Art Deco Design Quotes

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Pen realized it: Sometimes there is nothing to do but surrender yourself to wonder... You must stop measuring - over and over - the line between loving and being in love. You must offer yourself, whole, to the cobalt starfish (and the orange one and the pale pink one and the biscuit-colored one with the raised, chocolate-brown art deco design) and to the clear, clear water and to the sweep of shining sky and to the silver scattershot of leaping fish (an entire school skipping across the ocean like a stone.)
Marisa de los Santos (Falling Together)
at the Ahwahnee Lodge in Yosemite National Park. Built in the 1920s, the Ahwahnee is a sprawling pile of stone, concrete, and timber designed in a style that mixed Art Deco, the Arts and Crafts movement,
Walter Isaacson (Steve Jobs)
Early in a career that began in 1912 when he was 19 years old, Romain de Tirtoff, the Russian-born artists who called himself Erté after the french pronunciation of his initials, was regarded as a 'miraculous magician,' whose spectacular fashions transformed the ordinary into the outstanding, whose period costumes made the present vanish mystically into the past, and whose décors converted bare stages into sparkling wonderlands of fun and fancy. When his career ended with his death in 1990, Erté was considered as 'one of the twentieth-century's single most important influences on fashion,' 'a mirror of fashion for 75 years,' and the unchallenged 'prince of the music hall,' who had been accorded the most significant international honors in the field of design and whose work was represented in major museums and private collections throughout the world. It is not surprising that Erté's imaginative designs for fashion, theater, opera, ballet, music hall, film and commerce achieved such renown, for they are as crisp and innovative in their color and design as they are elegant and extravagant in character, and redolent of the romance of the pre- and post-Great War era, the period when Erté's hand became mature, fully developed and representative of its time. Art historians and scholars define Ertés unique style as transitional Art Deco, because it bridges the visual gab between fin-de-siècle schools of Symbolism, with its ethereal quality, Art Nouveau, with its high ornament, and the mid-1920s movement of Art Deco, with its inspirational sources and concise execution.
Jean Tibbetts (Erte)
While [Frank H.] Young added, 'In a good modern layout the principles of all good layout still prevail . . . cohesion, legibility, movement, emphasis, simplicity, and continuity.
Steven Heller (Streamline: American Art Deco Graphic Design)
However, [Edmund G. Gress] wrote, " we must not simplify to such an extent that life and movement are gone. That is where those persons go wrong who claim that type was made to read, and nothing else matters but the setting up of a paragraph in a legible type so that it can be easily read. We do not read everything that appears in print, but do read that which appears interesting.
Steven Heller (Streamline: American Art Deco Graphic Design)
In 1925, a master plan was instituted to blend the French neo-classical design with the tropical background. The Art Deco movement, both in Havana and in Miami Beach, took hold during the late 1920’s, and is found primarily in the residential section of Miramar. Miramar is where most of the embassies are located, including the massive Russian embassy. The predominant street is Fifth Avenue known as La Quinta Avenida, along which is found the church of Jesus de Miramar, the Teatro Miramar and the Karl Marx Theater. There is also the Old Miramar Yacht Club and the El Ajibe Restaurant, recently visited and televised by Anthony Bourdain on his show, “No Reservations.” Anthony Bourdain originally on the Travel Channel is now being shown on CNN. The modern five-star Meliá Habana hotel, known for its cigar bar, is located opposite the Miramar Trade Centre. Started in 1772, el Paseo del Prado, also known as el Paseo de Marti, became the picturesque main street of Havana. It was the first street in the city to be paved and runs north and south, dividing Centro Habana from Old Havana. Having been designed by Jean-Claude Nicolas Forestier, a French landscape architect, it connects the Malecón, the city’s coastal esplanade, with a centrally located park, Parque Central. Although the streets on either side are still in disrepair, the grand pedestrian walkway goes for ten nicely maintained blocks. The promenade has a decorated, inlaid, marble terrazzo pavement with a balustrade of small posts. It is shaded by a tree-lined corridor and has white marble benches for the weary tourist. Arguably, the Malecón is the most photographed street in Havana. It lies as a bulwark just across the horizon from the United States, which is only 90, sometimes treacherous miles away. It is approximately 5 miles long, following the northern coast of the city from east to west. This broad boulevard is ideal for the revelers partaking in parades and is the street used for Fiesta Mardi Gras, known in Cuba as Los Carnavales. It has at times also been used for “spontaneous demonstrations” against the United States. It runs from the entrance to Havana harbor, alongside the Centro Habana neighborhood to the Vedado neighborhood, past the United States Embassy on the Calle Calzada.
Hank Bracker
There were just so many cafés now—bearing conceited names such as Charme, Rembrandt, La Muse—with their chairs and tables made of wicker, zinc, velvet, blond wood, and black metal, each establishment desperately trying to evoke Paris, Berlin, Vienna, Stockholm, or New York. Even the ashtrays bore edgy designer patterns evocative of Art Deco and the Belle Époque. And yet it has to be said that these new cafés of Bucharest lack the enfolding and layered elegance—and especially the intimacy—of cafés in Central Europe. I was still south of the Carpathians, in the former Byzantine and Turkish world. There was simply
Robert D. Kaplan (In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond)
Designed in a 'Pueblo Deco' style, which blends Mission with Art Deco influences, the DCA tower is a composite modeled after real Hollywood landmarks built in the 1920's; possible influences include the Hollywood Tower at 6200 Franklin Avenue, The Hollywood Roosevelt Hotel at 7000 Hollywood Boulevard and the Chateau Marmont at 8221 Sunset Boulevard.
Leslie Le Mon (The Disneyland Book of Secrets 2014 - DCA: One Local's Unauthorized, Rapturous and Indispensable Guide to the Happiest Place on Earth)
In art deco, we see the link between the lavish design aesthetic of the 19th century and the stripped-down efficiency of the 20th. Unlike a skyscraper, a deco hotel is modern yet accessible, even friendly, with its frescoed walls and shady window eyebrows.
Lonely Planet (Lonely Planet Miami & the Keys (Travel Guide))
However, during the inter-war period the term ‘Art Deco’ was not used, but the words ‘modern’ or the French ‘moderne’ were used instead. The term ‘Art Deco’ was first used by the design critic Bevis Hillier in 1968, in his book Art Deco of the Twenties and Thirties. This was followed by a groundbreaking exhibition at the Minneapolis Institute of Arts in the United States in 1971 called ‘The World of Art Deco’.
Hans Van Lemmen (Art Deco Tiles)
Just as New York’s Armory Show synthesized modern art in 1913, the Paris show on decorative arts in 1925 synthesized another kind of modernity and influenced commercial and decorative art, popularizing it to the point where industrial designers became household names. Art Deco, like many movements in the design field, began as a movement in furniture and decorative arts, but its influence in one form or another extended beyond interiors and magazine covers and the figures of Erté, to the design of automobiles and even locomotives.
John Tauranac (The Empire State Building: The Making of a Landmark)