Array Escape Quotes

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Social counterpoints can be a shrieking reality. But life may nevertheless become a colorful canvas with an array of opportunities, allowing us to escape from the suffocation of our enclosure if we hold ourselves receptive to the healing power of the daily little marvels and stay aware of the vivifying unexpectedness of the ‘moment’. (‘"Côté cour…Côté jardin" )
Erik Pevernagie
In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the perpetrator’s first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. To this end, he marshals an impressive array of arguments, from the most blatant denial to the most sophisticated and elegant rationalization. After every atrocity one can expect to hear the same predictable apologies: it never happened; the victim lies; the victim exaggerates; the victim brought it upon herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
It is morally impossible to remain neutral in this conflict. The bystander is forced to take sides. It is very tempting to take the side of the perpetrator. All the perpetrator asks is that the bystander do nothing. He appeals to the universal desire to see, hear and speak no evil. The victim, on the contrary, asks the bystander to share the burden of pain. The victim demands action, engagement and remembering... In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the perpetrator's first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. To this end, he marshals an impressive array of arguments, from the most blatant denial to the most sophisticated and elegant rationalization. After every atrocity one can expect to hear the same predictable apologies: it never happened, the victim lies, the victim exaggerates, the victim brought it upon herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the perpetrator’s first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. To this end, he marshals an impressive array of arguments, from the most blatant denial to the most sophisticated and elegant rationalization. After every atrocity one can expect to hear the same predictable apologies: it never happened; the victim lies; the victim exaggerates; the victim brought it upon herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail. JUDITH LEWIS HERMAN Trauma and Recovery
Jon Krakauer (Missoula: Rape and the Justice System in a College Town)
Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy.
Ta-Nehisi Coates (Between the World and Me)
I had not chosen to be single but love is rare and it is frequently unreciprocated. Without love I saw no reason to form a permanent attachment to any particular place. Love determined how humans arrayed themselves in space. Because it affixed people into their long-term arrangements, those around me viewed it as an eschatological event, messianic in its totality. My friends expressed a religious belief that it would arrive for me one day, as if love were something the universe owed to each of us, which no human could escape. I had known love, but having known love I knew how powerless I was to instigate it or ensure its duration. Still, I nurtured my idea of the future, which I thought of as the default denouement of my sexuality, and a destiny rather than a choice. The vision remained suspended, jewel-like in my mind, impervious to the storms of my actual experience, a crystalline point of arrival. But I knew that it did not arrive for everyone, and as I got older I began to worry that it would not arrive for me.
Emily Witt (Future Sex: A New Kind of Free Love)
I had never seen war, or even talked of it at length with someone who had, but I was young and knew something of violence, and so believed that war would be no more than a new experience for me, as other things—the possession of authority in Thrax, say, or my escape from the House Absolute—had been new experiences. War is not a new experience; it is a new world. Its inhabitants are more different from human beings than Famulimus and her friends. Its laws are new, and even its geography is new, because it is a geography in which insignificant hills and hollows are lifted to the importance of cities. Just as our familiar Urth holds such monstrosities as Erebus, Abaia, and Arioch, so the world of war is stalked by the monsters called battles, whose cells are individuals but who have a life and intelligence of their own, and whom one approaches through an ever-thickening array of portents.
Gene Wolfe (The Complete Book of the New Sun)
Shevek wandered across acres of polished marble under that immense ethereal vault, and came at last to the long array of doors through which crowds of people came and went constantly, all purposeful, all separate. They all looked, to him, anxious. He had often seen that anxiety before in the faces of Urrasti, and wondered about it. Was it because, no matter how much money they had, they always had to worry about making more, lest they die poor? Was it guilt, because no matter how little money they had, there was always somebody who had less? Whatever the cause, it gave all the faces a certain sameness, and he felt very much alone among them. In escaping his guides and guards he had not considered what it might be like to be on one’s own in a society where men did not trust one another, where the basic moral assumption was not mutual aid, but mutual aggression. He was a little frightened.
Ursula K. Le Guin (The Dispossessed)
Do you ever feel that same need? Your life is so very different from my own. The grandness of the world, the real world, the whole world, is a known thing for you. And you have no need of dispatches because you have seen so much of the American galaxy and its inhabitants—their homes, their hobbies—up close. I don’t know what it means to grow up with a black president, social networks, omnipresent media, and black women everywhere in their natural hair. What I know is that when they loosed the killer of Michael Brown, you said, “I’ve got to go.” And that cut me because, for all our differing worlds, at your age my feeling was exactly the same. And I recall that even then I had not yet begun to imagine the perils that tangle us. You still believe the injustice was Michael Brown. You have not yet grappled with your own myths and narratives and discovered the plunder everywhere around us. Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling. This is what the rappers mean when they pronounce themselves addicted to “the streets” or in love with “the game.” I imagine they feel something akin to parachutists, rock climbers, BASE jumpers, and others who choose to live on the edge. Of course we chose nothing. And I have never believed the brothers who claim to “run,” much less “own,” the city. We did not design the streets. We do not fund them. We do not preserve them. But I was there, nevertheless, charged like all the others with the protection of my body. The crews, the young men who’d transmuted their fear into rage, were the greatest danger. The crews walked the blocks of their neighborhood, loud and rude, because it was only through their loud rudeness that they might feel any sense of security and power. They would break your jaw, stomp your face, and shoot you down to feel that power, to revel in the might of their own bodies.
Ta-Nehisi Coates (Between the World and Me)
By the time Jessica Buchanan was kidnapped in Somalia on October 25, 2011, the twenty-four boys back in America who had been so young during the 1993 attack on the downed American aid support choppers in Mogadishu had since grown to manhood. Now they were between the ages of twenty-three and thirty-five, and each one had become determined to qualify for the elite U.S. Navy unit called DEVGRU. After enlisting in the U.S. Navy and undergoing their essential basic training, every one of them endured the challenges of BUDS (Basic Underwater Demolition/SEAL) training, where the happy goal is to become “drownproofed” via what amounts to repeated semidrowning, while also learning dozens of ways to deliver explosive death and demolition. This was only the starting point. Once qualification was over and the candidates were sworn in, three-fourths of the qualified Navy SEALS who tried to also qualify for DEVGRU dropped out. Those super-warriors were overcome by the challenges, regardless of their peak physical condition and being in the prime of their lives. This happened because of the intensity of the training. Long study and practice went into developing a program specifically designed to seek out and expose any individual’s weakest points. If the same ordeals were imposed on captured terrorists who were known to be guilty of killing innocent civilians, the officers in charge would get thrown in the brig. Still, no matter how many Herculean physical challenges are presented to a DEVGRU candidate, the brutal training is primarily mental. It reveals each soldier’s principal foe to be himself. His mortal fears and deepest survival instinct emerge time after time as the essential demons he must overcome. Each DEVGRU member must reach beyond mere proficiency at dealing death. He must become two fighters combined: one who is trained to a state of robotic muscle memory in specific dark skills, and a second who is fluidly adaptive, using an array of standard SEAL tactics. Only when he can live and work from within this state of mind will he be trusted to pursue black operations in every form of hostile environment. Therefore the minority candidate who passes into DEVGRU becomes a member of the “Tier One” Special Mission Unit. He will be assigned to reconnaissance or assault, but his greatest specialty will always be to remain lethal in spite of rapidly changing conditions. From the day he is accepted into that elite tribe, he embodies what is delicately called “preemptive and proactive counterterrorist operations.” Or as it might be more bluntly described: Hunt them down and kill them wherever they are - and is possible, blow up something. Each one of that small percentage who makes it through six months of well-intended but malicious torture emerges as a true human predator. If removing you from this world becomes his mission, your only hope of escaping a DEVGRU SEAL is to find a hiding place that isn’t on land, on the sea, or in the air.
Anthony Flacco (Impossible Odds: The Kidnapping of Jessica Buchanan and Her Dramatic Rescue by SEAL Team Six)
Here we may fruitfully turn to the work of those feminists who have attempted to (re)theorize sexual difference, to escape – however temporarily and partially – from the terms of a binary hierarchy in which one term is deprived of positive being. For woman to be a set of specificities rather than the opposite, or complement, to Man, man must become a set of specificities as well. If Man is singular, if he is a self-identical and definite figure, then non-man becomes his negative, or functions as an indefinite and homogeneous ground against which Man’s definite outlines may be seen. But if man himself is different from himself, then woman cannot be singularly defined as non-man. If there is no singular figure, there can be no singular other. The other becomes potentially specific, variously definite, an array of positivities rather than a negation or an amorphous ground. Thus the plural specificity of “men” is a condition of the positive existences and specificities of “women.”28 By analogy here, the specificity of capitalism – its plural identity, if you like – becomes a condition of the existence of a discourse of noncapitalism as a set of positive and differentiated economic forms.
J.K. Gibson-Graham (The End Of Capitalism (As We Knew It): A Feminist Critique of Political Economy)
Migration is the story of America. It is foundational. From Pilgrims fleeing oppression in Europe, to the millions who took advantage of the Homestead Act to “go West,” to the erection of the Statue of Liberty in New York’s harbor, all the way up to the U.S. Congress tying Most Favored Nation status to the human right of Soviet Jews to emigrate, the movement of people fleeing tyranny, violence, and withered opportunities is sacrosanct to Americans. In fact, “freedom of movement” is a treasured right in the nation’s political lexicon. Yet, when more than 1.5 million African Americans left the land below the Mason-Dixon Line, white Southern elites raged with cool, calculated efficiency. This was no lynch mob seeking vengeance; rather, these were mayors, governors, legislators, business leaders, and police chiefs who bristled at “the first step … the nation’s servant class ever took without asking.”12 In the wood-paneled rooms of city halls, in the chambers of city councils, in the marbled state legislatures, and in sheriffs’ offices, white government officials, working hand in hand with plantation, lumber mill, and mine owners, devised an array of obstacles and laws to stop African Americans, as U.S. citizens, from exercising the right to find better jobs, to search for good schools, indeed simply to escape the ever-present terror of lynch mobs. In short, the powerful, respectable elements of the white South rose up, in the words of then-secretary of labor William B. Wilson, to stop the Great Migration and interfere with “the natural right of workers to move from place to place at their own discretion.
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
While slaves who failed in their escapes suffered terribly, those who managed to reach Lord Dunmore experienced troubles of their own. Crowded aboard ships, they were highly susceptible to the usual array of serious diseases common among soldiers and sailors of the eighteenth century: dysentery, typhus, typhoid fever, smallpox. In March of 1776 Dunmore reported that “a fever crept in amongst them, which carried off a great many very fine fellows.”73 After Dunmore had withdrawn his ships from the Elizabeth River, Robert Honyman recorded in his diary that 150 dead blacks had been left behind. By June many more had died, and patriot troops along the shores reported sighting numerous bodies as they floated in the water.74
Ray Raphael (A People's History of the American Revolution: How Common People Shaped the Fight for Independence)
As the Greek poet Palladas archly observed, as he looked at a fine array of gods in the house of one wealthy Christian, “the inhabitants of Olympus, having become Christians, live here undisturbed: for here, at least, they will escape the cauldron that melts them down for petty change.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
None of that however, is the form to which I’d referred. It was rather a yet-cited, five-inch thick, loosely bundled heap of paper which not fully three hours past our beginning, the former 15-year-old would then briefly waggle in his left hand as he stood near center of the very escape route alluded to in the same chapter. Within its pages were row-upon-row of dark impressions; marked one-by-one by an array of blows arising from a basket of clustered steel typebars cast with embossed slugs upon their tips ‒ striking in sequential forward arcs, as if inhabited by a crew of nether-situated Lilliputians sitting side-by-side; wielding slender embossed hammers, forged character-by-character to smash against pigment-impregnated woven black ribbons; poised in turn overtop a seemingly endless succession of lily-white storyteller's leaves; each a direct byproduct of majestically beautiful, seasonally fragrant, faintly audible, partly edible, often climbable; utterly tangible trees ‒ its outer layer of fifteen pages having chronicled the antecedent evoked by this very beginning more than 400 billion harvested timber ago. So then to be more succinct, Nate’s story began again with yet another scurrying rat…
Monte Souder (Rat Luck)
None of that however, is the form to which I’d referred. [ever transforming tangible form] It was rather a yet-cited, five-inch thick, loosely bundled heap of paper which not fully three hours past our beginning, the former 15-year-old would then briefly waggle in his left hand as he stood near center of the very escape route alluded to in the same chapter. Within its pages were row-upon-row of dark impressions; marked one-by-one by an array of blows arising from a basket of clustered steel typebars cast with embossed slugs upon their tips ‒ striking in sequential forward arcs, as if inhabited by a crew of nether-situated Lilliputians sitting side-by-side; wielding slender embossed hammers, forged character-by-character to smash against pigment-impregnated woven black ribbons; poised in turn overtop a seemingly endless succession of lily-white storyteller's leaves; each a direct byproduct of majestically beautiful, seasonally fragrant, faintly audible, partly edible, often climbable; utterly tangible trees ‒ its outer layer of fifteen pages having chronicled the antecedent evoked by this very beginning more than 400 billion harvested timber ago. So then to be more succinct, Nate’s story began again with yet another scurrying rat…
Monte Souder (Rat Luck)
None of that however, is the ever transforming tangible form to which I’d referred. It was rather a yet-cited, five-inch thick, loosely bundled heap of paper which not fully three hours past our beginning, the former 15-year-old would then briefly waggle in his left hand as he stood near center of the very escape route alluded to in the same chapter. Within its pages were row-upon-row of dark impressions; marked one-by-one by an array of blows arising from a basket of clustered steel typebars cast with embossed slugs upon their tips ‒ striking in sequential forward arcs, as if inhabited by a crew of nether-situated Lilliputians sitting side-by-side; wielding slender embossed hammers, forged character-by-character to smash against pigment-impregnated woven black ribbons; poised in turn overtop a seemingly endless succession of lily-white storyteller's leaves; each a direct byproduct of majestically beautiful, seasonally fragrant, faintly audible, partly edible, often climbable, utterly tangible trees ‒ its outer layer of fifteen pages having chronicled the antecedent evoked by this very beginning more than 400 billion harvested timber ago. So then to be more succinct, Nate’s story began again with yet another scurrying rat…
Monte Souder (Rat Luck)