Arrange Come Love Marriage Quotes

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Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
The ear participates, and helps arrange marriages; the eye has already made love with what it sees. The eye knows pleasure, delights in the body's shape: the ear hears words that talk about all this. When hearing takes place, character areas change; but when you see, inner areas change. If all you know about fire is what you have heard see if the fire will agree to cook you! Certain energies come only when you burn. If you long for belief, sit down in the fire! When the ear receives subtly; it turns into an eye. But if words do not reach the ear in the chest, nothing happens.
Jalal ad-Din Muhammad ar-Rumi (Night and Sleep)
The individual who rebels against the arrangements of society is ostracized, branded, stoned. So be it. I am willing to take the risk; my principles are very pagan. I will live my own life as it pleases me. I am willing to do without your hypocritical respect; I prefer to be happy. The inventors of the Christian marriage have done well, simultaneously to invent immortality. I, however, have no wish to live eternally. When with my last breath everything as far as Wanda von Dunajew is concerned comes to an end here below, what does it profit me whether my pure spirit joins the choirs of angels, or whether my dust goes into the formation of new beings? Shall I belong to one man whom I don't love, merely because I have once loved him? No, I do not renounce; I love everyone who pleases me, and give happiness to everyone who loves me. Is that ugly? No, it is more beautiful by far.
Leopold von Sacher-Masoch (Venus in Furs)
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
Alice Walker
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
I have never cataloged what I would want in a marriage. I might as well do it now... I want an arrangement in which love and passion mingle and last. I want a rock to lean against. I want sex to pierce reality and come blazing out the other side. I want to feel that someone has my back. I want it to be us against the world. I want marriage to be cool. I want the words wife and husband to resonate with joy. I want our intimacy to be inviolate. I want it all under one roof. I want the institution to deserve my energy and my commitment and the last decades of my life.I want what Jane Cooper called "A radiance of attention/Like the candle's flame when we eat." I want to wake up next to a person who feels what I feel - that there is a constant, self-renewing joy in being with the other.
Wendy Plump (Vow: A Memoir of Marriage (and Other Affairs))
Th-thurlow...?" His face,so very like her own, lit with pleasure. "Rycca,dear sister! I rejoice to find you well!" They hugged fiercely while Dragon looked on with as much contentment as he could have mustered had he personally arranged the reunion of the twins. "I don't understand," Rycca said when she could speak again.Her throat was very tight and tears gleamed in her eyes but she could not stop smiling. "Why are you here?" "I heard a wild rumor in Normandy, about you fleeing from the marriage arranged for you by the king himself," he said,with a chiding shake of his head. "Really,Rycca,what were you thinking? Dragon here an exemplary fellow.How could you have not wanted to marry him?" Over her brother's shoulder,Rycca sent the fine fellow in question a look that would have turned a lesser mann to ash. Dragon merely raised his eyebrows, the very image of wounded innocence. "It was a little more complicated than he may have explained to you." "Nonsense," Thurlow said with all the certainty of a very young man whose heart is nonetheless in the right place. "I love you dearly, sister,but we both know you can be a tad impulsive. Fortunately,I am assured Dragon will take excellent care of you." Rycca laughed then and reached out a hand to her husband,who took it with a grin.She she drew him to her,she said softly, "As I will care for him, brother.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
In striving to fulfill our identities as women, it's important not to confound the various passages of life with each other. What we may need in girlhood or adolescence are not the same qualities we need in maturity. The task of adolescence is to leave home. And women in a sexist society have chronically found this hard to do. Our biology has reinforced the very dependence which our minds have been able to fly beyond. Patriarchal practices like arranged marriages, female sexual mutilation and the denial of abortion have encouraged us to glorify not-leaving as a self-protective strategy. No wonder our creative heroines had to find strategies for leaving. Those who were heterosexual devised the strategy of falling for bad boys as a primal means of separation. We make a mistake in thinking they were only victims. They were adventurers first. That they became victims was not their intent. Sylvia Plath was not merely a masochist but a bold adventurer who perhaps got more than she bargained for. As I get older, I come to understand that the seemingly self-destructive obsessions of my various younger lives were not only self-destructive. They were also self-creative. All through the stages of our lives, we go through transformations that may only manifest themselves when they are safely over. The rebels and bad boys I loved were the harbingers of my loving those very qualities in myself. I loved and left the bad boys, but I thank them for helping to make me the strong survivor I am today.
Erica Jong (Fear of Fifty: A Midlife Memoir)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Do you want children in your arranged marriage?" Layla frowned, trying to wrap her head around the sudden change of conversation. "That's a very personal question. but, yes. I want to have kids. At least three, so if the first one is a boy and the second is a girl, she won't feel like she's in a competition she can never win because she doesn't have a penis." Sam lowered his window and drew in a breath of air. "Shocked you, didn't I? Was it the word penis or the revelation that I would want children with a man I don't love?" "I'm beginning to realize there is no end to your ability to surprise me." Layla tightened her grip on the steering wheel. "Why did you ask me about kids? Are you worried I might be pregnant after our almost-kiss? Like some kind of immaculate conception?" A laugh escaped him, a short chuckle that disappeared almost as quickly as it had come. "Harman is a professional bodybuilder. That means steroids. Prolonged use of anabolic steroids can have significant effects including reduced sperm count, infertility, genital atrophy, erectile dysfunction, and shrunken testicles." "So you saw my penis and raised me a pair of shrunken testicles? I fold. You win. I dub thee Master of the Game.
Sara Desai (The Marriage Game (Marriage Game, #1))
marriage would necessitate a change of religion, the still-hesitant Alix at first refused. But the otherwise impassive Nicky was nothing if not determined. The very day after Ernie and Ducky were married, the overwhelmed princess finally agreed to become both Russian Orthodox and wife of the heir to the Russian throne. Just as Queen Victoria, the preeminent guest at the festivities, was finishing her breakfast, Ella burst in on her grandmother with the dramatic announcement that “Alix and Nicky are to be engaged.” The wedding was planned for the spring of 1895, but the death of Nicky’s father changed all the elaborate arrangements, including sufficient time for Alix to become literate in the Russian language. Alix had just joined her future husband at the imperial summer palace of Livadia in the Crimea when Tsar Alexander III died on November 1, 1894. His widow Minnie, the princess of Wales’s sister, became the dowager empress; and her son Nicky the new tsar, Nicholas II. The morning after her fiancé’s accession, Alix was received into the Orthodox faith and at the same time given the new name of Alexandra Feodorovna. The imperial family decided the wedding should follow the late tsar’s funeral within the week. Like her mother’s wedding at Osborne in 1862, Alix’s was far more funereal in tone than joyous. All that saved it from complete gloom was the depth of the young bride and groom’s love for each other. During the years when Alice’s children were marrying their cousins and producing a multitude of little second cousins, Vicky had moved from the hurricane’s eye to near oblivion. Though she had been wounded by Fritz’s illness and Willy’s uncivil behavior, until June 1888 she at least had a loving and sympathetic husband to share her distress and lighten her sometimes intolerable burden. After his death, Vicky was left to face her martyrdom stripped of that unfaltering support. With her widowhood, her difficulties centered, inevitably, on the new emperor. Such was the exquisite release Willy experienced in succeeding his father to the throne that he took vainglory to new heights. To the horror of his mother and English grandmother, he jettisoned the standard symbols of mourning that were obligatory for a son in so visible a role, notably refusing to refrain from travel for pleasure. On a grander scale, in his eagerness to test his new powers, Willy made the most disastrous mistake of his early reign only two years after coming
Jerrold M. Packard (Victoria's Daughters)
Me and the Texas Woman, it was not love at first sight. In fact, my match with her was a bit of an arranged marriage. Once with a rocky start, potholed by cultural misunderstandings and distrust. It took decades of observation to fully appreciate the Yellow Rose in all her glories. All her contradictions. All her glorious contradictions. Was she Southern? All belles and balls? Or was she Western? Ready to rope and ride and shoot the head off a rattler? You already know the answer. You know, that like sulfur, charcoal, and bat guano, the ingredients don't really pop until they're mixed up together into gunpowder. The Texas Woman is a hybrid with all the vigor that comes from the perfect pairing of the best of two species. She is Southern but with the Western grit handed down by her foremothers, who could give birth during a Comanche attack, help out when it came time to turn the bulls into steers, and still end up producing more Miss USAs that any other state in the union.
Sarah Bird (A Love Letter to Texas Women)
With so much shame suddenly called up to the surface of my skin, I could only lament that I was being asked directly for my opinion, again. Why weren't our fathers behaving like the trope of an Arab dad, making arrangements for my future without consulting me?
Huda Al-Marashi (First Comes Marriage: My Not-So-Typical American Love Story)
She wished she could. It was real love, unlike her mother’s marriage to Floyd. It was real because they were honest with one another, and the core of their bond was so solid they could argue without hurting each other. Arguments are the leaves, and the relationship is the trunk, Archie liked to say. One comes and goes, and the other doesn’t change, except to get stronger. He would know, because even when Florence was around, there had been a lot of arguments. Archie had openly soured on their covert arrangement, and had been trying to convince Floyd to move with him to Chicago. He claimed he had friends in Old Town who would welcome them, and they could live how they wanted. Floyd never had much to say about it when Florence was present. He was probably hoping it would blow over. Instead, it picked up more force each passing year.
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
I tried to come across cold. Anger showed passion and passion showed that you cared.
Rory L. Scott (For the Love of the Gods (Tempt the Gods #1))
So that girl you told us about at the will reading... She's real?" "Very real. Her name's Daisy. She's the sister of an old friend. She knows what it's all about and she's okay with it because the arrangements benefits her, too." "I thought she hated you." Joe leaned against the faded white picket fence that surrounded the visitor center. "I think we may have worked that out." He wasn't sure how Daisy felt about him, but after the other night, he was pretty sure hate wasn't at the top of her list. "Well, good for you. I won't say anything. As far as I'm concerned, you've known her forever." "I have known her forever, but we've gone on dates to make it seem more real." He pulled out his phone to show Joe the pictures of him and Daisy at the clothing store, the restaurant, the hockey game, and the one he'd taken when he'd declared her the winner of their Guitar Hero marathon. Joe gave him a quizzical look. "You sure it's fake? Looks like you two are having fun." Liam stared at the picture they'd taken at the hockey game. She'd kissed him, not the other way around. And it hadn't been for show. He'd seen something in her face---something soft and raw and real. And then, just when he'd thought it was all over, when his past had come back to haunt him, she'd shown him just how strong she really was, and made him want her even more.
Sara Desai (The Dating Plan (Marriage Game, #2))
For previous generations, progress in life so far would have meant going through the motions prescribed by caste and class: together, the imperatives of education (inevitably vocational), marriage (nearly always arranged, with love regarded as a folly of callow youth), parenthood and professional career (with the government) imposed order, without too many troubling questions about their purpose and meaning. Regional and caste background dictated culinary and sartorial habits: kurta-pyjamas and saris or shalwar-kameezes at home, drab Western-style clothes outside; an unchanging menu of dal, vegetables, rotis and rice leavened in some households with non-alcoholic drinks (Aseem’s first publication in the IIT literary magazine was Neruda-style odes to Rooh Afza and Kissan’s orange squash, Complan, Ovaltine and Elaichi Horlicks). We belonged to a relatively daring generation whose members took on the responsibility of crafting their own lives: working in private jobs, marrying for love, eating pasta, pizza and chow mein as well as parathas, and drinking cola and beer, at home, taking beach vacations rather than going on pilgrimages, and wearing jeans and T-shirts rather than the safari suits that had come to denote style to the preceding generation of middle-class Indians. Our choices were expanded far beyond what my parents or Aseem’s could even imagine.
Pankaj Mishra (Run and Hide: A Novel)
Hey,” Andi says as we pass the Alilaguna stop on our way back to Piazza San Marco. “I just figured out what ‘Alilaguna’ means: ‘Wings of the Lagoon.’ I love that! Doesn’t it sound like a romance novel?” “Totally!” Paige agrees enthusiastically. “Wings of the Lagoon!” Andi continues. “A beautiful American girl comes to Venice in the nineteenth century and gets swept away by a handsome gondolier…” “Only her rich and powerful parents are way too snobby to allow them to date…,” Kendra chimes in. “So they run away together in the gondola,” Andi says, “but get caught up in a terrible storm…” “And her parents think they’re dead…,” Kendra adds. “So they send out a search party and find them floating in the gondola, arms wrapped around each other,” Kelly suggests. “Still alive, but barely…” “And the parents forgive her and say they can be together…,” Andi says. “And then it turns out he’s the son of a Venetian duke who was going to have an arranged marriage, but he ran away to be a gondolier ’cause he wanted to find a girl who loved him for himself…” Kelly’s voice is getting stronger and more confident. “And they both live happily ever after!” Paige carols happily. “I love this story!” She, Kelly, Andi, and Kendra exchange high fives. “It’s nice when a story has a happy ending,” Luca says softly in my ear. I hadn’t realized he was so close to me. “In real life, it’s not so easy…” I swallow hard at the sound of his voice, at his words. All I can do is shake my head vehemently. No. It’s not so easy. You come to Italy and meet the son of a Florentine prince and you don’t live happily ever after. Not at all.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))