“
Stop fighting me!" he said, trying to pull on the arm he held.
He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.
“Let go of me!” I yelled back.
But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.
See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.
I looked him in the eye. "I will always love you."
Then I plunged the stake into his chest.
It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.
"That’s what I was supposed to say. . .” he gasped out.
Those were his last words.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
She didn't need to understand the meaning of life; it was enough to find someone who did, and then fall asleep in his arms and sleep as a child sleeps, knowing that someone stronger than you is protecting you from all evil and all danger
”
”
Paulo Coelho (Brida)
“
I'm not dangerous at all I never hurt Grandpa or Sue or Billy. I love humans. And wolf-people like my Jacob."Renesmee dropped Edward's hand to reach back and pat Jacob's arm.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
I watch the Eruptions. Mount Dad, long dormant, now considered armed and dangerous. Mount Saint Mom, oozing lava, spitting flame. Warn the villagers to run into the sea.
”
”
Laurie Halse Anderson (Speak)
“
Ty is like... a ninja on crack.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
What? It’s not my blood!”
“Let me see it,” Julian demanded, and a moment later there were sounds of a scuffle from the back seat.
“I am AB positive and this is distinctly type O blood!” Ty finally shouted at him. “Look at the little Os!
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
I don't think I've ever been gayer than I am right now.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
I love you" Ty said, the quiet words devoid of any self-consciousness of his usual bravado. " And I've never been able to say that before with such conviction. I can't remember a time when you weren't the first thing I thought of, and I want to spend the rest of my life with you. I don't care what stands in our way.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration?
I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer.
She lit the match.
”
”
Susanna Kaysen (Girl, Interrupted)
“
What's so dangerous about my arms?' he murmured.
'For me, everything.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
You totally just outed us to the criminals.
-Ty to Zane
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. The effects are apparent in many countries. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property – either as a child, a wife, or a concubine – must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. Thousands become the brave and loyal soldiers of the faith: all know how to die but the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytizing faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science, the science against which it had vainly struggled, the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
”
”
Winston S. Churchill (The River War)
“
When we reached the door, Belen stepped in the way. 'If any harm—'
'Comes to her, you’ll rip out my arms. Got it,' Kerrick said.
'I’m serious,' Belen said.
'I know. Do you really think I’d put her in danger?'
'Not on purpose, but things happen that are out of your control.'
Kerrick gave him a tight smile. 'You mean I'm not omnipotent?'
'You're not even semi-potent.'
'Is that even a word?' Kerrick asked.
'He probably means you're impotent,' I offered.
”
”
Maria V. Snyder (Touch of Power (Healer, #1))
“
...But the Mahommedan religion increases, instead of lessening, the fury of intolerance. It was originally propagated by the sword, and ever since, its votaries have been subject, above the people of all other creeds, to this form of madness. In a moment the fruits of patient toil, the prospects of material prosperity, the fear of death itself, are flung aside. The more emotional Pathans are powerless to resist. All rational considerations are forgotten. Seizing their weapons, they become Ghazis—as dangerous and as sensible as mad dogs: fit only to be treated as such. While the more generous spirits among the tribesmen become convulsed in an ecstasy of religious bloodthirstiness, poorer and more material souls derive additional impulses from the influence of others, the hopes of plunder and the joy of fighting. Thus whole nations are roused to arms. Thus the Turks repel their enemies, the Arabs of the Soudan break the British squares, and the rising on the Indian frontier spreads far and wide. In each case civilisation is confronted with militant Mahommedanism. The forces of progress clash with those of reaction. The religion of blood and war is face to face with that of peace.
”
”
Winston S. Churchill (The Story of the Malakand Field Force)
“
Why a compass?” Ty asked. He hadn’t taken his eyes off Zane’s yet.
Zane smiled and ran his thumb across the pendant. “Because you gave me direction when I was lost. You showed me the way.” He looked up to meet Ty’s eyes. “You’re like my very own compass.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Its twice as terrifying, working with someone you love. A mistake could cost you everything. It makes what they do that much more ... impressive. "
- Julian about ty & zane
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Because… you make me the kind of person I’ve always wished I was.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
What do you want, MacGuffin, a duel?”
“No.” Julian held out both hands, one palm flat, the other held over it in a fist. “Rock, paper, scissors. Two out of three.”
Ty rolled his eyes and held out his fist, apparently willing to play. Julian hit his palm three times, and Ty kept time with his fist in the air. But when Julian threw a paper, Ty reached into his jacket with his other hand and pulled his gun, aiming it at Julian.
“Ty!” Zane said in exasperation from the front seat.
“Glock, paper, scissors. I win.”
“You are an ass,” Julian muttered.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Will tossed the bloody cloth aside. “And you wonder why we aren’t friends.”
“I just wondered,” Gabriel said, in more subdued voice, “if perhaps you have ever had enough.”
“Enough of what?”
“Enough of behaving as you do.”
Will crossed his arms over his chest. His eyes glistening dangerously. “Oh, I can never get enough,” he said. “Which, incidentally, is what your sister said to me when─”
The carriage door flew open. A hand shot out, grabbed Will by the back of his shirt, and hauled him inside.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Zane heard Ty whuff from within the bathroom, and by the time he looked back, Ty had shoved Julian’s face against the shower wall and was holding him there by the back of his head.
“Watch the elbows.”
“Watch your fingers,” Julian snapped.
“Welcome to TSA training, bitch.”
“Want the other set of cuffs?” Zane asked, hoping to appease his cranky partner. “You could spread his arms out.”
“Will someone please tell me the safe word?” Julian asked.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
I'm fine, love. Agent Grady just needed a cuddle. And possibly a piece of my spleen.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Goddammit!” Zane lashed out without warning and hit the water bottle, sending it skidding across the carpet and splattering at Julian’s feet. “I’m gonna end up in the fucking madhouse because of you!” He reached out and grabbed Ty’s wrist, pulling him closer. “Loving you is going to make me fucking insane! I said no, and I mean it!
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Burns hummed, meeting Ty's eyes and trying not to smile. "You want the CIA to believe that you mistook your partner for your prisoner, handcuffed him, and delivered him to Langley?"
Ty shrugged. "I mean...he grew a beard. It was an honest mistake."
Burns nodded. "Fair enough.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Beaumont. Tyler. Grady."
"Wait, whoa, full names? What the hell, Garrett?
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
All I could think about was you. I wanted you in the apartment. I wanted your arms around me, your face close to mine. I wanted your smell. And I knew I couldn’t - shouldn’t - have it. That’s what I hated most. The uncertainty of you. You’d kidnapped me, put my life in danger . . . but I loved you, too.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
He was everything your mother warned you about when she told you not to walk alone in the dark.
”
”
Nenia Campbell (Armed and Dangerous (The IMA, #2))
“
I love you, I will always be yours Zane- no matter where I am or where you are.I promise you that," he said, the words as serious as Zane had ever heard Ty utter.
Zane felt flush all over, a little light-headed, and more than a little off kilter. What Ty promised.. . It was more than Zane had ever expected to want from anyone else ever again. But he did want that from Ty, desperately.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Cameron found himself smiling as he thought about the two tough, acerbic FBI agents. "It's so cute. They're in love."
"It's like watching two kittens fight with machetes," Julian muttered.
"Julian."
"What? Its weird!"
"No its not. They're perfect for each other. Poor Zane though," Cameron murmured. "In love with Ty Grady." He couldn't imagine how frustrating that would be. Then Julian inhaled, and Cameron chuckled slightly. Yeah, he could actually.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
How do you want me to touch you?" Zane asked in a voice that rasped against Ty's skin.
"I just want you.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
The CIA currently has in custody two FBI agents and a Boston police detective who is demanding they pay for the damage to his boat."
"He's okay?"
Burns nodded. "Emptied a double-barreled shotgun at a couple of Company lackeys, and then they arrested him. He spent all night claiming he thought they were the Men in Black coming to scan his brain"
Ty bit his lip so he wouldn't laugh.
-- about Nick
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Come on, " he said after a few seconds of content silence. "Let's go see the sights for a few hours. Pretend it's real."
Zane's brow wrinkled "Pretend what's real?"
Ty slid his hand down Zane's arm and linked their fingers again. "That I can hold your hand without worrying about being reconized.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
...love must be regarded as one of the religious and dangerous experiences, because it lifts people out of the arms of reason and sets them afloat with no ground under their feet.
”
”
Robert Musil (The Man Without Qualities: Volume I)
“
Zane glanced toward the stairwell, then back to Nick. "How close are you?" he finally blurted out. "I have no frame of reference, other than the oorah and your tongue down his throat.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Ty could start an argument with Gandhi if he put his mind to it.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Deuce glanced at him before turning his attention back to Zane and Julian. “Dare I ask what you’ve done to deserve protective custody?” he asked Julian. “I deal antiques,” Julian answered in a soft voice. Deuce nodded, looking Julian up and down. He turned his head to look at Ty speculatively. “That’s a euphemism for ‘I kill things’, isn’t it?
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Does it make you feel better to know that I missed the hell out of you?" Ty whispered, lips moving against Zane's. "And I hope your still just a little angry when get back to my hotel."
Zane let out a shuttering breath, "It'll be more than just a little."
Ty hummed, the sound deep and anticipatory. It was almost a purr. "Promise?
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Julian met Cameron’s eyes.
“I’ll die before anything happens to you,” he promised.
“That’s what I’m afraid of,” Cameron whispered.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
We made it through the traps. Though dangerous, I'd go back through them all just to have her wrap her arms around me like that again.#Ren
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The questioners had that beautiful detachment and devotion to stern justice of men dealing in death without being in any danger of it.
”
”
Ernest Hemingway (A Farewell to Arms)
“
If we weren't about to face another terrible passageway filled with life-threatening danger, I'd take you in my arms this instant.
”
”
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper #2))
“
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
he had never felt this type of heat and longing for another person. He didn't know how Zane did it, but Ty knew that there would never be anyone else for him. He wanted Zane to feel that too, to have that assurance both physically and emotionally. He would do whatever he had to make sure Zane knew he was his
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
He'd seen a phoenix waiting to rise from the ashes, and he still did. every time he looked into Zane, he saw something extraordinary.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
He's going to twitch himself through the moon roof.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Deep down in their psyches, both brothers were really just waiting to get old enough to sit on a porch and bang things with a shovel (Armed & Dangerous)
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
The night had fallen. I had let my tools drop from my hands. Of what moment now was my hammer, my bolt, or thirst, or death? On one star, one planet, my planet, the Earth, there was a little prince to be comforted. I took him in my arms, and rocked him. I said to him:
"The flower that you love is not in danger. I will draw you a muzzle for your sheep. I will draw you a railing to put around your flower. I will --"
I did not know what to say to him. I felt awkward and blundering. I did not know how I could reach him, where I could overtake him and go on hand in hand with him once more.
It is such a secret place, the land of tears.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
And when we get there you can shave that fucking ferret's nest off your face.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
”
”
Susanna Kaysen (Girl, Interrupted)
“
I'm pretty sure those're my balls you've found,” I said to the man searching my pants. “You gonna count 'em out now? Because I'll save you the trouble. There's two.
”
”
Nenia Campbell (Armed and Dangerous (The IMA, #2))
“
I had a fucking standing ovation going on in my goddamn pants, and it was demanding an encore.
”
”
Nenia Campbell (Armed and Dangerous (The IMA, #2))
“
Juliette embraced danger with open arms. It seemed that Roma couldn’t do so even when his whole world was at risk, even while Alisa was strapped down by her arms and legs.
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
Who the hell needs this many dogs anyway?” “What’s wrong with being a pet owner?” Cameron asked. “Yeah, you pronounced ‘hoarder’ wrong.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Death and life are in the power of the tongue, and those who love it will eat its fruit. Proverbs 18:21 NASB
”
”
John Ramirez (Armed and Dangerous: The Ultimate Battle Plan for Targeting and Defeating the Enemy (A Biblical & Practical Guide to Spiritual Warfare))
“
I hate it, all of this," I screamed, my voice breaking. "I even hate him, even him." A huge sob came up from my chest.
And I did, right then. I hated you for everything; for making me feel so helpless everywhere I went, for making me lose control. I hated you for all the emotions in my head, for the confusion... for the way I was suddenly doubting everything. I hated you for turning my life upside down and then smashing it into shards. I hated you for making me stand with a whirring fan in my hand, screaming at my mum.
But I hated you for something else, too. Right then, and at every moment since you'd left me, all I could think about was you. I wanted you in that apartment. I wanted your arms around me, your face close to mine. I wanted your smell. And I knew I couldn't-shouldn't-have it. That's what I hated most. The uncertainty of you. You'd kidnapped me, put my life in danger... but I loved you, too. Or thought I did. None of it made sense.
”
”
Lucy Christopher (Stolen (Stolen, #1))
“
You told Clancy to take her pom-poms and go home.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
At such times, the heart of man turns instictively towards his Maker. In prosperity, and whenever there is nothing to injure or make him afraid, he remembers Him not, and is ready to defy Him; but place him in the midst of dangers, cut him off from human aid, let the grave open before him, then it is, in the time of his tribulation, that the scoffer and unbelieving man turns to God for help, feeling there is no other hope, or refuge, or safety, save in his protecting arm.
”
”
Solomon Northup (Twelve Years a Slave)
“
For man, when perfected, is the best of animals, but, when separated from law and justice, he is the worst of all; since armed injustice is the more dangerous, and he is equipped at birth with the arms of intelligence and with moral qualities which he may use for the worst ends. Wherefore, if he have not virtue, he is the most unholy and the most savage of animals, and the most full of lust and gluttony. But justice is the bond of men in states, and the administration of justice, which is the determination of what is just, is the principle of order in political society.
”
”
Aristotle (Politics)
“
And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go. The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice, will never fail to show his love, will never become jealous, will never fall in love with someone else, will never lose the passion of this instant of time.
”
”
Alan Lightman (Einstein’s Dreams)
“
What had sparked them to go from hating each other like these two did, to loving each other like they did now? Some random tumble of Fate, a fly-by jumble of chance. Zane didn't know, but he thanked God for it every day.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
She would never tell him and was ashamed to admit it, even to herself, but she’d fallen in love with him the instant she’d seen him. She’d been taken at gunpoint to the alleyway outside a gallery showing her paintings and had seen a powerful man, not tall but immensely broad. He was facing three armed thugs and he hadn’t looked frightened at all.
He’d looked dangerous.
And she’d fallen.
”
”
Lisa Marie Rice (Reckless Night (Dangerous #3.5))
“
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed.
He brought his face toward mine. “You are to me.”
And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Zane didn’t laugh this time. In years past he had sat uncounted times in the dark of night,smoking, shooting up, drinking, wondering if the coming morning would be the one when he didn’t wake up. Sometimes he’d even prayed for it. But not since Ty. Yeah, he believed in miracles.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Truth is dangerous. It topples palaces and kills kings. It stirs gentle men to rage and bids them take up arms. It wakes old grievances and opens forgotten wounds. It is the mother of the sleepless night and the hag-ridden day. And yet there is one thing that is more dangerous than Truth. Those who would silence Truth’s voice are more destructive by far.
It is most perilous to be a speaker of Truth. Sometimes one must choose to be silent, or be silenced. But if a truth cannot be spoken, it must at least be known. Even if you dare not speak truth to others, never lie to yourself.
”
”
Frances Hardinge (Fly by Night)
“
Almost halfway down the aisle, she saw someone she wasn't expecting, and she almost stumbled on her satin heels.
Kingsley Martin stood at the end of a pew, his arms crossed. He was wearing a tuxedo as well. Just like any other guest. What was he doing here? He was supposed to be in Paris! He was supposed to be gone!
He looked directly at Mimi.
She heard his voice loud and clear in her head. Leave him.
Why should I? What do you promise me?
Nothing. And everything. A life of danger and adventure. A chance to be
yourself. Leave him. Come with me.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
Ty rolled his eyes. He reached to the small of his back and took out the backup gun he’d taken off one of the bodies, checking it before handing it to Deuce. “Put that under your pillow.” Deuce looked down at it with a heavy sigh but didn’t take it. “Yeah, okay. But you can keep that. My regular schedule doesn’t involve shooting myself in the ass in the morning
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
He had not stopped desiring her for a single instant. He found her in the dark bedrooms of captured towns, especially in the most abject ones, and he would make her materialize in the smell of dry blood on the bandages of the wounded, in the instantaneous terror of the danger of death, at all times and in all places. He had fled from her in an attempt to wipe out her memory, not only through distance but by means of a muddled fury that his companions at arms took to be boldness, but the more her image wallowed in the dunghill of the war, the more the war resembled Amaranta. That was how he suffered in exile, looking for a way of killing her with his own death...
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall.
Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair
flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously.
Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so—
Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny
floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall.
The wall was strangely warm.
The wall chuckled.
“Whoa,” a deep voice said. “You okay, sweetheart?
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
Hey,” Watney said over the radio, “I've got an idea.”
“Of course you do,” Lewis said. “What do you got?”
“I could find something sharp in here and poke a hole in the glove of my EVA suit. I could use the escaping air as a thruster and fly my way to you. The source of thrust would be on my arm, so I'd be able to direct it pretty easily.”
“How does he come up with this shit?” Martinez interjected.
“Hmm,” Lewis said. “Could you get 42 meters per second that way?”
“No idea,” Watney said.
“I can't see you having any control if you did that,” Lewis said. “You'd be eyeballing the intercept and using a thrust vector you can barely control.”
“I admit it's fatally dangerous,” Watney said. “But consider this: I'd get to fly around like Iron Man.”
“We'll keep working on ideas,” Lewis said.
“Iron Man, Commander. Iron Man.
”
”
Andy Weir (The Martian)
“
What did I care about my hammer, about my bolt, about thirst or death? There was, on one star, on one planet, on mine, the Earth, a little prince to be consoled! I took him in my arms. I rocked him. I told him, 'The flower you love is not in danger...I'll draw you a muzzle for your sheep...I'll draw you a fence for your flower...I' I didn't know what to say. How clumsy I felt! I didn't know how to reach him, where to find him...It's so mysterious, the land of tears.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
I'm not going to force you into anything you don't want. But I'm also not going to take a vow of chastity and pine away for you, or whatever the hell it is that men do in romance novels these days. I have needs. I'd rather satisfy them with you, but if you don't want me I suppose I'll just have to find someone else. Might take me a while, but I'll make do. I always have before.
”
”
Nenia Campbell (Armed and Dangerous (The IMA, #2))
“
We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity. We would call forth in our minds the image of Paul Revere, riding through the American night, petitioning the people to wake up, to take up arms. We too would take up arms, the arms of our generation, the electric guitar and the microphone.
”
”
Patti Smith (Just Kids)
“
- A mother, a real mother with a little child, thinks day and night about the welfare of the little one in her arms. A mother knows what dangers the child will have to encounter as he grows up. She does not let the father reassure her when he makes light of things and says that the children have to find their own way.
A mother worries, for she carries the burden, and she often sees much deeper than the father just where the child is in danger.
”
”
Johann Christoph Blumhardt
“
14. Muddy Road
Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling.
Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection.
"Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud.
Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?"
"I left the girl there," said Tanzan. "Are you still carrying her?
”
”
Nyogen Senzaki (Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings)
“
Halt," said Horace, "I've been thinking..."
Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued.
"Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..."
"And?" Halt asked, seeing how Horace had left the statement hanging.
"Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson."
But Halt was already shaking his head.
"Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish?
There are some nations in Europe whose inhabitants think of themselves in a sense as colonists, indifferent to the fate of the place they live in. The greatest changes occur in their country without their cooperation. They are not even aware of precisely what has taken place. They suspect it; they have heard of the event by chance. More than that, they are unconcerned with the fortunes of their village, the safety of their streets, the fate of their church and its vestry. They think that such things have nothing to do with them, that they belong to a powerful stranger called “the government.” They enjoy these goods as tenants, without a sense of ownership, and never give a thought to how they might be improved. They are so divorced from their own interests that even when their own security and that of their children is finally compromised, they do not seek to avert the danger themselves but cross their arms and wait for the nation as a whole to come to their aid. Yet as utterly as they sacrifice their own free will, they are no fonder of obedience than anyone else. They submit, it is true, to the whims of a clerk, but no sooner is force removed than they are glad to defy the law as a defeated enemy. Thus one finds them ever wavering between servitude and license.
When a nation has reached this point, it must either change its laws and mores or perish, for the well of public virtue has run dry: in such a place one no longer finds citizens but only subjects.
”
”
Alexis de Tocqueville (Democracy in America)
“
Neither in war nor yet at law ought any man to use every way of escaping death. For often in battle there is no doubt that if a man will throw away his arms, and fall on his knees before his pursuers, he may escape death; and in other dangers there are other ways of escaping death, if a man is willing to say and do anything. The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs faster than death.
”
”
Socrates (Apology)
“
Grady and Preston were both after the same mark in Paris a few years ago,” Julian said to
Zane. “They met during what I hear was a drunken, debauched night of… selling antiques. That’s how
I knew Ty had been there. I never saw him.”
“Such unnecessary details,” Preston murmured.
“Ty, seriously,” Zane grunted.
“How is this my fault?” Ty asked in exasperation.
“Do you have a history with every guy with a gun in the Northern hemisphere?”
“Oh, like you don’t have some winners back there you hope we never run into. Let’s head to
Miami and see what comes out of the woodwork.”
“Ty.”
“I like guys with guns!”
“Oh my God,” Julian muttered as he rubbed at his eyes.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
...the first murmurings from the liberal part of the U.S.A. that we were somehow in the wrong, brutal killers, bullying other countries; that we who put our lives on the line for our nation at the behest of our government should somehow be charged with murder for shooting our enemy. Its an insidious progression, the criticisms of the U.S. Armed Forces from politicians and from the liberal media, which knows nothing of combat, nothing of our training, and nothing of the mortal dangers we face out there on the front line.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
Margaret realized the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is no that of a man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed. The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.
”
”
E.M. Forster
“
You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise.
Or maybe Nash's Influence was still affecting her a little.
"No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list."
"So, you're not...dangerous?"
His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...."
"Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt.
"Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls."
"Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all.
The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
”
”
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
“
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper.
"I'm a little cold... and a little nervous."
"Don't be nervous, Maggie. It's juste me."
It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know."
He pulls me closer. I rest my head in the crook of his arm and am more content than ever.
"Maggie ?"
"Yeah ?"
"Thanks."
"For what ?"
"For making me feel alive again."
I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms.
He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here."
" I know. But I'm not asking you to be one."
"You sure you know what you're getting into ?"
"Nope. I've got no clue." I start kissing and feeling my way across his broad chest.
"You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
”
”
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
“
How could I not fall in love with him," she asked. And on the tail end of her words, her bedroom door flew open and closed just as fast.
Jen bent over, panting heavily as she looked up at Sally.
"Hey Sally girl. Who we falling in love with?" Jen asked breathlessly.
"Jen, what's wrong?" Sally paused and then decided on a better question. "What have you done now?"
Jen stood up and took two deep breaths. Seeming to have regained her wind, she spoke quickly.
"First off, I've changed my mind. I don't want you to name your first born after me."
Sally interrupted. "Thank goodness for that," she muttered.
"I want you to name your entire freaking litter after me," Jen growled. "Do you know what I've been through?" Jen's arms were flinging around as she glared at Sally. "I did that little strip tease to try and keep things from escalating with the rest of the pack and Decebel was beyond pissed. I had to sneak out of the gathering room and make a run for it. I've been running through the freaking forest trying to throw him off by changing back and forth so that I could place my clothes that I carried in my freaking muzzle. CARRIED IN MY MUZZLE SALLY! I put them in different places to throw off him off my scent." Jen went over to Sally's window and was trying to judge the danger of using it as an exit.
”
”
Quinn Loftis
“
She turned and looked at Deuce, giving him a helpless gesture. “What the hell is going on?” “Livi, you remember my brother, Ty. This is his partner, Zane Garrett.”
“Hi,” Zane offered in a low voice that sent a shiver up Ty’s spine.
“And these are their… friends, Julian and Cameron,” Deuce said as he waved at the other two men.
“Nice to meet you,” Cameron mumbled. She greeted them each, overwhelmed by the surprise, then looked at the doorknob and the string of straws, shaking her head.
“What is all this?”
“It was a security measure. We’re running from the CIA,” Ty told her, not even attempting to spare her. “They’re trying to kill us.”
“Well, kill him, specifically,” Zane added as he pointed at Julian.
“I sell antiques,” Julian said, monotone.
She narrowed her eyes, looking amongst them and then at Deuce.
“Is this some sort of boys’ weekend that I’m not supposed to intrude on? Because I can totally leave before they hurt themselves trying to lie convincingly.”
Deuce gave her a warm smile and shook his head. “I think the only one lying is him,” he said, pointing at Julian.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.
Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.
The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger.
”
”
Ernst Jünger (The Glass Bees)
“
Wait, wait, wait. Are you telling me they stick you out here where there are no Daimons and you don’t have a weak spot? What kind of shit is that? I live in Daimon Central with one hell of an Achilles’ heel that no one ever bothered to mention, and you live where there’s no danger to you and yet you don’t have one? What’s not fair with this picture? And then Ash asks me to come up here to save your ass and here we are dropping like flies while you’re Teflon. No, I have a problem with this. I love you, man, but dayam. This just ain’t right. I’m up here freezing my balls off, and you, you don’t need protection. Meanwhile I have a bull’s-eye on my arm that says, ‘Hey, Daimon on steroids, kill me right here.’ Do you realize, I put my keys in my mouth to pull out my wallet to pay for gas and they froze there? The last thing I want to do is die up here in this godforsaken place at the hands of some freaked-out something no one has ever heard of before except for Guido the Killer Squire from Jersey? I swear I want someone’s ass for this. (Jess)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had!
"I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now."
"Think again," it said: "that won't do."
Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little."
"I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here."
So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
...it was complicated, she wasn't thinking only of herself but me too, since we'd both been through so many of the same things, she and I, and we were an awful lot alike-too much. And because we'd both been hurt so badly, so early on, in violent and irremediable ways that most people didn't, and couldn't, understand, wasn't it a bit… precarious? A matter of self-preservation? Two rickety and death-driven persons who would need to lean on each other quite so much? not to say she wasn't doing well at the moment, because she was, but all that could change in a flash with either of us, couldn't it? the reversal, the sharp downward slide, and wasn't that the danger? since our flaws and weaknesses were so much the same, and one of us could bring the other down way too quick? and though this was left to float in the air a bit, I realized instantly, and with some considerable astonishment, what she was getting at. (Dumb of me not to have seen it earlier, after all the injuries, the crushed leg, the multiple surgeries; adorable drag in the voice, adorable drag in the step, the arm-hugging and the pallor, the scarves and sweaters and multiple layers of clothes, slow drowsy smile: she herself, the dreamy childhood her, was sublimity and disaster, the morphine lollipop I'd chased for all those years.)
”
”
Donna Tartt (The Goldfinch)
“
Your scorn for mediocrity blinds you to its vast primitive power. You stand in the glare of your own brilliance, unable to see into the dim corners of the room, to dilate your eyes and see the potential dangers of the mass, the wad of humanity. Even as I tell you this, dear student, you cannot quite believe that lesser men, in whatever numbers, can really defeat you. But we are in the age of the mediocre man. He is dull, colorless, boring — but inevitably victorious. The amoeba outlives the tiger because it divides and continues in its immortal monotony. The masses are the final tyrants. See how, in the arts, Kabuki wanes and withers while popular novels of violence and mindless action swamp the mind of the mass reader. And even in that timid genre, no author dares to produce a genuinely superior man as his hero, for in his rage of shame the mass man will send his yojimbo, the critic, to defend him. The roar of the plodders is inarticulate, but deafening. They have no brain, but they have a thousand arms to grasp and clutch at you, drag you down.
”
”
Trevanian (Shibumi)
“
Go on," Kell told him without taking his eyes from Lila. " Get some rest."
Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--"
"I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps.
Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity.
"You never told me," he whispered.
"You never noticed," she answered. And then, "Alucard did."
The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously.
He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--"
A sleepy flicker of amusement. "Trying to get me into bed?"
Kell mustered a smile. "It's only fair. I've spent enough time in yours."
"If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time."
"And tied to it," observed Kell.
Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her.
"Lila?" he asked, first gently, and then more urgently. "Lila?"
She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed.
"What have you done?" demanded Kell.
"It was just a tonic, sir," he fumbled, "something for sleep."
"You drugged her?"
"It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy.
"And what do you plan to do when she wakes back up?"
Hastra shrank back. "Apologize?"
Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder.
"I suggest," he snapped at the young man, "you think of something better. Like an escape route."
Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch.
Hastra handed him a blanket. "Shouldn't you take off her knives?"
"There's not enough tonic in the world to risk it," said Kell.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
We have followed you," they said, "and we shall follow you wherever you go. If danger threatens you, we shall face it also. If it be death, we shall die with you. You are damned, and we wish to share your damnation."
They looked upon us, and their voice was low, but there was bitterness and triumph in their voice:
"Your eyes are as a flame, but our brothers have neither hope nor fire. Your mouth is cut of granite, but our brothers are soft and humble. Your head is high, but our brothers cringe. You walk, but our brothers crawl. We wish to be damned with you, rather than blessed with all our brothers. Do as you please with us, but do not send us away from you."
Then they knelt, and bowed their golden head before us.
We had never thought of that which we did. We bent to raise the Golden One to their feet, but when we touched them, it was as if madness had stricken us. We seized their body and we pressed our lips to theirs. The Golden One breathed once, and their breath was a moan, and then their arms closed around us.
We stood together for a long time. And we were frightened that we had lived for twenty-one years and had never known what joy is possible to men.
”
”
Ayn Rand (Anthem)
“
It is the oldest ironies that are still the most satisfying: man, when preparing for bloody war, will orate loudly and most eloquently in the name of peace. This dichotomy is not an invention of the twentieth century, yet it is in this century that the most striking examples of the phenomena have appeared. Never before has man pursued global harmony more vocally while amassing stockpiles of weapons so devastating in their effect. The second world war - we were told - was The War to End All Wars. The development of the atomic bomb is the Weapon to End Wars.
And yet wars continue. Currently, no nation on this planet is not involved in some form of armed struggle, if not against its neighbors then against internal forces. Furthermore, as ever-escalating amounts of money are poured into the pursuit of the specific weapon or conflict that will bring lasting peace, the drain on our economies creates a rundown urban landscape where crime flourishes and people are concerned less with national security than with the simple personal security needed to stop at the store late a night for a quart of milk without being mugged. The places we struggled so viciously to keep safe are becoming increasingly dangerous. The wars to end wars, the weapons to end wars, these things have failed us.
”
”
Alan Moore (Watchmen)
“
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed."
I pressed my face against his neck, breathing him in. "I know."
"So what do we do?"
Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again."
His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?"
I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?"
He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you."
I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for.
"Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards."
His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again.
"Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?"
He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze.
The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine.
And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too.
How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me.
But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it.
Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—”
Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me.
When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?”
“Nothing—”
“Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!”
His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.”
Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.”
“Lee—”
“I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.”
“We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion.
It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
”
”
Susan Griffin (Woman and Nature: The Roaring Inside Her)
“
...she wanted him to feel like she did, like he'd done something forbidden, wanted to give him something he'd like and really wasn't supposed to have, something that would feel wrong, something he wanted.
"Kiss me again," she whispered, reaching up, her fingers sliding through his hair. She almost didn't know herself as she moved against him.
He bent helplessly toward her.
She bit her tongue. Bit it hard, the pain chasing through her nerve endings and alchemizing into something close to pleasure. When her mouth opened under his, it was flooded with welling blood.
He groaned at the taste of it, red eyes going wide with surprise and something like fear. His hand gripped her arms as he pushed her body back against the brick of the wall, holding her in place. He'd been careful before, but he wasn't being careful now as he licked her mouth; and it amazed her as much as it terrified her. He kissed her ferociously, savagely, their lips sliding together with bruising fervor. The pain in her tongue became a distant throbbing. Her fingers dug into the muscles of his back, their bodies pressed so close that he must have felt every hitch in her breath, every shuddering beat or her heart. And as scared of him as she had been, right then she was more frightened of herself.
Gavriel reeled back from her, lips ruddy. He wiped his mouth against the back of his hand, her blood smearing over his skin. Gazing at her for a long moment with something like horror, as though he was seeing her for the first time, he spoke. "You are more dangerous than daybreak.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
Pearl Harbor Address to the Nation
Delivered on December 8, 1941
Mr. Vice President, Mr. Speaker, Members of the Senate, and of the House of Representatives:
Yesterday, December 7th, 1941 -- a date which will live in infamy -- the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan.
The United States was at peace with that nation and, at the solicitation of Japan, was still in conversation with its government and its emperor looking toward the maintenance of peace in the Pacific.
Indeed, one hour after Japanese air squadrons had commenced bombing in the American island of Oahu, the Japanese ambassador to the United States and his colleague delivered to our Secretary of State a formal reply to a recent American message. And while this reply stated that it seemed useless to continue the existing diplomatic negotiations, it contained no threat or hint of war or of armed attack.
It will be recorded that the distance of Hawaii from Japan makes it obvious that the attack was deliberately planned many days or even weeks ago. During the intervening time, the Japanese government has deliberately sought to deceive the United States by false statements and expressions of hope for continued peace.
The attack yesterday on the Hawaiian islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. In addition, American ships have been reported torpedoed on the high seas between San Francisco and Honolulu.
Yesterday, the Japanese government also launched an attack against Malaya.
Last night, Japanese forces attacked Hong Kong.
Last night, Japanese forces attacked Guam.
Last night, Japanese forces attacked the Philippine Islands.
Last night, the Japanese attacked Wake Island.
And this morning, the Japanese attacked Midway Island.
Japan has, therefore, undertaken a surprise offensive extending throughout the Pacific area. The facts of yesterday and today speak for themselves. The people of the United States have already formed their opinions and well understand the implications to the very life and safety of our nation.
As commander in chief of the Army and Navy, I have directed that all measures be taken for our defense. But always will our whole nation remember the character of the onslaught against us.
No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.
I believe that I interpret the will of the Congress and of the people when I assert that we will not only defend ourselves to the uttermost, but will make it very certain that this form of treachery shall never again endanger us.
Hostilities exist. There is no blinking at the fact that our people, our territory, and our interests are in grave danger.
With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph -- so help us God.
I ask that the Congress declare that since the unprovoked and dastardly attack by Japan on Sunday, December 7th, 1941, a state of war has existed between the United States and the Japanese empire.
”
”
Franklin D. Roosevelt
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
When I got to school the next morning I had stepped only
one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least
bit about the scene he was creating.
The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe.
“Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.”
“I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You
had your mother worried sick!”
“My mother?” I questioned sarcastically.
Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he
looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of
how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students,
where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You
can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller!
“Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute.
“I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more.
I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I
tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop.
Look, I will be your friend. I want to be your friend. But that’s it.
We can’t be anything more. It’ll never work.”
Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.”
It was hopeless.
“Fine!” I snapped. “I’ll be your stupid girlfriend!”
Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the
harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually
laughed at my request. “No promises.”
Stupid, cocky boyfriend.
“You’re crazy. You know that, right?”
Ryan got this big cheesy smile on his face and said, “Crazy about you.”
“Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?”
“Because I like you.”
His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that?
“I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.”
“You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked
a smile despite myself. “You really are crazy,” I muttered.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))