Around The Sun Birthday Quotes

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The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)
Let us suppose you give your three-year-old daughter a coloring book and a box of crayons for her birthday. The following day, with the proud smile only a little once can muster, she presents her first pictures for inspection. She has colored the sun black, the grass purple, and the sky green. In the lower right-hand corner, she has added woozy wonders of floating slabs and hovering rings; on the left, a panoply of colorful, carefree squiggles. You marvel at her bold strokes and intuit that her psyche is railing against its own cosmic puniness in the face of a big, ugly world. Later at the office, you share with your staff your daughter's first artistic effort and you make veiled references to the early work of van Gogh. A little child can not do a bad coloring; nor can a child of God do bad prayer. "A father is delighted when his little one, leaving off her toys and friends, runs to him and climbs into his arms. As he holds hi little one close to him, he cared little whether the child is looking around, her attention flittering from one thing to another or just settling down to sleep. Essentially the child is choosing to be with the father, confident of the love, the care, the security that is hers in those arms. Our prayer is much like that. We settle down in our Father's arms, in his loving hands. Our minds, our thoughts, our imagination may flit about here and there; we might even fall asleep; but essentially we are choosing for this time to remain intimately with our Father, giving ourselves to him, receiving his love and care, letting him enjoy us as he will. It is very simple prayer. It is very childlike prayer. It is prayer that opens us out to all the delights of the kingdom.
Brennan Manning (The Ragamuffin Gospel)
Click. Everyone briefly gathered and posed and smiling at their future selves. Beaches and cathedrals, bumper cars and birthday parties, glasses raised around a dining table. Each picture a little pause between events. No tantrums, no illness, no bad news, all the big stuff happening before and after and in between. The true magic happening only when the lesser magic fails, the ghost daughter who moved during the exposure, her face unreadable but more alive than all her frozen family. Double exposures, as if a little strip of time had been folded back on itself. Scratches and sun flares. Photos torn postdivorce, faces scratched out or Biroed over. The camera telling the truth only when something slips through its silver fingers.
Mark Haddon (The Red House)
WALTER (Gathering him up in his arms) You know what, Travis? In seven years you going to be seventeen years old. And things is going to be very different with us in seven years, Travis. … One day when you are seventeen I’ll come home—home from my office downtown somewhere— TRAVIS You don’t work in no office, Daddy. WALTER No—but after tonight. After what your daddy gonna do tonight, there’s going to be offices—a whole lot of offices.… TRAVIS What you gonna do tonight, Daddy? WALTER You wouldn’t understand yet, son, but your daddy’s gonna make a transaction … a business transaction that’s going to change our lives. … That’s how come one day when you ’bout seventeen years old I’ll come home and I’ll be pretty tired, you know what I mean, after a day of conferences and secretaries getting things wrong the way they do … ’cause an executive’s life is hell, man—(The more he talks the farther away he gets) And I’ll pull the car up on the driveway … just a plain black Chrysler, I think, with white walls—no—black tires. More elegant. Rich people don’t have to be flashy … though I’ll have to get something a little sportier for Ruth—maybe a Cadillac convertible to do her shopping in. … And I’ll come up the steps to the house and the gardener will be clipping away at the hedges and he’ll say, “Good evening, Mr. Younger.” And I’ll say, “Hello, Jefferson, how are you this evening?” And I’ll go inside and Ruth will come downstairs and meet me at the door and we’ll kiss each other and she’ll take my arm and we’ll go up to your room to see you sitting on the floor with the catalogues of all the great schools in America around you. … All the great schools in the world! And—and I’ll say, all right son—it’s your seventeenth birthday, what is it you’ve decided? … Just tell me where you want to go to school and you’ll go. Just tell me, what it is you want to be—and you’ll be it. … Whatever you want to be—Yessir! (He holds his arms open for TRAVIS) YOU just name it, son … (TRAVIS leaps into them) and I hand you the world!
Lorraine Hansberry (A Raisin in the Sun)
Zenosyne. It's actually just after you're born that life flashes before your eyes. Entire aeons are lived in those first few months when you feel inseparable from the world itself, with nothing to do but watch it passing by. At first, time is only felt vicariously, as something that happens to other people. You get used to living in the moment, because there's nowhere else to go. But soon enough, life begins to move, and you learn to move with it. And you take it for granted that you're a different person every year, Upgraded with a different body...a different future. You run around so fast, the world around you seems to stand still. Until a summer vacation can stretch on for an eternity. You feel time moving forward, learning its rhythm, but now and then it skips a beat, as if your birthday arrives one day earlier every year. We should consider the idea that youth is not actually wasted on the young. That their dramas are no more grand than they should be. That their emotions make perfect sense, once you adjust for inflation. For someone going through adolescence, life feels epic and tragic simply because it is: every kink in your day could easily warp the arc of your story. Because each year is worth a little less than the last. And with each birthday we circle back, and cross the same point around the sun. We wish each other many happy returns. But soon you feel the circle begin to tighten, and you realize it's a spiral, and you're already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you're running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you'll still feel the seconds slipping away as you drift around the bend. Life is short. And life is long. But not in that order.
Sébastien Japrisot
A supernova occurs when a giant star, one much bigger than our own Sun, collapses and then spectacularly explodes, releasing in an instant the energy of a hundred billion suns, burning for a time more brightly than all the stars in its galaxy. “It’s like a trillion hydrogen bombs going off at once, supernovae are extremely rare. A star can burn for billions of years, but it dies just once and quickly, and only a few dying stars explode. Most expire quietly, like a camp fire at dawn. In a typical galaxy, consisting of a hundred billion stars, a supernova will occur on average once every two or three hundred years. Looking for a supernova, therefore, was a little like standing on the observation platform of the Empire State Building with a telescope and searching windows around Manhattan in the hope of finding, let us say, someone lighting a twenty-first birthday cake.
Bill Bryson (A Short History of Nearly Everything)
If I could cut out my beating heart and put it in a box and forget about it, I would. Maybe I would pad the box with our photos of you, our love letters, a lock of your hair and that heart-shaped perfume bottle, the one that I gave you for your birthday. You always said it was your favorite. Maybe if I put the box up in the attic, some place out of sight and sound, I could forget you. (sigh) I force myself to look around my yard. The sun is brilliant against the bright blue sky, birds are singing out their borders and gathering twigs and grasses for nesting, and the late-season daffodils are bursting an egg-yolk yellow. I feel myself smile. For the first time this season, I spot a Peace rose, a sunshine-swelled bloom of yellow and pink flame. I inhale the bloom's faintly sweet fragrance, which floats delicate memories of you across my mind's eye — I am happy. Without thinking, I turn to the house to call you. If only It was that easy.
Jeffrey A. White
HAVE YOU SEEN ME? The last count Jim had heard was 190 missing kids. The number would have seemed like fantasy if not for the evidence he saw everywhere: a higher fence around the school, larger numbers of parents patrolling the playgrounds, the police crackdown on kids being on the streets after dark. It was unusual that Jim and Jack would be allowed to be out on their bikes this close to sundown, but it was Jack's birthday and their parents couldn't say no.... Jim squinted into the sun. He could make out Jack pedaling so fast that birds threw themselves out of the way not land until they had gone south for the winter. Jack whooped and dry leaves danced in the Sportcrest's wake. In just a few seconds, Jack would pass under the Holland Transit Bridge, a monolith of concrete and steel.... He had to catch up to his brother. When they got home, he wanted it to be as equals... The training wheels protested - SQUEAK, SQUEAK, SQUEAK! - but he kept on cycling his legs, willing them to be longer and stronger. When he looked up again, Jack was gone. Jim could see the Sportcrest lying beneath the bridge, silhouetted by the falling sun, it's handlebars bent and the front wheel still spinning.
Guillermo del Toro (Trollhunters)
Rapunzel woke up to the dazzling, sparkling, gently chiming display with more cheer than anyone really should who had spent the last six thousand and approximately nine hundred days in a lonely tower. "This birthday is going to be great. I just know it!" She only really knew about birthdays because she had read about them in one of the thirty-seven books she owned: Book #3: Stories from Rome and Other Great Empires. Marc Antony apparently had splendid birthdays, and Cleopatra gave him the most cunning gifts. Anyway, they seemed like a marvelous idea, and she had adopted this time of year as her own. Had there been anyone around, they would have been amazed at the hermit's beauty. For one thing, her cheeks were surprisingly rosy for a girl who had been indoors her whole life. (This was because on sunny Wednesday and Saturday afternoons she carefully followed the window-shaped spot of sun around her room, lying down and soaking in the warm rays.) Her eyes were large and green because of parents she had never known. Her lips were usually set in an expectant smile because she was Rapunzel; good-natured, lighthearted, with a quick mind that constantly refused to be crushed by her circumstances.
Liz Braswell (What Once Was Mine)
But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized. My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?” “I left early,” he says. “You? John Ambrose McClaren cut school?” He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.” I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?” “If you want.” I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear. Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April. “I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe. I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
The next morning I told Mom I couldn’t go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I’m sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What’s everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry—” “Who’s Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no raison d’être, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper . . . ” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn’t leave while I was still going. “ . . . domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity at school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years—
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
Around me umpteen birds are singing umpteen marvelous melodies, whistles and warbles and chirps and quavers cutting pitches high then sweep-swooping low, the pulchritudinous swimming pool sized pond glimmering picturesque in the lazy and hazy early afternoon sun. An attractive well-groomed mother duck- followed in a flawless and disciplined line by its ducklings like fluffy automatons - plies her trade alongside a young and jubilant hominid couple who, satisfactorily fulfilled to have settled and copulated once and to never again except on birthdays or anniversaries be carnal, play with their progeniture with proficiently prepared picnics loaded with an overkill of mother's home made tarts and buns and baskets of ham and cheese sandwiches; it was all sensationally Disney and dizzying and droll and not at all what this trip desired.
Darren Colgan (The Man with One Boot)
When Diana was unable to visit, she telephoned the apartment to check on her friend’s condition. On her 30th birthday she wore a gold bracelet which Adrian had given to her as a sign of their affection and solidarity. Nevertheless, Diana’s quiet and longstanding commitment to be with Adrian when he died almost foundered. In August his condition worsened and doctors advised that he should be transferred to a private room at St Mary’s Hospital, Paddington where he could be treated more effectively. However Diana had to go on a holiday cruise in the Mediterranean with her family on board a yacht owned by the Greek millionaire John Latsis. Provisional plans were made to fly her from the boat by helicopter to a private plane so that she could be with her friend at the end. Before she left, Diana visited Adrian in his home. “I’ll hang on for you,” he told her. With those words emblazoned on her heart, she flew to Italy, ticking off the hours until she could return. As soon as she disembarked from the royal flight jet she drove straight to St Mary’s Hospital. Angela recalls: “Suddenly there was a knock on the door. It was Diana. I flung my arms around her and took her into the room to see Adrian. She was still dressed in a T-shirt and sporting a sun tan. It was wonderful for Adrian to see her like that.” She eventually went home to Kensington Palace but returned the following day with all kinds of goodies. Her chef Mervyn Wycherley had packed a large picnic hamper for Angela while Prince William walked into the room almost dwarfed by his present of a large jasmine plant from the Highgrove greenhouses. Diana’s decision to bring William was carefully calculated. By then Adrian was off all medication and very much at peace with himself. “Diana would not have brought her son if Adrian’s appearance had been upsetting,” says Angela. On his way home, William asked his mother: “If Adrian starts to die when I’m at school will you tell me so that I can be there.
Andrew Morton (Diana: Her True Story in Her Own Words)
The sun had slipped past noon, and a slice of heat fell through the tree-house window, firing Laurel's inner eyelids cherry cola. She sat up but made no further move to leave her hiding spot. It was a decent threat- Laurel's weakness for her mother's Victoria sponge was legendary- but an idle one. Laurel knew very well that the cake knife lay forgotten on the kitchen table, missed amid the earlier chaos as the family gathered picnic baskets, rugs, fizzy lemonade, swimming towels, and the new transistor, and burst, stream-bound, from the house. She knew well because when she'd doubled back under the guise of hide-and-seek and sneaked inside the cool, dim house to fetch the package, she'd seen the knife sitting by the fruit bowl, red bow tied around its handle. The knife was a tradition- it had cut every birthday cake, every Christmas cake, every Somebody-Needs-Cheering-Up cake in the Nicolson family's history- and their mother was a stickler for tradition.
Kate Morton (The Secret Keeper)