Attending Birthday Party Quotes

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Other people's children's birthday parties are the most joyful events you will ever resent having to attend.
Jim Gaffigan (Dad Is Fat)
It was generally agreed that a coffin-size studio on Avenue D was preferable to living in one of the boroughs. Moving from one Brooklyn or Staten Island neighborhood to another was fine, but unless you had children to think about, even the homeless saw it as a step down to leave Manhattan. Customers quitting the island for Astoria or Cobble Hill would claim to welcome the change of pace, saying it would be nice to finally have a garden or live a little closer to the airport. They’d put a good face one it, but one could always detect an underlying sense of defeat. The apartments might be bigger and cheaper in other places, but one could never count on their old circle of friend making the long trip to attend a birthday party. Even Washington Heights was considered a stretch. People referred to it as Upstate New York, though it was right there in Manhattan.
David Sedaris (Me Talk Pretty One Day)
Today, I attended a friend's birthday party dressed as a ninja. I soon discovered that ninjas are very misunderstood.
Wayne Gerard Trotman
Sure, some movies don’t work. Some fail in their intent. But anyone who says they hated a movie is treating a voluntarily shared human experience like a bad Red-Eye out of LAX. The departure is delayed for hours, there’s turbulence that scares even the flight attendants, the guy across from you vomits, they can’t serve any food and the booze runs out, you’re seated next to twin babies with the colic, and you land too late for your meeting in the city. You can hate that. But hating a movie misses the damn point. Would you say you hated the seventh birthday party of your girlfriend’s niece or a ball game that went eleven innings and ended 1–0? You hate cake and extra baseball for your money? Hate should be saved for fascism and steamed broccoli that’s gone cold.
Tom Hanks (The Making of Another Major Motion Picture Masterpiece)
I liked this about Drew: always to the point when talking about business, but always philosophical when talking about life. Attending his birthday party had been a priority since I met him four years ago
Penny Reid (Beard Science (Winston Brothers, #3))
I am over fifty years old and have attended my fair share of sixtieth, seventieth and eightieth birthday parties. In case you are younger than me and have not yet celebrated so many birthdays of high, round figures, I can tell you that the most common remark heard at these parties is: ‘All of those days that came and went – I didn’t realize those were life.’ It is cunningly formulated. The guests nod knowingly, smacking their lips. Yes, we fear death to varying degrees, but the fear of not having lived is even stronger. That fear increases towards the end of life, when you understand that it will soon be too late.
Erling Kagge (Silence: In the Age of Noise)
After that came more injections, pills, low-quality eggs, toilets and screens with naked women on them and the pressure to fill the plastic cup, baptisms they didn’t attend, the question “So when’s the first child coming along?” repeated ad nauseum, operating rooms he wasn’t allowed to enter so that he could hold her hand and she wouldn’t feel so alone, more debt, other people’s babies, the babies of those who could, fluid retention, mood swings, conversations about the possibility of adopting, phone calls to the bank, children’s birthday parties they wanted to escape, more hormones, chronic fatigue and more unfertilized eggs, tears, hurtful words, Mother’s Days in silence, the hope for an embryo, the list of possible names, Leonardo if it was a boy, Aria if it was a girl, pregnancy tests thrown helplessly into the trash can, fights, the search for an egg donor, questions about genetic identity, letters from the bank, the waiting, the fears, the acceptance that maternity isn’t a question of chromosomes, the mortgage, the pregnancy, the birth, the euphoria, the happiness, the death.
Agustina Bazterrica (Tender Is the Flesh)
A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.
Philip Roth (I Married a Communist (The American Trilogy, #2))
There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A
Bruce Springsteen (Born to Run)
While I was gone Hugh, Manuela, and Dario attended Franck’s surprise fortieth-birthday party. One of the guests was a sophisticated mother of three who announced that she hated the zoo at the Jardin des Plantes because it was cruel to keep the animals in such small cages. She went on and on and then, at the end of the evening, she unlocked her car and released her golden retriever, who’d spent the last six hours in the trunk.
David Sedaris (Theft by Finding: Diaries (1977-2002))
Anyone growing up in northern England who has attended a christening or child’s birthday party would feel at home.
Sebastian Payne (Broken Heartlands: A Journey Through Labour's Lost England)
In exchange, I would like you all to attend my birthday party.
Elizabeth Helen (Woven by Gold (Beasts of the Briar, #2))
Mrs. B’s story is well-known but worth telling again. She came to the United States 77 years ago, unable to speak English and devoid of formal schooling. In 1937, she founded the Nebraska Furniture Mart with $500. Last year the store had sales of $200 million, a larger amount by far than that recorded by any other home furnishings store in the United States. Our part in all of this began ten years ago when Mrs. B sold control of the business to Berkshire Hathaway, a deal we completed without obtaining audited financial statements, checking real estate records, or getting any warranties. In short, her word was good enough for us. Naturally, I was delighted to attend Mrs. B’s birthday party. After all, she’s promised to attend my 100th.
Warren Buffett (Berkshire Hathaway Letters to Shareholders, 2023)
April confided in Theo, and told him things he vowed to never repeat. The Finnemore home was owned by someone else, a rental house April hated because her parents had no interest in maintaining it. It was in an older section of Strattenburg, on a shady street lined with other postwar homes that had seen better days. Theo had been there only one time, for a less-than-successful birthday party April’s mother had thrown together two years earlier. Most of the kids who’d been invited did not attend because their parents wouldn’t allow it. Such was the Finnemore family reputation. There were two police cars in the driveway when the Boones arrived. Across the street, the neighbors were on their porches, watching.
John Grisham (Theodore Boone: The Abduction)
The only kids that attended my birthday parties any more were Goth ones, wondering if the celebration of my spawning would kill again.
Jim Dyar, The Zeus Gambit
he was also banned even from engaging in conversation with two or more persons. He could not legally go to a child’s birthday party any more than he could attend political rallies
Gillian Kendall (Nelson Mandela: A Life Inspired)
Recoiling backwards from the horror, his flight catapulted him headlong over the rail of the balcony. His piercing scream drowned out the uproarious Happy Birthday greeting from his wife, friends, and neighbors flooding into the hallway and the living room to begin the celebration. In midair, when someone turned on the lights in the dining room, Gary saw the monster from the master bedroom pulling off her rubber mask and looking down at him from the railing with sad eyes. It was Janine, his next-door neighbor. In the seconds before Gary lost consciousness after breaking his neck on the ceramic tile floor, he saw the entire room fill with balloons and confetti. Gwen looked ravishing in her favorite cocktail dress blowing a noisemaker and tossing a streamer into the air. A huge banner with the words, “Happy Halloween, Gary on Your 40th Birthday… A Night To Remember” was the last thing he saw before the grim reaper gobbled him up. Gwen had done it again. She had planned a truly memorable party that no one in attendance would ever forget. Gary died on the same day he was born, October 31.
Billy Wells (Don't Look Behind You)
You said something I have always thought,” Bill said to me when I arrived on the set of Pocket Rockets, somewhere in the endless suburb that is greater Atlanta. “Sure, some movies don’t work. Some fail in their intent. But anyone who says they hated a movie is treating a voluntarily shared human experience like a bad Red-Eye out of LAX. The departure is delayed for hours, there’s turbulence that scares even the flight attendants, the guy across from you vomits, they can’t serve any food and the booze runs out, you’re seated next to twin babies with the colic, and you land too late for your meeting in the city. You can hate that. But hating a movie misses the damn point. Would you say you hated the seventh birthday party of your girlfriend’s niece or a ball game that went eleven innings and ended 1–0? You hate cake and extra baseball for your money? Hate should be saved for fascism and steamed broccoli that’s gone cold. The worst anyone—especially we who take Fountainfn1—should ever say about someone else’s movie is Well, it was not for me, but, actually, I found it quite good. Damn a film with faint praise, but never, ever say you hate a movie. Anyone who uses the h-word around me is done. Gone. Of course, I wrote and directed Albatross. I may be a bit sensitive.
Tom Hanks (The Making of Another Major Motion Picture Masterpiece)
I recognize the look that passes between them, a look that is conspiratorial, that temporarily eschews the boundary between parent and child for the recognition of some mutual misery, in this case, a birthday party that neither of them wants to attend. The by-product of this alliance is that it often throws the other parent under the bus as a matter of course, though as a kid, this is what makes it great. When I was young, I didn’t understand it was cruel.
Raven Leilani (Luster)
The result: None of the kids, even the “sugar-sensitive” ones, showed any meaningful differences after following each diet. “Even when the intake exceeds typical dietary levels, neither dietary sucrose nor aspartame affects children’s behavior or cognitive function,” the researchers concluded. The “sugar high” had been officially debunked. The 1994 results have been replicated in several subsequent studies and yet—I’ve never attended a child’s birthday party where someone didn’t invoke the specter of the sugar high as soon as the cake is cut.
Virginia Sole-Smith (Fat Talk: Parenting in the Age of Diet Culture)
My bans extended to meetings of all kinds, not only political ones. I could not, for example, attend my son’s birthday party. I was prohibited from talking to more than one person at a time. This was part of a systematic effort by the government to silence, persecute and immobilize the leaders of those fighting apartheid and was the first of a series of bans on me that continued with brief intervals of freedom until the time I was deprived of all freedom some years later.
Nelson Mandela (Long Walk To Freedom)