“
Looking for Your Face
From the beginning of my life
I have been looking for your face
but today I have seen it
Today I have seen
the charm, the beauty,
the unfathomable grace
of the face
that I was looking for
Today I have found you
and those who laughed
and scorned me yesterday
are sorry that they were not looking
as I did
I am bewildered by the magnificence
of your beauty
and wish to see you
with a hundred eyes
My heart has burned with passion
and has searched forever
for this wondrous beauty
that I now behold
I am ashamed
to call this love human
and afraid of God
to call it divine
Your fragrant breath
like the morning breeze
has come to the stillness of the garden
You have breathed new life into me
I have become your sunshine
and also your shadow
My soul is screaming in ecstasy
Every fiber of my being
is in love with you
Your effulgence
has lit a fire in my heart
and you have made radiant
for me
the earth and sky
My arrow of love
has arrived at the target
I am in the house of mercy
and my heart
is a place of prayer
”
”
Jalal ad-Din Muhammad ar-Rumi (The Love Poems of Rumi)
“
And then there was Jacob, who stepped closer to me and then waited, letting me decide whether I would take the next step. Balanced there in indecision, it was as if the Twisted Sisters were before me, shaking their pom-poms, asking: But what is fair about staying with a guy who is ashamed to be seen with you? What was so miraculous about a relationship that was based more on my gratitude than mutual respect.
”
”
Justina Chen (North of Beautiful)
“
I love every inch of you," I tell her. "Every part of your body that makes you nervous gives me
pleasure. I see no flaws, nothing for you to be ashamed of or humiliated over... nothing you should hide from me. I've seen it all, and I love it. You're beautiful, baby.
”
”
J.M. Darhower (Torture to Her Soul (Monster in His Eyes, #2))
“
If it weren't for me, she wouldn't have to take jobs like this. She would be half a planet away, floating in a turquoise sea, dancing by moonlight to flamenco guitar. I felt my guilt like a brand.... I had seen girls clamor for new clothes and complain about what their mothers made for dinner. I was always mortified. Didn't they know they were tying their mothers to the ground? Weren't chains ashamed of their prisoners?
”
”
Janet Fitch (White Oleander)
“
But I can tell you I myself have made many mistakes. Things sometimes I would be ashamed to admit. But if it weren’t for those mistakes I wouldn’t have seen the beauty in me. I wouldn’t have awoken the goddess that lives in me. You see, goddesses although immortal were all flawed. They were all a bit extreme at their calling, and they were all betrayed and hurt at some point. They were even considered devious but what made them unique was their strength.
”
”
Mirtha Michelle Castro Mármol (Letters, To The Men I Have Loved)
“
I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
I am not ashamed to be seen with people who are different from me.
”
”
Mitta Xinindlu
“
One of my constant preoccupations is trying to understand how it is that other people exist, how it is that there are souls other than mine and consciousnesses not my own, which, because it is a consciousness, seems to me unique. I understand perfectly that the man before me uttering words similar to mine and making the same gestures I make, or could make, is in some way my fellow creature. However, I feel just the same about the people in illustrations I dream up, about the characters I see in novels or the dramatis personae on the stage who speak through the actors representing them.
I suppose no one truly admits the existence of another person. One might concede that the other person is alive and feels and thinks like oneself, but there will always be an element of difference, a perceptible discrepancy, that one cannot quite put one's finger on. There are figures from times past, fantasy-images in books that seem more real to us than these specimens of indifference-made-flesh who speak to us across the counters of bars, or catch our eye in trams, or brush past us in the empty randomness of the streets. The others are just part of the landscape for us, usually the invisible landscape of the familiar.
I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, that with many supposedly real people, with that metaphysical absurdity known as 'flesh and blood'. In fact 'flesh and blood' describes them very well: they resemble cuts of meat laid on the butcher's marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate.
I'm not ashamed to feel this way because I know it's how everyone feels. The lack of respect between men, the indifference that allows them to kill others without compunction (as murderers do) or without thinking (as soldiers do), comes from the fact that no one pays due attention to the apparently abstruse idea that other people have souls too.
”
”
Fernando Pessoa (The Book of Disquiet)
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Abby’s expression made me falter; she was afraid of what she’d just seen. She swallowed, and took a step back. Her fear only made me more angry, not at her, but because I was ashamed of myself.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
When I see teenagers out in public with their families, holding back, refusing to walk with mom and dad, ashamed to be seen as part of a family, I have to admit that I have acted that way myself, at times, with regard to my Christian inheritance. A hapless and mortally embarrassed adolescent lurked behind the sophisticated mask I wrote in my twenties: faith was something for little kids and grandmas, not me.
”
”
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
“
For a moment, I tried to see myself through the eyes of the girl with the black hair, or even the boy in the cowboy hat, studying my features for a vibration under the skin. The effort was visible in my face, and I felt ashamed. No wonder the boy had seemed disgusted: He must have seen the longing in me. Seen how my face was blatant with need, like an orphan's empty dish. And that was the difference between me and the black-haired girl- her face answered all it's own questions.
”
”
Emma Cline (The Girls)
“
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation.
you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser.
do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on.
do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.
this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition.
the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence.
avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
”
”
Leonard Cohen (Death of a Lady's Man)
“
With an ashamed sigh, I confessed, “You have seen nothing but the worst of me since then, Aeron. I’ve been a bitter, defiant, irrational shrew…and now I’m selfishly dragging you into a hopeless situation against your better judgment. What would possibly entice you to make good on a marriage proposal under such circumstances?”
“You would…” his voice was gentle, as his troubled eyes searched mine. “If what I’ve seen is the worst of you…then it will be a miracle if I ever find a way to deserve you.
”
”
M.A. George (Relativity (Proximity, #2))
“
I love every inch of you," I tell her. "Every part of your body that makes you nervous gives me pleasure. I see no flaws, nothing for you to be ashamed of or humiliated over... nothing you should hide from me. I've seen it all, and I love it. You're beautiful, baby.
”
”
J.M. Darhower (Torture to Her Soul (Monster in His Eyes, #2))
“
Don’t be ashamed of what you want to say. I’m not going anywhere.” And that was the thing, wasn’t it? That was the spark that lit up my dark, dead, broken soul — he’d seen all its sharp edges and hadn’t left. He’d seen me as broken as I was and wanted me, regardless.
”
”
Harley Laroux (Her Soul for Revenge (Souls Trilogy, #2))
“
Just so hollow and ineffectual, for the most part, is our ordinary conversation. Surface meets surface. When our life ceases to be inward and private, conversation degenerates into mere gossip. We rarely meet a man who can tell us any news which he has not read in a newspaper, or been told by his neighbor; and, for the most part, the only difference between us and our fellow is, that he has seen the newspaper, or been out to tea, and we have not. In proportion as our inward life fails, we go more constantly and desperately to the post-office. You may depend on it, that the poor fellow who walks away with the greatest number of letters, proud of his extensive correspondence, has not heard from himself this long while.
I do not know but it is too much to read one newspaper a week. I have tried it recently, and for so long it seems to me that I have not dwelt in my native region. The sun, the clouds, the snow, the trees say not so much to me. You cannot serve two masters. It requires more than a day's devotion to know and to possess the wealth of a day.
We may well be ashamed to tell what things we have read or heard in our day. I do not know why my news should be so trivial,--considering what one's dreams and expectations are, why the developments should be so paltry. The news we hear, for the most part, is not news to our genius. It is the stalest repetition.
”
”
Henry David Thoreau (Life Without Principle)
“
Do you at least like The Force Awakens?”
He stares at me. “I haven’t seen it.”
“Wait, what? How can you call yourself a fan if you haven’t even seen the new movie?”
“I’ve been a bit busy lately,” he says. “Dealing with you has taken up a lot of my free time.”
“Oh, whatever. That’s bullshit. You had enough free time to put together a gazillion piece puzzle. You’ve got time to watch a movie, and you know it. I’m just... I’m ashamed of you. Legitimately ashamed.”
“I’m guessing it’s good, then?”
“Oh, I don’t know.” I shrug. “I haven’t watched it. Been too busy.”
Lorenzo pulls my hand away from his face and laughs.
Genuinely laughs.
”
”
J.M. Darhower (Grievous (Scarlet Scars, #2))
“
Against the background of bland colors he projected an unfadable blackness. In a world of men with harrowed faces, with smashed eyes, bloody, bruised and disfigured limbs, among the fetid, broken human bodies, of which I had already seen so many, he seemed an example of neat perfection that could not be sullied: the smooth, polished skin of his face, the bright golden hair showing under his peaked cap, his pure metal eyes. Every movement of his body seemed propelled by some tremendous internal force. The granite sound of his language was ideally suited to order the death of inferior, forlorn creatures. I was stung by a twinge of envy I had never experienced before, and I admired the glittering death's-head and crossbones that embellished his tall cap. I thought how good it would be to have such a gleaming and hairless skull instead of my Gypsy face which was so feared and disliked by decent people.
The officer surveyed me sharply. I felt like a squashed caterpillar oozing in the dust, a creature that could not harm anyone yet aroused loathing and disgust. In the presence of such a resplendent being, armed in all the symbols of might and majesty, I was genuinely ashamed of my appearance. I had nothing against his killing me.
”
”
Jerzy Kosiński (The Painted Bird)
“
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.
”
”
Ernest Hemingway (The Sun Also Rises)
“
I’ve never stopped feeling ashamed about my unkindness, and nor have I ever forgotten how it felt to have the force field of his loneliness pressed up against me: an overwhelming, unmeetable need for attention and affection, to be heard and touched and seen.
”
”
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
“
This regiment was formed last fall, back in Maine. There were a thousand of us then. There’s not three hundred of us now.” He glanced up briefly. “But what is left is choice.”
He was embarrassed. He spoke very slowly, staring at the ground.
“Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came … because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. But freedom … is not just a word.”
He looked up into the sky, over silent faces.
“This is a different kind of army. If you look at history you’ll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we’re here for something new. I don’t … this hasn’t happened much in the history of the world. We’re an army going out to set other men free.”
He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, “This is free ground. All the way from here to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here’s a place to build a home. It isn’t the land—there’s always more land. It’s the idea that we all have value, you and me, we’re worth something more than the dirt. I never saw dirt I’d die for, but I’m not asking you to come join us and fight for dirt. What we’re all fighting for, in the end, is each other.
”
”
Jeff Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
The exhibition gobsmacked me. I'm not ashamed to admit it. Here was quite a small building, not many people about, getting little attention. And inside they'd pulled together a staggering display of Regency furniture. I've seen most of the stuff that matters. I simply stood there, gaping.
”
”
Jonathan Gash (The Great California Game (Lovejoy, #14))
“
[WAIT—IT WON’T LET ME REDACT THESE LITTLE SUBHEADING THINGS? THAT’S SUPER ANNOYING!] [FINE, I’LL JUST GIVE YOU MY SUMMARY.] [SO, WHOEVER WROTE THIS WAS ALL BLAH-BLAH-BLAH-STELLARLUNE-SOMETHING-SOMETHING-LEGACY. BUT SERIOUSLY, NO ONE WANTS TO READ ABOUT THE CREEPY STUFF MY MOM DID BEFORE SHE GOT PREGNANT WITH ME! (AND WE’RE ALL SUPER SICK OF HEARING ABOUT MY “LEGACY,” AMIRITE?) SO, LET’S JUST LEAVE IT AT THIS: MY MOM IS EVIL. SHE THINKS SHE’S WAY SMARTER THAN SHE IS. AND NOTHING SHE DID IS GOING TO AFFECT MY GENERAL AWESOMENESS, OKAY?] A PHOTOGRAPHIC MEMORY: [WOW, HOW DID YOU COME UP WITH SUCH A CLEVER TITLE?!] [AND YEAH, I HAVE A PHOTOGRAPHIC MEMORY. NOT SURE WHY ANYONE CARES. BUT IT DOES COME IN HANDY DURING MIDTERMS AND FINALS.] AHEAD OF THE GAME: [BASICALLY: I’M A GENIUS. I SKIPPED LEVEL ONE AT FOXFIRE. YES, YOU SHOULD BE IMPRESSED.] UNREASONABLY HIGH STANDARDS: [GOTTA ADMIT, I WAS TEMPTED TO LEAVE THIS ONE ALONE, SINCE WHOEVER WROTE IT ACTUALLY GOT THINGS PRETTY MUCH RIGHT. I GUESS EVEN THE COUNCIL KNOWS MY DAD’S A JERK WHO FREAKS OUT ALL THE TIME BECAUSE I’M NOT A LITTLE MINI-HIM. WHO KNEW?] A POWERFUL EMPATH: [UGH, THAT’S THE BEST YOU COULD DO FOR THIS SUBHEADING???] [HOW ABOUT “LORD OF THE FEELS”? OR “TRUST THE EMPATH”! OR “HE KNOWS WHAT YOU’RE FEELING—AND YOU SHOULD BE ASHAMED OF YOURSELF”?] [OOO! I’VE GOT IT! “HE KNOWS FOSTER BETTER THAN YOU DO! BETTER THAN SHE EVEN KNOWS HERSELF!”] [THOUGH… KEEPING IT REAL? THE FOSTER OBLIVION CAN BE KINDA NOT COOL SOMETIMES.] THE HEART OF THE MATTER: [I CAN’T BELIEVE YOU GUYS NAMED A SECTION OF MY FILE AFTER MY FATHER’S SUPER-BORING BOOK—AND THEN RAMBLED ON FOR TWO PAGES ABOUT HIS SUPER-BORING THEORY!!!!!] [YOU DON’T NEED TWO PAGES ON IT. YOU DON’T EVEN NEED TWO SENTENCES. HERE’S ALLLLLL YOU NEED TO KNOW—BESIDES THE FACT THAT HE’S TOTALLY NOT THE FIRST PERSON TO COME UP WITH THIS (JUST THE ONE WHO LOVES TO TAKE CREDIT): OUR HEADS AND OUR HEARTS SOMETIMES FEEL DIFFERENT EMOTIONS, AND WHAT’S IN OUR HEARTS IS PROBABLY STRONGER.] [THAT’S IT!] [WELL… OKAY… I GUESS HE ALSO GOES ON A BIT ABOUT HOW EMPATHS PROBABLY ONLY READ THE EMOTIONS FROM THE HEAD.] [AND THERE’S SOMETHING ABOUT HEART EMOTIONS BEING PURER BECAUSE NO ONE CAN CONTROL THEM.] [BUT THAT’S IT.] [AND DON’T TELL LORD BORINGPANTS I READ HIS DUMB BOOK! I MOSTLY SKIMMED.] PRANKSTER AND TROUBLEMAKER: [100 PERCENT ACCURATE. ALSO, I’M LEAVING YOUR LITTLE ATTACHED DETENTION RECORD BECAUSE IT’S THE GREATEST THING I’VE EVER SEEN IN MY LIFE!!!!]
”
”
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
“
The stigma surrounding psychosis is intense and many are either too embarrassed or ashamed to talk about or admit their experience. This reluctance strikes me as odd, because I’ve always seen my breakdown as a truly remarkable event in my life. It helped unlock my understanding of myself, a process that is ongoing to this day.
”
”
David Harewood (Maybe I Don't Belong Here: A Memoir of Race, Identity, Breakdown and Recovery)
“
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bullfighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while i was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn't seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun.
”
”
Ernest Hemingway (The Sun Also Rises)
“
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that."
He paused again. There was nothing on their faces to lead him.
"Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming."
Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath.
"Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know."
He bowed his head, not looking at eyes. He folded his hands together.
"This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice."
He was embarrassed. He spoke very slowly, staring at the ground.
"Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word."
He looked into the sky, over silent faces.
"This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free."
He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
”
”
Michael Shaara (The Killer Angels: A Novel of the Civil War)
“
I want women like Aunt Michelle to understand that it is not only women who look like them who are free, who think, and care about other women.
That it is possible for two things to look similar but be completely different.
That I cover my head like other strong, respected women have done before me, like Malala Yousafzai, like Kariman Abuljadayel, like my mama.
That I cover my head not because I am ashamed, forced, or hiding.
But because I am proud and want to [be] seen as I am.
”
”
Jasmine Warga (Other Words for Home)
“
Looking down on the assembly, standing patiently in the drizzle awaiting a verdict, I suddenly had a vivid understanding of something. Like so many, I had heard, appalled, the reports that trickled out of postwar Germany; the stories of deportations and mass murder, of concentration camps and burnings. And like so many others had done, and would do, for years to come, I had asked myself, “How could the people have let it happen? They must have known, must have seen the trucks, the coming and going, the fences and smoke. How could they stand by and do nothing?” Well, now I knew. The stakes were not even life or death in this case. And Colum’s patronage would likely prevent any physical attack on me. But my hands grew clammy around the porcelain bowl as I thought of myself stepping out, alone and powerless, to confront that mob of solid and virtuous citizens, avid for the excitement of punishment and blood to alleviate the tedium of existence. People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed. It
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
You can have that life,” he told her. “It’s right there for you to take.”
“I love you,” Eve quickly countered.
“Loving me hurts you, doesn’t it?” Beckett asked, looking down. “No, you don’t have to tell me. I know. I can smell it. I can smell the pain coming off of you,” he said, looking at the floor. “You had love before and a future. What does loving me get you, Eve? What does it get you?” He stood, angry with himself.
“I don’t need to get anything from you. It’s the way it is. There’s no changing that.” She gripped the porch railing.
Beckett stepped close to Eve and tenderly tucked a lock of hair that had escaped her ponytail behind her ear.
“You’re saying goodbye,” she said, her eyes full of questions.
“Do you know there are other little girls out there like that one? I lived with a few of them. They would sell their souls for a mother like you.”
At the word mother Eve’s chin crumpled. She tried to hold back the tears, but they wouldn’t obey.
“See that? It’s what you need. You need that—a little kid calling you Mom.” Beckett put his arms around her as she shattered.
The pain she kept hidden surfaced from where it had been smoldering. When he felt her knees weaken, he hugged her harder.
“That’s right. It’s okay. It’s nothing to be ashamed of, baby. You want normal.” He guided her to the chair he’d vacated. “There’s a guy out there who’ll hold your hand. There’s a little girl out there. She’s waiting for you. It’ll be okay. It’ll be okay.” He knelt in front of her and rubbed her arms.
She slapped at his hands, letting outrage carry her words. “I don’t want another man. I want you. I’ve killed for you. I’ve protected you. What the hell do you think you’re doing? Do you honestly think these hands that kill can hold a child?” She held her fingers in front of her face.
“Yes. Absolutely. Don’t you know, gorgeous? Mothers are some of the most vicious killers out there, if their kids are threatened. You just have more practice.” He took her hands and kissed them.
“I’ve lost too much. I can’t lose you. Don’t make me. Please. I’ll beg you if I have to.” She watched his lips on her palms.
He shook his head and used her own words against her. “The hardest part of loving someone is not being with them when you want to be.”
He stood, and she mirrored his motion,already shaking her head. “Don’t say it.”
Beckett ignored her; he knew what he had to do. He had to set beautiful Eve free to find that soft, touchable woman he’d seen her become with the little girl.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—”
“Everything is fine, thank you,” said Lupin pointedly.
Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.”
“Oh, how wonderful!” squealed Hermione.
“Excellent!” said Ron enthusiastically.
“Congratulations,” said Harry.
Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.”
Ron and Hermione both looked at Harry.
“Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?”
“She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.”
“Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.”
Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin.
“You don’t understand,” said Lupin at last.
“Explain, then,” said Harry.
Lupin swallowed.
“I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.”
“I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?”
Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face.
“Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!”
Lupin kicked aside the chair he had overturned.
“You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—”
Lupin actually seized handfuls of his own hair; he looked quite deranged.
“My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
That’s the irony of perfection: the walls that prevent your vulnerability from being seen also keep you from being known. I also tried to be the perfect friend. I didn’t rock the boat, I kept my problems to myself, and I was a chameleon in each relationship. No one knew that I was ashamed of having divorced parents, that I desperately wanted to be pretty, or that I was one mistake from falling apart. I assumed letting people see the imperfect, broken parts of me would put the friendship in jeopardy, and that simply wasn’t an option. That’s the irony of perfection: the walls that prevent your vulnerability from being seen also keep you from being known. I was always trying to hide behind perfection because I didn’t think my full self was enough.
”
”
Kendra Adachi (The Lazy Genius Way: Embrace What Matters, Ditch What Doesn't, and Get Stuff Done)
“
Ulysses S. Grant, to name one prominent doubter who actually fought in the conflict, would call the Mexican War “one of the most unjust ever waged by a stronger against a weaker nation.” Even Sen. John C. Calhoun of South Carolina, who had at first so staunchly supported the war (as a way to extend slavery), began to have his doubts. He told the Senate: “A deed has been done from which the country will not be able to recover for a long time, if ever; it has dropped a curtain between the present and the future, which to me is impenetrable.” Nicholas Trist, the American envoy sent to Mexico City to negotiate the treaty, later recalled sitting down with the Mexican officials and trying to hide his guilt about concluding a treaty that sheared from Mexico nearly half of its territory: “Could those Mexicans have seen into my heart at that moment, they would have known that my feeling of shame as an American was strong…. For though it would not have done for me to say so there, that was a thing for every right-minded American to be ashamed of, and I was ashamed of it, most cordially and intensely ashamed of it.
”
”
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
“
When I arrived Dad was at home. He was in the laundry room at the bottom of the house. He turned to me, anger in every movement.
“I picked you some flowers,” I said.
He reached out with his hand, took them, and threw them in the large sink.
“Little girls pick flowers,” he said.
He was right. And he was probably ashamed of me. Once some of his colleagues had come home and they had seen me on the stairs, with my blond hair quite long, because it was winter, and I was wearing red long johns.
“What a nice girl you’ve got,” one of them said.
“It’s a boy,” Dad answered. He had smiled, but I knew him well enough to know the comment had not gladdened his heart.
There was my interest in clothes, my crying if I didn’t get the shoes I wanted, my crying if it was too cold when we were in the boat on the sea, indeed my crying if he raised his voice in situations when it would have been absolutely normal to raise your voice. Was it so strange he thought: what kind of son have I got here?
I was a mama’s boy, he was constantly telling me. I was, too. I longed for her. And no one was happier than I when she moved back for good at the end of the month.
”
”
Karl Ove Knausgård (Min kamp 3 (Min kamp, #3))
“
If you leave without me, I’ll just follow you. You can’t stop me, Cassie. How are you going to stop me?”
I shrug helplessly, fighting back tears. “Shoot you, I guess.”
“Like you shot the Crucifix Soldier?”
The words hit me like a bullet between the shoulder blades. I whirl around and fling open the door. He flinches, but stands his ground.
“How do you know about him?” Of course, there’s only one way he could know. “You read my diary.”
“I didn’t think you were going to live.”
“Sorry to disappoint you.”
“I guess I wanted to know what happened—”
“You’re lucky I left the gun downstairs or I would shoot you right now. Do you know how creepy that makes me feel, knowing you read that? How much did you read?”
He lowers his eyes. A warm red blush spreads across his cheeks.
“You read all of it, didn’t you?” I’m totally embarrassed. I feel violated and ashamed. It’s ten times worse than when I first woke up in Val’s bed and realized he had seen me naked. That was just my body. This was my soul.
I punch him in the stomach. There’s no give at all; it’s like I hit a slab of concrete.
“I can’t believe you,” I shout. “You sat there—just sat there—while I lied about Ben Parish. You knew the truth and you just sat there and let me lie!
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
I remember only too well, since I had only a moment to tell you, given the danger of being seen by your parents and mine, how I showed you so crudely what I wanted that I’m ashamed of it now. But you looked at me so fiercely that I realized that you didn’t want to.” And suddenly I thought that the real Gilberte and the real Albertine were perhaps those who offered themselves up in a single glance, one by a hedgerow of pink hawthorn, the other on the beach. And it was I, unable to understand something which I was to retrieve only later in my memory, after a delay during which the whole emotional undercurrent of my conversation had made them fear to be as frank as they had been in the first instance, who had spoiled everything with my clumsiness. I had “bungled” things more completely with them than Saint-Loup had with Rachel, and for the same reasons, although I have to say that my relative failure with them was less absurd. “And the second time,” continued Gilberte, “was years later when I saw you in your doorway, the day before I met you at my aunt Oriane’s; I didn’t recognize you straight away, or rather I recognized you without realizing it, since I felt the same urges that I had at Tansonville.—But in between, there was the Champs-Elysées.—Yes, but then you were too much in love with me, I felt that you were spying on my every move.
”
”
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
“
In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians. "The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie." The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated. "My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another." "But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it." "Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others." "Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes." "No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it." Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely. "Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section." "I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name." "Who is he?" "His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it." "How do you know that?" "He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy." "What does he look like?" Helberson was evidently becoming interested. "Like Mancher, here—might be his twin brother." "I accept the challenge," said Helberson, promptly. "Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?" "Not against me," Helberson said. "I don't want your money." "All right," said Mancher; "I'll be the corpse." The others laughed. The outcome of this crazy conversation we have seen.
”
”
Ambrose Bierce (The Collected Works of Ambrose Bierce Volume 2: In the Midst of Life: Tales of Soldiers and Civilians)
“
MAC. Fear not then any longer the hostile spear of the Argives; for I myself, old man, before I am commanded, am prepared to die, and to stand for slaughter; for what shall we say if the city thinks fit for our sakes to encounter a great danger, but we putting toils on others, avoid death when we can be saved? Not so, since this would be ridiculous for suppliants sitting at the shrines of the Gods to mourn, but being of such a sire as we are, to be seen to be cowards; how can this seem good! it were more noble, I think, (which may it never happen!) to fall into the hands of the enemy, this city being taken, and afterward, being born of a noble father, having suffered dreadful things, to see Hades none the less; but shall I wander about, driven from this land, and shall I not indeed be ashamed if any one says, "Why have ye come hither with your suppliant branches, yourselves being too fond of life! Depart from the land, for we will not aid cowards." But neither, indeed, if these die, and I myself am saved, have I any hope to fare well; for before now many have in this way betrayed their friends. For who would choose to have me, a solitary damsel, for his wife, or to raise children from me? therefore it is better to die than to have such an unworthy fate as this; and this may even be more seemly for some other, who is not illustrious as I. Lead me then where this body must needs die, and crown me and begin the rites, if you think fit, and conquer your enemies; for this life is ready for you, willing, and not unwilling; and I promise to die for these my brethren, and for myself; for not caring for life, I have found this most glorious thing to find, namely, to leave life gloriously.
”
”
Euripides (The Tragedies of Euripides, Volume I.)
“
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years.
A floorboard creaked somewhere in one of the outer chambers.
Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this.
With her caught touching his things.
Her gaze dropped. “I’m sorry,” she murmured.
“It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy.
She cleared her throat. “Do you still play?”
He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.”
“No,” Kestrel said. “You’re not. Your voice is beautiful.”
The silence after that was soft.
Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work.
“What is it, Kestrel?”
She shook her head. She set the violin back on the wall.
“Ask me.”
She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more.
“You can ask me anything,” he said.
Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?”
He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.”
Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.”
“It’s not your fault.”
It felt as if it was.
Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood.
It was newer.
Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained.
She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He saw a man who was certainly Weston, to judge from his height and build and coloring and features. In that sense he was quite recognizable. But the terror was that he was also unrecognizable. He did not look like a sick man: but he looked very like a dead one. The face which he raised from torturing the frog had that terrible power which the face of a corpse sometimes has of simply rebuffing every conceivable human attitude one can adopt towards it. The expressionless mouth, the unwinking stare of the eyes, something heavy and inorganic in the very folds of the cheek, said clearly: “I have features as you have, but there is nothing in common between you and me.” It was this that kept Ransom speechless. What could you say—what appeal or threat could have any meaning—to that? And now, forcing its way up into consciousness, thrusting aside every mental habit and every longing not to believe, came the conviction that this, in fact, was not a man: that Weston’s body was kept, walking and undecaying, in Perelandra by some wholly different kind of life, and that Weston himself was gone. It looked at Ransom in silence and at last began to smile. We have all often spoken—Ransom himself had often spoken—of a devilish smile. Now he realized that he had never taken the words seriously. The smile was not bitter, nor raging, nor, in an ordinary sense, sinister; it was not even mocking. It seemed to summon Ransom, with a horrible naïveté of welcome, into the world of its own pleasures, as if all men were at one in those pleasures, as if they were the most natural thing in the world and no dispute could ever have occurred about them. It was not furtive, nor ashamed, it had nothing of the conspirator in it. It did not defy goodness, it ignored it to the point of annihilation. Ransom perceived that he had never before seen anything but halfhearted and uneasy attempts at evil. This creature was wholehearted. The extremity of its evil had passed beyond all struggle into some state which bore a horrible similarity to innocence. It was beyond vice as the Lady was beyond virtue.
”
”
C.S. Lewis (The Space Trilogy: Out of the Silent Planet, Perelandra, That Hideous Strength)
“
Katie!” he yelled, gripping my shoulder and leaning in to look into my eyes. “Stay with me.”
The distant sound of sirens filled the air, and I knew within minutes the place would be swarming with police officers and firefighters. It was minutes I wouldn’t have had. If Holt hadn’t gotten here when he did, I would likely be dead right now.
That had me looking up.
“What are you doing here?” I asked.
“I came by to check on you. I was worried.”
“How did you know where I was?” I said, suspicion leaking into my tone.
He crouched down in front of me, my feet between his legs. “I saw your car in the lot,” he explained. “I knew you worked at the library nearby, so I thought you might pick somewhere close to stay.”
My shoulders sagged.
He put a hand under my chin and lifted my face. “Look at me,” he demanded. I looked up. “Do you think this was me?”
“No,” I said, ashamed of the catch in my voice. I really didn’t think he did this, but I was scared and I was so very tired.
“Can I touch you?” he asked, his voice calm.
I looked up, surprised that he didn’t sound angry. I nodded.
He yanked me forward, folding his arms around me and standing up, bringing me with him. My feet touched the ground, but they didn’t support me. His arms, his body kept me up. He wrapped himself around me like I was a hand and he was a glove. I clung to the front of his shirt, praying he wouldn’t let me go. When his grip tightened, I sighed in relief. His clean scent encompassed me, pushing away some of the smoke, and tears prickled my eyes.
When the emergency trucks swerved into the lot, my muscles tensed at the thought he would release me, that he would push me away and deal with the fire.
But he didn’t.
He didn’t let go. Not once.
Even when some of the men he must work with came running up—addressing him by his last name and exclaiming over what happened.
He spoke calmly over my head, telling them everything he knew and telling them I wasn’t ready to talk. He didn’t seem embarrassed to be holding me so close in the center of a parking lot. He didn’t act like being seen in a vulnerable position like this wounded his pride at all.
”
”
Cambria Hebert (Torch (Take It Off, #1))
“
An Orthodox priest, a friend of mine, telephoned me and told me that a Russian officer had come to him to confess. My friend did not know Russian. However, knowing that I speak Russian, he had given him my address. The next day this man came to see me. He longed for God, but he had never seen a Bible. He had no religious education and never attended religious services (churches in Russia then were very scarce). He loved God without the slightest knowledge of Him. I read to him the Sermon on the Mount and the parables of Jesus. After hearing them, he danced around the room in rapturous joy proclaiming, “What a wonderful beauty! How could I live without knowing this Christ!” It was the first time that I saw someone so joyful in Christ. Then I made a mistake. I read to him the passion and crucifixion of Christ, without having prepared him for this. He had not expected it and, when he heard how Christ was beaten, how He was crucified and that in the end He died, he fell into an armchair and began to weep bitterly. He had believed in a Savior and now his Savior was dead! I looked at him and was ashamed. I had called myself a Christian, a pastor, and a teacher of others, but I had never shared the sufferings of Christ as this Russian officer now shared them. Looking at him, it was like seeing Mary Magdalene weeping at the foot of the cross, faithfully weeping when Jesus was a corpse in the tomb. Then I read to him the story of the resurrection and watched his expression change. He had not known that his Savior arose from the tomb. When he heard this wonderful news, he beat his knees and swore—using very dirty, but very “holy” profanity. This was his crude manner of speech. Again he rejoiced, shouting for joy, “He is alive! He is alive!” He danced around the room once more, overwhelmed with happiness! I said to him, “Let us pray!” He did not know how to pray. He did not know our “holy” phrases. He fell on his knees together with me and his words of prayer were: “Oh God, what a fine chap you are! If I were You and You were me, I would never have forgiven You of Your sins. But You are really a very nice chap! I love You with all of my heart.” I think that all the angels in heaven stopped what they were doing to listen to this sublime prayer from a Russian officer. The man had been won for Christ!
”
”
Richard Wurmbrand (Tortured for Christ)
“
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
”
”
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
“
I took up the pestle as she left, and pounded and ground automatically, paying little heed to the results. The shut window blocked the sound both of the rain and the crowd below; the two blended in a soft, pattering susurrus of menace. Like any schoolchild, I had read Dickens. And earlier authors, as well, with their descriptions of the pitiless justice of these times, meted out to all illdoers, regardless of age or circumstance. But to read, from a cozy distance of one or two hundred years, accounts of child hangings and judicial mutilation, was a far different thing than to sit quietly pounding herbs a few feet above such an occurrence. Could I bring myself to interfere directly, if the sentence went against the boy? I moved to the window, carrying the mortar with me, and peered out. The crowd had increased, as merchants and housewives, attracted by the gathering, wandered down the High Street to investigate. Newcomers leaned close as the standees excitedly relayed the details, then merged into the body of the crowd, more faces turned expectantly to the door of the house. Looking down on the assembly, standing patiently in the drizzle awaiting a verdict, I suddenly had a vivid understanding of something. Like so many, I had heard, appalled, the reports that trickled out of postwar Germany; the stories of deportations and mass murder, of concentration camps and burnings. And like so many others had done, and would do, for years to come, I had asked myself, “How could the people have let it happen? They must have known, must have seen the trucks, the coming and going, the fences and smoke. How could they stand by and do nothing?” Well, now I knew. The stakes were not even life or death in this case. And Colum’s patronage would likely prevent any physical attack on me. But my hands grew clammy around the porcelain bowl as I thought of myself stepping out, alone and powerless, to confront that mob of solid and virtuous citizens, avid for the excitement of punishment and blood to alleviate the tedium of existence. People are gregarious by necessity. Since the days of the first cave dwellers, humans—hairless, weak, and helpless save for cunning—have survived by joining together in groups; knowing, as so many other edible creatures have found, that there is protection in numbers. And that knowledge, bred in the bone, is what lies behind mob rule. Because to step outside the group, let alone to stand against it, was for uncounted thousands of years death to the creature who dared it. To stand against a crowd would take something more than ordinary courage; something that went beyond human instinct. And I feared I did not have it, and fearing, was ashamed.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Romans 1:
8 First, I thank my God through Jesus Christ for you all, that your faith is spoken of throughout the whole world.
9 For God is my witness, whom I serve with my spirit in the gospel of his Son, that without ceasing I make mention of you always in my prayers;
10 Making request, if by any means now at length I might have a prosperous journey by the will of God to come unto you.
11 For I long to see you, that I may impart unto you some spiritual gift, to the end ye may be established;
12 That is, that I may be comforted together with you by the mutual faith both of you and me.
13 Now I would not have you ignorant, brethren, that oftentimes I purposed to come unto you, (but was let hitherto,) that I might have some fruit among you also, even as among other Gentiles.
14 I am debtor both to the Greeks, and to the Barbarians; both to the wise, and to the unwise.
15 So, as much as in me is, I am ready to preach the gospel to you that are at Rome also.
16 For I am not ashamed of the gospel of Christ: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek.
17 For therein is the righteousness of God revealed from faith to faith: as it is written, The just shall live by faith.
18 For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who hold the truth in unrighteousness;
19 Because that which may be known of God is manifest in them; for God hath shewed it unto them.
20 For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse:
21 Because that, when they knew God, they glorified him not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened.
22 Professing themselves to be wise, they became fools,
23 And changed the glory of the uncorruptible God into an image made like to corruptible man, and to birds, and fourfooted beasts, and creeping things.
24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts, to dishonour their own bodies between themselves:
25 Who changed the truth of God into a lie, and worshipped and served the creature more than the Creator, who is blessed for ever. Amen.
26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature:
27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet.
28 And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient;
29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers,
30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents,
31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful:
32 Who knowing the judgment of God, that they which commit such things are
”
”
Anonymous (The Holy Bible: King James Version)
“
Light shone through a large crack in the wall of the maze ahead of us. A slim, slender silhouette cast a shadow against the passage floors. Der Erlkönig. I did not marvel then that I knew the shape of his body as well as my own reflection.
I watched the Goblin King's shadow play his violin, his right arm moving in a smooth, practiced bowing motion. Käthe tried to pull me away, but I did not go with her. I moved closer to the light, and pressed my face to the crack. I had to look, I had to see. I had to watch him play.
The Goblin King's back was turned to me. He wore no fancy coat, no embroidered dressing gown. He was simply dressed in trousers and a fine cambric shirt, so fine I could see the play of muscles in his back.
He played with precision and with considerable skill. The Goblin King was not Josef; he did not have my brother's clarity of emotion or my brother's transcendence. But the Goblin King had his own voice, full of passion, longing, and reverence, and it was unexpectedly... vibrant. Alive.
I could hear the slight fumblings, the stutters and starts in tempo, the accidental jarring note that marked his playing as human, oh so human. This was a man- a young man?- playing a song he liked on the violin. Playing it until it sounded perfect to his imperfect ears. I had stumbled upon something private, something intimate. My cheeks reddened.
"Liesl."
My sister's voice sliced through the sound of the Goblin King's playing like a guillotine, stopping the music mid-phrase. He glanced over his shoulder, and our eyes met.
His mismatched gaze was unguarded, and I felt both ashamed and emboldened. I had seen him unclothed in his bedchamber, but he was even more naked now. Propriety told me I should look away, but I could not, arrested by the sight of his soul bared to me.
We stared at each other through the crack in the wall, unable to move. The air between us changed, like a world before a storm: hushed, quiet, waiting, expectant.
”
”
S. Jae-Jones (Wintersong (Wintersong, #1))
“
So what are you doing in Florence?” Falco asked.
Cass fumbled for a reply. She almost spilled the story of what she had seen at Palazzo della Notte, but suddenly she felt ashamed. Perhaps she had stumbled into a fancy brothel. She didn’t want to tell Falco what she’d been doing, and what she’d seen.
He grinned. “Lured here by a dead body or a devastatingly handsome artist?” He pulled a dusty wooden chair from beneath the table. “Sit down. Have a drink. I promise to escort you safely back to your satin sheets once we’ve gotten reacquainted.”
Before she could speak, Falco’s eyes settled on the diamond pendant that had worked its way out from beneath her bodice. His face tightened. He reached toward Cass’s throat, but stopped just short of making contact. “Or maybe your husband is expecting you home,” he said, bringing his hand quickly to his side. “Enjoying all the trappings of married life, are you?”
“I’m not married,” Cass said sharply, tucking the lily safely away beneath her high lace collar. “And Luca’s not in Florence with me.”
Falco relaxed visibly, although he didn’t smile. “Then I insist on buying the beautiful signorina a drink.
”
”
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
“
remember this: you shouldn’t go back into the closet for anyone. Not even for me. If someone is ashamed or scared of being seen with you, walk away. You deserve more.
”
”
Nora Phoenix (No Fear (No Shame, #3))
“
I betrayed her.” She touched her tarnished belt buckle. “Margaret said she never wanted to see me again. She and I shared the same social circle, and we both adored the Library. But for her, it was a labor of love—she’d volunteered selflessly, giving without getting a centime in return.”
“How could you leave?”
“If I’d stayed, she would have lost everything, most especially the place she called home. I loved the Library, but I loved Margaret more. Too ashamed to tell friends and family the truth, too afraid of the consequences, I married Buck and left France without saying farewell. I’ve never seen my brother’s grave and hope my parents were able to claim his body.” She took a deep breath. “I ran. And until you, I’ve never told anyone.
”
”
Janet Skeslien Charles (The Paris Library)
“
When I was sent to rehab for a year and a half at the age of sixteen, I was able to crawl out of the addiction but found myself just anxious to be thought of as the poster child of a “good client” as a substitute for genuine self-worth. Even a very real experience of religious faith was hijacked by my need to fill this hole. After becoming a missionary and attending seminary, I was quietly ashamed to discover that a majority of my motivation for doing so was again to become a person who was seen as good enough by those around me. I realized in my late twenties that I’d been playing out the same pattern over and over without realizing it: looking for a role to fill that would finally make me worthy of kindness and love and belonging. When I viewed getting my life together as a way for trying to atone for the sin of falling apart, I stayed stuck in a shame-fueled cycle of performance, perfectionism, and failure.
”
”
K.C. Davis (How to Keep House While Drowning)
“
Because we have both seen what that does to people, and the idea of doing it to someone else would never cross our minds. Plus, I would never let you. I might not be as strong as you guys or have the money, but I’m a fighter like you said. Survived that way. You will never hurt me because I will never let you. I would kill you, kick your fucking asses if you tried. Diesel might cut my skin or fill me with pain, but it’s my choice. I want that, and I refuse to be ashamed by it. But I always want Kenzo’s smile and soft teasing… and your ice and fire.”
“And Garrett?” I have to ask.
“I want him too,” she admits. “I even told him that, but we’re taking it slow. I won’t ask what happened again. He’ll tell me when he’s ready, and I hope one day, we can work through it.”
“That sounds like the words of someone who plans on staying,” I tease, and she laughs.
“Do I have a choice?” She winks.
”
”
K.A. Knight (Den of Vipers)
“
I never apologized to you the way I should have. Because everything you’ve ever said about me has been right. Because you’ve always seen the Goddess-damned truth, even when I was ashamed of it. What I did to you was—it was unforgivable. So I won’t ask for your forgiveness. I’m not going to stand here and tell you how sorry I am. What fucking good does that do for you? I don’t want to ask you for anything. I want to give you what you should have had a long time ago. Because you… You are everything,” he choked out, voice ragged. “Everything. So go, Oraya. Go.”
“You have nothing but me,” I said. “And yet, you’d let me go?”
“I have nothing but you,” he murmured. “So I am letting you go.
”
”
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
“
Her smile was brittle. "Well, I know Kieran's achieving something if someone like you is willing to be in a relationship with him."
"Someone like me?"
She gestured to me from head to toe. "Respectable. Elegantly dressed, if a little flamboyant with color. Beautiful manners, well-spoken. Clearly you listened to your parents when they told you how to behave."
I choked back a snort at the thought of my biological father being Mr. Manners. The sheer audacity of it.
"Kieran probably hasn't told you about all the times we had to get him out of trouble," she continued.
I blinked, confused. "No."
She ticked off on her fingers as she spoke. "He skipped classes, he stole money out of my wallet, he crashed our cars more than once. Not to mention the drinking, my God. He couldn't hold his liquor at all. We were so ashamed."
I held back my eye roll. It was like having a conversation with a steamroller. As she continued to list Kieran's crimes, I realized that she relished this monologue, all the ways he'd done them wrong. Like she never wanted him to grow up because then she'd have to stop being a martyr.
"But anyway, that's all in the past. Finally, he's become who we always wanted him to be, and we can hold our heads up."
The thought of being a source of pride to these snobby, plastic people made me want to drink ten flutes of prosecco, climb onto their dining room table, and do Amy Winehouse karaoke, Diane's advice about polish and presentation be damned. But all I needed to shock them was the truth.
"I haven't seen my father in over twenty years," I began. "As far as I know he's still the lead singer of the second-best hair metal band in Spokane. My mother's salary was for keeping herself in clothes and boyfriends. Sometimes I had to break into my piggy bank so that I could by Cup O' Noodles at 7-Eleven for my brother and me. I've made a good life in spite of my parents, not because of them. It's one of the reasons I fell in love with your son. I knew he was a survivor, too. But thank you for the compliments. Now, if you'll excuse me.
”
”
Sarah Chamberlain (The Slowest Burn)
“
It’s not that I’m ashamed of being seen with the monster. It’s more like I’ve spent nearly three decades in America. Can you imagine if the people who lived here with me discovered that demons existed?
”
”
Sarah Spade (Mated to the Monster (Sombra Demons, #1))
“
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
”
”
Jeanne DuPrau (The Prophet of Yonwood)
“
Kahnawake
August 1704
Temperature 75 degrees
“It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?”
Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear.
Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face.
Mercy stumbled back from him. Her bear grease stained his clothing.
“Mercy,” he said, turning away from her, “go cover yourself.”
Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet.
Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping.
She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked.
Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.”
No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back.
On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.”
Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.”
Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--”
The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.”
Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?”
“Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?”
Joseph swallowed and wet his lips. “No.” He could barely get the syllable out.
Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed.
“Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
You see, what you said in the car made me angry. Until I realized it’s not true.” Brody leaned over to get closer to Mina’s ear. “I’m not uncomfortable to be seen with you in public. You are. You don’t want to be seen with me.” His breath tickled her ear, making her melt until she’d processed the words he spoke. “That’s not true,” she replied. “Then prove it,” he said. His eyes darkened with meaning. “Prove to me you’re not ashamed of me.
”
”
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
“
Girl"
[Verse 1 Beyonce]
Take A Minute Girl Come Sit Down
And Tell Us What's Been Happening
In Your Face I Can See The Pain
Don't You Try To Convince Us That You're Happy (Yeah)
We've Seen This All Before
But He's Taking Advantage Of Your Passion
Because We've Come Too Far
For You To Feel Alone
You Don't Let Him Walk Over Your Heart
I'm Telling You
[Chorus]
Girl, I Can Tell You've Been Crying
And You Needing Somebody To Talk To
Girl, I Can Tell He's Been Lying
And Pretending That He's Faithful And He Loves You
Girl, You Don't Have To Be Hiding
Don't You Be Ashamed To Say He Hurt You
I'm Your Girl, You're My Girl, We're Your Girls
Don't You Know That We Love You?
[Verse 2 Kelly]
See What You All Don't Know About Him
Is I Can't Let Him Go Because He Needs Me
It Ain't Really Him It's Stress From His Job
And I Ain't Making It Easy
I Know You See Him Bugging On Me Sometimes
But I Know Deep Inside He Don't Mean It
It Gets Hard Sometimes
But I Need My Man
I Don't Think You all Understand
I'm Telling You
[Chorus x2]
[Bridge Michelle]
Girl, Take A Good Look At Yourself
He Got You Going Through Hell
We Ain't Never Seen You Down Like This
What You Mean You Don't Need Us To Help?
We Known Each Other Too Well
[Chorus]
[Beyonce:]
Girl I've been knowin' you since you were ten,
you cannot hide from your friends
[Chorus]
”
”
Destiny's Child
“
He's worried about you, Charles. They all are." "They should hate me." "No they shouldn't, and they don't. You're being absurd, and you know it." "But I've failed them. I doubted their love, allowed myself to be deceived by letters I should have known were false, and caused them untold grief and sorrow . . . and now I have compounded that by coming back and showing them just what depths I've sunk to. How ashamed they must be of me. How ashamed I am of myself. What must they think?" "They're your family, Charles. You don't need to impress them, or pretend you're something you're not. If you can't be yourself around them, and be accepted for the man that you are, then who can you be yourself around?" "You," he said bleakly. "I can be myself around you. I tell you things I've never told anyone else, I feel completely at ease around you, but then, you know all of my secrets and I have nothing to hide from you. You have seen inside my head —" he gave a bitter little laugh — "literally. 'Sdeath, why shouldn't I feel comfortable around you? You can see right through me." "And you think that Lucien cannot?" she asked, smiling and raising one brow. "Really, Charles. You are underestimating him." "Lucien is accustomed to seeing capability and confidence from me. He was disappointed in me tonight. Disgusted." "Worried, perhaps, more than disappointed. Never disgusted.
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
Do I have your word?” Steven demanded. “You know you do,” Cyrus replied. “Macon won’t lay a hand on her. What did she say when you told her you didn’t want to be her husband anymore?” Steven shoved a hand through his hair, ashamed of the memory. “She said she didn’t believe me—called me a liar.” Cyrus chuckled ruefully. “Then you started moving your things out of the house. You’re a fool if I’ve ever seen one, Steven Fairfax. Now you go find that brave little wife of yours and you make up to her, or you’ll have me to answer to.” Steven
”
”
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
“
I’m ashamed to admit that my first instinct was to run, not for cover, but to the kitchen, where I feel like I know what I’m doing. Several of the brutes pursued and cornered me, though luckily it was near the meat carving station. The Hahn didn’t know the mistake they’d made. Most military outposts, like most households, rely entirely on bulkfabs for their sustenance. Only the wealthy, the lucky, or their servants, have ever seen an actual kitchen full of kitchen tools, and these men were none of those things. Please thank Barsparse for encouraging me to work on my knife skills. Ghastly as that sounds, they saved my life.
”
”
Scott Meyer (Master of Formalities)
“
Please, Hunter, please, I wouldn’t ask if I had anyone else to turn to. I thought you were my friend.”
Hunter studied her blond hair, braided and coiled like a snake around her crown, long curls escaping the combs to trail halfway down her back. He had walked to meet her believing she had returned to him. Now he realized she had come only to ask his aid, that she had no intention of remaining beside him. He felt like a foolish young boy, humiliated and angry. But not so angry that he wanted her on her knees.
It was the first time he had seen her surrender her pride. By that alone he knew how deeply she loved the child that had been lost to her. I thought you were my friend. The words cut deep. Perhaps he should feel honored. She had traveled a great distance into his land, trusting him with her life and with the life of the child she loved.
“Stand, Blue Eyes,” he told her gently.
She tipped her head back. Tears shimmered on her cheeks. “I’ll do anything, Hunter. I’ll serve you on my knees. I’ll be your loyal slave forever. I’ll kiss the ground you walk on, anything.”
He disengaged his hand from hers and grasped her shoulders, hauling her to her feet. “I want you in my buffalo robes, not making kisses in the dirt.”
Her eyes darkened. “I’ll do anything.”
Hunter was about to tell her he would find Amy, that she need not beg, but her last words stopped him. He was not a stupid man. He searched her pale face.
“I’ll be your woman. That’s what you want, isn’t it? I’ll stay with you. Freely. If you’ll find Amy and bring her back to me. I promise, Hunter.”
Her desperation made him feel ashamed. She had come to him for help; he couldn’t turn her away. He needed no reward for finding her sister. Yet he wanted this woman. And she was here, offering herself to him.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Fitz, go back to the life you were meant to have, and love it, without reserve. That was what I saw you doing.” He gave a laugh that had hysteria at the edge of it. “It even sustained me while I was dying. To know that you would go on to that life, after I was dead. When the pain was worst, I fixed my thoughts on what I had seen for you, and let it move through me.”
“But…she said you called out for me. When she tormented you.” I said the words, and then wished I could call them back. He suddenly looked sick and old.
“Probably, I did,” he admitted. I have never claimed to be brave. But the fact that she could wrong that from me changes nothing, my friend. Nothing.” He looked into the fire as if he had lost something there, and I was ashamed that I had taken him back to his torture. No man should be reminded that he has screamed in front of people who delighted in it. “It should probably serve to teach me that, in many ways, I am not as strong as I wish I were. And I should not put myself in a position in which my weakness could damage both of us.”
He suddenly took my hand. It startled me, and when I looked at him, our eyes locked. “Fitz. Please. Do not tempt me to follow you and interfere in the future I saw for you. Do not tempt me to step out of my time and try to take something that was never meant for me.” He shivered suddenly, as if a chill had taken him. He let go of my hand and leaned closer to the fire, holding his hands out to it. The nails had just started to regrow. He rubbed his hands together, loosening a layer of skin like white ash. The new skin exposed beneath reminded me of polished wood.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
You haven’t thought about me in the last five years? You haven’t wanted to see me again?” “No,” I blurt out immediately, because it’s the truth. Most of it, anyhow. I’ve tried not to think about her because I’m still ashamed I took advantage of her when she was weak. I haven’t allowed myself to think about her, because it felt wrong. The brightness in her eyes fades and a look of hurt comes over her face. She pulls her hand from my arm. “Oh. Well…I thought about you. Constantly.” “I’m sorry.” “It’s okay. I should have guessed we wouldn’t be on the same page—” “No,” I continue, the words rushing out of me. “I’m sorry for what happened five years ago. I touched you when I shouldn’t have.” Her brows furrow and she gives me an odd look. “What are you talking about?” I can feel the intense gaze of the custodian down the street. No doubt he’s watching me closely to ensure that I’m not bothering the locals. “You and I,” I murmur. “You and I shouldn’t have happened.” To my surprise, Melody rolls her eyes. She shakes her head slowly and takes my hand in hers, lifting my big fist toward her face. “Listen carefully, Brux. I was so happy in that moment that I was thrilled to have sex with you. I felt seen. I felt listened to. I felt understood. Someone had seen my misery and fixed it. I wanted to have sex with you. You didn’t force me to do anything.” “Pity sex—” I begin, frowning. “Not pity sex,” she corrects. “And for the record, I’ve had sex with men for less than what I felt for you, which was bone-deep gratitude. Happiness and gratitude are perfectly good reasons to have voluntary sex. And let me say again. It was very, very voluntary.” And she presses a kiss to my knuckles, then smiles up at me. “And if—when—we have sex again, it will be voluntary then, too.” Heat creeps up my neck, and my tail won’t stop flicking about. “You didn’t come,” I point out, keeping my voice low. “Back then.” “I know.” She shrugs. “I was just happy to touch and be touched. For me it wasn’t about an orgasm. But if it’ll make you feel better, I promise that I won’t rest until you make me come this time.” And Melody flutters her lashes at me. “So…you want sex again? From me?” Maybe this is a fetish. If so, that explains a lot. “At some point, yeah.” She shrugs and then gives my knuckles another kiss, glancing up at me as she does. “But I’d like to get to know you outside of bed, too. I want us to be friends. More than friends. Is it so weird that I’m attracted to you?” “Yes,” I admit bluntly.
”
”
Ruby Dixon (When She's Handy: A Risdaverse Short Story)
“
Is it so much to want to be seen?"
He hesitates, before saying, "I notice you. And you shouldn't be ashamed for wanting the spotlight. It's already yours."
As much as I don't want to condone the cliché poetry of his words, I can't help but smile.
"You're enough." His voice is sharp when he says it. "Don't ever forget it."
I meet his eyes, and to my surprise, I do feel seen.
Something within me softens, turning my cheeks warm. Maybe it's my glacier of a heart melting down. I untangle my folded arms, welcoming Damien closer. His fingers stroke my throat, rousing a shaky breath.
I lean closer, and his lips part wider. The whole world stills, all thoughts fading as I graze the wetness of his bottom lip.
”
”
Kiana Krystle (Dance of the Starlit Sea)
“
Imagine yourself again, that same innocent five-year-old. Your parents get into a fight, and it makes you feel something new—fear and doubt of love and goodness. You instinctually find that by covering yourself with a blanket, you feel safe and protected. So you start to wear this blanket as a costume to hide from the chaos. You go to school and your classmates taunt you just for being yourself. You feel ashamed and embarrassed. You decide one blanket isn’t enough protection, so you add a second one to cover yourself up even more. If you didn’t physically do this as a child, we can guarantee you did it metaphorically. As you get older, you fall in love, but the person you open your heart to shuts you down. So you add another layer of protection over yourself. Your parents get divorced; you add another layer. People let you down; you add a layer. Your big plans don’t pan out; you add another layer. Anytime you are unable to control your circumstances or the people around you, you are reminded of how powerless you seem to be, and so you protect yourself with yet another layer. Because of mineness mentality, your mind innocently collected these experiences as a part of your identity and has worn them all your life. After all, from your ego’s vantage point, all of it is mine, and therefore about me—all my experiences must define me. As time goes on, the free, happy, innocent child of bliss becomes buried deep underneath the layers of fear for so many years that even you forget your true identity. You’ve been wearing the protective layers for so long that you completely overlooked the fact that you could just take them all off at any point. Luckily, underneath the layers of past experiences you have dressed yourself in, you still remain the innocent and happy child. No matter how traumatic life has been, you are still innocent and free, beautiful and perfect, wanted and loved, seen and recognized—just as you are. And with a little decluttering of the mind’s layers, the innocent child of bliss can finally be revealed once again.
”
”
Mathew Micheletti (The Inner Work: An Invitation to True Freedom and Lasting Happiness)
“
To confess my weakness, Ned, my ambition is so prevalent that I…would willingly risk my life, tho’ not my character, to exalt my station. I’m confident that my youth excludes me from any hopes of immediate preferment, nor do I desire it, but I mean to prepare the way for futurity… My folly makes me ashamed, yet Neddy we have seen such schemes successful when the projector is constant. I shall conclude saying I wish there was a war.
”
”
Alexander Hamilton
“
To what height of unmartial and unresisting meekness Bushido could reach in some of its votaries, may be seen in their utterances. Take, for instance, this saying of Ogawa: “When others speak all manner of evil things against thee, return not evil for evil, but rather reflect that thou wast not more faithful in the discharge of thy duties.” Take another of Kumazawa: “When others blame thee, blame them not; when others are angry at thee, return not anger. Joy cometh only as Passion and Desire part.” Still another instance I may cite from Saigo, upon whose overhanging brows “shame is ashamed to sit”: “The Way is the way of Heaven and Earth: Man’s place is to follow it: therefore make it the object of thy life to reverence Heaven. Heaven loves me and others with equal love; therefore with the love wherewith thou lovest thyself, love others. Make not Man thy partner but Heaven, and making Heaven thy partner do thy best. Never condemn others; but see to it that thou comest not short of thine own mark.
”
”
Nitobe Inazō (Bushido: The Soul of Japan (AmazonClassics Edition))
“
[Earlier in the novel, Anodos meets a girl with the lightness of a child, carrying her prized possession - a precious globe that made music when touched. As the Shadow took over him, he reached out and broke her globe. This excerpt happens toward the end of the novel]:
Hardly knowing what I did, I opened the door. Why had I not done so before? I do not know.
At first I could see no one; but when I had forced myself past the tree which grew across the entrance, I saw, seated on the ground, and leaning against the tree, with her back to my prison, a beautiful woman. Her countenance seemed known to me, and yet unknown. She looked at me and smiled, when I made my appearance.
“Ah! were you the prisoner there? I am very glad I have wiled you out.”
“Do you know me then?”
“Do you not know me? But you hurt me, and that, I suppose, makes it easy for a man to forget. You broke my globe. Yet I thank you. Perhaps I owe you many thanks for breaking it. I took the pieces, all black, and wet with crying over them, to the Fairy Queen. There was no music and no light in them now. But she took them from me, and laid them aside; and made me go to sleep in a great hall of white, with black pillars, and many red curtains. When I woke in the morning, I went to her, hoping to have my globe again, whole and sound; but she sent me away without it, and I have not seen it since. Nor do I care for it now. I have something so much better. I do not need the globe to play to me; for I can sing. I could not sing at all before. Now I go about everywhere through Fairy Land, singing till my heart is like to break, just like my globe, for very joy at my own songs. And wherever I go, my songs do good, and deliver people. And now I have delivered you, and I am so happy.”
She ceased, and the tears came into her eyes.
All this time, I had been gazing at her; and now fully recognised the face of the child, glorified in the countenance of the woman.
I was ashamed and humbled before her; but a great weight was lifted from my thoughts. I knelt before her, and thanked her, and begged her to forgive me.
“Rise, rise,” she said; “I have nothing to forgive; I thank you. But now I must be gone, for I do not know how many may be waiting for me, here and there, through the dark forests; and they cannot come out till I come.”
She rose, and with a smile and a farewell, turned and left me. I dared not ask her to stay; in fact, I could hardly speak to her. Between her and me, there was a great gulf. She was uplifted, by sorrow and well-doing, into a region I could hardly hope ever to enter. I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it.
She was bearing the sun to the unsunned spots. The light and the music of her broken globe were now in her heart and her brain. As she went, she sang; and I caught these few words of her song; and the tones seemed to linger and wind about the trees after she had disappeared:
Thou goest thine, and I go mine–
Many ways we wend;
Many days, and many ways,
Ending in one end.
Many a wrong, and its curing song;
Many a road, and many an inn;
Room to roam, but only one home
For all the world to win.
And so she vanished. With a sad heart, soothed by humility, and the knowledge of her peace and gladness, I bethought me what now I should do.
”
”
George (Phantastes)
“
Once I went into another Bulgarian village. And one old brute who'd spotted me - he was a village elder - told the others and they surrounded the house I was lodging in. I slipped out onto the balcony and crept from one roof to the next; the moon was up and I jumped from balcony to balcony like a cat. But they saw my shadow, climbed up onto the roofs and started shooting. So what do I do? I dropped down into the yard, and there I found a Bulgarian woman in bed. She stood up in her nightdress, saw me and opened her mouth to shout, but I held out my arms and whispered: "Mercy! Mercy! Don't shout!" and seized her breasts. She went pale and half swooned.'
"Come inside," she said in a low voice. "Come in so that we can't be seen ..." 'I went inside, she gripped my hand: "Are you a Greek?" she said. "Yes, Greek. Don't betray me." I took her by the waist. She said not a word. I went to bed with her, and my heart trembled with pleasure. "There, Zorba, you dog," I said to myself, "there's a woman for you; that's what humanity means! What is she? Bulgar? Greek? That's the last thing that matters! She's human, and a human being with a mouth, and breasts, and she can love. Aren't you ashamed of killing? Bah! Swine!"
'That's the way I thought while I was with her, sharing her warmth. BUT DID THAT MAD BITCH, MY COUNTRY, LEAVE ME IN PEACE FOR THAT, DO YOU THINK? I disappeared next morning in the clothes the Bulgar woman gave me. She was a widow. She took her late husband's clothes out of a chest, gave them to me, and she hugged my knees and begged me to come back to her.'
'Yes, yes, I did go back ... the following night. I was a patriot then, of course - a wild beast; I went back with a can of paraffin and set fire to the village. She must have been burnt along with the others, poor wretch. Her name was Ludmilla.'
Zorba sighed. He lit a cigarette, took one or two puffs and then threw it away. 'My country, you say? ... You believe all the rubbish your books tell you ... ? Well, I'm the one you should believe. So long as there are countries, man will stay like an animal, a ferocious animal... But I am delivered from all that, God be praised! It's finished for me! What about you?'
I didn't answer. I was envious of the man. He had lived with his flesh and blood - fighting, killing, kissing - all that I had tried to learn through pen and ink alone. All the problems I was trying to solve point by point in my solitude and glued to my chair, this man had solved up in the pure air of the mountains with his sword.
I closed my eyes, inconsolable.
”
”
Nikos Kazantzakis (Zorba the Greek)
“
We all carry around a Model Me identity of how we want to be seen in the world. Capable, smart, attractive, and yes, empathic are all qualities most of us aspire to embody...a fixed and idealized image. ...
The Not Me we all carry around is a cartoonish devil that sits on our sholder, making us say or do the things we might otherwise find distasteful. It's the voice that says or does things about which we're likely to feel embarrassed or ashamed. When the Not Me voice emerges -- usually out of nowhere -- is when we need to listen carefully."
(pp. 66-67)
”
”
Maureen Walker
“
Shame convinces us to judge ourselves through a lens of perfection and conformity because it talks to us in the first person—I, me, my, mine, myself—and speaks in our voice. But when you confuse shame’s emotional alarm (I feel disconnected from money, what do I want to do about that?) with who you are (I’ll never get my shit together, I’m just bad with money), you’ve been tricked into believing the discomfort you feel is evidence that you’re failing. Let me be clear: The pain of rejection is real. The physical and emotional toll that widespread social rejection (marginalization) has on us is real. Shame is a powerful motivator, an evolutionary form of protection, and nothing to be embarrassed about feeling. (Ask me about the shame we feel about being ashamed; it’s a meta mess.) But! And! You don’t have to subject yourself to shame’s private torture. You are not alone. Perfection does not exist, and conformity is not an admirable goal. You deserve to be seen, supported, and connected while you outgrow your lack of knowledge and learn from your mistakes.
”
”
Tori Dunlap (Financial Feminist: Overcome the Patriarchy's Bullsh*t to Master Your Money and Build a Life You Love)
“
I ask Daisy, “Why do you say you’re white? Are you ashamed of being mixed?”
Daisy snaps back, “My mom is mixed but she doesn’t even say so. She’s only talked to me about it once. I’ve never met her Jamaican family, I’m not ashamed, but I have nothing to claim, nothing handed down to me. It’s not something people can see to look at me. Maybe if I’m with my mum, but I never am. On my own, I just look like a white girl with a tan. And that suits me just fine. I don’t want to explain myself to people. I’ve seen how you have to do it — how people ask you questions like they have the right to see your family tree. I don’t want that. I just want to be me.
”
”
Dean Atta (The Black Flamingo)
“
It sounds like you feel ashamed that you did not live up to your parents’ expectations,” she said. His eyes filled with tears. That was it. The need to belong. To be seen. To be loved. To succeed. To matter. His rage was a symptom of his pain. “Pain that is not transformed is transferred,” says Franciscan priest Richard Rohr. When we leave people alone with their pain, their alienation becomes the precondition for radicalization. But in listening to people’s pain, we can help them transform it. If you are like Sister Simone, you might be in a position to listen to disaffected white people in your family or community who are terrified by our nation’s demographic transition. You might be able to help them grieve the illusion that America ever belonged only to them. Maybe you can invite them to see that they do not need to fear or hate us. Maybe you can show them spaces where white people and people of color are congregating around common pain to push for change—in healthcare, criminal justice, and education. Then again, maybe you can’t move them at all. But what you learn can still help someone like me. I want to hold up a vision of an America that has a place for all of us—them, too.
”
”
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
“
Slughorn raised a pudgy hand and pressed his shaking fingers to his mouth; he looked for a moment like an enormously overgrown baby. “I am not proud . . .” he whispered through his fingers. “I am ashamed of what — of what that memory shows. . . . I think I may have done great damage that day. . . .” “You’d cancel out anything you did by giving me the memory,” said Harry. “It would be a very brave and noble thing to do.” Hagrid twitched in his sleep and snored on. Slughorn and Harry stared at each other over the guttering candle. There was a long, long silence, but Felix Felicis told Harry not to break it, to wait. Then, very slowly, Slughorn put his hand in his pocket and pulled out his wand. He put his other hand inside his cloak and took out a small, empty bottle. Still looking into Harry’s eyes, Slughorn touched the tip of his wand to his temple and withdrew it, so that a long, silver thread of memory came away too, clinging to the wand-tip. Longer and longer the memory stretched until it broke and swung, silvery bright, from the wand. Slughorn lowered it into the bottle where it coiled, then spread, swirling like gas. He corked the bottle with a trembling hand and then passed it across the table to Harry. “Thank you very much, Professor.” “You’re a good boy,” said Professor Slughorn, tears trickling down his fat cheeks into his walrus mustache. “And you’ve got her eyes. . . . Just don’t think too badly of me once you’ve seen it. . . .” And he too put his head on his arms, gave a deep sigh, and fell asleep.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
And then his lips curved into the mischievous smile I so loved. “I have one more thing for you.” From the depths of his pockets, he withdrew a pile of napkins neatly enclosed in a clean plastic bag. “Your own stash, Trouble Magnet.”
I laughed so hard I snorted. I couldn’t help it, but the napkins were so silly, so perfect. The bathroom inside the restaurant hadn’t had either toilet or toilet paper, and I suspected there would be a few more of those primitive latrines in my future. I was still laughing when I tucked both the napkins and the GPS safely inside my messenger bag, and when I looked up, Jacob was staring at me as if he wanted to tuck me away safely, keep me with him.
There must be a few times in life when you stand at a precipice of a decision. When you know there will forever be a Before and an After. Mom’s life was twice marked: Before Dad, After Dad. Before her sister’s death and After. I knew there would be no turning back if I designated this moment as my own Prime Meridian from which everything else would be measured. Mom’s urging to be fair to Jacob, Karin’s warning about losing the security of a miracle boyfriend, the image of Erik’s easygoing grin itself — all those conspired now, convincing me to stay in the Before.
And then there was Jacob, who stepped closer to me and then waited, letting me decide whether I would take that next step. Balanced there in indecision, it was as if the Twisted Sisters were before me, shaking their pom-poms, asking: But what is fair about staying with a guy who is ashamed to be seen with you? What was so miraculous about a relationship that was based more on my gratitude than mutual respect?
I wanted more. I wanted better. I wanted Jacob.
Even knowing that what I was doing was wrong, I jumped off my Before and reached for my After.
I traveled that short, short distance separating Jacob from me and stepped into his waiting arms. My face tilted up, my lips parted, so ready for Jacob’s kiss. Unexpectedly, he let go of me, and my breath caught, painfully, deep in my chest. Had I so misread this map leading me to him?
Then slowly, so slowly, Jacob cupped my face in his hands, his thumbs brushing gently across my cheeks, the good side and the bad.
”
”
Justina Chen