Asking For Favors Quotes

We've searched our database for all the quotes and captions related to Asking For Favors. Here they are! All 100 of them:

Oh... Adrian, I've got one more favor to ask you. A big one." "Fondue?" he asked hopefully.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I ask no favor for my sex. All I ask of our brethren is that they take their feet off our necks.
Ruth Bader Ginsburg
A well-known principle of human behavior says that when we ask someone to do us a favor we will be more successful if we provide a reason. People simply like to have reasons for what they do.
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
When Kai fell silent, she risked a glance at him. He was staring at her hands [which she always holds mechanic gloves over to hide her...you know, cyborg hands]... "Do you ever take those off?" he asked. "No." Kai tilted his head, peering at her as if he could see right through to the metal plate in her head..."I think you should go to the ball with me." She clutched her fingers..."Stars," she muttered. "Didn't you already asked me that?" "I'm hoping for a more favorable answer this time and I seem to be getting more desperate by the minute." "How charming." Kai's lips twitched. "Please?" "Why?" "Why not?" "I mean, why me?" Kai hooked his thumbs on his pockets. "So if my escape hover breaks down, I'll have someone to fix it?
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
Should I pull on a shirt?" he asked with hint of amusement. I WILL NOT BLUSH. "No." He'd be doing the world a favor if he never wore a shirt again, but I wasn't going to tell him that part. "You're fine.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Do me a favor?” Anything. I’ll do anything you ask me to, so long as you’re shirtless.
Colleen Hoover (Hopeless (Hopeless, #1))
What's your deal?" I asked in the hallway after class. "I know you did that." He shrugged. "So?" ... "That was rude, Daemon. You embarrassed him." ... "And I thought using your ... stuff would draw them here?" ... "That was barley a blip on the map. That didn't even leave a trace on anyone." He lowered his head until the edges of his dark curled brushed my cheek. I was caught between wanting to crawl into my locker or crawl into him. "Besides, I was doing you a favor." I laughed. "And how was that doing me a favor?" ... "Studying math wasn't what he had in mind." That was debatable, but I decided to play along ... "And what if that's the case?" "You like Simon?" His chin jerked up, anger flashing in his emerald eyes. "You can't possibly like him." ... "Are you jealous? ... Your jealous of Simon?" I lowered my voice. "Of a human? For shame, Daemon.
Jennifer L. Armentrout (Obsidian (Lux, #1))
I ask no favor for my sex. All I ask of our brethren is that they take their feet off our necks.
Sarah Moore Grimké
Alec isn’t happy,” said Magnus, as if she hadn’t spoken. “Of course he isn’t,” Isabelle snapped. “Jace—” “Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said: “I thought you were friends.” “It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.” Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —” “I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—” “Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said. “How dare you make this worse than it is —” “Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.” “There is nothing weak about Alec,” said Isabelle. “No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.” “Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
He wasn't into one-night stands, he wasn't into scoring just to see if he could, he wasn't into acting just charming enough to get what he wanted before cutting loose in favor of someone new and attractive. He just wasn't like that. He would never be like that. When he met a girl, the first question he asked himself wasn't whether she was good for a few dates; it was whether she was the kind of girl he could imagine spending time with in the long haul.
Nicholas Sparks (The Last Song)
You will know who truly loves you when you ask them to do an uncoventional favor.
Michael Bassey Johnson
Destiny guides our fortunes more favorably than we could have expected. Look there, Sancho Panza, my friend, and see those thirty or so wild giants, with whom I intend to do battle and kill each and all of them, so with their stolen booty we can begin to enrich ourselves. This is nobel, righteous warfare, for it is wonderfully useful to God to have such an evil race wiped from the face of the earth." "What giants?" Asked Sancho Panza. "The ones you can see over there," answered his master, "with the huge arms, some of which are very nearly two leagues long." "Now look, your grace," said Sancho, "what you see over there aren't giants, but windmills, and what seems to be arms are just their sails, that go around in the wind and turn the millstone." "Obviously," replied Don Quijote, "you don't know much about adventures.
Miguel de Cervantes Saavedra (Don Quixote)
Can you just do me one favor?” I ask. He knots his hands against my spine. “Hm?” “Only hold my hand when you want to.” “Poppy,” he says, “there may come a day when I no longer need to be touching you at all times, but that day is not today.
Emily Henry (People We Meet on Vacation)
God never asked us to meet life's pressures and demands on our own terms or by relying upon our own strength. Nor did He demands that we win His favor by assembling an impressive portfolio of good deeds. Instead, He invites us to enter His rest.
Charles R. Swindoll
I’d like to see you carry on with a corset digging its bones into your rib cage,” I said, returning the favor and eyeing his clothing. “And manage a skirt still covering most of your breeches and whipping around your thighs in this wind.” “If you’d like to see me out of my breeches, simply ask, Wadsworth. I’m more than happy to accommodate you on that front.” “Scoundrel.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Miroku: Kagome, are you worrying about me? Kagome: I guess so. Miroku: In that case, I have a favor to ask of you: please bear my child.
Rumiko Takahashi
The question we need to ask ourselves is: what is success to us? More money? That's fine. A healthy family? A happy marriage? Helping others? To be famous? Spiritually sound? To express ourselves? To create art? To leave the world a better place than we found it? What is success to me? Continue to ask yourself that question. How are you prosperous? What is your relevance? Your answer may change over time and that's fine but do yourself this favor – whatever your answer is, don't choose anything that would jeopardize your soul. Prioritize who you are, who you want to be, and don't spend time with anything that antagonizes your character. Don't depend on drinking the Kool-Aid – it's popular, tastes sweet today, but it will give you cavities tomorrow. Life is not a popularity contest. Be brave, take the hill. But first answer the question.
Matthew McConaughey (Greenlights)
She said, ‘I ask no favor for my sex. All I ask of our brethren is that they take their feet off our necks.
Irin Carmon (Notorious RBG: The Life and Times of Ruth Bader Ginsburg)
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
Why don't we talk about your love life? Clary countered. "What about you and Alec?" "Alec refuses to acknowledge that we have a relationship, and so I refuse to acknowledge him. He sent me a fire message asking for a favor the other day. It was addressed to 'Warlock Bane' as if I were a perfect stranger. He's still hung up on Jace, I think, though that relationship will never go anywhere. A problem I imagine you know nothing about...
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I ask people impertinent questions. Hopefully turning up pertinent answers.
Jim Butcher (Small Favor (The Dresden Files, #10))
Troubleshooters?" Michael asked. "When there's trouble," I told him, "they shoot it.
Jim Butcher (Small Favor (The Dresden Files, #10))
Managing stress is about controlling the way you respond to events and having an open mind about the things that stress you. Learn to talk to God during the day and ask Him to give you peace and to help you with your problems
Michele Woolley (God's Favor - Breath Of Heaven)
In art, either as creators or participators, we are helped to remember some of the glorious things we have forgotten, and some of the terrible things we were asked to endure...
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
A word of wisdom to you, akribos, you need to learn to accept gifts. (Catera) There’s no such thing as a gift. If I were to take that from you, sooner or later you would ask a favor from me in return. Nothing in life is ever truly given without expectation. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I believe in the baby Jesus, and I believe he is handsome and lives in the sky with his pet cow. I believe that it is essential the cow like you, and if you pet the cow with your mind, it will lick your hand and give you cash. But if you make the cow angry, it will turn away from you, forget you exist, and your life will fall into shambles. I believe that as long as the cow likes you, you can get what you want. In order to keep the cow’s favor, you need to ‘let go and let God,’ meaning you can’t obsess about controlling every little thing. You have to let things unfold naturally, and not try to change things you cannot change. On the other hand, I believe that if you’ve made the cow happy by living this way, you’re allowed to ask for favors...
Augusten Burroughs (Magical Thinking)
Man is a rope stretched between the animal and the Superman--a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting. What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING. I love those that know not how to live except as down-goers, for they are the over-goers. I love the great despisers, because they are the great adorers, and arrows of longing for the other shore. I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive. I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going. I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going. I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing. I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge. I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more. I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself. I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb. I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going. I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones. I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God. I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going. I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going. I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds. Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
Friedrich Nietzsche (Thus Spoke Zarathustra)
And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is gift and a privilege, not a right. We must earn life once it has been awarded us. Life asks for rewards back because it has favored us with animation. So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.
Ray Bradbury (The October Country)
Daniello, you do not like the bread? Eat! ...per favore, have some pasticcio di gnocchi alla boscaiola!" "As long as you don't ask me to repeat the name," Dan replied. Luna Amato chuckled. "Charming boy." "Handsome, too," Dan said.
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
Never claim as a right what you can ask as a favor.
John Churton Collins
What is it?" When Kat's voice finally came into Hale's ear, it was cold and steady and even. All tease was gone. If she was angry at him for standing her up, she didn't show it. she just said, "Tell me what's going on." "Party crashers," Hale whispered. He watched Macey watching him. "Five, and they brought toys." "Guns?" Kat guessed. "Big ones," Hale said. "You know this is what you get for doing a favor for your mother." "I know," Hale admitted. "What are they after?" Kat asked. "Hard to say," Hale said; again, he eyed the room. "Who is that?" Macey asked. "The reason I wasn't flirting with you,"Hale told her.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
We work together. That’s it. So I want you to do us both a favor before you think I ‘need’ to know something. Ask yourself, ‘If I were flipping burgers at McDonald’s, would I be telling the fucking fry guy this?’ If the answer is no, then shut the hell up.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Now would you do me a favor?' From somewhere inside me came this devastating assault to make me cry. But I withstood. I would not cry. I would merely indicate to Jennifer - by the affirmative nodding of my head - that I would be happy to do her any favor whatsoever. 'Would you please hold me very tight?' she asked. I put my hand on her forearm - Christ, so thin - and gave it a little squeeze. 'No, Oliver,' she said, 'really hold me. Next to me.'I was very, very careful - of the tubes and things - as I got onto the bed with her and put my arms around her. 'Thanks, Ollie.' Those were her last words.
Erich Segal (Love Story (Love Story, #1))
You don’t have to call me that, you know,” she said, brushing her hair back from her shoulders. “There was a time when you called me Winter.” He leaned his elbows on the enclosure wall. “There was also a time when I could come visit you without feeling like I was supposed to toss bread crumbs to earn your favor.” “Bread crumbs? Do I look like a goose?” He tilted his head to the side. “You don’t look like an arctic wolf, either, but that’s what the plaque tells me I’m looking at.” Winter leaned back on her hands. “I will not play fetch,” she said, “but I might howl if you ask nicely.” He grinned. “I’ve heard your howl. It’s not very wolf-like, either.” “I’ve been practicing.” “You won’t bite me if I come in there, will you?” “I make no guarantees.” Jacin hopped over the rail and came to sit beside her. She raised an eyebrow. “You don’t look like an arctic wolf, either.” “I also don’t howl.” He considered. “Though I might play fetch, depending on the prize.” “The prize is another game of fetch.” “You drive a hard bargain.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Remember, there’s also a downside of being too frank with others around you. There are people who might try to exploit your kindness by asking you for too many favors.
Prem Jagyasi
I know that no reader ever asks a question. A writer must force his favors upon his readers.
Jan Neruda (Prague Tales (Central European Classics))
I reach out and take his hand. “Well, he probably used up a lot of resources helping me knock you out,” I say mischievously. “Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.” “Or what?” I ask. “Or . . . or . . .” He can’t think of anything good. “Just give me a minute.” “What’s the problem?” I say with a grin. “The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta. “I did do the right thing,” I say. “No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?” I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .” I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread. “If what, Katniss?” he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted. “I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I don’t want you going there without me, ever…do you understand what I am saying?” he asks me, searching my face, probably looking for any sign of dissention. “Let me get this straight, what if I got a craving for…I don’t know…Twinkies in the wee hours of the morning and all that was open was the Seven-Eleven. You’re saying I should wake you up, even if you’re crashed out, just so that you can go with me on a treat run?” I ask skeptically, trying to gauge his level of commitment to this course of action. “Genevieve, Twinkies are really bad for you, but if you had to have one, then yes, that’s what I’m saying,” he smiles at my scenario. “Do you really like those things?” “I’m not going to tell you if you’re going to tease me, but I will say that it’s suspiciously inhuman not to enjoy a Hostess snack from time to time,” I reply coyly. “I’ll buy you one. You’ll love it, I promise.” And I’ll be doing the world a favor at the same time, I think, remembering him without his shirt on.
Amy A. Bartol (Inescapable (The Premonition, #1))
It is not for me to pass judgement on those prisoners who put their own people above everyone else. Who can throw a stone at a man who favors his friends under circumstances when, sooner or later, it is a question of life or death? No man should judge unless he asks himself in absolute honesty whether in a similar situation he might not have done the same".
Viktor E. Frankl (Man’s Search for Meaning)
Cullen?" "Hey, Mom." "Can you do me a favor?" she asked in that way that implied that saying no would cause someone to die.
John Corey Whaley (Where Things Come Back)
Jason glanced at the creature. It remained the same distance away as before, still as a statue. "What do you want?" Jason asked. No answer. "Are you the thing that followed Tark? You should keep following him. He's the real mastermind. Shoo. Go hide." No response. "Okay, how about you stand guard while I sleep. Keep the giants away. Sound good? All in favor, hold perfectly still. Fine, I guess we have a deal.
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
In a much quoted passage in his inaugural address, President Kennedy said, "Ask not what your country can do for you -- ask what you can do for your country." It is a striking sign of the temper of our times that the controversy about this passage centered on its origin and not on its content. Neither half of the statement expresses a relation between the citizen and his government that is worthy of the ideals of free men in a free society. The paternalistic "what your country can do for you" implies that government is the patron, the citizen the ward, a view that is at odds with the free man's belief in his own responsibility for his own destiny. The organismic, "what you can do for your country" implies that government is the master or the deity, the citizen, the servant or the votary. To the free man, the country is the collection of individuals who compose it, not something over and above them. He is proud of a common heritage and loyal to common traditions. But he regards government as a means, an instrumentality, neither a grantor of favors and gifts, nor a master or god to be blindly worshiped and served. He recognizes no national goal except as it is the consensus of the goals that the citizens severally serve. He recognizes no national purpose except as it is the consensus of the purposes for which the citizens severally strive.
Milton Friedman (Capitalism and Freedom)
I won't ask you to tell me who has spoken ill of me, but I would like to know who has spoken favorably.
Santiago Roncagliolo (Red April)
I DECLARE Ephesians 3:20 over my life. God will do exceedingly, abundantly above all that I ask or think. Because I honor Him, His blessings will chase me down and overtake me. I will be in the right place at the right time. People will go out of their way to be good to me. I am surrounded by God’s favor. This is my declaration.
Joel Osteen (I Declare: 31 Promises to Speak Over Your Life)
True respect comes when we fend for ourselves without the aid of anyone, and when we owned something and say, 'this is my own'! Not necessarily as a way of boasting of our abundance and grace, but having a feeling that we can use it without obstruction, or being asked to return the favor.
Michael Bassey Johnson (The Infinity Sign)
I recognized winter. I saw it coming (a mile off, since you ask), and I looked it in the eye. I greeted it and let it in. I had some tricks up my sleeve, you see. I've learned them the hard way. When I started feeling the drag of winter, I began to treat myself like a favored child: with kindness and love. I assumed my needs were reasonable and that my feelings were signals of something important. I kept myself well fed and made sure I was getting enough sleep. I took myself for walks in the fresh air and spent time doing things that soothed me. I asked myself: What is this winter all about? I asked myself: What change is coming?
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
A child is not an adult, a child didn't ask to be here. Any man that doesn't take care of his responsibilities to his family and to his children, do me a favor STOP calling yourself a man..at least have the decency to admit that you're a boy. You don't know what manhood is.
Stephen A. Smith
Only one?” asked Wylan. “Matthias said four guards for non-operational gates.” “Maybe Yellow Protocol is working in our favor,” said Wylan. “They could have been sent to the prison sector or—” “Or maybe there are twelve big Fjerdans keeping warm inside.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I’d ask you to hang out with us, but you’re not supposed to see me this way.’… ‘What way?’ I ask. ‘Drunk?’ ‘Yeah…well, no.’ His voice softens. ‘Real, I guess.’ ‘I’ll pretend I didn’t.’ ‘Nice of you.’ He puts his lips next to my ear and says, ‘You look good, Tris.’… I laugh. ‘Do me a favor and stay away from the chasm, okay?’ ‘Of course.’ He winks at me.
Veronica Roth
Prayer is the key that opens heaven; the favors we ask descend upon us the very instant our prayers ascend to God.
Augustine of Hippo
Dare to ask questions. There are answers to any question.
Lailah Gifty Akita
To mention it was to ask a favor and that as you were too generous, and as for her to ask was always to have, she wouldn't
Cecelia Ahern (Thanks for the Memories)
We also both know that when it comes to getting people to deny their own immediate needs in favor of a greater good, asking nicely almost never works.
James S.A. Corey (Leviathan Falls (The Expanse #9))
Young Noah: Will you go out with me? Young Allie: What? No. Young Noah: No...? Young Allie: No. Young Noah: Why not? Young Allie: I dunno, because I don't want to. Young Noah: OK, then you leave me no other choice. Young Allie: AHHHH Young Noah: I'm gonna ask you one more time, will you or will you not go out with me? I think my hand's slipping. Young Allie: OK, OK. Fine I'll go out with you Young Noah: No, don't do me any favors. Young Allie: No, no I want to. Young Noah: Say it. Young Allie: I wanna go out with you. Young Noah: Say it again. Young Allie: I WANNA GO OUT WITH YOU! Young Noah: All right, all right we'll go out.
Nicholas Sparks
He's a clever little thing, isn't he?" She leaned in to drop a kiss on the kitten's soft head, reaching to move him off Griffin's chest. He reached for her hand, stopping her. "And what about me?" he asked, his eyes burning into hers. "What about you?" "Am I not clever enough for a kiss?" His voice was gruff. She favored him with a shy smile. "You're more than clever enough, Griffin Channing.
Michelle Zink (A Temptation of Angels)
I will no longer ask for more than you have freely given or can give.
Robert Hayden (Collected Poems)
There are days worth living still, worth the pain of this life and the pain of their deaths. I guess I'm just asking you a favor, in the end: Don't give up before the future comes around that was meant for you, okay?
Tara Wine-Queen (Tenderness and Troubling Times: A Collection of Stories)
avant-garde, adj. This was after Alisa' show, the reverse-blackface rendition of Gone With the Wind, including songs from the Empire Records soundtrack and an interval of nineteenth-century German poetry, recited with a lisp. "What does avant-garde mean, anyway?" I asked. "I believe it translates as favor to your friends," you replied.
David Levithan (The Lover's Dictionary)
I have this friend, Jake," Mr. Mitchell says, sitting on the edge of his desk. "One day, I needed a favor. It wasn't a big favor, but I called him and told him I needed something. Know what he said?" We shake our heads. "He said, 'Sure.' Before he eve knew what i was going to ask him. You know why?" We shake our heads again. "Because he trusted me not to ask him to do something he couldn't or wouldn't want to do. He knew that whatever i asked for, he would help me simply because he was my friend and I needed help. That's true friendship.
Jo Knowles (Lessons from a Dead Girl)
RBG looked the justices in the eye and quoted Sarah Grimké, the abolitionist and advocate for women’s suffrage. “She spoke not elegantly, but with unmistakable clarity,” RBG said. “She said, ‘I ask no favor for my sex. All I ask of our brethren is that they take their feet off our necks.
Irin Carmon (Notorious RBG: The Life and Times of Ruth Bader Ginsburg)
The Ben Franklin Effect: If weak ties do favors for us, they start to like us. Then they become even more likely to grant us additional favors in the future. Franklin decided that if he wanted to get someone in his side, he ought to ask for a favor. And he did.
Meg Jay (The Defining Decade: Why Your Twenties Matter - And How to Make the Most of Them Now)
Just a little pointer, Indy, girl to girl, if you want that week with Lee to last into two. He likes it when you go down on him in the morning. He’s a fucking animal in bed but give him a morning BJ, he’ll return the favor and rock your world.” Every muscle in my body froze solid. “What did she just say?” Stevie asked. “She did not just say that in front of me,” Kitty Sue said. “Holy crap,” Dolores said. “Oh… my… gawd,” Tod said. “You fucking bitch,” Ally said. “This is more like it,” Tex said.
Kristen Ashley (Rock Chick (Rock Chick, #1))
The meanings that God calls us to in our lives are never abstract.  Though the call may ask us to redefine, or refine what we know as life,  it does not demand a renunciation of life in favor of something beyond it.  Moreover, the call itself is always composed of life.   That is, it is not some hitherto unknown voice to which we respond;  it is life calling to life."  
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
Ask and it shall be given you,'" I began. "'Seek and ye shall find; knock, and it shall be opened unto you; For every one that asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened.' We have the same message in the Book of Saint John," I said, sounding for all the world like a preacher...." Well, but how could I just stop there? Those words were worse than nothing if I didn't tell what they meant to Grandpa. Looking at the long rough box, I spoke timid, in a mumbled voice. Not preachified at all. "Grandpa didn't think Jesus meant, by that, that we should ast God for things, or for special favors. He said we could trust that in the nature of things, without astin', we'll get lots of blessin's and happy surprises and maybe a miracle or two. When Jesus said ast and you'll get it, He meant things of the spirit, not the flesh. Right now for instance, I could ast, 'Lord please raise Grandpa from the dead,' but it wouldn't happen. But I can say, 'Please, God, comfort me,' and I'll get heart's ease. Grandpa said Jesus meant us to ast for hope, forgiveness, and all that. Ast, 'Hep us not be scared, hep us not be greedy, give us courage to try." I was really carried away. "Ast any such and God will give it to you. But don't ast Him not to let fire burn, or say spare me from death. At least, uh, that's what Grandpa said.
Olive Ann Burns (Cold Sassy Tree)
If I had been asked in my early youth whether I preferred to have dealings only with men or only with books, my answer would certainly have been in favor of books. In later years this has become less and less the case. Not that I have had so much better experiences with men than with books; on the contrary, purely delightful books even now come my way more often than purely delightful men. But the many bad experiences with men have nourished the meadow of my life as the noblest book could not do, and the good experiences have made the earth into a garden for me. […:] Here is an infallible test. Imagine yourself in a situation where you are alone, wholly alone on earth, and you are offered one of the two, books or men. I often hear men prizing their solitude, but that is only because there are still men somewhere on earth, even though in the far distance. I knew nothing of books when I came forth from the womb of my mother, and I shall die without books, with another human hand in my own. I do, indeed, close my door at times and surrender myself to a book, but only because I can open the door again and see a human being looking at me.
Martin Buber (Meetings: Autobiographical Fragments)
You look different." His words, normally crisp,are now sluggish. "So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?" "Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea." "No,it isn't" I'm not sure I like Four this way.There's something unsettling about it. "Didn't know you had a tattoo," he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath. "Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way." I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand. "What way?" I ask. "Drunk? "Yeah...well,no." His voice softens. "Real,I guess." "I'll pretend I didn't." "Nice of you." He puts his lips next to my ear and says, "You look good, Tris." His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?" "Of course." He winks at me. I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends. Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot. "Come on,little girl," he says, "I'm taking you to dinner." I rest my elbows on Al's back and wave at Four as he carries me away.
Veronica Roth (Divergent (Divergent, #1))
You take a very handsome guy, or a guy that thinks he's a real hot-shot, and they're always asking you to do them a big favor. Just because they're crazy about themself, they think you're crazy about them, too, and that you're just dying to do them a favor. It's sort of funny, in a way.
J.D. Salinger (The Catcher in the Rye)
Why do you even want to be here with me? You can barely stand to look at me for the most part, let alone be around me. I'm doing you a favor here, Nathan. I'm freeing you of me." "Wait...Stay." "No." "I'm not asking." "I thought we were done." "We'll never be done.
Samantha Towle (First Bitten (Alexandra Jones, #1))
Italians have a little joke, that the world is so hard a man must have two fathers to look after him, and that's why they have godfathers. Since Johnny's father died, Mr. Corleone feels his responsibility even more deeply. As for trying you again, Mr. Corleone is much too sensitive. He never asks a second favor where he has been refused the first.
Mario Puzo (The Godfather (The Godfather, #1))
Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth. Anger is the demand of accountability, It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope. How much anger is too much? Certainly not the anger that, for many of us, is a remembering of a self we learned to hide and quiet. It is willful and disobedient. It is survival, liberation, creativity, urgency, and vibrancy. It is a statement of need. An insistence of acknowledgment. Anger is a boundary. Anger is boundless. An opportunity for contemplation and self-awareness. It is commitment. Empathy. Self-love. Social responsibility. If it is poison, it is also the antidote. The anger we have as women is an act of radical imagination. Angry women burn brighter than the sun. In the coming years, we will hear, again, that anger is a destructive force, to be controlled. Watch carefully, because not everyone is asked to do this in equal measure. Women, especially, will be told to set our anger aside in favor of a kinder, gentler approach to change. This is a false juxtaposition. Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most—those who have looked to themselves and the limitations and adversities that come with our bodies and the expectations that come with them—have all found ways to transform their anger into meaningful change. In them, anger has moved from debilitation to liberation. Your anger is a gift you give to yourself and the world that is yours. In anger, I have lived more fully, freely, intensely, sensitively, and politically. If ever there was a time not to silence yourself, to channel your anger into healthy places and choices, this is it.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
As we sat there, the door opened, just barely, and a hand slid inside and dropped a set of keys on a side table. "Thanks, Garrett!" I called out. He gave me a thumbs-up and closed the door. "How do you suppose he knew we were performing sexual favors on each other?" I asked, snuggling against my man again. "Possibly because you screamed my name about seven times.
Darynda Jones (Eleventh Grave in Moonlight (Charley Davidson, #11))
Many voices ask for our attention. There is a voice that says, 'Prove that you are a good person.' Another voice says, 'You’d better be ashamed of yourself.' There also is a voice that says, 'Nobody really cares about you,' and one that says, 'Be sure to become successful, popular, and powerful.' But underneath all these often very noisy voices is a still, small voice that says, 'You are my Beloved, my favor rests on you.' That’s the voice we need most of all to hear. To hear that voice, however, requires special effort; it requires solitude, silence, and a strong determination to listen. That’s what prayer is. It is listening to the voice that calls us 'my Beloved'.
Henri J.M. Nouwen (Bread for the Journey)
I recall how miserable I was, and how one day you brought me to a realization of my miserable state. I was preparing to deliver a eulogy upon the emperor in which I would tell plenty of lies with the object of winning favor with the well-informed by my lying; so my heart was panting with anxiety and seething with feverish, corruptive thoughts. As I passed through a certain district in Milan I noticed a poor beggar, drunk, as I believe, and making merry. I groaned and pointed out to the friends who were with me how many hardships our idiotic enterprises entailed. Goaded by greed, I was dragging my load of unhappiness along, and feeling it all the heavier for being dragged. Yet while all our efforts were directed solely to the attainment of unclouded joy, it appeared that this beggar had already beaten us to the goal, a goal which we would perhaps never reach ourselves. With the help of the few paltry coins he had collected by begging this man was enjoying the temporal happiness for which I strove by so bitter, devious and roundabout a contrivance. His joy was no true joy, to be sure, but what I was seeking in my ambition was a joy far more unreal; and he was undeniably happy while I was full of foreboding; he was carefree, I apprehensive. If anyone had questioned me as to whether I would rather be exhilarated or afraid, I would of course have replied, "Exhilarated"; but if the questioner had pressed me further, asking whether I preferred to be like the beggar, or to be as I was then, I would have chosen to be myself, laden with anxieties and fears. Surely that would have been no right choice, but a perverse one? I could not have preferred my condition to his on the grounds that I was better educated, because that fact was not for me a source of joy but only the means by which I sought to curry favor with human beings: I was not aiming to teach them but only to win their favor.
Augustine of Hippo (Confessions)
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me. “You look different.” His words, normally crisp, are now sluggish. “So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?” “Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.” “No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it. “Didn’t know you had a tattoo,” he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath. “Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, “I’d ask you to hang out with us, but you’re not supposed to see me this way.” I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in his hand. “What way?” I ask. “Drunk?” “Yeah...well, no.” His voice softens. “Real, I guess.” “I’ll pretend I didn’t.” “Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.” His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?” “Of course.” He winks at me.
Veronica Roth (Divergent (Divergent, #1))
It really does no good to ask questions that reflect opposition to the will of God. Rather ask, What am I to do? What am I to learn from this experience? What am I to change? Whom am I to help? How can I remember my many blessings in times of trial? Wiling sacrifice of deeply held personal desires in favor of the will of God is very hard to do. Yet, when you pray with real conviction, "Please let me know Thy will" and "May Thy will be done," you are in the strongest position to receive the maximum help from your Heavenly Father.
Richard G. Scott
I should’ve just made something up and gotten the favor over with.” “You probably should have. But you didn’t, so . . . I win!” He shook his hair, flashing his most adorably confident smile, “And I gotta say, I kinda get why you hesitated with this. It’s a big decision. I mean, on the one hand, I could go for the obvious and make you share whatever secret you keep almost telling me.” Sophie’s mouth turned to sandpaper. “So that still freaks you out, huh? That might be proof that it needs to happen.” His eyes locked onto hers, refusing to let her look away. And when she swallowed, it was so loud, she was sure the entire world heard it. “Or,” he said. “We could skip the talking.” “And do what?” she asked, hating her voice for cracking. “Any ideas?” He was so close now, she could feel his breath warming her cheeks. He leaned a tiny bit closer and someone cleared his throat—very loudly.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Tera, I need a favor. I need you to translate something." "Indeed. And why should I help you?" Lucia said, "To stop an apocalypse." Then she explained where she and MacRieve were and the highlights of the threat. Once she'd finished, Tera sighed. "Can you take a picture of the symbols and e-mail them?" "What's your e-mail addy?" Lucia asked. "Hmm. Thegreatestarcherever at gmail dot com." "Surely the greatest archer ever had already taken that one?" Tera said tightly, "Terafey at thenoblefey dot com." "Pics are on their way.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
SATAN, n. One of the Creator's lamentable mistakes, repented in sashcloth and axes. Being instated as an archangel, Satan made himself multifariously objectionable and was finally expelled from Heaven. Halfway in his descent he paused, bent his head in thought a moment and at last went back. "There is one favor that I should like to ask," said he. "Name it." "Man, I understand, is about to be created. He will need laws." "What, wretch! you his appointed adversary, charged from the dawn of eternity with hatred of his soul—you ask for the right to make his laws?" "Pardon; what I have to ask is that he be permitted to make them himself." It was so ordered.
Ambrose Bierce (The Devil's Dictionary)
I am not well-versed in theory, but in my view, the cow deserves her life. As does the ram. As does the ladybug. As does the elephant. As do the fish, and the dog and the bee; as do other sentient beings. I will always be in favor of veganism as a minimum because I believe that sentient beings have a right not to be used as someone else's property. They ask us to be brave for them, to be clear for them, and I see no other acceptable choice but to advocate veganism. If these statements make me a fundamentalist, then I will sew a scarlet F on my jacket so that all may know I'm fundamentally in favor of nonviolence; may they bury me in it so that all will know where I stood.
Vincent J. Guihan
If you ask me to name the proudest distinction of Americans, I would choose--because it contains all the distinctions of the others--the fact that they were the people who created the phrase "to make money". No other language or nation had ever used these words before; men had always thought of wealth as a static quantity--to be seized, begged, inherited, shared, looted or obtained as a favor. Americans were the first to understand that wealth has to be created. The words 'to make money' hold the essence of human morality.
Ayn Rand (Atlas Shrugged)
I would like to ask one favor though, if that's not too much," he said. I wonder what he saw on my face, because something flickered across his own face in response. But, before I could identify it, he'd composed his features into the same serene mask. "Anything," I vowed, my voice faintly stronger. As I watched, his frozen eyes melted. The gold became liquid again, molten, burning down into mine with an intensity that was overwhelming. "Don't do anything reckless or stupid," he ordered, no longer detached. "Do you understand what I'm saying?" I nodded helplessly. His eyes cooled, the distance returned.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
One of the questions I have been asked many times since this story broke is this: Now that the facts are out there, what can we do? My answer, depressing and cynical as it may be, is always the same. Not much. Not now. And certainly not until the American public and its Congressional representatives regain control of the CIA and shred the curtain of secrecy that keeps us from discovering these crimes of state until its too late. Perhaps when the government officials who presided over these outrages are safely in their crypts, and their apologists and cheerleaders are buried woth them, future historians can finally call these men to account for the miseries they caused. Even if that's all that ever happens, it will be fitting and just, because the favorable judgment of history is ultimately what they craved.
Gary Webb (Dark Alliance: The CIA, the Contras, and the Cocaine Explosion)
Of course, he was in favor of Armageddon in general terms. If anyone had asked him why he'd been spending centuries tinkering in the affairs of mankind he'd have said, "Oh, in order to bring about Armageddon and the triumph of Hell." But it was one thing to work to bring it about, and quite another for it to actually happen. Crowley had always known that he would be around when the world ended, because he was immortal and wouldn't have any alternative. But he'd hoped it would be a long way off. Because he rather liked people. It was a major failing in a demon. Oh, he did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. They seemed to have a talent for it. It was built into the design, somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse. Over the years Crowley had found it increasingly difficult to find anything demonic to do which showed up against the natural background of generalized nastiness. There had been times, over the past millenium, when he'd felt like sending a message back Below saying, Look, we may as well give up right now, we might as well shut down Dis and Pandemonium and everywhere and move up here, there's nothing we can do to them that they don't do to themselves and they do things we've never even though of, often involving electrodes. They've got what we lack. They've got imagination. And electricity, of course.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason." I nod and try to believe him. "The others won't be as jealous if you show some vulnerability. Even if it isn't real." "You think I have to pretend to be vulnerable?" I ask, raising an eyebrow. "Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt. Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache. "You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down." The idea nauseates me. "I don't think I can do that," I say hollowly. I lift my eyes to his. "You have to." "I don't think you get it." Heat rises into my face. "They touched me." His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold. "Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost." I look away. He is silent and still for so long that eventually,I have to say something. "What is it?" "I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?" His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears. I nod. "But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them." I laugh shakily. "You're a little scary, Four." "Do me a favor," he says, "and don't call me that." "What should I call you,then?" "Nothing." He takes his hand from my face. "Yet.
Veronica Roth (Divergent (Divergent, #1))
At Latham House, we were asked to believe in unlikely miracles. In second chances. We woke up each morning hoping that the odds had somehow swung in our favor. But that’s the thing about odds. Roll a die twice, and you expect two different results. Except it doesn’t work that way. You could roll the same side over and over again, the laws of the universe intact and unchanging with each turn. It’s only when you consider the past that the odds change. That things become less and less likely. Here’s something I know because I’m a nerd: up until the middle of the twentieth century, dice were made out of cellulose nitrate. It’s a material that remains stable for decades but, in a flash, can decompose. The chemical compound breaks down, releasing nitric acid. So every time you roll a die, there’s a small chance that it won’t give you a result at all, that instead it will cleave, crumble, and explode.
Robyn Schneider (Extraordinary Means)
How could I tell him that I now wanted what he had once wanted----to travel on trains and fall in love with girls with dark eyes and extravagant lips? It didn't matter to me if at the end of it I had nothing to show but sore thighs. It wasn't my fault that the life of the wanderer, the wayfarer, had fallen out of favor with the world. So what if it was no longer acceptable to drift with the wind, asking for bread and a roof, sleeping on bales of hay and enjoying dalliances with barefooted farmgirls, then running away before the harvest? This was the life I wanted, blowing around like a leaf with appetites.
Steve Toltz (A Fraction of the Whole)
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
I might be able to help, Daigian," Nynaeve said, leaning forward, laying her hand on the other woman's knee. "If I were to attempt a Healing, perhaps..." "No," the woman said curtly. "But—" "I doubt you could help." "Anything can be Healed," Nynaeve said stubbornly, "even if we don't know how yet. Anything save death." "And what would you do, dear?" Daigian asked. [...] "I could do something," Nynaeve said. "This pain you feel, it has to be an effect of the bond, and therefore something to do with the One Power. If the Power causes your pain, then the Power can take that pain away." "And why would I want that?" Daigian asked, in control once again. "Well... well, because it's pain. It hurts." "It should," Daigian said. "Eben is dead. Would you want to forget your pain if you lost that hulking giant of yours? Have your feelings for him cut away like some spoiled chunk of flesh in an otherwise good roast?" Nynaeve opened her mouth, but stopped. Would she? It wasn't that simple—her feelings for Lan were genuine, and not due to a bond. He was her husband, and she loved him. Daigian had been possessive of her Warder, but it had been the affection of an aunt for her favored nephew. It wasn't the same. But would Nynaeve want that pain taken away? She closed her mouth, suddenly realizing the honor in Daigian's words. "I see. I'm sorry.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display. “They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions. Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.” “I don’t get what half these descriptions mean . . . What’s a vibrating ring?” “Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.” I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’” “I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.” “But blue’s my favorite color,” I say, batting my eyelashes at him. “Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?” “For the visually impaired?” I ask, reshelving the boxes. We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave. “Do you think he knew?” I ask. “You’re blushing again,” Jase mutters absently. “Did who know what?” “The sales guy. Why we were buying these?” A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.” Okay, I’m ridiculous. “Or party favors,” I laugh. “Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.” “Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans. “Or little raincoats for . . .” He pauses, stumped. “Barbie dolls,” I suggest. “G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
Huntley Fitzpatrick (My Life Next Door)
Children perceive frightening ghosts and monsters and dragons and they are terrified. Yet if they ask someone they trust for the meaning of what they perceive, and are willing to let their own interpretations go in favor of reality, their fear goes with them. When a child is helped to translate his 'ghosts' into a courtain, his 'monster' into a shadow and his 'dragon' into a dream he is no longer afraid, and laughs happily at his own fear. You, my child, are afraid of your brothers and of your Father and of yourself. But you are merely deceived in them. Ask what they are of the Teacher of reality, and hearing His answer, you too will laugh at your fears and replace them with peace. For fear lies not in reality, but in the minds of children who do not understand reality. It is only their lack of understanding that frightens them, and when they learn to perceive truly they are not afraid.
Foundation for Inner Peace
You can say whatever you like to me. I'm your oyster." Before she could restrain herself, an appalled giggle escaped her. "Please don't say that. You're no such thing." "You can choose another word, if you like." Mr. Severin extended his arm to escort her downstairs. "But the fact is, if you ever need anything- any favor, any service, large or small- I'm the one to send for. No questions asked. No obligations attached. Will you remember that?" Cassandra hesitated before taking his arm. "I'll remember." As they proceeded to the first floor, she asked in bewilderment, "But why would you make such a promise?" "Haven't you ever liked someone or something right away, without knowing exactly why, but feeling sure you would discover the reasons later?" She couldn't help smiling at that, thinking, Yes, as a matter of fact. Just now. But it would be too forward to say so, and besides, it would be wrong to encourage him. "I would be glad to call you a friend, Mr. Severin. But I'm afraid marriage will never be a possibility. We don't suit. I could please you only in the most superficial ways." "I would be happy with that," he said. "Superficial relationships are my favorite kind." A regretful smile lingered at her lips. "Mr. Severin, you couldn't give me the life I've always dreamed of." "I hope your dream comes true, my lady. But if it doesn't, I could offer you some very satisfying substitutes." "Not if you're heart is frozen," Cassandra said. Mr. Severin grinned at that, and made no reply. But as they neared the last step, she heard his reflective, almost puzzled murmur. "Actually... I think it just thawed a little.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Really?” I whispered. He crossed his arms on his chest and stated, “Babe, you think I found the woman of my dreams at forty-five years old and I’m gonna let anything happen to her, think again. That’s a long fuckin’ time to wait for what you want. I waited. I found it. I’m pullin’ out all the stops to take care of it. I know you feel the same for me so I’m doin’ the same to keep me safe for you. So yeah, really, I called Delgado. I made peace and asked a favor. His woman is in your posse so she wouldn’t be doin’ cartwheels, he said no and something went down with you or, for you, me. And he isn’t dumb, he’s a man who knows to collect favors and he’s a man whose business means he often has the need to call markers. So his ear’s to the ground and his eyes are open so if a cop isn’t cruisin’ by your house or bakery, one of Lee’s boys or one of Hawk’s commandos are. Smart people pay attention to who’s cruisin’ around people they want to fuck with and smart people will see cops, Nightingale’s men and Delgado’s crazy motherfuckers and, my hope is, they’ll steer clear. So, there you go. Now you got a full explanation of what I mean when I say you’re on radar.” I heard all he said, I really did. But I was stuck at the beginning part where he told me I was the woman of his dreams.
Kristen Ashley (Wild Man (Dream Man, #2))
He was a stranger, an alien creature, impossible to reach or understand. And still she wanted to try. “Tell me what you need.” “This,” he whispered, watching her lips move against his palm. “Just this.” He rose over her, pinning her against the cushions, and stroked her hair with a tenderness that seemed misplaced among the sultry sensations it awakened in her. “Do your clients pleasure you?” she asked hoarsely, her head tilting and following his fingers as they massaged her neck. “If that’s what they want. You pleasure me, Billie. The sight of you. The sound of your voice. I want to hear it all sorts of ways. Laughing. Whispering. Moaning. Crying out.” He caught her mouth in a lush, hungry kiss, and there was nothing sweet or grateful about it this time. Erotic delight arrowed through her with each sleek thrust of his tongue between her lips, a sultry promise of what he would do to her if she let him.
Shelby Reed (The Fifth Favor)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
Catherynne M. Valente (Palimpsest)
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
A very distinct pattern has emerged repeatedly when policies favored by the anointed turn out to fail. This pattern typically has four stages: STAGE 1. THE “CRISIS”: Some situation exists, whose negative aspects the anointed propose to eliminate. Such a situation is routinely characterized as a “crisis,” even though all human situations have negative aspects, and even though evidence is seldom asked or given to show how the situation at hand is either uniquely bad or threatening to get worse. Sometimes the situation described as a “crisis” has in fact already been getting better for years. STAGE 2. THE “SOLUTION”: Policies to end the “crisis” are advocated by the anointed, who say that these policies will lead to beneficial result A. Critics say that these policies will lead to detrimental result Z. The anointed dismiss these latter claims as absurd and “simplistic,” if not dishonest. STAGE 3. THE RESULTS: The policies are instituted and lead to detrimental result Z. STAGE 4. THE RESPONSE: Those who attribute detrimental result Z to the policies instituted are dismissed as “simplistic” for ignoring the “complexities” involved, as “many factors” went into determining the outcome. The burden of proof is put on the critics to demonstrate to a certainty that these policies alone were the only possible cause of the worsening that occurred. No burden of proof whatever is put on those who had so confidently predicted improvement. Indeed, it is often asserted that things would have been even worse, were it not for the wonderful programs that mitigated the inevitable damage from other factors. Examples of this pattern are all too abundant. Three will be considered here. The first and most general involves the set of social welfare policies called “the war on poverty” during the administration of President Lyndon B. Johnson, but continuing under other labels since then. Next is the policy of introducing “sex education” into the public schools, as a means of reducing teenage pregnancy and venereal diseases. The third example will be policies designed to reduce crime by adopting a less punitive approach, being more concerned with preventive social policies beforehand and rehabilitation afterwards, as well as showing more concern with the legal rights of defendants in criminal cases.
Thomas Sowell (The Thomas Sowell Reader)
Many readers are familiar with the spirit and the letter of the definition of “prayer”, as given by Ambrose Bierce in his Devil’s Dictionary. It runs like this, and is extremely easy to comprehend: Prayer: A petition that the laws of nature be suspended in favor of the petitioner; himself confessedly unworthy. Everybody can see the joke that is lodged within this entry: The man who prays is the one who thinks that god has arranged matters all wrong, but who also thinks that he can instruct god how to put them right. Half–buried in the contradiction is the distressing idea that nobody is in charge, or nobody with any moral authority. The call to prayer is self–cancelling. Those of us who don’t take part in it will justify our abstention on the grounds that we do not need, or care, to undergo the futile process of continuous reinforcement. Either our convictions are enough in themselves or they are not: At any rate they do require standing in a crowd and uttering constant and uniform incantations. This is ordered by one religion to take place five times a day, and by other monotheists for almost that number, while all of them set aside at least one whole day for the exclusive praise of the Lord, and Judaism seems to consist in its original constitution of a huge list of prohibitions that must be followed before all else. The tone of the prayers replicates the silliness of the mandate, in that god is enjoined or thanked to do what he was going to do anyway. Thus the Jewish male begins each day by thanking god for not making him into a woman (or a Gentile), while the Jewish woman contents herself with thanking the almighty for creating her “as she is.” Presumably the almighty is pleased to receive this tribute to his power and the approval of those he created. It’s just that, if he is truly almighty, the achievement would seem rather a slight one. Much the same applies to the idea that prayer, instead of making Christianity look foolish, makes it appear convincing. Now, it can be asserted with some confidence, first, that its deity is all–wise and all–powerful and, second, that its congregants stand in desperate need of that deity’s infinite wisdom and power. Just to give some elementary quotations, it is stated in the book of Philippians, 4:6, “Be careful for nothing; but in everything by prayer and supplication and thanksgiving, let your requests be known to God.” Deuteronomy 32:4 proclaims that “he is the rock, his work is perfect,” and Isaiah 64:8 tells us, “Now O Lord, thou art our father; we art clay and thou our potter; and we are all the work of thy hand.” Note, then, that Christianity insists on the absolute dependence of its flock, and then only on the offering of undiluted praise and thanks. A person using prayer time to ask for the world to be set to rights, or to beseech god to bestow a favor upon himself, would in effect be guilty of a profound blasphemy or, at the very least, a pathetic misunderstanding. It is not for the mere human to be presuming that he or she can advise the divine. And this, sad to say, opens religion to the additional charge of corruption. The leaders of the church know perfectly well that prayer is not intended to gratify the devout. So that, every time they accept a donation in return for some petition, they are accepting a gross negation of their faith: a faith that depends on the passive acceptance of the devout and not on their making demands for betterment. Eventually, and after a bitter and schismatic quarrel, practices like the notorious “sale of indulgences” were abandoned. But many a fine basilica or chantry would not be standing today if this awful violation had not turned such a spectacularly good profit. And today it is easy enough to see, at the revival meetings of Protestant fundamentalists, the counting of the checks and bills before the laying on of hands by the preacher has even been completed. Again, the spectacle is a shameless one.
Christopher Hitchens (Mortality)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
The charge that Anarchism is destructive, rather than constructive, and that, therefore, Anarchism is opposed to organization, is one of the many falsehoods spread by our opponents. They confound our present social institutions with organization; hence they fail to understand how we can oppose the former, and yet favor the latter. The fact, however, is that the two are not identical. “The State is commonly regarded as the highest form of organization. But is it in reality a true organization? Is it not rather an arbitrary institution, cunningly imposed upon the masses? “Industry, too, is called an organization; yet nothing is farther from the truth. Industry is the ceaseless piracy of the rich against the poor. “We are asked to believe that the Army is an organization, but a close investigation will show that it is nothing else than a cruel instrument of blind force. “The Public School! The colleges and other institutions of learning, are they not models of organization, offering the people fine opportunities for instruction? Far from it. The school, more than any other institution, is a veritable barrack, where the human mind is drilled and manipulated into submission to various social and moral spooks, and thus fitted to continue our system of exploitation and oppression. “Organization, as WE understand it, however, is a different thing. It is based, primarily, on freedom. It is a natural and voluntary grouping of energies to secure results beneficial to humanity. “It is the harmony of organic growth which produces variety of color and form, the complete whole we admire in the flower. Analogously will the organized activity of free human beings, imbued with the spirit of solidarity, result in the perfection of social harmony, which we call Anarchism. In fact, Anarchism alone makes non-authoritarian organization of common interests possible, since it abolishes the existing antagonism between individuals and classes. “Under present conditions the antagonism of economic and social interests results in relentless war among the social units, and creates an insurmountable obstacle in the way of a co-operative commonwealth. “There is a mistaken notion that organization does not foster individual freedom; that, on the contrary, it means the decay of individuality. In reality, however, the true function of organization is to aid the development and growth of personality. “Just as the animal cells, by mutual co-operation, express their latent powers in formation of the complete organism, so does the individual, by co-operative effort with other individuals, attain his highest form of development. “An organization, in the true sense, cannot result from the combination of mere nonentities. It must be composed of self-conscious, intelligent individualities. Indeed, the total of the possibilities and activities of an organization is represented in the expression of individual energies. “It therefore logically follows that the greater the number of strong, self-conscious personalities in an organization, the less danger of stagnation, and the more intense its life element. “Anarchism asserts the possibility of an organization without discipline, fear, or punishment, and without the pressure of poverty: a new social organism which will make an end to the terrible struggle for the means of existence,—the savage struggle which undermines the finest qualities in man, and ever widens the social abyss. In short, Anarchism strives towards a social organization which will establish well-being for all. “The germ of such an organization can be found in that form of trades unionism which has done away with centralization, bureaucracy, and discipline, and which favors independent and direct action on the part of its members.
Emma Goldman (Anarchism and Other Essays)