Armed Response Quotes

We've searched our database for all the quotes and captions related to Armed Response. Here they are! All 60 of them:

I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.
Veronica Roth (Insurgent (Divergent, #2))
I'll be your family now," he says. "I love you," I say. (....) He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. "Say it again." "Tobias," I say, "I love you.
Veronica Roth (Insurgent (Divergent, #2))
Throughout the centuries there were men who took first steps down new roads armed with nothing but their own vision. Their goals differed, but they all had this in common: that the step was first, the road new, the vision unborrowed, and the response they received — hatred. The great creators — the thinkers, the artists, the scientists, the inventors — stood alone against the men of their time. Every great new thought was opposed. Every great new invention was denounced. The first motor was considered foolish. The airplane was considered impossible. The power loom was considered vicious. Anesthesia was considered sinful. But the men of unborrowed vision went ahead. They fought, they suffered and they paid. But they won.
Ayn Rand (The Fountainhead)
Clutching me in her arms, Mama stared at Emily. “You have a responsibility to this child.
Jack Getze (Making Hearts)
she, with her affection and her gaiety, had been largely responsible for him having rediscovered the meaning of life, her love had driven him to the far corners of the Earth, because he needed to be rich enough to buy some land and live in peace with her for the rest of their days. It was his utter confidence in this fragile creature, that had made him fight with honor, because he knew that after a battle he could forget all the horrors of war in her arms, and that, despite all the women he had known, only there in her arms could he close his eyes and sleep like a child.
Paulo Coelho (Brida)
I hate them," Enna said. "Whoever is responsible for making me sleep outside without pillows, I hate them." Mmm-hmmm...," Dasha said. Rin had noticed that the Tiran girl often had trouble remembering how to speak in the morning. If Finn were here," Enna continued to mumble as she rewrapped her head cloth, "he'd let me rest my head on his chest at night. Or leg. Or arm. And then he'd find whoever was responsible for the whole sleeping outside with no pillows situation and hold him while I kicked him in the shins.
Shannon Hale (Forest Born (The Books of Bayern, #4))
The baby, a girl, is born at 6:24 a.m. She weighs six pounds, ten ounces. The mother takes the baby in her arms and asks her, "Who are you, my little one?" And in response, this baby, who is Liz and not Liz at the same time, laughs.
Gabrielle Zevin (Elsewhere)
Hey there, sleeping beauty…” Over his shoulder, the sky had deepened to a denim blue. “Did you kiss me awake?” “I did.” Daemon was propped on his side, using his arm to support his head. He placed his hand on my stomach and my chest fluttered in response. “Told you, my lips have mystical powers.” My shoulders moved in a silent laugh. “How long have you been here?” “Not long.” His eyes searched mine. “I found Blake sulking around the woods. He didn’t want to leave while you were out here.” I rolled my eyes. “As much as it bothers me, I’m glad he didn’t.” “Wow. Pigs are flying.
Jennifer L. Armentrout (Opal (Lux, #3))
There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth-yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams...... And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed... He stretched out his arms to the crystalline, radiant sky. I know myself," he cried, "but that is all.
F. Scott Fitzgerald (This Side of Paradise)
The reader must come armed , in a serious state of intellectual readiness. This is not easy because he comes to the text alone. In reading, one's responses are isolated, one'sintellect thrown back on its own resourses. To be confronted by the cold abstractions of printed sentences is to look upon language bare, without the assistance of either beauty or community. Thus, reading is by its nature a serious business. It is also, of course, an essentially rational activity.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
But you've never drunk fresh blood. Have you?" Simon raised his own eyebrows in response. "Well, aside from mine, of course," Jace said. "And I'm sure my blood is fan-tastic." Simon set the empty flask down on the arm of the chair by the bed. "There's something very wrong with you," he said. "Mentally, I mean.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Freedom, "that terrible word inscribed on the chariot of the storm," is the motivating principle of all revolutions. Without it, justice seems inconceivable to the rebel's mind. There comes a time, however, when justice demands the suspension of freedom. Then terror, on a grand or small scale, makes its appearance to consummate the revolution. Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. But one day nostalgia takes up arms and assumes the responsibility of total guilt; in other words, adopts murder and violence.
Albert Camus (The Rebel)
Reyes. Alexander. Farrow," I said. Seconds after I spoke his name, Reyes walked into his bedroom, and I looked across the open space directly from my room into his. He waited for me to continue. "I feel like there's something missing from my bedroom." A dimple appeared at the corner of his mouth. "You don't say." "Any idea what that might be?" He glanced around my room as well, then shrugged. "I can't imagine." "Oh, wait," I said, stepping from my room into his, "wasn't there something here? Like, I don't know, a wall or something?" He looked up. "You could be right. I do seem to remember a barrier of some kind here." "Yep," I said, stepping closer, "I definitely remember a partition separating our apartments." When his only response was a mischievous tilt of his full mouth, I asked, "Where did you put my wall?" He crossed his arms over his chest and leaned against his doorframe. "What makes you think I took it?" "It was there this morning." "And that means I took it? Maybe you just misplaced it. Where exactly did you see it last?" I pressed my lips together. "You tore down my wall." The smile he wore could've charmed the panties off a nun. Completely unrepentant, he admitted, "I tore down your wall.
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
I did it," I gasp, still reeling from the thrill and the fear. "I really-" Quince's mouth is on mine in an instant. His arms around my waist, mine around his neck. It's the fear, i know it's the fear. And the bond. And the adrenaline. That whole i-was-this-close-to-death-and-really-really-really-glad-to-be-alive emotional response. Anxiety and relief and joy swirl between us until i can't tell which are his and which are mine. I can't not be kissing him right now. The urgency in his kiss tells me he feels the same.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
The Hierarchic Qualm: The sword kills. But the arm moves the sword. Is the arm to blame for murder? No. The mind moves the arm. Is the mind to blame? No. The mind has sworn an oath to duty, and that duty moves the mind, as written by the Throne. So it is that a servant of the Throne is blameless.
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …” I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me. “I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.
Veronica Roth (Insurgent (Divergent, #2))
Her hands quieted. "Yeah. Because even if the law says that no one is responsible for anyone else, helping someone who needs it is the right thing to do." I sat down beside her, close enough that the skin of her arm hummed right next to mine. "You really believe that?" She looked down at her lap "Yeah." Then how," I asked, "can you walk away from me?
Jodi Picoult (My Sister's Keeper)
A KISS! A KISS!" the crowd chanted. (...) "I dont know," Cleo began, sickened by the thought of it. How far was she willing to go to appear agreeable? "Quite honestly, it seems like a bad--" Magnus took a tight hold of her arm and turned her around. Before she could say another word, he put his hand behind her neck, drew her closer to him, and kissed her. Every muscle in her body stiffened. It was the sensation of being a bird caught in a hinter's trap. Her wings screamed out for her to fly away as fast and as far as possible. But he held her firmly in place, his mouth against hers, soft but demanding a response. She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown. And for a moment, just a moment, she found it didn't seem to matter. The warmth of his body against hers on such a cold day, his now-familiar scent of sandalwood, the heat of his mouth against hers...it all made her head spin, and logic fell away.
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
Sicarius,” Amaranthe said quietly. He bent low, eyes toward her face. With the men laughing and talking up front, and the lorry clacking and chugging as the stack billowed black smoke into the air, this was scarcely a romantic spot. But maybe it did not matter. His response would not likely be to wrap her in his arms and kiss her. Whatever response he gave — if he gave one at all — she anticipated it would sting. “I…uhm…” Amaranthe forced herself to meet his gaze. “I love you.” A long moment passed. She did not remember breathing. Sicarius nodded infinitesimally. “I know.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too. Dawson: That's not true. Amanda: But it is. Honeymoons always come to an end. Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right. Amanda: We're not that young anymore- Dawson: But we are. We still have the rest of our lives. Amanda: I know. That's why I need you to do something for me. Dawson: Anything. Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
Nicholas Sparks (The Best of Me)
That better not be what I think it is," Joe mumbled in the dark. It was. "It's not. Jeez, woman, someone's paranoid. It's my pocket light," he said, wincing. Ah, he was only human after all. It wasn't the first time she got him hard nor would it be the last time. The physical discomfort was a small price to pay to have her in his arms. "Well, then your flashlight is growing. Jeez, Eric, put a leash on that thing before it stabs me!" she teased. "But it likes you," he pouted. She giggled. "I seem to remember a certain tenth grade math class where it liked standing up in front of the entire class." He sucked in a breath. "Hey, that traumatized me!
R.L. Mathewson (Sudden Response (EMS, #1))
Our responsibility is to tell you the truth. But since you were never told the truth, you will believe it a lie. Lies are more affectionate than truth and embrace with both arms.
Robert Jones Jr. (The Prophets)
His(Luc) eyes widened appreciatively as he took in my dress, heels, hair. “You look beautiful.” Ethan beat me to a response. “Thank you. But you should compliment Merit as well. She cleans up nicely.” Luc snorted, glanced at me. “And you don’t look half-bad yourself, Sentinel.” “Thank you, Luc. He’s just jealous. He prefers to be the arm candy.
Chloe Neill (Dark Debt (Chicagoland Vampires, #11))
Still on my knees, I droop against Morpheus’s thighs—a solid support. The cool leather of his pants cushions my cheek. I close my eyes. Yes … I’ve been here before, held safely against him. At first, I think I’m imagining it when he bends over to scoop me into his arms. But when the scent of licorice and warm skin surrounds me, I know it’s real. “You left,” I accuse him, fighting to stay awake. “I was hurt … and you left me.” “A mistake I vow on my life-magic to never make again.” Even though he’s cradling me close, his response sounds far away. But distance doesn’t matter; he gave his word. I’ll be holding him to it.
A.G. Howard (Splintered (Splintered, #1))
The Armful For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns, Extremes too hard to comprehend at. once Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best. To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.
Robert Frost
Halt," said Horace, "I've been thinking..." Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued. "Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..." "And?" Halt asked, seeing how Horace had left the statement hanging. "Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson." But Halt was already shaking his head. "Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
For once, his vampire expression failed him. His response was right there on his face, in full view and easily read. He went from surprise to disbelief then hope and sheer, utter joy all within a split second of each other, then he let loose a huge whoop of delight and swept me into his arms, hugging me fiercely.
Keri Arthur (Moon Sworn (Riley Jenson Guardian, #9))
I go in on your arm and we separate. To make me look unavailable, since Vlad likes what he can’t have, I play dumb blonde and make myself sexy.” I glared as Adam barked with laughter at my words.“No going off of the plan, when he takes you in the back room—and he will, you work the information out of him without blowing your cover, or him.” I shot the glare to Ryder. “I have no intention of bobbing on Vlad’s knob. Or yours.” I tossed into remove the wide smirk my response had given him and it worked.
Amelia Hutchins (Fighting Destiny (The Fae Chronicles, #1))
Hey,” I murmured. One side of his full lips tipped up. “Hey there, sleeping beauty…” Over his shoulder, the sky had deepened to a denim blue. “Did you kiss me awake?” “I did.” Daemon was propped on his side, using his arm to support his head. He placed his hand on my stomach and my chest fluttered in response. “Told you, my lips have mystical powers.
Jennifer L. Armentrout (Opal (Lux, #3))
The basic distortions in the media are not innocent errors, for they are not random; rather they move in the same overall direction again and again, favoring management over labor, corporatism over anti-corporatism, the affluent over the poor, private enterprise over socialism, Whites over Blacks, males over females, officialdom over protesters, conventional politics over dissidence, anticommunism and arms-race militarism over disarmament, national chauvinism over internationalism, US dominance of the Third World over revolutionary or populist nationalist change. The press does many things and serves many functions but its major role, its irreducible responsibility, is to continually recreate a view of reality supportive of existing social and economic class power.
Michael Parenti (Inventing Reality: The Politics of News Media)
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper. "I'm a little cold... and a little nervous." "Don't be nervous, Maggie. It's juste me." It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know." He pulls me closer. I rest my head in the crook of his arm and am more content than ever. "Maggie ?" "Yeah ?" "Thanks." "For what ?" "For making me feel alive again." I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms. He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here." " I know. But I'm not asking you to be one." "You sure you know what you're getting into ?" "Nope. I've got no clue." I start kissing and feeling my way across his broad chest. "You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
Ghislaine didn’t look up from the book she was poring over. There was a stack of them on the desk before her, and another beside the narrow bed. Where the eldest and cleverest of her Thirteen had gotten them from, who she’d likely gutted to steal them, Manon didn’t care. “Hello, and come right in, why don’t you” was the response. Manon leaned against the door and crossed her arms. Only with books, only when reading, was Ghislaine so snappish. On the battlefield, in the air, the dark-skinned witch was quiet, easy to command. A solid soldier, made more valuable by her razor-sharp intelligence, which had earned her the spot among the Thirteen.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
He tightened his arms, not wanting Ty to move away. “It’s more than just fucking around now,” he said. “Isn’t it?” He made sure the tone of his voice emphasized that it wasn’t really a question. Ty was motionless in response. He didn’t even seem to be breathing. The silence stretched on, edging toward tension. Finally, he let out his breath quietly and lowered his head. “No,” he lied blithely, just as he’d done in a hotel in New York City over a year ago. Zane chuckled. A classic Grady response, and definitely the one he preferred to hear. A “yes” just might have given him a heart attack. He held Ty close. “You owe me.” “Owe you?” Ty repeated in a rough, questioning voice as Zane felt his heartbeat begin to speed up. “Mm hmm. How I’ve wanted you,” Zane breathed. “It scares the hell out of me.” “I know,” Ty murmured as he turned in place and nuzzled against Zane’s neck.
Abigail Roux (Fish & Chips (Cut & Run, #3))
Laurel’s in right field, leading off. Her fielding’s crap, but she’s got a good bat.” “My fielding is not crap.” She hit Del with the glove. “Keep it up and you’re not going to have any problem winning that beat, Brown.” When she stalked off, Mal took an easy, testing swing. “What bet?” Laurel strode straight up to Mac. “I want to switch with you. I want to play on Jack’s team.” “Baseball slut. Okay by me, but you’d better tell Jack.” She walked over to where Jack sat on the ground writing his lineup. “I switched with Mac. I’m on your team.” “Trading the redhead for the blonde. Okay, let me figure… You’re right field, leading off.” Son of a bitch. Did he and Del have telepathy? Laurel narrowed her eyes. “Why right field?” He flicked her a glance, and she saw him reconsider his response. “You’ve got a strong arm.” She pointed at him. “Good answer.” “How come you… Hey. Hey, is that Mal? Del hooked Mal?” Jack barred his teeth. “So that’s the way he wants to play the game?” “Let’s kick his ass.
Nora Roberts (Savor the Moment (Bride Quartet, #3))
Reaching Out I have given so much to things that weren't worth my time. When all along, it's the people I love that I should have carried. It's the ones I cared for whom I should have been responsible. But maybe I'm too late. Because I don't know how to talk to you. I don't know how to ask you if you're okay. I don't know how to tell you I am so afraid of losing you. How much light would leave my life if you were no longer part of it. I just hope you realize how much you mean to me. I just wish I could remind you of how beautiful you are. I'm sorry I haven't told you in so long. But please don't think I have given up on you. I will never give up on you. My arms are wide open. There is always a place for you here.
Lang Leav (Memories)
Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not-writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing — singing, laughing, learning. The responsibility, the awful responsibility of managing (profitably) 12 hours a day for 10 weeks is rather overwhelming when there is nothing, noone, to insert an exact routine into the large unfenced acres of time — which it is so easy to let drift by in soporific idling and luxurious relaxing. It is like lifting a bell jar off a securely clockwork-like functioning community, and seeing all the little busy people stop, gasp, blow up and float in the inrush, (or rather outrush,) of the rarified scheduled atmosphere — poor little frightened people, flailing impotent arms in the aimless air. That's what it feels like: getting shed of a routine. Even though one had rebelled terribly against it, even then, one feels uncomfortable when jounced out of the repetitive rut. And so with me. What to do? Where to turn? What ties, what roots? as I hang suspended in the strange thin air of back-home?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
It sickens me to think of you a prevalence of void unholy immovable damned. gifts. an overblown sense of his own importance. I wish you were dead. forget about you. crow florid with fantasies it's so awful a perfect imitation a liability to love forget you Ingrid Magnussen quite alone masturbating rot disappointment grotesque Your arms cradle poisons garbage grenades Loneliness long-distance cries forever never response. take everything feel me? the human condition Stop plotting murder penitence Cultivate it you forbid appeal rage important I cringe fuck you insane person dissonant and querulous my gas tanks marked FULL
Janet Fitch (White Oleander)
The dead at Nyarubuye were, I'm afraid, beautiful. There was no getting around it. The skeleton is a beautiful thing. The randomness of the fallen forms, the strange tranquillity of their rude exposure, the skull here, the arm bent in some uninterpretable gesture there - these things were beautiful, and their beauty only added to the affront of the place. I couldn't settle on any meaningful response: revulsion, alarm, sorrow, grief, shame, incomprehension, sure, but nothing truly meaningful.
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
But if the cause be not good, the king himself hath a heavy reckoning to make, when all those legs and arms and heads, chopped off in battle, shall join together at the latter day and cry all 'We died at such a place;' some swearing, some crying for a surgeon, some upon their wives left poor behind them, some upon the debts they owe, some upon their children rawly left. I am afeard there are few die well that die in a battle; for how can they charitably dispose of anything, when blood is their argument? Now, if these men do not die well, it will be a black matter for the king that led them to it; whom to disobey were against all proportion of subjection.
William Shakespeare (Henry V)
Hi" he said "Hi" "I'd like to kiss you" He waited a moment for my response, then added, "Or, if you rather, we can dance, as long as we can get you unstuck." "I think I'm in deep." "Me, too," he said, looking into my eyes. His head moved closer to mine. Then he lifted his hand, cupping my cheek ever so gently. His lips touched my lips, light as a butterfly, once, twice. The kisses were so lovely, so lovely I couldn't help it-I did a totally stupid, uncool thing. I sighed. I heard the laughter rumbling inside Nick and I started to pull away. But his arms wrapped around me. He held me close and pressed his lips against mine. A thrill went through me. I kissed him back-I didn't think about it, just kissed him with all that my heart felt.
Elizabeth Chandler (Don't Tell (Dark Secrets, #2))
The game is a dominance game called I Must Impress This Woman. Failure makes the active player play harder. Wear a hunched back or a withered arm; you will then experience the invisibility of the passive player. I'm never impressed -- no woman ever is -- it's just a cue that you like me and I'm supposed to like that. If you really like me, maybe I can get you to stop. Stop; I want to talk to you! Stop; I want to see you! Stop; I'm dying and disappearing! SHE: Isn't it just a game? HE: Yes, of course. SHE: And if you play the game, it means you like me, doesn't it? HE: Of course. SHE: Then if it's just a game and you like me, you can stop playing. Please stop. HE: No. SHE: Then I won't play. HE: Bitch! You want to destroy me. I'll show you. (He plays harder) SHE: All right. I'm impressed. HE: You really are sweet and responsive after all. You've kept your femininity. You're not one of those hysterical feminist bitches who wants to be a man and have a penis. You're a woman. SHE: Yes. (She kills herself)
Joanna Russ (The Female Man)
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning. And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car. Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late." Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms. "Hunter!" she gasped as he carried her effortlessly toward the car. He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Tipping my head back, I looked into his bottle-green eyes. This…this was more than okay. And it took me several tries to speak, because my throat was burning with emotion. “I think I might love you.” Daemon’s arm tightened around me as he kissed my flushed cheek. “Told you.” Not what I expected as a response. He chuckled, rolling onto his side—onto me, really. “My bet—I won. I told you that you’d tell me you loved me on New Year’s Day.” Looping my arms around his neck, I shook my head. “No. You lost.” Daemon frowned. “How do you figure?” “Look at the time.” I tipped my chin toward the clock. “It’s past midnight. It’s January second. You lost.” For several moments he stared at the clock like it was an Arum he was about to blast into the next county, and then his eyes found mine. Daemon smiled. “No. I didn’t lose. I still won.
Jennifer L. Armentrout (Onyx (Lux, #2))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
The dead at Nyarubuye were, I'm afraid, beautiful. There was no getting around it. The skeleton is a beautiful thing. The randomness of the fallen forms, the strange tranquility of their rude exposure, the skull here, the arm bent in some uninterpretable gesture there--these things were beautiful, and their beauty only added to the affront of the place. I couldn't settle on any meaningful response: revulsion, alarm, sorrow, grief, shame, incomprehension, sure, but nothing truly meaningful. I just looked, and I took photographs, because I wondered whether I could really see what I was seeing while I saw it, and I wanted also an excuse to look a bit more closely.
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I hated being a kid.” He folds his arm beneath his head and looks almost furtively in my direction. “I’d have no idea how to get someone else through it, and I definitely wouldn’t enjoy it. I like them, but I don’t want to be responsible for any.” “Agreed,” I say. “I love my nieces more than anything on the planet, but every time Tala falls asleep in my lap, her dad gets all teary-eyed and is like, Doesn’t it just make you want to have some of your own, Nora? But when you have kids, they count on you. Forever. Any mistake you make, any failure—and if something happens to you . . .” My throat twists. “People like to remember childhood as all magic and no responsibilities, but that’s not really how it is. You have absolutely no control over your environment. It all comes down to the adults in your life, and . . . I don’t know. Every time Libby has a new kid, it’s like there’s this magic house in my heart that rearranges to make a new room for the baby. “And it always hurts. It’s terrifying. One more person who needs you.
Emily Henry (Book Lovers)
Persons Are Turned against Themselves Evil also turns a person against herself so that self is used against self. The case of the woman who received a dismissal letter from her pastor comes to mind again. The psychological decompensation she suffered was successfully used by her husband to intercede with a psychiatrist of his choosing to commit her to the mental unit of a hospital for an extended involuntary stay, which further worsened her condition. Additional examples abound. Some patients report cults using induced hypnotic states to encourage a subject's dissociated hands and arms to do something hurtful to someone else. In such cases, the subject is encouraged to watch the hand that is hers but not hers (because it is dissociated from her). The end result is often extreme guilt. self-loathing, and distrust of one's self and motives.An incestuous parent may use a child's own natural bodily responses to repeated sexual stimulation to make the point that the child really "wants and enjoys“ what is being forced upon her.
J. Jeffrey Means (Trauma and Evil: Healing the Wounded Soul)
Vormurtos leaned on the frame with his arms crossed, and failed to move aside. At Miles's polite, "Excuse us, please," Vormurtos pursed his lips in exaggerated irony. "Why not? Everyone else has. It seems if you are Vorkosigan enough, you can even get away with murder." Ekaterin stiffened unhappily. Miles hesitated a fractional moment, considering responses: explanation, outrage, protest? Argument in a hallway with a half-potted fool? No. I am Aral Vorkosigan's son, after all. Instead, he stared up unblinkingly, and breathed, "So if you truly believe that, why are you standing in my way?" Vormurtos's inebriated sneer drained away, to be replaced by a belated wariness. With an effort at insouciance that he did not quite bring off, he unfolded himself, and opened his hand to wave the couple past. When Miles bared his teeth in an edged smile, he backed up an extra and involuntary step. Miles shifted Ekaterin to his other side and strode past without looking back. Ekaterin glanced over her shoulder once, as they made their way down the corridor. In a tone of dispassionate observation, she murmured, "He's melted. You know, your sense of humor is going to get you into deep trouble someday." "Belike," Miles sighed.
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
You missed him," she said. Somehow it didn't seem possible. He was so sure of himself, almost invincible in his manner. "I hit what I was aiming at," he answered quietly. "We have to keep moving. I'm hoping I slowed them down, but we can't count on it." He forced the oars through the water with his powerful arms and the boat shot through the channel toward open water. "I didn't feel anything." His gaze brushed her face, an odd little caress she felt all the way through her body, just as if he'd touched her with his fingers. "I wasn't aiming at you." She caught the fleeting glint of his white teeth in what could have been a brief smile. One dark eyebrow rose in response. "Has anyone ever told you your sense of humor needs a little work?" "No one's ever accused me of having a sense of humor before. You keep insulting me. First you accuse me of missing, and then you try to tell me I have a sense of humor." His face was made of stone, his tone devoid of all expression. His eyes were flat and ice cold, but Dahlia felt him laughing. Nothing big, but it was there in the boat between then, and the terrible pressure in her chest lifted a bit. "And it needs work," she pointed out. "Get it right." She even managed a brief smile of her own to match his.
Christine Feehan (Mind Game (GhostWalkers, #2))
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.” He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.” I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again. I spoke to him softly, “Ren? I’m here. Don’t give up.” He raised his head as if he’d heard me. “Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared. I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes. I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him. He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?” “Well, I’m no maggoty corpse, if that’s what you mean.” He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.” I countered, “Well, how do I know it’s really you?” He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response. When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.” He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.” I smiled gaily back at him. “No problem.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
My Dearest, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away. I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.” I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again. I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be. But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us. I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible. And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
Nicholas Sparks (Message in a Bottle)
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.
Don DeLillo
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
What happened isn't your fault." "Maybe. But maybe this wouldn't have happened if I'd run away with you." "You still can." "No, I can't." I shook my head. "I have so much I need to do here. I can't just leave it all behind. But you can stay here. I will grant you amnesty." "Mmm, I knew it." He smiled. "You'd miss me too much if I left." I laughed. "Hardly." "Hardly?" Loki smirked. He'd lowered his arm, so his hand was on my waist. Loki was incredibly near, and his muscles pressed against me. I knew that I should move away, that I had no justifiable reason to be this close to him, but I didn't move. "Would you?" Loki asked, his voice low. "Would I what?" "Would you run away with me, if you didn't have all the responsibilities and the palace and all that?" "I don't know," I said. "I think you would." "Of course you do." I looked away from him, but I didn't move away. "Where did you get the pajamas, by the way? You didn't bring anything with you when you came." "I don't want to tell you." "Why not?" I looked sharply at him. "Because. I'll tell you, and it will ruin this whole mood," Loki said. "Can't we just sit here and look longingly into each other's eyes until we fall into each other's arms, kissing passionately?" "No," I said and finally started to pull away from him. "Not if you don't tell me-" "Tove," Loki said quickly, trying to hang on to me. He was much stronger than me, but he let me push him off. "Of course." I stood up. "That's exactly the kind of thing my fiancé would do. He's always thinking of other people." "It's just pajamas!" Loki insisted, like that would mean something. "Sure, he's a terrifically nice guy, but that doesn't matter." "How does that not matter?" I asked. "Because you don't love him." "I care about him," I said, and he shrugged. "And it's not like I love you." "Maybe not," he allowed. "But you will." "You think so?" I asked. "Mark my words, Princess," Loki said. "One day, you'll be madly in love with me." "Okay." I laughed, because I didn't know how else to respond. "But I should go. If I've given you amnesty, that means I have to go about enacting it, and getting everyone to agree that it's not a suicidal decision." "Thank you." "You're welcome," I said and opened the door to go. "It was worth it," Loki said suddenly. "What was?" I turned back to him. "Everything I went through," he said. "For you. It was worth it.
Amanda Hocking (Ascend (Trylle, #3))
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)