Athena Direct Quotes

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If your mind and spirit are directed to your task, everything else will follow. Relax.” “But focus,” said Hermes. “Relaxation without focus leads to failure.” “Focus without relaxation leads to failure just as surely,” said Athena. “So concentrate . . .” said Perseus. “Exactly.” “. . . but calmly?” “Concentrate calmly. You have it.
Stephen Fry (Heroes: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #2))
Once they got there, it wasn’t a pretty landing. With the oars damaged and the foresail torn, Leo could barely manage a controlled descent. The others strapped themselves in below—except for Coach Hedge, who insisted on clinging to the forward rail, yelling, “YEAH! Bring it on, lake!” Leo stood astern, alone at the helm, and aimed as best he could. Festus creaked and whirred warning signals, which were relayed through the intercom to the quarterdeck. “I know, I know,” Leo said, gritting his teeth. He didn’t have much time to take in the scenery. To the southeast, a city was nestled in the foothills of a mountain range, blue and purple in the afternoon shadows. A flat desert landscape spread to the south. Directly beneath them the Great Salt Lake glittered like aluminum foil, the shoreline etched with white salt marshes that reminded Leo of aerial photos of Mars. “Hang on, Coach!” he shouted. “This is going to hurt.” “I was born for hurt!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
It was told that during the wedding feast, Eris [Discordia], a daughter of Nyx, threw a golden apple into their midst, intended as a prize for the most beautiful amongst the three Goddesses at the table: Athena, Hera & Aphrodite, the daughter, wife & clandestine lover of Zeus, respectively. And Zeus wisely dodged the responsibility of making such a tough decision,directing that it should be made by Paris of Troy instead.
Nicholas Chong
CATHERINE: All these questions, and more, will be answered in the third volume of these adventures of the Athena Club, assuming this volume sells sufficiently well—two shillings in bookstores, train stations, and directly from the publisher. And should anyone wish to bring out an American edition— MARY: You really have to stop it with the advertisements! CATHERINE: If our readers want to find out what happens to Alice, they will need to buy the first two books! Of course, if they want me to leave Alice in peril . . .
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
You know, I’ve been called a thief before. Growing up in Hackney, going to the markets with my mother—the shopkeepers always kept an eye on us, in case we pilfered anything. Because we looked Indian, and you could never tell with those wogs, could you? The number of times I was told I wasn’t welcome because I wasn’t really English, even though I’d been born in London, same as them. I thought the circus was going to be different. I thought you”—she looked at Catherine accusingly—“were going to be different. But you know what? Why don’t you just search my stuff. Go on. Whatever you’re missing, jewelry or money—you just go ahead and look for it!” She bent down and drew her suitcase out from under the seat, threw it on top, and opened it violently, so that dresses and scarves spilled out. She shook the contents directly onto the seat cushions, then scattered them about. “Here you go, that’s what you wanted, right? And if you find whatever you’re looking for, you can go ahead and put me in gaol, or whatever they have for gaol here in Austria. I’m going to feed the snakes—they need their lunch too. They may be poisonous, but they’ve never made me feel like dirt. It takes a human being to do that.
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Gods in The Lost Hero Aeolus The Greek god of the winds. Roman form: Aeolus Aphrodite The Greek goddess of love and beauty. She was married to Hephaestus, but she loved Ares, the god of war. Roman form: Venus Apollo The Greek god of the sun, prophecy, music, and healing; the son of Zeus, and the twin of Artemis. Roman form: Apollo Ares The Greek god of war; the son of Zeus and Hera, and half brother to Athena. Roman form: Mars Artemis The Greek goddess of the hunt and the moon; the daughter of Zeus and the twin of Apollo. Roman form: Diana Boreas The Greek god of the north wind, one of the four directional anemoi (wind gods); the god of winter; father of Khione. Roman form: Aquilon Demeter The Greek goddess of agriculture, a daughter of the Titans Rhea and Kronos. Roman form: Ceres Dionysus The Greek god of wine; the son of Zeus. Roman form: Bacchus Gaea The Greek personification of Earth. Roman form: Terra Hades According to Greek mythology, ruler of the Underworld and god of the dead. Roman form: Pluto Hecate The Greek goddess of magic; the only child of the Titans Perses and Asteria. Roman form: Trivia Hephaestus The Greek god of fire and crafts and of blacksmiths; the son of Zeus and Hera, and married to Aphrodite. Roman form: Vulcan Hera The Greek goddess of marriage; Zeus’s wife and sister. Roman form: Juno Hermes The Greek god of travelers, communication, and thieves; son of Zeus. Roman form: Mercury Hypnos The Greek god of sleep; the (fatherless) son of Nyx (Night) and brother of Thanatos (Death). Roman form: Somnus Iris The Greek goddess of the rainbow, and a messenger of the gods; the daughter of Thaumas and Electra. Roman form: Iris Janus The Roman god of gates, doors, and doorways, as well as beginnings and endings. Khione The Greek goddess of snow; daughter of Boreas Notus The Greek god of the south wind, one of the four directional anemoi (wind gods). Roman form: Favonius Ouranos The Greek personification of the sky. Roman form: Uranus Pan The Greek god of the wild; the son of Hermes. Roman form: Faunus Pompona The Roman goddess of plenty Poseidon The Greek god of the sea; son of the Titans Kronos and Rhea, and brother of Zeus and Hades. Roman form: Neptune Zeus The Greek god of the sky and king of the gods. Roman form: Jupiter
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Erechtheus’s birth myth is singular in every respect. According to Apollodoros, conception occurred when the god Hephaistos caught sight of the maiden Athena.138 He chased her, even as the virgin goddess resisted his advances. Much excited, Hephaistos “spilled his seed” upon her leg. Disgusted, Athena wiped the semen from her thigh with a piece of wool and threw it upon the ground. There, the seed of Hephaistos impregnated Mother Earth. From this improbable union, the hero known as Erechtheus was conceived. All Athenians were the progeny of this king, and while not sprung directly from the soil, they understood themselves to be descended from Mother Earth herself.139 No birth story could give the Athenians a stronger claim upon the land.
Joan Breton Connelly (The Parthenon Enigma)
She knew that it was not smart to address her concerns about money directly, for men despised women who confronted them in this way. She knew that the smart wife, especially one no longer willing to parlay sexual favors, would find a way to bring up matters sweetly, pouring honey all over the problem before showing it to the husband. But she was out of patience.
Karen Essex (Stealing Athena)
continuous nights from dusk to dawn! The ardor that Hera demonstrated for copulation was responded to in kind by Michael. His youthfulness, vitality and strong libido were thoroughly tested, and he passed. When the normal seven-day procreation period reached its end, Hera was completely sated and ready to give Michael up. If a pregnancy did not result, then another seven-day period would be assigned later. During the seven nights, Michael realized that he had connected with Hera in more than just a carnal fashion. They had become joined in other ways too. He wouldn’t have said that he had fallen in love with her, but he would agree that he had developed tender feelings that he did not have before. He sensed that Hera felt much the same. After a fashion she had fallen in love with him. Then her logic and sense entered into the equation and she reasoned that a true romantic relationship was not workable. There were just too many differences between them in terms of age, experience, and their stations in life. She would have had to give him up even if she hadn’t wanted to. The Procreation Duty with Hera had triggered one more important event. Michael and Athena’s love and attraction for one another had been brought out into the open. It was another aspect of the Procreation Directive that Michael struggled with. Yet, Athena seemed to be just fine with the matter. They had shared their first intimacy together. Then they had been forced to be apart while Michael was required to inseminate Athena’s own Mother for six full nights. The moral and ethical conflict it
William Patrick (Perpetual Wars - Special Relativity Series: Love and Loss (Perpetual Wars: Special Relativity Series Book 4))
Tyresia (Τειρεσίας) Tyresias is blind, it is said, but we are not really sure. We read that Tyresias was blinded by the gods because they did not want him to prophesy about 'private' matters. However, other ancient historical documents say that Tyresias was the son of a nymph who was made so by Athena as a punishment for seeing her bathing naked, but was then made a soothsayer by the goddess herself at his mother's request. Perhaps the best-known fact about Tyiresias is the one I am about to tell. One day, while walking on Mount Cillene, Tyresias came upon two snakes mating, and, annoyed by the scene, killed the female (according to one version, he merely separated them by striking first the female and then the male). At the same time, Tyresias was transformed from a man into a woman. He lived in this state for seven years, experiencing all the pleasures a woman can experience. After this period he was confronted with the same scene as the serpents. This time he killed the male serpent and instantly became a man again. One day, Zeus and Hera were divided by an argument: whether in love the man or the woman felt more pleasure. Unable to reach an agreement, with Zeus claiming it was the woman and Hera claiming it was the man, they decided to summon Tyresias, who was considered the only one who could settle the dispute as he was both man and woman. When questioned by the gods, he replied that pleasure is made up of ten parts: a man feels only one and a woman nine, so a woman feels nine times as much pleasure as a man. The goddess Hera, furious that Tyresias had revealed such a secret, made him blind, but Zeus, to compensate for the damage done, gave him the power to foresee the future and the gift of life for seven generations: the Greek gods cannot undo what other gods have done or decided. So Tyresias' blindness is actually the condition for him to fulfil his role as soothsayer. Sight comes into play directly, as a violation of a code of conduct enunciated by Callimachus (the laws of Cronus state that whoever sees an immortal against his will will pay a high price for that sight).
Kalos Bonasia
Why were the male gods allowed to get angry, and they weren't considered out of control and monstrous? Even the goddesses were portrayed as emotional. Hera was jealous. Aphrodite was fickle. . Only Athena could get mad and was still considered wise. Probably because her anger was usually directed at some other woman, such as Arachne, or on behalf of some hero she liked, such as Odysseus.
Katherine Marsh (Medusa (The Myth of Monsters #1))
Product that I Like." By Aron Micko H.B Arena, the most intense place; Belittle doers doing old space. Aroma smell now is embrace; Believable inspiration does race. Behavior no show cyberspace; Aurora lights direction to trace. Bottle available I thought vase; Athena the woman no replace. Area of insects fly every place; Breakable walls, now staircase. Aurora of an old do showcase; Bumble yellow shirt suitcase. Beatle seeing nope workplace; Armilla thing shines misplace. Bicycle rides the commonplace; Antenna sales I avail outpace.
Aron Micko H.B
As well as protection, Athena brings further gifts to the work of healing from trauma. Past trauma can be transformed through ‘physical experiences that directly contradict the helplessness, rage and collapse that are part of trauma’ and which foster a renewed sense of self-mastery. Because trauma tends to be experienced in ‘isolated fragments,’ treatment particularly needs to engage the entire organism, ‘body, mind, and brain.’ Athena’s domain includes reading and writing, weaving and handicraft: creative skills which help the survivor engage fully in activities which strengthen new neural pathways for pleasure and joy.
Laura Shannon (Re-visioning Medusa: from Monster to Divine Wisdom)
Otherwise they were dressed identically, and their outfits definitely belonged in a nightmare. They wore matching white slacks and gold buccaneer shirts with V-necks that showed way too much chest hair. A dozen sheathed daggers lined their rhinestone belts. Their shoes were open-toed sandals, proving that – yes, indeed – they had snakes for feet. The straps wrapped around the serpents’ necks. Their heads curled up where the toes should be. The snakes flicked their tongues excitedly and turned their gold eyes in every direction, like dogs looking out of the window of a car. Maybe it had been a long time since they’d had shoes with a view.
Rick Riordan (The Mark of Athena (Heroes of Olympus, #3))
What Athena shows man, what she desires of him, and what she inspires him to, is boldness, will to victory, courage. But all of this is nothing without directing reason and illuminating clarity. These are the true fountainheads of worthy deeds, and it is they which complete the nature of the goddess of victory. This light of hers illumines not alone the warrior in battle: wherever in a life of action and heroism great things must be wrought, perfected and struggled for, there Athena is present. Broad indeed is the spirit of a battle-loving people when it recognizes the same perfection wherever a clear and intelligent glance shows the path to achievement, and when no mere maid of battle can be adequate.
Walter F. Otto (Homeric Gods: The Spiritual Significance of Greek Religion. Tr from German by Moses Hadas. Reprint of the 1954 Ed)