Arrows Series Quotes

Besides getting several paper cuts in the same day or receiving the news that someone in your family has betrayed you to your enemies, one of the most unpleasant experiences in life is a job interview. It is very nerve-wracking to explain to someone all the things you can do in the hopes that they will pay you to do them. I once had a very difficult job interview in which I had not only to explain that I could hit an olive with a bow and arrow, memorize up to three pages of poetry, and determine if there was poison mixed into cheese fondue without tasting it, but I had to demonstrate all these things as well.

More than Captain America your kids need Amelia Earhart – more than Ant Man, they need Abraham Lincoln - more than Green Arrow they need Gandhi – more than Iron Man they need Isaac Newton.

Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.

Time if the inner form of animal sense that animates events-the still frames-of the spatial world. The mind animates the world like the motor and gears of a projector. Each weaves a series of still pictures-a series of spatial states-into an order, into the 'current' of life. Motion is created in our minds by running "film cells" together. Remember that everything you perceive-even this page-is actively, repeatedly, being constructed inside your head. It's happening to you right now. Your eyes cannot see through the wall of the cranium; all experience including visual experience is an organized whirl of information in your brain. If your mind could stop its "motor" for a moment, you'd get a freeze frame, just as the movie projector isolated the arrow in one position with no momentum. In fact, time can be defined as the inner summation of spatial states.

So often the night comes and we think ourselves one with it. All darkness. All memory. Tonight, I am not ghost / shadow / dream. I am arrow / medea / sword. I am mist & fog; light passes through me & all around me. I am porous & become the light. I am the light. I am the light—

Khalil Gibran said that parents are like a bow, And children like arrows. The more the bow bends and stretches, the farther the arrow flies. I fly, not because I am special, but because they stretched for me.

Life is a series of challenges, adventures, and yes, even battles. There will always be giants to subdue and dragons to slay. I have already decided to die with my sword in hand. There is more courage in us than danger ahead of us. You are strong enough for the battles ahead.

No rule is perfect, but this one works: Our fears point us, like a self-indicting arrow, in the direction of the right thing to do.

The Perfect Master placed bow in his hand and let fly his arrows at where I did stand, one arrow which with his Love he had fired wounded me ceaselessly: my heart pierced.

Aubade with a Broken Neck" The first night you don’t come home summer rains shake the clematis. I bury the dead moth 1 found in our bed, scratch up a rutabaga and eat it rough with dirt. The dog finds me and presents between his gentle teeth a twitching nightjar. In her panic, she sings in his mouth. He gives me her pain like a gift, and I take it. I hear the cries of her young, greedy with need, expecting her return, but I don’t let her go until I get into the house. I read the auspices the way she flutters against the wallpaper’s moldy roses means all can be lost. How she skims the ceiling means a storm approaches. You should see her in the beginnings of her fear, rushing at the starless window, her body a dart, her body the arrow of longing, aimed, as all desperate things are, to crash not into the object of desire, but into the darkness behind it.

Learning, like more primitive forms of feedback, is a process which reads differently forward and backward in time. The whole conception of the apparently purposive organism, whether it is mechanical, biological, or social, is that of an arrow with a particular direction in the stream of time rather than that of a line segment facing both ways which we may regard as going in either direction.

No rule is perfect, but this one works: Our fears point us, like a self-indicting arrow, in the direction of the right thing to do. One part of us knows what we ought to do, but the other part reminds us of the inevitable consequences. Fear alerts us to danger, but also to opportunity. If it wasn’t scary, everyone would do it. If it was easy, there wouldn’t be any growth in it. That tinge of self-preservation is the pinging of the metal detector going off. We may have found something. Will we ignore it? Or will we dig?

You have to have approached a place from all four cardinal points if you want to take it in, and what’s more, you also have to have left it from all these points. Otherwise it will quite unexpectedly cross your path three or four times before you are prepared to discover it. One stage further, and you seek it out, you orient your-self by it. The same thing with houses. It is only after having crept along a series of them in search of a very specific one that you come to learn what they contain. From the arches of gates, on the frames of house doors, in letters of varying size, black, blue, yellow, red, in the shape of arrows or in the image of boots or freshly-ironed laundry or a word stoop or a stairway’s solid landing, the life leaps out at you, combative, determined, mute. You have to have traveled the streets by streetcar to realize how this running battle con-tinues up along the various stories and finally reaches its decisive pitch on the roofs.

Live water heals memories. I look up the creek and here it comes, the future, being borne aloft as on a winding succession of laden trays. You may wake and look from the window and breathe the real air, and say, with satisfaction or longing, “This is it.” But if you look up the creek, if you look up the creek in any weather, your spirit fills, and you are saying, with an exulting rise of the lungs, “Here it comes!” Here it comes. In the far distance I can see the concrete bridge where the road crosses the creek. Under the bridge and beyond it the water is flat and silent, blued by distance and stilled by depth. It is so much sky, a fallen shred caught in the cleft of banks. But it pours. The channel here is straight as an arrow; grace is itself an archer. Between the dangling wands of bankside willows, and Osage orange, I see the creek pour down. It spills toward me streaming over a series of sandstone tiers, down and down, and down. I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.

He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?' I mumbled some noncommittal response. 'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me. I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant. 'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear. He cleared his throat and read the first poem. There once was a lady most beautiful Spirited, if a little unusual Her friends were few But how the men did queue But to all she gave a refusal. My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile. Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers. 'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands. Unusual. Queue. I looked at the second poem. Slaying. Conflagration. 'These are-' I stared. 'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.' I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all. When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.

Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life.

She turned back to him slowly, those eyes of hers meeting his until he felt the impact all the way through his body, as if she'd shot an arrow and it was lodged in the vicinity of his heart. He had to resist putting his hand over his chest and pressing hard.

Relevance, Clarity, and Accuracy “Relevance” and “accuracy” refer to how well your ad copy matches what’s on your landing page. “Clarity” covers a wider variety of sins you’ll need to avoid, including:          Missing lines of text          Excessive spacing          “Extremely bad grammar” (This is Google’s exact wording, implying that they’ll allow a modicum of imperfect grammar.)          Generic call-to-action phrases (such as “click here” or “+1”).          Using characters for anything other than their intended or usual meaning. For example, the greater-than “>” symbol is fine if you’re using it to indicate that something actually is greater than something else. But you can’t use it as an arrow.          Words in all-capitals          Bad spelling          Repetition. For example, “Buy! Buy! Buy!” would be flagged as unacceptable. Follow the above guidelines when you build your ads and you’ll be fine 99 percent of the time. Still, be sure and visit the AdWords Policy Center page and review their directions. SYSTEMATICALLY

Realizing how amazing the body is, and how powerful, we can allow it to have its present moment. With a wholehearted acceptance of the inevitable, tension drops from our bow and the second arrow falls to the floor, unshot.

Hamlet. “To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and, by a sleep to say we end The heartache and the thousand natural shocks That flesh is heir to, ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep: perchance to dream: ay, there’s the rub; For in that sleep of death what dreams may come . . .

From the silent bow, the arrow flies." - Til Aarron, Bard of the Longmarchers

since the Supreme Court decisions such as the Mallory decision way back in nineteen fifty-seven …” Silence. I didn’t like that silence. “And Mapp versus Ohio.… Preston versus U.S.…” I could hear him breathing. Breathing heavily, it sounded like. Getting a little faster. I went on, slowing a bit, “Gideon versus Wainwright? And we can’t forget the Escobedo case, can we?” He’d stopped breathing. That was bad. “And then there’s that little beauty, Miranda versus Arizona … Sam? Sam, I’m merely showing you I had the law clearly in mind, what’s left of it.” I laughed lightly again. “I mean, what’s left of the law, not my mind. Sam?” Finally, he spoke. His voice seemed to come from a great distance. “You didn’t arrest them. Nobody arrested them. You merely ran them through with bows and arrows, beat upon them, shot them, coerced and threatened them, set fire to the countryside—the flames were seen from the corner of Hollywood and Vine!—entered illegally, probably raped the housekeeper—” “I did burn up four automobiles, now you remind me. But, Sam, everything’s swell—

If there was one thing of which Kara was absolutely certain, she was completely and unequivocally fucked. Cade had fatally embedded himself in her heart like an arrow to the chest, and she feared there would be no removing him without bleeding to death in the process.

I didn’t know what they were hoping to achieve with those shirts and those arrows but it appeared to me to be a smashing success.

When his dead father touched his hand, Athson almost dropped the arrow.

Next release Shooting the Arrow (3rd series of Getting To Know Anonymous)

When his dead father touched his hand, Athson almost dropped the arrow." From The Bow of Destiny

You didn't almost kill me." "I shot an arrow at you!" she snapped. His head tilted to the side, his dark hair spilled across his forehead. "That hardly counts." Irritation shot through her, she clasped the towel to her as she knelt on the bed to face him. "Then give me another one and this time I'll make it count!

Ok Kevin," he said to himself, "We were born for this! If we are ever going to find Laura then we can't be scared of the dark, can we?" He knew he had to press on, for both their sakes. He felt so awful thinking of her alone and scared, and probably always in danger. He knew the best help he could give her right now was to never give up. He knew he would find her, but he also knew he needed more supplies. He was going to hurry to his base to stock up, and then resume his journey. Taking a deep breath he said aloud, "On the count of three we'll run... ONE...TWO ... GO!!!" Kevin sprang from the tunnel entrance and launched towards the direction of his home. As he zoomed through the valley, he was pretty sure he passed a dozen spiders, some skeletons (arrows whizzed past his head a few times), and definitely a few zombies (he could hear their deep moans all around him). But it didn't matter; he just kept on running, passing through low-hanging tree branches and leaves as he went. He was so intent on reaching his home that he didn't see the drop off just a few blocks ahead of him, and went flying over the edge before his mind even registered what was happening. Falling

Every church starts out saying, “What if …” and the rest of the sentence is about how we could reach out. After a while we start saying, “What if …” and the rest of the sentence is about us. Is it selfishness setting in? I used to think it was a spiritual problem. Now I think it’s the natural progression of an organization’s life cycle. The longer you are together as a group, the more aware you become of each other’s needs, and the more responsive you become to each other’s needs. Slowly the arrows get turned in. It is a natural progression. But a natural progression is not what we want. We want a supernatural progression. We want God to help us so lost people are continually prioritized. It’s time to love the pitcher less and the water more.

To the side on the lower level was a room where all the sporting and hunting equipment was kept in lockers. Tyrell ruled this area and—by now—he had returned to it. He looked up when Aidan came running in with Sheridan’s bow and quiver. “I was wondering if I’d see you back here,” he said as he checked everything over. “Found all her arrows, but one, but it’s okay. She probably buried it in the hay.” “Like a needle in a haystack?” mused Aidan.

If someone claimed to have an immortal body, he would have to prove his claim by being shot with an arrow and suffering no harm. Likewise, a man shows he is truly free when his spirit remains unfettered even though he is subject to masters.

In another minute, we were seated in the low-ceilinged living room, furnished and decorated in a style I had not seen or even suspected before. Nothing in sight matched anything else—wicker chair, bamboo settee, chair and table of dark heavy wood ... paintings and masks and a couple of tapestries on the walls ... idols and figurines, a wooden spear straight as a long arrow next to a shield that could have been made from elephant hide ... an old flintlock and a modern high-powered scope-equipped rifle leaning aslant in one corner ... a hammered brass water pipe... Jumble of shapes, kaleidoscope of colors, but it all seemed to take on a kind of harmonious clutter after I looked at it for a while.

I argued with him, but not much—it was his house—and that’s where we left it. In another minute, we were seated in the low-ceilinged living room, furnished and decorated in a style I had not seen or even suspected before. Nothing in sight matched anything else—wicker chair, bamboo settee, chair and table of dark heavy wood ... paintings and masks and a couple of tapestries on the walls ... idols and figurines, a wooden spear straight as a long arrow next to a shield that could have been made from elephant hide ... an old flintlock and a modern high-powered scope-equipped rifle leaning aslant in one corner ... a hammered brass water pipe... Jumble of shapes, kaleidoscope of colors, but it all seemed to take on a kind of harmonious clutter after I looked at it for a while.

Notice the types of temptations the masters faced. The first attack by the devil played on Jesus’s hunger. Mara presented the Buddha with his fears—everything that is going wrong. “The slings and arrows of outrageous fortune,” as Shakespeare put it. That’s the DMN’s specialty: dredging up everything that has gone wrong in your past or might go wrong in your future. That’s the first way the demon tries to tempt you out of Bliss Brain. Then the demon presented Buddha with every possible variant of sexual and sensual pleasure. The devil offered Jesus all the wonders of the world. That’s another way the demon tries to distract us out of focus. All the good things we might experience. If presenting you with all your fears fails, then presenting you with all your desires might succeed. There’s a final way the demon can yank us out of single-minded attention to focus. The brains of meditating monks show enormous amplitudes of gamma brain waves, about which we’ll learn more in Chapter 4. Gamma is the wave of insight and integration. In Bliss Brain, we have flashes of unparalleled insight. It’s a creative brainstorm. You get downloads of brilliant blog posts you could write, extraordinary art you could paint, scientific breakthroughs you could achieve, marketing magic you might create, and life circumstances you might enjoy. Yet going down these rabbit holes can be as much of a distraction as your fears and desires. It’s all about me. My safety, my pleasure, my body, my money, my health, my love life, my career. Of all the streaming video series our minds could tune in to, the Me Show is the most compelling. It’s the demon’s ultimate weapon of mass distraction. To reach and sustain Bliss Brain, it’s essential to do what the Buddha and Jesus did: remain in one-pointed focus.

With clear targets, Apollo’s archers had flawless aim. Most of them could nock five or six arrows at once.

Even in sleep, dreamily I leap from the top stair to grab the arrow about to pierce my father's chest. I saved him I think for a moment then the feeling, no, that isn't so.

As the battle began Ivo Taillefer, the minstrel knight who had claimed the right to make the first attack, advanced up the hill on horseback, throwing his lance and sword into the air and catching them before the English army. He then charged deep into the English ranks, and was slain. The cavalry charges of William’s mail-clad knights, cumbersome in manœuvre, beat in vain upon the dense, ordered masses of the English. Neither the arrow hail nor the assaults of the horsemen could prevail against them. William’s left wing of cavalry was thrown into disorder, and retreated rapidly down the hill. On this the troops on Harold’s right, who were mainly the local “fyrd”, broke their ranks in eager pursuit. William, in the centre, turned his disciplined squadrons upon them and cut them to pieces. The Normans then re-formed their ranks and began a second series of charges upon the English masses, subjecting them in the intervals to severe archery. It has often been remarked that this part of the action resembles the afternoon at Waterloo, when Ney’s cavalry exhausted themselves upon the British squares, torn by artillery in the intervals. In both cases the tortured infantry stood unbroken. Never, it was said, had the Norman knights met foot-soldiers of this stubbornness. They were utterly unable to break through the shield-walls, and they suffered serious losses from deft blows of the axe-men, or from javelins, or clubs hurled from the ranks behind. But the arrow showers took a cruel toll. So closely, it was said, were the English wedged that the wounded could not be removed, and the dead scarcely found room in which to sink upon the ground. The autumn afternoon was far spent before any result had been achieved, and it was then that William adopted the time-honoured ruse of a feigned retreat. He had seen how readily Harold’s right had quitted their positions in pursuit after the first repulse of the Normans. He now organised a sham retreat in apparent disorder, while keeping a powerful force in his own hands. The house-carls around Harold preserved their discipline and kept their ranks, but the sense of relief to the less trained forces after these hours of combat was such that seeing their enemy in flight proved irresistible. They surged forward on the impulse of victory, and when half-way down the hill were savagely slaughtered by William’s horsemen. There remained, as the dusk grew, only the valiant bodyguard who fought round the King and his standard. His brothers, Gyrth and Leofwine, had already been killed. William now directed his archers to shoot high into the air, so that the arrows would fall behind the shield-wall, and one of these pierced Harold in the right eye, inflicting a mortal wound. He fell at the foot of the royal standard, unconquerable except by death, which does not count in honour. The hard-fought battle was now decided. The last formed body of troops was broken, though by no means overwhelmed. They withdrew into the woods behind, and William, who had fought in the foremost ranks and had three horses killed under him, could claim the victory. Nevertheless the pursuit was heavily checked. There is a sudden deep ditch on the reverse slope of the hill of Hastings, into which large numbers of Norman horsemen fell, and in which they were butchered by the infuriated English lurking in the wood. The dead king’s naked body, wrapped only in a robe of purple, was hidden among the rocks of the bay. His mother in vain offered the weight of the body in gold for permission to bury him in holy ground. The Norman Duke’s answer was that Harold would be more fittingly laid upon the Saxon shore which he had given his life to defend. The body was later transferred to Waltham Abbey, which he had founded. Although here the English once again accepted conquest and bowed in a new destiny, yet ever must the name of Harold be honoured in the Island for which he and his famous house-carls fought indomitably to the end.

Princess Anna was never more than a few steps away from him. He was beginning to feel like a besieged castle. The man should be the arrow, and the woman should be the target. Here, however, it seemed that the target was flying around trying to run into the arrow. There was something wrong about it.

Life is a series of challenges, adventures, and yes, even battles. There will always be giants to subdue and dragons to slay. I have already decided to die with my sword in hand. There is more courage in us than danger ahead of us. You are strong enough for the battles ahead. My intention for this book is that you would never surrender, that you would never settle, that you would save nothing for the next life. May you die with your quivers empty. May you die with your hearts full.

The Titan army ringed the building, standing maybe ten metres from the doors. Kronos’s vanguard was in the lead – Ethan Nakamura, the dracaena queen in her green armour and two Hyperboreans. I didn’t see Prometheus. The slimy weasel was probably hiding back at their headquarters. But Kronos himself stood right in front with his scythe in hand. The only thing standing in his way was … ‘Chiron,’ Annabeth said, her voice trembling. If Chiron heard us, he didn’t answer. He had an arrow notched, aimed straight at Kronos’s face.

The men on the ramparts watched in horror as they realized that the first wave of soldiers was actually comprised entirely of captured villagers from the outlying settlements—poor, imprisoned farmers forced under pain of death to push forward massive siege engines, catapults, and ballistae, assigned the cruel task of bringing destruction and mayhem to their own kinsmen. The soldiers reluctantly opened fire on these wretched saps, but even an endless stream of arrows couldn’t stem the tide of heavy equipment being brought up to the massive moat surrounding the city. To their amazement, the defenders then saw the invading barbarians shoving their prisoners into the moat—using their bodies as a living bridge over which they rolled their infernal contraptions.

Sargent painted a series of three portraits of the author Robert Louis Stevenson and the second, Portrait of Robert Louis Stevenson and his Wife (1885), is now one of the artist’s best known portraits. Completed less than a year before the publication of the hugely popular The Strange Case of Dr Jekyll and Mr Hyde, Sargent depicts Stevenson pacing before us, while his wife Fanny is seated in background to the right of the door. Reviews were mixed about the painting, with some critics feeling that the arrangement of the composition was odd and the depiction of the novelist was unflattering. However, Stevenson thought Sargent had correctly captured his odd manner of fidgeting about the room while he was trying to write. When Sargent painted the canvas, he wrote to Henry James and said that Stevenson “seemed to me the most intense creature I had ever met.” Sargent was twenty-nine years old at the time and Stevenson was thirty-four and at the height of his most productive period. He had just published Treasure Island in book form in 1883, his first full-length novel, and his popularity only grew in the public’s eye with The Black Arrow (1883), A Child’s Garden of Verses (1885) and Kidnapped (1886). Interestingly, Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to the Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.

If you come across a blue, glowing rabbit running in forested areas, shoot it with an arrow, and it will leave rupees everywhere. If you want even more rupees, quietly sneak up on it and hit it repeatedly with a weapon. It will give you more rupees than shooting it with an arrow. Breath of the Wild Tip 34 You can use Cryonis to cross large bodies of water and deadly swamps without exhausting your staminal. However, use caution when it is raining. The blocks will be extra slippery and may cause you to fall off.

I strung a crystal arrow through my bow and shot it straight through one of the fox’s hearts.

Porkins was right, Dave knew. There wasn’t much else that he, Carl and Porkins could do apart from watch. They didn’t want to hurt Spidroth, so they couldn’t fire arrows at her or attack her with swords. Plus, Spidroth was such an amazing fighter that Alex was the only one who stood a chance against her in battle.

if Gay Cupid had miraculously shown up and shot an arrow into Ben’s extremely toned ass,

arrows in both eyes, and the other two had lost one eye each, but it didn’t seem to be stopping them. “Argh! What are those things?!” Carl shouted, and he staggered backward into the glitchy white cloud. Dave wanted

Deity Candle Colors Images and Symbols Pan Purple, brown, green Goat, pan pipes, caves, mountain forests Gaia Green, blue, brown Serpent, bees, harvested crops, green calcite, amber, honeysuckle Hecate Black, orange Snake, black dog, raven Venus Pink, white Spring flowers, pine cones Bacchus Red, purple Chalice, lion, bull Diana Silver, white Bow and arrow, forest animals, vegetation