Atlanta Show Quotes

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It's great having Bruce Springsteen on my show. We have so much in common! We're both from New Jersey, just from different neighborhoods. Sort of like how Martin Luther King and Margaret Mitchell both came from Atlanta. But from different neighborhoods.
Jon Stewart (America (The Book): A Citizen's Guide to Democracy Inaction)
The function of the university is not simply to teach bread-winning, or to furnish teachers for the public schools or to be a centre of polite society; it is, above all, to be the organ of that fine adjustment between real life and the growing knowledge of life, an adjustment which forms the secret of civilization. Such an institution the South of to-day sorely needs. She has religion, earnest, bigoted:—religion that on both sides the Veil often omits the sixth, seventh, and eighth commandments, but substitutes a dozen supplementary ones. She has, as Atlanta shows, growing thrift and love of toil; but she lacks that broad knowledge of what the world knows and knew of human living and doing, which she may apply to the thousand problems of real life to-day confronting her.
W.E.B. Du Bois (The Souls of Black Folk)
Not that parents are alone in their extreme behavior. That have more than enough company among school boards and high-ranking politicians who think if you "fix the schools, they'll fix the kids." So, in Gadsden, Alabama, school officials eliminated kindergarten nap time in 2003 so the children would have more test-prep time. Two hours away in Atlanta, school officials figured that if you eliminated recess, the kids will study more. And just in case those shifty teachers try to sneak it in, Atlanta started building schools without playgrounds. "We are intent on improving academic performance," said the superintendent. "You don't do that by having kids hanging on the monkey bars." Meanwhile, Georgia's governor wanted the state to give Mozart CDs to newborns because research showed Mozart improved babies' IQs (which later proved to be mythical research). Right behind him is Lincoln, Rhode Island, where they canceled the district spelling bee because only one child would win, leaving all others behind, thus violating the intent of No Child Left Behind--or, as they might say in Lincoln, no child gets ahead.
Jim Trelease (The Read-Aloud Handbook)
He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests.
Salman Rushdie (Quichotte)
I'll tell you why I keep my scrapbooks. It's in case my real father shows up .I never met him, don't even know his name...I've got this feeling he's out there searching for me. When he bursts through the door and tells me he's spent a fortune on detectives looking all over the world for me, I'm not going to sit there like a dumb cluck when he asks me what I've been doing. I'm going to yank out my eleven scrapbooks filled with my experiences and inner-most thoughts on life lived in three time zones in America. I was a Girl Scout for three months when we lived in Atlanta. I couldn't get those square knots down for anything, but I got the big concept. Be prepared. Addie always told me, "It's more important to get the big concept than to be an expert in the small stuff.
Joan Bauer
All my life I was taught to stay out of the way of the powerful. Don’t draw attention to yourself. Don’t show off. Guard your blood, because it will betray you. If you bleed, wipe it clean and burn the rag. Burn the bandages. If someone manages to obtain some of your blood, kill him and destroy the sample. At first it was a matter of survival. Later it became a matter of vengeance. Meeting the Beast Lord meant plunging head first into the supernatural politics of Atlanta. He was one of the heavyweights.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
But there was that thing inside him that had wanted to see New York. He had been to Atlanta once when he was a boy and he had seen New York in a picture show. Big Town Rhythm it was. Big towns were important places. The thing inside him had sneaked up on him for just one instant. The place like he’d seen in the picture show had room for him! It was an important place and it had room for him! He’d said yes, he’d go. He must have been sick when he said it. He couldn’t have been well and said it. He had been sick and she had been so taken up with her damn duty, she had wangled it out of him.
Flannery O'Connor (The Complete Stories)
Hey, Noah, I see you’re getting back into shape. There is a race north of Atlanta that I just heard about. Look it up. I don’t know if you can do it, but if you can, I’d love to do it with you,” he said. I told him I would check it out and call him back. I looked it up online and found out it was a Warrior Dash 5K. People dress up to run the course full of easy obstacles and a lot of mud. It looked really fun. It was even a Scottish event, and the Galloways are Scottish. I called Jerry back immediately. I was all in on this! “This is awesome. Let’s do it! And if we do it, let’s grow full beards and wear kilts. I’ll find the kilts.” To date, this was the only time Jerry’s wife let him grow a beard. We spent three months growing our beards and then showed up at this race in our kilts along with twenty thousand other people.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
He found that when the Montreal Canadiens ice hockey team—once described as the national team of French Canada—got knocked out of the playoffs early between 1951 and 1992, Quebecois males aged fifteen to thirty-four became more likely to kill themselves. Robert Fernquist, a sociologist at the University of Central Missouri, went further. He studied thirty American metropolitan areas with professional sports teams from 1971 to 1990 and showed that fewer suicides occurred in cities whose teams made the playoffs more often. Routinely reaching the playoffs could reduce suicides by about twenty each year in a metropolitan area the size of Boston or Atlanta, said Fernquist. These saved lives were the converse of the mythical Brazilians throwing themselves off apartment blocks. Later, Fernquist investigated another link between sports and suicide: he looked at the suicide rate in American cities after a local sports team moved to another town. It turned out that some of the fans abandoned by their team killed themselves. This happened in New York in 1957 when the Brooklyn Dodgers and New York Giants baseball teams left, in Cleveland in 1995–1996 when the Browns football team moved to Baltimore, and in Houston in 1997–1998 when the Oilers football team departed. In each case the suicide rate was 10 percent to 14 percent higher in the two months around the team’s departure than in the same months of the previous year. Each move probably helped prompt a handful of suicides. Fernquist wrote, “The sudden change brought about due to the geographic relocations of pro sports teams does appear to, at least for a short time, make highly identified fans drastically change the way they view the normative order in society.” Clearly none of these people killed themselves just because they lost their team. Rather, they were very troubled individuals for whom this sporting disappointment was too much to bear. Perhaps the most famous recent case of a man who found he could not live without sports was the Gonzo author Hunter S. Thompson. He shot himself in February 2005, four days after writing a note in black marker with the title, “Football Season Is Over”:
Simon Kuper (Soccernomics: Why England Loses, Why Spain, Germany, and Brazil Win, and Why the U.S., Japan, Australia—and Even Iraq—Are Destined to Become the Kings of the World's Most Popular Sport)
The history of American education reform shows not only recurring attacks on veteran educators, but also a number of failed ideas about teaching that keep popping up again and again, like a Whac-A-Mole game at the amusement park. Over the past ten years, cities from Atlanta to Austin to New York have experimented with paying teachers bonuses for higher student test scores. This type of merit pay was attempted in the 1920s, early 1960s, and 1980s. It never worked to broadly motivate teachers or advance outcomes for kids.
Dana Goldstein (The Teacher Wars: A History of America's Most Embattled Profession)
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DuiTwoCaptain
Six months later, Knives Out received a limited, almost nonexistent release. The few reviews it garnered offered mild praise; there were no mentions of Annie’s performance. Nevertheless, when the Fangs found a theater in Atlanta that was showing the movie, Annie could not contain her excitement. “You’re going to be so proud of me,” Annie told her parents. She had not allowed Mr. or Mrs. Fang to accompany her during the filming of her scenes. They had stayed behind in the motel and, once the few scenes had been shot, each only a single take to save film for more important scenes, she answered their questions with shrugs and one-word answers. The Fangs had assumed she had lost interest in acting and did not press her.
Kevin Wilson (The Family Fang)
There once lived, at a series of temporary addresses across the United States of America, a travelling man of Indian origin, advancing years and retreating mental powers, who, on account of his love for mindless television, had spent far too much of his life in the yellow light of tawdry motel rooms watching an excess of it, and had suffered a peculiar form of brain damage as a result. He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests.
Salman Rushdie (Quichotte)
Learning how to play guitar like a pro does not have to be as difficult as you might think. In fact it can actually be a fun process if you have the right person showing you how to achieve success in you guitar playing. If you are anything like me then you do not want to waste countless hours doing the wrong things. If you are looking how to play guitar like a pro and do not want to develop bad habits then Pro Guitar Lessons Atlanta is your solution!
Pro Guitar Lessons Atlanta
Turnbull flipped the channels on the Vizio monitor. Star Trek: Victory was the latest US version of the old TV series, the copyright issues having been rendered largely moot by the Split and the subsequent cold war between the United States and the People’s Republic. The new Star Trek shows in the new United States, produced in the heart of the red movie business, Atlanta, reflected the attitudes of their country. Conversely, the characters in the version produced inside the blue in Hollywood spent a lot of time confronting intergalactic human privilege and the systemic racism of the Federation.
Kurt Schlichter (Collapse (Kelly Turnbull, #4))
Furi narrowed his eyes again and stepped into Syn’s space. “Are you gay, Detective?” There it was. The million-dollar question. Was he gay? He’d never asked himself that. He’d only slept with women before, but had never felt anything more for them than an easy friends-with-benefits involvement. Rhodes was the only person that he’d ever felt a connection with. A man. Syn felt his mouth move, but no sound was coming out. Fuck. Furi looked at him skeptically. “Uh huh. Just like I thought. Who are you working for? Him. He send you? Did he hire you to find me? Are you a private detective?” That accusation cut through Syn's speechlessness. “Whoa. I work for the city of Atlanta. What are you talking about? Who is him? Is someone after you?” Syn didn’t realize he’d grabbed Furi’s shoulders, forcing him to look into his eyes until Furi threw his arms up and dislodged Syn’s grip. “Take your goddamn hands off of me! I’m sick of people thinking they can put their fucking hands on me! Stay the fuck away from me, Detective.” Furi shoved past him and reached for the door. Syn jumped in front of it before Furi could get it open. He yelled right back at Furi, “My name is Syn! I’m not here as a Detective! I don’t know who him is, nor do I work for him.” Syn put up air quotes for the word him. “I just wanted to talk to you!” “About what?” Furi yelled. They were in each other’s faces, chest bumping each other. “I don’t fucking know! About you. About me. About the damn Falcons' game last week. About the weather. About why there’s so many goddamn reality TV shows. About what-the-hell-ever! That’s what people do when they want to get to know someone!” Syn stepped back and gripped his hair blowing out a long frustrated breath. He felt so ridiculous, was so annoyed that he was seconds away from just walking away. “Fuck! I didn’t think dating was this damn hard.
A.E. Via
On our trip from Atlanta to San Diego we had a stopover in Dallas at Love Field. There’s a huge statue of a Texas Ranger in the terminal and it’s inscribed: “One Riot, One Ranger.” It reminded me of an incident when I was playing baseball in Amarillo. There were about five or six players having a drink at a table in the middle of this large, well-lit bar, all of us over twenty-one. Suddenly, through the swinging doors—Old West fashion—come these four big Texans, ten-gallon hats, boots, spurs, six-shooters holstered at their sides, the works. They stopped and looked around and all of a sudden everybody in the place stopped talking. I wouldn’t have been surprised if one of them said, “All right, draw!” They spotted us ballplayers and sauntered over, all four of them, spurs jangling, boots creaking, all eyes on them. “Let me see your IDs, boys,” one of them says. I don’t know what got into me, but I had to say—I had to after that entrance—to these obvious Texas Rangers, “First I’d like to see your identification.” I said it loud. He rolled his eyes up into his head in exasperation and very slowly and reluctantly he reached for his wallet, opened it and showed me his badge and identification card. I gave them a good going over. I mean a 20-second check, looking at the photo and then up at him. Then I said, “He’s okay, men.” Then, of course, we all whipped out our IDs, which showed we were all over twenty-one, and the Texas Rangers turned around and walked out, creaking and jangling. We laughed about that for weeks. I find it curious that of all the things Dallas could have chosen to glorify in the airport, it chose law enforcement. The only thing I know about Dallas law enforcement is that its police department allowed a lynching to occur on national television. Maybe the statue should have been of a group of policemen at headquarters, with an inscription that read: “One Police Department, One Lynching.
Jim Bouton (Ball Four)
Journalist Tony Horwitz describes its laser show as an unfortunate mix of Coca-Cola, the Beatles, the Atlanta Braves, and Elvis sining "Dixie," followed by the "Battle Hymn of the Republic." Television ads end with the inclusive slogan, "Stone Mountain: A Different Day for Everyone." Eventually the desire for everyone's dollar may accomplish what the physical elements cannot: eradicating Stone Mountain as a Confederate-KKK Shrine.
James Loewen
He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests. (He
Salman Rushdie (Quichotte)
One of the very few media outlets to even consider alternative explanations for the black-white statistical differences was the Atlanta Journal-Constitution, which showed that 52 percent of blacks had credit scores so low that they would qualify only for the less desirable subprime mortgages, as did 16 percent of whites. Accordingly, 49 percent of blacks in the data cited by the Atlanta Journal-Constitution ended up with subprime mortgages, as did 13 percent of whites and 10 percent of Asians.3 In short, the three groups’ respective rankings in terms of the kinds of mortgage loans they could get was similar to their respective rankings in average credit ratings.
Thomas Sowell (Discrimination and Disparities)
It made no sense, her showing up at McMurphy’s like that. Atlanta was a big city.
Aly Martinez (The Difference Between Somebody and Someone (The Difference Trilogy Book 1))
Nashville had gotten schizophrenic over the past decades. The reputation as Little Atlanta was well deserved—while the country music scene still ran the show, there were many more avenues for pleasure. The stunning Schermerhorn Symphony Hall and the First Art Center drew a more refined crowd downtown, and esoteric restaurants and sophisticated bars had opened to provide succor to the cultivated set. Taylor liked these places; they were a retreat, a way to get away from her sometimes mundane world. They
J.T. Ellison (14 (Taylor Jackson, #2))
He can’t hold on to a dime. On a Saturday afternoon, he’ll take the kids for a drive. Poof. Twenty, thirty bucks gone, without a thing to show for it.” —Shelley, Atlanta, GA
Merry Bloch Jones (I Love Him, But . . .)
If I tell our son to go to bed, he says, ‘Let him finish his TV show.’ If I tell our daughter to brush her hair, he says, ‘She looks fine.’ The only time I get my way is if I tell them to do the opposite of what I want.” —Karen, Atlanta, GA
Merry Bloch Jones (I Love Him, But . . .)
Kodak commercials say that a picture is worth a thousand words, but the one they showed of Rodney ain’t worth more than three or four. Boy. Black.
Tayari Jones (Leaving Atlanta)
The Doors music has been included in movies and their career has inspired feature films. Chapter 8 - The Doors at The Movies Ray Manzarek and Jim Morrison were film students at UCLA when they met. They both had an abiding interest in film and the past masters as well as creating a new cinema. Through The Doors they did create cinema. At first, one strictly of The Doors, but as their influence and legend spread through culture they, in turn, inspired those that were creating movies.   The Doors Film Feast of Friends Late in March 1968 (the exact date is unknown) The Doors decided to film a documentary of their forthcoming tour. The idea may have come about because Bobby Neuwirth, who was hired to hang out with Jim and try to direct his energies to more productive pursuits than drinking, produced a film Not to Touch the Earth that utilized behind the scenes film of The Doors. The band set up an initial budget of $20,000 for the project. Former UCLA film students Jim Morrison and Ray Manzarek hired film school friends Paul Ferrara as director of photography, Frank Lisciandro as editor, and Morrison friend Babe Hill as the sound recorder. The first show shot, for what would be later named Feast of Friends, was the April 13th performance at the Santa Rosa Fairgrounds. Overall shooting of the film lasted for five months between March and September, and captured the riots in Cleveland and the Singer Bowl. Filming culminated in Saratoga Springs, New York, where backstage Morrison goofed around on a warm up piano and improvised a hilarious ode to Frederick Nietzsche. After filming started, the concept grew and Feast of Friends was to incorporate fictional scenes (some version of HWY?). But problems started to arise. The live sound, in parts, was unusable so the decision was made to use the album cuts of Doors songs. The budget grew by another $10,000 and the film still wasn’t finished. A decision was made by Ray, Robby and John to pull the plug on the film, but Paul Ferrara appealed to Jim and a compromise was worked out. The fictional scenes would be dropped and another $4,000 was added to the budget to complete the editing. The completed film runs to about thirty-eight minutes and is mostly images taken from different shows, or the band prior to a show. It has some footage of the Singer Bowl riot, which shows the riot in full flower, the stage crowded with policemen and fans. Occasionally, Morrison comes out of nowhere to encourage it all. The centerpiece of the film is The End from the Hollywood Bowl show. The film suffers a bit from not using live sound, the superimposition of album cuts of songs (except the Hollywood Bowl footage) removes the viewer from the immediacy and impact of The Doors. Feast of Friends was later accepted at five major film festivals, including the Atlanta International Film Festival that Frank Lisciandro describes in An Hour For Magic. In later years Feast of Friends was shelved, missing the late 70’s midnight movie circuit showing rock films. In the 80’s with the advent of MTV, Ray Manzarek started producing videos of Doors songs for showing on MTV and they relied heavily on the Feast of Friends footage. Chances are that even if you haven’t seen Feast of Friends you’ve seen a lot of the footage.   Jim Morrison Films HWY The Doors had laid low for just over a month. On March 1, 1969, the ‘Miami Incident’ had occurred, at first with no reaction more than any other Doors show, and the band went off on a prearranged Jamaican vacation in anticipation
Jim Cherry (The Doors Examined)
I love my generation, but we are flaky sometimes. I’ve had several conversations with people my age who say the reason it’s so tough to build relationships or keep them going is because we come into them with only half of our hearts sometimes. We like to keep one foot out the door in case a better option comes along. I used to be guilty of this. I would make plans with someone, but I would be flaky about the confirmation. We’d leave the time or the place open-ended. There were plenty of times when, as the meet-up approached, I’d pray that they would duck out. I’m learning you miss out on a lot of things in life when you are indecisive about your yes. Saying yes and following through builds a lot of character. It makes you a reliable person. I had to place the habit of flakiness—as sacred as it felt to me—on the altar and sacrifice it to the gods of consistency once I decided to stay in Atlanta. Sometimes you don’t even realize how much people need you to show up.
Hannah Brencher (Come Matter Here: Your Invitation to Be Here in a Getting There World)
one of these fancy houses. But Dale might show up at the Kermex lot with the cops, and nobody could risk that. Least of all Wells. He tossed the box of fried chicken on the lawn – maybe the smell would attract raccoons. They walked for miles down Mount Vernon in rain that turned into a full-on thunderstorm. Wells forced himself to stick with Eduardo and the others, though he worried that a cop might pick them up. Sandy Springs was the richest suburb in Atlanta, and its police didn’t look kindly on brown men wandering the streets. For long stretches, the road had no shoulder or sidewalks, and twice they were forced to jump into brush to avoid speeding SUVs. Finally they reached 285 and waited interminably for a bus. From now on Wells was bringing twenty bucks and his cell phone on these jobs, so he could call a cab if he got ditched. He had been colder and hungrier plenty of times, but he couldn’t remember being quite so furious. He expected more from his country. Beside him the Guatemalans chattered away until finally Wells tapped Eduardo’s shoulder. ‘You speak English?’ Wells said. Eduardo smiled. ‘Good as you speak Spanish.’ ‘Then can I ask you something? You like it here?’ ‘Every month I send my family seven hundred dollars. They building a house in Escuintla, where I’m from,’ Eduardo said. ‘When it’s done, I go home.’ ‘You don’t want to stay?’ ‘You
Alex Berenson (The Faithful Spy (John Wells, #1))
The way Brad’s business works,” she said, “is that companies who are looking to expand send his agency locations where they want to go, and I don’t mean towns or regions. I mean coordinates. Latitude and longitude. Often they’ve already identified the site themselves.” “Why don’t they just buy the property themselves?” I asked. “Something about retailers not wanting to also be in real estate,” she said with a shrug. “It never made much sense to me either, but apparently it’s about showing their investors that they are staying within a particular area of business expertise and subcontracting for related services. Anyway. So a company like yours—Great Deal, right?” “Right.” “Great Deal says they want three stores in metro Atlanta in these locations and they’ll pay between one and three million per lot. Brad goes in, negotiates the deal with the property owner through a broker, ensures the land is suitable, then purchases it for Great Deal. But say he finds out that the seller will part with the land for only a few hundred thousand? He knows Great Deal will pay way more than that so . . .” “He convinces the seller to ask for a higher price and gets a cut of the extra?” I suggest. “Worse,” she said, and now her previous despondency settled back into her body so that she sagged and, for a second, squeezed her eyes shut. “He buys the land himself. Sets up a shell company under someone else’s name, then tries to sell it on to Great Deal at the markup he knows they’ll pay. A million plus profit per site.
Andrew Hart (Lies that Bind Us)