-brown shoulder-length hair, the color she wished hers were instead of its intense auburn hue, all in a superior male body. Men that handsome weren't to be trusted.
Michele Sinclair (The Christmas Knight)
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass
Anthony Doerr (All the Light We Cannot See)
Walter Wink, professor of New Testament at Auburn Seminary, states: The crux of the matter, it seems to me, is simply that the Bible has no sexual ethic. Instead, it exhibits a variety of sexual mores, some of which changed over the thousand-year span of biblical history. Mores are unreflective customs accepted by a given community. Many of the practices that the Bible prohibits, we allow, and many that it allows, we prohibit. The Bible knows only a love ethic, which is constantly being brought to bear on whatever sexual mores are dominant in any given country, or culture, or period.43
Jack Rogers (Jesus, the Bible, and Homosexuality)
And how is your head? Better?" he asked. "Very much. Sometimes it hurts." Right now it was throbbing. "But every day I am much improved." "Where did you hit it? Are you bruised?" I put a hand to the back of my head, a little to the left, where I had landed with such jarring force. "Here," I said. "It's still a little tender." And leaning forward, he touched my hair right where I had just laid my hand. Such was he glamour that attended him that I expected the ache to instantly melt away, healed by his royal caress. But in fact, I felt a sudden leap in my heart that made the pain briefly more intense.
Sharon Shinn (Summers at Castle Auburn)
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.
Anthony Doerr (All the Light We Cannot See)
Her hair was up, tucked into a horrid lace cap, but a few auburn curls had escaped and were brushing against the nape of her neck, drawing his attention to the lovely, straight column, flushed with excitement. For a fleeting moment, he considered what it would be like to kiss the skin there. The scene at the Allendale ball earlier in the evening had confirmed his suspicions that Lady Calpurnia Hartwell was an eager and passionate woman. Her responses were irresistibly uninhibited- so different from those of the women he usually partnered- he couldn't help but wonder how she would react to his touch in other, more scandalous places.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
She was a luxuriously made woman, with her velvety skin and curly auburn hair, and her decidedly voluptuous figure... and he was a man who appreciated quality when he saw it. Her features were pleasant, if not precisely beautiful, but the eyes... well, they were extraordinary. Penetrating gray... the light gray of April rain... intelligent, expressive eyes. Something about her made him want to smile. He wanted to kiss her spinster-stiff mouth until it was soft and warm with passion. He wanted to charm and tease her. Most of all, he wanted to know the person who had written a novel filled with characters whose proper facades concealed such raw emotions. It was a novel that should have been written by a woman of the world, not by a country-bred spinster. Her written words had haunted him long before he met her. Now, after their tantalizing encounter in her home, he wanted more of her. He liked the challenge of her, the surprises of her, the fact that she had done extremely well for herself. They were alike in that way. Yet she possessed a gentility that he lacked and very much admired. Just how she could manage to be so natural and simultaneously so ladylike, two qualities that had always before struck him as being completely opposed, was an intriguing mystery.
Lisa Kleypas (Suddenly You)
Gabe watched, holding his breath as the figure slowly turned. The body moved in an almost unnatural way as it shifted and crawled slowly on all fours across the floor. When the candlelight at last fell on the figure, Gabe could make out the auburn hair of his beloved Sophie. Her hair was matted, greasy, and hung in her face. Gabe saw her shoulders were hollow looking and her skin was almost glowing white. Gabe caught sight of Sophie’s fingers, her knuckles were bloody, and her nails cracked and peeling. Instinctively, Gabe fell to his knees and crawled to Sophie. Without even giving it a thought, he grabbed her hands and pulled them closer to the light.
Wendy Owens (Cursed (The Guardians, #2))
I’ll take whatever you’re willing to give me. Because I know that if you walk out that door, then ten years from now . . . twenty years from now . . . we’ll wish we had listened to our hearts when we think back on tonight.” “That’s what scares me. I’m afraid if I listen to my heart once, I’ll never figure out how to ignore it again.
Colleen Hoover (Confess)
Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war. Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened. I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said. “Shut up.” I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him. Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor. I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him. I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement. His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust. Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted. But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss. Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner? Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
He found himself staring into a pair of amber eyes that tilted at the outer corners in a catlike slant. For a moment he couldn't breathe, couldn't think, while all his senses struggled to take her in. He had never seen anything like her. She was younger than he had expected, with a fair complexion and auburn hair that looked too heavy for its pins. A set of wide, pronounced cheekbones and a narrow jaw imparted an exquisite feline triangularity to her features. The curves of her lips were so full that even when she pressed them together tightly, as she was doing now, they still looked soft. Although she was not conventionally beautiful, she was so original that it rendered the question of beauty inconsequential.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I could come up with no answer. He had kissed my hand. The forces of gravity came unraveled; there was no cohesion at the core of the world, no order in the universe. Clouds and trees and birds and suns spun around of their own volition, freed from their laws and routines. Bryan had kissed my hand. I could not be rational; and so nothing in the world would make sense again.
Sharon Shinn (Summers at Castle Auburn)
I did no such thing as sit there with my mouth open, though I may as well have, since I felt as if my mind was gaping. It had simply never occurred to me to wonder what kind of person I was, what kind of person I wanted to be. I had not envisioned this as something I had any control over, just as I could not alter the round shape of my face or the dense black curl of my hair.
Sharon Shinn (Summers at Castle Auburn)
The gravel path ahead is covered in leathery beech leaves, and they squelch or crunch depending on whether the water is running of the Sitka bank. The leaf litter suddenly changes to sweet chestnut. I touch the furrowed bark of one tree, my fingers settling in the grooves. We pause by a pond, still as glass until gentle ripples are set off by fish below the surface. The water is earth-brown and surrounded by widely spaced conifers and some goat willows iwth low-lying, outstretched branches almost touching the water. Suddenly, there are cones raining down. We stop to look up, spotting an auburn shape tousling the branches of a Sitka tree. We crane our heads until the cold seeps in. The movement stops and the red squirrel just seems to vanish into thin air.
Dara McAnulty (Diary of a Young Naturalist)
Sumptuary laws were passed by the Senate limiting expenditure on banquets and clothing, but as the senators ignored these regulations, no one bothered to observe them. “The citizens,” Cato mourned, “no longer listen to good advice, for the belly has no ears.”9 The individual became rebelliously conscious of himself as against the state, the son as against the father, the woman as against the man. Usually the power of woman rises with the wealth of a society, for when the stomach is satisfied hunger leaves the field to love. Prostitution flourished. Homosexualism was stimulated by contact with Greece and Asia; many rich men paid a talent ($3600) for a male favorite; Cato complained that a pretty boy cost more than a farm.10 But women did not yield the field to these Greek and Syrian invaders. They took eagerly to all those supports of beauty that wealth now put within their reach. Cosmetics became a necessity, and caustic soap imported from Gaul tinged graying hair into auburn locks.11 The rich bourgeois took pride in adorning his wife and daughter with costly clothing or jewelry and made them the town criers of his prosperity. Even in government the role of women grew. Cato cried out that “all other men rule over women; but we Romans, who rule all men, are ruled by our women.”12 In 195 B.C.. the free women of Rome swept into the Forum and demanded the repeal of the Oppian Law of 215, which had forbidden women to use gold ornaments, varicolored dresses, or chariots. Cato predicted the ruin of Rome if the law should be repealed. Livy puts into his mouth a speech that every generation has heard:
Will Durant (Caesar and Christ (Story of Civilization, #3))
As you take the stairs down, away from the scanning department, you feel the notion, the idea of the child leaving you with each step. You feel its fingers loosening, disentangling themselves from yours. You sense its corporeality disintegrating, becoming mist. Gone is the child with blond or dark or auburn hair; gone is the person they might have been, the children they themselves might have had. Gone is that particular coded mix of your and your husband’s genes. Gone is the little brother or sister you pictured for your son. Gone is the knitted rabbit, wrapped and ready in tissue paper, pushed to the back of a cupboard, because you cannot bring yourself to throw it out or give it away. Gone are your plans for and expectations of the next year of your life. Instead of a baby, there will be no baby.
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
Claudette Colbert was not Hollywood’s greatest beauty, but her trim little figure, round, kitten-like face, and obviously intelligent good humor made her a bit of a sex symbol, much to her own surprise. By 1934 she’d adopted the hairstyle she kept for life: a short, auburn bob with a fringe of bangs. Although a partygoer and social animal, Claudette was also known as a tough-as-nails professional, overseeing her lighting and camera angles. Her right profile was known as “the dark side of the moon,” and scenes had to be staged so as not to show it. She was also self-conscious about her short neck—directing her in a 1956 TV show, Noël Coward reportedly snapped, “If only Claudette Colbert had a neck, I’d wring it!” “When it comes to details, I’m a horror,” she admitted cheerfully, though downplaying the profile story. “Why not have your good side showing?
Eve Golden (Bride of Golden Images)
into the main part of the store. Off to get Kendal, I mouthed to Celine, and she nodded. I stepped out into the September afternoon. Behind me, Eighty-ninth Street stretched several blocks to Riverside Park, a favorite place of mine and Kendal’s. Just ahead the intersection at Broadway sparkled with a steady stream of cars and our neighboring retailers’ windows. A man walking his dog nodded a wordless hello, and a mom with a baby in a stroller bent to pop a pacifier back into her unhappy child’s mouth. A delivery truck double-parked and the car behind it honked its disproval. The air held only a hint that summer was waning. September used to be my favorite month. I liked the way it sweetly bade the summer pastels away and showered the Yard’s shelves with auburn, mocha, and every shade of red. September brought in the serious quilters, those who loved spending
Susan Meissner (A Fall of Marigolds)
As I've said before," she scoffed, "you're different." "How am I different?" his exasperation was clear. "Well, it seems you are my partner in crime." She smiled then, a beaming grin not unlike the one he'd seen her give Oxford earlier. He lost his bluster at the words, feeling the full force of her pleasure like a blow, and a nonsensical wave of pride coursed through him... pride at being the one he would turn to with such excitement, pride at being the one she would turn to with such excitement, pride at being the one she would ask to escort her on such an adventure. And, in that sun-filled moment, with all of London mere inches away from their hiding place, he was struck by her beauty- her bright brown eyes and her hair, gleaming auburn in the light and her mouth, wide and welcoming and enough to bring a man to his knees. She was really quite extraordinary.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I hoped there weren’t any vomit chunks in my wavy auburn locks. That would be sure to ruin Marlboro Man’s dinner. “You okay?” Marlboro Man asked when I returned to our table. He’d ordered a Coke, and his bread plate was covered with crusts. I’d been gone over ten minutes. “Yes,” I said. “I’m sorry; I just…I just got a little sick all of a sudden.” “What’s wrong?” he said, by then probably alarmed by the green tinge of his new wife. “I have no idea--it just hit me like a ton of bricks,” I explained. “I’m fine now, though!” “Maybe you’re pregnant,” he said with a sly grin. I knew enough about the timing of conception and morning sickness to know that pregnancy likely wasn’t the problem. “I don’t think that’s it--,” I began. Then it hit me again even more violently than before, and I ran back to the bathroom, where I lost it again--this time in a different stall. Sydney, we have a problem.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
How Evolution Came to Indiana In Indianapolis they drive five hundred miles and end up where they started: survival of the fittest. In the swamps of Auburn and Elkhart, in the jungles of South Bend, one-cylinder chain-driven runabouts fall to air-cooled V-4’s, a-speed gearboxes, 16-horse flat-twin midships engines— carcasses left behind by monobloc motors, electric starters, 3-speed gears, six cylinders, 2-chain drive, overhead cams, supercharged to 88 miles an hour in second gear, the age of Leviathan ... There is grandeur in this view of life, as endless forms most beautiful and wonderful are being evolved. And then the drying up, the panic, the monsters dying: Elcar, Cord, Auburn, Duesenberg, Stutz—somewhere out there, the chassis of Studebakers, Marmons, Lafayettes, Bendixes, all rusting in high-octane smog, ashes to ashes, they end up where they started.
Philip Appleman
It doesn’t ever change. Does the sun not set in your dreams?” Eena grinned at his profile, remembering the first time Ian had noticed the same peculiarity. “No. It never sets.” She watched his brow wrinkle as he wondered at the view. “What good is a stagnant sunset?” Eena looked at the auburn lights. The question made her think for a moment. “Well, it’s always exactly what I want it to be, right between day and night.” “But I thought the beauty of a sunset was watching it change, marveling at the shift in colors as they intensify and then eventually fade.” “All that leaves you with is darkness,” she muttered. He turned to look at her. “You’re afraid of the dark?” She shook her head. “I’m afraid of what happens in the dark.” A look of concern questioned her meaning. “Nightmares,” she explained. “And solitude. And loneliness. The dark is where monsters come to life and people feel the need to leave you. Life is never secure in the dark. You never see things clearly in the dark.
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
The next day, Angelina was tending a fresh pot of red gravy on the stove. She was going to make Veal Parmigiana for dinner, to be accompanied by pasta, fresh bread, and salad. She left the sauce on low and went to put the finishing touches on the pie she had planned. Earlier, she had made 'a vol-au-vent'- the word means "windblown" in French- a pastry that was as light and feathery as a summer breeze, that Angelina had adapted to serve as a fluffy, delicately crispy pie crust. The crust had cooled and formed a burnished auburn crown around the rim of the pie plate. She took a bowl of custardy creme anglaise out of the refrigerator and began loading it into a pie-filling gadget that looked like a big plastic syringe. With it, she then injected copious amounts of the glossy creme into the interior of the pie without disturbing the perfect, golden-crusty dome. That done, she heated the chocolate and cream on the stove top to create a chocolate ganache, which she would use as icing on the pie, just to take it completely over the top.
Brian O'Reilly (Angelina's Bachelors)
I open the back door of my car for Ginger to buckle the baby in. She smiles and goes to it. I spin around and I'm face-to-face with Logan Kilgore. “Hey, good lookin',” he says, leaning against my door to block my path. “What do you want?” I ask, cracking a slight smile as I wait. He's wearing a dirty, Auburn Football t-shirt, worn out jeans and the same bedraggled baseball cap he always wears. His hair is sticking out just around the edges of the cap in messy twigs and the occasional curl. His curious eyes are dancing around like maybe he's in a very good mood. Despite the obvious, he's kind of beautiful, a little. “Not a thing,” he tells me before turning to walk away. “...was just passing through, wanted to say hello. See you.” I watch him amble away. Ginger shuts Chucky in and opens the door across from mine. She stops before getting in to look up at Logan too. “He's kind of charming,” she tells me, giggling a little. “No offense, but you thought Doug was charming,” I tell her, skeptically. “Good point,” she agrees, before getting into the car.
Elizabeth Nicole (September, After Everything)
Rafe clenched his teeth as he stood over Lady Rosslyn, taking in her tumble of fiery auburn curls, her fine-boned features, the sweep of her lashes, the curve of her lips. Reaching out a shaky hand, he brushed his fingers across that silken mass of hair with a whisper of a touch. He snatched back his hand with an inner curse. She was too fine to be handled by the likes of him. However, this business had to be done. Raising his index finger to his mouth, he pierced the digit with a fang, watching his blood bead up from the wound. Never in centuries had he imagined performing such an act. Carefully, Rafe held his finger above Lady Rosslyn’s parted lips, allowing his magical blood to drip into her mouth. In as low a voice as possible, he recited the words that would bind her to him for the rest of her life. “I, Rafael Villar, interim Lord of London, Mark this mortal, Cassandra Burton, as mine and mine alone. With this Mark I give Cassandra my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath, as I will avenge what is mine.” The
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
Eric, my German hairdresser, was waiting for me in the large dressing room upstairs. He’d cut my auburn hair since I was six and had seen it through tragic self-trimmings of my bangs, unfortunate summers of excessive Sun-In use, and horrible home perms gone terribly wrong. He’d never shrunk from haughtily chastising me through my follicular antics and had thrown in plenty of Teutonic life coaching along the way, on every subject from pimply high school boys to current events and politics. And he’d pretty much made me feel equal parts stupid and uncultured on more than one occasion with his superior knowledge of theater and art and opera. But I loved him. He was important to me. So when I asked him to come to my wedding to transform my hair into an elegant and sexy and uncontrived but polished updo, Eric had answered, simply, “Yes.” And the moment I sat down in the chair, he chastised me for washing my hair right before I arrived. “Ees juss too smooz,” Eric scolded. “I’m sorry,” I begged. “Please don’t ground me, Eric. I didn’t want my head to stink on my wedding night.” And for the first time ever, I saw Eric crack a relaxed, mellow smile. I loved it that Eric was there.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?
Martine Bailey (A Taste for Nightshade)
I will always be grateful to have been the Democratic Party’s nominee and to have earned 65,844,610 votes from my fellow Americans. That number—more votes than any candidate for President has ever received, other than Barack Obama—is proof that the ugliness we faced in 2016 does not define our country. I want to thank everyone who welcomed me into their homes, businesses, schools, and churches over those two long, crazy years; every little girl and boy who ran into my arms at full speed or high-fived me with all their might; and the long chain of brave, adventurous people, stretching back generations, whose love and strength made it possible for me to lead such a rewarding life in the country I love. Thanks to them, despite everything else, my heart is full. I started this book with some words attributed to one of those pathbreakers, Harriet Tubman. Twenty years ago, I watched a group of children perform a play about her life at her former homestead in Auburn, New York. They were so excited about this courageous, determined woman who led slaves to freedom against all odds. Despite everything she faced, she never lost her faith in a simple but powerful motto: Keep going. That’s what we have to do now, too. In 2016, the U.S. government announced that Harriet Tubman will become the face of the $20 bill. If you need proof that America can still get it right, there it is.
Hillary Rodham Clinton (What Happened)
Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
One day the Galloways got a little more excitement than we were prepared for. We moved around a lot and at this point we were living in a trailer park in Auburn, Alabama. Hoss and I were out in the front yard on our regular patrol while my older sister Jennifer and younger sister Sara were playing by themselves. Sara was three years old and I guess she decided she wanted to go for a ride. My dad’s blue truck was out in front of the house and apparently he’d forgotten about the parking brake. The truck was in gear as Sara managed to pull the door open and muscle herself up into the cab. As she climbed in and got situated she kicked the truck out of gear with her tiny sneakered foot. The truck started rolling down the driveway toward a ditch. Jennifer started screaming. Faster than a speeding bullet I leapt into action! I ran toward her, blue cape flying in the wind behind me. I reached the truck. I grabbed on to the door frame of the open passenger side of the truck. I told Sara everything would be okay, and I stuck my heels down in the mud and pulled back with all my might. The mud was spewing from either side of my firmly planted boots as I started to slide along with the truck. I never lost my grip and I am convinced I was able to slow the roll down enough for Mom and Dad to come running out of the house. Dad jumped up into the truck and was able to throw the brake to stop the truck while Mom scooped up Sara. Super Noah saved the day. At least I wanted to believe that.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
I was silent a moment. He still had not dropped my hands, and it amazed me how desperately I did not want him to let me go even now. “I cannot be cheered tonight,” I said finally. “I can only be distracted.” “Comforted?” he suggested and slowly, as if waiting for a protest that did not come, he drew me into his arms. I leaned against his chest and his arms wrapped around me. I felt safe and warm and hopeful as I had not felt in weeks. I turned my face into the cloth of his shirt and felt the tears rise. I knew that I would not be able to stop them, and knew that he would feel their wetness through the cotton to his skin, and knew he would know why I was crying and that he would not care. We stood embraced that way for minutes, hours, I could not guess how long. I cried and he held me and neither of us spoke a word.
Sharon Shinn (Summers at Castle Auburn)
Meanwhile, he continued to speak out on behalf of black citizens. In March 1846, a terrifying massacre took place in Seward’s hometown. A twenty-three-year-old black man named William Freeman, recently released from prison after serving five years for a crime it was later determined he did not commit, entered the home of John Van Nest, a wealthy farmer and friend of Seward’s. Armed with two knives, he killed Van Nest, his pregnant wife, their small child, and Mrs. Van Nest’s mother. When he was caught within hours, Freeman immediately confessed. He exhibited no remorse and laughed uncontrollably as he spoke. The sheriff hauled him away, barely reaching the jail ahead of an enraged mob intent upon lynching him. “I trust in the mercy of God that I shall never again be a witness to such an outburst of the spirit of vengeance as I saw while they were carrying the murderer past our door,” Frances Seward told her husband, who was in Albany at the time. “Fortunately, the law triumphed.” Frances recognized at once an “incomprehensible” aspect to the entire affair, and she was correct. Investigation revealed a history of insanity in Freeman’s family. Moreover, Freeman had suffered a series of floggings in jail that had left him deaf and deranged. When the trial opened, no lawyer was willing to take Freeman’s case. The citizens of Auburn had threatened violence against any member of the bar who dared to defend the cold-blooded murderer. When the court asked, “Will anyone defend this man?” a “death-like stillness pervaded the crowded room,” until Seward rose, his voice strong with emotion, and said, “May it please the court, I shall remain counsel for the prisoner until his death!
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
Favorite painting...?" "Painting? Odalisque," I said. "Really.His non-nude nude. Interesting." It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire. "Why that one?" Dr. Rothaus asked. "I don't know-" "Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it." I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there." "'What are they hiding?'" I shook my head. "'Does it make a difference?'" "Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting." "How-" "You hesitated when I asked. Let me guess...Ravaged Man?" "How-" "You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.
Melissa Jensen (The Fine Art of Truth or Dare)
Let the nations be glad and sing for joy…. —Psalm 67:4 (KJV) My wife was poring over a map of Europe. “Look, Danny. My homeland is a tiny little country. I had no idea it was so small.” “I know, you could put maybe half a dozen Irelands inside the state of Texas.” It may be small, but Ireland has made a huge impression on the world. More than a dozen US presidents and some thirty-four million Americans trace their roots to Ireland, including my own auburn bride. Officially, Saint Patrick’s Day honors the missionary who came to Ireland about 1,600 years ago. There he started hundreds of churches and baptized thousands, thus raising the moral profile of Ireland. But most of his life is a mystery and forgotten. Unofficially, Saint Patrick’s Day is everybody’s opportunity to be Irish for a day, regardless of religion or nationality. By the simple act of wearing green, I can be lucky or bonny or practice a bit of blarney. In short, I can be happy for a day. There are many ways to celebrate the day. Some daring types dye their hair green or wear shamrock tattoos. Others march in parades or attend Irish festivals, where they dance an Irish jig or enjoy an Irish stew. More serious types demonstrate for green causes or go to spiritual retreats, where they pray for missionaries. Yes, I will wear green today, so I don’t get pinched. And I will listen to some fine Irish music, starting with my favorite, “Danny Boy.” I will also pray for some of my former students who are currently missionaries in Ireland. Most of all, I will try to be happy for the day. That’s what it’s really all about, isn’t it? And if I can be happy for one day, why not every day? There is much to be happy about, God. Help me find a reason to sing with joy every day. —Daniel Schantz Digging Deeper: Ps 16:9; Is 55:12
Guideposts (Daily Guideposts 2014)
they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.
Stacey Rychener (Intrigue (Night Muse #1))
If you want the reader to feel intimately related to your subject, try a close-up shot. Describe the character, object or scene as if it were positioned directly in front of your eyes, close enough to touch. Let the reader see the hand-etched signature on the bottom of the wooden bowl or the white strip on the divorcée’s finger where a wedding ring once lay. Let him smell the heaviness of the milking barn after a night of rain, hear the squeak of the farmer’s rubber boots. If you want to get even closer, take the reader inside a character’s body and let him experience her world—the reeling nausea of Lydia’s first morning sickness, the tenderness of her breasts, the metallic taste in her mouth—from the inside out. Then, when you need to establish distance, to remove the reader from the scene as Shirley Jackson did in “The Lottery,” pull back. Describe your object from a great distance. The wooden bowl is no longer a hand-crafted, hand-signed original, or if it is, you can’t tell from where you’re standing. The pregnant woman is no longer Lydia-of-the-tender-breasts; she’s one of dozens of other faceless women seated in the waiting room of the county clinic. As you vary the physical distance between your describer and the subjects being described, you may find that your personal connection with your subjects is altered. Physical closeness often presages emotional closeness. Consider how it is possible that kind and loving men (like my father, who served in three wars) are capable of dropping bombs on “enemy” villages. One factor is their physical distance from their targets. The scene changes dramatically when they face a villager eye to eye; no longer is the enemy a tiny dot darting beneath the shadow of their planes, or a blip on the radar screen. No, this “enemy” has black hair flecked with auburn and a scar over her left eyebrow; she’s younger than the wives they left behind. If
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Thinking it Ranulf, she tugged the garment down and beamed the incomer a smile. The smile changed to one of shock at seeing her sisters-both up and already dressed. Seeing her initial jubilant welcome, Edythe snorted and rubbed her arms vigorously in an attempt to get warmer. Lily, on the other hand, laughed. "Sorry. You obviously hoped we were someone else," she mumbled, not meaning it at all. Tyr poked his head in and, looking at Edythe, said, "We are to be leaving soon.Be ready." Edythe issued him a scowl and rubbed her very red nose. "I heard you the first five times," she moaned. "The man does not believe in sleep and cannot seem to get it through his head that some do," she added, speaking to Bronwyn but keeping her gaze on him. Tyr arched a single brow and stepped inside. "I sleep,just not all day." Edythe sniffed.She wasn't feeling her best, but she was not about to let Tyr chide her without consequences. "You may have been the one standing beside me at the alter, but that doesn't give you permission to act like my husband." "I know your husband well, and Garik's going to feel the same way," Tyr responded, crossing his arms. Edythe lifted her chin and several locks of her red hair fell around her shoulders. "Not after I'm done with him. He'll be glad to have a wife. And the fact that I like to sleep in bed, he's going to consider a bonus." Then with a manufactured flair, she stepped around him and plopped down on the fur blankets with enough force that her hastily made braid came totally undone. Few outside of family had ever seen Edythe's auburn tresses completely free, but those who did were blessed with a sight that denied description. Tyr just stared at her for several seconds. Every muscle in his body had gone tight and he looked as if he were struggling just to breathe. A second later,he pivoted and abruptly exited the tent, stomping off with no effort to hide his displeasure. Edythe, who refused to look at him, could no longer pretend to be ignorant of Tyr's mood. "The man is a menace," she mumbled as she once again rubbed her nose.
Michele Sinclair (The Christmas Knight)
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears. Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister. Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line. “I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sitting in a bar for hours on end wouldn’t help matters, but Tristan Archer figured he might as well try it out. It may take him far longer to get drunk than it would if he were human, yet he figured he’d give it a go. After the hellish few months he’d had, he would try anything at this point. He ran a hand through his short, auburn hair that tended to look brown in the bar’s lighting and sighed. He shouldn’t have accepted his friend Levi’s invitation to dinner and drinks at Dante’s Circle in the human realm. He should have rejected the offer and gone back to the thousand other things he had to do within the fae realm and inside the Conclave. Tristan wasn’t just any fae. He was a nine-hundred-year-old fae prince with responsibilities that lay heavily on his shoulders. He was also a Conclave member, where he helped govern every paranormal realm in existence with another fae member and two others from each race. That was how he’d become friends with Levi, a wizard and prince in his own right. So here he was, in Dante’s Circle, a bar owned and named after a royal blue dragon; the meeting place of seven women and their mates with a history he couldn’t immediately comprehend. Of course, it was because one of those women that he’d rather be in the fae realm instead of the dark bar with oak paneling and photos on the walls that spoke of generations of memories and connections. He’d been here a few times in the past, always on the outside of the circle of lightning-struck woman and their mates, but never fully excluded. They’d welcomed Tristan into their fold, even if they didn’t understand why it hurt him so to be that close to what he couldn’t have. Or maybe they understood all too well. After all, one of their own was the reason for his confusion, his torture. The object of his desire. “If you keep glowering at her over in the corner, you’ll end up scaring her more than she already is,” Seth said from his side. Tristan closed his eyes and took a deep breath, immediately regretting the action as soon as he did. The man next to him smelled of the sea. And hope. His heart ached and his dick filled. Seth Oceanus was a merman, a friend, and his mate. His true half. Or at least one of them. Not that he or Seth could do anything about it when the other part of their triad didn’t feel the same way.
Carrie Ann Ryan (An Immortal's Song (Dante's Circle, #6))
Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good. Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel. Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind. And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones. Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm. Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi. I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I never dreamed it would be as amazing as that,” she whispered. “I did.” “Really?” Her soft voice was a caress. Everything about her was as smooth and silky and sweet as whipped cream. Well, except for her tart opinions. And her fierce determination to make him tell everything in his soul. Though he had to admit that after confessing his secret fears to her earlier, he felt freer, as if the boulder he’d been carrying for years had dropped from his back. “I knew it would be perfect.” He gave her a lingering kiss, then drew back to cup her pinkening cheek. “With you it could be nothing less.” Shyly avoiding his gaze, she finger-combed his short hair. “Nancy always said that sharing a man’s bed was something to ‘endure.’ That marriage was more pleasant without it, but it was required for having children so she’d had to put up with it.” He skimmed a hand down her lightly freckled arm. “And what do you think, now that you’ve experienced it for yourself?” “I think I could ‘endure’ it with great enthusiasm.” Jane flashed him a mischievous smile. “But I’m not really sure. Should we try it again so I can make certain?” Stifling a laugh, he tried to look stern. “We’re lucky none of the grooms have stumbled over us already.” He managed to sound even-toned, though the prospect of taking her again--here, now--was already making him hard. “Speaking of that, we’d better get dressed, before someone finds us here naked.” A sigh escaped her. “You do have a point. Though I don’t know how you can be so sensible and industrious when all I feel is lazy and content.” “I’m not being sensible and industrious at all.” Reluctantly he slipped from her arms to go hunt up his drawers. “I’m simply being selfish. The longer you stay naked, the more chance that I will attempt to ravish you again.” “That sounds perfectly…awful,” she said as she struck a seductive pose. God save him. He swept his gaze over her thrusting breasts, her slender belly with its delicate navel, and her auburn thatch of curls. The taste of her was still on his lips, the smell of her still in his nostrils. He wanted her again. And again and again… Muttering a curse under his breath, he tossed her shift at her. “Put some clothes on before I combust.” She laughed, a delicate tinkling sound that tightened his cock. Fortunately for his self-restraint, she did as he bade and donned her shift. Only then was he able to breathe, to concentrate on putting on his trousers rather than on the erotic sight of her drawing her stockings up those luscious legs. He turned and nearly stumbled over the carriage lamps. “These are a lost cause, now that I recklessly dashed them to the floor in my…er…enthusiasm, sweeting.” “Good,” she said cheerily. “Now you can’t run off to London without me tonight.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Khesot was looking not at the map but at us, his old eyes sad. I winced, knowing what he’d say if asked: that he had not been trained for his position any more than nature had suited Bran and me for war. But there was no other choice. “So if Hrani takes her riding up here on Mount Elios, mayhap they can spy out Galdran’s numbers better,” Branaric said slowly. “Then we send out someone to lure ‘em to the Ghost Fall Ravine.” I forced my attention back to the map. “Even if the Marquis fails to see so obvious a trap,” I said, finally, smoothing a wrinkle with my fingers, “they’re necessarily all strung out going through that bottleneck. I don’t see how we can account for many of them before they figure out what we’re at, and retreat. I say we strike fast, in total surprise. We could set fire to their tents and steal all their mounts. That’d set ‘em back a little.” Bran frowned. “None of our attempts to scare ‘em off have worked, though--even with Debegri. He just sent for more reinforcements, and now there’s this new commander. Attacking their camp sounds more risky to us than to them.” Khesot still said nothing, leaning over only to tap out and reload his pipe. I followed the direction of his gaze to my brother’s face. Had Branaric been born without title or parental plans, he probably would have found his way into a band of traveling players and there enjoyed a life’s contentment. Did one not know him by sight, there was no sign in his worn dress or in his manner that he was a count--and this was even more true for me. I looked at Khesot and wondered if he felt sad that though today was my Flower Day there would be no dancing--no music, or laughter, or family to celebrate the leaving of childhood behind. Among the aristocrats in the lowlands, Flower Day was celebrated with fine dresses and satin slippers and expensive gifts. Did he pity us? He couldn’t understand that I had no regrets for something I’d never known--and believed I never would know. But I controlled my impatience, and my tongue, because I knew from long experience that he was again seeing our mother in us--in our wide, dark-lashed eyes and auburn hair--and she had dearly loved pretty clothing, music, her rose garden. And Galdran had had her killed. “What do you think?” Bran addressed Khesot, who smiled ruefully. “You’ll pardon an old man, my lord, my lady. I’m more tired than I thought. My mind wandered and I did not hear what you asked.” “Can you second-guess this Shevraeth?” Branaric asked. “He seems to be driving us back into our hills--to what purpose? Why hasn’t he taken over any of our villages? He knows where they lie--and he has the forces. If he does that, traps or no traps, arrows or no arrows, we’re lost. We won’t be able to retake them.” Khesot puffed again, watching smoke curl lazily toward the tent roof. In my mind I saw, clearly, that straight-backed figure on the dapple-gray horse, his long black cloak slung back over the animal’s haunches, his plumed helm of command on his head. With either phenomenal courage or outright arrogance he had ignored the possibility of our arrows, the crowned sun stitched on his tunic gleaming in the noonday light as he directed the day’s battle.
Sherwood Smith (Crown Duel (Crown & Court, #1))
Montreal October 1704 Temperature 55 degrees Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.” Wind shifted the lace of Sarah’s gown and the auburn of one loose curl. “I love you, Sarah,” said Eben. “I’ve always loved you.” Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.” “I’ll ask my father,” said Eben. “I’ll ask Father Meriel.” They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission? “My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.” Eben grinned. “Not if I have Huron warriors behind me.” The Indians rather enjoyed being French allies one day and difficult neighbors the next. Lorette Indians might find this a fine way to stab a French soldier in the back without drawing blood. They would need Father Meriel. He could arrange anything if he chose; he had power among all the peoples. But he might say no, and so might Eben’s Indian family. Mercy translated what was going on for Nistenha and Snow Walker. “They want to get married,” she told them. “Isn’t it wonderful?” She couldn’t help laughing from the joy and the terror of it. Ransom would no longer be the first word in Sarah’s heart. Eben would be. Mercy said, “Eben asked her right here in the street, Snow Walker. He wants to save her from marriage to a French soldier she doesn’t want. He’s loved Sarah since the march.” The two Indians had no reaction. For a moment Mercy thought she must have spoken to them in English. Nistenha turned to walk away and Snow Walker turned with her. If Nistenha was not interested in Sarah and Eben’s plight, no Indian would be. Mercy called on her memory of every speech in every ceremony, every dignified phrase and powerful word. “Honored mother,” she said softly. “Honored sister. We are in need and we beg you to hear our petition.” Nistenha stopped walking, turned back and stared at her in amazement. Sarah and Eben and Snow Walker stared at her in amazement. Sam can build canoes, thought Mercy. I can make a speech. “This woman my sister and this man my brother wish to spend their lives together. My brother will need the generous permission of his Indian father. Already we know that my sister will be refused the permission of her French owners. We will need an ally to support us in our request. We will need your strength and your wisdom. We beseech you, Mother, that you stand by us and help us.” The city of Montreal swirled around them. Eben, property of an Indian father in Lorette; Sarah, property of a French family in Montreal; and Mercy, property of Tannhahorens, awaited her answer. “Your words fill me with pride, Munnunock,” said Nistenha softly. She reached into her shopping bundle. Slowly she drew out a fine French china cup, undoubtedly meant for the feast of Flying Legs. She held it for a moment, and then her stern face softened and she gave it to Eben. Indians sealed a promise with a gift. She would help them. From her bundle, Snow Walker took dangling silver earrings she must have bought for Mercy and handed them to Sarah. Because she knew that Sarah’s Mohawk was not good enough and that Eben was too stirred to speak, Mercy gave the flowery thanks required after such gifts. “God bless us,” she said to Sarah and Eben, and Eben said, “He has.
Caroline B. Cooney (The Ransom of Mercy Carter)
he is a sence of unrest the new birth maybe is not that good....bitterness...except for his grandson ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 8 | posición 123-125 | Añadido el miércoles, 6 de mayo de 2015 23:07:16 Ethan was still as good-looking as he’d been before, a fact that annoyed her as much as anything else. It seemed like a life of crime should cast its mark on your appearance. But he still had the same strong features, vivid green eyes, and lean, fit body. His hair had been blazing red when he was a kid, but it had darkened now to an auburn. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 127-128 | Añadido el miércoles, 6 de mayo de 2015 23:07:49 Ethan’s plans, the way he always had. He’d always trusted Ethan. So had she. The thought upset ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 132-134 | Añadido el miércoles, 6 de mayo de 2015 23:09:09 He’d seemed to transform while he was away from the skinny boy she’d known before. He’d broadened across the shoulders and chest, and he’d suddenly become really good-looking. Very good-looking. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 9 | posición 134-135 | Añadido el miércoles, 6 de mayo de 2015 23:09:22 The lingering crush on him Ashley had had all her life had morphed into full-blown love. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 28 | posición 427-427 | Añadido el jueves, 7 de mayo de 2015 7:39:32 hot-wire a car. Why ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 38 | posición 574-574 | Añadido el jueves, 7 de mayo de 2015 18:22:07 He screeched to a halt. As soon as he slammed it into ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 641-642 | Añadido el jueves, 7 de mayo de 2015 19:30:10 He was the antithesis of the nice, clean, stable life she wanted to build for herself. He was bossy, and arrogant, and infuriating, and condescending, and presumptuous, and smug, and without compassion, and bossy… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 42 | posición 643-644 | Añadido el jueves, 7 de mayo de 2015 19:30:23 And he had looked so funny in that cowboy hat. And he had the most delicious laugh she had ever heard. And sometimes, like when he’d fake-kissed her earlier, there was a warmth in his eyes that was so unexpected, so breathtaking… ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 62 | posición 945-945 | Añadido el jueves, 7 de mayo de 2015 20:55:59 As long as you don’t hog the covers.” ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 82 | posición 1253-1254 | Añadido el jueves, 7 de mayo de 2015 23:37:15 he wasn’t a bad guy at heart. He’d never been truly a bad guy. For the first time in the last eighteen months, she knew it for sure. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 94 | posición 1438-1439 | Añadido el viernes, 8 de mayo de 2015 7:45:17 she felt like it was only humane to let him know she was okay. ========== Road Tripping (Noelle Adams) - Tu subrayado en la página 179 | posición 2744-2745 | Añadido el viernes, 8 de mayo de 2015 21:04:11 was uncomfortably hot and smushed. Attempting to rouse herself ========== Mis recortes - Tu subrayado en la posición 1-6 | Añadido el sábado, 9 de mayo de 2015 13:59:08 When I Break (Ryan, Kendall) - Tu subrayado en la posición 518-519 | Añadido el viernes, 13 de marzo de 2015 20:31:52 Her voice was light, clear, and appealing. ========== When We Fall (Kendall Ryan) - Tu subrayado en la página 105 | posición 1601-1601 | Añadido el lunes, 16 de marzo de 2015 11:42:37 Two long and hard days had passed since Knox told me. ========== Unravel Me (Ryan, Kendall) - Tu nota en la página 20 | posición 304 | Añadido el martes, 17 de marzo de 2015 1:24:23 interesante ====
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons