Arrows Best Quotes

We've searched our database for all the quotes and captions related to Arrows Best. Here they are! All 100 of them:

You asked about the Avengers. Y’wanna know the best part about being an Avenger? Having Captain America around you all the time. He just—the guy just brings out the absolute best in people. You want to be good when he’s around. You really do. Ivan, look around you real quick. Because right now? Captain America ain’t here.
Matt Fraction (Hawkeye #1)
The best teachers have showed me that things have to be done bit by bit. Nothing that means anything happens quickly--we only think it does. The motion of drawing back a bow and sending an arrow straight into a target takes only a split second, but it is a skill many years in the making. So it is with a life, anyone's life. I may list things that might be described as my accomplishments in these few pages, but they are only shadows of the larger truth, fragments separated from the whole cycle of becoming. And if I can tell an old-time story now about a man who is walking about, waudjoset ndatlokugan, a forest lodge man, alesakamigwi udlagwedewugan, it is because I spent many years walking about myself, listening to voices that came not just from the people but from animals and trees and stones.
Joseph Bruchac
Love transcended loss long enough for them to find that the depth of feeling is best known in silence, because in the presence of such love words are never quite enough.
Rita Leganski (The Silence of Bonaventure Arrow)
Work and learn in evil days, in insulted days, in days of debt and depression and calamity. Fight best in the shade of the cloud of arrows.
Ralph Waldo Emerson
SCENE: Apollo jogs along the beachfront, shooting arrows backwards from his golden bow. He's followed by campers dressed in combat gear, jogging in military formation. APOLLO: I don't know but I've been told! CAMPERS: We don't know but we've been told! APOLLO: The sun god's got a bow of gold! CAMPERS: The sun god's got a bow of gold! APOLLO: He's the best shot in the land! CAMPERS: He's the best shot in the land! APOLLO: Augh! [Apollo trips and lands on his backside] I've fallen in the sand! CAMPERS [jogging circles around him]: Augh! He's fallen in the sand! APOLLO: I meant to do that, so don't laugh! CAMPERS: He meant to do that, so don't laugh! APOLLO [tries to get up but falls back again]: Ow! I hurt my godly calf! CAMPERS: Ow! He hurt his godly calf! APOLLO [glowering and starting to glow]: If you want to live another day ... CAMPERS: If we want to live another day ... APOLLO [radiating brighter]: STOP REPEATING WHAT I SAY! CAMPERS: STOP - um... - Military cadence written, chanted and abruptly ended by Apollo Best. Scene. Ever. - P. J.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
No longer can I bear with the ruined god, betrayed and beaten by his own magic. Calling on powers best left unsummoned, he took human beings apart—and then he put them back together again.
Martin Amis (Time's Arrow)
May the Saints receive me. She pressed the tip beneath her breast, between her ribs, an arrow to her heart. Then a hand gripped her wrist painfully, forcing her to drop the blade. “Not just yet, Inej.” The rasp of stone on stone. Her eyes flew open. Kaz. He bundled her into his arms and leapt down from the crates, landing roughly, his bad leg buckling. She moaned as they hit the ground. “Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He couldn’t carry her and use his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Don't be afraid to make corrections! Whether the voice came from her memory or was a last whisper from the blinding new star far above, Nita never knew. But she knew what to do. While Kit was still on the first part of the name she pulled out her pen, her best pen that Fred had saved and changed. She clicked it open. The metal still tingled against her skin, the ink at the point still glittered oddly- the same glitter as the ink with which the bright Book was written. Nita bent quickly over the Book and with the pen, in lines of light, drew from the final circle an arrow pointing up-ward, the way out, the symbol that said change could happen- if, only if-
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
As readers, we are seldom interested in the fine sentiments of a lesson learnt; we seldom care about the good manners of morals. Repentance puts an end to conversation; forgiveness becomes the stuff of moralistic tracts. Revenge - bloodthirsty, justice-hungry revenge - is the very essence of romance, lying at the heart of much of the best fiction.
Alberto Manguel (Dark Arrows: Great Stories of Revenge)
The god of Delos, proud in victory, Saw Cupid draw his bow's taut arc, and said: 'Mischievous boy, what are a brave man's arms To you? That gear becomes my shoulders best. My aim is sure; I wound my enemies, I wound wild beasts; my countless arrows slew But now the bloated Python, whose vast coils Across so many acres spread their blight. You and your loves! You have your torch to light them!Let that content you; never claim my fame!' And Venus' son replied: 'Your bow, Apollo, May vanquish all, but mine shall vanquish you. As every creature yields to power divine, So likewise shall your glory yield to mine.
Ovid (Metamorphoses)
The best part of having your dreams come true is you get to make new ones!
Jaimie Engle (Clifton Chase and the Arrow of Light)
I had no desire to have either dreams or adventures like Alice, and the amount of them merely amused me. I had very little desire to look for buried treasure or fight pirates, and Treasure Island left me cool. Red Indians were better: there were bows and arrows (I had and have a wholly unsatisfied desire to shoot well with a bow), and strange languages, and glimpses of an archaic mode of life, and, above all, forests in such stories. But the land of Merlin and Arthur was better than these, and best of all the nameless North of Sigurd of the Völsungs, and the prince of all dragons. Such lands were pre-eminently desirable.
J.R.R. Tolkien
Success will lie to you and tell you that your future is just an extension of your past, when at its best, success is simply preparation for new challenges.
Erwin Raphael McManus (The Last Arrow: Save Nothing for the Next Life)
So play. Learn. Grow up. Follow your passions. Find someone to love. Do your best. Be kind when you can, tough when you need to be. Hold on to your friends. Don’t go against the direction of the painted arrows in the floor. You’ll be just fine.
Fredrik Backman (Things My Son Needs to Know about the World)
I swear to thee by Cupid's strongest bow, By his best arrow, with the golden head, By the simplicity of Venus' doves, By that which knitteth souls and prospers loves, And by that fire which burn'd the Carthage queen, When the false Trojan under sail was seen,— By all the vows that ever men have broke, In number more than ever women spoke,—
William Shakespeare (A Midsummer Night's Dream)
I can't have swords." Key answered. No swords?" They're sharp." That's why they're good." I can't have daggers or darts. Or arrows, either." Why? Arrows are the best." They can kill people." That's the coolest part!
Jason Hightman (Samurai (Simon St George, #2))
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
Virginia Woolf (To the Lighthouse)
It's odd how we prioritize the things the things that matter to us. We choose a career or job; we choose a city or place to live. We make so many things important to us, but in all the things we factor in as we craft our futures, we make the people in our lives a commodity of, at best, secondary importance. We would take a job and give up our people rather than choose a tribe and give up the job.
Erwin Raphael McManus (The Last Arrow: Save Nothing for the Next Life)
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Robin: Golden arrow? And what would we do with a golden arrow? Give it to Alan for a lute string? I could hang it around my neck on a chain, perhaps, and let it stab me in the ribs when I tried to sit. Marian: And your honour as an outlaw? Robin: My honour as an outlaw concerns staying alive; and presenting my neck anywhere near the Sheriff of Notingham, who feels it wants lengthening, runs directly counter to that honour. Marian: The sheriff will be gravely disappointed. Robin: That's the best news I've heard all week.
Robin McKinley (The Outlaws of Sherwood)
The best attraction is the gospel in its purity. The weapon with which the Lord conquers men is the truth as it is in Jesus. The gospel will be found equal to every emergency; an arrow which can pierce the hardest heart, a balm which will heal the deadliest wound.
Charles Haddon Spurgeon (The Soul-Winner : or How to Lead Sinners to the Saviour)
The careless arrows of misfortune were tangents glancing off the pure circle of her dreams.
Sonja Yoerg (All the Best People)
When unsure of the stranger’s intentions, the best policy is to open a meaningful dialogue. “Hey, dickhead! Who taught you to shoot, Louis Braille? That arrow missed me by a mile.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. Two, the sword: that sometimes best is second-best. Three, the shield: that sometimes freedom must be fought for. Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. Five, the ruby heart’s stone: that love never dies. Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. Seven, the key-that-opens-all-locks: that accidents happen for a reason. Eight, the Throne: that power can corrupt. Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
My good Lysander! I swear to thee by Cupid’s strongest bow, By his best arrow with the golden head, By the simplicity of Venus' doves, By that which knitteth souls and prospers loves, And by that fire which burned the Carthage queen When the false Troyan under sail was seen, By all the vows that ever men have broke In number more than ever women spoke, In that same place thou hast appointed me, Tomorrow truly will I meet with thee.
William Shakespeare (Shakespeare's a Midsummer Night's Dream: In the Original Modern English)
You must be a rich man," she said. "Not much of a warrior, though. You keep letting me sneak up on you." You don't surprise me," he said. "The Plains Indians had women who rode their horses eighteen hours a day. They could shoot seven arrows consecutively, have them all in the air at the same time. They were the best light cavalry in the world." Just my luck," she said. "An educated Indian." Yeah," he said. "Reservation University." They both laughed at the old joke. Every Indian is an alumnus. Where you from?" she asked. Wellpinit," he said. "I'm a Spokane." I should've known. You got those fisherman's hands." Ain't no salmon left in our river. Just a school bus and a few hundred basketballs." What the hell you talking about?" Our basketball team drives into the river and drowns every year," he said. "It's a tradition." She laughed. "You're just a storyteller, ain't you?" I'm just telling you things before they happen," he said. "The same things sons and daughters will tell your mothers and fathers." Do you ever answer a question straight?" Depends on the question," he said. Do you want to be my powwow paradise?
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. "Two, the sword: that sometimes best is second-best. "Three, the shield: that sometimes freedom must be fought for. "Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. "Five, the ruby heart’s stone: that love never dies. "Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. "Seven, the key-that-opens-all-locks: that accidents happen for a reason. "Eight, the Throne: that power can corrupt. "Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. "And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
All of my grandparents epitomized the best qualities and characteristics of being human, among them resiliency. They faced the worst that life threw at them with the best of what they were. Just as important, they demonstrated one significant reality about resiliency: it is a quiet, persistent process. While hardship, difficulties, and disaster might befall us in a blinding moment, resiliency responds subtly. It does not bring results in one fell swoop, but moment by moment and one step at a time.
Joseph M. Marshall III (The Lakota Way of Strength and Courage: Lessons in Resilience from the Bow and Arrow)
Many people are seeking, at this very moment, to shelter themselves under the wing of the federal eagle; imagining, I presume, that her bosom has all the softness and snugness of an eider-down pillow. But she has no great tenderness, even in her best of moods, and, sooner or later, --oftener sooner than late,-- is apt to fling off her nestlings with a scratch of her claw, a dab of her beak, or a rankling wound from her barbed arrows.
Nathaniel Hawthorne (The Scarlet Letter)
I am a Magyr. I could crush your skull with my hands and drink this rat town under the table afterwards. And if I wanted to kill myself a passel of sailors, I'd bloody well do it with cannon, saber, and a fist in the teeth, not by batting my damn eyelashes. You'd be wise to remember it, Maggie, my love, and if we see a mermaid on our jaunt across the high seas, the best thing for all of us would be to let Sheapshank here put an arrow through her giggling head.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
(First lines) Now a traveler must make his way to Noon City by the best means he can, for there are no trains or buses headed in that direction, though six days a week a truck from the Chuberry Turpentine Company collects mail and supplies at the nextdoor town of Paradise Chapel; occasionally a person bound for Noon City can catch a ride with the driver of the truck, Sam Ratcliffe. It's a rough trip no matter how you come, for these washboard roads will loosen up even brandnew cars pretty fast, and hitchhikers always find the going bad. Also, this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods.
Truman Capote (Other Voices, Other Rooms)
LOOK, I’M ONLY IN THIS FOR THE PIZZA. The publisher was like, “Oh, you did such a great job writing about the Greek gods last year! We want you to write another book about the Ancient Greek heroes! It’ll be so cool!” And I was like, “Guys, I’m dyslexic. It’s hard enough for me to read books.” Then they promised me a year’s supply of free pepperoni pizza, plus all the blue jelly beans I could eat. I sold out. I guess it’s cool. If you’re looking to fight monsters yourself, these stories might help you avoid some common mistakes—like staring Medusa in the face, or buying a used mattress from any dude named Crusty. But the best reason to read about the old Greek heroes is to make yourself feel better. No matter how much you think your life sucks, these guys and gals had it worse. They totally got the short end of the Celestial stick. By the way, if you don’t know me, my name is Percy Jackson. I’m a modern-day demigod—the son of Poseidon. I’ve had some bad experiences in my time, but the heroes I’m going to tell you about were the original old-school hard-luck cases. They boldly screwed up where no one had screwed up before. Let’s pick twelve of them. That should be plenty. By the time you finish reading about how miserable their lives were—what with the poisonings, the betrayals, the mutilations, the murders, the psychopathic family members, and the flesh-eating barnyard animals—if that doesn’t make you feel better about your own existence, then I don’t know what will. So get your flaming spear. Put on your lion-skin cape. Polish your shield, and make sure you’ve got arrows in your quiver. We’re going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we’ll die painful tragic deaths. Ready? Sweet. Let’s do this.
Rick Riordan (Percy Jackson's Greek Heroes (A Percy Jackson and the Olympians Guide))
The best idea is to use a bow and arrow and hit the dragon in the head.
Minecraft Books (Awesome Minecraft Guide: The Ultimate Minecraft All-In-One Game Guide)
When you’ve got an arrow stuck in you, it’s sometimes best to just yank it out in one pull.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
If you would hit the mark, you must aim a little above it; every arrow that flies feels the attraction of earth. –Henry Wadsworth Longfellow
K.E. Kruse (365 Best Inspirational Quotes: Daily Motivation For Your Best Year Ever)
Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity,
Jonathan Strahan (The Best Science Fiction and Fantasy of the Year, Volume 2)
We are creatures of habit, and leveraging our habitual tendencies is one of the best ways to develop discipline.
Ernest Cadorin (The Arrows of Zen)
It had a note from him pinned to part of its sparse instrument panel. The note had an arrow drawn on it, pointing at one of the controls. It said This is probably the best button to press.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —
Blake Crouch (Dark Matter)
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
If you never knew the worlds in my mind your sense of loss would be small pity and we’ll forget this on the trail. Take what you’re given and turn away the screwed face. I do not deserve it, no matter how narrow the strand of your private shore. If you will do your best I’ll meet your eye. It’s the clutch of arrows in hand that I do not trust bent to the smile hitching my way. We aren’t meeting in sorrow or some other suture bridging scars. We haven’t danced the same thin ice and my sympathy for your troubles I give freely without thought of reciprocity or scales on balance. It’s the decent thing, that’s all. Even if that thing is a stranger to so many. But there will be secrets you never knew and I would not choose any other way. All my arrows are buried and the sandy reach is broad and all that’s private cools pinned on the altar. Even the drips are gone, that child of wants with a mind full of worlds and his reddened tears. The days I feel mortal I so hate. The days in my worlds, are where I live for ever, and should dawn ever arrive I will to its light awaken as one reborn. Poet’s Night iii.iv The Malazan Book of the Fallen Fisher kel Tath
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
But cheer up. Who could have imagined What the world is really like When we were children? We’re old now, but in spite of all we learned, So much of it dreadful and scary, even Petrifying, We gave Life Our best shot. Perfection will have To wait for the next incarnation. And I mean of the world, not just us.
Alice Walker (Taking the Arrow Out of the Heart)
The disciples finally begin to get a grasp that maybe God can become flesh and dwell among us, maybe God can be a man, and then they come back and not only is God a man, but He's acting like an idiot! He's hanging out with a bunch of kids. He's blessing them, you know. And you think, How do you bless children? Well, the best way I know is that you pick them up and you just throw them as high as you can, and you catch them right before they splatter. You get down on all fours and you run around the room and you let them ride you and you buck them off. … You put your mouth against their bellies and you make funny noises. Here's Jesus probably doing all this business. His disciples were humiliated! And they said, “You should not be making such a fool of Yourself!” And Jesus says, “Here, look, look, fellas. I'll call the shots here. I may be dumb, but I am God. And I'll tell you what else, if you wanna come into My kingdom, you'll come in like one of these or you won't come in at all.
James Bryan Smith (Rich Mullins: A Devotional Biography: An Arrow Pointing to Heaven)
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
Arno Schmidt
Such were the proofs of valour given by the Lacedemonians and Thespians; yet the Spartan Dienekes is said to have proved himself the best man of all, the same who, as they report, uttered this saying before they engaged battle with the Medes:—being informed by one of the men of Trachis that when the Barbarians discharged their arrows they obscured the light of the sun by the multitude of the arrows, so great was the number of their host. He was not dismayed by this, but making small account of the number of “the Medes, he said that their guest from Trachis brought them very good news, for if the Medes obscured the light of the sun, the battle against them would be in the shade.
Herodotus (The Histories)
I could have died, you know. He’s not the best shot in all of history, just the best shot there is right now! And how did you know he wouldn’t miss and kill us?”“I guessed,” I said. I hadn’t known. It was a calculated risk. I was the kind of person who took calculated risks because it was sometimes the only way to get ahead. You just had to be sensible about it.
Sarah K.L. Wilson (Fly with the Arrow (Bluebeard's Secret, #1))
Royce sighed. The sigh was new. “You don’t know this woman. This isn’t your problem.” “I know that.” “So why are you helping her?” “Because that’s what people do. They help each other. If you saw a man lying in the road with an arrow in him, you’d stop, wouldn’t you?” “Of course,” Royce replied, “anyone would. A wounded man is easy pickings, unless you could see from your saddle that someone else has already taken his purse.” “What? No! No one would rob a wounded man and leave him to die.” Royce nodded. “Well, no. You’re right. If he has a purse and you take it, it’s best to slit his throat afterward. Too many people live through arrow wounds, and you don’t want the bugger recovering and coming after you.” The old woman looked at Royce aghast. Now it was Hadrian’s turn to sigh. “Don’t mind him; he was raised by wolves.
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
In another way, which Washington could not foresee, his image was much more grievously damaged. A painful physical disability was being grafted onto his legend so that in the minds of future Americans his attribute—like Saint Catherine’s wheel or Saint Sebastian’s arrows—became ill-fitting false teeth. Washington did wear clumsy dentures. Only one of his own teeth was in his mouth in 1789 when he presided over the capital in New York. That tooth soon vanished. Washington wore terrifying-looking contraptions, made of substances like hippopotamus ivory. The upper and lower jaws, that were hinged together at the back of the mouth, opened and closed with the assistance of springs. He himself complained that they distorted his lips. However, as he could command the best dentists, he was probably no more disfigured than was then common among the elderly
James Thomas Flexner (Washington: The Indispensable Man)
Life is nothings; I heed him not. But to fail here, is not mere life or death. It is that we become as him; that we henceforward become foul things of the night like him—without heart or conscience, preying on the bodies and the souls of those we love best. To us forever are the gates of heaven shut; for who shall open them to us again? We go on for all time abhorred by all; a blot on the face of God’s sunshine; an arrow in the side of Him who died for man
Bram Stoker (Dracula)
Hollywood has colored our view of sharpshooters. We imagine them as militarized serial killers; at best they’re the odd man out on a squad of regular guys, the one described as having ice water in his veins—see Barry Pepper’s Scripture-quoting sniper in Steven Spielberg’s Saving Private Ryan. And the idea persists that killing from a distance, from hidden nests, is somehow dishonorable or unfair . . . but skilled marksmen have been used by every army since the invention of firearms (and before that the bow and arrow: think of the English archers bringing down French knights at Agincourt, or Robin Hood’s Merry Men downing royal soldiers from hidden forest hideouts!). The use of snipers isn’t a violation of the Geneva Convention, but the stereotype persists: snipers are cold-blooded, remote, pitiless. As Eleanor Roosevelt said when meeting Lyudmila Pavlichenko: If you have a good view of the faces of your enemies through your sights and still fire to kill, how can ordinary people approve of you?
Kate Quinn (The Diamond Eye)
He whom I bow to only knows to whom I bow When I attempt the ineffable Name, murmuring Thou… (“Footnote to All Prayers”) Lewis proceeds to acknowledge that when he says the Name of God, his best thoughts are mere fancies and symbols, which he knows “cannot be the thing thou art.” Then with postmodern sensitivity, Lewis ponders the inadequacy of human language and perspective: And all men are idolators, crying unheard To a deaf idol, if Thou take them at their word. Even as we pray, then, we must count on God to take our misguided arrows and magnetize them toward their goal. He concludes: Take not, oh Lord, our literal sense. Lord, in Thy great, Unbroken speech our limping metaphor translate.
Brian D. McLaren (Adventures in Missing the Point: How the Culture-Controlled Church Neutered the Gospel)
When facing a problem The First Step is stopping Stop letting where you are at Be the mindset that determines how far you can get Yeah, you’ve been cut plus stabbed in the back But use a suture Fix your eyes on a time in the future Wrap your hands round the straps of your boots Or your bow aimed by you A well-trained archer after success a target much larger You are not a problem You are THEE Problem Solver The Second Step Remember where you were Experience has knit the sack, your quiver So set a goal, get your arrow, let it go And when you grow Tell them, Oh . . . I understand Your story Might be the sword in her hand Tell him, You are me. Tell of how you used to be the epitome of POV-erty But now you know the best way out undoubtedly is PO-etry
T.L. Sanders (kNew: The Poetic Screenplay)
Brave (2012) C-94m. 1⁄2 D: Mark Andrews, Brenda Chapman. Voices of Kelly Macdonald, Emma Thompson, Billy Connolly, Robbie Coltrane, Kevin McKidd, Julie Walters, Craig Ferguson, John Ratzenberger. In ancient times, a Scottish princess named Merida resists her mother’s constant training to become a future queen, preferring a boisterous existence roaming the forest with her trusty bow and arrow. When it comes time for her to choose a suitor, she runs away and stumbles onto a witch who agrees to change her fate through a magical dark spell. Typically handsome Pixar animated feature has robust characters but a formulaic feel—until the story takes a very strange turn. A final burst of emotion almost redeems it. Oscar winner for Best Animated Feature. 3-D Digital Widescreen. [PG] Braveheart (1995) C-177m. 1⁄2 D: Mel Gibson. Mel
Leonard Maltin (Leonard Maltin's 2015 Movie Guide (Leonard Maltin's Movie Guide))
It’s a famous bull, and when they see him on the road, the passersby marvel at his size. They admire him from a distance: with the bow of his horns, he could toss any man high in the air, like an arrow—if, indeed, he hasn’t already done so. As gentle as a lamb when it suits him, he can fly into sudden rages when he feels so inclined, and people standing near him never know what’s going to happen next. The angler is peering at him sideways, out of the corner of his eye. “If I try to run away,” he’s thinking, “the bull will catch up to me before I have time to get out of the meadow. If I throw myself into the river, I’ll drown because I can’t swim. If I lie down and pretend to be dead, they say he’ll just come over to sniff me and leave me alone. But can I be quite sure? And what if he doesn’t go away? How dreadful! Best thing is to pretend I’m not worried, even if I am.
Jules Renard (Nature Stories (New York Review Books Classics))
Thus, when the eye-cups (the future retina), which grow out of the brain at the end of two stalks (the future optic nerves), make physical contact with the surface, the skin over the contact area folds into the concave cups and differentiates into transparent lenses (see arrows on the right of the diagram). The eye-cup induces the skin to form a lens, and the lens in its turn induces adjacent tissues to form a transparent horny membrane, the cornea. Moreover, if an eye-cup is transplanted under the skin on the belly of a frog embryo, the skin over it will obligingly differentiate into a lens. We may regard this obligingness or 'docility' of embryonic tissue, its readiness to differentiate into the kind of organ best suited to the tissue's position in the growing organism, as a manifestation of the integrative tendency, of the part's subordination to the interests of the whole.
Arthur Koestler (The Ghost in the Machine)
All night the fighting had been furious, with no let-up. Fur and Freedom Fighters had battled against flaming shafts with their bare paws and sand. Four lay dead and three wounded. Smoke-grimed and bleary-eyed, they had plucked burning arrows from the wood, strung them on their bows and returned them to stick blazing in the gates of Marshank. The javelin supply was depleted, one shaft being retained for each creature in the event that paw-to-paw combat would be their final stand. There were still plenty of rocks to sling, Keyla and Tullgrew taking charge of the slingers whilst Ballaw managed a frugal breakfast. The hare sat wearily against one of the sandbanks that had been shorn up either side of the cart, Rowanoak slumped beside him. Both were singed and smoke-grimed. Rowanoak drank half her water, passing the rest on to Brome, who distributed it among the wounded. The badger wiped a sandy paw across her scorched muzzle. ‘Well, Ballaw De Quincewold, what’s to report?’ The irrepressible hare wiped dust from his half-scone ration and looked up at the sky. ‘Report? Er, nothin’ much really, except that it looks like being another nice sunny day, wot!’ A flaming arrow extinguished itself in the sand close by Rowanoak. She tossed it on to a pile of other shafts waiting to be shot. ‘A nice day indeed. D’you think we’ll be around to see the sunset?’ Without waiting for an answer, she continued, ‘I wonder if that owl – Boldred, wasn’t it – I wonder if she ever managed to get through to this Martin the Warrior creature.’ Ballaw picked dried blood from a wound on his narrow chest. ‘Doesn’t look like it, does it? No, old Rowan me badger oak, I think the stage is all ours and it’ll be our duty to give the best performance we can before the curtain falls for the last time.
Brian Jacques (Martin the Warrior (Redwall Book 6))
I am lucky, Master Gill,” Mat said. “You just have a good meal waiting when I come back.” As he stood, he picked up the dice cup and spun the dice out beside the stones board for luck. The calico cat leaped down, hissing at him with her back arched. The five spotted dice came to rest, each showing a single pip. The Dark One’s Eyes. “That’s the best toss or the worst,” Gill said. “It depends on the game you are playing, doesn’t it. Lad, I think you mean to play a dangerous game. Why don’t you take that cup out into the common room and lose a few coppers? You look to me like a fellow who might like a little gamble. I will see the letter gets to the Palace safely.” “Coline wants you to clean the drains,” Mat told him, and turned to Thom while the innkeeper was still blinking and muttering to himself. “It doesn’t seem to make any odds whether I get an arrow in me trying to deliver that letter or a knife in my back waiting. It’s six up, and a half dozen down. Just you have that meal waiting, Thom.” He tossed a gold mark on the table in front of Gill. “Have my things put in a room, innkeeper. If it takes more coin, you will have it. Be careful of the big roll; it frightens Thom something awful.
Robert Jordan
The Hamians!' The centurion‟s voice was little better than a squeak. Julius snorted his disdain. 'What about the Hamians? Useless bow-waving women. All they‟re good for is hunting game. There‟s a war on, in case you hadn‟t noticed. We need infantrymen, big lads with spears and shields to strengthen our line. Archers are no bloody use in an infantry cohort.' He raised his meaty fist. 'No, mate, you‟re going to get what‟s coming your way.' The other man gabbled desperately, staring helplessly at the poised fist. 'There‟s two centuries of them, two centuries. Take them and the Tungrians and that‟s two hundred and fifty men.' Marcus spoke, having stood quietly in the background so far. 'So we could make a century of the best of them, dump the rest on the Second Cohort when we catch up with them and take back the century he sold them in return.' Julius turned his head to look at the younger man, keeping the transit officer clamped in place with seemingly effortless strength. 'Are you mad? There won‟t be a decent man among them. They‟ll be arse-poking, make-up-wearing faggots, the lot of them. All those easterners are, it‟s in the blood. They‟ll mince round the camp holding hands and tossing each other off in the bathhouse.
Anthony Riches (Arrows of Fury (Empire, #2))
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? — Leighton
Blake Crouch (Dark Matter)
Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life.
Paulo Coelho (Adultery)
Conservative estimates place the Persian casualties at some two thousand in less than twenty minutes, victims of the unforgiving geometry of the battlefield. Because of the limitations of anatomy, humans are evolved to act effectively only in the direction that evolution has pointed eyes and hands. The consequences of this simple fact for military tactics, from Caesar to Napoleon to Patton, are always the same: Troops are more vulnerable on either side than they are in their front, and terribly so in their rear. Virtually the entire library of tactics, as set down in classics from Sun Tzu to Liddell Hart, consists of ornate descriptions of the best way to apply force—clubs, arrows, or .50 caliber machine-gun bullets—from your front to your enemies’ flank. And, obedient to the Golden Rule of Soldiering, to do so to him before he does so to you.
William Rosen (Justinian's Flea: The First Great Plague and the End of the Roman Empire)
could not overcome their fear of bullets and arrows and the scalping knife. Protect us,they hollered to the president and the Supreme Executive Council. Send more money, cried battalion colonels. Despite amendments to the Militia Act, Pennsylvania's Revolutionary government failed to win the hearts of Northampton's militiamen. The farmers had grown weary of their role as soldiers. Moreover, a byzantine relationship between Northampton's county lieutenant, a civilian commander of the militia who had been appointed by the president, and battalion officers, who had been elected by their men, foiled the dictates of the law. Isolated by natural boundaries, hampered by poor communications, red tape, and intramural disputes, each Northampton battalion became a fiefdom whose leaders distanced themselves from the county lieutenant, county officials, the president, and the Council. Apprized of mutinous rumblings in Northampton, the president pleaded with the militia: "Let there be one dispute:who shall serve his country best?"" But pep talks and patriotic slogans had lost their sizzle in Northampton. Fearing for his life, the sheriff refused to collect fines from 300 delinquent militiamen. "They wont suffer no sheriff, constable, or any other fit person to serve any executions on them,"he reported." Later, when Indians and Tories threatened to clear settlers from the frontier, the president promised battalion commanders ammunition and money for scouting parties and scalps,but he warned them that the militia could not be useful if "they meet at taverns and spend their time in amusement and frolick."'$ In the months ahead, the mutiny escalated.
Francis Fox (Sweet Land of Liberty: The Ordeal of the American Revolution in Northampton County, Pennsylvania)
say to himself: ‘As I was drawing the bow, I travelled a long road. Now I release this arrow knowing that I took the necessary risks and gave of my best.
Paulo Coelho (The Way of the Bow)
Ok Kevin," he said to himself, "We were born for this! If we are ever going to find Laura then we can't be scared of the dark, can we?" He knew he had to press on, for both their sakes. He felt so awful thinking of her alone and scared, and probably always in danger. He knew the best help he could give her right now was to never give up. He knew he would find her, but he also knew he needed more supplies. He was going to hurry to his base to stock up, and then resume his journey. Taking a deep breath he said aloud, "On the count of three we'll run... ONE...TWO ... GO!!!" Kevin sprang from the tunnel entrance and launched towards the direction of his home. As he zoomed through the valley, he was pretty sure he passed a dozen spiders, some skeletons (arrows whizzed past his head a few times), and definitely a few zombies (he could hear their deep moans all around him). But it didn't matter; he just kept on running, passing through low-hanging tree branches and leaves as he went. He was so intent on reaching his home that he didn't see the drop off just a few blocks ahead of him, and went flying over the edge before his mind even registered what was happening. Falling
Calvin Crowther (Minecraft Comics: Flash and Bones and the Empty Tomb of Hero-brine: The Ultimate Minecraft Comics Adventure Series (Real Comics in Minecraft - Flash and Bones, #1))
My life is ruined! My parents came home last night talking about how the teacher showed them the great essay I wrote. “I never knew you liked camp so much, son,” Dad said. “Yes, Honey. We were going to give you the summer to do whatever you wanted,” my Mom said. “Now that we know you love camp so much, we signed you up to go to camp this summer. There was a camp representative at the Parent-Teacher conference last night, so we signed you up right away.” “We even put down a non-refundable deposit for it too, son,” Dad said. “So, congratulations, you’re going to camp!” OMZ! My life is totally ruined! Now I’m going to spend my summer in the Swamp Biome at camp. Oh man, this is terrible! What am I going to do?!! I decided to ask Steve some advice on how to get out of my terrible situation. I found Steve in a cave crafting some fireworks. All of a sudden, “BOOOOMMM!” All that was left of him were his tools and his weapons. A few minutes later, Steve walked into the cave behind me. I totally understand how he does that trick now. “Hey, Steve!” “Wassup, Zombie?” Steve said. “I have a question for you.” “Shoot!” Steve said. So, I picked up his bow and arrow and I shot him. “Ow! What’d you do that for?” “You told me to shoot,” I said. “Forget about it. What’s your question?” “My Mom and Dad are making me go to camp this summer,” I said. “But I don’t want to go. I’ve got to find a way out of it, and I need your help.” “Why are they sending you to camp?” Steve asked. “Well, I kind of told them I wanted to go.” “And now, you don’t want to go?” Steve asked. “No, I never wanted to go,” I said. Steve just looked at me… Confused. “Well, I thought if I wrote an essay about how much I wanted to go to camp, my Mom and Dad wouldn’t send me to camp,” I said. After I said it out loud, I realized how dumb that idea was. “It sure made sense at the time,” I said. “So, you want to get out of camp, but your parents think you really want to go?” Steve asked. “Yeah.” “Well, you could always get in trouble and they’ll punish you by taking away your summer camp,” Steve said. Man, Steve is so smart. That was the best idea I have ever heard. So, I’ve got to get in trouble so that my parents will punish me by taking camp away. I can do that. I just have to find a class that I can fail this semester, and they’ll punish me for sure if that happens. See, this is why I always go to Steve when I need some good advice.
Herobrine Books (School Daze (Diary of a Minecraft Zombie, #5))
But the ride I was really looking forward to was the Zombie Thrasher. They say that the G-forces on the Zombie Thrasher are so strong that if you’re not strapped in, it can rip your rotten flesh right off. One Zombie rode it, and he didn’t strap in because his friend dared him not to, so he came out looking like a Skeleton. They gave him a toy bow and arrow to keep him quiet. But I made sure I was strapped in. Hey, I like living on the edge… But I like my entrails more, thank you. But riding the Zombie thrasher was awesome! I even got a free toy bow and arrow too. I had Skelee pretend like he was me coming out of the ride, and it worked like a charm. Man, this is the best scarecation ever.
Herobrine Books (When Nature Calls (Diary of a Minecraft Zombie, #3))
When I was in Outremer, I got shot in the face with an arrow. Should’ve killed me instantly; but by some miracle it hung up in my cheekbone, and an enemy doctor we’d captured the day before yanked it out with a pair of tongs. You should be dead, they said to me, like I’d deliberately cheated. No moral fibre.
Rich Horton (The Year's Best Science Fiction & Fantasy, 2014)
The best plan lasts until the first arrow leaves the bow.
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
We know from the experience of the last twenty years,” wrote Lewis in 1944, “that a terrified and angry pacifism is one of the roads that lead to war.”28 Tolkien decried “the utter stupid waste of war,” yet admitted “it will be necessary to face it in an evil world.”29 Their recourse was to draw us back to the heroic tradition: a mode of thought tempered by the realities of combat and fortified by belief in a God of justice and mercy. Perhaps the character of Faramir, the Captain of Gondor in The Lord of the Rings, expresses it best.30 He possesses humility as well as great courage—a warrior with a “grave tenderness in his eyes”—who takes no delight in the prospect of battle. As such, he conveys a message that bears repeating at the present moment, in a world that is no stranger to the sorrows and ravages of war. “War must be, while we defend our lives against a destroyer who would devour all,” he explains. “But I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.”31
Joseph Loconte (A Hobbit, a Wardrobe, and a Great War: How J.R.R. Tolkien and C.S. Lewis Rediscovered Faith, Friendship, and Heroism in the Cataclysm of 1914-18)
Neruda's Best Love Poem I do not love you... I do not love you as if you were salt-rose, or topaz, or the arrow of carnations the fire shoots off. I love you as certain dark things are to be loved, in secret, between the shadow and the soul. I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrance, risen from the earth, lives darkly in my body. I love you without knowing how, or when, or from where. I love you straightforwardly, without complexities or pride; so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.
Beryl Dov
Dear Lord, I humbly pray for my husband today. There are many times I have the urge to reprimand or try to fix my husband, yet I am learning that I am not a substitute for Your Holy Spirit. Only You have the power to transform my husband. So I submit my grievances and desires to You and ask that You would radically transform my husband. He is a good man and I love him more than anyone else in this world. I desire the best for him and for our marriage. I implore You to protect our marriage. Strengthen the areas of our relationship that are weak, the parts that are vulnerable to attack or temptation. I pray that my husband and I can build up our marriage together and fight for our love every single day. I pray against evil, I pray against the lust of our flesh, I pray against anything and everything that threatens what we have. Please Lord, wrap us up in Your loving and strong arms and guard us against the flaming arrows of the evil one. May Your Holy Spirit strengthen us each day and remind us to intentionally invest in our marriage. You are so faithful, Lord! I am so thankful You have carried us through some of the most challenging circumstances we have ever encountered. Please continue to show us how to keep our eyes focused on You in Jesus’ name AMEN!
Jennifer Smith (Thirty-One Prayers For My Husband)
Valley of the Damned. Valkyrie Kari tells of the great warrior Crazy Horse (abridged) ’Twas written of those of long ago, That honor should be “as long as grass shall grow.” In battle honor is a fearsome beast, none can contain, In the strength of heart, it brings only shame. A mighty warrior of the plains was he, Crazy Horse of Sioux battle creed. Given to the ravages of noble, savage war, Against his enemies, he vaulted fore. Peering down from lofty mountain hold, The Horse in dream; the warrior was of olde. The promises they were broken one by one, Until only war unbridled could be hardtily done. Understanding and honor was not for those weak, Only the evil Long-knives now he eagerly did seek. The Knives came to steal, to plunder their land, To kill sacred mother with marauding, guilty hands. They had no regard for their own swelling words, With lust in their eyes, their greed greatly stirred. From southern lands came noise that Longhair did kill, Black Kettle’s camp, their blood he had spilled. Longhair destroyed all; dastard agent of evil strife, Deprived them of children and their bountiful life. Yet this lone, brave holy man stood in Longhair’s way, Crazy Horse, vision man, his plans were well framed. His command rode north hard to that destined battle, To meet wicked Longhair—to dash him from the saddle. Fate led him on to Little Bighorn, Where warriors of the sun met with sacred horn. A hellish dry place of calamitous battle, Found many a soul hearing death’s final rattle. The Long-snakes scouted for the great camp, That morn’ they set their fateful, forked-tongue attack. They raised their sabers, waved them strong, Entered eternity, their deaths foresaw. A sea of pilfered blue engulfed in crimson red, Amidst swirls of feathers sacred of the motherland. Through carnage, The Horse did lead his men, Beyond the battle, to the place where legend began. Up hill rode the bold Crazy Horse, With a thousand others to show determined force. To engage Long-knives at their last stand, Striking them down until dead was every man. Great Gall and Crazy Horse led that righteous attack, Against forceful Custer, whose plans did not lack, For ’twas he himself who boasted, wantonly said, “I will become a great chief, if my enemies I fill with lead.” With righteous honor as their sacred ally, Holy arrows that day swiftly let fly. Horse met Longhair in battle forever stayed, Defeated mighty Custer; his corpse on the field in state. Upon that fateful day, on sage choked sandy plain, Spirits clashed with spirits, for the sacred domain. Unconquerable, indomitable this sacred warrior heart, Leads many against the evil now, for this righteous court. Thus, Horse brought the valiants into stark raved battle, Battle scarred by holy wounds delivered by blue devils. Yet he would not relent, this honorable man of gifted vision, But peace came through the lie; his life ended by steel incision. Breathing his last, quiet honor came his way, “Bring my heart home, the Great Spirit will find my way.” Thus ˊtis with all whose understanding shows what may, Honor leads righteousness to death, ask they of that claim. War spirit vigilant with mighty spear and bow in hand, Leads Great Plains spirits, under his gallant command. His spirit never conquered lives it to this good day, Among the heroic mighty, let us his spirit proclaim. In the hour of travail, honor can be finely seen, Leading multitudes unto battle, their hearts boundlessly free. Cowards can never know the freedom of the plains and wind, Or how she musters a soul and the courage found within. Born in deep commune of Earth and Great Spirit above, Understanding and honor flow from hearts of great love. One without understanding is a fool at best, One without honor is a spirit that ne’er rests. O’ majestic One of the relentless plain, The mountains ring joyous with thy name.
douglas laurent
Sargent painted a series of three portraits of the author Robert Louis Stevenson and the second, Portrait of Robert Louis Stevenson and his Wife (1885), is now one of the artist’s best known portraits. Completed less than a year before the publication of the hugely popular The Strange Case of Dr Jekyll and Mr Hyde, Sargent depicts Stevenson pacing before us, while his wife Fanny is seated in background to the right of the door. Reviews were mixed about the painting, with some critics feeling that the arrangement of the composition was odd and the depiction of the novelist was unflattering. However, Stevenson thought Sargent had correctly captured his odd manner of fidgeting about the room while he was trying to write. When Sargent painted the canvas, he wrote to Henry James and said that Stevenson “seemed to me the most intense creature I had ever met.” Sargent was twenty-nine years old at the time and Stevenson was thirty-four and at the height of his most productive period. He had just published Treasure Island in book form in 1883, his first full-length novel, and his popularity only grew in the public’s eye with The Black Arrow (1883), A Child’s Garden of Verses (1885) and Kidnapped (1886). Interestingly, Portrait of Robert Louis Stevenson and his Wife sold in 2004 for $8.8 million to the Las Vegas casino mogul Steve Wynn to be installed at his newest casino, Wynn Las Vegas.
delphi master of art - sergeant
I do not love you as if you were salt-rose or topaz or the arrow of carnations … I love you as certain dark things are to be loved … in secret … between the shadow and the soul.
Winter Renshaw (The Best Man)
Arrow doesn’t allow that kind of “home office knows best” bureaucracy that kills momentum. “The people that run a business really know that business. We execute better because we push activities and decisions down to them,” Long explains. “I believe our success is because the people we acquired in the deal all feel they are a part of it.
Jason Jennings (The Reinventors: How Extraordinary Companies Pursue Radical Continuous Change)
Couscous salad is much better than no food at all but, on the modern culinary battlefield, it’s a mere flint-headed arrow to the state-of-the-art cruise missile that is a fried-egg sandwich.
David Mitchell (Dishonesty is the Second-Best Policy: And Other Rules to Live By)
Two of the best westerns ever heard were done in the waning years of Lux: Broken Arrow (Burt Lancaster, Jeff Chandler, and Debra Paget, Jan. 22, 1951) and Shane (Alan Ladd, Van Heflin, and Ruth Hussey, Feb. 22, 1955).
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
In her first major clash with the English before the walls of Orléans, Joan was injured by an arrow that penetrated the seams of her armor and drove through her chest so far that the point protruded out of her back. When the battlefield medics were debating how to best help her, she simply pulled the arrow out with her own hand. (Now there’s a leadership challenge!)
Peter Darcy (The 7 Leadership Virtues of Joan of Arc (Life Changing Classic, Volume 32) (Life-Changing Classic))
German theologian Georg Hermes put it best when he said that, “Death is an arrow already in flight, and your life lasts only for as long as it takes to reach you.
Tai Morello (Buddhism for Beginners: A Practical Guide to Spiritual Enlightenment)
But I didn’t because I’m an idiot with no sense of self-preservation and he’s my best friend.
Nash Summers (Arrows Through Archer)
Sensing reprieve, grasping for it with eager disbelief, she lifted her lashes in confusion to see the same emotion reflected in his cobalt eyes. He began to tremble, as if the lance weighed a thousand pounds. And suddenly she knew that as much as he longed to murder her, a part of him couldn’t, wouldn’t throw the lance. It made no sense. She could see nothing but hatred written on his chiseled face. He had surely killed hundreds of times and would kill again. Slowly he lowered his arm and stared at her as if she had bested him in some way. Then, so quickly she couldn’t be sure she saw it, pain flashed across his face. “So you’re sweet?” His smile dripped ice. “We shall see, woman, we shall see.” He said “woman” as if he were spitting bile and slid his lance arrow to her chin. She had heard of women being disfigured by Indians and expected him to slash her as he outlined her mouth and the slope of her nose. Breathless fear brought moisture to her brow. Black spots danced, blurring her vision. She blinked and forced herself to focus on him. Laughter twinkled in his eyes. She realized that since he had decided not to kill her, he was, for some reason she couldn’t imagine, playing a hideous game, terrifying her to test her mettle. She caught hold of his lance and shoved it aside, lifting her head in defiance. Chuckling low in his chest, he leaned over his thigh, making a fist in her hair. His grip brought tears to her eyes. As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!
Catherine Anderson (Comanche Moon (Comanche, #1))
To: James Grayson Dec 9 Fuck off, Grayson. And don’t think I’ve forgotten what we were talking about. So let me get it straight: Yesterday Ryan broke up with his girlfriend after you told him it wasn’t working and you wanted to end your epic “friendship.” Ryan told you in no uncertain terms there could never be anything between you, because he was straighter than an arrow. Then you two got drunk and you sucked him off. Is that right? From: James Grayson To: Luke Whitford Dec 9 Pretty much. And stop putting our friendship into quotes. From: Luke Whitford To: James Grayson Dec 9 I’ll stop putting it into quotes when your “friendship” starts being a friendship. Usually a man doesn’t fucking break up with the woman he loves for his best friend, Jimmy. Anyway, what happened after the blowjob? From: James Grayson To: Luke Whitford Dec 9 Nothing. From: Luke Whitford To: James Grayson Dec 9 Nothing? From: James Grayson To: Luke Whitford Dec 9 We were drunk. I passed out. When I woke up this morning, he was still out. I went home. From: Luke Whitford To: James Grayson Dec 9 You haven’t talked today at all? From: James Grayson To: Luke Whitford Dec 9 No. From: Luke Whitford To: James Grayson Dec 9 I can feel the angst from here.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
James wasn’t sure when exactly it had started—when he had fallen in love with his best friend. He couldn’t remember a time he didn’t love him. Even when they were kids, he’d had a pretty bad case of puppy love: Ryan was the first real friend he’d made on his own, the only one who wasn’t impressed by James’s family and liked him, James. Ryan was everything he wasn’t: daring and pushy, reckless and determined. But as the years went by and they grew up, James’s puppy love shifted into something else. Something it was never supposed to be. His early teenage years had been confusing as hell, because he couldn’t figure out what he wanted from Ryan every time Ryan touched him. At the time he still thought his love for Ryan was brotherly, but popping a boner when Ryan threw an arm around his shoulders and pulled him close was hardly something a brother would feel. A brother wouldn’t wank thinking of Ryan’s mouth and hands on him. A brother wouldn’t feel lovesick whenever Ryan smiled at him. It had been embarrassing. It was mortifying. It was awful, because he knew Ryan didn’t feel the same way. Ryan’s affection for him was easy, friendly, and brotherly. Even at thirteen, Ryan had a girlfriend already. Ryan was straight as an arrow.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
picked up my ballpoint pen and, playing off Jim’s language, wrote, “We Americans may differ, bicker, stumble, and fall; but we are at our best when we pick each other up, when we have each other’s back. Like any family, our American family is strongest when we cherish what we have in common and fight back against those who would drive us apart.” A few hours later, I was standing at the podium in the blinding June sun, looking out at the excited faces of cheering supporters. I saw little kids perched on their parents’ shoulders. Friends smiled up at me from the front row. Bill, Chelsea, and Marc were glowing with pride and love. The stage was shaped like our campaign logo: a big blue H with a red arrow cutting across the middle. All around it, a sea of people clapped, hollered, and waved American flags.
Hillary Rodham Clinton (What Happened)
Remember when I said I was a bit scattered? It wasn’t just when it came to jobs. I had a slew of strange ex-boyfriends, too. There was George, who liked to wear my underwear . . . everyday. Not just to prance around in—he wore them under his Levi’s at work. As a construction worker. That didn’t go over well with his co-workers once they found out. He works at Jamba Juice now. I don’t think anyone cares about what kind of underwear he wears at Jamba Juice. Then there was Curtis. He had an irrational fear of El Caminos. Yes, the car. He just hated them so much that he became really fearful of seeing one. He’d say, “I don’t understand, is it a car or a truck?” The confusion would bring him to tears. When we were walking on the street together, I had to lead him like a blind person because he didn’t want to open his eyes and spot an El Camino. If he did, it would completely ruin his day. He would cry out, “There’s another one. Why, God?” And then he would have to blink seven times and say four Hail Marys facing in a southerly direction. I don’t know what happened to Curtis. He’s probably in his house playing video games and collecting disability. After Curtis came Randall, who will never be forgotten. He was an expert sign spinner. You know those people who stand on the corner spinning signs? Randall had made a career of it. He was proud and protective of his title as best spinner in LA. I met him when he was spinning signs for Jesus Christ Bail Bonds on Fifth Street. He was skillfully flipping a giant arrow that said, “Let God Free You!” and his enthusiasm struck me. I smiled at him from the turn lane. He set the sign down, waved me over, and asked for my phone number. We started dating immediately. He called himself an Arrow Advertising executive when people would ask what he did for a living. He could spin, kick, and toss that sign like it weighed nothing. But when he’d put his bright-red Beats by Dre headphones on, he could break, krump, jerk, turf, float, pop, lock, crip-walk, and b-boy around that six-foot arrow like nobody’s business. He was the best around and I really liked him, but he dumped me for Alicia, who worked at Liberty Tax in the same strip mall. She would stand on the opposite corner, wearing a Statue of Liberty outfit, and dance to the National Anthem. They were destined for each other. After Randall was Paul. Ugh, Paul. That, I will admit, was completely my fault.
Renee Carlino (Wish You Were Here)
HOWEVER skilled and strong art thou, my foe, However fierce is thy relentless hate Though firm thy hand, and strong thy aim and straight Thy poisoned arrow leaves the bended bow, To pierce the target of my heart, ah! know I am the master yet of my own fate. Thou canst not rob me of my best estate, Though fortune, fame and friends, yea love shall go. Not to the dust shall my true self be hurled; Nor shall I meet thy worst assaults dismayed. When all things in the balance are well weighed, There is but one great danger in the world-- Thou cast not force my soul to wish thee ill, That is the only evil that can kill.
Ella Wheeler Wilcox
When you raise your kids, you’re the bow, they’re the arrow, and you just try to aim them in the best direction that you can, and hopefully your aim isn’t too off.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
I could have traveled the remainder of my eternally bound life not seeking a true and living God. Many times, He was trying to speak to me, Ignorantly avoided influences like church, praying, reading the Holy Bible. Lost in the jailhouse of sin's deep darkness, with no care in the world to allow Jesus to direct my decisions. I wanted to lead the helm of my life the way I thought was best. Choosing our selfish ways is like shooting an arrow at a target fully missing the center of the bulls-eye. Doing what pleases me, me, me, leads us astray. Since sin is in us, we think sins are normal when they are the exact opposite. Only Jesus can change our inward nature to fulfill the center of His will.
Bryan Guras Story Mr. B.G.
Although it may not be immediately apparent, we have now come to an intriguing point. The second law of thermodynamics seems to have given us an arrow of time, one that emerges when physical systems have a large number of constituents. “For things with many constituents, going from lower to higher entropy—from order to disorder—is easy, so it happens all the time. Going from higher to lower entropy—from disorder to order—is harder, so it happens rarely, at best.
Brian Greene (The Fabric of the Cosmos: Space, Time, and the Texture of Reality)
A young man’s heart is as vast as the heavenly sphere. Both are open and accommodating. A superior man has the best inner qualities, spacious enough for a white eagle to circle and soar, ta la la. A mediocre man has middling inner qualities, boastfully displaying his sword, arrow, and knife, the threefold panoply, khyil lé lé. The inferior man has poor inner qualities, at a mere utterance, his knife handle will fly.
Jane Hawes (The Taming of the Demons: From the Epic of Gesar)
Yeah. I’ve been telling myself what you used to, that I’m too messed up. That what happened to me made me somehow less worthy. But I think I should be thinking about the entire situation differently. I need a man who can help me pick myself up and dust myself off, not someone I need to try to suck up to, or feel like I have to always look my best for. Hell, Arrow spent an hour trying to get mats out of my hair, and not once did he curl his nose at my looks. Why shouldn’t I get a man like Arrow? I’d say that I deserve him more than the average woman does.
Susan Stoker (Defending Morgan (Mountain Mercenaries, #3))
Cares for Something/Someone Outside the Self “It is the capacity to care — to care intensely about something beyond the limited self — that we seem to find our best clue to what mature individuality is.” —The Mind Alive The Overstreets convincingly argue that, for several reasons, the capacity to deeply care for someone or something forms the very core of the mature mind. First, it slays adolescent ego-absorption by shifting an individual’s focus outside the self, and training that focus on something bigger than the self. Second, it requires the “emotional overflow” of well-developed inner resources, particularly the development of courage, as sincerely caring is underrated as a truly frightening endeavor: “Caring — whether for another person, a line of work, a field of knowledge, or a conviction — is, in a sense, the most hazardous of human experiences. The emotionally impoverished person cannot afford it; for it means choosing to be vulnerable. . . . There is, in psychological truth, a certain terror that is part of the experience of deep caring: the terror of letting one’s self go; putting one’s whole capacity to feel and suffer at the disposal of something beyond the self. No one, it seems safe to assume, who has ever deeply and genuinely loved another human being or a chosen vocation or a social cause or a religious faith has ever wholly escaped this terror.” Third, it is the only way to catalyze one’s full potential: “If the risks of caring are great, so are the rewards; for it is one of the basic facts of human life that the ungiven self is the unfulfilled self. Only the individual who builds a strong, sound relationship with his world can himself become strong, sound, and resourceful: ready for what happens; able to be affirmative and creative in his dealings with experience.” Caring is such a key element of human fulfillment, in part because it provides a non-duplicable source of motivation:   “If a person never greatly cares about anything beyond himself, he has little spontaneous reason to get over the hump of inertia and submit himself to the discipline of a working material or a body of knowledge. . . . an individual’s area of caring and the strength of his caring determine the inconveniences he will willingly suffer and the risks he will run.” Finally, the practice of caring for things outside the self — a process in which the arrows of influence and need work both ways — disabuses you of delusional notions of complete autonomy and control (ideals maturity approaches, but can never completely attain, nor would find desirable to attain); it serves as a visceral, humbling reminder of where you remain (wonderfully) dependent. In caring for some person or idea, you come to an understanding of humanity’s interconnectedness, a “sense of how things hang together; not just the thing itself, but the meaning of it.” As the Overstreets conclude, “the capacity to care — to enjoy richly, love deeply, feel strongly, and if need be, suffer intensely — is, in short, the best guarantee any one of us can have against” the complete stagnation of the self.
Brett McKay (The 33 Marks of Maturity)
Everything always changes. The best plan lasts until the first arrow leaves the bow.
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
BRIGGS: We’re old friends, Jack and myself. We met at a street corner. I should tell you he’ll deny this account. His story will be different. I was standing at a street corner. A car drew up. It was him. He asked me the way to Bolsover Street. I told him Bolsover Street was in the middle of an intricate one-way system. It was a one-way system easy enough to get into. The only trouble was that, once in, you couldn’t get out. I told him his best bet, if he really wanted to get to Bolsover Street, was to take the first left, first right, second right, third on the left, keep his eye open for a hardware shop, go right round the square, keeping to the inside lane, take the second Mews on the right and then stop. He will find himself facing a very tall office block, with a crescent courtyard. He can take advantage of this office block. He can go round the crescent, come out the other way, follow the arrows, go past two sets of traffic lights and take the next left indicated by the first green filter he comes across. He’s got the Post Office Tower in his vision the whole time. All he’s got to do is to reverse into the underground car park, change gear, go straight on, and he’ll find himself in Bolsover Street with no trouble at all. I did warn him, though, that he’ll still be faced with the problem, having found Bolsover Street, of losing it. I told him I knew one or two people who’d been wandering up and down Bolsover Street for years. They’d wasted their bloody youth there. The people who live there, their faces are grey, they’re in a state of despair, but nobody pays any attention, you see. All people are worried about is their ill-gotten gains. I wrote to The Times about it. Life At A Dead End, I called it. Went for nothing. Anyway, I told him that probably the best thing he could do was to forget the whole idea of getting to Bolsover Street. I remember saying to him: This trip you’ve got in mind, drop it, it could prove fatal. But he said he had to deliver a parcel. Anyway, I took all this trouble with him because he had a nice open face. He looked like a man who would always do good to others himself. Normally I wouldn’t give a fuck. I should tell you he’ll deny this account. His story will be different.
Harold Pinter (No Man's Land (Pinter: Plays))
For the best bounce house & water slide rentals in Broken Arrow, Oklahoma, trust Galaxy Jumpers. Galaxy Jumpers has the largest, most diverse selection of bounce house, inflatable, and party rentals across more than a dozen popular themes. Whether searching for the largest, most awesome bounce house for three dozen kids or perhaps something smaller for a backyard bash, we have just the thing for you. For fun in Broken Arrow, we have just what you need for your next party.
Galaxy Jumpers BA
Last night was moonless, and we took a boat out onto Scapa Flow. There was broken light all across the sky, and columns of cloud twisting and turning through the pieces. Dust and dragon fire. Professor Semyonov said: 'That's the Milky Way. As much of it as we can see, anyway.' It was so beautiful I kept my eyes on it in case it suddenly disappeared, or turned out to be some gigantic illusion. Maybe it was the rocking of the deck, or maybe I stared for too long, but after a while I felt it all moving against me, the light and the clouds and the darkness, countless stars and planets flying like arrows from a bow hidden further back. Not that we three on the boat were the target; that was just an accident of scale. We crush ants all the time just walking through the park. I thought the best plan was to leave before the sky arrived, just jump into the sea and drown directly. The second-best plan was to close my eyes, but Myrna made me keep looking up. She said her own fear had been that those pinpricks of light were growing and that as they did, she shrank. She made me keep looking up until the panic was singed away. All I knew how to do with puppets, all I used to want to do, was play unsettling tricks. That's not enough any more. I want to put on stubborn little shows, find places here and there where we get to see what we'd be like if we were actually in control of anything. Cruel fantasies, maybe, but they can't hurt any more than glimpsing a galaxy does.
Helen Oyeyemi (What Is Not Yours Is Not Yours)
In reality, competition didn't work well in a hospital setting. That wasn't a secret: one of the most praised economists of the twentieth century, Kenneth Arrow, had concluded decades earlier that the magic of markets didn't function for health care in the way it would for selling bread, cars, or plane tickets. Patients just didn't have the information to intelligently price health-care services, and more often than not their priority was getting the best care as soon as possible, not finding the cheapest oncologist.
Walt Bogdanich (When McKinsey Comes to Town)