β
A person is, among all else, a material thing, easily torn and not easily mended.
β
β
Ian McEwan (Atonement)
β
It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.
β
β
Ian McEwan (Atonement)
β
I want to try making things right because picking up the pieces is way better than leaving them the way they are.
β
β
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
β
God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it?
β
β
Friedrich Nietzsche
β
I am not a saint, unless you think of a saint as a sinner who keeps on trying.
β
β
Nelson Mandela
β
The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse.
β
β
Ian McEwan (Atonement)
β
...falling in love could be achieved in a single wordβa glance.
β
β
Ian McEwan (Atonement)
β
Nothing erases the past. There is repentance, there is atonement, and there is forgiveness. That is all, but that is enough.
β
β
Ted Chiang (The Merchant and the Alchemist's Gate)
β
Find you, love you, marry you, and live without shame.
β
β
Ian McEwan (Atonement)
β
I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage, like the despicable fabrication of the impotent and infinitely small Euclidean mind of man, that in the world's finale, at the moment of eternal harmony, something so precious will come to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, for all the blood that they've shed; that it will make it not only possible to forgive but to justify all that has happened.
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
And though you think the world is at your feet, it can rise up and tread on you.
β
β
Ian McEwan (Atonement)
β
A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.
β
β
Ian McEwan (Atonement)
β
Was everyone else really as alive as she was?... If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyoneβs thoughts striving in equal importance and everyoneβs claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance.
β
β
Ian McEwan (Atonement)
β
Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?
β
β
Ian McEwan (Atonement)
β
I've never had a moment's doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. Cee
β
β
Ian McEwan (Atonement)
β
She lay in the dark and knew everything.
β
β
Ian McEwan (Atonement)
β
It was not generally realized that what children mostly wanted was to be left alone.
β
β
Ian McEwan (Atonement)
β
How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all.
β
β
Ian McEwan (Atonement)
β
come back, come back to me
β
β
Ian McEwan (Atonement)
β
I take literally the statement in the Gospel of John that God loves the world. I believe that the world was created and approved by love, that it subsists, coheres, and endures by love, and that, insofar as it is redeemable, it can be redeemed only by love. I believe that divine love, incarnate and indwelling in the world, summons the world always toward wholeness, which ultimately is reconciliation and atonement with God.
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
In my dreams I kiss your cunt, your sweet wet cunt. In my thoughts I make love to you all day long.
β
β
Ian McEwan (Atonement)
β
The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.
β
β
Ian McEwan (Atonement)
β
How guilt refined the methods of self-torture, threading the beads of detail into an eternal loop, a rosary to be fingered for a lifetime.
β
β
Ian McEwan (Atonement)
β
But what really happened? The answer is simple: the lovers survive and flourish.
β
β
Ian McEwan (Atonement)
β
He knew these last lines by heart and mouthed them now in the darkness. My reason for life. Not living, but life. That was the touch. And she was his reason for life, and why he must survive.
β
β
Ian McEwan (Atonement)
β
Dearest Cecilia, Youβd be forgiven for thinking me mad, the way I acted this afternoon. The truth is I feel rather light headed and foolish in your presence, Cee, and I donβt think I can blame the heat.
β
β
Ian McEwan (Atonement)
β
From this new and intimate perspective, she learned a simple, obvious thing she had always known, and everyone knew; that a person is, among all else, a material thing, easily torn, not easily mended.
β
β
Ian McEwan (Atonement)
β
Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.
β
β
Ian McEwan (Atonement)
β
That love which does not build a foundation on good sense is doomed.
β
β
Ian McEwan (Atonement)
β
At that moment, the urge to be writing was stronger than any notion she had of what she might write.
β
β
Ian McEwan (Atonement)
β
Thus you may understand that love alone
is the true seed of every merit in you,
and of all acts for which you must atone.
β
β
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
β
He liked cheap women, fast cars, late nights, and hard liquor, especially all together. In Jack's view, you are obliged to sin on Saturday night so you'd have something to atone for Sunday morning. Otherwise, you'd be putting the preacher out of business.
β
β
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
β
Everyone wanted to be the best. Best student. Best servant. Best Christian. They got caught up in it, pressing and pushing until they forgot whom it was they were trying to please.
β
β
Francine Rivers (The Atonement Child)
β
How can a novelist achieve atonement when with her absolute power of deciding outcomes, she is also god?
β
β
Ian McEwan (Atonement)
β
These were everyday sounds magnified by darkness. And darkness was nothing - it was not a substance, it was not a presence, it was no more than an absence of light.
β
β
Ian McEwan (Atonement)
β
All I'm saying is that sooner of later, you'll have to come to terms with yourself. You can't wish away the vampire in you, and you shouldn't keep atoning for it. You should figure out who you are and what you need, and then don't apologize for it. Not to me, to your mum, or to anyone.
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
Nothing that can be, can come between me and the full prospect of my hopes.
β
β
Ian McEwan (Atonement)
β
Not everything people did could be in a correct, logical order, especially when they were alone.
β
β
Ian McEwan (Atonement)
β
The good thing about sins is they donβt have to be atoned for immediately,
β
β
Colleen Hoover (Verity)
β
There did not have to be a moral. She need only show separate minds, as alive as her own, struggling with the idea that other minds were equally alive. It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding, above all, it was the failure to grasp the simple truth that other people are as real as you. And only in a story could you enter these different minds and show how they had an equal value. That was the only moral a story need have.
β
β
Ian McEwan (Atonement)
β
However late you think you are, however many chances you think you have missed, however many mistakes you feel you have made or talents you think you donβt have, or however far from home and family and God you feel you have traveled, I testify that you have not traveled beyond the reach of divine love. It is not possible for you to sink lower than the infinite light of Christβs Atonement shines.
β
β
Jeffrey R. Holland
β
In our moments of pain and trial, I guess we would shudder to think it could be worse, but without the atonement it not only could be worse, it would be worse.
β
β
Jeffrey R. Holland
β
And now she was back in the world, not one she could make, but the one that had made her, and she felt herself shrinking under the early evening sky. She was weary of being outdoors, but she was not ready to go in. Was that really all there was in life, indoors or out? Wasn't there somewhere else for people to go?
β
β
Ian McEwan (Atonement)
β
Dear God, I surrender this relationship to you,β means, βDear God, let me see this person through your eyes.β In accepting the Atonement, we are asking to see as God sees, think as God thinks, love as God loves. We are asking for help in seeing someoneβs innocence.
β
β
Marianne Williamson (Return to Love)
β
He had never before felt so self-consciously young, nor experienced such appetite, such impatience for the story to begin.
β
β
Ian McEwan (Atonement)
β
The one help we all need is given to us freely though the Atonement of Jesus Christ. Having faith in Jesus Christ and In His Atonement means relying completely on Him-trusting in His infinite power, intelligence, and love.
β
β
Dieter F. Uchtdorf
β
...beauty, she had discovered occupied a narrow band. Ugliness, on the hand, had infinite variation.
β
β
Ian McEwan (Atonement)
β
Nothing was to be lost by beginning at the beginning...
β
β
Ian McEwan (Atonement)
β
Poor Nico di Angelo. The god's voice was tinged with disappointment. Do you know what you want, much less what I want? My beloved Psyche risked everything in the name of Love. It was the only way for her to atone for her lack of faith. And you- what have you risked in my name?
"I've been to Tartarus and back," Nico snarled. "You don't scare me."
I scare you very, very much. Face me. Be honest.
β
β
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
β
You know what you are, donβt you?β she asks. βYouβre my salvation. My way to atone. To pay for everything Iβve done."
βAnna,β I say. βDonβt ask me to do this.
β
β
Kendare Blake (Anna Dressed in Blood (Anna, #1))
β
Is there any meaning in my life that the inevitable death awaiting me does not destory?
β
β
Ian McEwan (Atonement)
β
one could drown in irrelevance.
β
β
Ian McEwan (Atonement)
β
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
β
β
Ian McEwan (Atonement)
β
The only way to atone for being occasionally a little over-dressed is by being always absolutely over-educated.
β
β
Oscar Wilde
β
Every now and then, quite unintentionally, someone taught you something about yourself.
β
β
Ian McEwan (Atonement)
β
I'm too old to recover, too narrow to forgive myself.
β
β
Lillian Hellman (The Children's Hour)
β
We go on our hands and knees and crawl our way towards the truth
β
β
Ian McEwan (Atonement)
β
Jesus was not revolutionary because he said we should love God and each other. Moses said that first. So did Buddha, Confucius, and countless other religious leaders we've never heard of. Madonna, Oprah, Dr. Phil, the Dali Lama, and probably a lot of Christian leaders will tell us that the point of religion is to get us to love each other. "God loves you" doesn't stir the world's opposition. However, start talking about God's absolute authority, holiness, ... Christ's substitutionary atonement, justification apart from works, the necessity of new birth, repentance, baptism, Communion, and the future judgment, and the mood in the room changes considerably.
β
β
Michael Scott Horton (Christless Christianity: The Alternative Gospel of the American Church)
β
But how to do feelings? All very well to write "She felt sad", or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things.
β
β
Ian McEwan (Atonement)
β
She returned his gaze, struck by the sense of her own transformation, and overwhelmed by the beauty which a lifetime havit had taught her to ignore.
β
β
Ian McEwan (Atonement)
β
She would simply wait on the bridge, calm and obstinate, until events, real events, not her own fantasies, roe to her challenge, and dispelled her insignificance.
β
β
Ian McEwan (Atonement)
β
Above all, she wanted to look as though she had not given the matter a moment's thought, and that would take time.
β
β
Ian McEwan (Atonement)
β
Iβll wait for you. Come back.
The words were not meaningless, but they didnβt touch him now.
It was clear enough - one person waiting for another was like an arithmetical sum, and just as empty of emotion.
Waiting.
Simply one person doing nothing, over time, while another approached. Waiting was a heavy word.
β
β
Ian McEwan (Atonement)
β
However, withered, I still feel myself to be exactly the same person I've always been. Hard to explain that to the young. we may look truly reptilian, but we're not a separate tribe.
β
β
Ian McEwan (Atonement)
β
The cost of oblivius daydreaming was always this moment of return, the realigment with what had been before and now seemed a little worse.
Her reverie, once rich in plausible details, had become a passing silliness before the hard mass of the actual.
It was difficult to come back.
β
β
Ian McEwan (Atonement)
β
It wasn't torpor that kept her - she was often restless to the point of irritability. She simply liked to feel that she was prevented from leaving, that she was needed.
β
β
Ian McEwan (Atonement)
β
Let the guilty bury the innocent, and let no one change the evidence
β
β
Ian McEwan (Atonement)
β
Authors were shy, unsociable creatures, atoning for their lack of social aptitude by inventing their own companions and conversations.
β
β
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
β
Let his name be cleared and everyone else adjust their thinking. He had put in time, now they must do the work. His business was simple. Find Cecilia and love her, marry her and live without shame.
β
β
Ian McEwan (Atonement)
β
It is quite impossible these days to assume anything about people's educational level from the way they talk or dress or from their taste in music. Safest to treat everyone you meet as a distinguished intellectual.
β
β
Ian McEwan (Atonement)
β
If we can step back at times and have the guts to carve doubt in the concrete stone of our certainties, we can hear the beat of a thinking heart. While listening to the stirring of our deep selves and striving to squeeze through the thicket of our intentions, we may find an atoning venue of understanding and sympathy. ("Beware of the neighbor")
β
β
Erik Pevernagie
β
Cecilia wondered, as she sometimes did when she met a man for the first time, if this was the one she was going to marry, and whether it was this particular moment she would remember for the rest of her life - with gratitude, or profound and particular regret.
β
β
Ian McEwan (Atonement)
β
What marriage offers - and what fidelity is meant to protect - is the possibility of moments when what we have chosen and what we desire are the same. Such a convergence obviously cannot be continuous. No relationship can continue very long at its highest emotional pitch. But fidelity prepares us for the return of these moments, which give us the highest joy we can know; that of union, communion, atonement (in the root sense of at-one-ment)...
To forsake all others does not mean - because it cannot mean - to ignore or neglect all others, to hide or be hidden from all others, or to desire or love no others. To live in marriage is a responsible way to live in sexuality, as to live in a household is a responsible way to live in the world. One cannot enact or fulfill one's love for womankind or mankind, or even for all the women or men to whom one is attracted. If one is to have the power and delight of one's sexuality, then the generality of instinct must be resolved in a responsible relationship to a particular person. Similarly, one cannot live in the world; that is, one cannot become, in the easy, generalizing sense with which the phrase is commonly used, a "world citizen." There can be no such think as a "global village." No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it. Where we live and who we live there with define the terms of our relationship to the world and to humanity. We thus come again to the paradox that one can become whole only by the responsible acceptance of one's partiality.
(pg.117-118, "The Body and the Earth")
β
β
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β
She wanted to leave, she wanted to lie alone face down on her bed and savor the vile piquancy of the moment, and go back down the lines of branching consequences to the point before the destruction began. She needed to contemplate with eyes closed the full richness of what she had lost, what she had given away, and to anticipate the new regime.
β
β
Ian McEwan (Atonement)
β
If we could sniff or swallow something that would, for five or six hours each day, abolish our solitude as individuals, atone us with our fellows in a glowing exaltation of affection and make life in all its aspects seem not only worth living, but divinely beautiful and significant, and if this heavenly, world-transfiguring drug were of such a kind that we could wake up next morning with a clear head and an undamaged constitution - then, it seems to me, all our problems (and not merely the one small problem of discovering a novel pleasure) would be wholly solved and earth would become paradise.
β
β
Aldous Huxley
β
How easily this unthinking family love was forgotten.
β
β
Ian McEwan (Atonement)
β
In that shrinking moment he discovered that he had never hated anyone until now. It was a feeling as pure as love, but dispassionate and icily rational.
β
β
Ian McEwan (Atonement)
β
Sometimes you're not ready to give the world quite what it wants. And that's okay, because the Earth is generously patient.
β
β
Jaree Francis
β
And she did not miss his presence so much as his voice on the phone. Even being lied to constantly, though hardly like love, was sustained attention; he must care about her to fabricate so elaborately and over such a long stretch of time. His deceit was a form of tribute to the importance of their marriage.
β
β
Ian McEwan (Atonement)
β
It was common enough, to see so much death and want a child. Common, therefore human, and he wanted it all the more. When the wounded were screaming, you dreamed of sharing a little house somewhere, of an ordinary life, a family line, connection.
β
β
Ian McEwan (Atonement)
β
Elder Neal A. Maxwell suggests that the prime reason the Savior personally acts as the gatekeeper of the celestial kingdom is not to exclude people, but to personally welcome and embrace those who have made it back home.
β
β
Tad R. Callister (The Infinite Atonement)
β
in your time you shall do wrong unto others and others shall do wrong unto you. And these opposing wrongs will become your chains. The wrongs you have done unto others will be bound to you in the form of guilt, and the wrongs that others have done unto you in the form of indignation. The teachings of Jesus Christ Our Savior are there to free you from both. To free you from your guilt through atonement and from your indignation through forgiveness. Only once you have freed yourself from both of these chains may you begin to live your life with love in your heart and serenity in your step.
β
β
Amor Towles (The Lincoln Highway)
β
A single gentle rain makes the grass many shades greener. So our prospects brighten on the influx of better thoughts. We should be blessed if we lived in the present always, and took advantage of every accident that befell us, like the grass which confesses the influence of the slightest dew that falls on it; and did not spend our time in atoning for the neglect of past opportunities, which we call doing our duty. We loiter in winter while it is already spring.
β
β
Henry David Thoreau (Walden)
β
Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didnβt know, that wasnβt taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonementβyou know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and sheβd probably know), it was still a fantasy of mine. Like, whatβs more romantic than a quiet place full of books? But I shouldnβt have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library.
β
β
Kody Keplinger (Shut Out (Hamilton High, #2))
β
He snaps a shot of Cornbread and presses send, flinching when the bird flaps at him threateningly. I think heβs cute, Henry responds. thatβs because you canβt hear all the menacing gobbling Yes, famously the most sinister of all animal sounds, the gobble. βYou know what, you little shit,β Alex says the second the call connects, βyou can hear it for yourself and then tell me how you would handle thisββ βAlex?β Henryβs voice sounds scratchy and bewildered across the line. βHave you really rung me at three oβclock in the morning to make me listen to a turkey?β βYes, obviously,β Alex says. He glances at Cornbread and cringes. βJesus Christ, itβs like they can see into your soul. Cornbread knows my sins, Henry. Cornbread knows what I have done, and he is here to make me atone.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
Sometimes we carry unhappy feelings about past hurts too long. We spend too much energy dwelling on things that have passed and cannot be changed. We struggle to close the door and let go of the hurt. If, after time, we can forgive whatever may have caused the hurt, we will tap 'into a life-giving source of comfort' through the Atonement, and the 'sweet peace' of forgiveness will be ours ("My Journey to Forgiving," Ensign, Feb. 1997. 43). Some injuries are so hurtful and deep that healing comes only with help from a higher power and hope for perfect justice and restitution in the next life. . . . You can tap into that higher power and receive precious comfort and sweet peace.
β
β
James E. Faust
β
Dearest Cecilia, the story can resume. The one I had been planning on that evening walk. I can become again the man who once crossed the surrey park at dusk, in my best suit, swaggering on the promise of life. The man who, with the clarity of passion, made love to you in the library. The story can resume. I will return. Find you, love you, marry you and live without shame.
β
β
Ian McEwan (Atonement)
β
She raised one hand and flexed its fingers and wondered, as she had sometimes before, how this thing, this machine for gripping, this fleshy spider on the end of her arm, came to be hers, entirely at her command. Or did it have some little life of its own? She bent her finger and straightened it. The mystery was in the instant before it moved, the dividing moment between not moving and moving, when her intention took effect. It was like a wave breaking. If she could only find herself at the crest, she thought, she might find the secret of herself, that part of her that was really in charge.
β
β
Ian McEwan (Atonement)
β
But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have?
β
β
Ian McEwan (Atonement)
β
I wanted to tell you that, because you,"
said Laurent, as though he was forcing
the words out, "You remind me of him.
He was the best man I have ever known.
You deserve to know that, as you
deserve at
least a fair . . . In Arles, I treated you
with malice and cruelty. I will not insult
you by attempting to atone for deeds
with words, but I would not treat you
that way again. I was angry. Angry, that
isn't the word.
β
β
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
β
And what a story. The first thing that drew me in was disbelief. What? Humanity sins but it's God's Son who pays the price? I tried to imagine Father saying to me, 'Piscine, a lion slipped into the llama pen today and killed two llamas. Yesterday another one killed a black buck. Last week two of them ate a camel. The situation has become intolerable. Something must be done. I have decided that the only way the lions can atone for their sins is if I feed them you.' ... 'Yes, Father, that would be the right and logical thing to do. Give me a moment to wash up'. What a downright weird story. What a peculiar psychology.
β
β
Yann Martel (Life of Pi)
β
In a story you only had to wish, you only had to write it down and you could have the world...It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled.
β
β
Ian McEwan (Atonement)
β
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess β no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity β back of that morning, he had done nothing. They knew that it took him six days to make the earth β all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.
At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.
Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?
I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken β that there is no supernatural power that can answer prayer - no power that worship can persuade or change β no power that cares for man.
Is there a God?
I do not know.
Is man immortal?
I do not know.
One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.
We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine β with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
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Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
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They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away.
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Ian McEwan (Atonement)
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This century will be called Darwin's century. He was one of the greatest men who ever touched this globe. He has explained more of the phenomena of life than all of the religious teachers. Write the name of Charles Darwin on the one hand and the name of every theologian who ever lived on the other, and from that name has come more light to the world than from all of those. His doctrine of evolution, his doctrine of the survival of the fittest, his doctrine of the origin of species, has removed in every thinking mind the last vestige of orthodox Christianity. He has not only stated, but he has demonstrated, that the inspired writer knew nothing of this world, nothing of the origin of man, nothing of geology, nothing of astronomy, nothing of nature; that the Bible is a book written by ignorance--at the instigation of fear. Think of the men who replied to him. Only a few years ago there was no person too ignorant to successfully answer Charles Darwin, and the more ignorant he was the more cheerfully he undertook the task. He was held up to the ridicule, the scorn and contempt of the Christian world, and yet when he died, England was proud to put his dust with that of her noblest and her grandest. Charles Darwin conquered the intellectual world, and his doctrines are now accepted facts. His light has broken in on some of the clergy, and the greatest man who to-day occupies the pulpit of one of the orthodox churches, Henry Ward Beecher, is a believer in the theories of Charles Darwin--a man of more genius than all the clergy of that entire church put together.
...The church teaches that man was created perfect, and that for six thousand years he has degenerated. Darwin demonstrated the falsity of this dogma. He shows that man has for thousands of ages steadily advanced; that the Garden of Eden is an ignorant myth; that the doctrine of original sin has no foundation in fact; that the atonement is an absurdity; that the serpent did not tempt, and that man did not 'fall.'
Charles Darwin destroyed the foundation of orthodox Christianity. There is nothing left but faith in what we know could not and did not happen. Religion and science are enemies. One is a superstition; the other is a fact. One rests upon the false, the other upon the true. One is the result of fear and faith, the other of investigation and reason.
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Robert G. Ingersoll (Lectures of Col. R.G. Ingersoll: Including His Letters On the Chinese God--Is Suicide a Sin?--The Right to One's Life--Etc. Etc. Etc, Volume 2)
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Love makes us wake up in the morning with a sense of purpose and a flow of creative ideas. Love floods our nervous system with positive energy, making us far more attractive to prospective employers, clients, and creative partners. Love fills us with powerful charisma, enabling us to produce new ideas and new projects, even within circumstances that seem to be limited. Love leads us to atone for our errors and clean up the mess when we've made mistakes. Love leads us to act with impeccability, integrity, and excellence. Love leads us to serve, to forgive, and to hope. Those things are the opposite of a poverty consciousness; they're the stuff of spiritual wealth creation.
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Marianne Williamson (The Law of Divine Compensation: On Work, Money, and Miracles)
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Arobynn continued to pin her with that loverβs gaze. βNothing is without a price.β He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, βTell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before β¦ before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for meβand let me lay the world at your feet.β
Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here β¦ Had it been for information, to test her, or some grotesque way to assure himself of his dominance? βThere is nothingββ
βNoβnot yet,β he said, stepping away. βDonβt say it yet. Sleep on it. Though, before you doβperhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person youβre looking for.β She kept her face stillβbored evenβas she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. βIf you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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There is something quite amazing and monstrous about the education of upper-class women. What could be more paradoxical? All the world is agreed that they are to be brought up as ignorant as possible of erotic matters, and that one has to imbue their souls with a profound sense of shame in such matters until the merest suggestion of such things triggers the most extreme impatience and flight. The "honor" of women really comes into play only here: what else would one not forgive them? But here they are supposed to remain ignorant even in their hearts: they are supposed to have neither eyes nor ears, nor words, nor thoughts for this -- their "evil;" and mere knowledge is considered evil. And then to be hurled as by a gruesome lightning bolt, into reality and knowledge, by marriage -- precisely by the man they love and esteem most! To catch love and shame in a contradiction and to be forced to experience at the same time delight, surrender, duty, pity, terror, and who knows what else, in the face of the unexpected neighborliness of god and beast!
Thus a psychic knot has been tied that may have no equal. Even the compassionate curiosity of the wisest student of humanity is inadequate for guessing how this or that woman manages to accommodate herself to this solution of the riddle, and to the riddle of a solution, and what dreadful, far-reaching suspicions must stir in her poor, unhinged soul -- and how the ultimate philosophy and skepsis of woman casts anchor at this point!
Afterward, the same deep silence as before. Often a silence directed at herself, too. She closes her eyes to herself.
Young women try hard to appear superficial and thoughtless. The most refined simulate a kind of impertinence.
Women easily experience their husbands as a question mark concerning their honor, and their children as an apology or atonement. They need children and wish for them in a way that is altogether different from that in which a man may wish for children.
In sum, one cannot be too kind about women.
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Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
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These thoughts were as familiar to her, and as comforting, as the precise configuration of her knees, their matching but competing, symmetrical and reversible, look. A second thought always followed the first, one mystery bred another: Was everyone else really as alive as she was? For example, did her sister really matter to herself, was she as valuable to herself as Briony was? Was being Cecilia just as vivid an affair as being Briony? Did her sister also have a real self concealed behind a breaking wave, and did she spend time thinking about it, with a finger held up to her face? Did everybody, including her father, Betty, Hardman? If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyoneβs thoughts striving in equal importance and everyoneβs claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance. But if the answer was no, then Briony was surrounded by machines, intelligent and pleasant enough on the outside, but lacking the bright and private inside feeling she had. This was sinister and lonely, as well as unlikely. For, though it offended her sense of order, she knew it was overwhelmingly probably that everyone else had thoughts like hers. She knew this, but only in a rather arid way; she didnβt really feel it.
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Ian McEwan (Atonement)
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Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism.
Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief.
You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
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Chieko N. Okazaki