Arthur Koestler Quotes

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The principal mark of genius is not perfection but originality, the opening of new frontiers.
Arthur Koestler
Nothing is more sad than the death of an illusion.
Arthur Koestler
Creative activity is a type of learning process where the teacher and pupil are located in the same individual.
Arthur Koestler (Drinkers of Infinity: Essays 1955-1967)
History had a slow pulse; man counted in years, history in generations
Arthur Koestler (Darkness at Noon)
Creativity is the defeat of habit by originality.
Arthur Koestler
... I had never given much credence to the phenomenon of "writer's block". I was more inclined to think of it as "writer's impatience", and to follow Arthur Koestler's dictum: "Soak; and wait.
Alan Garner (The Voice That Thunders)
The fact is: I no longer believe in my own infallibility. That is why I am lost.
Arthur Koestler (Darkness at Noon)
The more original a discovery, the more obvious it seems afterwards.
Arthur Koestler
The principle that the end justifies the means is and remains the only rule of political ethics; anything else is just a vague chatter and melts away between one’s fingers.
Arthur Koestler (Darkness at Noon)
Satan, on the contrary, is thin, ascetic and a fanatical devotee of logic. He reads Machiavelli, Ignatius of Loyola, Marx and Hegel; he is cold and unmerciful to mankind, out of a kind of mathematical mercifulness. He is damned always to do that which is most repugnant to him: to become a slaughterer, in order to abolish slaughtering, to sacrifice lambs so that no more lambs may be slaughtered, to whip people with knouts so that they may learn not to let themselves be whipped, to strip himself of every scruple in the name of a higher scrupulousness, and to challenge the hatred of mankind because of his love for it--an abstract and geometric love.
Arthur Koestler (Darkness at Noon)
Honor is decency without vanity.
Arthur Koestler (Darkness at Noon)
I went to Communism as one goes to a spring of fresh water, and I left Communism as one clambers out of a poisoned river strewn with the wreckage of flooded cities and the corpses of the drowned.
Arthur Koestler
Some of the greatest discoveries...consist mainly in the clearing away of psychological roadblocks which obstruct the approach to reality; which is why,post factum they appear so obvious.
Arthur Koestler (The Sleepwalkers: A History of Man's Changing Vision of the Universe)
Show us not the aim without the way. For ends and means on earth are so entangled That changing one, you change the other too; Each different path brings other ends in view
Arthur Koestler
The hangman is a disgrace to any civilized country.
Arthur Koestler
The 'gallows' are not only a symbol of death, but also a symbol of cruelty, terror and irreverence for life; the common denominator of primitive savagery, medieval fanaticism and modern totalitarianism.
Arthur Koestler
History knows no scruples and no hesitation. Inert and unnering flows towards her goal. History knows herway. She makes no mistakes.
Arthur Koestler (Darkness at Noon)
[My father] loved me tenderly and shyly from a distance, and later on took a naive pride in seeing my name in print.
Arthur Koestler
Aberrations of the human mind are to a large extent due to the obsessional pursuit of some part-truth, treated as if it were a whole truth.
Arthur Koestler (The Ghost in the Machine)
Language can become a screen which stands between the thinker and reality. This is the reason why true creativity often starts where language ends.
Arthur Koestler (The Act of Creation)
Nothing is worse in prison than the consciousness of one's innocenc; it prevents acclimatizatin and undermines one's morale...
Arthur Koestler (Darkness at Noon)
But who will be proved right? It will only be known later. Meanwhile he is bound to act on credit and sell his soul to the devil, in the hope of history's absolution.
Arthur Koestler (Darkness at Noon)
Our Press and our schools cultivate Chauvinism, militarism, dogmatism, conformism and ignorance. The arbitrary power of the Government is unlimited, and unexampled in history; freedom of the Press, of opinion and of movement are as thoroughly exterminated as though the proclamation of the Rights of Man had never been. We have built up the most gigantic police apparatus, with informers made a national institution, and the most refined scientific system of political and mental torture. We whip the groaning masses of the country towards a theoretical future happiness, which only we can.
Arthur Koestler (Darkness at Noon)
The prerequisite of originality is the art of forgetting, at the proper moment, what we know.
Arthur Koestler (The Act of Creation)
The Party denied the free will of the individual - and at the same time it exacted his willing self-sacrifice. It denied his capacity to choose between two alternatives - and at the same time it demanded that he should constantly choose the right one. It denied his power to distinguish good and evil - and at the same time spoke pathetically of guilt and treachery. The individual stood under the sign of economic fatality, a wheel in a clockwork which had been wound up for all eternity and could not be stopped or influenced - and the Party demanded that the wheel should revolt against the clockwork and change its course. There was somewhere an error in the calculation; the equation did not work out.
Arthur Koestler (Darkness at Noon)
Perhaps he did not know himself - like all these intellectual cynics...
Arthur Koestler (Darkness at Noon)
Hitherto man had to live with the idea of death as an individual; from now onward mankind will have to live with the idea of its death as a species.
Arthur Koestler
When one contemplates the streak of insanity running through human history, it appears highly probable that homo sapiens is a biological freak, the result of some remarkable mistake in the evolutionary process. The ancient doctrine of original sin, variants of which occur independently in the mythologies of diverse cultures, could be a reflection of man's awareness of his own inadequacy, of the intuitive hunch that somewhere along the line of his ascent something has gone wrong.
Arthur Koestler (The Ghost in the Machine)
and there was only one revolutionary virtue which he had not learned, the virtue of self-deception
Arthur Koestler (Darkness at Noon)
Brain-washing starts in the cradle.
Arthur Koestler
Had not history always been an inhumane, unscrupulous builder, mixing its mortar of lies, blood and mud?
Arthur Koestler
Each wrong idea we follow is a crime committed against future generations.
Arthur Koestler (Darkness at Noon)
To want to meet an author because you like his books is as ridiculous as wanting to meet the goose because you like paté de foie gras.
Arthur Koestler
The deterioration of the intelligentsia is as much a symptom of disease as the corruption of the ruling class or the sleeping sickness of the proletariat.
Arthur Koestler (The Yogi and the Commissar, and Other Essays (The Danube Edition))
What an enormous longing for a new human order there was in the era between the world wars, and what a miserable failure to live up to it.’(Arthur Koestler)
Tony Judt (Postwar: A History of Europe Since 1945)
...The arbitrary power of the Government is unlimited, and unexampled in history; freedom of the Press, of opinion and of movement are as thoroughly exterminated as though the proclamation of the Rights of Man had never been.
Arthur Koestler (Darkness at Noon)
If Nature abhors the void, the mind abhors what is meaningless. Show a person an ink-blot, and he will start at once to organise it into a hierarchy of shapes, tentacles, wheels, masks, a dance of figures.
Arthur Koestler (The Ghost in the Machine)
We brought you truth, and in our mouth it sounded a lie. We brought you freedom, and it looks in our hands like a whip. We brought you the living life, and where our voice is heard the trees wither and there is a rustling of dry leaves. We brought you the promise of the future, but our tongue stammered and barked...
Arthur Koestler (Darkness at Noon)
There was a dense fog in my brain,impenetrable to any coherent thought,except the dull obsession of counting the minutes - an aching state of semi concsiousness and numb idiocy.
Arthur Koestler (Scum of the Earth)
Οι άνθρωποι δεν είναι συνέχεια δυστυχισμένοι παρά μόνο στα κακά μυθιστορήματα· στην πραγματικότητα είναι πολύ απασχολημένοι.
Arthur Koestler (Ισπανική διαθήκη)
They dreamed of power with the object of abolishing power; of ruling over the people to wean them from the habit of being ruled.
Arthur Koestler (Darkness at Noon)
Much depends on asking the right question at the right time.
Arthur Koestler (The Sleepwalkers: A History of Man's Changing Vision of the Universe)
A sadist is a person who is kind to a masochist.
Arthur Koestler
Ivanov- "Up to now , all revolutions have been made by moralizing diletantes. They were always in good faith and perished because of their dilettantism. We for the first time are consequent..." "Yes," said Rubashov. "So consequent, that in the interests of a just distribution of land we deliberately let die of starvation about five million farmers and their families in one year. So consequent were we in the liberation of human beings from the shackles of industrial exploitation that we sent about ten million people to do forced labour in the Artic regions and the jungles of the East, under conditions similar to those of antique galley slaves. So consequent that, to settle a difference of opinion, we know only one argument: death, whether it is a matter of submarines, manure, or the Party line to be followed in Indo-China. ...
Arthur Koestler (Darkness at Noon)
History has taught us that often lies serve her better than the truth; for man is sluggish and has to be led through the desert for forty years before each step in his development. And he has to be driven through the desert with threats and promises, by imaginary terrors and imaginary consolations, so that he should not sit down prematurely to rest and divert himself by worshipping golden calves.
Arthur Koestler (Darkness at Noon)
I don't approve of mixing ideologies," Ivanov continued. "There are only two conceptions of human ethics, and they are at opposite poles. One of them is Christian and humane, declares the individual to be sacrosanct, and asserts that the rules of arithmetic are not to be applied to human units. The other starts from the basic principle that a collective aim justifies all means, and not only allows, but demands, that the individual should in every way be subordinated and sacrificed to the community--which may dispose of it as an experimentation rabbit or a sacrificial lamb. The first conception could be called anti-vivisection morality, the second, vivisection morality. Humbugs and dilettantes have always tried to mix the two conceptions; in practice, it is impossible.
Arthur Koestler (Darkness at Noon)
It was quiet in the cell. Rubashov heard only the creaking of his steps on the tiles. Six and a half steps to the door, whence they must come to fetch him, six and a half steps to the window, behind which night was falling. Soon it would be over. But when he asked himself, For what actually are you dying? he found no answer. It was a mistake in the system; perhaps it lay in the precept which until now he had held to be uncontestable, in whose name he had sacrificed others and was himself being sacrificed: in the precept, that the end justifies the means. It was this sentence which had killed the great fraternity of the Revolution and made them run amuck. What had he once written in his diary? "We have thrown overboard all conventions, our sole guiding principle is that of consequent logic; we are sailing without ethical ballast.
Arthur Koestler (Darkness at Noon)
Should we sit with idle hands because the consequences of an act are never quite to be foreseen, and hence all action is evil?
Arthur Koestler (Darkness at Noon)
Scientists are peeping toms at the keyhole of eternity.
Arthur Koestler (The Roots of Coincidence)
The metre of the poet, the metronome of the musician, the centimetre of the mathematician, are all derived from the same root, metron: measure, measurement.
Arthur Koestler (The Act of Creation)
I think most historians would agree that the part played by impulses of selfish, individual aggression in the holocausts of history was small; first and foremost, the slaughter was meant as an offering to the gods, to king and country, or the future happiness of mankind. The crimes of a Caligula shrink to insignificance compared to the havoc wrought by Torquemada. The number of victims of robbers, highwaymen, rapists, gangsters and other criminals at any period of history is negligible compared to the massive numbers of those cheerfully slain in the name of the true religion, just policy or correct ideology. Heretics were tortured and burnt not in anger but in sorrow, for the good of their immortal souls. Tribal warfare was waged in the purported interest of the tribe, not of the individual. Wars of religion were fought to decide some fine point in theology or semantics. Wars of succession dynastic wars, national wars, civil wars, were fought to decide issues equally remote from the personal self-interest of the combatants. Let me repeat: the crimes of violence committed for selfish, personal motives are historically insignificant compared to those committed ad majorem gloriam Dei, out of a self-sacrificing devotion to a flag, a leader, a religious faith or a political conviction. Man has always been prepared not only to kill but also to die for good, bad or completely futile causes. And what can be a more valid proof of the reality of the self-transcending urge than this readiness to die for an ideal?
Arthur Koestler (The Ghost in the Machine)
ثمة ظاهره, هي أشد غموضاً من التخاطر والمعرفة المسبقه, قد حيرت الإنسان منذ فجر الأساطير, إنها ذلك الإلتقاء الذي يبدو عارضاً في الظاهر بين اثنتين من السلاسل لا تربط السببيه بينهما, في حادث متوافق هو أبعد ما يكون عن الاحتمال ومحمل بالدلاله في الوقت ذاته آرثر كوستلر Arthur Koestler
Allan Combs (Synchronicity: Science, Myth, and the Trickster)
The greatest temptation for the like of us is: to renounce violence, to repent, to make peace with oneself. Most revolutionaries fell before this temptation, from Spartacus to Danton and Dostoevsky; they are the classical form of betrayal of the cause. The temptations of God were always more dangerous for mankind than those of Satan. As long as chaos dominates the world, God is an anachronism; and every compromise with one’s own conscience is perfidy. When the accursed inner voice speaks to you, hold your hands over your ears….
Arthur Koestler (Darkness at Noon)
Oswald Spengler's Decline of the West, Ernst Bloch's Spirit of Utopia, Hermann Hesse's Glimpse Into Chaos, Edmund Husserl's The Crisis in European Science, Karl Kraus's The Last Days of Mankind, Arthur Koestler's The Ghost in the Machine, Robert Musil's The Man Without Qualities, José Ortega y Gasset's The Revolt of the Masses, Martin Heidegger's Being and Time, René Guenon's The Reign of Quantity, Thomas Mann's The Magic Mountain, Colin Wilson's The Outsider—the list could go on.
Gary Lachman (A Secret History of Consciousness)
The sex-drive in the Freudian system is essentially something to be disposed of -through the proper channels or by sublimation; pleasure is derived not from its pursuit, but from getting rid of it.
Arthur Koestler (The Act of Creation)
Every jump of technical progress leaves the relative intellectual development of the masses a step behind, and thus causes a fall in the political-maturity thermometer. It takes sometimes tens of years, sometimes generations, for a people’s level of understanding gradually to adapt itself to the changed state of affairs, until it has recovered the same capacity for self-government as it had already possessed at a lower stage of civilization.
Arthur Koestler (Darkness at Noon)
I have already thought it over,' said Rubashov. 'I reject your proposition. Logically, you may be right. But I have had enough of this kind of logic. I am tired and I don't want to play this game anymore. Be kind enough to have me taken back to my cell.
Arthur Koestler
For in a struggle one must have both legs firmly planted on the earth. The Party had taught one how to do it. The infinite was a politically suspect quantity, the `I' a suspect quality. The Party did not recognize its existence. The definition of an individual was: a multitude of one million divided by one million.
Arthur Koestler
The cause of the Party’s defectiveness must be found. All our principles were right, but our results were wrong. This is a diseased century. We diagnosed the disease and its causes with microscopic exactness, but whenever we applied the healing knife anew sore appeared. Our will was hard and pure, we should have been loved by the people. But they hate us. Why are we so odious and detested? We brought you truth, and in our mouth it sounded a lie. We brought you freedom, and it looks in our hands like a whip. We brought you the living life, and where our voices is heard the trees wither and there is a rustling of dry leaves. We brought you the promise of the future, but our tongue stammered and barked…
Arthur Koestler (Darkness at Noon)
That was probably the reason that history was more of an oracle than a science. Perhaps later, muck later, it would be taught by means of tables of statistics, supplemented by anatomical sections. The teacher would draw on the blackboard an algebraic formula representing the conditions of life of the masses of a particular nation at a particular period: 'Here, citizens, you see the objective factors which conditioned this historical process.
Arthur Koestler (Darkness at Noon)
that man is a reality, mankind an abstraction; that men cannot be treated as units in operations of political arithmetic because they behave like the symbols for zero and the infinite, which dislocate all mathematical operations; that the end justifies the means only within very narrow limits; that ethics is not a function of social utility, and charity not a petty bourgeois sentiment but the gravitational force which keeps civilization in its orbit.
Arthur Koestler (The God that Failed)
Forgery is just the most dramatic example of the importance of origin. Arthur Koestler described a friend who owned a drawing that she first took to be a reproduction. When she later discovered that it was an original by Picasso, she displayed it more prominently, claimed that she saw it differently, and enjoyed it more. For her, its value went up.
Paul Bloom (Descartes' Baby: How the Science of Child Development Explains What Makes Us Human)
Revolutionary theory had frozen to a dogmatic cult, with a simplified, easily graspable catechism, and with No. 1 as the high priest celebrating the Mass.
Arthur Koestler (Darkness at Noon)
O progresso da ciência, tal como uma antiga trilha no deserto, está juncado pelos descolorados esqueletos de teorias rejeitadas, que um dia pareceram ter vida eterna.
Arthur Koestler (The Ghost in the Machine)
You opposed fascism, then you ditched communism. 'No, I didn’t. Communism ditched me by turning into Stalinism'.
Arthur Koestler
The old disease, thought Rubashov. Revolutionaries should not think through other people's minds. Or, perhaps they should? Or even ought to? How can one change the world if one identifies oneself with everybody? How else can one change it? He who understands and forgives -- where would he find a motive to act? Where would he not?
Arthur Koestler (Darkness at Noon)
Cigarettes to be fetched for me from the canteen,' said Rubashov. 'Have you got prison vouchers?' 'My money was taken from me on my arrival,' said Rubashov. 'Then you must wait until it has been changed for vouchers.' 'How long will that take in this model establishment of yours?' asked Rubashov. 'You can write a letter of complaint,' said the old man. 'You know quite well that I have neither paper nor pencil,' said Rubashov. 'To buy writing materials you have to have vouchers,' said the warder.
Arthur Koestler (Darkness at Noon)
The pressure of the environment cramps art as it cramps behaviour. One may challenge this environment, but one has to pay for it, and the price is neurotic guilt. There never was an intelligentsia without a guilt complex; it is the income tax one has to pay for wanting to make others richer.
Arthur Koestler (The Yogi and the Commissar, and Other Essays (The Danube Edition))
Hierarchies are 'dissectible' into their constituent branches, on which the holons form the 'nodes'. The number of levels which a hierarchy comprises is called its 'depth', and the number of holons on any given level its 'span'.
Arthur Koestler (The Ghost in the Machine)
I am trying to stress a point which they do not sufficiently emphasize, or tend to overlook altogether-namely, that the organism is not a mosaic aggregate of elementary physico-chemical processes, but a hierarchy in which each member, from the sub-cellular level upward, is a closely integrated structure, equipped with self-regulatory devices, and enjoys an advanced form of self-government.
Arthur Koestler (The Ghost in the Machine)
Persuasion may play a part in a man's conversion; but only the part of bringing to its full and conscious climax a process which has been maturing in regions where no persuasion can penetrate. A faith is not acquired; it grows like a tree.
Arthur Koestler (The God that Failed)
What had he said to them? "I bow my knees before the country, before the masses, before the whole people...." And what then? What happened to these masses, to this people? For forty years it had been driven through the desert, with threats and promises, with imaginary terrors and imaginary rewards. But where was the Promised Land? Did there really exist any such goal for this wandering mankind? That was a question to which he would have liked an answer before it was too late. Moses had not been allowed to enter the land of promise either, But he had been allowed to see it, from the top of the mountain, spread at his feet. Thus, it was easy to die, with the visible certainty of one's goal before one's eyes. He, Nicolas Salmanovitch Rubashov, had not been taken to the top of a mountain; and wherever his eye looked, he saw nothing but desert and the darkness of night.
Arthur Koestler (Darkness at Noon)
It was quiet in the cell. Rubashov heard only the creaking of his steps on the tiles. Six and a half steps to the door, whence they must come to fetch him,six and a half steps to the window, behind which night was falling. Soon it would be over. But when he asked himself, For what actually are you dying? he found no answer.
Arthur Koestler (Darkness at Noon)
He found out that those processes wrongly known as “monologues” are really dialogues of a special kind; dialogues in which one partner remains silent while the other against all grammatical rules, addresses him as “I” instead of “you”, in order to creep into his confidence and to fathom his intentions; but the silent partner just remains silent, shuns observation and even refuses to be localized in time and space.
Arthur Koestler (Darkness at Noon)
Only once did he remark when the starter,which he was trying to open,literally fell to pieces in his hands,:'If you would write for those filthy boulevard papers,monsieur,you could soon buy a Chevrolet'(which was quite unture:In France the prostitutes of the pen were just as badly rewarded as their colleagues on the street corners).
Arthur Koestler (Scum of the Earth)
A shapeless figure bent over him, he smelt the fresh leather of the revolver belt; but what insignia did the figure wear on the sleeves and shoulder straps of its uniform—and in whose name did it raise the dark pistol barrel? A second, smashing blow hit him on the ear. Then all became quiet. There was the sea again with its sounds. A wave slowly lifted him up. It came from afar and travelled sedately on, a shrug of eternity.
Arthur Koestler (Darkness at Noon)
Azt hiszem, ha a társadalom ugyanúgy korlátok közé szorítaná a táplálkozási tevékenységet, és ugyanúgy tabukkal venné körül, mint a szexuális funkciókat, akkor a pszichoanalitikusoknak elfojtott éhségkomplexusokkal és szomjúságneurózisokkal kellene foglalkozniuk. És ha valaki egy hegedűről álmodna, az azt jelentené, hogy sötét ösztönei ürüpaprikásra sóvárognak.
Arthur Koestler (Spanish Testament)
There were so many who wished to speak. For the movement was without scruples; she rolled towards her goal unconcernedly and deposed the corpses of the drowned in the windings; such was the law of her being. And whosoever could not follow her crooked course was washed on to the bank, for such was her law. The motives of the individual did not matter to her. His conscience did not matter to her, neither did she care what went on in his head and his heart. The Party knew only one crime: to swerve from the course laid out; and only one punishment: death. Death was no mystery in the movement: there was nothing exalted about it: it was the logical solution to political divergences.
Arthur Koestler (Darkness at Noon)
To quote Dr. Ewer: 'Behaviour will tend to be always a jump ahead of structure and so play a decisive role in the evolutionary process.' In this light, evolution no longer appears as a tale told by an idiot, but rather as an epic recited by a stutterer-at times haltingly and painfully, then precipitating in bursts.
Arthur Koestler (The Ghost in the Machine)
... on the historical scale, the damages wrought by individual violence for selfish motives are insignificant compared to the holocausts resulting from self-transcending devotion to collectively shared belief-systems. It is derived from primitive identification instead of mature social integration; it entails the partial surrender of personal responsibility and produces the quasi-hypnotic phenomena of group-psychology.
Arthur Koestler (The Ghost in the Machine)
Our White - Whites were a mixed crowd,including a well - known doctor,owner of a chateau near Versailles,an opera singer with an enormous belly and a chaplainbass;a homosexual architect with a beard,two night club porters,and a lawyer who sold Jewish refugees visas for a Central American Republic,which on arrival turned out to be non valid.
Arthur Koestler (Scum of the Earth)
With you, thought Rubashov and looked at the whitewashed wall behind which the other stood—in the meantime he had probably lit a cigarette and was blowing the smoke against the wall — with you I have no accounts to settle. To you I owe no fare. Between you and us there is no common currency and no common language. ... Well, what do you want now?
Arthur Koestler (Darkness at Noon)
Whatever the nature of organizing relations may be,' J. Needham wrote in 1932, 'they form the central problem of biology, and biology will be fruitful in the future only if this is recognized. The hierarchy of relations, from the molecular structure of carbon compounds to the equilibrium of species and ecological wholes, will perhaps be the leading idea of the future.
Arthur Koestler (The Act of Creation)
When I first read The Rebel, this splendid line came leaping from the page like a dolphin from a wave. I memorized it instantly, and from then on Camus was my man. I wanted to write like that, in a prose that sang like poetry. I wanted to look like him. I wanted to wear a Bogart-style trench coat with the collar turned up, have an untipped Gauloise dangling from my lower lip, and die romantically in a car crash. At the time, the crash had only just happened. The wheels of the wrecked Facel Vega were practically still spinning, and at Sydney University I knew exiled French students, spiritually scarred by service in Indochina, who had met Camus in Paris: one of them claimed to have shared a girl with him. Later on, in London, I was able to arrange the trench coat and the Gauloise, although I decided to forgo the car crash until a more propitious moment. Much later, long after having realized that smoking French cigarettes was just an expensive way of inhaling nationalized industrial waste, I learned from Olivier Todd's excellent biography of Camus that the trench coat had been a gift from Arthur Koestler's wife and that the Bogart connection had been, as the academics say, no accident. Camus had wanted to look like Bogart, and Mrs. Koestler knew where to get the kit. Camus was a bit of an actor--he though, in fact, that he was a lot of an actor, although his histrionic talent was the weakest item of his theatrical equipment--and, being a bit of an actor, he was preoccupied by questions of authenticity, as truly authentic people seldom are. But under the posturing agonies about authenticity there was something better than authentic: there was something genuine. He was genuinely poetic. Being that, he could apply two tests simultaneously to his own language: the test of expressiveness, and the test of truth to life. To put it another way, he couldn't not apply them.
Clive James (Cultural Amnesia: Necessary Memories from History and the Arts)
Voltak hivatásos optimisták és alkotmányos optimisták. Az előbbiek az olvasóikat csapták be, az utóbbiak önmagukat. Voltak, akik azt mondták: "Ennyire még ők sem lehetnek rosszak." Voltak, akik azt: "Túl gyengék, nem kezdhetnek bele semmibe." Mások ezt mondták: "Túl erősek, meg kell békítenünk őket." Megint mások ezt: "Mumusoktól féltek, üldözési mániátok van, hisztéria az egész." Voltak, akik azt mondták: "A gyűlölet nem vezet sehová, megértéssel és együttérzéssel kell rájuk tekintenünk." És voltak, akik egyszerűen csak ezt: "Én ezt nem vagyok hajlandó elhinni.
Arthur Koestler (Arrow in the Blue)
War is a ritual, a deadly ritual, not the result of aggressive self-assertion, but of self-transcending identification. Without loyalty to tribe, church, flag or ideal, there would be no wars; and loyalty is a noble thing. I do not mean, of course, that loyalty must necessarily be expressed in group violence-merely that it is a precondition of it; that self-transcending devotion, all through history, has acted as a catalyst for secondary aggression.
Arthur Koestler (The Ghost in the Machine)
Modern man lives isolated in his artificial environment, not because the artificial is evil as such, but because of his lack of comprehension of the forces which make it work- of the principles which relate his gadgets to the forces of nature, to the universal order. It is not central heating which makes his existence 'unnatural,' but his refusal to take an interest in the principles behind it. By being entirely dependent on science, yet closing his mind to it, he leads the life of an urban barbarian.
Arthur Koestler
As we ascend to the hierarchies of living matter, we find, even on the lowest level observable through the electron microscope, sub-cellular structures-organelles-of staggering complexity. And the most striking fact is that these minuscule parts of the cell function as self-governing wholes in their own right, each following its own statute-book of rules. One type of organelles look as quasi-independent agencies after the cell's growth; others after its energy supply, reproduction, communications, and so on.
Arthur Koestler (The Ghost in the Machine)
The life we led was a proof of man's capacity for adaptation.I think that even the condemned souls in purgatory after time develop a sort of homely routine.That is ,by the way, why most prison memoirs are unreadable.The difficulty of conveying to the reader an idea of a nightmare world from which he has emerged makes the author depict the prisoner's state of mind as an uninterruped continuity of despair.He fears to appear frivolous or to spoil his effect by admitting that even in the depths of misery cheerfulness keeps breaking in.
Arthur Koestler (Scum of the Earth)
They were aware that the symbols of mythology and the the symbols of mathematical science were different aspects of the same, indivisible Reality. They did not live in a 'divided house of faith and reason'; the two were interlocking, like ground-plan and elevation on an architect's drawing. It is a state of mind very difficult for twentieth-century man to imagine- or even to believe that it could ever have existed. It may help to remember though, that some of the greatest pre-Socratic sages formulated their philosophies in verse; the unitary source of inspiration of prophet, poet, and philosopher was still taken for granted.
Arthur Koestler (The Sleepwalkers: A History of Man's Changing Vision of the Universe)
The growth of the nervous system from beginning to end is dominated by 'a totally integrated matrix, and not a progressive integration of primarily individuated units'. The organism is not a sum of its reflexes, but on the contrary 'the mechanism of the total pattern is an essential component of the performance of the part, i.e. the reflex'. The stimulus-response scheme cannot explain even embryonic behaviour, because movements appear long before the motor neurons of the reflex arc are connected with the sensory neurons. This centrifugal mode of development means that the individual acts on its environment before it reacts to its environment.
Arthur Koestler (The Act of Creation)
For the movement was without scruples; she rolled towards her goal unconcernedly and deposed the corpses of the drowned in the windings of her course. Her course had many twists and windings; such was the law of her being. And whosoever could not follow her crooked course was washed on to the bank, for such was her law. The motives of the individual did not matter to her. His conscience did not matter to her, neither did she care what went on in his head and his heart. The Party knew only one crime: to swerve from the course laid out; and only one punishment: death. Death was no mystery in the movement; there was nothing exalted about it: it was the logical solution to political divergences
Arthur Koestler
Experience teaches,” said Gletkin, “that the masses must be given for all difficult and complicated processes a simple, easily grasped explanation. According to what I know of history, I see that mankind could never do without scapegoats. I believe it was at all times an indispensable institution; your friend Ivanov taught me that it was of religious origin. As far as I remember, he explained that the word itself came from a custom of the Hebrews, who once a year sacrificed to their god a goat, laden with all their sins.” Gletkin paused and shoved his cuffs into place. “Besides, there are also examples in history of voluntary scapegoats. At the age when you were given a watch, I was being taught by the village priest that Jesus Christ called himself a lamb, which had taken on itself all sin. I have never understood in what way it could help mankind if someone declares he is being sacrificed for its sake. But for two thousand years people have apparently found it quite natural.
Arthur Koestler (Darkness at Noon)
It had a strange resemblance to Kafka's novel,The Trial- that dream-like allegory of a man who,having received a mysterious convocation to attend his 'trial",strives and struggles in vain to find out where the trial would be held and what it would be about; wherever he inquires he receives non - commital,elusive replies,as if everybody has joined in a secret conspiracy:the closer he gets to his aim,the farther it recedes,like the transparent walls of a dream:and the story ends abruptly,as it began,in tormenting suspense.The High Court which Kafka's hero is unable to find is his own conscience:but what was the symbolic meaning of all these nut-cracker-faced,nail-biting,pimpled,slimy features,spinning their spider webs of intrigue and sabotage in the bureaux of the French Administration?Perhaps I was really guilty,I and my like:perhaps our guilt was the past,the guilt of having forseen the catastrophe and yet failed to open the eyes of the blind.But if we were guilty-who were they to sit in judgement over us?
Arthur Koestler (Scum of the Earth)
It was a mistake in the system; perhaps it lay in the precept which until now he had held to be uncontestable, in whose name he had sacrificed others and was himself being sacrificed: in the precept, that the end justifies the means. . . . Perhaps later, much later, the new movement would arise—with new flags, a new spirit knowing of both: of economic fatality and the “oceanic sense.” Perhaps the members of the new party will wear monks’ cowls, and preach that only purity of means can justify the ends. Perhaps they will teach that the tenet is wrong which says that a man is the quotient of one million divided by one million, and will introduce a new kind of arithmetic based on multiplication: on the joining of a million individuals to form a new entity which, no longer an amorphous mass, will develop a consciousness and an individuality of its own, with an “oceanic feeling” increased a millionfold, in unlimited yet self-contained space. Rubashov broke off his pacing and listened. The sound of muffled drumming came down the corridor.
Arthur Koestler (Darkness at Noon)
The Russells arrive at the same conclusion: "There is certainly no evidence from mamamalian behaviour that social aggression is more prevalent or intense among carnivores than among herbivores. And as for humans: "There is certainly no evidence that social violence has been more prevalent or intense in carnivorous hunting than in vegetarian agricultural societies. Hunting people have sometimes been extremely war-like; but no human group has produced more peaceful communities than some of the Eskimos, who have been carnivorous hunters, presumably, since the Old Stone Age.' The Samurai, on the other hand, were strict vegetarians; and so were the Hindu mobs in India which massacred their Moslem brethren whenever given a chance. It was not the eating of reindeer-steaks which caused the Fall.
Arthur Koestler (The Ghost in the Machine)
Not only the portraits on the walls, but also the shelves in the library were thinned out. The disappearance of certain books and brochures happened discretely, usually the day after the arrival of a new message from above. Rubashov made his sarcastic commentaries on it while dictating to Arlova, who received them in silence. Most of the works on foreign trade and currency disappeared from the shelves – their author, the People’s Commissar for Finance, had just been arrested; also nearly all old Party Congress reports treating the same subject; most books and reference-books on the history and antecedents of the Revolution; most works by living authors on problems of birth control; the manuals on the structure of the People’s Army; treatises on trade unionism and the right to strike in the People’s State; practically every study of the problems of political constitution more than two years old, and, finally, even the volumes of the Encyclopedia published by the Academy – a new revised edition being promised shortly. New books arrived, too: the classics of social science appeared with new footnotes and commentaries, the old histories were replaced by new histories, the old memoirs of dead revolutionary leaders were replaced by new memoirs of the same defunct. Rubashov remarked jokingly to Arlova that the only thing left to be done was to publish a new and revised edition of the back numbers of all newspapers.
Arthur Koestler (Darkness at Noon)
Leaving controversial issues aside, the first and main purpose of this book may be summed up by a phrase of Laplace: “If we were able to make an exact catalogue of all particles and forces which are active in a speck of dust, the laws of the universe at large would hold no more mysteries for us”. On a medium-sized school globe the State of Israel occupies not much more space than a speck of dust; and yet there is hardly a political, social or cultural problem whose prototype cannot be found in it, and found in a rare concentration and intensity. The very smallness of this country of about three-quarters of a million souls makes it easy to survey trends which in other nations appear confused and diluted by size. The fact that it so often was in the past, and is again in the present, in the focus of global conflicts and passions, makes the speck of dust glow in a phosphorescent light. The fact that it is a State of Jews, and of Jews of the most conscious and intense type, makes the microscopic processes in this microscopic country reflect laws of universal validity: for Jewry is not a question of race—“it is the human condition carried to its extreme”.
Arthur Koestler (Promise and Fulfilment - Palestine 1917-1949)
When the Babylonians began to chart the stars, they first of all grouped them together into constellations of lions, virgins, archers, and scorpions-shaped them into sub-assemblies, celestial holons. The first calendar-makers wove the linear thread of time into the hierarchic pattern of solar days, lunar months, stellar years, Olympic cycles. Similarly, the Greek astronomers broke up homogenous space into the hierarchy of the eight heavenly spheres, each equipped with its clockwork of epicycles. We cannot help interpreting Nature as an organisation of parts-within-parts, because all living matter and all stable inorganic systems have a part-within-part architecture, which lends them articulation, coherence, and stability; and where the structure is not inherent or discernible, the mind provides it by projecting butterflies into the ink-blot and camels into the clouds.
Arthur Koestler (The Ghost in the Machine)
Entirely my own opinion,” said Ivanov. “I am glad that we have reached the heart of the matter soon. In other words: you are convinced that “we” – that is to say, the Party, the State and the masses behind it – no longer represent the interests of the Revolution.” “I should leave the masses out of it,” said Rubashov. […] “Leave the masses out of it, “ he repeated. “You understand nothing about them. Nor, probably, do I any more. Once, when the great “we” still existed, we understood them as no one had ever understood them before. We had penetrated into their depths, we worked in the amorphous raw material of history itself…” […] “At that time,” Rubashov went on, “we were called the Party of the Plebs. What did the others know of history? Passing ripples, little eddies and breaking waves. They wondered at the changing forms of the surface and could not explain them. But we had descended into the depths, into the formless, anonymous masses, which at all times constituted the substance of history; and we were the first to discover her laws of motion. We had discovered the laws of her inertia, of the slow changing of her molecular structure, and of her sudden eruptions. That was the greatness of our doctrine. The Jacobins were moralists; we were empirics. We dug in the primeval mud of history and there we found her laws. We knew more than ever men have known about mankind; that is why our revolution succeeded. And now you have buried it all again….” […] “Well,” said Rubashov, “one more makes no difference. Everything is buried: the men, their wisdom and their hopes. You killed the “We”; you destroyed it. Do you really maintain that the masses are still behind you? Other usurpers in Europe pretend the same thing with as much right as you….” […] “Forgive my pompousness,” he went on, “but do you really believe the people are still behind you? It bears you, dumb and resigned, as it bears others in other countries, but there is no response in their depths. The masses have become deaf and dumb again, the great silent x of history, indifferent as the sea carrying the ships. Every passing light is reflected on its surface, but underneath is darkness and silence. A long time ago we stirred up the depths, but that is over. In other words” – he paused and put on his pince-nez – “in those days we made history; now you make politics. That’s the whole difference.” […] "A mathematician once said that algebra was the science for lazy people - one does not work out x, but operates with it as if one knew it. In our case, x stands for the anonymous masses, the people. Politics mean operating with this x without worrying about its actual nature. Making history is to recognize x for what it stands for in the equation." "Pretty," said Ivanov. "But unfortunately rather abstract. To return to more tangible things: you mean, therefore, that "We" - namely, Party and State - no longer represent the interests of the Revolution, of the masses or, if you like, the progress of humanity." "This time you have grasped it," said Rubashov smiling. Ivanov did not answer his smile.
Arthur Koestler (Darkness at Noon)