“
We’re running out of time, he said.
As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
But time is beyond our finite comprehension. It’s endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I took my morning walk, I took my evening walk, I ate something, I thought about something, I wrote, I napped and dreamt something too, and with all that something, I still have nothing because so much of sum’thing has always been and always will be you.
I miss you.
”
”
Mark Z. Danielewski (House of Leaves)
“
You point your feet out too much when you walk,” Will went on. He was busy polishing an apple on his shirtfront, and appeared not to notice Tessa glaring at him. “Camille walks delicately. Like a faun in the woods. Not like a duck.”
“I do not walk like a duck.”
“I like ducks,” Jem observed diplomatically. “Especially the ones in Hyde Park.” He glanced sideways at Will; both boys were sitting on the edge of the high table, their legs dangling over the side. “Remember when you tried to convince me to feed poultry pie to the mallards in the park to see if you could breed a race of cannibal ducks?”
“They ate it too,” Will reminisced. “Bloodthirsty little beasts. Never trust a duck.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
He drank too much when he could get it, ate too much when it was there, talked too much all the time.
”
”
John Steinbeck (The Grapes of Wrath)
“
I ate the roll, and forced down some more sparkling wine. When your eyes closed against the sun again, and I had nothing else to look at I glanced quickly at your chest, curious, really. I'd only seen chests like that in magazines. I wondered if that's how you'd got all your money . . . modeling. I looked down at my stomach. I grabbed at it, seeing how much fat I could lift up in a roll.
"Don't worry," you said, one eye open again like a crocodile, watching me. "You're beautiful." You tipped your head back again "Beautiful," you murmured. "Perfect."
"You wouldn't know. You're built like some sort of supermodel." I bit my lip, wishing I hadn't complimented you like that. "Or a stripper," I added. "Prostitute."
"I wouldn't want you to think I'm repulsive," you said, half smiling.
"Too late."
You opened your other eye to squint at me. "Will you ever give me a break?
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
Yells and howls, threaded together layer upon layer, are enmeshed to form that lump. Because of meat. I ate too much meat. The lives of the animals I ate have all lodged there. Blood and flesh, all those butchered bodies are scattered in every nook and cranny, and though the physical remnants were excreted, their lives still stick stubbornly to my insides.
”
”
Han Kang (The Vegetarian)
“
The need of exercise is a modern superstition, invented by people who ate too much and had nothing to think about. Athletics don’t make anybody long-lived or useful.
”
”
George Santayana
“
The United States was a big country where everybody wore funny t-shirts and ate too much.
”
”
Adam Rex (The True Meaning of Smekday)
“
We're running out of time, he said.
As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
But time is beyond our finite comprehension. It's endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not.
We have plenty of time, is what Castle should have said. We have all the time in the world, is what he should have said to me. But he didn't because what he meant tick tock is that our time tick tock is shifting. It's hurtling forward heading in an entirely new direction slamming face-first into something else and
tick
tick
tick
tick
tick
it's almost
time for war
”
”
Tahereh Mafi
“
Apparently I’m the only one who thinks this is the worst fucking idea since horses,” Garrett says irritably.
“Horses?” Logan and Fitzy echo in unison.
“Like, horses in general?” Morris asks in confusion.
“As in, domesticating them,” he grumbles. “They belong in the wild. End of story.”
“Babe,” Hannah hedges in, “are you just saying that because you’re scared of horses?”
His jaw drops. “I’m not scared of horses.”
She ignores the denial. “Oh my God, it’s all coming together. That’s why you wouldn’t go to the Thanksgiving fair in Philly.” She glances at the rest of us. “My aunt and uncle wanted to take us to this festival thing with all these cool booths and a petting zoo…and horseback riding. He said his stomach hurt.”
Garrett visibly clenches his teeth. “My stomach did hurt. I ate too much fucking turkey, Wellsy. Anyway, I don’t like this.
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
He stopped to rest at a cart selling nuts and candy, bought himself some Jelly Belly's, flirted just enought with the Mexican cutie working there to convince her pull out the banana-flavored one. Although he liked his Jelly Belly's mixed up, he didn't like banana, but, since it took too much effort to pull them out himself, he generally tried to talk someone else into doing it. If that didn't work, he just ate 'em.
- Kenny Traveler
”
”
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
“
We're running out of time, he said. As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
”
”
Tahereh Mafi
“
Slowly, painfully, I realized what I had been reading from the very first words of his journal. My husband had had an inner life that went beyond his gregarious exterior, and if I had known enough to let him inside my guard, I might have understood this fact. Except I hadn’t, of course. I had let tidal pools and fungi that could devour plastic inside my guard, but not him. Of all the aspects of the journal, this ate at me the most. He had created his share of our problems—by pushing me too hard, by wanting too much, by trying to see something in me that didn’t exist. But I could have met him partway and retained my sovereignty. And now it was too late.
”
”
Jeff VanderMeer (Annihilation (Southern Reach, #1))
“
I took my morning walk, I took my evening walk, I ate something, I thought about something, I wrote something, I napped and dreamt something too, and with all that something, I still have nothing because so much of sum'things has always been and always will be you. I miss you.
”
”
Mark Z. Danielewski (House of Leaves)
“
Nodding, Parker ate. “He’s an exceptional kisser.”
“He really is. He . . . How do you know?” When Parker just smiled, Emma’s jaw dropped. “You? You and Jack? When? How?”
“I think it’s disgusting,” Mac muttered. “Yet another best pal moving on my imaginary ex.”
“Two kisses, my first year at Yale, after we ran into each other at a party and he walked me back to the dorm. It was nice. Very nice. But as exceptional a kisser as he is, it was too much like kissing my brother. And as exceptional a kisser as I am, I believe he felt it was too much like kissing his sister. And that’s how we left it. I gather that wasn’t an issue for you and Jack.
”
”
Nora Roberts (Bed of Roses (Bride Quartet, #2))
“
So said Hair-Face, and they killed him, because, they said, he was a wild man and wanted to go back and live in a tree. It was very strange. Whenever a man arose and wanted to go forward all those that stood still said he went backward and should be killed. And the poor people helped stone him, and were fools. We were all fools, except those who were fat and did no work. The fools were called wise, and the wise were stoned. Men who worked did not get enough to eat, and the men who did not work ate too much.
”
”
Jack London (To Build a Fire and Other Stories)
“
England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.
Alas, no answer could be found.
Till suddenly one wondrous night.
All in a flash he saw the light.
He jumped up like a ballet dancer
And yelled, "By gum, I've got the answer!"
"They want my bacon slice by slice
"To sell at a tremendous price!
"They want my tender juicy chops
"To put in all the butcher's shops!
"They want my pork to make a roast
"And that's the part'll cost the most!
"They want my sausages in strings!
"They even want my chitterlings!
"The butcher's shop! The carving knife!
"That is the reason for my life!"
Such thoughts as these are not designed
To give a pig great piece of mind.
Next morning, in comes Farmer Bland,
A pail of pigswill in his hand,
And piggy with a mighty roar,
Bashes the farmer to the floor…
Now comes the rather grizzly bit
So let's not make too much of it,
Except that you must understand
That Piggy did eat Farmer Bland,
He ate him up from head to toe,
Chewing the pieces nice and slow.
It took an hour to reach the feet,
Because there was so much to eat,
And when he finished, Pig, of course,
Felt absolutely no remorse.
Slowly he scratched his brainy head
And with a little smile he said,
"I had a fairly powerful hunch
"That he might have me for his lunch.
"And so, because I feared the worst,
"I thought I'd better eat him first.
”
”
Roald Dahl
“
Mongo shrieked with joy and began to vigorously devour the remains, filling himself up so much his stomach bulged afterward. The little dinosaur puked on the floor and then ate that, too.
”
”
Matt Dinniman (Dungeon Crawler Carl (Dungeon Crawler Carl, #1))
“
The sister continued her journey, and she went so far, so very far, until she came to the end of the world and went to the sun, which was, however, much too hot and ate small children. So after that she went to the moon, which was, however, much too cold and also mean, and when it saw her, it said, “I smell, I smell human flesh!
”
”
Jacob Grimm (The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition)
“
We ate food that wasn't healthy. We let dirty dishes stack up in the sink. We slept too much.
We talked about everything, everything but the slaughter at the mall. Our past, our future. We planned. We dreamed.
”
”
Dean Koontz (Odd Thomas (Odd Thomas, #1))
“
Tom Dancer’s gift of a whitebark pine cone
You never know
What opportunity
Is going to travel to you,
Or through you.
Once a friend gave me
A small pine cone-
One of a few
He found in the scat
Of a grizzly
In Utah maybe,
Or Wyoming.
I took it home
And did what I supposed
He was sure I would do-
I ate it,
Thinking
How it had traveled
Through that rough
And holy body.
It was crisp and sweet.
It was almost a prayer
Without words.
My gratitude, Tom Dancer,
For this gift of the world
I adore so much
And want to belong to.
And thank you too, great bear
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
The humanist, who read too much, ate too much. He quoted and burped, and these two complaints were equally repugnant to his neighbor, a self-made aristocrat, Madame Lenoir.
”
”
Marcel Proust (Pleasures and Days)
“
My Teacher Sees Right Through Me
I didn’t do my homework.
My teacher asked me, “Why?”
I answered him, “It’s much too hard.”
He said, “You didn’t try.”
I told him, “My dog ate it.”
He said, “You have no dog.”
I said, “I went out running.”
He said, “You never jog.”
I told him, “I had chores to do.”
He said, “You watched TV.”
I said, “I saw the doctor.”
He said, “You were with me.”
My teacher sees right through my fibs,
which makes me very sad.
It’s hard to fool the teacher
when the teacher is your dad.
”
”
Bruce Lansky
“
To this day, being able to “take advantage” of someone is the measure in my mind of having a parent. For me and Lindsay, the fear of imposing stalked our minds, infecting even the food we ate. We recognized instinctively that many of the people we depended on weren’t supposed to play that role in our lives, so much so that it was one of the first things Lindsay thought of when she learned of Papaw’s death. We were conditioned to feel that we couldn’t really depend on people—that, even as children, asking someone for a meal or for help with a broken-down automobile was a luxury that we shouldn’t indulge in too much lest we fully tap the reservoir of goodwill serving as a safety valve in our lives.
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
Um… Eve…can I ask…?”
“About what?” Eve was still frowning at the pasta like she suspected it to do something clever, like try to escape the pot.
“You and Michael.”
“Oh.” A surge of pink to Eve’s cheeks. Between that and the fact that she was wearing colors outside of the Goth red and black rainbow, she looked young and very cute. “Well. I don’t know if it’s – God, he’s just so–”
“Hot?” Claire asked.
“Hot,” Eve admitted. “Nuclear hot. Surface of the sun hot. And–”
She stopped, the flush in her cheeks getting darker.
Claire picked up a wooden spoon and poked the pasta, which was beginning to loosen up. “And?”
“And I was planning on putting the moves on him before all this happened. That’s why I had on the garters and stuff. Planning ahead.”
“Oh, wow.”
“Yeah, embarrassing. Did he peek?”
“When you were changing?” Claire asked. “I don’t think so. But I think he wanted to.”
“That’s okay then.” Eve blinked down at the pasta, which had formed a thick white foam on top. “Is it supposed to be doing that?”
Claire hadn’t ever seen it happen at her parents’ house. But then again, they hadn’t made spaghetti much. “I don’t know.”
“Oh, crap!” The white foam kept growing, like in one of those cheesy science fiction movies. The foam that ate the Glass House…it mushroomed up over the top of the pot and down over the sides, and both girls yelped as it hit the burners and began to sizzle and pop. Claire grabbed the pot and moved it. Eve turned down the burner. “Right, pasta makes foam, good to know. Too hot. Way too hot.”
“Who? Michael?” Claire asked, and they dissolved in giggles.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
His was a lean excitable face with little bright eyes as evil as a frantic child's eyes. A cantankerous, complaining, mischievous, laughing face. He fought and argued, told dirty stories. He was as lecherous as always. Vicious and cruel and impatient, like a frantic child and the whole structure overlaid with with amusement. He drank too much when he could get it, ate too much when it was there, talked too much all the time.
”
”
John Steinbeck (The Grapes of Wrath)
“
But you can't say no to a birthday present, so she took the little pony to her room, where it ate things it shouldn't have, and farted too much.
”
”
Kate Beaton (The Princess and the Pony)
“
Besides, I'd heard too many Karen Carpenter tales at Gladstone PTA meetings, and they often took the form of boasts. The prestigious diagnosis of anorexia seemed much coveted not only by the students but by their mothers, who would compete over whose daughter ate less. No wonder the poor girls were a mess.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.”
Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft.
“Which was your favorite place?” I asked.
“I've never been terribly attached to any place. I guess it would have to be...here.”
I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite.
“The Texas panhandle?” I asked.
“No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.”
Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap.
He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again.
Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it.
“It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.”
“You were born in a convent,” he stated.
“Yes.”
“Naturally.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Forbidden things are open to the imagination. That was why Eve ate the Apple of Knowledge, said Aunt Vidala: too much imagination. So it was better not to know some things. Otherwise your petals would get scattered.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
Mrs. Fisher had never cared for macaroni, especially not this long, worm-shaped variety. She found it difficult to eat--slippery, wriggling off her fork, making her look, she felt, undignified when, having got it as she supposed into her mouth, ends of it yet hung out. Always, too, when she ate it she was reminded of Mr. Fisher. He had during their married life behaved very much like macaroni. He had slipped, he had wriggled, he had made her feel undignified, and when at last she had got him safe, as she thought, there had invariably been little bits of him that still, as it were, hung out.
”
”
Elizabeth von Arnim (The Enchanted April)
“
We're running out of time, he said.
As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
But time is beyond our finite comprehension. It's endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Truth: last week I online shopped too much. Then I ate 2 pounds of jelly beans to feel better about that. In fact, while I was trying to read soul-nourishing things all I could think about was shopping and jellybeans. Points to the monkey mind.
”
”
Ännä White (Mended: Thoughts on Life, Love, and Leaps of Faith)
“
A cantankerous, complaining, mischievous, laughing face. He fought and argued, told dirty stories. He was as lecherous as always. Vicious and cruel and impatient, like a frantic child, and the whole structure overlaid with amusement. He drank too much when he could get it, ate too much when it was there, talked too much all the time.
”
”
John Steinbeck (The Grapes of Wrath)
“
there was a sort of embarrassment about storytelling that struck home powerfully about one hundred years ago, at the beginning of modernism. We see a similar reaction in painting and in music. It's a preoccupation suddenly with the surface rather than the depth. So you get, for example, Picasso and Braque making all kinds of experiments with the actual surface of the painting. That becomes the interesting thing, much more interesting than the thing depicted, which is just an old newspaper, a glass of wine, something like that. In music, the Second Viennese School becomes very interested in what happens when the surface, the diatonic structure of the keys breaks down, and we look at the notes themselves in a sort of tone row, instead of concentrating on things like tunes, which are sort of further in, if you like. That happened, of course, in literature, too, with such great works as James Joyce's Ulysses, which is all about, really, how it's told. Not so much about what happens, which is a pretty banal event in a banal man's life. It's about how it's told. The surface suddenly became passionately interesting to artists in every field about a hundred years ago.
In the field of literature, story retreated. The books we talked about just now, Middlemarch, Bleak House, Vanity Fair -- their authors were the great storytellers as well as the great artists. After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's..."
So there was a great split that took place. Story retreated, as it were, into genre fiction-into crime fiction, into science fiction, into romantic fiction-whereas the high-art literary people went another way.
Children's books held onto the story, because children are rarely interested in surfaces in that sort of way. They're interested in what-happened and what-happened next. I found it a great discipline, when I was writing The Golden Compass and other books, to think that there were some children in the audience. I put it like that because I don't say I write for children. I find it hard to understand how some writers can say with great confidence, "Oh, I write for fourth grade children" or "I write for boys of 12 or 13." How do they know? I don't know. I would rather consider myself in the rather romantic position of the old storyteller in the marketplace: you sit down on your little bit of carpet with your hat upturned in front of you, and you start to tell a story. Your interest really is not in excluding people and saying to some of them, "No, you can't come, because it's just for so-and-so." My interest as a storyteller is to have as big an audience as possible. That will include children, I hope, and it will include adults, I hope. If dogs and horses want to stop and listen, they're welcome as well.
”
”
Philip Pullman
“
Infuriating people? Canon could do that. Fashioning—and breaking into—locks? He excelled at that too. He could even put Breac to shame with how much he ate.
But hacking through a thorn-riddled path?
That was a new experience.
And one he didn’t care to repeat.
”
”
Madisyn Carlin (Shattered Revision (The Shattered Lands, #0.5))
“
I am dreaming, right?” I asked. “I ate too much cheese before bed, and I’m having a lactose-induced nightmare?
”
”
Leia Stone (Protector (Night War Saga, #1))
“
We were two losers
who ate too much McDonald's,
played too many video games,
and had families we sometimes
wished we could trade for twenty bucks.
”
”
Ryan G. Van Cleave (Unlocked)
“
I saved him a piece. Okay, a small piece. But I felt better after eating the cake and if he cared for me as much as he said he did, he'd want me to have it. So I ate his piece, too.
”
”
Celia Jerome
“
Despite decades of obesity research, and billions of dollars spent in the laboratory and on clinical trials, the bedrock fundamental concept underlying all nutrition and dietary advice is that fat and lean people are effectively identical physiologically, and that our bodies respond to what we eat the same way, except that the fat people at some point in their lives ate too much and expended too little energy and so became fat, while the lean people didn’t.
”
”
Gary Taubes (The Case for Keto: Rethinking Weight Control and the Science and Practice of Low-Carb/High-Fat Eating)
“
We're running out of thime, he said.
As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
But time is beyond our finite comprehension. It's endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Smoke says the beef is much better than the squawky white birds." Her expression changed from annoyed to dismayed. "Squawky white birds? Chickens? You ate Mrs. Beale's chickens?"
Smoke whined apologetically.
Saetan leaned back in his chair. Oh, it was so satisfying to see her thrown off stride. "I'm sure Mrs. Beale was delighted to feed a guest - even if she wasn't aware of it," he added dryly, remembering too well his cook's reaction when she learned about the missing hens.
”
”
Anne Bishop
“
She laid his body in a big patch of lettuce, which is why lettuce became her sacred plant. The Greeks called it “dead man’s food.” They thought if you ate too much of it, you would become listless and unable to experience love, just like dead Adonis
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
Outdoors, we knew, was the real terror of life. The threat of being outdoors surfaced frequently in those days. Every possibility of excess was curtailed with it. If somebody ate too much, he could end up outdoors. If somebody used too much coal, he could end up outdoors. People could gamble themselves outdoors, drink themselves outdoors. Sometimes mothers put their sons outdoors, and when that happened, regardless of what the son had done, all sympathy was with him. He was outdoors, and his own flesh had done it. To be put outdoors by a landlord was one thing—unfortunate, but an aspect of life over which you had no control, since you could not control your income. But to be slack enough to put oneself outdoors, or heartless enough to put one’s own kin outdoors—that was criminal.
”
”
Toni Morrison (The Bluest Eye (Vintage International))
“
You ate something that disagreed with you last night, didn't you?' I said, by way of giving him a chance to slide out of it if he wanted to. But he wouldn't have it at any price.
'No!' he replied firmly. 'I didn't do anything of the kind. I drank too much. Much too much. Lots and lots too much. And, what's more, I'm going to do it again. I'm going to do it every night. If ever you see me sober, old top,' he said, with a kind of holy exaltation, 'tap me on the shoulder and say "Tut! Tut!" and I'll apologise and remedythe defect.
”
”
P.G. Wodehouse
“
We
softened. and broke. and kneeled over in pain. and sang. and threw ourselves against the walls. against each other. and hid. and caved. and opened. and tossed ourselves into work. and danced. and shrank. and closed. and ate. and bled. and held on. and ignored. and accepted. and lied. and laughed. and created. and undid. and drank. and drugged. and loved something. someone. somewhere. ourselves. fiercer. and hated. something. someone. somewhere. fiercer. and swam. and rejected. and yearned. and distanced. and clawed. and touched. and some of us will disown you. because you hurt too much. some of us will have to say your name for a year. before we are able to sleep.
”
”
Nayyirah Waheed (Nejma)
“
We ate in the dining room alcove looking over the hillside and the silent dark rooftops of my neighbors. The lights of the valley glittered below.
We were both tired but we smiled at each other, and I felt a kind of happiness growing inside me. It was good to look across the table and see someone, and I thought maybe it was time to start thinking about that again—about finding someone. Sharing my life maybe.
Or maybe just getting more friends around. Except when I pictured the friends I wanted around, they all looked like Dan, and when I thought about trying to find someone to share my life with, he too looked a little too much like Dan for comfort.
”
”
Josh Lanyon (The White Knight (The Dark Horse, #2))
“
Sometimes I think spirit’s dead and gone, but sometimes I think it’s still there, just resting its eyes. A lot of those here are sons and daughters of men that worked with me up at pit. So many passed away before their time. They drank too much and smoked too much and ate too much of this meat. We all did. But I do see something here of that old word. People are as poor now as they ever were, and as tired. And bringing people together of an evening is easier than keeping them apart. And by that same token, bringing a community back together is easier than setting people and families at odds. It’s just that that’s where all effort’s been this last ten years and more.
”
”
Fiona Mozley (Elmet)
“
Rebuffed from his fine feelings, Milkman matched her cold tone. "You loved those white folks that much?"
"Love?" she asked. "Love?"
"Well, what are you taking care of their dogs for?"
"Do you know why she killed herself? She couldn't stand to see the place go to ruin. She couldn't live without servants and money and what it could buy. Every cent was gone and the taxes took whatever came in. She had to let the upstairs maids go, then the cook, then the dog trainer, then the yardman, then the chauffeur, then the car, then the woman who washed once a week. Then she started selling bits and pieces––land, jewels, furniture. The last few years we ate out of the garden. Finally she couldn't take it anymore. The thought of having no help, no money––well, she couldn't take that. She had to let everything go."
"But she didn't let you go." Milkman had no trouble letting his words snarl.
"No, she didn't let me go. She killed herself."
"And you still loyal."
"You don't listen to people. Your ear is on your head, but it's not connected to your brain. I said she killed herself rather than do the work I'd been doing all my life!" Circe stood up, and the dogs too. "Do you hear me? She saw the work I did all her days and died, you hear me, died rather than live like me. Now, what do you suppose she thought I was! If the way I lived and the work I did was so hateful to her she killed herself to keep from having to do it, and you think I stay on here because I loved her, then you have about as much sense as a fart!
”
”
Toni Morrison (Song of Solomon)
“
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
”
”
Gabriel García Márquez (Of Love and Other Demons)
“
In Paris in the 1950s, I had the supreme good fortune to study with a remarkably able group of chefs. From them I learned why good French good is an art, and why it makes such sublime eating: nothing is too much trouble if it turns out the way it should. Good results require that one take time and care. If one doesn't use the freshest ingredients or read the whole recipe before starting, and if one rushes through the cooking, the result will be an inferior taste and texture--a gummy beef Wellington, say. But a careful approach will result in a magnificent burst of flavor, a thoroughly satisfying meal, perhaps even a life-changing experience.
Such was the case with the sole meunière I ate at La Couronne on my first day in France, in November 1948. It was an epiphany.
In all the years since the succulent meal, I have yet to lose the feelings of wonder and excitement that it inspired in me. I can still almost taste it. And thinking back on it now reminds me that the pleasures of table, and of life, are infinite--toujours bon appétit!
”
”
Julia Child (My Life in France)
“
Whenever I drink too much, I get this craving for bread.” He watched me with amusement as I mashed two slices together and ate them, like an eager communicant
”
”
Eva Pohler (The Mystery Box)
“
Ah have been lonely fur years now. Lonely long afore ma wife died. Don't get us wrong. She was a guid wummin, a guid wummin just like our Colleen, but we were jist stuck in our wee routine. When ye think about it, ah've been under the ground most of ma life. There wasn't much in me for sharing at the end of a day. After twenty years, what do you talk about? But she was a guid wummin. She used to make me these big hot dinners, with meat and gravy, the plate scalding hot cos she'd warm it up all day in the oven. We ate big hot dinners because we had nothing left to say. Nothing worthwhile anyway. Ah'm forty-three. That's four years older than when ma father died, so I should've been done. I should've been retiring from the pits, living the rest of ma days out with her and with nothing to say. When I saw ye I wasn't looking. I didn't know of you then, hadn't heard our Colleen lift your name. That's wummin's stuff, isn't it? They don't talk to the men about that. Gossip. Telling tales. Chapel. That's their club. All I know is when I saw you sat behind that glass, I saw someone lonely too, and I hoped we might have something to say to each other. I realised then. Ah don't want to be done.
”
”
Douglas Stuart (Shuggie Bain)
“
Tony ate the rest of his pie and drank the sweet hot liquor without taking much notice of his surroundings, and the surroundings took little notice of him: he was too small to be a threat, and too stolid to promise much satisfaction as a victim. It
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
I took my morning walk, I took my evening walk, I ate something, I thought something, I wrote, I napped and dreamt something too, and with all that something, I still have nothing because so much of something has always been and always will be you. I miss you.
”
”
Mark Z. Danielewski
“
New York is the loneliest city. It doesn’t smoke anymore, it doesn’t drink much anymore, it doesn’t do drugs, it’s too rich and too expensive. The people who made the fun for the people who made the money have moved out. It’s safe. But the city that doesn’t sleep can now barely stay awake for dessert—if it ever ate dessert… In a generation, New York swapped Studio 54 for an African-dance class. We don’t just connive in our own humiliation, but in our own loneliness, too. A. A. GILL, “The Sorrow and the Pilates,” Vanity Fair, January 2007.
”
”
James Lough (This Ain't No Holiday Inn: Down and Out at the Chelsea Hotel 1980–1995)
“
It was torture to be starving and not being able to eat. All I could think about was my face and my chewing and how much food was on my fork when I brought it to my mouth. Eating in front of people was like stripping and standing there naked for everyone to judge. My mind was in a constant state of panic wondering if I looked like a pig when I was eating, or if I was chewing too loud. Or worse, what if I ate too much and everyone saw what my mom always saw: a fat sob that could do with losing a few meals? The thought always left me in cold chills.
”
”
Airicka Phoenix (The Voyeur Next Door)
“
I counted my years and found that I have less time to live from here on than I have lived up to now.
I feel like that child who won a packet of sweets: he ate the first with pleasure, but when he realized that there were few left, he began to enjoy them intensely.
I no longer have time for endless meetings where statutes, rules, procedures and internal regulations are discussed, knowing that nothing will be achieved.
I no longer have time to support the absurd people who, despite their chronological age, haven't grown up.
My time is too short:
I want the essence,
my soul is in a hurry.
I don't have many sweets
in the package anymore.
I want to live next to human people,
very human,
who know how to laugh at their mistakes,
and who are not inflated by their triumphs,
and who take on their responsibilities.
Thus, human dignity is defended, and we move towards truth and honesty.
It is the essential that makes life worth living.
I want to surround myself with people who know how to touch hearts, people who have been taught by the hard blows of life to grow with gentle touches of the soul.
Yes, I'm in a hurry, I'm in a hurry to live with the intensity that only maturity can give.
I don't intend to waste any of the leftover sweets.
I am sure they will be delicious, much more than what I have eaten so far.
My goal is to reach the end satisfied
and at peace with my loved ones
and my conscience.
We have two lives.
And the second begins when you realize you only have one.
Credits: Mário Raul de Morais Andrade
(Oct 9, 1893 – Feb 25, 1945)
Brazilian poet, novelist, musicologist, art historian and critic, photographer
”
”
Mario Raul de Morais Andrade
“
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone.
“Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“
“No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?”
Not again. Mr. Smith was obsessed with this Homer person, too.
“No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“
“Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.”
“The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?”
John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.”
I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.”
He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul.
“Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.”
A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak.
“However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Sometimes people carried anger around for years, in a secret box inside their bodies, and it grew tighter like a hardening knot. The problem with it getting tighter and smaller was that the people did, too, hiding it. Liyana had seen this happen even in elementary school. Somebody wasn't fair to somebody and the hurt person just held it in. By the end of the year they had nearly disappeared.
But other people responded differently. They let their anger grow so large it ate them up – even their voices and laughter. And still they couldn't get rid of it. They forgot where it had come from. They tried to shake it loose, but no one liked them by now.
Liyana wondered if the person who could let it out the same size it was to begin with, was luckiest.
In Jerusalem, so much old anger floated around, echoed from fading graffiti, seeped out of cracks. Sometimes it bumped into new anger in the streets. The air felt stacked with weeping and raging and praying to God by all the different names.
”
”
Naomi Shihab Nye
“
Any big goal, having to do with weight loss or not, can become a source of discouragement if we focus on how far we have to go. In this situation, it’s much more reassuring to look at how far you’ve come and only look as far as your next small goal. The only way you’ll make it is to put one foot in front of the other and keep moving forward.
”
”
Jessica Heights (100 Pound Loser: How I Ate What I Wanted, Had Four Babies, & Still Took Control Of My Weight - And You Can Too!)
“
I work with a great deal of discipline, although I usually take on more than I can handle and often have to extend due dates. I have always been appalled by bohemianism because of its laziness, disorder, and moral weakness. I understand that this way of living is a response to the fact of human frailty, but it leans too far in one direction. Being a little more buttoned up doesn’t mean that you’ll get so brittle that you’ll break. Nor does it mean that you don’t understand tragedy, loss, and, most of all, human limitation.
I am more than well aware of those things and I feel very strongly, but on the other hand I like to run ten miles and return to a spotless well-ordered room, and I like my shirts heavily starched. When I used to go on a long run on Sunday morning when I lived on the Upper West Side, I would pass thousands and thousands of people in restaurants eating . . . (I won’t say this word, because I hate it so much, but it rhymes with hunch, and it’s a disgusting meal that is supposed to be both breakfast and lunch). There they were—having slept for five hours while I was doing calisthenics and running—unshaven (the women too), bleary eyed, surrounded by newspapers scattered as if in a hamster cage, smoking noxious French cigarettes, and drinking Bloody Marys while they ate huge quantities of fat. They looked to me like a movie version of South American bandits. I would never want to be like that. I prefer to live like a British soldier.
”
”
Mark Helprin
“
Slight and ridiculous as the incident was, it made him appear such a little fiend, and withal such a keen and knowing one, that the old woman felt too much afraid of him to utter a single word, and suffered herself to be led with extraordinary politeness to the breakfast-table. Here he by no means diminished the impression he had just produced, for he ate hard eggs, shell and all, devoured gigantic prawns with the heads and tails on, chewed tobacco and water-cresses at the same time and with extraordinary greediness, drank boiling tea without winking, bit his fork and spoon till they bent again, and in short performed so many horrifying and uncommon acts that the women were nearly frightened out of their wits, and began to doubt if he were really a human creature.
”
”
Charles Dickens (The Old Curiosity Shop)
“
Growing up in an Italian home I wasn't often hungry. Perhaps Italians know that hunger feels too much like sadness. They know that to love someone, to make them happy, means ensuring they are fed. Alex used to groan about how much food got eaten at our family dinners. He got heartburn from the thick, fatty salami and soft, warm polpette. He didn't understand our fawning over Nonna's secret pasta al forno recipe, stuffed with meatballs, cheese, pasta, and eggs. He couldn't believe we ate octopus and rabbit and, sometimes, mainly the older family members, pigs' feet. We fed him full of artichokes, macaroni, caponata made with capsicums and cauliflower and tomatoes while the cousins talked of breakfasts in Sicily- chocolate granita or gelato stuffed into brioche rolls.
”
”
Hannah Tunnicliffe (Season of Salt and Honey)
“
Michael Pollan, in his New York Times article “Unhappy Meals,” exhorts us to “Eat food. Not too much. Mostly plants.” That’s seven words; I’ll reduce it to three: eat real food. The “not too much” will take care of itself. And the “mostly plants” isn’t a worry if you eat the plants as they came out of the ground, or the animals who ate the food that came out of the ground—because they ate plants.
”
”
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
“
We're running out of time, he said.
As if time were the kind of thing you could run out of, as if it were measured into bowls that were handed to us at birth and if we ate too much or too fast or right before jumping into the water then our time would be lost, wasted, already spent.
But time is beyond our finite comprehension. It's endless, it exists outside of us; we cannot run out of it or lose track of it or find a way to hold on to it. Time goes on even when we do not.
We have plenty of time, is what Castle should have said. We have all the time in the world, is what he should have said to me. But he didn't because what he meant tick tock is that our time tick tock is shifting. It's hurtling forward heading in an entirely new direction slamming face-first into something else and
tick
tick
tick
tick
tick
It's almost
time for war
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.”
I bit my lip. “Have you come to take my soul, then?”
“I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.”
“Because I took your qi?”
He inclined his head. “I should have stopped you sooner.”
I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it.
“It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.”
“That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?”
“Long enough,” he said. Then more gently, “You may have a happy marriage, though.”
“I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form.
“Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet.
“Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.”
“Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart.
“I’ve never lied to you.”
“Can’t I go with you now?”
He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.”
I glared at him. “What if I’d rather not wait?”
He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?”
I dropped my gaze.
“If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.”
I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?”
His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.”
I tightened my arms around him.
“Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.”
“But what would you do for fifty years?”
He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
”
”
Yangsze Choo (The Ghost Bride)
“
Losing control of my body was a matter of accretion. I began eating to change my body. I was willful in this. Some boys had destroyed me, and I barely survived it. I knew I wouldn't be able to endure another such violation, and so I ate because I thought that if my body became repulsive, I could keep men away. Even at that young age, I understood that to be fat was to be undesirable to men, to be beneath their contempt, and I already knew too much about their contempt. This is what most girls are taught--that we should be slender and small. We should not take up space. We should be seen and not heard, and if we are seen, we should be pleasing to men, acceptable to society. And most women know this, that we are supposed to disappear, but it's something that needs to be said, loudly, over and over again, so that we can resist surrendering to what is expected of us.
”
”
Roxane Gay (Hunger: A Memoir of (My) Body)
“
I was always the girl growing up who just wasn’t quite like the rest of them. I liked working hard. I liked contorting my body until I could feel the ache inside my bones, until I could feel the pain in my teeth. I liked to wear lipstick and nothing else and found myself fascinated with the shape of my lips and the different colors I could make them. I ate too little. Slept too much. Masturbated far too often and at far too young an age. I enjoyed the feeling of being naked alone behind closed doors, exploring my deepest secrets within my imagination, as I put my hand over the rapid pace of my heart to feel how nervous it made me. I blushed at the faintest mention of my name and almost perished when complimented. I loved to find the answers behind someone’s eyes. There’s nothing quite like the feeling of when someone REALLY looks at you. And I read. Every chance I got.
”
”
R.B. O'Brien
“
His mouth closed, his tongue moved, and Lexi’s mind disintegrated in pleasure. Jax didn’t just use a flick of his tongue or a little suckle of his lips. Jax ate her. He used his entire mouth in a fervent attack, taking her in, licking and stroking every inch of her until she thought she’d come apart, only to stop just before she exploded and slowly suck her out of his mouth. He stroked her with his hand, separated her with his fingers, then dove back in with his full, open mouth, repeating the exquisite torture until she was writhing against the wall, panting his name. “You wanted me to savor you…inside…little Lexi.” He released her hips. “Let everything go and ride my mouth.” When he put his mouth back to her this time, he thrust his tongue up inside her. “Oh fuck.” She grabbed the corner of the wall with one hand, his head with the other, and let his hands guide her hips to his mouth. He pulled her hips forward each time he drove his tongue inside, then held her against his mouth while he stroked and sucked. “Jax.” It was too much. Too damn much. It was crazy, amazing, blistering pleasure. “Jax. Jax.” He thrust into her, hummed, and rubbed his face against her pussy. The friction sent her skyward, and she splintered. Pleasure knifed through every part of her body, filling, overflowing, then bursting.
”
”
Skye Jordan (Reckless (Renegades, #1))
“
Meat consumption is at an all-time high. In 2000, we ate 195 pounds per person, and that’s 57 more pounds more than in the 1950s. Even though I think of meat eaters as being mainly men… it’s fascinating to me how modern meat is the food that disturbs estrogen balance the most. Since women have far more estrogen than men, that means we’re more vulnerable to the effects of meat and alcohol, which raise estrogen. (Too much estrogen makes you fat.)
”
”
Sara Gottfried (The Hormone Reset Diet: Heal Your Metabolism to Lose Up to 15 Pounds in 21 Days)
“
James, too, was much disturbed. He felt as though someone had threatened his right to invest his money at five per cent. Jolyon had spoiled her. None of his girls would have said such a thing. James had always been exceedingly liberal to his children, and the consciousness of this made him feel it all the more deeply. He trifled moodily with his strawberries, then, deluging them with cream, he ate them quickly; they, at all events, should not escape him.
”
”
John Galsworthy (The Forsyte Saga - Complete)
“
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.”
There was a beat. Then John said cautiously, “What do you mean?”
“The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?”
John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me.
And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another.
“Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“
“Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“
I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say.
“Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.”
“I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.”
“I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.”
I raised my gaze to his. “You’re right about that, at least,” I said.
“So am I forgiven?” he asked.
I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his.
Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it.
“Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.”
John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
About me as a drinker: I wasn't much of one and had a short, bad history of doing it. The few times I'd tried drinking I either became too much like myself or not enough, but either way it was always calamity on top of calamity and I found myself saying way too much about too little and doing the wrong things in the wrong places. Once, at my boss's Christmas party, I passed out for a minute - passed out but still, like a zombie, remained fully ambulatory and mostly functional - and when I came to, I found myself in my boss's kitchen, the refrigerator door open and me next to it at the counter, spreading mayonnaise onto two slices of wheat bread and licking the knife after each pass before I stuck it back in the jar. I heard someone cough or gag, looked up, and saw the kitchen's population staring at me, all of their mouths open and slack, obviously wondering what I thought I was doing, exactly, and all I could think to say was, "Sandwich." Which is what I said. And then, to prove my point, whatever the point was, I ate it. The sandwich, that is.
”
”
Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)
“
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start."
My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me."
His smile was sin and promise. "You like that, honey?"
"Yes."
He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?"
"There is..." My breath caught. He pushed in, long strong fingers filling me.
"Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it.
I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good."
He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me."
The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out.
With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips.
I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me.
I couldn't take it. It was too much. I came again, writhing against his mouth.
"That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth."
Oh, hell.
I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
”
”
Kristen Callihan (Make It Sweet)
“
Long long ago down the browning decades, in the light of the old century in Carolina, walked a toddling child, a wary boy, a strong young male of muscle, blood, and brain who saw, who laughed and listened, smelled and touched, ate, drank, and bred, occupying time and space with his getting and spending in the world. What his biographer will strive to recover is a true sense of this human being, with all his particularity and hope and promise, in the hope that the reader might understand who the grown man might have become had he not known too much of privation, rage, and loss.
”
”
Peter Matthiessen (Shadow Country)
“
They ordered pizza so they could skip making dinner and finish their book. They ate cereal for dinner so they could finish their book. They forgot to eat dinner because they were finishing their book. The last time they finished a great story, the book hangover lasted three days. They were so caught up in their book that they let the kids draw on the walls so they could get to the last page. They locked themselves in the bathroom so they could read undisturbed. They think they might love books too much. Whatever it may be, they’re sure they’re the only one with this issue. Reader, whatever secret you’re keeping, it’s time to spill it. I’ll take your confession, but the absolution is unnecessary. These secrets aren’t sins; they’re just secrets. No need to repent. C. S. Lewis once wrote, “Friendship . . . is born at the moment when one man says to another, ‘What! You too? I thought I was the only one.’” Reader, you’re not the only one. Keep confessing to your fellow readers; tell them what your reading life is really like. They’ll understand. They may even say, “You too?” And when they do, you’ve found a friend. And the beginnings of a great book club.
”
”
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
“
Very Like a Whale
One thing that literature would be greatly the better for
Would be a more restricted employment by authors of simile and metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts,
Can'ts seem just to say that anything is the thing it is but have
to go out
of their way to say that it is like something else.
What foes it mean when we are told
That the Assyrian came down like a wolf on the fold?
In the first place, George Gordon Byron had had enough experience
To know that it probably wasn't just one Assyrian, it was a lot
of Assyrians.
However, as too many arguments are apt to induce apoplexy and thus
hinder longevity,
We'll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were gleaming
in purple and gold,
Just what does the poet mean when he says he came down like a wolf
on
the fold?
In heaven and earth more than is dreamed of in our philosophy there
are
a great many things,
But i don't imagine that among then there is a wolf with purple
and gold
cohorts or purple and gold anythings.
No, no, Lord Byron, before I'll believe that this Assyrian was actually
like a wolf I must have some kind of proof;
Did he run on all fours and did he have a hairy tail and a big red
mouth and
big white teeth and did he say Woof woof?
Frankly I think it very unlikely, and all you were entitled to say,
at the
very most,
Was that the Assyrian cohorts came down like a lot of Assyrian cohorts
about to destroy the Hebrew host.
But that wasn't fancy enough for Lord Byron, oh dear me no, he had
to
invent a lot of figures of speech and then interpolate
them,
With the result that whenever you mention Old Testament soldiers
to
people they say Oh yes, they're the ones that a lot
of wolves dressed
up in gold and purple ate them.
That's the kind of thing that's being done all the time by poets,
from Homer
to Tennyson;
They're always comparing ladies to lilies and veal to venison,
And they always say things like that the snow is a white blanket
after a
winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket
of snow and
I'll sleep under a half-inch blanket of unpoetical
blanket material and
we'll see which one keeps warm,
And after that maybe you'll begin to comprehend dimly,
What I mean by too much metaphor and simile.
”
”
Ogden Nash (The Best of Ogden Nash)
“
Asked me what?” Just the sound of his voice twists my stomach into a knot of unpleasant emotions like guilt, sadness, and fear. And longing. I might as well admit there’s some of that, too. Only it has too much competition to ever win out. I watch as Peeta crosses to the table, the sunlight from the window picking up the glint of fresh snow in his blond hair. He looks strong and healthy, so different from the sick, starving boy I knew in the arena, and you can barely even notice his limp now. He sets a loaf of fresh-baked bread on the table and holds out his hand to Haymitch. “Asked you to wake me without giving me pneumonia,” says Haymitch, passing over his knife. He pulls off his filthy shirt, revealing an equally soiled undershirt, and rubs himself down with the dry part. Peeta smiles and douses Haymitch’s knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirttail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thoughts of our time as contestants in the Hunger Games at bay. It’s not until he’s handed Haymitch the heel that he even looks at me for the first time. “Would you like a piece?” “No, I ate at the Hob,” I say. “But thank you.” My voice doesn’t sound like my own, it’s so formal. Just as it’s been every time I’ve spoken to Peeta since the cameras finished filming our happy homecoming and we returned to our real lives. “You’re welcome,” he says back stiffly. Haymitch tosses his shirt somewhere into the mess. “Brrr. You two have got a lot of warming up to do before showtime.” He’s right, of course. The audience will be expecting the pair of lovebirds who won the Hunger Games. Not two people who can barely look each other in the eye. But all I
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Through all these times and formative young years, Lara, my sister, was a rock to me. My mother had suffered three miscarriages after having Lara, and eight years on she was convinced that she wasn’t going to be able to have more children. But Mum got pregnant, and she tells me she spent nine months in bed to make sure she didn’t miscarry.
It worked. Mum saved me.
The end result, though, was that she was probably pleased to get me out, and that Lara finally got herself a precious baby brother; or in effect, her own baby. So Lara ended up doing everything for me, and I adored her for it.
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth.
In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes.
I was the best rag doll of a baby brother that she could have ever dreamt of.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
...the question of portion size. When I ate Doritos or a Big Mac, I dept on eating and eating, and later experienced McRegret. So why when I ate a fourteen-week-old barred rock [heirloom breed chicken] or a grapefruit did I find it tremendously delicious and yet tremendously satisfying? If these foods tasted better, shouldn't I have just kept on gorging?
Fred Provenza believes the difference comes down to what he calls "deep satiety." "Fundamentally," he told me, "eating too much is an inability to satiate." Wen food meets needs at "multiple levels," it provides a feeling of "completeness" and offers a satisfaction that's altogether different from being stuffed.
”
”
Mark Schatzker (The Dorito Effect: The Surprising New Truth About Food and Flavor)
“
While I ate a peanut butter sandwich later, I switched on the news. A microphone was shoved in Hank's face and I blinked at him in shock. He was angry—extremely so—and not just with the reporter—I could tell by his words.
"Yes, my assistant manager didn't show up for work last night. I called the police because John is always on time and never misses a shift. I am only discovering now, through you, that his body was found near the wharf an hour ago."
"The police didn't call you?" The reporter—a young woman—feigned surprise.
"No. I assume they notified John's family first. How did you learn of the murder?"
"Through ah, well, the usual channels," she stuttered. I figured she'd gotten information through a source or listened in on police communications.
"You probably shouldn't mess with Hank right now," I spoke to the television screen. Too bad the reporter couldn't hear me.
"Are you involved in your assistant manager's disappearance?" Her question proved (to me, at least) that she had very little common sense.
"My whereabouts have already been disclosed to the police, who are in charge of this investigation, no matter how much you'd prefer to believe otherwise," Hank growled. "Where were you when my assistant manager disappeared?"
"What?" she squeaked.
"I can account for my time last night. Can you?" I almost laughed as she turned a bright pink. Yes, I dropped my shield and read her. She'd been in bed with her (married) producer. The station quickly cut to commercial while I snickered.
”
”
Connie Suttle (Blood Revolution (God Wars, #3))
“
When one speaks of solitaries, one always takes too much for granted. One supposes that people know what one is talking about. No, they do not. They have never seen a solitary, they have simply hated him without knowing him. They have been his neighbors who used him up, and the voices in the next room that tempted him. They have incited things against him, so that they made a great noise and drowned him out. Children were in league against him, when he was tender and a child, and with every growth he grew up against the grown-ups. They tracked him to his hiding place, like a beast to be hunted, and his long youth had no closed season. And when he refused to be worn out and got away, they cried out upon that which emanated from him, and called it ugly and cast suspicion upon it. And when he would not listen, they became more distinct and ate away his food and breathed out his air and spat into his poverty so that it became repugnant to him. They brought down disrepute upon him as upon an infectious person and cast stones at him to make him go away more quickly. And they were right in their ancient instinct: for he was indeed their foe.
But then, when he did not raise his eyes, they began to reflect. They suspected that with all this they had done what he wanted; that they had fortified him in his solitude and helped him to separate himself from them for ever. And now they changed about and, resorting to the final, the extreme, used that other resistance: fame. And at this clamor almost every one has looked up and been distracted.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
This is where my generation, Generation X, parts company with the baby boomers. They ruined drugs, as they ruined Frye boots and bell-bottoms. We never shared their dream of opening the doors of perception, or touching the face of God. Because of them, enlightenment seemed like bullshit. All that remained was the high. With their embarrassing enthusiasm, they turned everything into a joke. They ate the fruit and left the peel, smoked the pot and left the resin, swallowed the epiphanies and left the reality. When it was our time, they scolded us, saying it was too dangerous—you’d have to be a moron to try it. About their own youthful behavior, they’d say, We didn’t know then what we know now. By the time we came along, everything was banned, feared, and covered in protective foam, but can you imagine how much fun LSD must have been in 1964 when it was legal?
”
”
Rich Cohen (The Sun & The Moon & The Rolling Stones)
“
But a day later, it was ‘Prof Tim says low fat is a fraud,’ when he was eating a tub of yoghurt at his desk for breakfast. He let that slide too. Until the following morning, when he and a packet of Simba salt-and-vinegar crisps walked out of the morning parade, and Mbali said, ‘Prof Tim says it’s the carbs that make you fat, you know,’ and he couldn’t take it any more and snapped: ‘Prof Tim who?’ And so she told him. Everything. About this Prof Tim Noakes who once got the whole fokken world eating pasta, and then he did an about face and said, no, carbs are what’s making everyone obese, and he wrote a book of recipes, and now he was Mbali’s big hero, ‘Because it takes a great man to admit that he was wrong’, and she had already lost so much weight and she had so much more energy, and it wasn’t all that hard, she didn’t miss the carbs because now she ate cauliflower rice and cauliflower mash and flax seed bread. Flax seed bread, for fuck’s sake.
”
”
Deon Meyer (Icarus (Benny Griessel, #5))
“
Eleanor unpacked the picnic basket and spread Mrs. Stevenson's goodies across it. As the sun rose higher in the sky, the four of them ate ham sandwiches and Cox's Orange Pippins and far too much cake, washing it all down with fresh ginger beer. Edwina watched the proceedings imploringly, snaffling up each small tidbit as it came her way.
But really, the heat for October was uncanny! Eleanor undid the small pearl buttons at her wrist, rolling her sleeves back once, and then twice, so they sat in neat pleats. A somnolence had come over her after lunch, and she lay back on the blanket. Closing her eyes, she could hear the girls bickering lazily over the last slice of cake, but her attention drifted, sailing beyond them to pick out the 'plink' of water as gleaming trout leapt in the stream, the thrum of hidden crickets on the rim of the woods, the warm rustling of leaves in the nearby orchard. Each sound was an exaggeration, as if a bewitching spell had been cast over this small patch of land, like something from a fairy tale, one of Mr. Llewellyn's stories from her childhood.
”
”
Kate Morton (The Lake House)
“
Soames screwed up his eyes; he seemed to see them sitting there. Ah! and the atmosphere—even now, of too many stuffs and washed lace curtains, lavender in bags, and dried bees’ wings. ‘No,’ he thought, ‘there’s nothing like it left; it ought to be preserved.’ And, by George, they might laugh at it, but for a standard of gentle life never departed from, for fastidiousness of skin and eye and nose and feeling, it beat to-day hollow—to-day with its Tubes and cars, its perpetual smoking, its cross-legged, bare-necked girls visible up to the knees and down to the waist if you took the trouble (agreeable to the satyr within each Forsyte but hardly his idea of a lady), with their feet, too, screwed round the legs of their chairs while they ate, and their “So longs,” and their “Old Beans,” and their laughter—girls who gave him the shudders whenever he thought of Fleur in contact with them; and the hard-eyed, capable, older women who managed life and gave him the shudders too. No! his old aunts, if they never opened their minds, their eyes, or very much their windows, at least had manners, and a standard, and reverence for past and future.
”
”
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
“
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night.
“Because my cave’s better than their cave.”
“You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.”
“I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance.
When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.”
He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?”
“Mine has bats.”
She breathed, “If I stick with you, I’ll have nothing but the best.”
“Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side.
Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts.
She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.”
“Or I could help you.”
“I’ve had a bit of practice bathing myself and think I can stumble my way through this.”
“But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.”
“You give me privacy or I go without.”
“Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
When I exited the bathroom this time, Marlboro Man was standing right outside the door--just as he’d been at his grandmother’s house when I’d had my flop sweat episode at his cousin’s wedding. He put his arm around me as I dabbed the corners of my eyes with a Kleenex. The gagging had sent my tear ducts into overdrive.
“What’s wrong, honey?”
It was the first time he’d called me that. I felt married.
“I have no idea!” I said. “I must have picked up a stomach bug or something. I’m so sorry!”
“It’s okay--we can just head back to the hotel.”
“No! I want you to eat…”
“I’m fine--I just ate a whole basket of bread and had two Cokes. I’m good to go.”
The nausea hit again, and I ran back into the bathroom.
After vomiting again, I decided to take him up on his offer.
Exiting the cab back at the hotel, I found walking to be difficult. I hadn’t ingested a single drop of liquor, but I suddenly couldn’t walk in a straight line. Grabbing Marlboro Man’s arm, I used him to steady myself until we got to the room, where I immediately fell on the bed and wrapped myself in the comforter.
“I feel so sorry for you,” Marlboro Man said, sitting down on the bed beside me and gently playing with my hair, a gesture that proved to be too much for me.
“Could you please not do that?” I said. “The motion kinda makes me sick.”
I was a complete and utter mess.
I was a nauseated loser.
It was Marlboro Man who deserved the sympathy.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
103. Magic Mantras and Latex Poodles
My father has the irritating habit of saying the same thing whenever something bad happens. “This, too, shall pass,” he says. What annoys me is that he’s always right about it. What annoys me even more is that he always reminds me later when it does pass, as a smug “I told you so.”
He doesn’t say it to me anymore because Mom told him it was trite. Maybe it is, but I find that I say it to myself now. No matter how bad I’m feeling, I make myself say it, even if I’m not ready to believe it. This, too, shall pass. It’s amazing how little things like that can make a big difference.
It’s like that old Nike ad. “Just do it.” My mom likes to tell the story about how she had gained so much weight when Mackenzie was born, and exercise was so daunting, she didn’t know where to begin, so she just ate and got fatter. Finally she started telling herself “Just do it,” and it was the magic mantra to get her exercising regularly again. She dropped the weight before Mackenzie turned two. On the other hand, there was this bizarre cult that committed mass suicide wearing brand-new Nikes as their own warped homage to “Just do it.”
I suppose even a simple slogan can be twisted into whatever shape we want, like a balloon animal—we can even make it loop back around on itself, becoming a noose. In the end, the measure of who we are can be seen in the shapes of our balloon animals.
”
”
Neal Shusterman
“
10. A wounded person might be saved but a
wounded person wouldn't heal that easily. ch 173 Pg 1999
11. s. I could hear a slight
creaking sound from Yoo Joonghyuk's body. His body was already at the
limit. Even so, Yoo Joonghyuk didn't give up. PG 2059
12. There is no magic that will heal all wounds just because
someone else has a deep wound as well. PG 2089
13. I will pull all of you down from that fucking heaven. PG 2192 CH 190
14. In a place they couldn't see, the story that was going to destroy them had
just begun PG2226
15. The most dangerous enemy is always the closest ally PG 2265
16. "Don't regard past failures as scriptures. There will be no change if you
don't do anything. PG 2299
17. Fight, fight and fight again PG2365
18.Fight, fight again and keep moving forward. It was the best mourning
possible for this guy's past. PG 2623
19. If that happens, I will destroy all the worlds that caused that Fate. PG 2676
20. "The scenario is a small destruction to prevent a greater destruction." PG 2802
21. This was Yoo Joonghyuk. He didn't give up on his goal even if he gave up his life.
22. "I felt it while living… life is supposed to be like this. There are times when nothing can be done and times when things don't work out. PG 2824
23. "I know that things don't work out well. Not everything will flow as you wish. Even so, don't dwell on it too much and let your heart lead you." PG 2827
24. In order to hold that spear, Yoo Joonghyuk trained with a single focus for decades.PG 3470
25.Don't be fooled by what you see! Believe in yourself, not the myths already recorded! Pg 3685
26.there is no good or evil. There is only our desire to see the story pg 3690
27. Are all failed stories meaningless? Even if you know you will fail, isn't the story of those who have fought to the end worth it? PG3706
28. It
was a dependable tone. I really wanted a father like this. 3719
29. Then I looked around and saw Han Sooyoung dangling her
legs while sucking candy.
I scolded Han Sooyoung, "Is it delicious?"
"Strangely, I've been craving something sweet lately. Do you want to eat?"
Han Sooyoung didn't wait for my answer and shoved the candy she was
holding into my mouth.
It had a lemon flavour. I ate the candy and Han Sooyoung looked at me
quietly. "By the way, that's what I was eating."
"So?"
"…You are really no fun." Pg 3734
30. 'Yoo Joonghyuk' of the other rounds were watching us. Some looked
envious while others had gloomy expressions. Finally, there was one with
an expression of intrigue. Pg 3747
31. Sometimes the thing that looks like a road isn't a road pg3767
32. "Kim Dokja, you know you aren't a godlike person."
I smelt lemon candy from the grumbling voice. Han Sooyoung took the
brush from my hand in a frustrated manner.
"There are some things in the world you don't know about, you idiot. pg3792
33. [I think it will be hard to just send you away.]
[What bullshit is that?]
[If you are a demon king, you should be worthy. Isn't that right? pg 3844
”
”
shing shong
“
Next morning, when Semyon woke up, the children were still asleep and his wife had gone over to the neighbour's to borrow some bread. Only the stranger was sitting on the bench, wearing the old trousers and shirt and looking up. His face was brighter than the evening before. Semyon said, 'Well, my friend. The belly needs food and the body clothes. We all have to earn a living, so what sort of work can you do?'
'I can't do anything.'
Semyon was amazed and replied, 'If a man has the will he can learn anything.'
'Yes, men work for their living, so I'll work too.'
'What's your name?'
'Mikhail.'
'Well, Mikhail, if you don't want to tell us about yourself that's your affair. But we have to earn our living. If you do as I tell you I'll see you have enough to eat.'
'God bless you! I'll learn how to work, just tell me what to do.'
Semyon took a piece of yarn, wound it round his fingers and twisted it.
'It's not hard, just watch...'
Mikhail watched and right away he caught the knack, winding the yarn and twisting it just like Semyon.
Then Semyon showed him how to wax it and Mikhail understood at once. Then he showed him how to draw it through and how to stitch. Again Mikhail immediately understood.
Whatever Semyon showed him he mastered right away and within three days was working as if he had been making shoes all his life. He would work without any let-up and ate very little. Only when one job was finished would he stop for a moment and silently look up. He never went out, only spoke when he really had to, and he never joked or laughed.
”
”
Leo Tolstoy (How Much Land Does a Man Need?)
“
So when the pod people come and steal your body, does it hurt, or are you pretty much unconscious for the whole thing?"
"Huh?" I asked.
"I just double-skunked you three times in a row. What's going on with you?"
He lifted an eyebrow. He was in detective mode now, and there was no escaping it. I imagined spilling to him the way I had to Rayna, and almost choked. I'd rather die than describe my fantasies to Ben. I'd never hear the end of it.
Still, I needed to tell him something, and he knew me too well to buy a complete lie.
I thought about the pictures. I could tell him about the pictures without telling him about the dreams. Ben was like Dad-he ate up anything that smacked of the inexplicable. He'd probably love the picture of the man at St. Vitus's Cathedral, standing in midair on nothing.
"You might think I'm crazy...," I started.
"I already think that, so..."
I took a deep breath, then started to explain. I told him about every picture, including the ones that were completely impossible and seemed to prove the man wasn't actually in the shots when I snapped them. By the time I finished, Ben's brow was furrowed, and the concern in his eyes had deepened into alarm.
He really did think I was crazy. I shouldn't have told him.
"Can you stop looking at me like that? I know there's a logical explanation," I assured him. "I just don't know what it is yet, but-"
"You need to show me those pictures," Ben said gravely.
"Um...okay," I said, though I suddenly wasn't positive I wanted to share them. "After Rio I figured I'd open them up again and try to-"
"Now, Clea," he said. "I really need to see them now.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Camille's eyes fluttered and then closed. The cake was warm and her fork went down again. "Oh," she said quietly.
There was a time I cared: a meat, a vegetable, a starch, some cake. Life had an order, but now the point only seemed to be eating. Here was my daughter, eating, devouring, she was almost through with the cake.
"Did you make this with honey?" Camille asked. There was something in her voice I nearly recognized. It sounded like interest, kindness.
"I did."
"Because sometimes-" She couldn't finish her sentence without stopping for another bite. "You use brown sugar?"
"It's another recipe."
"I like the honey."
"The problems they're having with bees these days," Sam began, but I held up my hand and it silenced him. There was too much pleasure in the moment to hear about the plight of the bees.
My mother took a long, last sip of her drink and then went to the counter to get the cake, the knife, and three more plates. "First the two of you are having a drink on a Tuesday, now we're all eating cake before we finish our dinner." She cut four pieces and gave the first one to Camille, whose plate was empty.
"It's madness. Anarchy. It must make you wonder what's coming next," Sam said.
My mother handed me my plate. I don't eat that much cake, but I never turn down a slice.
The four of us ate, pretending it was a salad course. Camille was right to pick up on the honey. It was the undertone, the melody of the cake. It was not cloying or overly sweet but it lingered on the tongue after the bite had been swallowed. I didn't miss the frosting at all, though it would have been cream cheese. I could beat cream cheese longer than most people would have thought possible. I could beat it until it could pass for meringue.
”
”
Jeanne Ray (Eat Cake)
“
Fuel your body.
Think about your environment as an ecosystem. If there’s pollution, you’ll feel the toxic side effects; if you’re in the fresh air of the mountains, you’ll feel alive. You’d be surprised at how many of the foods that we eat actually sap our body of fuel. Just look at three quick examples: soda, potato chips, and hamburgers. I’m not a hard-liner who says that you should never consume these things, but this kind of steady diet will make it harder for your body to help you. Instead, look at the foods that are going to give you energy. Choose food that’s water soluble and easier for your body to break down, which gives you maximum nutrition with minimal effort. Look at a cucumber: it’s practically water and it takes no energy to consume, but it’s packed with nutrients. Green for me is the key.
We overeat and undernourish ourselves way too much. When you eat bad food, your body will feel bad and then you will feel bad. It’s all connected. I drink green juice every day and eat huge salads. I am also a big believer in lean protein to feed and fuel the muscles--I might even have a chicken breast for breakfast.
Growing up, because I danced every single day, I would basically eat anything I wanted and I wouldn’t gain any weight. I would eat anything and everything trying to put on a few pounds, but it never worked--and my skin was terrible as a result of it. We’d blame it on the sweat from the dancing, but I never connected it to what I ate. As I got older, I started to educate myself more about food. I learned that I need to alkalize my body. It’s never about how I look. Instead, I go by how I feel. I notice immediately how good, clean food boosts my energy while junk makes me feel lethargic. I’m also a huge believer in hydrating. Forget about eight glasses of water a day; I drink eight glasses before noon!
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
listen.
it wouldn't have hurt so much if she wasn't the girl i always wanted to be.
in high school i carved the word ugly into my skin
so that even if i once reached
that pivotal point of high self esteem
i would always be reminded of who i was
underneath it all
and i wanted so badly to be
the athletic girl
who put makeup on effortlessly
who knew a thing or two about fashion
whose laughter sounded like flowers blooming
who knew what it meant to be sad,
and anxious,
but in the beautiful way
in the mysterious way
in the way that could be cured by true love's kiss
whose skin was always soft
and hair always brushed
- sometimes styled -
long, and long, and dark, and wavy
a fine contrast against her light eyes
and pale skin that never led anyone to question
just where she was from
whose body hair was fine,
or at least taken care of so frequently and expertly,
that no one ever questioned just where she fell
in human evolution
whose body curved in all the right places
whose skin was taut with muscle
and soft with and inviting where it should be
who ate right
who never smoked
and never tried to end her life;
once, twice, seventeen times
who liked art but didn't really understand it
who studied hard even though she hated it
who cared about injustice but not to the point
that too much thought would led her to unending, selfish tears
whose eyes could stop an army
and whose lips never fell into a thin line
whose kisses you remember
and whose body you miss
when you're lying in a bed without her
whose warmth you reach out for not just from habit or desire
but need - desperate need
who didn't make loving her hard
who you missed, even when you were with another
the girl who everyone knew was beautiful -
they just knew, ok. they just knew her name
and they would say:
'yes, her. she's very beautiful.'
(...)
it wouldn't hurt so much if you weren't
everything i was looking for,
everything i wanted,
and so was she
”
”
Kara Petrovic (beyond rock bottom: a collection of poetry)
“
So, Cameron," Steph continued, "auditions for the school play are next week. You should come. We need more males of the species to try out."
"Not my thing," Cameron said.
"okay, so you don't want to be onstage. You could be backstage."
"With Jenna," Gil said helpfully. "She's the stage manager-"
Ethan talked over Gil. "But if it's not our thing," he said, "it's not your thing. You don't even have to have a thing if you don't want."
"Right," Katy said, "no thing required."
Cameron didn't respond, didn't even act like anyone was waiting for him to say anything. He just ate his lunch, scooping spaghetti onto a piece of bread and folding the bread over into a sort of sandwich before putting it in his mouth. I was fascinated by the most mundane little details of him-how he held his paper napkin in his left hand while he ate with his right, the space he took up when both his elbows were on the table.
I was suddenly aware that I'd been staring at him, and everyone else at the table was staring at me. They were all done with their lunches. I wondered how much time had passed.
"Um," Katy said to me, "are you all right?"
Steph caught my eye and smiled slowly.
"Oh,yeah." I concentrated on my half sandwich trying to think of something witty to say, but I was in total Jennifer Harris territory now, spacing out and forgetting how to make simple conversation.
Cameron picked up his empty tray. "Nice to meet you all. See you later." He lifted a finger toward me. "Bye, Jennifer."
We watched him leave, then Gil said, "How come he calls you Jennifer?"
I crumpled up my lunch bag. "because that used to be my name."
"Really?" Ethan said. "I didn't know that."
"I changed it a long time ago."
"He's shy," Steph said, still watching the spot where Cameron had been sitting.
Katy smirked. "Not with Jenna."
Ethan surprised me by coming to Cameron's defense. "That's because they've known each other forever. I'd be nervous, too, if I were meeting all you retards for the first time."
"Good point," Junior Dave said.
”
”
Sara Zarr (Sweethearts)
“
Here you go,” Ryder says, startling me. He holds out a sweating bottle of water, and I take it gratefully, pressing it against my neck.
“Thanks.” I glance away, hoping he’ll take the hint and leave me in peace. His presence makes me self-conscious now, but it wasn’t always like this. As I look out at Magnolia Landing’s grounds, I can’t help but remember hot summer days when Ryder and I ran through sprinklers and ate Popsicles out on the lawn, when we rode our bikes up and down the long drive, when we built a tree fort in the largest of the oaks behind the house.
I wouldn’t say we’d been friends when we were kids--not exactly. We had been more like siblings. We played; we fought. Mostly, we didn’t think too much about our relationship--we didn’t try to define it. And then adolescence hit. Just like that, everything was awkward and uncomfortable between us. By the time middle school began, I was all too aware that he wasn’t my brother, or even my cousin.
“Mind if I sit?” Ryder asks.
I shrug. “It’s your house.” I keep my gaze trained straight ahead, refusing to look in his direction as he lowers himself into the chair beside me.
After a minute or two of silence but for the creaking rockers, he sighs loudly. “Can we call a truce now?”
“You’re the one who started it,” I snap. “Last night, I mean.”
“Look, I’ve been thinking about what you said. You know, about eighth grade--”
“Do we have to talk about this?”
“Because we didn’t really hang out in middle school, except for family stuff,” he continues, ignoring my protest. “Until the end of eighth grade, maybe. Right around graduation.”
My entire body goes rigid, my face flushing hotly with the memory.
It had all started during Christmas break that year. We’d gone to the beach with the Marsdens. I can’t really explain it, but there’d been a new awareness between us that week--exchanged glances and lingering looks, an electrical current connecting us in some way. The two of us sort of tiptoed around each other, afraid to get too close, but also afraid to lose that hint of…something. And then Ryder asked me to go with him to the graduation dance. There was no way we were telling our parents.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day. 12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool. I have plenty of both now. I can make some new armor and enchant it! I love mining. Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve. He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve. Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing. 6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck. Note to self: Bring more torches on the next mining day. On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me. For now, it’s bedtime. 6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night. 6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time? First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three 3:00am I just dreamt that our world was made of cookies.
”
”
Crafty Nichole (Diary of an Angry Alex: Book 3 (an Unofficial Minecraft Book))
“
The seventh day, and no wind—the burning sun
Blister’d and scorch’d, and, stagnant on the sea,
They lay like carcasses; and hope was none,
Save in the breeze that came not; savagely
They glared upon each other—all was done,
Water, and wine, and food,—and you might see
The longings of the cannibal arise
(Although they spoke not) in their wolfish eyes.
At length one whisper’d his companion, who
Whisper’d another, and thus it went round,
And then into a hoarser murmur grew,
An ominous, and wild, and desperate sound;
And when his comrade’s thought each sufferer knew,
’Twas but his own, suppress’d till now, he found:
And out they spoke of lots for flesh and blood,
And who should die to be his fellow’s food.
But ere they came to this, they that day shared
Some leathern caps, and what remain’d of shoes;
And then they look’d around them and despair’d,
And none to be the sacrifice would choose;
At length the lots were torn up, and prepared,
But of materials that much shock the Muse—
Having no paper, for the want of better,
They took by force from Juan Julia’s letter.
The lots were made, and mark’d, and mix’d, and handed,
In silent horror, and their distribution
Lull’d even the savage hunger which demanded,
Like the Promethean vulture, this pollution;
None in particular had sought or plann’d it,
’Twas nature gnaw’d them to this resolution,
By which none were permitted to be neuter—
And the lot fell on Juan’s luckless tutor.
He but requested to be bled to death:
The surgeon had his instruments, and bled
Pedrillo, and so gently ebb’d his breath,
You hardly could perceive when he was dead.
He died as born, a Catholic in faith,
Like most in the belief in which they’re bred,
And first a little crucifix he kiss’d,
And then held out his jugular and wrist.
The surgeon, as there was no other fee,
Had his first choice of morsels for his pains;
But being thirstiest at the moment, he
Preferr’d a draught from the fast-flowing veins:
Part was divided, part thrown in the sea,
And such things as the entrails and the brains
Regaled two sharks, who follow’d o’er the billow
The sailors ate the rest of poor Pedrillo.
The sailors ate him, all save three or four,
Who were not quite so fond of animal food;
To these was added Juan, who, before
Refusing his own spaniel, hardly could
Feel now his appetite increased much more;
’Twas not to be expected that he should,
Even in extremity of their disaster,
Dine with them on his pastor and his master.
’Twas better that he did not; for, in fact,
The consequence was awful in the extreme;
For they, who were most ravenous in the act,
Went raging mad—Lord! how they did blaspheme!
And foam and roll, with strange convulsions rack’d,
Drinking salt water like a mountain-stream,
Tearing, and grinning, howling, screeching, swearing,
And, with hyaena-laughter, died despairing.
Their numbers were much thinn’d by this infliction,
And all the rest were thin enough, Heaven knows;
And some of them had lost their recollection,
Happier than they who still perceived their woes;
But others ponder’d on a new dissection,
As if not warn’d sufficiently by those
Who had already perish’d, suffering madly,
For having used their appetites so sadly.
And if Pedrillo’s fate should shocking be,
Remember Ugolino condescends
To eat the head of his arch-enemy
The moment after he politely ends
His tale: if foes be food in hell, at sea
’Tis surely fair to dine upon our friends,
When shipwreck’s short allowance grows too scanty,
Without being much more horrible than Dante.
”
”
Lord Byron (Don Juan)