Attracting Attention Quotes

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Stay mad, but behave like normal people. Run the risk of being different, but learn to do so without attracting attention.
Paulo Coelho
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?" Patch: "Single her out. Talk to her." Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?" Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Bad language is a stage all children go through, and it dies with time when they learn they're not attracting attention with it.
Harper Lee (To Kill a Mockingbird)
What?” Simon looked alarmed. ”I‘m not really sleeping with your mom, you know. I was just trying to get your attention. Not that your mom isn’t a very attractive woman for her age.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Never run from anything immortal. It only attracts their attention.
19 (Psychomotor Agitation: A Vivisection)
Simon!" Clary shouted, and seized his arm. "What?" Simon looked alarmed. "I'm not really sleeping with your mom, you know. I was just trying to get your attention. Not that your mom isn't a very attractive woman, for her age.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Unfortunately, the coughing drew her attention. "Are you dying or something?" she asked, affecting a perfect sneer as I shook my head. "Well, hacking up a lung out in public isn't all that attractive--just sayin'." My face flamed, but then Benji leaned up and spoke around me. "Um, giving half the class an exhaustive summary every Monday morning--in lurid detail--of how much of an alcoholic skank you are? Isn't all that attractive either. Just sayin'.
Tammara Webber (Easy (Contours of the Heart, #1))
You don't mention death when it's hovering near someone you love. You don't want t attract the reaper's attention.
Amie Kaufman (These Broken Stars (Starbound, #1))
Excuse me, Bane?" said Roderick Morgenstern. "Are you attending?" "I'm so sorry," Magnus said politely. "Somebody incredibly attractive just came into the room, and I ceased to pay attention to a word you were saying.
Cassandra Clare (Vampires, Scones, and Edmund Herondale (The Bane Chronicles, #3))
Truly? That whole determined, dangerous saunter across the room was for me? In that case, would you mind going back and doing it all over again? Slowly this time, and with feeling.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Off we skip like the most heartless things in the world, which is what children are, but so attractive; and we have an entirely selfish time, and then when we have need of special attention we nobly return for it, confident that we shall be rewarded instead of smacked.
J.M. Barrie (Peter Pan)
Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.
Jane Austen (Pride and Prejudice)
Artemis: "Right, brothers. Onward. Imagine yourself seated at a cafe in Montmartre." Myles: "In Paris." Artemis: "Yes, Paris. And try as you will, you cannot attract the waiter's attention. What do you do?" Beckett: "Umm...tell Butler to jump-jump-jump on his head?" Myles: "I agree with simple-toon." Artemis: "No! You simply raise one finger and say clearly 'ici, garcon.'" Beckett: "Itchy what?
Eoin Colfer
You will attract everything that you require. If it’s money you need you will attract it. If it’s people you need you’ll attract it. You’ve got to pay attention to what you’re attracted to, because as you hold images of what you want, you’re going to be attracted to things and they’re going to be attracted to you. But it literally moves into physical reality with and through you. And it does that by law. (Bob Proctor)
Rhonda Byrne (The Secret (The Secret, #1))
Don't look back and don't run. You must never run from anything immortal. It attracts their attention.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
There are lots of women who are attracted to tyrannical men. Like moths to a flame. And there are some women who do not need a hero or even a stormy lover but a friend. Just remember that when you grow up. Steer clear of the tryant lovers, and try to locate the ones who are looking for a man as a friend, not because they are feeling empty themselves but because they enjoy making you full too. And remember that friendship between a woman and a man is something much more precious and rare than love: love is actually something quite gross and even clumsy compared to friendship. Friendship includes a measure of sensitivity, attentiveness, generosity, and a finely tuned sense of moderation.
Amos Oz (A Tale of Love and Darkness)
Everything Iʹd been taught about eluding someone came rushing back to my head. What I wanted to do more than anything was look around and see if I had a follower, but that would have definitely attracted attention.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Fire will attract more attention than any other cry for help.
Jean-Michel Basquiat
Sometimes when we're not paying attention, relationships hap­pen. There is no rule that requires two people in love to be ex­actly alike. In fact, there is some scientific evidence to suggest that on a genetic level, the people who are the most opposite are the most likely to have a healthy and long-lasting pairing. But really, who can explain the mysteries of attraction? Blame it on Cupid. The moon. The shape of a smile. Both of you can thrive on your differences, as long as you respect them. You say tomato, he says tomahto . Let it happen, Dive in head first. We usually learn the most about ourselves from people who are different from us. —Miss Independent (ella varner)
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
You're used of taking care to people." The edge in his voice attracts my attention, and I glance up at him. "What is it?" I ask, startled by his wary expression. "I want to take care of you." His luminous eyes glow with some unnamed emotion.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Love, affection, even attention are not things that need pursuit. If they are not given freely, openly, willingly to you by another person, then stop trying to obtain them from that person. Someone else will gladly share theirs with you.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
A giant vulture with a girl hanging from its feet tends to attract attention.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Somebody incredibly attractive just came into the room, and I ceased to pay attention to a word you were saying.
Cassandra Clare (Vampires, Scones, and Edmund Herondale (The Bane Chronicles, #3))
And you know, this thought crossed my mind at the time: maybe chance is a pretty common thing after all. Those kinds of coincidences are happening all around us, all the time, but most of them don't attract our attention and we just let them go by. It's like fireworks in the daytime. You might hear a faint sound, but even if you look up at the sky you can't see a thing. But if we're really hoping something may come true it may become visible, like a message rising to the surface. Then we're able to make it out clearly, decipher what it means. And seeing it before us we're surprised and wonder at how strange things like this can happen. Even though there's nothing strange about it.
Haruki Murakami (Blind Willow, Sleeping Woman)
I really sucked at this whole "I am very attracted to you and would like to demonstrate this to you via attention and creative uses of my disposable income" thing.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
Expert advice on improving ur relationship - 4A's - attention,appreciation, affection & attraction.
Nicholas Sparks (The Wedding (The Notebook, #2))
Would you like to dance with me?” He laughed. “With you? No.” She looked at the marble floor, her chest tight. “You needn’t be so cruel.” “Cruel? Celaena, Perrington is just over there. I’m sure he’s not happy about you being here, so I wouldn’t risk drawing his attention any more than necessary.” “Coward.” Chaol’s eyes softened. “If he weren’t here, I would have said yes.” (...) “Anyway,” Chaol added, jerking his chin at Dorian, “I think you have far more attractive suitors vying for your attention. I’m boring company to keep.” “I don’t mind being here with you.” “I’m sure you don’t,” Chaol said dryly, though he met her stare. “I mean it. Why aren’t you dancing with anyone? Aren’t there ladies whom you like?” “I’m the Captain of the Guard—I’m not exactly a catch for any of them.” There was some sorrow in his eyes, though it was well concealed. “Are you mad? You’re better than everyone in here. And you’re—you’re very handsome,” she said, taking his hand in her free one. There was beauty in Chaol’s face—and strength, and honor, and loyalty. She stopped hearing the crowd, and her mouth became dry as he stared at her. How had she missed it for so long? “You think so?” he said after a moment, looking at their clasped hands. She tightened her grasp. “Why, if I wasn’t—
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
When you cross over into the weird stuff, there's no going back. Hector has a theory on it. Calls it the law of 'Anomalous Phenomena Attraction.' He explained it to me once. Didn't really pay attention, but it boils down to 'weird shit pulls in more weird shit.
A. Lee Martinez (Gil's All Fright Diner)
Stay insane, but behave like normal people. Run the risk of being different, but learn to do so without attracting attention. Concentrate on this flower and allow the real "I" to reveal itself.
Paulo Coelho (Veronika Decides to Die)
The only way to consciously deactivate a thought is to activate another. In other words, the only way to deliberately withdraw your attention from one thought is to give your attention to another.
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires (Law of Attraction Book 7))
Rudeness is a means to attract attention, assert power, cover-up ineptitude, deflect personal insecurities, and intimidate meeker people.
Kilroy J. Oldster (Dead Toad Scrolls)
Books, including those written by famous authors, may sit unread on forgotten shelves, attracting dust rather than readers’ attention.
Mouloud Benzadi
I never understand why women think drama and bullshit are attractive to guys. They’re not. I’m going to be real clear about this, ladies, so pay attention: Prince Charming doesn't come to rescue cunty lunatics.
Tucker Max (Hilarity Ensues (Tucker Max, #3))
Focus your attention on the quality of your words, and not the quantity, because few sensible talks attracts millions of listeners more than a thousand gibberish.
Michael Bassey Johnson
Myrnin to Claire: "If anyone comes to bite you while I'm gone - well, try not to attract attention. Die quietly.
Rachel Caine (Daylighters (The Morganville Vampires, #15))
Is it like a Harry Potter thing?" He turned his head then. "A what?" "A Harry Potter thing," she said again. "You know, don't say Voldemort's name because you might attract his attention?" He considered it. "You mean the children's book." "I have got to get you to watch more movies," she said. "You'd enjoy these. Yes, I mean the children's book.
Patricia Briggs (Fair Game (Alpha & Omega, #3))
It has to be admitted that, in a sneaking way, although he hated the discomfort of seasickness, once he was over it, he enjoyed the attention and sympathy that it created among attractive young women like Evanlyn and Alyss. And he liked the fact that Will tended to walk on eggshells around him when the problem was mentioned. Keeping Will off balance was always desirable. ~Halt
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Every animal on the planet attracts mates with the goal of reproduction. Frogs swell their bodies. Male gorillas beat their chests. Have you ever watched a male lobster rise up on the tips of his legs and snap his claws, demanding female attention? Attraction is the first element of all animal reproduction, humans included.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
If you do something that is forbidden, it is the action that is the target. If you do something that isn't forbidden, and they intervene, then it's not the activity that's attracting the attention, it is you yourself.
Jacqueline Harpman (I Who Have Never Known Men)
The Specters feast as vampires feast on blood, but the Specters’ food is attention. A conscious and informed interest in the world. The immaturity of children is less attractive to them.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
Thorne cleared his throat. "We need to get back to the house. We've already risked drawing enough attention, and she..." He looked at Winter. There was an edge to his expression, like he didn't trust anyone who was more attractive than he was. "...will definitely draw attention.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Because you're unique . You shine like a beacon, attracting the attention of all dark things." It chuckled. "Why do you think I'm chatting with you?
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
I’m not flirting. I’m just paying extra attention to someone who’s very attractive.
Kristen Proby (Play with Me (With Me in Seattle, #3))
I'm sure you could have. Fending off unwanted male attention is a skill every attractive woman must acquire. But you're also a lady who was reluctant to cause a scene.. (Hammond Cross)
Sandra Brown (The Alibi)
Some young women confuse their self-worth with their ability to attract the attention of men, and so pour all their energies into makeup, clothing, and jewelry. If only they realized that virtue, honor, and self-respect are the marks of a true beauty.
Epictetus (The Manual: A Philosopher's Guide to Life)
With your practiced attention to any subject, the Law of Attraction delivers circumstances, conditions, experiences, other people, and all manner of things that match your
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires (Law of Attraction Book 7))
As so many commitments demand your time Or your shut-eye important be, Your attraction to me must in some way lack, Such a pity to spend time on thee.
Charlotte M. Liebel
I'm so sorry. Somebody incredibly attractive just came into the room, and I ceased to pay attention to a word you were saying.
Cassandra Clare (The Bane Chronicles)
Fine." I glared at him and shook my head. Stubborn idiot. "But at least try to look a little more raider-ish, okay? We don't want to attract attention." Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it's not going to be me." I didn't answer as we crossed the flimsy, creaking bridge into the lair of the vampire king. If Zeke had asked, I would've said that I was thinking of how to find everyone, but that wasn't entirely true. I was thinking of the others and how I was going to get them out alive...but I kept being distracted by the thought that Zeke had called me beautiful.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
Keep a guard over your eyes and ears as the inlets of your heart, and over your lips as the outlet, lest they betray you in a moment of unwariness. Receive, coldly and dispassionately, every attention, till you have ascertained and duly considered the worth of the aspirant; and let your affections be consequent upon approbation alone. First study; then approve; then love. Let your eyes be blind to all external attractions, your ears deaf to all the fascinations of flattery and light discourse. - These are nothing - and worse than nothing - snares and wiles of the tempter, to lure the thoughtless to their own destruction. Principle is the first thing, after all; and next to that, good sense, respectability, and moderate wealth. If you should marry the handsomest, and most accomplished and superficially agreeable man in the world, you little know the misery that would overwhelm you if, after all, you should find him to be a worthless reprobate, or even an impracticable fool.
Anne Brontë (The Tenant of Wildfell Hall)
As the uneasiness and reluctance to face it cut him off more and more from all real happiness, and as habit renders the pleasures the vanity and excitement and flippancy at once less pleasant and harder to forgo...you will find that anything or nothing is sufficient to attract his wandering attention. You no longer need a good book, which he really likes, to keep him from his prayers or his work or his sleep; a column of advertisements in yesterday's paper will do. You can make him waste his time not only in conversation he enjoys with people whom he likes, but also in conversations with those he cares nothing about, on subjects that bore him. You can make him do nothing at all for long periods. You can keep him up late at night, not roistering, but staring at a dead fire in a cold room. All the healthy and outgoing activities which we want him to avoid can be inhibited and nothing given in return, so that at last he may say...'I now see that I spent most my life doing in doing neither what I ought nor what I liked.
C.S. Lewis (The Screwtape Letters)
I remember finding him very attractive at the time; though any man who pays attention to you, at that age, can transform from frog to prince in the time it takes to tell you he likes your hair.
Eliza Clark (Boy Parts)
Oh,' said a very white body as it threw a wrist watch to the ground which broke without attracting anyone's attention, 'Oh, how can anyone not love poetry, natural machines, large white houses, the brilliance of steel, crimes and wild passions?
Robert Desnos
It makes no difference whether you want the specifics of it or not; it is the vibrational essence of the subject of your attention that is attracted. That which you really, really want, you get—and that which you really, really do not want, you get.
Esther Hicks (The Law of Attraction: The Basics of the Teachings of Abraham)
The sexier the other woman is, the more jealous your wife gets. And that's where slut shaming comes from. When a woman is too sexually attractive, when she's too good at attracting the attention of the opposite sex, other women will shame her for it, because they are afraid she will steal their men.
Oliver Markus (Why Men And Women Can't Be Friends)
It's a quiet place, so people talk quietly," said Naoko. She made a neat pile of fish bones at the edge of her plate and dabbed at her mouth with a handkerchief. "There's no need to raise your voice here. You don't have to convince anybody of anything, and you don't have to attract anyone's attention.
Haruki Murakami (Norwegian Wood)
But at least try to look a little more raider-ish, okay? We don't want to attract attention." Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it's not going to be me.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
Jodie had taught her that the female firefly flickers the light under her tail to signal to the male that she's ready to mate. Each species of firefly has its own language of flashes. As Kya watched, some females signed dot, dot, dot, dash, flying a zigzag dance, while others flashed dash, dash, dot in a different dance pattern. The males, of course, knew the signals of their species and flew only to those females. Then, as Jodie had put it, they rubbed their bottoms together like most things did, so they could produce young. Suddenly Kya sat up and paid attention: one of the females had changed her code. First she flashed the proper sequence of dashes and dots, attracting a male of her species, and they mated. Then she flickered a different signal, and a male of a different species flew to her. Reading her message, the second male was convinced he'd found a willing female of his own kind and hovered above her to mate. But suddenly the female firefly reached up, grabbed him with her mouth, and ate him, chewing all six legs and both wings. Kya watched others. The females all got what they wanted – first a mate, then a meal – just by changing their signals. Kya knew judgment had no place here. Evil was not in play, just life pulsing on, even at the expense of some of the players. Biology sees right and wrong as the same color in different light.
Delia Owens (Where the Crawdads Sing)
Just because your lover died doesn't mean you can't find another. Besides, if you don't start dating again your parents will intervene and I've met your parents, they scare the crap out of me." Anthony shivered at the memory of his parents' matchmaking skills. "Last time they fixed me up with a fairy." Steven snorted. "I thought you didn't like labels." "No. He was an actual fairy, you know, from Faeland." That got Steven's full attention. "What happened?" Anthony shrugged. "Let's just say it didn't work out.
Amber Kell (Attracting Anthony (Moon Pack, #1))
Then I should be able to say anything I want, right? Even the word ‘penis’?” Laney sighed. “Do we have to do this right now?” You should try saying the word sometime.” I’ll pass, thank you.” Payton shrugged. “Your choice, but I think you’d find it liberating. Everybody could use a good ‘penis’ now and then.” Laney glanced nervously around the coffee shop. “People are listening.” Sorry—you’re right. Good rule of thumb: if you’re gonna throw out a ‘penis’ in a public place, it should be soft. Otherwise it attracts too much attention.” The woman at the next table gaped at them.
Julie James (Practice Makes Perfect)
I know when a couple are really in love with each other. And by that I do not mean just sexually attracted. There is too much talk about sex, too much attention is paid to it. I do not mean that anything about sex is wrong. That is nonsense. But sex cannot take the place of love, it goes with love, but cannot succeed by itself.
Agatha Christie (Nemesis (Miss Marple, #12))
Women Empowerment Reminder of The Day. Always respect yourself as a woman. You attract what you are, so be very mindful of how you’re representing yourself. If you want respect, you must first learn how to respect yourself, first. Attracting negative attention is never a good thing. Be a woman of substance! Be a woman that both women and men respect, admire, and look up to. Don’t disrespect yourself by lowering your standards and accepting just anything that comes your way. It’s okay to be single! If you want a relationship of substance, you can’t keep entertaining people and things that mean you no good. Think about it! It’s all up to you.
Stephanie Lahart
A false path in life is generally something we are attracted to for the wrong reasons—money, fame, attention, and so on. If it is attention we need, we often experience a kind of emptiness inside that we are hoping to fill with the false love of public approval.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
While it does, and should, feel good to be appreciated by another person, if you are dependent upon their appreciation to feel good, you will not be able to consistently feel good, because no other person has the ability, or a responsibility, to hold you as their singular, positive object of attention. Your Inner Being, however, the Source within you, always holds you, with no exceptions, as a constant object of appreciation. So if you will tune your thoughts and actions to that consistent Vibration of Well-Being flowing forth from your Inner Being—you will thrive under any and all conditions.
Esther Hicks (The Essential Law of Attraction Collection)
Who else is there to lead the masses? The smart kids? Please. They have no interests in politics. They're hoping simply to attract as little attention as possible until high school is over. Then they can escape to some college where no one will mock them for knowing how an adverb works.
Jesse Andrews (Me and Earl and the Dying Girl)
Rather than going after these walls and barriers with a sledgehammer, we pay attention to them. With gentleness and honesty, we move closer to those walls. We touch them, and smell them and get to know them well. We become familiar with the strategies and beliefs we use to build these walls: what are the stories we tell ourselves? What repels me and what attracts me? Without calling what we see right or wrong, we simply look as objectively as we can. We can observe ourselves with humor, not getting overly serious, moralistic or uptight about the investigation. Year after year, we train in remaining open and receptive to whatever arises. Slowly, very slowly, the cracks in the walls seem to widen and, as if by magic, bodhichitta is able to flow freely.
Pema Chödrön (The Places That Scare You: A Guide to Fearlessness in Difficult Times)
Talent can be a nice thing to have sometimes. You look good, attract attention, and if you’re lucky, you make some money. Women flock to you. In that sense, having talent’s preferable to having none. But talent only functions when it’s supported by a tough, unyielding physical and mental focus. All it takes is one screw in your brain to come loose and fall off, or some connection in your body to break down, and your concentration vanishes, like the dew at dawn. […] If talent’s the foundation you rely on, and yet it’s so unreliable that you have no idea what’s going to happen to it the next minute, what meaning does it have?
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
I'm frustrated with him, but I'm also frustrated with myself. That I can't find the words to explain it to him. I'm totally sure he's not doing it on purpose, but Seth is a guy, and he can't ever know what it feels like to walk down a hallway and know that you're getting judged for the size of your ass or how big your boobs are. He'll never understand what it's like to second guess everything you wear and how you sit and walk and stand in case it doesn't attract the right kind of attention, or worse, attracts the wrong kind. He'll never get how scary and crazy-making it is to feel like you belong to some big Boy Monster that decides it can grab you and touch you and rank you whenever and however it wants.
Jennifer Mathieu (Moxie)
Empty space eventually fills up with something. A void, cultivated in the aftermath of misfortune, begins to attract the wrong kind of attention. Marco knew it was time to leave when disagreeable spirits started roaming freely through the house, as if they owned the place.
Rahma Krambo (Guardian Cats and the Lost Books of Alexandria)
Few realize that political action offers little solution to the world’s major problems. Few understand that the elite have created political parties in order to prevent real change from ever taking place. The political arena is merely the “sty” in which two or more mutually hostile agencies, created by the same hidden hand, get the chance to pummel one another. As alternative researcher Juri Lina so brilliantly put it: When the left wing Freemason is finished, the right-wing Freemason takes over The point has been emphasized by many an insider: The elementary principle of all deception is to attract the enemy’s attention to what you wish him to see and to distract his attention from what you so not wish him to see – General Sir Archibald Wavel The world’s power structures have always ‘divided to conquer’ and have always ‘kept divided to keep conquered.’ As a consequence the power structure has so divided humanity – not only into special function categories but into religious and language and color categories – that individual humans are now helplessly inarticulate in the face of the present crisis. They consider their political representation to be completely corrupted, therefore, they feel almost utterly helpless
R. Buckminster Fuller (Critical Path)
As in the political sphere, the child is taught that he is free, a democrat, with a free will and a free mind, lives in a free country, makes his own decisions. At the same time he is a prisoner of the assumptions and dogmas of his time, which he does not question, because he has never been told they exist. By the time a young person has reached the age when he has to choose (we still take it for granted that a choice is inevitable) between the arts and the sciences, he often chooses the arts because he feels that here is humanity, freedom, choice. He does not know that he is already moulded by a system: he does not know that the choice itself is the result of a false dichotomy rooted in the heart of our culture. Those who do sense this, and who don't wish to subject themselves to further moulding, tend to leave, in a half-unconscious, instinctive attempt to find work where they won't be divided against themselves. With all our institutions, from the police force to academia, from medicine to politics, we give little attention to the people who leave—that process of elimination that goes on all the time and which excludes, very early, those likely to be original and reforming, leaving those attracted to a thing because that is what they are already like. A young policeman leaves the Force saying he doesn't like what he has to do. A young teacher leaves teaching, here idealism snubbed. This social mechanism goes almost unnoticed—yet it is as powerful as any in keeping our institutions rigid and oppressive.
Doris Lessing
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
One of the first evidences of a real lady, is that she should be modest. By modesty we mean that she shall not say, do, nor wear anything that would cause her to appear gaudy, ill-bred, or unchaste. There should be nothing about her to attract unfavorable attention, nothing in her dress or manner that would give a man an excuse for vulgar comment. When we dress contrary to the rule of modesty we give excuse for unwholesome thoughts in the mind of those who look upon us, and every girl who oversteps these bounds makes herself liable to misunderstanding and insult, though she may be innocent of any such intention.
Margaret Hale
[E]ducation is a thing you get past and forget about as quickly as possible. This is particularly true of elementary and secondary education, of course…. I began to remember what it had been like: the tremendous excitement of the first couple of years, when kids imagine that great secrets are going to be unfolding before them, then the disappointment that gradually sets in when you begin to realize the truth: There’s plenty of learning to do, but it’s not the learning you wanted. It’s learning to keep your mouth shut, learning how to avoid attracting the teacher’s attention when you don’t want it, learning not to ask questions, learning how to pretend to understand, learning how to tell teachers what they want to hear, learning to keep your own ideas and opinions to yourself, learning how to look as if you’re paying attention, learning how to endure the endless boredom.
Daniel Quinn (Providence: The Story of a Fifty-Year Vision Quest)
Just as rapport-building has a good reputation, explicitness applied by women in this culture has a terrible reputation. A woman who is clear and precise is viewed as cold, or a bitch, or both. A woman is expected, first and foremost, to respond to every communication from a man. And the response is expected to be one of willingness and attentiveness. It is considered attractive if she is a bit uncertain (the opposite of explicit). Women are expected to be warm and open, and in the context of approaches from male strangers, warmth lengthens the encounter, raises his expectations, increases his investment, and, at best, wastes time. At worst, it serves the man who has sinister intent by providing much of the information he will need to evaluate and then control his prospective victim.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
People said there had to be a Supreme Being because otherwise how could the universe exist, eh? And of course there clearly had to be, said Koomi, a Supreme Being. But since the universe was a bit of a mess, it was obvious that the Supreme Being hadn't in fact made it. If he had made it he would, being Supreme, have made a better job of it, with far better thought given, taking an example at random, to things like the design of the common nostril. Or, to put it another way, the existence of a badly put-together watch proved the existence of a blind watchmaker. You only had to look around to see that there was room for improvement practically everywhere. This suggested that the Universe had probably been put together in a bit of a rush by an underling while the Supreme Being wasn't looking, in the same way that Boy Scouts' Association minutes are done on office photocopiers all over the country. So, reasoned Koomi, it was not a good idea to address any prayers to a Supreme Being. It would only attract his attention and might cause trouble.
Terry Pratchett (Small Gods (Discworld, #13))
The Intellectual The intellectual is always showing off; the lover is always getting lost. The intellectual runs away, afraid of drowning; the whole business of love is to drown in the sea. Intellectuals plan their repose; lovers are ashamed to rest. The lover is always alone, even surrounded with people; like water and oil, he remains apart. The man who goes to the trouble of giving advice to a lover get’s nothing. He’s mocked by passion. Love is like musk. It attracts attention. Love is a tree, and lovers are its shade.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
And don't pay attention to Christina. Your face doesn't look that bad." He smiles a little. "I mean, it looks good. It always looks good. i mean--you look brave. Dauntless." His eyes skirt mine, and he scratches the back of his head. The silence grows between us. It was a nice thing to say, but he acts like it means more than just words. I hope I am wrong. I could not be attracted to Al-- I could not be attracted to anyone that fragile. I smile as much as my bruised cheek will allow, hoping that will diffuse the tension.
Veronica Roth (Divergent (Divergent, #1))
What a Crazy Woman Thinks About While Walking Down the Street She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments. Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin. Before long, she remembers. She keeps her keys in her hand, three of them held between her fingers, like a dull claw. She makes eye contact only when necessary and if a man should catch her eye, she juts her chin forward, makes sure the line of her jaw is strong. When she leaves work or the bar late, she calls a car service and when the car pulls up to her building, she quickly scans the street to make sure it’s safe to walk the short distance from the curb to the door. She once told a boyfriend about these considerations and he said, “You are completely out of your mind.” She told a new friend at work and she said, “Honey, you’re not crazy. You’re a woman.
Roxane Gay (Difficult Women)
Lale’s emotional connection to his mother had shaped the way he related to girls and women. He was attracted to all women, not just physically but emotionally. He loved talking to them; he loved making them feel good about themselves. To him, all women were beautiful and he believed there was no harm in telling them so. His mother and sister subliminally taught Lale what it was a woman wanted from a man, and so far he had spent his life trying to live up to these lessons. “Be attentive, Lale; remember the small things, and the big things will work themselves out.” He heard his mother’s sweet voice.
Heather Morris (The Tattooist of Auschwitz (The Tattooist of Auschwitz, #1))
Larry sat with his arm stretched out along the top of the front seat. His shirt cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still that you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I would never have believed that her beautiful features could assume an expression of such unbridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick.
W. Somerset Maugham (The Razor’s Edge)
Men often do that, spreading out their legs on the Tube as though they have an innate need to fill any space that isn't filled, walking down the middle of the narrow pavement and being almost surprised when they career into you, nudging too close in a coffee shop queue as though you'll give way. They don't even notice what they're doing. They are important, their needs are important. You are not as important. You are not important at all. Unless you're attractive to them. Then your space will be occupied in other ways. Men will stand in front of you and block your path to get your attention. They will slow their car down so that you feel uncomfortable as you walk down the street. They will hover over you in bars, touching your arm, grabbing your hand. If you're lucky, it'll just be your hand.
Bella Mackie (How to Kill Your Family)
He, too, was in the grip of rage and rhetoric. I saw that, attractive though his side of the political spectrum was. A cancerous violence had eaten into every political idea, had taken over the ideas themselves, and for so many, all that mattered was the willingness to do something. Action led to action, free of any moorings, and the way to be someone, the way to catch the attention of the young and recruit them to one's cause, was to be enraged. It seemed as if the only way this lure of violence could be avoided was by having no causes, by being magnificiently isolated from loyalties. But was that not an ethical lapse graver than rage itself?
Teju Cole (Open City)
I've been actively engaged with mythic imagery ever since I picked up that Rackham book, but it really came into focus for me when I moved from London to the country. As I walked the extraordinary landscape of Dartmoor, I looked at the trees and the rocks and the hills and I could see the personality in those forms...then they metamorphosed under my pencil into faeries, goblins and trolls. After Alan and I published "Faeries", he moved on from the subject of faery folklore to illustrate Tolkien and other literary works...while I discovered that my own exploration of Faerieland had only just begun. In the countryside, the old stories seemed to come alive around me; the faeries were a tangible aspect of the landscape, pulses of spirit, emotion, and light. They "insisted" on taking form under my pencil, emerging on the page before me cloaked in archetypal shapes drawn from nature and myth. I'd attracted their attention, you see, and they hadn't finished with me yet.
Brian Froud
The Single Perspective Instinct We find simple ideas very attractive. We enjoy that moment of insight, we enjoy feeling we really understand or know something. And it is easy to take off down a slippery slope, from one attention-grabbing simple idea to a feeling that this idea beautifully explains, or is the beautiful solution for, lots of other things. The world becomes simple. All problems have a single cause—something we must always be completely against. Or all problems have a single solution—something we must always be for. Everything is simple. There’s just one small issue. We completely misunderstand the world. I call this preference for single causes and single solutions the single perspective instinct. For example, the simple and beautiful idea of the free market can lead to the simplistic idea that all problems have a single cause—government interference—which we must always oppose; and that the solution to all problems is to liberate market forces by reducing taxes and removing regulations, which we must always support. Alternatively, the simple and beautiful idea of equality can lead to the simplistic idea that all problems are caused by inequality, which we should always oppose; and that the solution to all problems is redistribution of resources, which we should always support.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
As far back as slavery, white people established a social hierarchy based on race and sex that ranked white men first, white women second, though sometimes equal to black men, who are ranked third, and black women last. What this means in terms of the sexual politics of rape is that if one white woman is raped by a black man, it is seen as more important, more significant than if thousands of black women are raped by one white man. Most Americans, and that includes black people, acknowledge and accept this hierarchy; they have internalized it either consciously or unconsciously. And for this reason, all through American history, black male rape of white women has attracted much more attention and is seen as much more significant than rape of black women by either white or black men.
bell hooks (Ain't I a Woman: Black Women and Feminism)
IT WAS AT THIS POINT that the idea of “shaking the snow globe,” as one neuroscientist described the psychedelic experience, came to seem more attractive to me than frightening, though it was still that too. After more than half a century of its more or less constant companionship, one’s self—this ever-present voice in the head, this ceaselessly commenting, interpreting, labeling, defending I—becomes perhaps a little too familiar. I’m not talking about anything as deep as self-knowledge here. No, just about how, over time, we tend to optimize and conventionalize our responses to whatever life brings. Each of us develops our shorthand ways of slotting and processing everyday experiences and solving problems, and while this is no doubt adaptive—it helps us get the job done with a minimum of fuss—eventually it becomes rote. It dulls us. The muscles of attention atrophy.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
If someone is badly hurt at some point in life—traumatized—the dominance counter can transform in a manner that makes additional hurt more rather than less likely. This often happens in the case of people, now adults, who were viciously bullied during childhood or adolescence. They become anxious and easily upset. They shield themselves with a defensive crouch, and avoid the direct eye contact interpretable as a dominance challenge. This means that the damage caused by the bullying (the lowering of status and confidence) can continue, even after the bullying has ended.25 In the simplest of cases, the formerly lowly persons have matured and moved to new and more successful places in their lives. But they don’t fully notice. Their now-counterproductive physiological adaptations to earlier reality remain, and they are more stressed and uncertain than is necessary. In more complex cases, a habitual assumption of subordination renders the person more stressed and uncertain than necessary, and their habitually submissive posturing continues to attract genuine negative attention from one or more of the fewer and generally less successful bullies still extant in the adult world. In such situations, the psychological consequence of the previous bullying increases the likelihood of continued bullying in the present (even though, strictly speaking, it wouldn’t have to, because of maturation, or geographical relocation, or continued education, or improvement in objective status).
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
A strong woman has waited patiently while her roots grew down deep into the Word of God. Over time, she becomes unshakeable in her faith. She starts bearing fruit naturally and is full of life. People are attracted to her strength and growth, and many find rest and peace as they lean on her. And when storms and trials come, as they always do, they will not be able to take her down. A few branches may be lost or pruned away, but in their place comes new growth, new life. This is what I long to be! A strong woman who is anchored in God’s promises. But it starts by setting down your roots in God’s Word. It will not happen as you stand up for yourself, and demand attention, and fight for yourself. It will happen as you stand in Christ, and demand that He gets your attention, and fight for His glory. The beautiful thing is that as we pursue this, God takes His rightful place in our lives.
Francis Chan (You and Me Forever: Marriage in Light of Eternity)
West turned his attention back to Cassandra. “Sweetheart, none of us could bear seeing you in a one-sided marriage. Don’t expect Severin to change. You can’t love someone into loving you back.” “I understand,” Cassandra said. “But even if Tom is never able to return my feelings, he has qualities that make up for it.” “What qualities?” Devon asked, plainly bewildered. “I’ve always thought I understood you well, but this … you and Severin … it makes no sense to me.” As Cassandra considered how to explain, she heard Phoebe point out with a touch of amusement, “It’s not that improbable, is it? Mr. Severin is a very attractive man.” Both Ravenel brothers looked at her blankly. “Oh, yes,” Kathleen agreed. “Not to mention charming.” West rolled his eyes and gave Devon a resigned glance. “He’s always had it,” he said flatly. “That thing women like.” “What thing?” Devon asked. “The secret, mysterious thing I’ve always wished someone would explain so we could pretend to have it too.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
(Background: Morgan is a female warrior looking for a fight. Adhémar is your garden variety male.) A man near the door leered at her. Adhémar immediately stepped in front of her, but Morgan pushed him aside. She looked at the man and smiled pleasantly. Ah, something to take her mind off her coming journey. "Did you say something?" she asked. "Aye," he said, "I asked it you were occupied tonight, but I can see you have a collection of lads here to keep you busy—" Adhémar apparently couldn't control his chivalry. He took the man by the front of the shirt and threw him out the door. The man crawled to his feet and started bellowing. Adhémar planted his fist into the man's face. The stranger slumped to the ground, senseless. Morgan glared at Adhémar. "You owe me a brawl," she said. "What?" he asked incredulously. "A brawl," Morgan said. "And it had best be a good one." "With me?" he asked, blinking in surprise. "I'd prefer someone with more skill, that I might not sleep through it, but you'll do." Paien laughed out loud and pulled him away. "Adhémar, my friend, you cannot win this one. Next time, allow Morgan her little pleasures. She cannot help the attention her face attracts, and thus she has opportunities to teach ignorant men manners. In truth, it is a service she offers, bettering our kind wherever she goes.
Lynn Kurland (Star of the Morning (Nine Kingdoms, #1))
The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected: People who are different are dangerous; they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse. When we are married we are authorised to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill. We must buy jewelry; it identifies us with our tribe. We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings. We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss--it might attract the attention of an enemy tribe. If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods. Our children must follow in our footsteps; after all we are older and know more about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.
Paulo Coelho (The Zahir)
I come not, Ambrosia for any of the purposes thou hast named," replied Marcela, "but to defend myself and to prove how unreasonable are all those who blame me for their sorrow and for Chrysostom's death; and therefore I ask all of you that are here to give me your attention, for will not take much time or many words to bring the truth home to persons of sense. Heaven has made me, so you say, beautiful, and so much so that in spite of yourselves my beauty leads you to love me; and for the love you show me you say, and even urge, that I am bound to love you. By that natural understanding which God has given me I know that everything beautiful attracts love, but I cannot see how, by reason of being loved, that which is loved for its beauty is bound to love that which loves it; besides, it may happen that the lover of that which is beautiful may be ugly, and ugliness being detestable, it is very absurd to say, "I love thee because thou art beautiful, thou must love me though I be ugly." But supposing the beauty equal on both sides, it does not follow that the inclinations must be therefore alike, for it is not every beauty that excites love, some but pleasing the eye without winning the affection; and if every sort of beauty excited love and won the heart, the will would wander vaguely to and fro unable to make choice of any; for as there is an infinity of beautiful objects there must be an infinity of inclinations, and true love, I have heard it said, is indivisible, and must be voluntary and not compelled. If this be so, as I believe it to be, why do you desire me to bend my will by force, for no other reason but that you say you love me? Nay—tell me—had Heaven made me ugly, as it has made me beautiful, could I with justice complain of you for not loving me? Moreover, you must remember that the beauty I possess was no choice of mine, for, be it what it may, Heaven of its bounty gave it me without my asking or choosing it; and as the viper, though it kills with it, does not deserve to be blamed for the poison it carries, as it is a gift of nature, neither do I deserve reproach for being beautiful; for beauty in a modest woman is like fire at a distance or a sharp sword; the one does not burn, the other does not cut, those who do not come too near. Honour and virtue are the ornaments of the mind, without which the body, though it be so, has no right to pass for beautiful; but if modesty is one of the virtues that specially lend a grace and charm to mind and body, why should she who is loved for her beauty part with it to gratify one who for his pleasure alone strives with all his might and energy to rob her of it?
Miguel de Cervantes Saavedra (Don Quixote)
Passersby looked at us curiously. In the porch, Mr. Whitman held the church door open for us. “Hurry up, please,” he said. “We don’t want to attract attention.” No, sure, there was nothing likely to attract attention in two black limousines parking in North Audley Street in broad daylight so that men in suits could carry the Lost Ark out of the trunk of one of the cars, over the sidewalk, and into the church. Although from a distance the chest carrying it could have been a small coffin . . . The thought gave me goose bumps. “I hope at least you remembered your pistol,” I whispered to Gideon. “You have a funny idea of what goes on at a soiree,” he said, in a normal tone of voice, arranging the scarf around my shoulders. “Did anyone check what’s in your bag? We don’t want your mobile ringing in the middle of a musical performance.” I couldn’t keep from laughing at the idea, because just then my ringtone was a croaking frog. “There won’t be anyone there who could call me except you,” I pointed out. “And I don’t even know your number. Please may I take a look inside your bag?” “It’s called a reticule,” I said, shrugging and handing him the little bag. “Smelling salts, handkerchief, perfume, powder . . . excellent,” said Gideon. “All just as it should be. Come along.” He gave me the reticule back, took my hand, and led me through the church porch. Mr. Whitman bolted the door again behind us. Gideon forgot to let go of my hand once we were inside the church, which was just as well, because otherwise I’d have panicked at the last moment and run away.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
In our relationships, weatherproofing typically plays itself out like this: You meet someone and all is well. You are attracted to his or her appearance, personality, intellect, sense of humor, or some combination of these traits. Initially, you not only approve of your differences with this person, you actually appreciate them. You might even be attracted to the person, in part because of how different you are. You have different opinions, preferences, tastes, and priorities. After a while, however, you begin to notice little quirks about your new partner (or friend, teacher, whoever), that you feel could be improved upon. You bring it to their attention. You might say, “You know, you sure have a tendency to be late.” Or, “I’ve noticed you don’t read very much.” The point is, you’ve begun what inevitably turns into a way of life—looking for and thinking about what you don’t like about someone, or something that isn’t quite right. Obviously, an occasional comment, constructive criticism, or helpful guidance isn’t cause for alarm. I have to say, however, that in the course of working with hundreds of couples over the years, I’ve met very few people who didn’t feel that they were weatherproofed at times by their partner. Occasional harmless comments have an insidious tendency to become a way of looking at life. When you are weatherproofing another human being, it says nothing about them—but it does define you as someone who needs to be critical. Whether you have a tendency to weatherproof your relationships, certain aspects of your life, or both, what you need to do is write off weatherproofing as a bad idea. As the habit creeps into your thinking, catch yourself and seal your lips. The less often you weatherproof your partner or your friends, the more you’ll notice how super your life really is.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
All ancient philosophers, poets, and moralists agree that love is a striving, an aspiration of the “lower” toward the “higher,” the “unformed” toward the “formed,” ... “appearance” towards “essence,” “ignorance” towards “knowledge,” a “mean between fullness and privation,” as Plato says in the Symposium. ... The universe is a great chain of dynamic spiritual entities, of forms of being ranging from the “prima materia” up to man—a chain in which the lower always strives for and is attracted by the higher, which never turns back but aspires upward in its turn. This process continues up to the deity, which itself does not love, but represents the eternally unmoving and unifying goal of all these aspirations of love. Too little attention has been given to the peculiar relation between this idea of love and the principle of the “agon,” the ambitious contest for the goal, which dominated Greek life in all its aspects—from the Gymnasium and the games to dialectics and the political life of the Greek city states. Even the objects try to surpass each other in a race for victory, in a cosmic “agon” for the deity. Here the prize that will crown the victor is extreme: it is a participation in the essence, knowledge, and abundance of “being.” Love is only the dynamic principle, immanent in the universe, which sets in motion this great “agon” of all things for the deity. Let us compare this with the Christian conception. In that conception there takes place what might be called a reversal in the movement of love. The Christian view boldly denies the Greek axiom that love is an aspiration of the lower towards the higher. On the contrary, now the criterion of love is that the nobler stoops to the vulgar, the healthy to the sick, the rich to the poor, the handsome to the ugly, the good and saintly to the bad and common, the Messiah to the sinners and publicans. The Christian is not afraid, like the ancient, that he might lose something by doing so, that he might impair his own nobility. He acts in the peculiarly pious conviction that through this “condescension,” through this self-abasement and “self-renunciation” he gains the highest good and becomes equal to God. ... There is no longer any “highest good” independent of and beyond the act and movement of love! Love itself is the highest of all goods! The summum bonum is no longer the value of a thing, but of an act, the value of love itself as love—not for its results and achievements. ... Thus the picture has shifted immensely. This is no longer a band of men and things that surpass each other in striving up to the deity. It is a band in which every member looks back toward those who are further removed from God and comes to resemble the deity by helping and serving them.
Max Scheler